JP5305483B2 - Music generator - Google Patents

Description

  The present invention relates to a musical sound generator, and more particularly to a musical sound generator suitable for simulating a sound effect when a key is released from an acoustic piano.

  In an acoustic piano, a part called a damper is used to prevent the strings from vibrating except when the keys are pressed. When the key is depressed, that is, when the key is depressed, the action is first activated, and the damper corresponding to the depressed key is released. Next, the hammer strikes and a piano sound is generated. When the key is stopped and the key is returned to the original state, the action works in the opposite direction, the released damper comes into contact with the string again to suppress the vibration, and the piano sound is stopped. When the piano sound is stopped, the damper abuts against the string that is still vibrating, so that a subtle string vibration sound that is different from a normal musical sound is generated although it is a short time. Hereinafter, this string vibration sound is referred to as “key-release string vibration sound”.

  Also, the dampers are not installed on all the strings, and the dampers are not provided on the strings about one octave and a half on the high pitch side, and are always open. Furthermore, even if a string is provided with a damper, a string part (forestrings or backstrings) that is not normally vibrated is equivalent to being always open regardless of the operation of the damper.

  The acoustic piano resonates slightly due to these open strings and frames. Therefore, once a key is pressed and a piano sound is generated, a slight resonance sound of the piano itself is added. This resonance sound is masked by the piano sound and cannot be heard while the key is pressed, but it remains when the piano sound stops when the key is released. Hereinafter, this resonance sound is referred to as “casing resonance sound”.

  Conventionally, an electronic musical instrument such as an electronic piano can simulate key-released string vibration sound and casing resonance sound. In Patent Document 1, as a substitute for the key-off string vibration sound and the case resonance sound, when key-off information is supplied, the main musical sound being generated is deleted and a key-off sound that generates a key-off sound is generated. Musical sound generators that can be used have been proposed. In this musical tone generator, when key-off information is supplied, the characteristic of the main musical tone having the pitch indicated by the key-off information is detected, and the characteristic of the key-off sound is determined as the characteristic of the detected main musical tone. . In addition, this musical sound generator determines the characteristics of the key-off sound according to the time from key-on to key-off.

JP 2001-236067 A

  However, the method described in Patent Document 1 that newly generates a key-off string vibration sound (key-off sound) at the time of key release (at the time of key-off) requires a new mechanism for generating a musical sound in response to the key release. Become. In addition, it is necessary to manage the key press time and the volume of the normal musical sound in order to maintain continuity with the normal musical sound, and to control the sound effect generated accordingly. There was a problem of becoming larger.

In view of the above problems, the present invention can reproduce the case resonance sound by simulating the generation of the case resonance sound even when the generation of the case resonance sound signal is stopped due to a lack of empty channels. An object is to provide a musical sound generator.

The present invention for solving the above problems and achieving the object includes a sound generation instruction means for outputting a sound generation start instruction based on key press information and outputting a sound generation stop instruction based on key press information and operator information. A normal musical sound generating means for generating a normal musical sound signal; a casing resonant sound generating means for generating a casing resonant sound signal; and a plurality of filter means to which the normal musical sound signal and the casing resonant sound signal are respectively input; A plurality of envelope applying means for applying envelopes to the signals output from the plurality of filter means;
Adding means for adding a signal output from the envelope applying means to output a musical sound signal, and the number of channels of the casing resonance generating means is set to be smaller than the number of channels of the normal musical sound generating means. In response to the sound generation start instruction, the normal music sound generating means and the case resonance sound signal generation means start generating the normal music sound signal and the case resonance sound signal, respectively , and assign them to the respective empty channels, When the sound generation instruction means outputs a sound generation start instruction, if there are not enough empty channels in the case resonance sound generation means, one of the sound generation case resonance signals is stopped, and the Setting data of the normal musical sound generating means relating to the decay time in order to lengthen the decay time when the normal musical sound signal started to be generated simultaneously with the body resonance sound signal is stopped There is a first feature in that to change.

In addition, the present invention has a second feature in that, when there are not enough empty channels, the casing resonance signal to be stopped is determined with a low or high tone priority or a boost priority.

Further, the present invention has a third feature in that the case resonance generating means is provided for a specific key or key range set in advance.

Further, according to the present invention, the envelope applying means applies an envelope in which an attenuation time of the casing resonance sound signal attenuated in response to the sound generation stop instruction is longer than an attenuation time of the normal musical sound signal. There is a fourth feature in that it is configured.

In addition, the present invention has a fifth feature in that the case resonance generating means includes a storage means for storing case resonance sound waveform data in advance and a waveform reading means.
Furthermore, the present invention has a sixth feature in that the case resonance sound waveform data is synthesized by a one-degree-of-freedom viscous damping system model.

  According to the present invention having the first feature, a normal musical tone signal and an enclosure resonance signal with an envelope are generated when a key is pressed. In an acoustic piano, the case resonance sound is generated at a small level from the time of key depression, and according to the first feature, the case resonance sound can be simulated.

Further , according to the first feature, the case resonance sound can be simulated within a range in which the number of musical sound generation channels is not excessively increased.

Further , according to the first feature, when the number of channels of the casing resonance generating means is insufficient, a new sounding start instruction is prioritized and one sounding sound is stopped. Then, instead of the stopped casing resonance sound, it can be set and simulated so that the decay time when the normal musical sound is stopped is long. This can compensate for a small number of channels.

Furthermore, according to the first feature, the shortage of the number of channels can be determined when the sound generation start instruction is output, and the decay time of the normal musical sound can be set long.

According to the second feature, priority is given to a conspicuous treble of the casing resonance sound or the latest pronunciation. This is because no loud casing resonance sound is generated for the high sound range where the amplitude of the string vibration is small or for the sound that is firstly pronounced.

According to the third feature, for example, it can be adapted to an acoustic piano in which a damper is not provided in the pressed sound range, and the casing sound resonance generating means can be omitted in the high sound range.

According to the fourth feature, the acoustic piano can be simulated with high accuracy by maintaining the decay sound due to the case resonance signal even after the normal musical sound has been attenuated.

According to the present invention having the fifth feature, highly accurate simulation can be performed using the waveform data of the case resonance sound.
According to the present invention having the sixth feature, the case resonance sound can be generated when the key is depressed by the case resonance sound waveform data created using the one-degree-of-freedom viscous damping system model.

It is a block diagram which shows the principal part function of the musical sound generator which concerns on embodiment of this invention. It is a block diagram which shows the hardware component part of the musical sound generator which concerns on embodiment of this invention. It is a timing chart of a musical sound generator. It is a flowchart which shows the main process of a musical tone generator. It is a flowchart which shows a keyboard event process (the 1). It is a flowchart which shows a keyboard event process (the 2).

Hereinafter, the present invention will be described in detail with reference to the drawings. FIG. 2 is a block diagram showing a hardware configuration of an electronic piano which is an example of a musical sound generating apparatus according to an embodiment of the present invention. In the figure, a CPU 1 controls each part shown in the figure via a system bus 2. The system bus 2 includes an address bus, a data bus, and a control signal line. The ROM 3 has a program memory 3a for storing programs used by the CPU 1 and a data memory 3b for storing various data including at least timbre data. The RAM 4 temporarily stores various data generated in the control by the CPU 1.
The electronic piano is provided with an operation panel (hereinafter simply referred to as “panel”) 5, a MIDI interface 6, and a damper pedal (hereinafter simply referred to as “pedal”) 7. The panel 5 is constituted by switches for setting various states including a tone color switch 5a for selecting a tone color of a musical tone to be generated. Information set from the panel 5 is supplied to the CPU 1. The pedal 7 includes a pedal sensor 7 a that detects an operation (depression) state of the pedal 7 and supplies the pedal information to the CPU 1. The pedal sensor 7a is a variable resistor, and detects a variation in voltage or the like corresponding to the resistance value of the variable resistor as a depression amount of the pedal 7. The detected depression amount data of the pedal 7 is sent to the CPU 1. When receiving the depression amount data, the CPU 1 sets a resonance setting flag to “1” on the RAM 4. Then, when this depression is lost, the depression amount is sent to the CPU 1 as “0”, and the resonance setting flag on the RAM 4 is set to “0”.

  The keyboard 8 is a keyboard circuit composed of 88 keys A0 to C8, and key depression information is detected by a keyboard scanning circuit (not shown). Each key is provided with a touch sensor, that is, a key switch 8a. The key switch 8a detects the performance operation of the performer on the keyboard 8, and indicates the key code KC indicating the pitch of the pressed key, and the generation / mute timing of the musical sound corresponding to the key press / release. Key-on information such as key-on KON, key-off KOFF, and key touch KT corresponding to the key-pressing speed is output. Information output from the key switch 8 a is supplied to the CPU 1 via the system bus 2.

  The tone generator 9 is a tone generator having a plurality of channels that are time-division controlled to perform a plurality of sounds simultaneously, and accumulates and outputs the output signals of all the plurality of channels. In the musical sound generating unit 9, one of the channels is assigned by the key pressing operation, and the normal musical sound and the case resonance sound corresponding to the key pressing operation and the key-off string vibration corresponding to the key releasing operation and the pedal operation in the channel. Sound is generated.

  The waveform memory 10 stores waveform data of normal musical sounds, key-off string vibration sounds, and case resonance sounds, and the musical sound generator 9 uses the waveform data stored in the waveform memory 10 as a key code KC. Reading is performed at a corresponding pitch, and a musical sound signal is generated based on the waveform data.

  The music signals of the normal music sound, the released key string vibration sound, and the casing resonance sound are synthesized and converted into an analog signal by the DA converter 12 and input to the sound system 13. The sound system 13 is composed of an amplifier, a speaker, and the like, and causes the output signal of the DA converter 12 to sound externally as an output of the electronic piano.

  The waveform data of the key-off string vibration sound stored in the waveform memory 10 is synthesized by processing the waveform data of the normal musical sound. Mainly lower or delete the levels of low and high harmonics, and extract the mid-band harmonics as the waveform data of the key-string vibration sound. The waveform data is stored in the waveform memory 10 by performing a known loop process so that the loop data can be read out. Rather than processing the normal musical tone, the actual waveform of the acoustic piano is played, and the waveform data of the sound recorded with the damper lightly touching the string during string vibration is the waveform of the keyed string vibration sound. It may be data.

  On the other hand, the waveform data of the case resonance sound is obtained by designing a resonance circuit of an open string or a fore string and a back string in a high sound range and inputting a normal musical sound to the resonance circuit. The waveform data output from the resonance circuit is loop processed and stored in the waveform memory 10. The resonance circuit can be configured to simulate the impulse response with a one-degree-of-freedom viscous damping system model of the overtone vibration waveform. Regarding the one-degree-of-freedom viscous damping system model, Japanese Patent Application No. 2006-11469 and Japanese Patent Application No. 2006-11470 by the present applicant are incorporated herein by reference. Note that the waveform data of the case resonance sound may be sampled by installing a microphone near a string that is always open on an acoustic piano.

  FIG. 1 is a block diagram showing the configuration of the main part of the tone generator 9. The normal musical tone waveform storage unit 15, the key-off string vibration waveform storage unit 16, and the casing resonance waveform storage unit 17 are storage areas for musical tone waveforms set in the waveform memory 10, and each of the normal musical tone waveform is set. Data, key-off string vibration sound waveform data, and housing resonance sound waveform data are stored in advance. These waveform data are read from the waveform memory 10 and stored in response to the key-on KON. These waveform data are read by the waveform reading units 18, 19, and 20, respectively, and input to the digital filters 21, 22, and 23. The normal musical sound waveform storage unit 15 and the waveform reading unit 18 constitute a normal musical sound generating means. The key-off string vibration sound waveform storage unit 6 and the waveform readout unit 19 constitute a key-release string vibration sound generation unit, and the case resonance waveform storage unit 17 and the waveform readout unit 20 constitute a case resonance sound generation unit. To do.

The waveform data processed by the digital filters 21, 22, 23 are respectively adjusted in level by the multipliers 24, 25, 26, synthesized by the adder 27, and input to the DA converter 12 (see FIG. 2). .
The sound generation instructing unit 31 generates sound to the read control unit 28, the filter control unit 29, and the level control unit 30 based on the key press information and the operation information, that is, the value of the resonance setting flag on the RAM 4 indicating the pedal depression state. Give start instructions.

  The read control unit 28 gives a read command to each of the waveform read units 18, 19, and 20 in accordance with the sound generation instruction. The filter control unit 29 controls the cutoff frequency of each of the digital filters 21, 22 and 23 according to the sound generation instruction. The level control unit 30 determines envelope data for adding an envelope to the waveform data output from the digital filters 21, 22, and 23 and inputs the determined envelope data to the multiplication units 24, 25, and 26, respectively. The envelope data is determined based on the key depression information. After the key is released, the normal music sound, the key-string vibration sound, and the case resonance sound are further set with respect to the pedal 7 according to the state of the pedal 7 at a preset attenuation rate. Determine envelope data for attenuating the currently sounding sound.

  If the pedal 7 is off when the key is released, the envelope data is determined so as to be attenuated at a specific attenuation rate that differs for each of the normal musical sound, the key-string vibration sound, and the casing resonance sound. When the pedal 7 is turned on when the key is released, the damper is raised and does not touch the string, so that the envelope data of the normal musical tone, the case resonance sound and the keyed string vibration sound is not changed and the sound generation is continued.

  The filter control unit 29 controls the cutoff frequency of the digital filter 22 provided corresponding to the key-off string vibration sound based on the sound generation start instruction or the sound generation stop instruction sent from the sound generation instruction unit 31. The cut-off frequency of the digital filter 22 is sufficiently lower than normal at the start of sound generation, and returned to normal when sound generation is stopped.

  Also, the filter control unit 29 is based on the sound generation start instruction or sound generation stop instruction sent from the sound generation instruction unit 31, and the cutoff frequencies of the digital filters 21 and 23 provided corresponding to the normal musical sound and the case resonance sound, respectively. To control. These cutoff frequencies are normally set high from the beginning of sound generation.

  The pronunciation number monitoring unit 32 monitors the number of pronunciations for each of the normal musical sound, the key-off string vibration sound, and the casing resonance sound, and channel assignment is performed according to the number of pronunciations. In this embodiment, the number of channels that can use the key-off string vibration sound and the case resonance sound is set to be smaller than the number of channels for normal musical sounds. That is, the number of simultaneous pronunciations of the key-off string vibration sound generating means is set to be smaller than the number of simultaneous pronunciations of the normal musical sound generating means. For example, 50 channels are assigned to normal musical sounds, and 10 channels are assigned to each of the key-string vibration sound and the case resonance sound. If the number of pronunciations is greater than the number of channels, one of them is muted according to a scheduled standard. In order to simulate the key-off string vibration sound and the casing resonance sound that are not generated by the sound muting, a process for extending the decay time of the normal musical sound corresponding to the muted sound is performed.

  The key release string vibration sound waveform storage unit 16, the waveform readout unit 19, the digital filter 22, and the multiplication unit 25 shown in FIG. 1 are not provided corresponding to all keys, but are provided in a specific key or key range. It is desirable to make it. For example, the key-off string vibration sound generating means may not be provided in a high sound range where no damper is provided.

  FIG. 3 is a timing chart of sound generation according to the present embodiment. The operation based on the configuration of FIG. 1 will be described with reference to FIG. The pronunciation instruction is output based on the key pressing information and the operator information. The sound generation instruction is turned on in response to the key-on information key-on KON, and the sound-generation instruction is turned off when the key-off information KOFF of the key-press information and the pedal 7 off by the operator information are detected (the sound generation is stopped and attenuated). Is started).

  In response to the sounding instruction being turned on, the waveform data is read from the normal musical tone waveform storage unit 15, the key-string vibration waveform storage unit 16, and the case resonance waveform storage unit 17 to the digital filters 21, 22, and 23. The normal musical sound, the key-release string vibration sound, and the case resonance sound change in level according to the envelope shown in FIG. 3, and the envelope data is set so that the sound is attenuated at a predetermined attenuation speed in response to the sound generation instruction being turned off. To do.

  Here, the cutoff frequency of the digital filter 22 corresponding to the key-off string vibration sound is set sufficiently lower than usual in response to the sounding instruction being turned on, and is returned to the normal condition on condition that the sounding instruction is turned off. Therefore, the read waveform data of the key-off string vibration sound is not output from the digital filter 22 during normal tone generation due to this cutoff frequency. When the cut-off frequency is returned to normal by turning off the sound generation instruction, sound generation starts at the level of the key-off string vibration sound read at that time, and the sound is attenuated based on the attenuation speed.

The waveform of the key-off string vibration sound that is actually emitted is shown in the second row from the bottom in FIG. Since the sound emission shape starts to rise when the cutoff frequency is returned to normal by turning off the sound generation instruction, there is a slight delay until the sound emission level becomes sufficiently high. However, since the sound emission level of the key-off string vibration sound increases until the normal sound level becomes zero, there is no practical problem. Since the decay rate is set so that the decay time T1 of the key-released string vibration sound is longer than the decay time T0 of the normal musical sound, the key-released string vibration sound remains in the time (T1- Attenuation continues for T0) and is pronounced delicately.
In an acoustic piano, when a key is pressed and released immediately, the damper touches the string in a state where the string vibration immediately after the key is pressed is large, so the key-released string vibration sound is large and includes many overtones. On the other hand, when the key is released after a while after the key is pressed, the damper touches the string in a state where the string vibration is small, so that the key-released string vibration sound is small and there are few overtones. That is, the key release string vibration sound changes depending on the key release timing.

  On the other hand, the waveform data of the key-off string vibration sound that has been read out simultaneously with the key depression is not provided for actual pronunciation, but changes with the passage of time after the key depression. Therefore, the key-off string vibration sound can be generated with the optimum waveform data corresponding to the key release timing, and the decay time is also controlled by the control of the level control unit 30.

  Since the cutoff frequency of the case resonance sound is set to the normal level from the key depression as in the case of the normal music sound, as shown in FIG. 3, the sound is generated at a level lower than the normal music sound from the time of the key depression. Since the decay speed is set so that the decay time T2 is longer than the decay time T0 of the normal musical sound, the casing resonance sound is maintained for the time (T2-T0) even after the normal musical sound decays.

  Note that the case resonance sound is not always generated from the key depression, but the cut-off frequency of the digital filter 23 is sufficiently lowered by the key depression as in the case of the key-off string vibration sound. You may make it return to a high value. The casing resonance sound starts to be generated when the key is released, thereby enhancing the casing resonance sound enhancement effect.

  In the envelope of the normal musical sound in FIG. 3, the dotted line indicating the decay state after the sound generation stop instruction is long when there is no empty channel of the key-off string vibration sound generating means or no empty channel of the case resonance sound generating means. This corresponds to the decay time of the musical sound. This extended normal musical sound decay time makes it possible to simulate key-off string vibration sound and housing resonance sound when there is no empty channel.

  Next, keyboard event processing including truncation processing according to the number of pronunciations by the number-of-sounds monitoring unit 32 will be described with reference to a flowchart. First, FIG. 4 is a flowchart showing the entire process. In step S1, the CPU 1, RAM 4, sound source LSI (DSP), etc. are initialized. In step S2, panel event processing is performed in which the state of the switch or the like of the panel 5 is read and corresponding processing is performed. In step S3, a keyboard event process for generating a normal tone signal based on the output of the key switch 8a is executed. The keyboard event process includes setting an envelope according to the key touch KT.

  In step S4, pedal event processing corresponding to the output of the pedal sensor 7a is performed. Note that the pedal event processing may include processing of pedals other than the pedal (damper pedal). In step S5, other processing is performed.

  5 and 6 are flowcharts showing details of the keyboard event process (step S3). In FIG. 5 and FIG. 6, the normal musical tone buffer, the key-string vibration sound buffer, and the case resonance sound buffer are respectively the normal music tone, key release string vibration sound, and case resonance sound envelope, and the cutoff of the digital filter. This is a RAM area for temporarily storing the frequency, the address of the waveform memory 10 and the like, and the decay rate when the sound generation is stopped is also stored in these areas.

  First, in step S10 in FIG. 5, the presence or absence of an on event of the keyboard 8, that is, the presence or absence of key depression, is determined based on the presence or absence of key-on KON. If it is an ON event, the process proceeds to step S11, and the counter p for counting the number of channels during normal tone generation is incremented. In step S12, it is determined whether or not the number p of sounding channels is greater than or equal to the maximum number of sounding channels pm of normal music.

  If step S12 is positive, it is determined that there is no empty channel, and the process proceeds to step S13. In step S13, a truncation process is performed to release the channel assignment of one of the normal musical tones that are being generated in order to free up a channel. This truncation processing target is, for example, given priority to boosting and is released in order from the channel with the longest sounding time. In step S14, the counter p is decremented corresponding to the opening of the channel, and the process proceeds to step S15.

  If step S12 is negative, it is determined that there is an empty channel, and there is no need to open a channel, so steps S13 and S14 are skipped and the process proceeds to step S15.

  In step S15, normal musical tone data (for generating normal musical tone) corresponding to the ON event in step S10 is read from the data memory 3b to the normal musical tone buffer.

  In step S16, a counter q that counts the number of channels that are generating the key-off string vibration sound is incremented. In step S17, it is determined whether or not the number q of sounding channels is greater than or equal to the maximum number of sounding channels qm of the key-string vibration sound.

  If step S17 is positive, it is determined that there is no empty channel, and the process proceeds to step S18. In step S18, a truncation process is performed to stop the sound generation of one of the key-string vibration sounds being generated in order to make a channel open. The target of the truncation process is, for example, a preset one of boosting priority or bass priority. The reason for giving priority to the bass sound is that the bass sound has a larger amplitude of string vibration and the string vibration sound is more prominent.

  In step S19, the counter q is decremented corresponding to the opening of the channel. In step S20, the decay time set in the normal musical tone buffer for the truncated string vibration sound is rewritten and lengthened, and the process proceeds to step S21.

  If step S17 is negative, it is determined that there is an empty channel and there is no need to open a channel, so steps S18 to S20 are skipped and the process proceeds to step S21.

  In step S21, the key-off string vibration sound data corresponding to the ON event in step S10 is read from the data memory 3b to the key-off string vibration sound buffer.

  In step S22, a counter r for counting the number of channels generating sound of the case resonance is incremented. In step S23, it is determined whether or not the number r of sounding channels is equal to or greater than the maximum number of sounding channels rm of the case resonance sound.

  If step S23 is positive, it is determined that there is no empty channel, and the process proceeds to step S24. In step S24, a truncation process is performed to release the assignment of one channel of the sounding case resonance sound in order to open a channel. The object of the truncation processing of the casing resonance sound is, for example, given priority to boosting or high-pitched sound. This is because, in an acoustic piano, the casing resonance can be heard well on the high-pitched side. In step S25, the counter r is decremented corresponding to the opening of the channel. In step S26, the decay time set in the normal musical tone buffer for the truncated resonance sound is rewritten and lengthened, and the process proceeds to step S27.

  If step S23 is negative, it is determined that there is an empty channel, and there is no need to open a channel, so steps S24 to S26 are skipped and the process proceeds to step S27.

  In step S27, the casing resonance data corresponding to the ON event in step S10 is read from the data memory 3b to the casing resonance buffer.

  In step S28 of FIG. 6, normal tone generation processing is performed by the configuration and operation described with reference to FIG. 1 using the waveform data read to the normal tone waveform storage unit 15. Similarly, in step S29, sound generation processing of the key-off string vibration sound is performed using the waveform data read out to the key-off string vibration sound waveform storage unit 16, and in step S30, the case resonance sound waveform storage unit 17 is processed. Using the waveform data read in step 2, the sound generation processing of the case resonance sound is performed.

  If the determination in step S10 in FIG. 5 is negative, the process proceeds to step S31 in FIG. 6, and the presence or absence of an off event of the keyboard 8, that is, the presence or absence of a key release, is determined based on the presence or absence of the key-off KOFF. If the key is released, the process proceeds to step S32, where it is determined whether or not the pedal 7 is on based on the operator information. If the pedal 7 is not on, the process proceeds to step S33, and the normal musical sound corresponding to the key release is silenced. A step S34 performs a silencing process of the key-off string vibration sound corresponding to the key release. In step S35, the process of silencing the casing resonance corresponding to the key release is performed.

  In the above embodiment, an electronic piano has been described as an example of a musical sound generating device. However, the present invention is not limited to an electronic piano, and has a keyboard and provides sound effects by pedal operation. The present invention can be similarly applied to other electronic musical instruments without departing from the gist of the present invention.

  DESCRIPTION OF SYMBOLS 1 ... CPU, 7 ... Damper pedal, 7a ... Pedal sensor, 8 ... Keyboard, 8a ... Keith switch, 10 ... Waveform memory, 15 ... Normal musical sound wave shape memory | storage part, 16 ... Key release string vibration sound wave shape memory | storage part, 17 ... Housing Body resonance sound waveform storage unit, 21, 22, 23 ... digital filter, 27 ... addition unit, 29 ... filter control unit, 30 ... level control unit, 31 ... sound generation instruction unit, 32 ... sound generation number monitoring unit

Claims (6)

A sound generation instruction means for outputting a sound generation start instruction based on the key press information, and outputting a sound generation stop instruction based on the key press information and the operator information;
A normal musical sound generating means for generating a normal musical sound signal;
A casing resonance generating means for generating a casing resonance signal;
A plurality of filter means for receiving the normal tone signal and the case resonance signal, respectively;
A plurality of envelope applying means for applying envelopes to the signals output from the plurality of filter means;
Adding means for adding a signal output from the envelope applying means and outputting a musical sound signal;
The number of channels of the casing resonance generating means is set to be less than the number of channels of the normal music generating means,
In response to the sound generation start instruction, the normal music sound generation means and the case resonance sound signal generation means start generating the normal music sound signal and the case resonance sound signal, respectively , and assign them to the respective empty channels, and the sound generation instruction means If the vacant channel of the case resonance sound generating means is insufficient at the time when the sound generation start instruction is output by, one of the case resonance sound signals being sounded is stopped and the stopped case resonance sound A musical tone generating apparatus characterized by changing the setting data of the normal musical tone generating means relating to the decay time in order to lengthen the decay time when the normal musical tone signal started to be generated simultaneously with the signal is stopped . When there are not enough available channels, it is configured to stop either the lowest-cased resonance signal or the lowest-cased resonance signal that is instructed to start sounding. The musical tone generator according to claim 1, wherein the musical tone generator is provided. The musical sound generating device according to claim 1 or 2 , wherein the casing resonance generating means is provided for a predetermined specific key or key range. The envelope applying means is configured to give an envelope in which the decay time of the casing resonance signal attenuated in response to the sound generation stop instruction is longer than the decay time of the normal musical sound signal. The musical tone generator according to any one of claims 1 to 3 , wherein The musical sound generating device according to any one of claims 1 to 4 , wherein the casing resonance generating means comprises storage means for storing casing resonance sound waveform data in advance and waveform reading means. . 6. The musical tone generator according to claim 5 , wherein the casing resonance sound waveform data is synthesized with a one-degree-of-freedom viscous damping system model.

Images