TWM592150U - Double-layer thumb piano with semitone key - Google Patents
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- TWM592150U TWM592150U TW108216910U TW108216910U TWM592150U TW M592150 U TWM592150 U TW M592150U TW 108216910 U TW108216910 U TW 108216910U TW 108216910 U TW108216910 U TW 108216910U TW M592150 U TWM592150 U TW M592150U
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- 239000002184 metal Substances 0.000 description 10
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Abstract
本創作係一種具半音鍵的雙層拇指琴,其包含有一琴身、複數第一琴鍵、複數第二琴鍵,以及沿一縱向設置於琴身的一琴枕組件、一前抵靠架、一中抵靠架及一後抵靠架;前抵靠架具有一第一下壓孔;中抵靠架具有一第一支撐孔及位於第一支撐孔上方的一第二下壓孔;第一琴鍵位於琴枕組件的上方,並且依序貫穿第一下壓孔及第一支撐孔;第一琴鍵受第一下壓孔下壓,並由琴枕組件及第一支撐孔向上支撐固定;第二琴鍵位置高於第一琴鍵;第二琴鍵貫穿第二下壓孔,並由前抵靠架及後抵靠架向上支撐固定;藉此,本創作進一步設置半音鍵,音域範圍完整。This composition is a double-layer thumb piano with semitone keys, which includes a body, a plurality of first keys, a plurality of second keys, and a pillow assembly arranged along the longitudinal direction of the body, a front abutment frame, a The middle abutment frame and a rear abutment frame; the front abutment frame has a first depression hole; the middle abutment frame has a first support hole and a second depression hole located above the first support hole; the first The key is located above the pillow assembly and penetrates the first down hole and the first support hole in sequence; the first key is pressed down by the first down hole and is supported and fixed upward by the pillow assembly and the first support hole; The position of the second key is higher than that of the first key; the second key penetrates through the second depression hole and is supported and fixed upward by the front abutment frame and the rear abutment frame; by this, the creation further sets the semitone keys, and the sound range is complete.
Description
本創作係涉及一種彈撥式樂器,尤指一種具有雙層琴鍵且包含半音鍵的拇指琴(或稱卡林巴琴)。This creative department relates to a plucked musical instrument, especially a thumb piano (or kalimba) with double-layer keys and semitone keys.
拇指琴是一種非洲特色樂器,其包含一琴身及多根長短不一的彈性金屬條所構成的琴鍵,琴鍵的頭端固定於琴身並且橫向排成一列。彈奏拇指琴時,雙手分別握持琴身的兩側邊,然後以拇指彈撥琴鍵的尾端,使琴鍵震動發聲。The thumb piano is an African characteristic musical instrument. It includes a piano body and a plurality of elastic metal strips of different lengths. The ends of the keys are fixed to the piano body and are arranged in a row. When playing the thumb piano, hold the sides of the body with both hands, and then use the thumb to pluck the tail end of the key to make the key vibrate and sound.
然而,拇指琴的琴身橫向長度需配合拇指的橫向移動範圍進行設計,但因拇指的橫向移動範圍十分有限,因此拇指琴身的橫向長度也十分有限,進而限制了拇指琴能夠安裝的琴鍵數量。因琴鍵數量受限,現有技術中的拇指琴的琴鍵通常為5音、7音、10音、17音,且均由主音組成,沒有半音鍵,導致音域範圍不完整,無法彈奏具有半音的曲譜。However, the lateral length of the body of the thumb piano needs to be designed in accordance with the lateral movement range of the thumb, but because the lateral movement range of the thumb is very limited, the lateral length of the thumb piano body is also very limited, thereby limiting the number of keys that can be installed on the thumb piano . Due to the limited number of keys, the thumb keys in the prior art are usually 5th, 7th, 10th, and 17th, and are all composed of main sounds. There are no semitone keys, resulting in an incomplete sound range and the inability to play semitones. Sheet music.
因此,現有技術的拇指琴實有待加以改良。Therefore, the prior art thumb piano needs to be improved.
有鑑於前述之現有技術的缺點及不足,本創作提供一種具半音鍵的雙層拇指琴,其於現有技術中橫向排成一列的琴鍵上方進一步設置另一排琴鍵,以便在有限的空間中同時設置全音鍵以及半音鍵。In view of the aforementioned shortcomings and deficiencies of the prior art, the present invention provides a double-layer thumb piano with semitone keys, which is further provided with another row of keys above the keys arranged in a row in the prior art in order to simultaneously in a limited space Set the full key and semitone key.
為達到上述的創作目的,本創作所採用的技術手段為設計一種具半音鍵的雙層拇指琴,其中包含: 一琴身,其具有一縱向及一橫向,該琴身上沿該縱向依序設置有一琴枕組件、一前抵靠架、一中抵靠架及一後抵靠架,且該琴枕組件、該前抵靠架、該中抵靠架該及後抵靠架均沿該橫向延伸; 該前抵靠架具有一第一下壓孔,其沿該橫向延伸; 該中抵靠架具有一第一支撐孔及一第二下壓孔,該第一支撐孔及該第二下壓孔均沿該橫向延伸,且該第二下壓孔的高度位置高於該第一支撐孔的高度位置; 複數第一琴鍵,其為長片狀,並位於該琴身及該琴枕組件的上方;各該第一琴鍵向下抵靠該琴枕組件,且沿該縱向貫穿該前抵靠架的該第一下壓孔及該中抵靠架的該第一支撐孔;該第一下壓孔的頂側壁面下壓該等第一琴鍵,該第一支撐孔的底側壁面及該琴枕組件的頂部向上抵靠該第一琴鍵; 複數第二琴鍵,其為長片狀,並位於該前抵靠架的上方;各該第二琴鍵向下抵靠該前抵靠架,且沿該縱向貫穿該中抵靠架的該第二下壓孔,並且沿該縱向延伸至該後抵靠架的上方;該第二下壓孔的頂側壁面下壓該等第二琴鍵,該後抵靠架的頂部向上抵靠該等第二琴鍵; 其中,該等第二琴鍵的高度位置高於該等第一琴鍵的高度位置。 In order to achieve the above-mentioned creative purpose, the technical method used in this creation is to design a double-layer thumb piano with semitone keys, which includes: A piano body having a longitudinal direction and a lateral direction, a piano pillow assembly, a front abutment frame, a middle abutment frame and a rear abutment frame are sequentially arranged along the longitudinal direction on the piano body, and the piano pillow assembly, The front abutment frame, the middle abutment frame and the rear abutment frame all extend along the lateral direction; The front abutment frame has a first depression hole, which extends in the lateral direction; The middle abutment frame has a first supporting hole and a second downward pressing hole, the first supporting hole and the second downward pressing hole both extend along the lateral direction, and the height position of the second downward pressing hole is higher than the The height position of the first support hole; A plurality of first keys, which are elongated and located above the body and the pillow assembly; each of the first keys abuts the pillow assembly downwards, and penetrates the front abutment frame along the longitudinal direction A first pressing hole and the first supporting hole of the middle abutting frame; the top side wall surface of the first pressing hole presses down the first keys, the bottom side wall surface of the first supporting hole and the piano pillow assembly The top of the abuts the first key; A plurality of second keys, which are elongated and located above the front abutment frame; each second key abuts the front abutment frame downward and penetrates the second of the middle abutment frame in the longitudinal direction Press down the hole and extend in the longitudinal direction above the rear abutment frame; the top wall surface of the second down hole presses down the second keys, the top of the rear abutment frame abuts the second Piano keys Wherein, the height positions of the second keys are higher than the height positions of the first keys.
本創作的優點在於,中抵靠架用於安裝第一琴鍵的第一支撐孔上方具有第二下壓孔,且中抵靠架相對前抵靠架的一側設置有後抵靠架,同時,第一琴鍵的上方進一步設置第二琴鍵(即本創作具有雙層琴鍵),第二琴鍵透過第二下壓孔的下壓,以及前抵靠架和後抵靠架的向上抵靠而被夾持固定在第一琴鍵上方。The advantage of this creation is that the middle support frame has a second lower pressure hole above the first support hole for mounting the first key, and the side of the middle support frame opposite to the front support frame is provided with a rear support frame, and , A second key is further provided above the first key (that is, this creation has a double-layer key), the second key is pressed through the second pressing hole, and the front abutment frame and the rear abutment frame are upwardly abutted. The clamp is fixed above the first key.
藉由在第一琴鍵的上方進一步排列設置第二琴鍵,本創作便可在不增加琴身的橫向長度的情況下,在琴身上設置更多琴鍵,並因此能夠同時設置全音鍵及半音鍵,使有限的空間中同時設置全音鍵以及半音鍵,使本創作具有完整的音域範圍,可彈奏具有半音的曲譜。具體來說,位於上層的第二琴鍵可為半音鍵,並且可進一步增加特有補音鍵,使八度音域完整,補音增加重音效果。By further arranging the second key above the first key, this creation can set more keys on the body without increasing the lateral length of the body, and therefore can set both full-tone and semi-tone keys at the same time. Make the full-tone keys and semitone keys in the limited space at the same time, so that this creation has a full range of sound ranges, and you can play the semitone notes. Specifically, the second key located on the upper layer may be a semitone key, and a special fill key may be further added to complete the octave range, and the fill sound adds an accent effect.
進一步而言,所述之具半音鍵的雙層拇指琴,其中該具半音鍵的雙層拇指琴進一步包含一連接板,其螺合固定於該琴身,該前抵靠架的底部及該中抵靠架的底部分別連接於該連接板的相對兩側邊,且該前抵靠架、該連接板及該中抵靠架為一體成形;該後抵靠架螺合固定於該琴身。Further, the double-layer thumb piano with semitone keys, wherein the double-layer thumb piano with semitone keys further includes a connecting plate screwed and fixed to the body, the bottom of the front abutment frame and the The bottom of the middle abutment frame is respectively connected to the opposite sides of the connecting plate, and the front abutment frame, the connecting plate and the middle abutment frame are integrally formed; the rear abutment frame is screwed and fixed to the body .
進一步而言,所述之具半音鍵的雙層拇指琴,其中該前抵靠架的該第一下壓孔的該頂側壁面突出有至少一第一突出部,該至少一第一突出部具有一弧面;該至少一第一突出部的該弧面的頂端下壓其中一該第一琴鍵。Further, in the double-layer thumb piano with semitone keys, wherein the top side wall surface of the first depression hole of the front abutment frame protrudes at least one first protrusion, the at least one first protrusion It has an arc surface; the top of the arc surface of the at least one first protrusion presses down one of the first keys.
進一步而言,所述之具半音鍵的雙層拇指琴,其中該中抵靠架的該第二下壓孔的該頂側壁面突出有至少一第二突出部,該至少一第二突出部具有一弧面;該至少一第二突出部的該弧面的頂端下壓其中一該第二琴鍵。Further, in the double-layer thumb piano with semitone keys, wherein the top side wall surface of the second depression hole of the middle abutment frame protrudes at least one second protrusion, the at least one second protrusion It has an arc surface; the top of the arc surface of the at least one second protrusion presses down one of the second keys.
進一步而言,所述之具半音鍵的雙層拇指琴,其中該中抵靠架的該第二下壓孔中形成有至少一第二下壓補強部,該至少一第二下壓補強部位於相鄰的其中二該第二琴鍵之間,且該至少一第二下壓補強部的相對兩端分別連接該第二下壓孔的該頂側壁面及該第二下壓孔的底側壁面。Further, in the double-layer thumb piano with semitone keys, wherein at least one second depression reinforcement part is formed in the second depression hole of the middle abutment frame, the at least one second depression reinforcement part It is located between two adjacent second keys, and the opposite ends of the at least one second depression reinforcement portion are respectively connected to the top side wall surface of the second depression hole and the bottom side of the second depression hole Wall surface.
進一步而言,所述之具半音鍵的雙層拇指琴,其中該中抵靠架的該第一支撐孔中形成有至少一第一支撐補強部,該至少一第一支撐補強部位於相鄰的其中二該第二琴鍵之間,且該至少一第一支撐補強部的相對兩端分別連接該第一支撐孔的頂側壁面及該第一支撐孔的該底側壁面。Further, in the double-layer thumb piano with semitone keys, at least one first support reinforcement portion is formed in the first support hole of the middle support frame, the at least one first support reinforcement portion is located adjacent to Between two of the second keys, and opposite ends of the at least one first support reinforcement portion are respectively connected to the top side wall surface of the first support hole and the bottom side wall surface of the first support hole.
進一步而言,所述之具半音鍵的雙層拇指琴,其中該前抵靠架的該第一下壓孔中形成有至少一第一下壓補強部,該至少一第一下壓補強部位於相鄰的其中二該第一琴鍵之間,且該至少一第一下壓補強部的相對兩端分別連接該第一下壓孔的該頂側壁面及該第一下壓孔的底側壁面。Further, in the double-layer thumb piano with semitone keys, at least one first depression reinforcement portion formed in the first depression hole of the front abutment frame, the at least one first depression reinforcement portion It is located between two of the adjacent first keys, and the opposite ends of the at least one first depression reinforcement portion are respectively connected to the top side wall surface of the first depression hole and the bottom side of the first depression hole Wall surface.
進一步而言,所述之具半音鍵的雙層拇指琴,其中該中抵靠架的該第二下壓孔中形成有至少一第二下壓補強部,該至少一第二下壓補強部位於相鄰的其中二該第二琴鍵之間,且該至少一第二下壓補強部的相對兩端分別連接該第二下壓孔的該頂側壁面及該第二下壓孔的底側壁面;該中抵靠架的該第一支撐孔中形成有至少一第一支撐補強部,該至少一第一支撐補強部位於相鄰的其中二該第二琴鍵之間,且該至少一第一支撐補強部的相對兩端分別連接該第一支撐孔的頂側壁面及該第一支撐孔的該底側壁面;該前抵靠架的該第一下壓孔中形成有至少一第一下壓補強部,該至少一第一下壓補強部位於相鄰的其中二該第一琴鍵之間,且該至少一第一下壓補強部的相對兩端分別連接該第一下壓孔的該頂側壁面及該第一下壓孔的底側壁面。Further, in the double-layer thumb piano with semitone keys, wherein at least one second depression reinforcement part is formed in the second depression hole of the middle abutment frame, the at least one second depression reinforcement part It is located between two adjacent second keys, and the opposite ends of the at least one second depression reinforcement portion are respectively connected to the top side wall surface of the second depression hole and the bottom side of the second depression hole Wall surface; at least one first support reinforcement portion is formed in the first support hole of the middle support frame, the at least one first support reinforcement portion is located between two of the adjacent second keys, and the at least one first The opposite ends of a supporting reinforcing part are respectively connected to the top side wall surface of the first supporting hole and the bottom side wall surface of the first supporting hole; at least one first is formed in the first pressing hole of the front abutment frame The depressing reinforcing part, the at least one first depressing reinforcing part is located between two adjacent first keys, and the opposite ends of the at least one first depressing reinforcing part are respectively connected to the first depressing hole The top side wall surface and the bottom side wall surface of the first depression hole.
進一步而言,所述之具半音鍵的雙層拇指琴,其中該前抵靠架、該中抵靠架及該後抵靠架沿該橫向的延伸長度介於8至16公分。Further, in the double-layer thumb piano with semi-tone keys, the extension length of the front abutment frame, the middle abutment frame and the rear abutment frame in the lateral direction is between 8 and 16 cm.
進一步而言,所述之具半音鍵的雙層拇指琴,其中該後抵靠架具有至少一鏤空孔。Further, in the double-layer thumb piano with semitone keys, the rear abutment frame has at least one hollow hole.
以下配合圖式及本創作之較佳實施例,進一步闡述本創作為達成預定創作目的所採取的技術手段。The technical means adopted by this creation to achieve the intended purpose of creation will be further described in conjunction with the drawings and preferred embodiments of this creation.
請參閱圖1至圖4所示,本創作之具半音鍵的雙層拇指琴包含一琴身10、一琴枕組件20、一前抵靠架30、一中抵靠架50、一後抵靠架60、複數第一琴鍵70及複數第二琴鍵80;且在本實施例中,進一步包含有一連接板40。Please refer to FIG. 1 to FIG. 4, the double-layer thumb piano with semitone keys in this creation includes a
前述之琴身10具有一縱向L及一橫向T,前述之琴枕組件20、前抵靠架30、連接板40、中抵靠架50及後抵靠架60沿縱向L依序設置於琴身10上,且琴枕組件20、前抵靠架30、連接板40、中抵靠架50及後抵靠架60均沿橫向T延伸,且該等零件沿橫向T的延伸長度較佳地介於8至16公分。The
前述之琴枕組件20在本實施例中具有一本體21及一柱體22,本體21固定於琴身10上,柱體22固定於本體21的頂部。在本實施例中,本體21為一枕木,柱體22為一金屬圓棒,但本體21及柱體的材質均不以此為限,本體21也可以是塑膠或金屬等其他材質,並且本體21與柱體22也可以一體成形。The
前抵靠架30具有一第一下壓孔31,其為沿橫向T延伸的一長孔,且具體來說,第一下壓孔31的左端311及右端312分別相鄰前抵靠架30的相對兩端。前抵靠架30較佳地為一金屬板體。The
前述之連接板40為一金屬板體,其通過螺釘螺合固定於琴身10(如圖5所示)。前述之前抵靠架30的底部及中抵靠架50的底部分別連接於連接板40的相對兩側邊,藉由連接板40將前抵靠架30及中抵靠架50固定於琴身上,且具體來說,前抵靠架30、連接板40及中抵靠架50是一體成形的元件,也就是說,一塊金屬板體大致彎折成U型後,該U型的底部及兩側邊分別形成連接板40、前抵靠架30、及中抵靠架50。在其他較佳的實施例中,前抵靠架30及中抵靠架50也可相互分離並分別固定在琴身10上。The aforementioned connecting
中抵靠架50具有一第一支撐孔51及一第二下壓孔52,第一支撐孔51及第二下壓孔52均沿橫向T延伸,且第二下壓孔52的高度位置高於第一支撐孔51的高度位置。在本實施例中,第一支撐孔51的左端511及右端512分別相鄰中抵靠架50的相對兩端,第二下壓孔52的左端521及右端522分別相鄰中抵靠架50的相對兩端。中抵靠架50較佳地為一金屬板體。The
前述之後抵靠架60在本實施例中透過螺釘螺合固定於琴身10(如圖5所示)。具體來說,後抵靠架60大致為一L形金屬板體,且在本創作的第二實施例中(如圖8所示),後抵靠架60A的一側面可進一步貫穿形成多個鏤空孔61A,但鏤空孔61A的數量也可以視情況而只有一個。In the present embodiment, the
前述之第一琴鍵70為長片狀並位於琴身10及琴枕組件20的上方;各第一琴鍵70向下抵靠琴枕組件20,且沿縱向L貫穿前抵靠架30的第一下壓孔31及中抵靠架50的第一支撐孔51,第一下壓孔31的頂側壁面下壓第一琴鍵70,第一支撐孔51的底側壁面及琴枕組件20的頂部向上抵靠第一琴鍵70,且具體來說是琴枕組件20之柱體22向上抵靠第一琴鍵70;藉此,第一琴鍵70受前抵靠架30與琴枕組件20和中抵靠架50的夾持而固定於琴身10上方。在本實施例中,各第一琴鍵70的相對兩端分別為一第一安裝端71及一第一彈撥端72,第一彈撥端72位於琴枕組件20相對前抵靠架30的一側。各第一琴鍵70較佳地為一金屬彈片。The aforementioned
關於第一琴鍵70的固定方式,也可如此解釋:中抵靠架50的第一支撐孔51與各第一琴鍵70的抵靠位置定義為一號壓力點1,前抵靠架30的第一下壓孔31下壓各第一琴鍵70的位置定義為二號壓力點2,琴枕組件20頂部之柱體22與各第一琴鍵70的抵靠位置定義為三號壓力點3,中抵靠架50、前抵靠架30、琴枕組件20分別透過一號壓力點1、二號壓力點2、三號壓力點3來固定位於下層的第一琴鍵70。Regarding the fixing method of the
前述之第二琴鍵80為長片狀,並位於前抵靠架30的上方;各第二琴鍵80向下抵靠前抵靠架30,且沿縱向L貫穿中抵靠架50的第二下壓孔52,並且沿縱向L延伸至後抵靠架60的上方;第二下壓孔52的頂側壁面下壓第二琴鍵80,後抵靠架60的頂部向上抵靠第二琴鍵80;藉此,第二琴鍵80受中抵靠架50與前抵靠架30和後抵靠架60的夾持而固定於琴身10上方。在本實施例中,第二琴鍵80的相對兩端分別為一第二安裝端81及一第二彈撥端82,第二彈撥端82位於前抵靠架30相對後抵靠架60的一側。各第二琴鍵80較佳地為一金屬彈片。The aforementioned
關於第二琴鍵80的固定方式,也可如此解釋:後抵靠架60的頂部與各第二琴鍵80的抵靠位置定義為四號壓力點4,中抵靠架50的第二下壓孔52下壓各第二琴鍵80的位置定義為五號壓力點5,前抵靠架30的頂部與各第二琴鍵80的抵靠位置定義為六號壓力點6,後抵靠架60、中抵靠架50、前抵靠架30分別透過四號壓力點4、五號壓力點5、六號壓力點6來固定位於上層的第二琴鍵80。Regarding the fixing method of the
請配合參閱圖6所示,另外,為避免前抵靠架30的第一下壓孔31的頂側壁面因第一琴鍵70的反作用力而向上彎曲變形,本實施例中的前抵靠架30的第一下壓孔31中形成有複數第一下壓補強部32,其分別位於相鄰的其中二第一琴鍵70之間,且各第一下壓補強部32的相對兩端分別連接第一下壓孔31的頂側壁面及第一下壓孔的底側壁面,以強化的第一下壓孔31的頂側壁面的強度,減少彎曲變形。具體來說,所有相鄰的二第一琴鍵70之間均設有一第一下壓補強部32,因此也等同於前抵靠架30上貫穿形成有複數第一音鍵格,複數第一琴鍵70分別穿設複數該第一音鍵格,但不以此為限,第一下壓補強部32的數量也可以只有一個。Please refer to FIG. 6. In addition, in order to prevent the top side wall surface of the first pressing
請配合參閱圖7所示此外,中抵靠架50的第二下壓孔52需承受第二琴鍵80的反作用力,因此與第一下壓孔31同樣可能向上彎曲變形,因此本實施例中的中抵靠架50的第二下壓孔52中形成複數第二下壓補強部53,其位於相鄰的其中二第二琴鍵80之間,且第二下壓補強部53的相對兩端分別連接該第二下壓孔52的頂側壁面及第二下壓孔52的底側壁面,以強化的第二下壓孔52的頂側壁面的強度,減少彎曲變形。具體來說,所有相鄰的二第二琴鍵80之間均設有一第二下壓補強部53,因此也等同於中抵靠架50上貫穿形成有複數第二音鍵格,複數第二琴鍵80分別穿設複數該第二音鍵格,但不以此為限,第二下壓補強部53的數量也可以只有一個。Please refer to FIG. 7 in addition. In addition, the second
再者,因第二下壓補強部53會將第二琴鍵80的反作用力傳遞至第二下壓孔52下方的第一支撐孔51頂部,為了避免第一支撐孔51變形,中抵靠架50的第一支撐孔51中形成有複數第一支撐補強部54,其位於相鄰的其中二第二琴鍵80之間,且第一支撐補強部54的相對兩端分別連接第一支撐孔51的頂側壁面及該第一支撐孔的該底側壁面,以強化的第一支撐孔51的頂側壁面的強度,減少彎曲變形。因第一支撐補強部54的兩端分別連接第一支撐孔51的相對兩側壁面,因此也等同於中抵靠架50貫穿形成有複數鏤空格。在其他較佳的實施例中,第一支撐補強部54的數量也可以只有一個。Furthermore, since the second
最後,請配合參閱圖6及圖7所示,前抵靠架30的第一下壓孔31的頂側壁面突出複數第一突出部33,各第一突出部33具有一弧面331;各弧面331的頂端下壓其中一第一琴鍵70,以降低各第一琴鍵70與第一下壓孔31的接觸面積,避免第一琴鍵70在振動發音時產生異響,同時也可提高接觸壓力,以防止第一琴鍵70發生位移而走音。在本實施例中,各第一琴鍵70均對應設有一個第一突出部33,但不以此為限,第一突出部33也可以只有一個。基於相同的理由,中抵靠架50的第二下壓孔52的頂側壁面突出有複數第二突出部55,各第二突出部55具有一弧面551,各弧面551的頂端下壓其中一第二琴鍵80,以達到與前述第一突出部33同樣的功效。Finally, please refer to FIG. 6 and FIG. 7, the top side wall surface of the
請參閱圖10所示,本創作於使用時,雙手分別握持琴身10的兩側邊,然後以拇指彈撥第一琴鍵70的第一彈撥端72與第二琴鍵80的第二彈撥端82,使琴鍵震動發聲。Please refer to FIG. 10, when the composition is used, the two sides of the
請配合參閱圖8及圖9所示,在本創作的第二實施例中,上層的第二琴鍵80A由半音鍵及補音鍵組成。補音鍵為補充的一層,某固定音,同時彈可表現強音。下層的第一琴鍵70無半音鍵,主音由低音區C、D、W、F、G、A、B至高音區左右對稱排列,增加琴鍵數量可增加低音區琴鍵。Please refer to FIG. 8 and FIG. 9. In the second embodiment of the present creation, the second key 80A on the upper layer is composed of semitone keys and complement keys. The fill key is a supplementary layer, a fixed sound, while playing a strong sound. The first key 70 in the lower layer has no semitone keys, and the main sounds are arranged symmetrically from the bass range C, D, W, F, G, A, B to the treble range. Increasing the number of keys can increase the keys in the bass range.
綜上所述,本創作藉由在第一琴鍵70的上方進一步設置第二琴鍵80,以便在有限的空間中同時設置全音鍵以及半音鍵,使本創作能夠彈奏具有半音的曲譜。此外,本創作夾持固定第一琴鍵70及第二琴鍵80的相關結構也具有容易維修的功效。In summary, the second key 80 is further provided above the first key 70 in order to simultaneously set the full-tone keys and the semi-tone keys in a limited space, so that the composition can play a semi-tone score. In addition, the related structure of clamping and fixing the first key 70 and the second key 80 also has the effect of easy maintenance.
以上所述僅是本創作的較佳實施例而已,並非對本創作做任何形式上的限制,雖然本創作已以較佳實施例揭露如上,然而並非用以限定本創作,任何所屬技術領域中具有通常知識者,在不脫離本創作技術方案的範圍內,當可利用上述揭示的技術內容作出些許更動或修飾為等同變化的等效實施例,但凡是未脫離本創作技術方案的內容,依據本創作的技術實質對以上實施例所作的任何簡單修改、等同變化與修飾,均仍屬於本創作技術方案的範圍內。The above is only the preferred embodiment of the creation, and does not limit the creation in any way. Although the creation has been disclosed in the preferred embodiment as above, it is not intended to limit the creation. Generally, a knowledgeable person can use the technical content disclosed above to make some changes or modifications to equivalent embodiments without departing from the scope of this creative technical solution. Any content that does not deviate from this creative technical solution is based on this Any simple modifications, equivalent changes, and modifications made to the above embodiments by the technical essence of the creation still fall within the scope of this creative technical solution.
10:琴身
20:琴枕組件
21:本體
22:柱體
30:前抵靠架
31:第一下壓孔
311:左端
312:右端
32:第一下壓補強部
33:第一突出部
331:弧面
40:連接板
50:中抵靠架
51:第一支撐孔
511:左端
512:右端
52:第二下壓孔
521:左端
522:右端
53:第二下壓補強部
54:第一支撐補強部
55:第二突出部
551:弧面
60:後抵靠架
70:第一琴鍵
71:第一安裝端
72:第一彈撥端
80:第二琴鍵
81:第二安裝端
82:第二彈撥端
L:縱向
T:橫向
60A:後抵靠架
61A:鏤空孔
1:一號壓力點
2:二號壓力點
3:三號壓力點
4:四號壓力點
5:五號壓力點
6:六號壓力點
10: piano body
20: Piano pillow assembly
21: Ontology
22: cylinder
30: front abutment
31: The first pressure hole
311: left end
312: right end
32: The first pressure reinforcement
33: The first protrusion
331: Curved surface
40: connection board
50: Medium yoke
51: First support hole
511: left end
512: right end
52: Second down hole
521: left end
522: right end
53: Second push-down reinforcement
54: First Support Reinforcement Department
55: Second protrusion
551: Curved surface
60: Rear abutment
70: first key
71: the first mounting end
72: The first plucked end
80: second key
81: Second mounting end
82: second plucked end
L: Portrait
T:
圖1為本創作之第一實施例的立體外觀圖。 圖2為本創作之第一實施例的部分元件分解圖。 圖3為本創作之第一實施例的局部剖視示意圖。 圖4為本創作之第一實施例的上視圖。 圖5為本創作之第一實施例未安裝第一琴鍵與第二琴鍵的上視圖。 圖6為本創作之第一實施例的前抵靠架的前視示意圖。 圖7為本創作之第一實施例的中抵靠架的前視示意圖。 圖8為本創作之第二實施例的後抵靠架的結構示意圖。 圖9為本創作之第二實施例的前抵靠架、連接板及中抵靠架的結構示意圖。 圖10為本創作之第一實施例的上視使用示意圖。 FIG. 1 is a perspective view of the first embodiment of the creation. FIG. 2 is an exploded view of some components of the first embodiment of the creation. FIG. 3 is a schematic partial cross-sectional view of the first embodiment of the creation. Fig. 4 is a top view of the first embodiment of the creation. FIG. 5 is a top view of the first embodiment of the creation without the first key and the second key. 6 is a schematic front view of the front abutment frame of the first embodiment of the creation. FIG. 7 is a schematic front view of the middle abutment frame of the first embodiment of the creation. 8 is a schematic structural diagram of a rear abutment frame according to a second embodiment of the creation. 9 is a schematic structural diagram of a front abutment frame, a connecting plate, and a middle abutment frame according to a second embodiment of the creation. FIG. 10 is a schematic diagram of the top view of the first embodiment of the creation.
10:琴身 10: piano body
20:琴枕組件 20: Piano pillow assembly
21:本體 21: Ontology
22:柱體 22: cylinder
30:前抵靠架 30: front abutment
40:連接板 40: connection board
50:中抵靠架 50: Medium yoke
60:後抵靠架 60: Rear abutment
70:第一琴鍵 70: first key
71:第一安裝端 71: the first mounting end
72:第一彈撥端 72: The first plucked end
80:第二琴鍵 80: second key
81:第二安裝端 81: Second mounting end
82:第二彈撥端 82: second plucked end
Claims (10)
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CN201920525354.6 | 2019-04-15 | ||
CN201920525354.6U CN211578328U (en) | 2019-04-15 | 2019-04-15 | Double-layer full scale kalinba thumb piano |
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Publication Number | Publication Date |
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TWM592150U true TWM592150U (en) | 2020-03-11 |
Family
ID=70768056
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TW108216910U TWM592150U (en) | 2019-04-15 | 2019-12-19 | Double-layer thumb piano with semitone key |
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CN (1) | CN211578328U (en) |
TW (1) | TWM592150U (en) |
Cited By (1)
Publication number | Priority date | Publication date | Assignee | Title |
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TWI768824B (en) * | 2020-05-21 | 2022-06-21 | 羅錦鎧 | Thumb piano bracket and thumb piano |
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2019
- 2019-04-15 CN CN201920525354.6U patent/CN211578328U/en not_active Expired - Fee Related
- 2019-12-19 TW TW108216910U patent/TWM592150U/en not_active IP Right Cessation
Cited By (1)
Publication number | Priority date | Publication date | Assignee | Title |
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TWI768824B (en) * | 2020-05-21 | 2022-06-21 | 羅錦鎧 | Thumb piano bracket and thumb piano |
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