TWM510252U - Decorative structure that displays patterns - Google Patents

Description

Decorative structure

This creation relates to a three-dimensional structure of a representational pattern, in particular a decorative structure in which a lacquer painting and a metal foil are combined with a transparent substrate.

The lacquer is a sap from the deciduous tree lacquer tree. It is a highly viscous gelatinous substance with adhesion, hardening and water resistance. Since the paint itself is a kind of paint, it has the function of painting, the paint surface can show bright color and warm and bright texture, and because the paint has antibacterial, anti-corrosion, acid and alkali resistance, heat resistance, insulation, waterproof, no deterioration, The characteristics of no fading, no peeling, etc. can be described as high-quality craft materials, not comparable to ordinary artificial paints. Therefore, the use of lacquer is very wide, except for various tools, house construction, wood furniture, temple makeup, statues, urns, box kitchens, suitcases, tongs, utensils, eating utensils, carriages, etc. Protection, and to increase the appearance of beauty, more independent development of a unique lacquer art.

A lacquer ware is a handicraft or household item made by applying a lacquer to the surface of a carcass as a protective film. The so-called "carcass" is the body that is smeared by natural lacquer. There are various types of carcasses, such as wooden tires, bamboo tires, rattan tires, cloth tires (also known as clips or tires), skin tires, metal tires, ceramic tires, paper tires, and plastic tires made of urea resin. That is to say, in general, as long as the surface of the carcass is painted, it can be called lacquer.

The lacquer lacquer is divided into "raw lacquer" and "cooked lacquer". The former refers to the "natural paint" taken from the lacquer tree without any processing, and can be used as long as the impurities are filtered. The best paint solution The season is in the summer, the method is to directly cut through the skin of the lacquer tree to make the sap flow out and take it. The lacquer can be directly used to adjust the concentration of ash and make the lacquer. Raw lacquers also vary in nature depending on the place of origin and variety. Generally, the hardening must have proper temperature and humidity, so the best season is in the rainy season. Since the paint absorbs moisture in the air during the drying and hardening process to carry out the oxidation-containing cooperation, the lacquerware is mostly placed at a constant temperature (between 20 ° C and 30 ° C) and constant humidity (between 70 and 80 degrees). In the "shade room", it is waiting for it to harden; the latter is the paint obtained by dehydrating the natural lacquer by infrared rays or sunlight, and filtering and stirring. If the paint is mixed with various minerals, it can be made into a color paint. For example, adding iron hydroxide or iron powder, soot to make black paint, adding lead white (hu powder) or white clay (cerium oxide) into white paint, adding cinnabar. Into the lacquer, add sulphur to yellow paint, mix yellow paint and black paint into a green paint. Add gold powder into gold paint and add silver powder to silver paint. The texture of the lacquer has strong viscous properties. It is often used as a glue in the lacquer making process, such as the snail in the setting technique, and the shell shell, metal foil and other materials are glued to the lacquer surface. The paint is often mixed with the vegetable oil which is used in order to adjust the drying speed of the paint film and increase the gloss and warmth of the paint surface.

However, the lacquer has a small adhesion and hardness on the surface of a transparent substrate (for example, glass), is not easy to adhere to the glass, and is prone to scratches or even peeling off. Therefore, there is currently no lacquer ware made of a transparent substrate as a carcass. .

The present invention provides a decorative structure for expressing a pattern comprising: a transparent substrate; and a lacquer coating applied to the bottom of the transparent substrate; wherein the lacquer coating exhibits the pattern through the transparent substrate.

In one embodiment, the bottom of the transparent substrate of the inventive decorative structure Also included is a metal foil layer. In another embodiment, the bottom of the transparent substrate can be a rough surface.

In another embodiment, the transparent substrate is glass.

The decorative structure of this creation can be used for interior decoration, including paintings, signs, wall decorations, lighting, screens or glass bricks. This creation department provides a lacquerware combination, which is divided into three series. First, the secret: using the transparency of the paint and the silver silk of the foil, with the natural changes of temperature and humidity, creating a unique natural beauty; Especially under the lens, with the light and shade, the angle is different, it shows different natural mountain forests, sometimes brilliance, sometimes covered with silver. Second, the ink paint landscape: Unlike the ink painting, the author uses a minimalist scraper tool, cleverly control the size of the force and the concentration of black paint, and has no intention to create a landscape painting. Third, Yan Cai Fang Zhou (glass brick): a new method of creation, this series of glass brick creation, is quite extravagant for lacquerware; can be customized as an interior decoration, the application range is very wide; for paintings, signs, walls Decoration, lighting, screens, etc.

10‧‧‧Decorative structure of the performance pattern

20‧‧‧Transparent substrate

30‧‧‧paint coating

40‧‧‧metal foil layer

Figure 1 is a specific embodiment of the present creation.

Figure 2 is another embodiment of the present invention.

Referring to Fig. 1, a transparent substrate (20) such as glass is first provided, and a drawing is conceived on the transparent substrate (20), and the order of a drawing step is considered. The lacquer coating (30) of various color paints is arbitrarily scraped on the transparent substrate (20) according to the design intention, and the color lacquer should have a certain thickness for easy sanding. The color of the picture is unified and coordinated, and the primary and secondary colors are distinct. So far, it is the decorative structure that completes the performance pattern of this creation (10). Please refer to Figure 2, after drying the paint The metal foil layer (40) such as aluminum foil is applied to the flat surface, and the aluminum foil can be etched by a knives as needed to expose the rich color embedded in the bottom layer. The aluminum foil powder is used to sprinkle the shape, and the pattern is printed; the aluminum foil is partially etched with dilute hydrochloric acid to make the aluminum foil show a mottled feeling. In addition, the natural phenomenon of wrinkling with a large lacquer layer is applied, and the front stencil is coated with a large lacquer, and the back swatch is sprayed with a dry lacquer powder. After the dry lacquer powder is sprinkled, the diluted lacquer is used to fix the powder in time. After the large paint is wrinkled and completely dried, the front and back patterns are all attached to the aluminum foil, and then the basic color tone is rendered. After the paint is dried, the pattern is coarsely ground again, so that the natural texture of the creased wrinkles and the color of the dry paint powder appear. It must be carefully watched, not overgrown or otherwise counterproductive, and blended with the rendered color, the color is coordinated and surplus. Variety. According to the picture, the mask should be fully covered, so that the front and back patterns can be harmonious. After the effect is satisfactory, apply a layer of transparent top coat. After the surface is dry, use the 360#-600# sandpaper to dry it once. Use an electric grinder, but pay attention to the side. Look at the edging, do not over-grind, hurt the texture and color of the picture, do some local color adjustment and repair after grinding, and then brush the transparent topcoat again (this process can be repeated several times according to the need, so that the texture is flat ). Finely grind with the sandpaper of 1000#-2000#, and finally push it with tile ash.

10‧‧‧Decorative structure of the performance pattern

20‧‧‧Transparent substrate

30‧‧‧paint coating

40‧‧‧metal foil layer

Claims (4)

A decorative structure for expressing a pattern comprising: a transparent substrate; and a lacquer coating applied to the bottom of the transparent substrate; wherein the lacquer coating exhibits the pattern through the transparent substrate. The decorative structure of claim 1, wherein the bottom of the transparent substrate further comprises a metal foil layer. The decorative structure of claim 1, wherein the transparent substrate is glass. The decorative structure of claim 1, wherein the bottom of the transparent substrate is a rough surface.