KR20110025351A

KR20110025351A - Gypsum panel

Info

Publication number: KR20110025351A
Application number: KR1020090083368A
Authority: KR
Inventors: 한원섭
Original assignee: 한원섭
Priority date: 2009-09-04
Filing date: 2009-09-04
Publication date: 2011-03-10

Abstract

PURPOSE: A gypsum framework for painting is provided to easily correct the painting by scrubbing a thin paint absorbent layer using wet fabric or sandpaper. CONSTITUTION: Board or veneer board is cut into a desired painting size. The rough surface of the cut board or the cut veneer board is arranged towards upper side. A wood block panel is formed using a square bar and nails. Gypsum, paper-pulp, and a water-soluble adhesive are stirred with water to prepare a mixture. The mixture is coated on the upper side of the wood block panel. A rack with a surfactant is installed at corners of the wood block panel. A gypsum mixing solution is injected.

Description

Gypsum picture frame for painting with plaster {gypsum panel}

The present invention relates to a gypsum picture frame manufacturing method using a gypsum that can be used as a substitute for panels using canvas or paper as a picture frame that is an art article for painting use.

“In general, paintings are divided into watercolors, oil paintings, pen paintings, pencil paintings, pastel paintings, crayon paintings, and gouache paintings, depending on the material for drawing. ① According to each genre, paintings are made on picture frames using paper, wood, and cloth. . In other words, oriental paintings are made using Korean paper and then painted and treated to store and display the paintings, or the frame of Korean paper that is placed on the veneer panel is used.In the case of watercolors, pens and pencils, Kent paper is mainly used. Draw an oil painting by using glue or casein on top of the cloth, and canvas coated with flax oil or zinc on it. In this way, the picture frame for drawing is different depending on the material or genre for drawing.

①, ②-quote from Doosan Encyclopedia

The present invention enables the common use of picture frames that are distinctly used according to the art genre as art supplies, and enables the storage exhibition without the use of the voting or the frame decoration, and the application and development of various unusual painting methods. The purpose is to provide a picture material that can be found.

First, the present invention was made to paint on the gypsum surface by applying gypsum on the base material of a thin wooden board, veneer board, pottery flat of the first type flat. At this time, if the base material is not absorbing power, the gypsum and the base material is easily separated even in a light impact, so it is necessary to select a base material having sufficient absorbing power.

Second, when the gypsum mixture is poured into the base material in order to produce the gypsum in a constant thickness and a wide flat shape, it is difficult to flow to the side to make a shape. Therefore, before pouring the gypsum mixture solution, the plaster was hardened on the base material to make the mold easily detachable, thereby facilitating the work.

Third, the present invention can be produced by the mixing of gypsum and water without the addition of other compounding agents, but when the product is used, the surface of the gypsum and the varnish must be post-treated, and the ink and watercolors of oriental paintings are colored. Paste style can be obtained by mixing paint and gypsum powder, but it is not suitable for coloring acrylic or oil paint, and it is difficult to make a picture frame of a large lake due to the weight of plaster, but coloring of all art genres Gypsum volume ratio 50%, pulp volume ratio 50%, water volume ratio 98%, water soluble adhesive volume ratio 2%, small amount of paint (if necessary) I could make a picture frame.

The present invention was found in the process of creating a picture frame for oriental painting by covering the Chinese paper in the oriental painting practical class at the school and found that the plaster painting frame has several side effects.

① It is easy and simple to make gypsum painting frame.

To make a picture frame for oriental painting, we make a picture frame by attaching a thin layer of watered Korean paper to the veneer panel, but it is difficult to control the strength of paper pulling during the production process. Although it is difficult to tear or loosen and rework several times, the plaster frame of the present invention is easy to manufacture.

② The background color can be expressed easily and simply.

When drawing oriental paintings on the Korean paper frame, the background color is mostly painted. Depending on the concentration of the background color, the number of brush strokes is increased and decreased, and the background color of the dark density takes a lot of time by several painting and drying operations.

The present invention can be produced by mixing the desired color, the paint of the desired concentration in the gypsum and the mixing process, and can be easily and simply the background color treatment. Of course, only water soluble paints are possible here.

③ There is no bleeding phenomenon than paper, and bleeding can be controlled.

When painting on Korean paper, especially when painting with ink, there is a bleeding phenomenon due to the nature of the paper, but the paint frame of the present invention does not have a bleeding phenomenon, and conversely, the bleeding phenomenon occurs when water is mixed with gypsum so that the bleeding phenomenon may appear larger than paper. It can be easily adjusted to maximize the mixing ratio or to make the smearing phenomenon appear large by brushing while absorbing moisture on the plaster surface of the plaster frame before painting.

④ It is manufactured in the form of canvas or panel, so there is no need to process the surface for the storage and display of paintings.

After painting the picture on the plaster frame, it is easy to store and display the picture simply by applying the protective material to the surface.

⑤ This plaster painting frame enables the application and development of various painting techniques by broadening the choice of painter's painting frame material and by using the change of paint absorbing power or by easily modifying the surface of the painting frame.

⑥ It is easy to modify the picture.

Unlike paper or canvas, this plaster painting frame has a thin layer of water absorption, so if you modify the picture, you can rub it with a cloth soaked in water or use a new sandpaper with only light sandpaper.

⑦ It is environmentally friendly.

Since oil painting uses an emulsifier that is harmful to the body when painting, the painter is inevitably placed in a harmful environment when painting oil on a canvas, but this plaster frame can be used in both oil painting and watercolor painting. Because painting is possible, there is no need to use oil paints.

⑧ Commonly used without distinction of art genre.

Finally, the present invention can be used as a picture frame for painting, whether it is an oriental painting or a western painting without distinction of art genre, ink, watercolor, oil painting, acrylic paint or the like without distinction of materials.

Referring to the present invention in detail with reference to the accompanying drawings, <Figure 1> is a wooden board using a wood and nail so that the rough side of the board or the veneer board, and then cut the board or veneer board to the size of the picture lake Make Next, gypsum, paper pulp, and water-soluble adhesive are stirred well with water and slowly poured over a wooden panel to level the surface. At this time, the gypsum stirring solution is poured after installing a mold with a surfactant so that the gypsum stirring solution does not flow to the edge of the wooden board. If there is a background color of the desired frame, stir the background color together. After about 10 minutes, remove all four corners of the mold and let it dry for a week to complete the plaster frame.

The mixing ratio of the gypsum agitating solution was prepared as 50% mixture of gypsum and pulp, 98% water volume, 98% vinyl acetate emulsion adhesive volume, 2% water soluble paint (if necessary) as standard, and according to the art genre. The blending ratio was changed according to the contents.

Figure 2 is a gypsum picture frame produced by the same gypsum agitating solution as the manufacturing process of Figure 1 on the absorbent super-baked pottery that is not glazed.

Compounding cost Remarks Gypsum volume ratio 50%, water volume ratio 50%,
Trace amount (if required)
Hard after plaster hardening.
Common use without distinction of art genre
It is hard, so its absorbency falls, and if it is dropped, there is a high risk of breaking.
It is heavy and suitable for making picture frame of around 200.
Gypsum volume ratio 50%, water volume ratio 75-100%,
Trace amount (if required) After the plaster hardens, the hardness falls and it is easily scratched. Absorption is good and there is little risk of breaking even if it is dropped, but gypsum is easily buried and difficult to use for emulsification. When coloring watercolors or acrylic paints, gypsum powder is mixed with paints, resulting in pastel tones. It is possible to use speech, but mastery of the coloring process is required.
It is heavy and suitable for making picture frame around No.20. Gypsum volume ratio 50%, pulp volume ratio 50%,
99% water by volume, 1% water-soluble adhesive,
Trace amount (if required)
Hardness after gypsum hardening at standard compounding ratio It is also lighter than 100% gypsum, making it possible to make a large painting frame. Absorptive power is appropriate to express all art genres and there is no risk of breaking even if it falls. When coloring, the plaster powder does not mix with the paint and the paint does not get on the hands after coloring.
Gypsum volume ratio 30%, pulp volume ratio 70%, water volume ratio 99%, water soluble adhesive volume ratio 1%, trace amount (if required)
Suitable for expressions of art genre using paper. It maximizes paper characteristics, making it especially suitable for oriental paintings.
Gypsum volume ratio 70%, pulp volume ratio 30%, water volume ratio 96%, water soluble adhesive volume ratio 4%, trace amount (if required)
It is suitable for oil paintings by maximizing the characteristics of the canvas by increasing the use ratio of plaster and mixing the adhesive with a lot of absorption.

1 is a plaster frame using wood board, veneer panels

Figure 2 is a gypsum picture frame using various types of roasting earthenware

Claims

Gypsum volume ratio 50%, pulp volume ratio 50%, water volume ratio 99%, water soluble adhesive volume ratio 1%, trace amount (if required)

This is a standard paint preparation ratio.

Gypsum volume ratio 50%, water volume ratio 50%, trace amount

The mixing ratio according to claim 1, excluding pulp, is suitable for manufacturing a paint of a smaller size than a standard paint.

50% gypsum volume, 75 ~ 100% water volume, trace amount (if required)

Except for pulp, it is a paint preparation compounding ratio which increased the volume ratio of water.

Gypsum volume ratio 30%, pulp volume ratio 70%, water volume ratio 99%, water soluble adhesive volume ratio 1%, trace amount (if required)

The paint compounding ratio according to claim 1, which makes the paper feel increased by increasing the pulp volume ratio.

Gypsum volume ratio 70%, pulp volume ratio 30%, water volume ratio 96%, water soluble adhesive volume ratio 4%, trace amount (if required)

It is a compounding ratio which increased the gypsum volume ratio, and is a paint compounding ratio which can be manufactured suitably for emulsification.