JPH02171235A - Supporter for picture - Google Patents

Supporter for picture

Info

Publication number
JPH02171235A
JPH02171235A JP32481188A JP32481188A JPH02171235A JP H02171235 A JPH02171235 A JP H02171235A JP 32481188 A JP32481188 A JP 32481188A JP 32481188 A JP32481188 A JP 32481188A JP H02171235 A JPH02171235 A JP H02171235A
Authority
JP
Japan
Prior art keywords
copper foil
support
copper
paintings
painting
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Granted
Application number
JP32481188A
Other languages
Japanese (ja)
Other versions
JP2604025B2 (en
Inventor
Aoshi Kosaku
小作 青史
Toru Yamaya
山家 亨
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Eneos Corp
Original Assignee
Nippon Mining Co Ltd
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Nippon Mining Co Ltd filed Critical Nippon Mining Co Ltd
Priority to JP63324811A priority Critical patent/JP2604025B2/en
Publication of JPH02171235A publication Critical patent/JPH02171235A/en
Application granted granted Critical
Publication of JP2604025B2 publication Critical patent/JP2604025B2/en
Anticipated expiration legal-status Critical
Expired - Fee Related legal-status Critical Current

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Abstract

PURPOSE:To restrain a picture from cracking or separating, and maintain the vividness at the picture manufacturing period, and besides improve the picture printing, furthermore enable a stable quality to be maintained through raising the close adherence by using a copper foil being provided with a surface coating layer as a base material. CONSTITUTION:A copper foil is manufactured successively in such a manner that a copper material 1 is made an electrolytic solution 2, and the copper is deposited on a rotating cathodic drum, and further, it is separated therefrom then. In the next place, the copper foil forms various kinds of one layered or multi-layered surface coating layer at a stage or multi-stages. For example, at the first stage 4, the fine particles of copper and / or copper oxide are given to the copper foil in order to increase the adhering strength among the copper foil and colors and / or rear material. And, at the second stage 5, a coating layer of brass or zinc is formed so as to give a long period corrosive prevention. And, at the third stage 6, an anticorrosive treatment is further given for preventing oxidation of the copper foil or peripheral oxidation during the cutting period. Through forming the surface coating layer mentioned above, the close adherence of the colors is raised considerably, thereby making it a picture base material with an excellent anticorrosive property.

Description

【発明の詳細な説明】 〔産業上の利用分野〕 この出顕の発明は、油絵や日本画等を描くときに使用す
る銅箔を基底材とした絵画用支持体に関する。
[Detailed Description of the Invention] [Industrial Application Field] The present invention relates to a support for paintings using copper foil as a base material, which is used when painting oil paintings, Japanese paintings, etc.

〔従来の技術及び発明が解決しようとする課題〕通常油
絵を描く場合、木枠に張った麻製のキャンバス(画布)
が使用されている。このキャンバスの材料は木綿製のも
のもあるし、また板や石などにも描いてはいけないとい
う制約があるわけでもないので、ベニヤ板に描き上げて
展覧会等に出品する例も多く見かけられる。
[Prior art and the problem to be solved by the invention] When painting an oil painting, a linen canvas is usually stretched over a wooden frame.
is used. Some canvases are made of cotton, and there are no restrictions on painting on boards or stones, so you can often see paintings painted on plywood and exhibited at exhibitions.

しかしながら、多くは布製のキャンバスが用いられてい
る。それは布には生地目があり、絵具ののりが良く、比
較釣書いた時の絵具の置き具合が良いという長所がある
ためと考えられる。
However, in most cases, cloth canvas is used. This is thought to be due to the fact that cloth has a texture, which makes it easy for paint to adhere to it, making it easier to place the paint when writing comparisons.

油絵は明治時代に西洋から導入されたものであるが、簡
単に言えばヤニ分で絵具を固めたものと言える。
Oil painting was introduced from the West during the Meiji period, and to put it simply, it can be said to be a method of hardening paint with resin.

両用液として、水彩画は水で日本画はニカワで溶くよう
に、油絵(油彩画)は油が非常に大切な役割をもってい
る。
As a dual-use liquid, just as watercolors dissolve with water and Japanese paintings dissolve with glue, oil plays an extremely important role in oil paintings.

この油は大きく分けると油絵具をそれぞれの技法に合わ
せて溶く役目の溶き油と、絵そのものに油絵本来のつや
を与える役目の油と、また絵を大切に保存するための油
とがある。
This oil can be roughly divided into three types: melting oil, which dissolves oil paint according to each technique, oil, which gives the painting its original luster, and oil, which preserves the painting with care.

通常、市販されている油絵具自体はすでに使いやすいよ
うに練りあげられている。
Usually, commercially available oil paints themselves have already been refined to be easy to use.

油絵を簡単に紹介すると上記のようなことであるが、他
方日本画の方は従来、継紙に顔料をしみ込ませ、多くは
巻き物として保存しておくことが多かった。このため巻
回することのできないほど絵具を厚くぬることはできな
かった。
A brief introduction to oil paintings is as above, but on the other hand, Japanese paintings have traditionally been made by impregnating paper with pigments and often preserving them as scrolls. For this reason, it was not possible to apply paint so thick that it could not be rolled.

しかしながら、上記の油絵が普及するに従い、日本画も
額に入れるようになり、絵具を厚くする傾向に変ってき
ている。すなわち、継紙の上に「どうさ」 にカワ)を
塗って絵具がしみ込まないようにし、その上に絵具を厚
く盛り上げるように変ってきたのである。このため日本
画独自の画法と並行して油絵的な日本画も発生した。
However, as the above-mentioned oil paintings became more popular, Japanese paintings also started to be framed, and the tendency was to use thicker paint. In other words, people began applying a layer of ``glue'' on top of the paper to prevent the paint from seeping in, and then layering the paint thickly on top of it. For this reason, in parallel with the unique Japanese painting method, oil painting style Japanese paintings also emerged.

このように油絵や日本画から出発した種々の技法を発達
せしめ、すぐれた絵画が数多く生れることとなったが1
作成された絵画に非常に大きな問題を有している。
In this way, various techniques that started from oil painting and Japanese painting were developed, and many excellent paintings were created.
There is a very big problem with the created painting.

それは、絵画のひび割れ(クラック)であり、場合によ
っては剥落の危険すらある。特に乾湿のはげしい日本で
は気候の変動でよりもろくなり、破損し易すい状況にあ
ると言える。
This is the result of cracks in the painting, and in some cases there is even a risk of it falling off. Particularly in Japan, which is extremely dry and humid, climate change has made them more brittle and more susceptible to damage.

乾燥し安定した気候である西欧においてすらも過去の有
名絵画に、近づいて観察すると無数のひび割れが見られ
る。ひび割れにごみがたまって製作時における鮮烈な絵
画が維持できず長年のうちに絵画が変質してくるのみな
らず、剥落による絵画の消失になるおそれもあり、無意
の情を禁じ得ない人も多いと思われる。
Even in Western Europe, where the climate is dry and stable, when you look closely at famous paintings from the past, you can see countless cracks. Many people cannot help but feel sorry for the fact that dust accumulates in the cracks, making it impossible to maintain the vivid quality of the painting at the time of production, and that the painting will not only deteriorate over the years, but also be lost due to flaking. I think that the.

このような絵画ひび割れは絵具や地塗りにも原因すると
ころもあるが、キャンバスなどの基底材の乾湿の変化や
温度変化による伸縮が原因となるところが大きい。
Cracks in paintings like this can be caused by the paint or base coating, but they are often caused by changes in the dryness and humidity of the base material, such as canvas, or expansion and contraction due to temperature changes.

上記のような絵画におけるひび割れは、厚塗りをする絵
画のみならず、油絵的傾向をもつ日本画などにもみられ
ている。
Cracks in paintings such as those described above can be seen not only in paintings that are painted thickly, but also in Japanese paintings that tend to resemble oil paintings.

このような問題をかかえながら、高級絵画においてはそ
れを保有するために、修復のための研究すら行われてい
るのが実情である。また、古い絵画においては金属板、
特に腐食に強い銅板が基底材として用いられたことがあ
る。
Despite these problems, the reality is that research is even being carried out to restore high-quality paintings in order to preserve them. Also, in old paintings, metal plates,
Copper plates, which are particularly resistant to corrosion, have been used as base materials.

これは主として宗教改革後、カドリック側が新世界への
布教の地を求めて宣教師たちを送り出すと同時に、を像
を銅板に描いた油彩画を携帯させたものである。
This is mainly because after the Reformation, when Cadric's side sent out missionaries in search of missionary sites in the New World, they carried with them an oil painting of the image on a copper plate.

これは板より軽く、かさがなく、布よりもはるかに剥落
やひび割れの心配がなく、また多少の雨や、熱にも強い
という特徴があったためと考えられる。
This is thought to be because it is lighter than a board, has less bulk, is far less susceptible to peeling or cracking than cloth, and is also resistant to some rain and heat.

しかしながら、銅そのものが高価であり、平面さを得る
ことができず、また絵具ののりが悪く、非常に特殊な技
法でのみ製作が可能であったために、18世紀以降殆ど
姿をみせなくなり現在に至っている。
However, since copper itself was expensive, it was impossible to obtain a flat surface, paint did not adhere well to it, and it could only be produced using very special techniques, so copper has hardly been seen since the 18th century and is still used today. It has been reached.

〔課題を解決するための手段〕[Means to solve the problem]

以上のような絵画用支持体の問題を解決するために、こ
の出願の発明である銅箔表面に、銅若しくは銅合金、イ
ンジウム若しくはインジウム合金。
In order to solve the above problems with picture supports, the invention of this application uses copper or copper alloy, indium or indium alloy on the surface of copper foil.

亜鉛若しくは亜鉛合金、クロム若しくはクロム合金、ニ
ッケル若しくはニッケル合金、鉄若しくは鉄合金、コバ
ルト若しくはコバルト合金、若しくは上記金属の酸化物
又は上記金属と前記酸化物の複合物の少なくとも一層を
含んだ表面皮膜層を備えていることを特徴とする銅箔を
基底材とした絵画用支持体、及び表面皮膜層が銅箔の両
面に施されていることを特徴とする同絵画用支持体、及
び油彩画用支持体であることを特徴とする同絵画用支持
体、及び日本画用支持体であることを特徴とする同絵画
用支持体、及び絵画用支持体がキャンバスであることを
特徴とする前記絵画用支持体。
A surface coating layer containing at least one layer of zinc or zinc alloy, chromium or chromium alloy, nickel or nickel alloy, iron or iron alloy, cobalt or cobalt alloy, or an oxide of the above metal, or a composite of the above metal and the oxide. A support for paintings using copper foil as a base material, characterized by comprising: a support for paintings using copper foil as a base material; a support for paintings, characterized in that a surface film layer is applied on both sides of the copper foil; and a support for oil paintings. A support for a painting, which is a support; a support for a Japanese painting, which is a support for a Japanese painting; and a support for a painting, which is a canvas. Support for.

及び絵画用支持体が壁画用支持体であることを特徴とす
る前記絵画用支持体、及び基底材が前記表面被覆層にさ
らに防錆処理を施した銅箔であることを特徴とする前記
絵画用支持体、及び前記銅箔の基底材とポリプロピレン
不織布の裏材がら構成されていることを特徴とする前記
絵画用支持体。
and the above-mentioned support for a picture, wherein the support for a picture is a support for a mural painting, and the above-mentioned painting, wherein the base material is a copper foil further subjected to anti-rust treatment on the surface coating layer. 1. The support for paintings, characterized in that it is composed of the copper foil base material and the polypropylene nonwoven fabric backing material.

及び前記銅箔の基底材と石膏の裏材がら構成されている
ことを特徴とする前記絵画用支持体、及び最外表面に、
使用時において引剥し可能な保護樹脂シートを備えてい
ることを特徴とする前記絵画用支持体、及びエンボス加
工を施した銅箔であることを特徴とする前記絵画用支持
体並びに銅箔の基底材として電解銅箔を使用することを
特徴とする前記絵画用支持体を提供するものである。
and the painting support, characterized in that it is composed of the copper foil base material and the gypsum backing material, and the outermost surface,
The above-mentioned support for a picture, characterized in that it is provided with a protective resin sheet that can be peeled off during use, and the support for a picture, characterized in that it is an embossed copper foil, and the base of the copper foil. The present invention provides the above-mentioned support for a picture, characterized in that an electrolytic copper foil is used as the material.

これによって絵画がひび割れや剥離することを抑制し、
絵画製作当時の鮮烈さを維持するとともに、絵具ののり
を良好にし、密着性を高め安定した品質の保持可能とす
るものである。
This prevents the painting from cracking or peeling,
In addition to maintaining the vividness of the painting at the time it was made, it also improves the adhesion of the paint and improves adhesion, making it possible to maintain stable quality.

〔発明の詳細な説明〕[Detailed description of the invention]

銅箔を使用することは、乾湿や温度変化によるひび割れ
や剥落を防止する大きな役割をになうのであるが、金属
製の基底材を使用しようとする場合の大きな欠点である
絵具の密着性、のりの良さを改善することは極めて重要
なことであり、この出願の発明の銅箔において初めて達
成されたものである。
The use of copper foil plays a major role in preventing cracking and peeling due to dryness, humidity, and temperature changes, but the major drawback when using a metal base material is the adhesion of paint. Improving adhesive properties is extremely important, and this was achieved for the first time in the copper foil of the invention of this application.

銅箔は厚さ1μm〜3mm程度(好ましくは10μm”
0.5mm)の電解t!fU箔又は圧延!;1箔を使用
する。
The thickness of the copper foil is approximately 1 μm to 3 mm (preferably 10 μm).
0.5mm) electrolysis t! fU foil or rolling! ; Use 1 foil.

電解銅箔は第1図aの銅箔製造工程概念図に示すように
一般に銅原料1を電解液(硫酸銅水溶液)2とし、回転
する陰極ドラムに銅を析出させ、さらにこれを引剥して
連続的に銅箔を製造する。このようにして得られた銅箔
は一般に主苗3と称されているが、ドラムに接した面は
平滑でこれを8面(シャイニング面)と称し、反対側の
面は第2図に示すように電気的に析出した多数の凸凹を
有する面これをM面(マット面)と称している。
As shown in the conceptual diagram of the copper foil manufacturing process in Figure 1a, electrolytic copper foil is generally produced by using a copper raw material 1 as an electrolytic solution (copper sulfate aqueous solution) 2, depositing copper on a rotating cathode drum, and then peeling it off. Continuously manufacture copper foil. The copper foil obtained in this way is generally called main seedling 3, but the surface in contact with the drum is smooth and is called surface 8 (shining surface), and the opposite surface is shown in Figure 2. A surface having a large number of electrically deposited irregularities is called an M surface (matte surface).

次にこの銅箔(主苗)は第1図すに示すように1段階又
は多段階(図では3段階)で各種のIM又は多層の表面
被覆層を形成する。−例を示すと第1段階4では銅箔と
絵具及び又は裏材との接着強度を増加させるために銅及
び又は酸化銅の微細粒子を銅箔に付与する。第2段階5
では長期内の耐食性をもたせるために黄銅又は亜鉛の被
覆層を形成する。第3段階6でさらに銅箔の酸化若しく
は切断時の縁部酸化を防止するための防錆処理を施すこ
とができる。第2図aは電解銅M(主苗)マット面の顕
微鏡写真であり、第2図すは前記主苗に銅及び又は酸化
銅の微細粒子を電気的に付着(電気めっき)させた後、
黄銅の被覆層(電気めっきにより)を形成した銅箔であ
る。写真に見られるこのような、多数の凹凸により絵具
の密着性は著しく向上している。もちろん電解銅箔のマ
ット面にも同様の被覆層を形成することができる。
Next, this copper foil (main seedling) is coated with various IM or multilayer surface coating layers in one step or in multiple steps (three steps in the figure) as shown in FIG. - By way of example, in the first step 4, fine particles of copper and/or copper oxide are applied to the copper foil in order to increase the adhesive strength between the foil and the paint and/or backing. 2nd stage 5
In order to provide long-term corrosion resistance, a coating layer of brass or zinc is formed. In the third step 6, an anti-rust treatment can be further applied to prevent oxidation of the copper foil or edge oxidation during cutting. Figure 2a is a micrograph of the matte surface of electrolytic copper M (main seedling), and Figure 2a shows that after fine particles of copper and/or copper oxide were electrically attached (electroplated) to the main seedling,
It is a copper foil with a brass coating layer (by electroplating). The many irregularities seen in the photograph significantly improve the adhesion of paint. Of course, a similar coating layer can also be formed on the matte surface of the electrolytic copper foil.

さらにこれらの工程の後、キャンバス等の絵画用支持体
の使用時に、手で引剥しできる保護シートを被覆するこ
とができる。この保護シートは手の脂等が銅箔につかな
いように汚染防止の役目をもっている。
Further, after these steps, the painting support such as canvas can be coated with a protective sheet that can be peeled off by hand during use. This protective sheet has the role of preventing contamination by preventing hand oils from getting on the copper foil.

以上の表面被覆層を形成することにより絵具の密着性を
著しく高め、かつ耐食性に優れた絵画用基底材とするこ
とができる。
By forming the above-mentioned surface coating layer, it is possible to significantly improve the adhesion of paint and provide a base material for paintings with excellent corrosion resistance.

このようにして得られた銅箔基底材は在来の木や布と比
較するとさらにいくつかの長所をもっている。それは、
絵具の密着性を保有していると同時に平坦性に優れ、な
めらかであり、気孔や表面の起伏を地塗りで充填する必
要もないことである(もちろん地塗りをすることはさし
つかえなく、本願発明はこれを包含している。)、そし
て主として銅の色調は同時に下塗りとして使用すること
もできるからである。赤色など銅色を強く出そうと思え
ば銅被覆層(めっき層)を施すことで達成でき、赤、白
、シルバー色、さらに黄銅色から黄金色までも色調をそ
ろえることができる。また、銅二ニッケル合金層は黒色
から茶褐色まで、多種多様に変えることができる。
The copper foil base material thus obtained has several additional advantages when compared to conventional wood and cloth. it is,
It retains the adhesion of paint, and at the same time has excellent flatness and smoothness, and there is no need to fill in pores or surface undulations with a base coat (of course, base coat is not a problem, and the present invention (includes this), and primarily because the copper tones can also be used as a basecoat at the same time. If you want to bring out a strong copper color such as red, you can achieve this by applying a copper coating layer (plating layer), and you can achieve a uniform color tone of red, white, silver, and even brass to golden yellow. Further, the copper-nickel alloy layer can be varied from black to brown.

さらにクロム若しくはクロム合金(クロメート、ジンク
クロメート処理を含む)、ニッケル若しくはニッケル合
金、鉄若しくは鉄合金、コバルト若しくはゴバルト合金
、インジウム若しくはインジウム合金、亜鉛若しくは亜
鉛合金又はこれらの酸化物の被覆層を形成することによ
り耐食性を高めたり、それぞれの特有の色調をそろえる
ことができる。さらにまた、これらの金属1金金、又は
これらの酸化物上にさらに貴金属等の他の金属めっきを
施すことも可能である。
Furthermore, a coating layer of chromium or chromium alloy (including chromate and zinc chromate treatment), nickel or nickel alloy, iron or iron alloy, cobalt or gobalt alloy, indium or indium alloy, zinc or zinc alloy, or oxides thereof is formed. By doing so, it is possible to improve corrosion resistance and make the unique color tones of each material uniform. Furthermore, it is also possible to further plate other metals such as noble metals on these metals, gold, or oxides thereof.

本願発明はこれらを包含している。The present invention includes these.

上記の銅箔基底材は機械的な接着強度を高めるためにエ
ンボス加工を施すこともできる。
The copper foil base material described above can also be embossed to increase mechanical adhesive strength.

上記の銅箔表面被覆層は絵具が施される表面あるいは裏
面の一方又は双方に施す。電解銅箔を例にとると、M面
と8面の一方又は双方に表面被覆層を形成する。裏面へ
の密着性は裏材の接着のためにも重要である。
The above-mentioned copper foil surface coating layer is applied to one or both of the front and back surfaces to which paint is applied. Taking electrolytic copper foil as an example, a surface coating layer is formed on one or both of the M side and the 8th side. Adhesion to the back surface is also important for adhesion of the backing material.

このようにして形成された銅箔基底材は切断され所定の
寸法とされる。
The copper foil base material thus formed is cut into predetermined dimensions.

裏材にはポリプロピレン不織布、麻、木綿などの従来の
キャンバス材の他、ベニヤ、木材板1紙。
The backing materials include conventional canvas materials such as polypropylene non-woven fabric, linen, and cotton, as well as plywood and one piece of wood board.

石膏、樹脂、タイルなどが使用できる。Plaster, resin, tile, etc. can be used.

これは絵画人の好みによって選択できるが、銅箔を用い
た特徴は失われることがない。
This can be selected according to the painter's preference, but the characteristics of using copper foil will not be lost.

また、銅箔基底材はカッター等で簡単に切断できるので
、キャンバス・ボード、ピンナツプ、さらには壁画用支
持体とすることができる6またこれらは、一般建造物へ
の接着が可能であるから内装、外装品、ドア、棚などの
インテリア品として使用できるとともに、交換や保管も
容易にできるという特徴を有している。
In addition, since the copper foil base material can be easily cut with a cutter, it can be used as a canvas board, pin-up, or even as a support for wall paintings.6 Also, since these can be adhered to general buildings, they can be used for interior decoration. It can be used as exterior products, interior products such as doors, shelves, etc., and has the characteristic of being easy to replace and store.

キャンバスとする場合には、適度な強度と弾力性を保有
しているので、布などの裏材を張り合わせて木枠に緊張
させ、絵筆をキャンバス地にあてたときに感じられる心
地よい弾力を感じとること障聴きる。
When used as a canvas, it has a suitable amount of strength and elasticity, so you can attach a backing material such as cloth to it, tension it against a wooden frame, and feel the pleasant elasticity that you feel when you apply a paintbrush to the canvas. I have a hearing disability.

銅箔の例として電解銅箔の例を揚げたが、圧延銅箔を用
いることもできる。電解銅箔と同様に各種の被覆層を形
成すればよい。圧延銅箔は電解銅箔に比べて柔軟性を有
しており強度の面ではより優れている。
Although electrolytic copper foil has been given as an example of copper foil, rolled copper foil can also be used. Various coating layers may be formed in the same manner as the electrolytic copper foil. Rolled copper foil has more flexibility than electrolytic copper foil and is superior in strength.

また、本願発明の銅箔は純銅のみならずAg、Sn、I
n、Fe、Ni、Cr、P、Zn、などの元素を添加し
て強度、耐食性等を向上せしめた銅合金箔を対象とする
もので、これらを全て包含するものである。
In addition, the copper foil of the present invention is not only pure copper but also Ag, Sn, I
The target is a copper alloy foil that has improved strength, corrosion resistance, etc. by adding elements such as n, Fe, Ni, Cr, P, and Zn, and includes all of these.

絵としての手法は油彩画(油絵)、アクリルペイント画
1日本画、パステル画、水墨画などに適しているが、他
の画法に適用することはなんらさしつかえない。
The painting method is suitable for oil paintings (oil paintings), acrylic paint paintings, Japanese paintings, pastel paintings, ink paintings, etc., but there is nothing wrong with applying it to other painting methods.

いずれも絵具との密着性に優れており、また、ひび割れ
の発生、剥離は大きく改善され、絵画の鮮烈さの維持と
保存性に優れており、さらに絵筆のタッチに快感を強く
与えるものである。
All of them have excellent adhesion to paint, greatly reduce the occurrence of cracking and peeling, maintain the vividness of paintings and have excellent storage stability, and also give a strong sense of pleasure to the touch of a paintbrush. .

〔発明の効果〕〔Effect of the invention〕

以上で述べたように、本願発明の表面被覆層を形成した
銅箔を基底材とすることにより、銅箔特有の色感を得、
平坦性に優れ、軽便でしかも絵筆のタッチに優れた快感
を得ることができ、さらに銅のもつ大きな欠点であった
絵具との密着性を著しく改善したものであり、従来の絵
画用支持体として極めて優れたものである。
As mentioned above, by using the copper foil on which the surface coating layer of the present invention is formed as a base material, a color feeling unique to copper foil can be obtained,
It has excellent flatness, is lightweight, and provides a pleasant touch with a paintbrush, and has significantly improved adhesion with paint, which was a major drawback of copper, making it suitable for use as a support for traditional paintings. It is extremely excellent.

しかも従来の絵画特にキャンバス使用において著しかっ
たひび割れの発生を防ぐことができる著しい特性を有す
るものである。
Moreover, it has a remarkable property of being able to prevent the occurrence of severe cracks in conventional paintings, especially when used on canvas.

【図面の簡単な説明】[Brief explanation of the drawing]

第1図は、銅箔製造工程を示す概念図であり、第2図は
、電解銅箔とその上に本願発明の被覆層を形成し、密着
性を高めた銅箔の表面顕微鏡写真である。 (a:主苗M面(X3000)SEM写真写真波覆箔M
面(x 3000)SEM写真)である。 1:銅原料   2:電解液(硫酸銅水溶液)3:生 
 箔   4:第1段階 5:第2段階   6:第3段階 7:表面被覆層を形成した箔 特許出願人 日本鉱業株式会社(71−1%7第1図 6第3段階 7表面被覆箔 1表面被覆箔 8製品 手続補正書 平成元年 4月 6日 特許庁長官 吉 1)文 毅 殿 ■、事件の表示 昭和63年特許願第324811号 2、発明の名称 絵画用支持体 3、補正をする者 事件との関係  特許出願人 名称  日本鉱業株式会社 −0代理人 〒105  電話 505−8730 住所 東京都港区虎ノ門二丁目10番1号日本鉱業株式
会社内 補正の対象 明細書の図面の簡単な説明の欄、 7、補正の内容 (1)明細書15頁10行目の「銅箔の表面」を[銅箔
表面の粒子構造(表面状態)を示す」と補正する。 (2)小作青史の委任状を別紙のとおり添付する。 以上
Figure 1 is a conceptual diagram showing the copper foil manufacturing process, and Figure 2 is a surface micrograph of an electrolytic copper foil and a copper foil on which the coating layer of the present invention is formed to improve adhesion. . (a: Main seedling M side (X3000) SEM photo photo Wave foil M
(x3000) SEM photograph). 1: Copper raw material 2: Electrolyte (copper sulfate aqueous solution) 3: Raw
Foil 4: 1st stage 5: 2nd stage 6: 3rd stage 7: Foil with surface coating layer formed Patent applicant Nippon Mining Co., Ltd. (71-1%7 Figure 1 6 3rd stage 7 Surface coating foil 1 Surface-coated foil 8 Product procedure amendment April 6, 1989 Yoshi, Commissioner of the Japan Patent Office 1) Mr. Moon Tsuyoshi ■, Indication of the case 1988 Patent Application No. 324811 2 Title of invention Painting support 3, Amendment Relationship with the case filed by the person who made the patent applicant name Nippon Mining Co., Ltd.-0 Agent 105 Telephone 505-8730 Address 2-10-1 Toranomon, Minato-ku, Tokyo Brief drawing of the specification subject to amendment within Nippon Mining Co., Ltd. Explanation column 7. Contents of amendment (1) "Surface of copper foil" on page 15, line 10 of the specification is amended to "indicates the particle structure (surface condition) of the surface of copper foil." (2) Attach the power of attorney for tenant farmer Seishi as attached. that's all

Claims (12)

【特許請求の範囲】[Claims] (1)銅箔表面に、銅若しくは銅合金、インジウム若し
くはインジウム合金、亜鉛若しくは亜鉛合金、クロム若
しくはクロム合金、ニッケル若しくはニッケル合金、鉄
若しくは鉄合金、コバルト若しくはコバルト合金、若し
くは上記金属の酸化物又は上記金属と前記酸化物の複合
物の少なくとも一層を含んだ表面被覆層を備えているこ
とを特徴とする銅箔を基底材とした絵画用支持体。
(1) Copper or copper alloys, indium or indium alloys, zinc or zinc alloys, chromium or chromium alloys, nickel or nickel alloys, iron or iron alloys, cobalt or cobalt alloys, or oxides of the above metals, or A support for a painting using copper foil as a base material, characterized in that it is provided with a surface coating layer containing at least one layer of a composite of the above-mentioned metal and the above-mentioned oxide.
(2)表面被覆層が銅箔の両面に施されていることを特
徴とする特許請求の範囲第(1)項記載の絵画用支持体
(2) The support for a picture according to claim (1), wherein the surface coating layer is applied to both sides of the copper foil.
(3)油彩画用支持体であることを特徴とする特許請求
の範囲第(1)項記載の絵画用支持体。
(3) The support for paintings according to claim (1), which is a support for oil paintings.
(4)日本画用支持体であることを特徴とする特許請求
の範囲第(1)項記載の絵画用支持体。
(4) The support for paintings according to claim (1), which is a support for Japanese paintings.
(5)絵画用支持体がキャンバスであることを特徴とす
る特許請求の範囲第(1)項乃至第(4)項記載の絵画
用支持体。
(5) The support for paintings according to claims (1) to (4), wherein the support for paintings is a canvas.
(6)絵画用支持体が壁画用支持体であることを特徴と
する特許請求の範囲第(1)項乃至第(4)項記載の絵
画用支持体。
(6) The support for a painting according to claims (1) to (4), wherein the support for a painting is a support for a mural painting.
(7)基底材が前記表面被覆層にさらに防錆処理を施し
た銅箔であることを特徴とする特許請求の範囲第(1)
項乃至第(6)項記載の絵画用支持体。
(7) Claim No. (1) characterized in that the base material is a copper foil that has been further subjected to anti-rust treatment on the surface coating layer.
A support for a painting according to items (6) to (6).
(8)前記銅箔の基底材とポリプロピレン不織布の裏材
から構成されていることを特徴とする特許請求の範囲第
(1)項乃至第(7)項記載の絵画用支持体。
(8) The support for a picture according to any one of claims (1) to (7), characterized in that it is composed of the copper foil base material and the polypropylene nonwoven fabric backing material.
(9)前記銅箔の基底材と石膏の裏材から構成されてい
ることを特徴とする特許請求の範囲第(1)項乃至第(
7)項記載の絵画用支持体。
(9) Claims (1) to (1) are composed of the copper foil base material and the gypsum backing material.
7) The painting support described in item 7).
(10)最外表面に、使用時において引剥し可能な保護
樹脂シートを備えていることを特徴とする特許請求の範
囲第(1)項乃至第(9)項記載の絵画用支持体。
(10) The picture support according to any one of claims (1) to (9), characterized in that the outermost surface is provided with a protective resin sheet that can be peeled off during use.
(11)エンボス加工を施した銅箔であることを特徴と
する特許請求の範囲第(1)項乃至第(10)項記載の
絵画用支持体。
(11) The support for a picture according to claims (1) to (10), which is an embossed copper foil.
(12)銅箔の基底材として電解銅箔を使用することを
特徴とする特許請求の範囲第(1)項乃至第(11)項
記載の絵画用支持体。
(12) A support for a picture according to claims (1) to (11), characterized in that an electrolytic copper foil is used as a base material for the copper foil.
JP63324811A 1988-12-24 1988-12-24 Painting support Expired - Fee Related JP2604025B2 (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP63324811A JP2604025B2 (en) 1988-12-24 1988-12-24 Painting support

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP63324811A JP2604025B2 (en) 1988-12-24 1988-12-24 Painting support

Publications (2)

Publication Number Publication Date
JPH02171235A true JPH02171235A (en) 1990-07-02
JP2604025B2 JP2604025B2 (en) 1997-04-23

Family

ID=18169940

Family Applications (1)

Application Number Title Priority Date Filing Date
JP63324811A Expired - Fee Related JP2604025B2 (en) 1988-12-24 1988-12-24 Painting support

Country Status (1)

Country Link
JP (1) JP2604025B2 (en)

Cited By (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN113628982A (en) * 2021-08-06 2021-11-09 纳狮新材料有限公司 Packaging mold and preparation method thereof

Families Citing this family (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JP4675237B2 (en) 2003-07-17 2011-04-20 グンゼ株式会社 Suture prosthesis for automatic suturing device

Citations (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS63128100U (en) * 1987-02-16 1988-08-22

Patent Citations (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS63128100U (en) * 1987-02-16 1988-08-22

Cited By (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN113628982A (en) * 2021-08-06 2021-11-09 纳狮新材料有限公司 Packaging mold and preparation method thereof

Also Published As

Publication number Publication date
JP2604025B2 (en) 1997-04-23

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