US3476864A - Electronic organ reiteration system utilizing a zero-crossing preference circuit - Google Patents
Electronic organ reiteration system utilizing a zero-crossing preference circuit Download PDFInfo
- Publication number
- US3476864A US3476864A US533013A US3476864DA US3476864A US 3476864 A US3476864 A US 3476864A US 533013 A US533013 A US 533013A US 3476864D A US3476864D A US 3476864DA US 3476864 A US3476864 A US 3476864A
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- United States
- Prior art keywords
- tone
- gates
- lead
- tones
- amplifier
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- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
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Classifications
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
- G10H1/18—Selecting circuits
- G10H1/26—Selecting circuits for automatically producing a series of tones
- G10H1/30—Selecting circuits for automatically producing a series of tones to reiteratively sound two tones
-
- Y—GENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
- Y10—TECHNICAL SUBJECTS COVERED BY FORMER USPC
- Y10S—TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
- Y10S84/00—Music
- Y10S84/02—Preference networks
Definitions
- the present invention relates generally to electric organs and more particularly to reiteration circuits for electric organs. 7
- tone it is well known in the electric organ art to cause a tone to be sounded reiteratively so long as the playing key remains activated which called forth that tone.
- the capability of sounding tones reiteratively is of value in simulating banjo or mandolin music, and this can be accomplished by the unskilled player when the reiteration facility is available.
- reiteration has been accomplished in response to a single tone only, or, if a chord is sounded, all the tones of the chord are reiterated together.
- a novel reiteration capability is provided. If a chord is played, the highest and the lowest tone of the chord are called forth persussively in alternation reiteratively, while the remainder of the chord remains silent, regardless of the number of tones in the chord. But, if a single key is depressed, that note is called forth reiteratively, in distinctly spaced, rapidly repeated percussive pulses of tone.
- the system of that invention includes a resistive network, having series and shunt elements arranged in the form of a cascaded array of resistive T or 1r networks, the tone sources being applied to the shunt elements. If the tone sources are connected to the shunt elements in ascending order of pitch, the lowest tone alone can be derived from one end of the array and the highest tone alone from the other end of the array.
- the general arrangement of the system is, to apply the tones to be alternated to two normally non-conductive gates, which are rendered conductive in alternation.
- the tones can be used to control a frequency divider chain so that tones of different footages may be individually or simultaneously called forth by depression of one key.
- FIGURE 1 is a block diagram of a simplified version of the present invention
- FIGURE 2 is a block diagram of a complete version of the present invention.
- FIGURES 3 and 3a are a schematic circuit diagram of the system of FIGURE 2.
- 10 is a wipeout switch which provides a first tone on its output lead 11, and a second tone on its output lead 12.
- the switch 10 combines all tones called forth by closure of plural ones of switches 13 from oscillators or tone sources 14, but the highest frequency called forth appears at greater amplitudes at lead 11, and the lowest frequency at lead 12.
- the wave forms available on leads 11 and 12 are clipped by clipping amplifiers 15, 16, each of which selects that portion of the total wave shapes, i.e., the zero crossings, which correspond with one tone, in this case amplifier 15 selecting the highest frequency and amplifier 16 the lowest frequency.
- the wipeout switch 10 and the clipping circuits 15, 16 together constitute a preference network and by arranging oscillators 14 in order of increasing pitch, the highest and lowest pitches may be selected.
- the highest pitch is applied to gate 17 and the lowest pitch to gate 18.
- a multivibrator oscillator 19 applies gating waves to the gates 17, 18 in alternation, so that one of gates 17, 18 is conductive at any one time, and the other gate is then non-conductive.
- the total outputs of gates 17, 18 is applied to amplifier 20.
- the output of the latter is passed through a tone forming filter 21 and radiated acoustically by a loudspeaker 22.
- the gates 17, 18 may be wave shaping gates, i.e., may provide a smooth but rapid rise and a sustained or slow decay, as indicated by the waveforms at 25.
- the total tone which is acoustically radiated consists of alternate tones 26, 27, which have been shaped and formed to conform with the tonal wave shapes produced by the instrument, as mandolin or banjo, which it is desired to simulate.
- FIGURE 2 is a modification of the system of FIGURE 1, which contains two improvements over FIGURE 1.
- the outputs of clipping amplifiers 15, 16 are applied to frequency divider chains, 30, 31, providing two stages of division. From each stage is derived a tone, and the tones are individually selected by gates 17a, 17b, 17c.
- clipper amplifier 16 drives divider chain 31, duplicating chain 30, and the three outputs of chain 31 are individually selected by gates 18a, 18b, 18c.
- the outputs of gates 17a, 18a are collected by amplifier 20a; the outputs of gates 18b by amplifier 20b; and the outputs of gates 17c, by amplifier 200.
- the outputs of the amplifiers 20a, 20b, 200 are separately filtered by tone color filters 21a, 21b, 21c and radiated acoustically by loudspeaker 22.
- Single note block 23 accepts signals from clipping amplifiers 15 and 16 and compares these. If they are the same, control signal from reiteration oscillator 19 is blocked in its path to gates 17a, 17b, and 17c, but otherwise is not blocked. Thereby, when a single note is played it is not alternated with itself.
- FIGURE 3 represents a schematic circuit diagram of the system of FIGURE 2, with minor modifications.
- 14a14d, inclusive are tone sources, i.e., oscillators or components of frequency dividers. These are connected at will, via key switches 13a.13d, inclusive, and output impedances 30a, 30b, 30c, 30d to junction points 31, 32, 33, 34 of a string of resistances.
- the components described to this point are called a wipeout switch, which has two output leads 35, 36.
- each of generators 14a-14d proceeds to output lead 35 via a different series impedance, and to output lead 36 via a different series impedance. If plural switches 13a-13d are simultaneously closed, plural tones will proceed simultaneously to leads 35 and 36 but that generator nearest to lead 35 will provide signal at lead 35 at highest amplitude and that generator nearest to lead 36 will provide signal at lead 36 at highest ampli' tude. For example, if all of switches 13a-13d are closed simultaneously, generator 14a will provide maximum signal to lead 36 and generator 14d to lead 35, and generators 14b, 14c will be subordinated in amplitude at both leads 35, 36.
- Lead 35 proceeds to clipping amplifier 40 of FIGURE 3, and lead 36 to clipping'amplifier 41.
- transistor T has its collector connected to +115 v. via resistance 42 of 100K, and its emitter connected to ground via a small resistance 43, of 6800. This emitter is also connected to a bias voltage of 4.5 v. via resistance 44 of 2.7K. It follows that the emitter of T is at a potential slightly below ground, such that the on-condition of the transistor occurs when the base is approximately zero.
- the base of T is connected to --4.5 v. via a very large resistance 45 of M.
- the square waves provided by generators 14a14d are 8 v. peak to peak with no D.C. component.
- Transistor T is thus arranged to cut-off on a slight negatively going voltage and to saturate on a slight positively going voltage, with respect to ground. Thereby, transitions of voltage occur at the base of T only during zero-crossings of the signal voltages.
- Transistor T is an amplifier clipper, which amplifies its input signal, but saturates to provide square waves, and transistor T operates solely as an amplifier.
- the emitter resistance 43a of 2209 provides clipped signal to lead 46, which is required for control of a single note block 46a, hereinafter explained in detail, while transistor T supplies its output to a gate 47.
- the gate 47 includes a series capacitor C a series diode D and a series resistance R (120K.).
- the input terminal of the gate is A.
- a point B is located between capacitor C and the cathode of diode D and. the output terminal is C.
- a shunt diode D has its anode connected to point B and its cathode connected via a resistance R to a gating voltage input terminal D.
- the gating voltage terminal D is connected via lead 50 to the collector of a transistor T FIGURE 3A, which acts as a switch, being driven by voltage supplied by one side of a conventional multivibrator oscillator 51 from a condition in which lead 50 is well isolated from ground to a condition in which lead 50 is grounded.
- oscillator 51 may have a frequency of 7 c.p.s., and it applies its voltage as a positive square pulse of about sec. duration, followed by a space of the same duration, via capacitor 52 and resistance 53 to the base of transistor T
- the capacitor 52 and resistance 53 act to differentiate the square pulse, generating an extremely short positive pulse, followed after 4 sec. by an equally short negative pulse.
- the signal supplied by transistor T drives a two-stage frequency divider, composed of divide-by-two flip-flops 60 and 61, which are per se conventional in character.
- the direct tone provided by T is then considered a 2' tone, while the outputs of flip-flops 60 and 51 are, respectively, 4' and 8' tones.
- Each flip-flop is provided with its own gate, driven from T identical in character to the 2' gate, but not necessarily having the same time constants.
- capacitors 65, 66 in the 4' and 8' gates are of .1 microfarad and .18 microfarad whereas C to which these correspond in function, is .0068 microfarad.
- Other components have the same values in all gates. The result is that the 2' tone component has short time constant of rise and decay and is used as a strike component for the other voices.
- a single amplifier 70 is used to sum the outputs of the 2' and 4' gates, and to pass these to a tone color filter 71.
- the 8 gate is provided with a separate amplifier 72 and tone color filter 73.
- Separate stop switches 74a, 74b are supplied for tone color filters 71 and 73.
- the 2' and 4' voices can only be heard together, and the 8' voice can be heard alone or with the 2' and 4' voices. However, as illustrated in the block diagram of FIGURE 2, the 2' and 4 voices can be obtained independently, if desired.
- the lead 36 like the lead 35, proceeds to clipping amplifier 41, which includes a zero crossing detector 75, a clipping amplifier 76, and an amplifier 77.
- clipping amplifier 40 which includes a zero crossing detector 75, a clipping amplifier 76, and an amplifier 77.
- T has an emitter load which supplies signal to lead 46
- the transistor T of stage 76 does not, but instead has a small resistance 79 in series between positive supply lead 80 and the collector load 81 of transistor T
- Resistance 79 supplies a signal to lead 85 which is equal to, but out of phase with the signal on lead 46 because of its location in a collector circuit, whereas lead 46 takes its signal from an emitter. Both signals are applied to the base of T where they cancel out and produce no effect.
- T is analogous to the function of T so that if it cannot operate, the 2', 4' and 8' gates associated with clipping amplifier 41, and the flip-flops 60a and 61a driven therefrom do not become conductive.
- the 2 and 4 gates driven by clipping amplifier 41 and flip-flop 60a are connected via leads 92, 93 to a junction 94, which is in turn connected to the input of amplifier 70 via lead 94a.
- the 8 gate driven from flip-flop 61a is connected to the input of amplifier 72 via lead 98.
- the wipeout switch may have only one of its key switches 13a-13d depressed or closed. If so, two synchronous wave shapes of opposite phase are applied to the base of T of single note block 46a. The transistor T then disables transistor T and only one set of tones is heard, i.e., those deriving from clipping amplifier 40, and flip-flops 60, 61.
- (b) means responsive to any plurality of said tone signals called forth simultaneously for sounding in alternation and reiteratively only the highest and the lowest of the plurality of tones called for by said tone signals.
- said last means includes a preference circuit for transferring said highest and lowest of said plurality of notes to separate leads.
- said means includes a pair of gates responsive individually to said highest and lowest of said plurality of tones
- said means rendering said gates conductive includes a reiteration oscillator for rendering said pair of gates conductive and non-conductive in alternating sequence
- said means includes a pair of gates responsive individually to said highest and lowest of said plurality of tones
- said means rendering said gates conductive includes a bistable multivibrator for supplying trigger voltages in alternation to said gates, and
- a tone generator providing a plurality of key responsive tones according to a musical scale
- means comprising a preference network responsive to sustained depression of two of said keys for calling forth reiteratively and in alternation the tones corresponding with said two of said keys, and
- preference means responsive to actuation of any plurality of at least three of said keys corresponding with a chord for calling forth only two notes of said chord in alternation, one of said notes being the highest note of said chord and the other of said notes being the lowest note of said chord.
- said preference means is a circuit response to a plurality of discrete tone signals simultaneously for selecting on separate leads the highest frequency and lowest frequency only of said tone signals.
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Description
Applications Claiming Priority (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| US53301366A | 1966-03-09 | 1966-03-09 |
Publications (1)
| Publication Number | Publication Date |
|---|---|
| US3476864A true US3476864A (en) | 1969-11-04 |
Family
ID=24124093
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| US533013A Expired - Lifetime US3476864A (en) | 1966-03-09 | 1966-03-09 | Electronic organ reiteration system utilizing a zero-crossing preference circuit |
Country Status (1)
| Country | Link |
|---|---|
| US (1) | US3476864A (en) |
Cited By (20)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US3553335A (en) * | 1969-04-14 | 1971-01-05 | Baldwin Co D H | Electronic organ having plural tone sources and loudspeakers with alternate reiterative gating, cross gating, and method |
| US3565997A (en) * | 1969-10-21 | 1971-02-23 | Nippon Musical Instruments Mfg | Automatic trill-producing device for electronic musical instruments |
| US3565999A (en) * | 1968-12-09 | 1971-02-23 | Baldwin Co D H | Self-biasing percussion system for an electronic organ |
| US3565998A (en) * | 1968-10-16 | 1971-02-23 | Baldwin Co D H | Banjo simulation system |
| US3610799A (en) * | 1969-10-30 | 1971-10-05 | North American Rockwell | Multiplexing system for selection of notes and voices in an electronic musical instrument |
| US3610803A (en) * | 1969-09-15 | 1971-10-05 | Motorola Inc | Chord storing apparatus for electric organ |
| US3681508A (en) * | 1969-09-30 | 1972-08-01 | Bohm R | Electronic organ |
| US3696200A (en) * | 1970-10-27 | 1972-10-03 | Baldwin Co D H | Automatic sequential voicing |
| US3764721A (en) * | 1971-09-30 | 1973-10-09 | Motorola Inc | Electronic musical instrument |
| US3764723A (en) * | 1971-03-16 | 1973-10-09 | Nippon Musical Instruments Mfg | Voltage-controlled single tone selector for use in electronic musical instrument |
| US3766305A (en) * | 1972-07-17 | 1973-10-16 | Hammond Corp | D.c. keyed high low select preference system for polyphonic electrical musical instruments |
| US3878751A (en) * | 1970-11-30 | 1975-04-22 | Opsonar Organ Corp | Endless record audio signal generator and means for playing record |
| US3910150A (en) * | 1974-01-11 | 1975-10-07 | Nippon Musical Instruments Mfg | Implementation of octave repeat in a computor organ |
| US4016792A (en) * | 1974-03-04 | 1977-04-12 | Hammond Corporation | Monophonic electronic musical instrument |
| JPS5352136U (en) * | 1976-10-06 | 1978-05-04 | ||
| US4120226A (en) * | 1976-04-26 | 1978-10-17 | Cbs Inc. | Circuit for reiterating percussive sounds in electronic musical instrument |
| US4137809A (en) * | 1970-12-30 | 1979-02-06 | D. H. Baldwin Company | Arpeggio system for electronic organs |
| JPS55113092A (en) * | 1979-02-23 | 1980-09-01 | Nippon Musical Instruments Mfg | Effect circuit for electronic musical instrument |
| US4379422A (en) * | 1977-08-15 | 1983-04-12 | Baldwin Piano & Organ Company | Polyphonic electronic music system |
| US4665788A (en) * | 1983-10-14 | 1987-05-19 | Jeff Tripp | Keyboard apparatus |
Citations (2)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US2685039A (en) * | 1952-03-13 | 1954-07-27 | Hughes Aircraft Co | Diode gating circuits |
| US3378624A (en) * | 1964-06-25 | 1968-04-16 | Allen Organ Company Inc | Electrical musical instrument with tremolo |
-
1966
- 1966-03-09 US US533013A patent/US3476864A/en not_active Expired - Lifetime
Patent Citations (2)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US2685039A (en) * | 1952-03-13 | 1954-07-27 | Hughes Aircraft Co | Diode gating circuits |
| US3378624A (en) * | 1964-06-25 | 1968-04-16 | Allen Organ Company Inc | Electrical musical instrument with tremolo |
Cited By (20)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US3565998A (en) * | 1968-10-16 | 1971-02-23 | Baldwin Co D H | Banjo simulation system |
| US3565999A (en) * | 1968-12-09 | 1971-02-23 | Baldwin Co D H | Self-biasing percussion system for an electronic organ |
| US3553335A (en) * | 1969-04-14 | 1971-01-05 | Baldwin Co D H | Electronic organ having plural tone sources and loudspeakers with alternate reiterative gating, cross gating, and method |
| US3610803A (en) * | 1969-09-15 | 1971-10-05 | Motorola Inc | Chord storing apparatus for electric organ |
| US3681508A (en) * | 1969-09-30 | 1972-08-01 | Bohm R | Electronic organ |
| US3565997A (en) * | 1969-10-21 | 1971-02-23 | Nippon Musical Instruments Mfg | Automatic trill-producing device for electronic musical instruments |
| US3610799A (en) * | 1969-10-30 | 1971-10-05 | North American Rockwell | Multiplexing system for selection of notes and voices in an electronic musical instrument |
| US3696200A (en) * | 1970-10-27 | 1972-10-03 | Baldwin Co D H | Automatic sequential voicing |
| US3878751A (en) * | 1970-11-30 | 1975-04-22 | Opsonar Organ Corp | Endless record audio signal generator and means for playing record |
| US4137809A (en) * | 1970-12-30 | 1979-02-06 | D. H. Baldwin Company | Arpeggio system for electronic organs |
| US3764723A (en) * | 1971-03-16 | 1973-10-09 | Nippon Musical Instruments Mfg | Voltage-controlled single tone selector for use in electronic musical instrument |
| US3764721A (en) * | 1971-09-30 | 1973-10-09 | Motorola Inc | Electronic musical instrument |
| US3766305A (en) * | 1972-07-17 | 1973-10-16 | Hammond Corp | D.c. keyed high low select preference system for polyphonic electrical musical instruments |
| US3910150A (en) * | 1974-01-11 | 1975-10-07 | Nippon Musical Instruments Mfg | Implementation of octave repeat in a computor organ |
| US4016792A (en) * | 1974-03-04 | 1977-04-12 | Hammond Corporation | Monophonic electronic musical instrument |
| US4120226A (en) * | 1976-04-26 | 1978-10-17 | Cbs Inc. | Circuit for reiterating percussive sounds in electronic musical instrument |
| JPS5352136U (en) * | 1976-10-06 | 1978-05-04 | ||
| US4379422A (en) * | 1977-08-15 | 1983-04-12 | Baldwin Piano & Organ Company | Polyphonic electronic music system |
| JPS55113092A (en) * | 1979-02-23 | 1980-09-01 | Nippon Musical Instruments Mfg | Effect circuit for electronic musical instrument |
| US4665788A (en) * | 1983-10-14 | 1987-05-19 | Jeff Tripp | Keyboard apparatus |
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Legal Events
| Date | Code | Title | Description |
|---|---|---|---|
| AS | Assignment |
Owner name: SECURITY PACIFIC BUSINESS CREDIT INC., 10089 WILLO Free format text: SECURITY INTEREST;ASSIGNOR:BPO ACQUISITION CORP. A CORP OF DE;REEL/FRAME:004298/0001 Effective date: 19840615 Owner name: GENERAL ELECTRIC CREDIT CORPORATION, A NY CORP., C Free format text: SECURITY INTEREST;ASSIGNOR:BPO ACQUISITION CORP., A DE CORP;REEL/FRAME:004297/0802 Effective date: 19840615 |
|
| AS | Assignment |
Owner name: BPO ACQUISITION CORP., 180 GILBERT AVE., CINCINNAT Free format text: ASSIGNMENT OF ASSIGNORS INTEREST.;ASSIGNOR:D.H. BALDWIN COMPANY AN OH CORP.;REEL/FRAME:004385/0934 Effective date: 19840615 |
|
| AS | Assignment |
Owner name: BALDWIN PIANO & ORGAN COMPANY Free format text: CHANGE OF NAME;ASSIGNOR:BPO ACQUISTION CORP.;REEL/FRAME:004473/0501 Effective date: 19840612 |