JP2022032931A - Japanese harp with double sound board - Google Patents

Japanese harp with double sound board Download PDF

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JP2022032931A
JP2022032931A JP2021023165A JP2021023165A JP2022032931A JP 2022032931 A JP2022032931 A JP 2022032931A JP 2021023165 A JP2021023165 A JP 2021023165A JP 2021023165 A JP2021023165 A JP 2021023165A JP 2022032931 A JP2022032931 A JP 2022032931A
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groove
plate
box
sound
wall
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JP7152060B2 (en
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海鴎 金
Hai Ou Jin
念博 呉
Nian Bo Wu
新喜 何
Xin Xi He
信智 朱
Xin Zhi Zhu
碧英 李
bi ying Li
萍 楊
Hei Yo
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Suzhou Liyue Musical Instrument Co Ltd
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00General design of stringed musical instruments
    • G10D1/04Plucked or strummed string instruments, e.g. harps or lyres
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/02Resonating means, horns or diaphragms

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  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
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  • Stringed Musical Instruments (AREA)
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Abstract

To provide a Japanese harp with a double sound board.SOLUTION: A Japanese harp with a double sound board includes a resonance box. The box body of the resonance box is obtained by laminating a surface plate (1), a bottom plate (2) and a side plate (3). A resonance body is provided within the box body. Two upper soundboards (6) are provided to be fixed side by side in an inner wall of the surface plate (1). In the inner wall of the surface plate (1), a first groove (8) is provided, and an upper sound port is formed.SELECTED DRAWING: Figure 9

Description

本発明は、撥弦楽器に関し、特に二重響板日本箏に関する。 The present invention relates to a plucked string instrument, and particularly to a double soundboard Japanese koto.

日本箏は撥弦楽器であり、8世紀初頭、中国の唐から十三弦筝が日本へ伝えられ、楽筝、筑紫箏、俗箏等の日本の伝統楽器に次々と進化してきた。三者の構造は基本的に同じであり、桐の木で作った長方形の音箱表面に13本の弦が張られ、各弦は1本の柱により支持される。弦の名は演奏者側から見ると楽器の向こうから、それぞれ「一、二、三、四、五、六、七、八、九、十、斗、為、巾」と呼ばれ、本体はまっすぐである。日本箏の長さは約180cmであり、13本の弦を有し、弦は13個の可動式の柱で架設され、演奏者は必要に応じて柱の位置を移動することによって音程を調節することができる。演奏時に親指、人差指、中指に「箏爪」を嵌めて弦を引いて演奏する。 The Japanese koto is a plucked string instrument, and at the beginning of the 8th century, the 13-string koto was introduced to Japan from China's Tang, and has evolved into traditional Japanese instruments such as the music koto, Tsukushi koto, and folk koto. The structure of the three is basically the same, 13 strings are stretched on the surface of a rectangular sound box made of paulownia wood, and each string is supported by one pillar. The names of the strings are called "1, 2, 3, 4, 5, 6, 7, 8, 9, 10, Doo, Tame, Width" from the other side of the instrument when viewed from the performer's side, and the main body is straight. Is. The length of the Japanese koto is about 180 cm, it has 13 strings, and the strings are erected with 13 movable pillars, and the performer adjusts the pitch by moving the position of the pillars as needed. can do. At the time of performance, put a "koto claw" on the thumb, index finger, and middle finger and pull the strings to play.

最も初期の標準的な日本箏は13本の弦を有する。現在、十七弦箏も使用され、また25弦の箏もある。当然ながら、本体は中国筝と基本的に類似し、桐の木を本体の主な材料とする。図1~図7を参照する。日本箏本体の箱体は主に表面板1、底板2及び側板3を張り合わせてなり、箱体内の一端には前封止板4が設置され、他端には後封止板5が設置され、表面板1、底板2、側板3、前封止板4及び後封止板5で囲まれた空間は共鳴胴であり、共鳴胴内には3つの響板24が横方向に設置されている。 The earliest standard Japanese koto has 13 strings. Currently, 17-string koto is also used, and there is also a 25-string koto. Naturally, the main body is basically similar to the Chinese koto, and the main material of the main body is paulownia wood. 1 to 7 will be referred to. The box body of the Japanese koto body is mainly made by laminating a surface plate 1, a bottom plate 2 and a side plate 3, a front sealing plate 4 is installed at one end of the box body, and a rear sealing plate 5 is installed at the other end. The space surrounded by the surface plate 1, the bottom plate 2, the side plate 3, the front sealing plate 4 and the rear sealing plate 5 is a resonance cylinder, and three sound plates 24 are installed laterally in the resonance cylinder. There is.

13本の弦の日本箏の音程は2つの八度に分けられ、高音域と低音域の音色がよくないという問題が存在する。具体的には高音域が明るくならず、低音域の太さが足りない。また日本箏の琴音の貫通力は弱く、さらなる改善が必要である。その原因は、主に日本箏の共鳴胴は高音域から低音域への良好な共鳴と振動の要求を満たすことができず、即ち同時に高音域、中音域及び低音域の幅広い周波数変化に適応する共鳴と振動を満たすことができない。さらなる研究により、共鳴胴において共鳴と振動に影響を与える要素が多く、表面板と底板の材質や厚さに加え、共鳴胴の内部構造と仕組みの影響も大きいことが表された。従来の日本箏の共鳴胴は設計が合理的ではないため、高音域から低音域への良好な音波共鳴と振動を発揮しにくい。 The pitch of the Japanese koto with 13 strings is divided into two octaves, and there is a problem that the timbre of the treble and bass is not good. Specifically, the treble range is not bright and the bass range is not thick enough. In addition, the penetrating power of the Japanese koto koto is weak, and further improvement is needed. The main reason is that the Japanese sound box cannot meet the demands of good resonance and vibration from the high range to the low range, that is, it adapts to a wide range of frequency changes in the high range, midrange and low range at the same time. Unable to satisfy resonance and vibration. Further research has shown that there are many factors that affect resonance and vibration in the sound box, and that in addition to the material and thickness of the surface and bottom plates, the internal structure and mechanism of the sound box also have a large effect. Since the design of the conventional Japanese koto sound box is not rational, it is difficult to exhibit good sound resonance and vibration from the high range to the low range.

これらに鑑み、如何に従来の日本箏の共鳴胴を改善し、特に共鳴胴の内部構造と仕組みを改善することが、本発明の研究課題である。 In view of these, it is a research subject of the present invention how to improve the resonance cylinder of the conventional Japanese koto, and particularly to improve the internal structure and mechanism of the resonance cylinder.

本発明は二重響板日本箏を提供し、従来の日本箏の共鳴胴は高、中、低音域が同時に良好な共鳴音色と貫通力とを兼備できないという問題を解決することを目的とする。 The present invention provides a double soundboard Japanese koto, and an object of the present invention is to solve the problem that the resonance cylinder of a conventional Japanese koto cannot have a good resonance tone and penetrating power at the same time in the high, middle and low range. ..

上記目的を達成するために、本発明に用いられる技術的解決手段は、二重響板日本箏であって、共鳴箱を含み、共鳴箱の箱体は表面板、底板及び側板を張り合わせてなり、箱体内の一端には前封止板が設置され、他端には後封止板が設置され、表面板、底板、側板、前封止板及び後封止板で囲まれた空間は共鳴胴であり、その革新箇所は、共鳴胴内に2本の上響板が設置され、上響板は長尺状の響板部材であり、2本の上響板の一側は表面板の内壁に密接に固定され、2本の上響板の他側は底板に対して共鳴胴内にぶら下がっており、2本の上響板の長手方向は共鳴箱の長手方向と一致し、共鳴箱の幅方向から観察すると2本の上響板は並列であり、且つ一定の距離を離れていることである。 In order to achieve the above object, the technical solution used in the present invention is a double soundboard Japanese sword, which includes a resonance box, and the box body of the resonance box is made by laminating a surface plate, a bottom plate and a side plate. A front sealing plate is installed at one end of the box, a rear sealing plate is installed at the other end, and the space surrounded by the surface plate, bottom plate, side plate, front sealing plate, and rear sealing plate resonates. It is a body, and the innovation point is that two sound boxes are installed in the sound box, the sound box is a long sound box member, and one side of the two sound boxes is a surface plate. Closely fixed to the inner wall, the other side of the two sound boxes hangs inside the sound box with respect to the bottom plate, and the longitudinal direction of the two sound boxes coincides with the longitudinal direction of the resonance box, and the resonance box. When observed from the width direction of, the two sound boxes are in parallel and are separated from each other by a certain distance.

共鳴胴に対応する表面板の内壁には第1溝が設置され、第1溝は共鳴箱の幅方向に沿って開設され、共鳴胴に対応する表面板の内壁には第2溝が設置され、第2溝は共鳴箱の長手方向に沿って開設され、第1溝と第2溝は表面板の内壁に交差して配置され、互いに貫通し、第2溝は2本の上響板の間に位置し、第2溝の長手方向は上響板の長手方向と一致し、第1溝は共鳴箱の幅方向において2本の上響板をまたがり、表面板の内壁に上横響口を形成し、第2溝は表面板の内壁に上縦響口を形成する。 A first groove is installed on the inner wall of the surface plate corresponding to the sound box, the first groove is opened along the width direction of the resonance box, and a second groove is installed on the inner wall of the surface plate corresponding to the sound box. , The second groove is opened along the longitudinal direction of the resonance box, the first groove and the second groove are arranged so as to intersect the inner wall of the surface plate and penetrate each other, and the second groove is between the two soundboards. Located, the longitudinal direction of the second groove coincides with the longitudinal direction of the soundboard, and the first groove straddles the two soundboards in the width direction of the resonance box and forms an upper horizontal sound box on the inner wall of the surface plate. However, the second groove forms an upper longitudinal resonance port on the inner wall of the surface plate.

上記技術的解決手段における関連内容に対する説明は以下のとおりである。
1.上記解決手段において、主題は「日本箏」であるが、革新の内容は日本箏の「共鳴箱」に集中されているため、共鳴箱以外のその他の構造を説明していない。本発明にかかる日本箏において共鳴箱以外のその他の構造は従来の日本箏技術を用いて実現されると考えられる。
The explanation for the related contents in the above technical solution is as follows.
1. 1. In the above solution, the subject is "Japanese koto", but since the content of the innovation is concentrated on the "resonance box" of Japanese koto, other structures other than the resonance box are not explained. It is considered that the structure other than the resonance box in the Japanese koto according to the present invention is realized by using the conventional Japanese koto technique.

2.上記解決手段において、「共鳴箱」は表面板、底板及び側板を張り合わせてなる本体を指す。日本箏の共鳴箱の長手方向は弦と略一致する方向を指し、共鳴箱の幅方向は長手方向に垂直である方向を指す。「内壁」は共鳴胴にとって内側の壁面を指し、例えば、表面板の内壁は共鳴胴の表面板内側に近接する壁面を指し、底板の内壁は共鳴胴の底板内側に近接する壁面を指す。 2. 2. In the above-mentioned solution, the "resonance box" refers to a main body made by laminating a surface plate, a bottom plate and a side plate. The longitudinal direction of the resonance box of the Japanese koto points to the direction that substantially coincides with the strings, and the width direction of the resonance box refers to the direction perpendicular to the longitudinal direction. "Inner wall" refers to the inner wall surface of the sound box, for example, the inner wall of the surface plate refers to the wall surface close to the inside of the surface plate of the sound box, and the inner wall of the bottom plate refers to the wall surface close to the inside of the bottom plate of the sound box.

3.上記解決手段において、共鳴胴内に2本の下響板が設置されてもよく、下響板は長尺状の響板部材であり、2本の下響板の一側は底板の内壁に密接に固定され、2本の下響板の他側は表面板に対して共鳴胴内に延長しており、2本の下響板の長手方向は共鳴箱の長手方向と一致し、共鳴箱の幅方向から観察すると2本の下響板は並列であり、且つ一定の距離離れている。 3. 3. In the above solution, two soundboards may be installed in the sound box, the soundboard is a long soundboard member, and one side of the two soundboxes is on the inner wall of the bottom plate. Closely fixed, the other side of the two sound boxes extends into the sound box with respect to the surface plate, the longitudinal direction of the two sound boxes coincides with the longitudinal direction of the resonance box, and the resonance box. When observed from the width direction of, the two sound boxes are in parallel and are separated by a certain distance.

共鳴胴に対応する底板の内壁には第3溝が設置され、第3溝は共鳴箱の幅方向に沿って開設され、共鳴胴に対応する底板の内壁には第4溝が設置され、第4溝は共鳴箱の長手方向に沿って開設され、第3溝と第4溝は底板の内壁に交差して配置され、互いに貫通し、第4溝は2本の下響板の間に位置し、第4溝の長手方向は下響板の長手方向と一致し、第3溝は共鳴箱の幅方向において2本の下響板をまたがり、底板の内壁に下横響口を形成し、第4溝は底板の内壁に下縦響口を形成する。 A third groove is installed on the inner wall of the bottom plate corresponding to the sound box, the third groove is opened along the width direction of the resonance box, and a fourth groove is installed on the inner wall of the bottom plate corresponding to the sound box. The four grooves are opened along the longitudinal direction of the resonance box, the third groove and the fourth groove are arranged so as to intersect the inner wall of the bottom plate and penetrate each other, and the fourth groove is located between the two soundboards. The longitudinal direction of the 4th groove coincides with the longitudinal direction of the sound box, and the 3rd groove straddles the two sound boxes in the width direction of the resonance box to form a lower transverse sound port on the inner wall of the bottom plate. The groove forms a lower longitudinal sound box on the inner wall of the bottom plate.

4.上記解決手段において、共鳴胴内に横響板が設置されてもよく、横響板はシート状であり、横響板は第1溝の位置に配置され、且つ第2溝の中心面を基準として左右対称であり、横響板の頂部は前記表面板に固定するように接続され、横響板の底部は底板に固定するように接続され、横響板の側部は対応する側の側板に固定するように接続されている。 4. In the above-mentioned solution, a sound box may be installed in the sound box, the sound board is in the form of a sheet, the sound board is arranged at the position of the first groove, and the central surface of the second groove is used as a reference. The top of the sound box is connected to be fixed to the surface plate, the bottom of the sound box is connected to be fixed to the bottom plate, and the side of the sound box is the side plate of the corresponding side. It is connected so as to be fixed to.

5.上記解決手段において、上響板に上駒が設置されてもよく、上駒の上響板にある一側は切欠きであり、上響板に上駒式響板構造を形成させ、上駒は第1溝に架設する。下響板に下駒が設置されてもよく、下駒の下響板にある一側は切欠きであり、下響板に下駒式響板構造を形成させ、下駒は第3溝に架設する。 5. In the above solution, an upper piece may be installed on the upper soundboard, one side of the upper soundboard of the upper piece is a notch, and the upper soundboard is formed with an upper piece type soundboard structure. It is erected in the first groove. The lower bridge may be installed on the lower bridge, one side of the lower bridge is a notch, the lower bridge forms a lower bridge type soundboard structure, and the lower bridge is erected in the third groove. do.

6.上記解決手段において、2本の上響板の間に上補強板を、2本の上響板の間を上補強板が固定するように架設されてもよく、2本の下響板の間に下補強板を、2本の上響板の間を下補強板が固定するように架設されてもよい。 6. In the above-mentioned solution, an upper reinforcing plate may be installed between the two upper soundboards, and a lower reinforcing plate may be installed between the two upper soundboards so that the upper reinforcing plate is fixed between the two upper soundboards. The lower reinforcing plate may be erected so as to be fixed between the two upper soundboards.

7.上記解決手段において、横響板は共鳴胴内の横方向に配置され、横響板の中央には通弦孔が開設されている。横響板と表面板及び側板の接続側辺には第1切り込みが設置され、組立状態において第1切り込みと表面板及び側板の内壁との間に第1半月孔が形成され、横響板と底板及び側板の接続側辺には第2切り込みが設置され、組立状態において第2切り込みと底板及び側板の内壁との間に第2半月孔が形成されている。 7. In the above solution, the soundboard is arranged laterally in the sound box, and a string hole is provided in the center of the sound box. A first notch is installed on the connecting side of the soundboard and the surface plate and the side plate, and a first half-moon hole is formed between the first notch and the inner wall of the surface plate and the side plate in the assembled state, and the soundboard and the side plate are formed. A second notch is installed on the connecting side of the bottom plate and the side plate, and a second half-moon hole is formed between the second notch and the inner wall of the bottom plate and the side plate in the assembled state.

8.上記解決手段において、第1溝、第2溝、第3溝及び第4溝はいずれも円弧状溝であることが最適である。 8. In the above-mentioned solution, it is optimal that the first groove, the second groove, the third groove and the fourth groove are all arcuate grooves.

日本箏にとって、その音色と貫通力に影響を与える要素が多く、例えば、共鳴箱の材質、厚さ、内部構造等である。本発明では従来の日本箏の共鳴胴が高、中、低音域が同時に良好な共鳴音色及び貫通力を考慮できないという問題を解決するために、主に共鳴箱、特に共鳴胴の内部仕組みの角度から日本箏が徹底的に改善されている。具体的には、以下のいくつかの態様に体現されている。1、共鳴胴内の表面板の内壁には2本の上響板が並列に固定するように設置され、2、共鳴胴内の表面板の内壁には溝(即ち第1溝と第2溝)が開設され、溝には表面板の内壁に上横響口と上縦響口が形成されている。本発明は従来の日本箏の高音域が明るくならず、低音域の太さが足りず、琴音の貫通力が低いという問題に対して、日本箏の共鳴箱、特に共鳴胴の仕組み及び音出しメカニズムを詳細な検討し、研究し、従来の日本箏の高音域と低音域の音色や音量が低く、貫通力が低い主な原因は共鳴箱、特に共鳴胴の設計が合理的ではないため、演奏時に音波が共鳴胴内に良好な共鳴と振動が生じることができないことを見出した。これによって、発明者は従来の日本箏の伝統的な共鳴箱(特に共鳴胴)設計の制約を破り、本発明の改良された設計方法を提案する。これにより、振動、共鳴、音出しの角度から、日本箏の高音域が明るくならず、低音域の太さが足りず、琴音の貫通力が低いという問題を解決した。改良された設計方法は突出した実質的特徴及び顕著な技術的進歩を有し、明らかな技術的効果を得ることが実践により証明されている。 For Japanese koto, there are many factors that affect the tone and penetration, for example, the material, thickness, and internal structure of the resonance box. In the present invention, in order to solve the problem that the resonance cylinder of the conventional Japanese koto cannot consider good resonance tone and penetration force at the same time in the high, middle and low frequencies, the angle of the internal mechanism of the resonance box, especially the resonance cylinder is mainly used. The Japanese koto has been thoroughly improved. Specifically, it is embodied in the following several aspects. 1. Two soundboards are installed in parallel on the inner wall of the surface plate inside the sound box, and 2. Grooves (that is, first groove and second groove) are installed on the inner wall of the surface plate inside the sound box. ) Has been established, and an upper horizontal sound box and an upper vertical sound box are formed on the inner wall of the surface plate in the groove. The present invention solves the problem that the treble range of the conventional Japanese sardine is not bright, the bass range is not thick enough, and the penetration force of the kotone is low. The mechanism was examined and studied in detail, and the main reason for the low tone and volume of the conventional Japanese sardine in the high and low frequencies and the low penetration force is that the design of the resonance box, especially the sound box, is not rational. It was found that the sound box cannot generate good resonance and vibration in the sound box during performance. Thereby, the inventor breaks the limitation of the traditional resonance box (especially sound box) design of the conventional Japanese koto, and proposes an improved design method of the present invention. This solves the problem that the high range of the Japanese koto is not bright due to the angles of vibration, resonance, and sound output, the low range is not thick enough, and the penetration of the koto is low. The improved design method has outstanding substantive features and remarkable technological progress, and has been proved by practice to obtain a clear technical effect.

上記技術的解決手段を用いるため、本発明は従来の日本箏の共鳴箱に比べて、以下の利点及び効果がある(最適な実施態様、即ち本発明の実施例の内容を用いて説明する)。
1.本発明の一実施形態では表面板と底板の中央にはいずれも二重響板構造が設置される(即ち、表面板の内壁に2本の上響板が並列に設置され、底板の内壁に2本の下響板が並列に設置される)。低音は高音に比べて振幅が大きく、周波数が低いため、低音共鳴は共鳴箱の中央領域に集中され、高音共鳴は共鳴箱の周辺縁部領域に集中されている。表面板と底板の中央領域の強度の強化は、低音域の音色と貫通力の改善に重要な作用を果たす。一方、表面板と底板の中央領域の強度の強化は、相対的に言って共鳴箱の中央領域と周辺縁部領域の厚さ差別を変化させ、高音域の音色と貫通力の改善に対しても良好な作用を果たす。
Since the above technical solution is used, the present invention has the following advantages and effects as compared with the conventional resonance box of Japanese koto (described by using the optimum embodiment, that is, the content of the embodiment of the present invention). ..
1. 1. In one embodiment of the present invention, a double soundboard structure is installed in the center of both the surface plate and the bottom plate (that is, two upper soundboards are installed in parallel on the inner wall of the surface plate, and the inner wall of the bottom plate is equipped with two soundboards. Two soundboards are installed in parallel). Since the bass has a larger amplitude and a lower frequency than the treble, the bass resonance is concentrated in the central region of the resonance box, and the treble resonance is concentrated in the peripheral edge region of the resonance box. Strengthening the strength of the central region of the surface and bottom plates plays an important role in improving bass tone and penetration. On the other hand, strengthening the strength of the central region of the surface plate and the bottom plate changes the thickness discrimination between the central region and the peripheral edge region of the resonance box, and for the improvement of the timbre and penetration in the high frequency range. Also works well.

2.本発明の一実施形態では表面板の内壁に共鳴箱の幅方向に沿った三本の溝とこれらに交わる長手沿った一本の溝(即ち第1溝と第2溝)が開設され、これらの溝は実際に表面板の内壁に響口を形成している。同時に、底板の内壁に共鳴箱の幅方向に沿った三本の溝とこれらに交わる長手沿った一本の溝(即ち第3溝と第4溝)が開設され、これらの溝は実際に底板の内壁に響口を形成している。低音は高音に比べて振幅が大きく、周波数が低いため、低音共鳴は共鳴箱の中央領域に集中され、高音共鳴は共鳴箱の周辺縁部領域に集中され、弦の振動は響口が交差する中央領域から収束し、上下2つの響口(即ち、サウンドトンネル)を通じて速やかに共鳴胴の周囲に伝達し、これにより高音域の音色と貫通力の改善に重要な作用を果たし、同時に低音域の音色と貫通力の改善に良好な作用を果たす。 2. 2. In one embodiment of the present invention, three grooves along the width direction of the resonance box and one groove along the longitudinal axis (that is, the first groove and the second groove) are formed on the inner wall of the surface plate, and these are formed. The groove actually forms a sound box on the inner wall of the surface plate. At the same time, three grooves along the width direction of the resonance box and one groove along the length intersecting these grooves (that is, the third groove and the fourth groove) are opened on the inner wall of the bottom plate, and these grooves are actually the bottom plate. A sound box is formed on the inner wall of the building. Bass has a larger amplitude and lower frequency than treble, so bass resonance is concentrated in the central region of the resonance box, treble resonance is concentrated in the peripheral edge region of the resonance box, and string vibrations intersect the sound box. It converges from the central region and quickly propagates around the sound box through the two upper and lower sound boxes (ie, the sound tunnel), which plays an important role in improving the timbre and penetration of the high frequency range, and at the same time, the low frequency range. It has a good effect on improving the tone and penetration.

3.本発明の一実施形態では響板を駒式響板構造に設計し、特に響板の一側に切欠きが設計されるため、響板をアーチ構造に見せる。このような響板は響口に架設され、響口による振動の伝達により役立つと同時に、共鳴箱の共鳴により役立つ。 3. 3. In one embodiment of the present invention, the soundboard is designed to have a piece-type soundboard structure, and in particular, a notch is designed on one side of the soundboard, so that the soundboard looks like an arch structure. Such a soundboard is erected in the sound box and is more useful for the transmission of vibration by the sound box, and at the same time, it is more useful for the resonance of the resonance box.

4.本発明の一実施形態では横方向に配置された3つの横響板の設計を利用する。共鳴箱を見下ろす場合、これらの横響板は2本の上響板と組み合わせて、表面板の内壁に対応する空間を8個の共鳴領域に分割し、同時にこれらの横響板は2本の下響板と組み合わせて底板の内壁に対応する空間を8個の共鳴領域に分割し、合計16個の共鳴領域を形成する。日本箏を演奏する時に弦の振動はまず響口が交差する中央領域に伝達され、次に響口によって16個の共鳴領域に伝達され、共鳴と振動が生じ、これによって弦の音を共鳴箱の共鳴音に増幅させる。改良前、日本箏を演奏する時に6個の音波量のみ生成でき、即ち3本の響板は共鳴胴を4個の共鳴領域に分割し、それぞれの共鳴領域が1個の音波量を生成し、1個の弦波量を加え、さらに1個の発射波量を加え、合計6個の音波量がある。改良後、本発明にかかる日本箏を演奏する時に18個の音波量を生成することができ、16個の共鳴領域が16個の音波量を生成し、1個の弦波量を加え、さらに1個の発射波量を加え、合計18個の音波量がある。音波量は即ち、音波の数であり、具体的な共鳴箱の撥弦楽器にとって、1個の弦波量と1個の発射波量を除いて、主に共鳴箱内の共鳴領域の数により決定され、一般的には楽器が演奏時にそれぞれの共鳴領域に1個の音波量を生成し、共鳴領域の数と生成した音波量とは同じである。また、音波量は楽器の音色、貫通力及び音量に直接影響を与える。そのため、本発明の設計は明らかに高音域と低音域の音色を改善し、高音域と低音域の貫通力を増加させることができる。 4. In one embodiment of the present invention, the design of three laterally arranged soundboards is utilized. When looking down on the resonance box, these soundboards are combined with two soundboards to divide the space corresponding to the inner wall of the surface plate into eight resonance regions, and at the same time these soundboards are two. In combination with the soundboard, the space corresponding to the inner wall of the bottom plate is divided into eight resonance regions to form a total of 16 resonance regions. When playing Japanese sushi, the vibration of the strings is first transmitted to the central region where the sound boxes intersect, and then transmitted to the 16 resonance regions by the sound boxes, causing resonance and vibration, which causes the sound of the strings to be transmitted to the resonance box. Amplifies to the resonance sound of. Before the improvement, when playing Japanese sine, only 6 sound waves can be generated, that is, 3 soundboards divide the sound box into 4 resonance regions, and each resonance region produces 1 sound wave. One chord wave amount is added, and one emission wave amount is further added, so that there are a total of six sound wave amounts. After the improvement, 18 sound waves can be generated when playing the Japanese sardine according to the present invention, 16 resonance regions generate 16 sound waves, 1 chord wave amount is added, and further. There are a total of 18 sound wave volumes, including one emission wave amount. The sound wave amount is the number of sound waves, that is, for a specific resonance box stringed instrument, it is mainly determined by the number of resonance regions in the resonance box, excluding one string wave amount and one emission wave amount. Generally, the instrument generates one sound wave amount in each resonance region when playing, and the number of resonance regions and the generated sound wave amount are the same. In addition, the amount of sound wave directly affects the timbre, penetration and volume of the musical instrument. Therefore, the design of the present invention can clearly improve the timbre of the high and low frequencies and increase the penetrating power of the high and low frequencies.

5.本発明の一実施形態の横響板の通弦孔及び横響板と表面板及び底板との間の半月孔は共鳴胴内の各共鳴領域の間の通路であり、このような通路の設計は音波、共鳴及び振動の相互伝達に役立つ。 5. The string hole and the crescent hole between the soundboard and the surface plate and the bottom plate of the soundboard according to the embodiment of the present invention are passages between each resonance region in the sound box, and the design of such a passage is provided. Is useful for mutual transmission of sound, resonance and vibration.

6.本発明の一実施形態では2本の上響板の間に上補強板を、2本の上響板の間を上補強板が固定するように架設し、2本の下響板の間に下補強板を、2本の下響板の間を下補強板が固定するように架設する。その作用として、1つは表面板と底板の中央領域、特に上響板の間と下響板の間の強度を高めることができ、2つは2本の上響板と2本の下響板の共鳴時の負荷を増加でき、さらに低音域の音色と音量を改善する。一方、共鳴胴の中央領域を増加させ、相対的に言って共鳴箱の周辺縁部領域との強度の差別を大きくすることは高音域の音色と貫通力の改善に対しても役立つ。 6. In one embodiment of the present invention, an upper reinforcing plate is erected between two upper soundboards, a lower reinforcing plate is installed between the two upper soundboards so that the upper reinforcing plate is fixed, and two lower reinforcing plates are provided between the two lower soundboards. Install so that the lower reinforcing plate is fixed between the lower soundboards of the book. As its action, one can increase the strength in the central region of the surface plate and the bottom plate, especially between the soundboard and the soundboard, and two can increase the strength between the two soundboards and the two soundboards. The load can be increased, and the tone and volume of the bass range can be improved. On the other hand, increasing the central region of the sound box and, relatively speaking, increasing the difference in strength from the peripheral edge region of the resonance box is also useful for improving the timbre and penetrating power in the high frequency range.

7.本発明の一実施形態では第1溝、第2溝、第3溝及び第4溝はいずれも円弧状溝が用いられ、表面板と底板の厚さの変化を最小限に抑えることができ、共鳴箱の共鳴と振動に影響を与える。 7. In one embodiment of the present invention, arcuate grooves are used for the first groove, the second groove, the third groove, and the fourth groove, so that the change in the thickness of the surface plate and the bottom plate can be minimized. Affects the resonance and vibration of the resonance box.

上記利点及び効果をいずれも最適な形態によって説明するが、特に強調すべきことは、本発明にとって表面板の内壁に二重響板構造を設置し、溝を開設する措置は底板の内壁に同じ措置を使用することよりも重要であり、相対的に言って作用と効果もより優れる。表面板に弦が設置され、底板が弦に直接接続しないことが理由である。そのため、表面板の内壁に二重響板構造を設置し、溝を開設することは本発明の技術的問題を解決する重要なポイントであり、底板の内壁に二重響板構造を設置し、溝を開設することは本発明にとって補助の作用を果たし、当業者であれば、容易に理解することができる。 Both of the above advantages and effects will be explained in the optimum form, but it is particularly important to emphasize that for the present invention, the measures for installing the double soundboard structure on the inner wall of the surface plate and opening the groove are the same for the inner wall of the bottom plate. It is more important than using measures, and relatively better in action and effect. The reason is that the strings are installed on the front plate and the bottom plate does not connect directly to the strings. Therefore, installing a double soundboard structure on the inner wall of the surface plate and opening a groove is an important point for solving the technical problem of the present invention, and installing the double soundboard structure on the inner wall of the bottom plate, The opening of the groove serves as an auxiliary to the present invention and can be easily understood by those skilled in the art.

従来の日本箏共鳴箱の正面図である。It is a front view of the conventional Japanese koto resonance box. 従来の日本箏共鳴箱の表面板内壁の構成図である。It is a block diagram of the inner wall of the surface plate of the conventional Japanese koto resonance box. 従来の日本箏共鳴箱の底板内壁の構成図である。It is a block diagram of the inner wall of the bottom plate of the conventional Japanese koto resonance box. 従来の日本箏共鳴箱の断面図である。It is sectional drawing of the conventional Japanese koto resonance box. 図4における共鳴箱の箱体を示す図である。It is a figure which shows the box body of the resonance box in FIG. 図4における共鳴箱の響板を示す図である。It is a figure which shows the sound board of the resonance box in FIG. 図6の左側面図である。It is a left side view of FIG. 本発明の実施例にかかる日本箏共鳴箱の正面構成図である。It is a front view of the Japanese koto resonance box which concerns on embodiment of this invention. 本発明の実施例にかかる日本箏共鳴箱の表面板内壁の正面図である。It is a front view of the inner wall of the surface plate of the Japanese koto resonance box which concerns on embodiment of this invention. 本発明の実施例にかかる日本箏共鳴箱の底板内壁の正面図である。It is a front view of the inner wall of the bottom plate of the Japanese koto resonance box which concerns on embodiment of this invention. 本発明の実施例にかかる日本箏共鳴箱の横断面図である。It is sectional drawing of the Japanese koto resonance box which concerns on embodiment of this invention. 図11における共鳴箱の箱体の断面図である。11 is a cross-sectional view of the box body of the resonance box in FIG. 11. 本発明の実施例にかかる日本箏の横響板の正面図である。It is a front view of the horizontal sound board of a Japanese koto which concerns on embodiment of this invention. 本発明の実施例にかかる日本箏の横響板の左側面図である。It is a left side view of the horizontal sound board of the Japanese koto which concerns on embodiment of this invention. 本発明の実施例にかかる日本箏の上響板の正面図である。It is a front view of the soundboard of a Japanese koto which concerns on embodiment of this invention. 本発明の実施例にかかる日本箏の上響板の左側面図である。It is a left side view of the soundboard of a Japanese koto which concerns on embodiment of this invention. 本発明の実施例にかかる日本箏の下響板の正面図である。It is a front view of the lower soundboard of a Japanese koto which concerns on embodiment of this invention. 本発明の実施例にかかる日本箏の下響板の左側面図である。It is a left side view of the lower soundboard of a Japanese koto which concerns on embodiment of this invention.

以下、図面及び実施例と組み合わせて本発明をさらに説明する。
実施例:二重響板日本箏
本発明の革新はいずれも共鳴箱に集中されているため、本実施例は日本箏の共鳴箱の構造と仕組みを焦点として説明し、その他の構造は従来技術により実現できるため、本実施例においてその説明を省略する。
Hereinafter, the present invention will be further described in combination with drawings and examples.
Example: Double soundboard Japanese koto Since all the innovations of the present invention are concentrated in the resonance box, this embodiment will focus on the structure and mechanism of the resonance box of the Japanese koto, and the other structures will be the prior art. Therefore, the description thereof will be omitted in this embodiment.

本実施例にかかる日本箏の共鳴箱の構造と仕組みは図8~18に示すように、共鳴箱の箱体は表面板1、底板2及び側板3を張り合わせてなり(図12を参照)、箱体内の一端には前封止板4が設置され、他端には後封止板5が設置され(図8を参照)、表面板1、底板2、側板3、前封止板4及び後封止板5で囲まれた空間は共鳴胴である(図8を参照)。 As shown in FIGS. 8 to 18, the structure and mechanism of the resonance box of the Japanese sardine according to this embodiment are such that the box body of the resonance box has a surface plate 1, a bottom plate 2 and a side plate 3 bonded together (see FIG. 12). A front sealing plate 4 is installed at one end of the box body, and a rear sealing plate 5 is installed at the other end (see FIG. 8). The space surrounded by the rear sealing plate 5 is a sound box (see FIG. 8).

共鳴胴内には2本の上響板6と2本の下響板7が設置され(図11を参照)、上響板6と下響板7はいずれも長尺状の響板部材である(図15~図18を参照)。上響板6には上駒12が設置され、上駒12の上響板6にある一側は切欠きであり、上響板6に上駒式響板構造を形成させ(図15を参照)、上駒12は第1溝8に架設する(図9を参照)。下響板7に下駒13が設置され、下駒13の下響板7にある一側は切欠きであり、下響板7に下駒式響板構造を形成させ(図17を参照)、下駒13は第3溝10に架設する(図10を参照)。2本の上響板6の一側は表面板1の内壁に密接に固定され(図11を参照)、2本の上響板6の他側は底板2に対して共鳴胴内にぶら下がっており、2本の上響板6の長手方向は共鳴箱の長手方向と一致し、共鳴箱の幅方向から観察すると2本の上響板6は並列であり、且つ一定の距離離れている(図9を参照)。2本の下響板7の一側は底板2の内壁に密接に固定され(図11を参照)、2本の下響板7の他側は表面板1に対して共鳴胴内に延長しており、2本の下響板7の長手方向は共鳴箱の長手方向と一致し、共鳴箱の幅方向から観察すると2本の下響板7は並列であり、且つ一定の距離離れている(図10を参照)。 Two soundboards 6 and two soundboards 7 are installed in the sound box (see FIG. 11), and both the soundboard 6 and the soundboard 7 are long soundboard members. Yes (see FIGS. 15-18). An upper piece 12 is installed on the upper soundboard 6, and one side of the upper soundboard 6 of the upper piece 12 is a notch, and the upper soundboard 6 is formed with an upper piece type soundboard structure (see FIG. 15). ), The upper piece 12 is erected in the first groove 8 (see FIG. 9). The lower bridge 13 is installed on the lower bridge 7, and one side of the lower bridge 7 of the lower bridge 7 is a notch, and the lower bridge 7 forms a lower bridge type soundboard structure (see FIG. 17). , The lower bridge 13 is erected in the third groove 10 (see FIG. 10). One side of the two soundboards 6 is closely fixed to the inner wall of the surface plate 1 (see FIG. 11), and the other side of the two soundboards 6 hangs in the sound box with respect to the bottom plate 2. The longitudinal direction of the two soundboards 6 coincides with the longitudinal direction of the resonance box, and when observed from the width direction of the resonance box, the two soundboards 6 are parallel and separated by a certain distance (). See FIG. 9). One side of the two soundboards 7 is closely fixed to the inner wall of the bottom plate 2 (see FIG. 11), and the other side of the two soundboards 7 extends into the sound box with respect to the surface plate 1. The longitudinal direction of the two soundboards 7 coincides with the longitudinal direction of the resonance box, and when observed from the width direction of the resonance box, the two soundboards 7 are parallel and separated by a certain distance. (See FIG. 10).

共鳴胴に対応する表面板1の内壁には3つの第1溝8が設置され(図9を参照)、3つの第1溝8はいずれも共鳴箱の幅方向に沿って開設され、3つの第1溝8は共鳴箱の長手方向に間隔をおいて配置されている。同時に、共鳴胴に対応する表面板1の内壁には1つの第2溝9が設置され(図9を参照)、第2溝9は共鳴箱の長手方向に沿って開設され、第2溝9は共鳴箱の幅方向の中央に位置する。3つの第1溝8と1つの第2溝9は表面板1の内壁において互いに貫通し、第2溝9は2本の上響板6の間に位置し、第2溝9の長手方向は上響板6の長手方向と一致し、3つの第1溝8は共鳴箱の幅方向に2本の上響板6をまたがり、表面板1の内壁に3つの上横響口を形成し、第2溝9は表面板1の内壁に上縦響口を形成する(図9を参照)。 Three first grooves 8 are installed on the inner wall of the surface plate 1 corresponding to the sound box (see FIG. 9), and all three first grooves 8 are opened along the width direction of the resonance box. The first grooves 8 are arranged at intervals in the longitudinal direction of the resonance box. At the same time, one second groove 9 is installed on the inner wall of the surface plate 1 corresponding to the sound box (see FIG. 9), and the second groove 9 is opened along the longitudinal direction of the resonance box, and the second groove 9 is formed. Is located in the center of the width direction of the resonance box. The three first grooves 8 and the one second groove 9 penetrate each other in the inner wall of the surface plate 1, the second groove 9 is located between the two soundboards 6, and the longitudinal direction of the second groove 9 is. Consistent with the longitudinal direction of the soundboard 6, the three first grooves 8 straddle the two soundboards 6 in the width direction of the resonance box, and form three upper horizontal sound ports on the inner wall of the surface plate 1. The second groove 9 forms an upper longitudinal sound box on the inner wall of the surface plate 1 (see FIG. 9).

第1溝8の長さは共鳴胴内の表面板1が第1溝8に対応する位置の長さより小さく(図9を参照)、第1溝8の両端部と表面板1の内壁との間にはいずれも滑らかな移行面が設置されている。第2溝9の長さは共鳴胴内の表面板1が第2溝9に対応する位置の長さより小さく、第2溝9の両端部と表面板1の内壁との間にはいずれも滑らかな移行面が設置されている(図9を参照)。 The length of the first groove 8 is smaller than the length of the position where the surface plate 1 in the resonance cylinder corresponds to the first groove 8 (see FIG. 9), and both ends of the first groove 8 and the inner wall of the surface plate 1 A smooth transition surface is installed between them. The length of the second groove 9 is smaller than the length of the position where the surface plate 1 in the resonance cylinder corresponds to the second groove 9, and both ends of the second groove 9 and the inner wall of the surface plate 1 are smooth. A transitional surface is installed (see FIG. 9).

共鳴胴に対応する底板2の内壁には3つの第3溝10が設置され(図10を参照)、3つの第3溝10はいずれも共鳴箱の幅方向に沿って開設され、3つの第3溝10は共鳴箱の長手方向に間隔をおいて配置されている。同時に、共鳴胴に対応する底板2の内壁には1つの第4溝11が設置され(図10を参照)、第4溝11は共鳴箱の長手方向に沿って開設され、第4溝11は共鳴箱の幅方向の中央に位置する。3つの第3溝10と1つの第4溝11は底板2の内壁において互いに貫通し(図10を参照)、第4溝11は2本の下響板7の間に位置し、第4溝11の長手方向は下響板7の長手方向と一致し、3つの第3溝10は共鳴箱の幅方向に2本の下響板7をまたがり、底板2の内壁に3つの下横響口を形成し、第4溝11は底板2の内壁に下縦響口を形成する(図10を参照)。 Three third grooves 10 are installed on the inner wall of the bottom plate 2 corresponding to the sound box (see FIG. 10), and all three third grooves 10 are opened along the width direction of the resonance box, and the three third grooves 10 are provided. The three grooves 10 are arranged at intervals in the longitudinal direction of the resonance box. At the same time, one fourth groove 11 is installed on the inner wall of the bottom plate 2 corresponding to the sound box (see FIG. 10), the fourth groove 11 is opened along the longitudinal direction of the resonance box, and the fourth groove 11 is It is located in the center of the width direction of the resonance box. The three third grooves 10 and the one fourth groove 11 penetrate each other in the inner wall of the bottom plate 2 (see FIG. 10), and the fourth groove 11 is located between the two soundboards 7 and is the fourth groove. The longitudinal direction of 11 coincides with the longitudinal direction of the lower soundboard 7, and the three third grooves 10 straddle the two lower soundboards 7 in the width direction of the resonance box, and the three lower horizontal sound openings on the inner wall of the bottom plate 2. The fourth groove 11 forms a lower longitudinal sound box on the inner wall of the bottom plate 2 (see FIG. 10).

第3溝10の長さは共鳴胴内の底板2が第3溝10に対応する位置の長さより小さく(図10を参照)、第3溝10の両端部と底板2の内壁との間にはいずれも滑らかな移行面が設置されている。第4溝11の長さは共鳴胴内の底板2が第4溝11に対応する位置の長さより小さく(図10を参照)、第4溝11の両端部と底板2の内壁との間にはいずれも滑らかな移行面が設置されている。 The length of the third groove 10 is smaller than the length of the position where the bottom plate 2 in the resonance cylinder corresponds to the third groove 10 (see FIG. 10), and between both ends of the third groove 10 and the inner wall of the bottom plate 2. All have a smooth transition surface. The length of the fourth groove 11 is smaller than the length of the position where the bottom plate 2 in the resonance cylinder corresponds to the fourth groove 11 (see FIG. 10), and between both ends of the fourth groove 11 and the inner wall of the bottom plate 2. All have a smooth transition surface.

表面板1の内壁での第1溝および第2溝で形成される形状と底板2の内壁での第3溝および第4溝で形成される形状は共鳴箱の高さ方向において位置が対応する。第1溝および第2溝で形成される形状と第3溝および第4溝で形成される形状とにおける3つの横左半分と3つの横右半分の6個の位置にそれぞれ横響板16が設置され(図9を参照)、この6個の横響板16はいずれもシート状であり(図13と図14を参照)、各横響板16の上部は表面板1に対応する部分に固定するように接続され、各横響板16の底部は底板2に対応する部分に固定するように接続され、各横響板16の側部は側板3に対応する部分に固定するように接続されている(図11を参照)。横響板16は共鳴胴内の横方向に配置され、横響板16の中央には通弦孔23が開設されている(図13を参照)。横響板16と表面板1及び側板3の接続側辺には第1切り込み19が設置され(図13を参照)、組立状態において第1切り込み19と表面板1及び側板3の内壁との間に第1半月孔20を形成する(図11を参照)。横響板16と底板2及び側板3の接続側辺には第2切り込み21が設置され(図13を参照)、組立状態において第2切り込み21と底板2及び側板3の内壁との間に第2半月孔22を形成する(図11を参照)。 The shape formed by the first groove and the second groove on the inner wall of the surface plate 1 and the shape formed by the third groove and the fourth groove on the inner wall of the bottom plate 2 correspond to each other in the height direction of the resonance box. .. The soundboard 16 is provided at six positions of the three horizontal left halves and the three horizontal right halves in the shape formed by the first groove and the second groove and the shape formed by the third groove and the fourth groove, respectively. Installed (see FIG. 9), each of the six soundboards 16 is in the form of a sheet (see FIGS. 13 and 14), and the upper part of each soundboard 16 is in the portion corresponding to the surface plate 1. Connected to be fixed, the bottom of each soundboard 16 is connected to be fixed to the part corresponding to the bottom plate 2, and the side part of each soundboard 16 is connected to be fixed to the part corresponding to the side plate 3. (See FIG. 11). The soundboard 16 is arranged laterally in the sound box, and a string hole 23 is provided in the center of the sound box 16 (see FIG. 13). A first notch 19 is installed on the connecting side of the soundboard 16 and the surface plate 1 and the side plate 3 (see FIG. 13), and is between the first notch 19 and the inner wall of the surface plate 1 and the side plate 3 in the assembled state. The first half-moon hole 20 is formed in (see FIG. 11). A second notch 21 is installed on the connecting side of the soundboard 16 and the bottom plate 2 and the side plate 3 (see FIG. 13), and in the assembled state, a second notch 21 is provided between the second notch 21 and the inner wall of the bottom plate 2 and the side plate 3. Two half-moon holes 22 are formed (see FIG. 11).

2本の上響板6の間には上補強板17が2本の上響板の間を固定するように架設され(図9と図11を参照)、2本の下響板7の間には下補強板18が2本の下響板の間を固定するように架設されている(図10と図11を参照)。第1溝8、第2溝9、第3溝10及び第4溝11はいずれも円弧状溝である。 An upper reinforcing plate 17 is erected between the two soundboards 6 so as to be fixed between the two soundboards (see FIGS. 9 and 11), and between the two soundboards 7. The lower reinforcing plate 18 is erected so as to be fixed between the two lower sounding plates (see FIGS. 10 and 11). The first groove 8, the second groove 9, the third groove 10, and the fourth groove 11 are all arcuate grooves.

以下、本発明のその他の実施状況及び構造の変化に対して、以下のように説明する。
1.上記実施例において、共鳴箱の幅方向から観察すると2本の上響板6は平行で、並列する(図9を参照)。2本の下響板7は平行で、並列する(図10を参照)。ところが、本発明はこれらに限らず、2本の上響板6は必ず平行であるとは限らず、2本の下響板7も必ず平行であるとは限らないが、平行に設置されているのが最適である。当業者であれば、理解し、受け入れやすいことである。
Hereinafter, the other implementation status and structural changes of the present invention will be described as follows.
1. 1. In the above embodiment, when observed from the width direction of the resonance box, the two soundboards 6 are parallel and parallel (see FIG. 9). The two soundboards 7 are parallel and parallel (see FIG. 10). However, the present invention is not limited to these, and the two upper soundboards 6 are not always parallel, and the two lower soundboards 7 are not always parallel, but they are installed in parallel. It is best to be there. It is easy for those skilled in the art to understand and accept.

2.上記実施例において、表面板1と底板2の内壁にはいずれも二重響板構造が設置され、いずれも溝等の措置が開設されている。ところが、本発明はこれらに限らず、底板2の内壁に用いられる二重響板及び溝等の措置を取り消し、又はその他の構造形態に変更してもよく、効果の面においてやや悪いことを除き、表面板1の内壁に設置される技術措置のみを保留してもよい。日本箏の共鳴箱にとって表面板1は底板2よりも重要である。表面板1に弦が設置され、底板2が弦に直接関連しないことが理由である。当業者であれば、理解し、受け入れやすいことである。 2. 2. In the above embodiment, a double soundboard structure is installed on the inner walls of the surface plate 1 and the bottom plate 2, and measures such as grooves are provided in each of them. However, the present invention is not limited to these, and measures such as the double soundboard and the groove used for the inner wall of the bottom plate 2 may be canceled or changed to other structural forms, except that the effect is slightly worse. , Only the technical measures installed on the inner wall of the surface plate 1 may be withheld. The surface plate 1 is more important than the bottom plate 2 for the resonance box of the Japanese koto. The reason is that the strings are installed on the surface plate 1 and the bottom plate 2 is not directly related to the strings. It is easy for those skilled in the art to understand and accept.

3.上記実施例において、表面板1と底板2の内壁にはいずれも二重響板構造が設置されている。即ち、表面板1には2本の上響板6が設置され、底板2には2本の下響板7が設置されている。ところが、本発明はこれらに限らず、形態において2本の上響板6を4本の上響板6に変更して並列に用いることができる。本発明にとって、4本の上響板6と2本の上響板6は数や形態において異なるが、本質的に同じである。4本の上響板6における2本の外側響板が2本の内側響板に近接する場合、二重響板と同等にすることができる。そのため、このような変更は予期せぬ効果をもたらすことはないと考えられ、実質的に同等であると理解すべきである。同様に、底板2の二重響板構造もこのような変更を含むべきである。本発明において二重響板は偶数の響板が対称に配置される意味を含むため、6つの響板が対称に配置されることも本発明の同等変更の範囲内である。当業者であれば、理解し、受け入れやすいことである。 3. 3. In the above embodiment, a double soundboard structure is installed on the inner walls of the surface plate 1 and the bottom plate 2. That is, two upper soundboards 6 are installed on the surface plate 1, and two lower soundboards 7 are installed on the bottom plate 2. However, the present invention is not limited to these, and in the form, two soundboards 6 can be changed to four soundboards 6 and used in parallel. For the present invention, the four soundboards 6 and the two soundboards 6 differ in number and form, but are essentially the same. When the two outer soundboards in the four upper soundboards 6 are close to the two inner soundboards, it can be equivalent to a double soundboard. Therefore, it should be understood that such changes are not considered to have any unexpected effect and are substantially equivalent. Similarly, the double soundboard structure of the bottom plate 2 should include such changes. Since the double soundboard in the present invention includes the meaning that even-numbered soundboards are arranged symmetrically, it is also within the scope of the equivalent modification of the present invention that the six soundboards are arranged symmetrically. It is easy for those skilled in the art to understand and accept.

4.上記実施例において、前記表面板1の内壁には3つの第1溝8が設置され(図9を参照)、底板2の内壁には3つの第3溝10が設置されている(図10を参照)。ところが、本発明はこれらに限らず、第1溝8と第3溝10の数は1つ、2つ、4つ又は5つ等であってもよい。このような変更は実際の状況に応じて決定することができる。本質的に第1溝8と第3溝10の数は少なくとも1つである。 4. In the above embodiment, three first grooves 8 are installed on the inner wall of the surface plate 1 (see FIG. 9), and three third grooves 10 are installed on the inner wall of the bottom plate 2 (FIG. 10). reference). However, the present invention is not limited to these, and the number of the first groove 8 and the third groove 10 may be one, two, four, five, or the like. Such changes can be determined according to the actual situation. In essence, the number of the first groove 8 and the third groove 10 is at least one.

5.上記実施例において、6つの横響板16を備える(図9を参照)。6つの横響板16は3組に分けられ、各組の2つの横響板16はいずれも第2溝9の中心面を基準として左右対称である(図9を参照)。ところが、本発明はこれらに限らず、各組の2つの横響板16は相互接続によって1つの横響板16に組み合わせることができ、当業者であれば、理解し、受け入れやすいことである。 5. In the above embodiment, six soundboards 16 are provided (see FIG. 9). The six soundboards 16 are divided into three sets, and each of the two soundboards 16 in each set is symmetrical with respect to the central surface of the second groove 9 (see FIG. 9). However, the present invention is not limited to these, and each set of two soundboards 16 can be combined into one soundboard 16 by interconnection, which is easy for those skilled in the art to understand and accept.

6.上記実施例において、上響板6には上駒12が設置され、下響板7には下駒13が設置されている。ところが、本発明はこれらに限らず、上駒12を設置しなくてもよく、下駒13を設置しなくてもよく、引いては上響板6と下響板7のうちの1つのみに駒を設置してもよい。当業者であれば、理解し、受け入れやすいことである。 6. In the above embodiment, the upper piece 12 is installed on the upper soundboard 6, and the lower piece 13 is installed on the lower soundboard 7. However, the present invention is not limited to these, and the upper piece 12 does not have to be installed, the lower piece 13 does not have to be installed, and only one of the upper soundboard 6 and the lower soundboard 7 is pulled. You may install a piece in. It is easy for those skilled in the art to understand and accept.

7.上記実施例において、2本の上響板6の間には上補強板17が2本の上響板の間を固定するように架設され(図11を参照)、2本の下響板7の間には下補強板18が2本の下響板の間を固定するように架設されている(図11を参照)。ところが、本発明はこれらに限らず、上補強板17を設置せず、2本の上響板6を共鳴箱体内にぶら下がらせてもよい。同様に、下補強板18を設置せず、2本の下響板7を共鳴箱体内に延長させてもよい。上補強板17と下補強板18は、表面板と底板の中央領域を増加させ、特に上響板の間と下響板の間の強度を高めるだけでなく、2本の上響板と2本の下響板の共鳴時の負荷を増加させることができる。 7. In the above embodiment, an upper reinforcing plate 17 is erected between the two soundboards 6 so as to be fixed between the two soundboards (see FIG. 11), and between the two soundboards 7. A lower reinforcing plate 18 is erected in the room so as to be fixed between the two lower sounding plates (see FIG. 11). However, the present invention is not limited to these, and two upper sounding plates 6 may be hung inside the resonance box without installing the upper reinforcing plate 17. Similarly, the lower reinforcing plate 18 may not be installed, and the two lower sounding plates 7 may be extended inside the resonance box. The upper reinforcing plate 17 and the lower reinforcing plate 18 not only increase the central area of the surface plate and the bottom plate, and particularly increase the strength between the upper sound plate and the lower sound plate, but also increase the strength between the upper sound plate and the lower sound plate, as well as two upper sound plates and two lower resonance plates. The load at the time of resonance of the plate can be increased.

8.上記実施例において、第1溝8、第2溝9、第3溝10及び第4溝11はいずれも円弧状溝である。ところが、本発明はこれらに限らず、溝を例えばV形、U形、W形等の凹状構造であるその他の形状に設計してもよい。当業者であれば、理解し、受け入れやすいことである。 8. In the above embodiment, the first groove 8, the second groove 9, the third groove 10, and the fourth groove 11 are all arcuate grooves. However, the present invention is not limited to these, and the groove may be designed into other shapes having a concave structure such as a V shape, a U shape, and a W shape. It is easy for those skilled in the art to understand and accept.

9.上記実施例において、共鳴箱の横断面から観察すると、2本の下響板7と2本の上響板6の上下方向における位置は対応的に配置されている(図11を参照)。ところが、本発明はこれらに限らず、位置を合わせないように配置してもよいが、位置を合わせるように配置すると効果が最適である。当業者であれば、理解し、受け入れやすいことである。 9. In the above embodiment, when observed from the cross section of the resonance box, the positions of the two lower soundboards 7 and the two upper soundboards 6 in the vertical direction are correspondingly arranged (see FIG. 11). However, the present invention is not limited to these, and may be arranged so as not to be aligned, but the effect is optimal when arranged so as to be aligned. It is easy for those skilled in the art to understand and accept.

10.上記実施例において、2本の上響板6の形状とサイズは同じである(図15を参照)。2本の下響板7の形状とサイズは同じである(図17を参照)。ところが、本発明はこれらに限らず、2本の上響板6の形状とサイズは異なってもよく、2本の下響板7の形状とサイズは異なってもよい。具体的には、共鳴箱が音色と音質を調整する時に決定することができる。当業者であれば、理解し、受け入れやすいことである。 10. In the above embodiment, the shape and size of the two soundboards 6 are the same (see FIG. 15). The shape and size of the two soundboards 7 are the same (see FIG. 17). However, the present invention is not limited to these, and the shape and size of the two soundboards 6 may be different, and the shape and size of the two soundboards 7 may be different. Specifically, it can be determined when the resonance box adjusts the timbre and sound quality. It is easy for those skilled in the art to understand and accept.

上記実施例は本発明の技術思想及び特徴を説明するものに過ぎず、当業者に本発明の内容を理解させ、これにより実施させることを目的とし、これにより本発明の保護範囲を制限することができない。本発明の精神及び実質により行われた等価変更又は修飾は本発明の保護範囲内に含まれるべきである。 The above-mentioned embodiment merely explains the technical idea and features of the present invention, and an object thereof is to make a person skilled in the art understand the contents of the present invention and to implement the present invention, thereby limiting the scope of protection of the present invention. I can't. Equivalent changes or modifications made in spirit and substance of the invention should be included within the scope of protection of the invention.

1 表面板
2 底板
3 側板
4 前封止板
5 後封止板
6 上響板
7 下響板
8 第1溝
9 第2溝
10 第3溝
11 第4溝
12 上駒
13 下駒
16 横響板
17 上補強板
18 下補強板
19 第1切り込み
20 第1半月孔
21 第2切り込み
22 第2半月孔
23 通弦孔
24 響板
1 Surface plate 2 Bottom plate 3 Side plate 4 Front sealing plate 5 Rear sealing plate 6 Upper sound plate 7 Lower sound plate 8 1st groove 9 2nd groove 10 3rd groove 11 4th groove 12 Upper piece 13 Lower piece 16 Horizontal sound Plate 17 Upper reinforcing plate 18 Lower reinforcing plate 19 1st notch 20 1st half-moon hole 21 2nd notch 22 2nd half-moon hole 23 String hole 24 Soundboard

Claims (10)

共鳴箱を含み、前記共鳴箱の箱体は表面板、底板及び側板を張り合わせてなり、前記箱体内の一端には前封止板が設置され、他端には後封止板が設置され、前記表面板、前記底板、前記側板、前記前封止板及び前記後封止板で囲まれた空間は共鳴胴である二重響板日本箏であって、
前記共鳴胴内には2本の上響板が設置され、前記上響板は長尺状の響板部材であり、2本の前記上響板の一側は前記表面板の内壁に密接に固定され、2本の前記上響板の他側は前記底板に対して前記共鳴胴内にぶら下がっており、2本の前記上響板の長手方向は前記共鳴箱の長手方向と一致し、前記共鳴箱の幅方向から観察すると2本の前記上響板は並列であり、且つ一定の距離を離れ、
前記共鳴胴に対応する前記表面板の前記内壁には第1溝が設置され、前記第1溝は前記共鳴箱の幅方向に沿って開設され、前記共鳴胴に対応する前記表面板の前記内壁には第2溝が設置され、前記第2溝は前記共鳴箱の長手方向に沿って開設され、前記第1溝と前記第2溝は前記表面板の前記内壁に交差して配置され、互いに貫通し、前記第2溝は2本の前記上響板の間に位置し、前記第2溝の長手方向は前記上響板の長手方向と一致し、前記第1溝は前記共鳴箱の幅方向において2本の前記上響板をまたがり、前記表面板の前記内壁に上横響口を形成し、前記第2溝は前記表面板の前記内壁に上縦響口を形成する、
ことを特徴とする日本箏。
The box body of the resonance box including the resonance box is formed by laminating a surface plate, a bottom plate and a side plate, and a front sealing plate is installed at one end of the box body and a rear sealing plate is installed at the other end. The space surrounded by the surface plate, the bottom plate, the side plate, the front sealing plate, and the rear sealing plate is a double soundboard Japanese koto which is a resonance cylinder.
Two sound boxes are installed in the sound box, the sound board is a long soundboard member, and one side of the two sound boxes is closely attached to the inner wall of the surface plate. The other side of the two soundboards is fixed and hangs in the sound box with respect to the bottom plate, and the longitudinal direction of the two sound boxes coincides with the longitudinal direction of the resonance box. When observed from the width direction of the resonance box, the two soundboards are in parallel and separated from each other by a certain distance.
A first groove is installed in the inner wall of the surface plate corresponding to the sound box, and the first groove is opened along the width direction of the resonance box, and the inner wall of the surface plate corresponding to the sound box is formed. A second groove is installed in the room, the second groove is opened along the longitudinal direction of the resonance box, and the first groove and the second groove are arranged so as to intersect the inner wall of the surface plate and are arranged with each other. Penetrating, the second groove is located between the two soundboards, the longitudinal direction of the second groove coincides with the longitudinal direction of the soundboard, and the first groove is in the width direction of the resonance box. The upper sound box is formed on the inner wall of the surface plate by straddling the two sound boxes, and the second groove forms the upper longitudinal sound box on the inner wall of the surface plate.
A Japanese koto characterized by that.
前記共鳴胴内には2本の下響板が設置され、前記下響板は長尺状の響板部材であり、2本の前記下響板の一側は前記底板の内壁に密接に固定され、2本の前記下響板の他側は前記表面板に対して前記共鳴胴内にぶら下がっており、2本の前記下響板の長手方向は前記共鳴箱の長手方向と一致し、前記共鳴箱の幅方向から観察すると2本の前記下響板は並列であり、且つ一定の距離を離れ、
前記共鳴胴に対応する前記底板の内壁には第3溝が設置され、前記第3溝は前記共鳴箱の幅方向に沿って開設され、前記共鳴胴に対応する前記底板の前記内壁には第4溝が設置され、前記第4溝は前記共鳴箱の長手方向に沿って開設され、前記第3溝と前記第4溝は前記底板の前記内壁に交差して配置され、互いに貫通し、前記第4溝は2本の前記下響板の間に位置し、前記第4溝の長手方向は前記下響板の長手方向と一致し、前記第3溝は前記共鳴箱の幅方向において2本の前記下響板をまたがり、前記底板の前記内壁に下横響口を形成し、前記第4溝は前記底板の前記内壁に下縦響口を形成することを特徴とする請求項1に記載の日本箏。
Two sound boxes are installed in the sound box, the sound board is a long sound board member, and one side of the two sound boxes is closely fixed to the inner wall of the bottom plate. The other side of the two sound boxes hangs in the sound box with respect to the surface plate, and the longitudinal direction of the two sound boxes coincides with the longitudinal direction of the resonance box. When observed from the width direction of the resonance box, the two soundboards are in parallel and separated from each other by a certain distance.
A third groove is installed in the inner wall of the bottom plate corresponding to the sound box, the third groove is opened along the width direction of the resonance box, and the inner wall of the bottom plate corresponding to the sound box has a third groove. Four grooves are installed, the fourth groove is opened along the longitudinal direction of the resonance box, and the third groove and the fourth groove are arranged so as to intersect the inner wall of the bottom plate and penetrate each other. The fourth groove is located between the two soundboards, the longitudinal direction of the fourth groove coincides with the longitudinal direction of the soundboard, and the third groove is the two grooves in the width direction of the resonance box. The Japan according to claim 1, wherein a lower transverse sound box is formed on the inner wall of the bottom plate across the lower sound plate, and the fourth groove forms a lower longitudinal sound box on the inner wall of the bottom plate. Resonance.
前記共鳴胴内には横響板が設置され、前記横響板はシート状であり、前記横響板は前記第1溝の位置に配置され、且つ前記第2溝の中心面を基準として左右対称であり、前記横響板の上部は前記表面板に固定するように接続され、前記横響板の底部は前記底板に固定するように接続され、前記横響板の側部は対応する側の前記側板に固定するように接続されていることを特徴とする請求項1に記載の日本箏。 A sound box is installed in the sound box, the sound board is in the shape of a sheet, the sound board is arranged at the position of the first groove, and left and right with respect to the central surface of the second groove. Symmetrically, the top of the soundboard is connected to be fixed to the surface plate, the bottom of the soundboard is connected to be fixed to the bottom plate, and the sides of the soundboard are the corresponding sides. The Japanese koto according to claim 1, wherein the koto is connected so as to be fixed to the side plate of the above. 前記上響板には上駒が設置され、前記上駒の前記上響板にある一側は切欠きであり、前記上響板に上駒式響板構造を形成させ、前記上駒は前記第1溝に架設され、
前記下響板には下駒が設置され、前記下駒の前記下響板にある一側は切欠きであり、前記下響板に下駒式響板構造を形成させ、前記下駒は前記第3溝に架設されることを特徴とする請求項2に記載の日本箏。
An upper piece is installed on the upper soundboard, and one side of the upper piece on the upper soundboard is a notch so that the upper soundboard forms an upper piece type soundboard structure, and the upper piece is the first. It is erected in one groove,
A lower piece is installed on the lower soundboard, and one side of the lower piece on the lower soundboard is a notch so that the lower soundboard forms a lower piece type soundboard structure, and the lower piece is the first piece. The Japanese koto according to claim 2, wherein the koto is erected in three grooves.
2本の前記上響板の間を上補強板が固定するように架設され、2本の前記下響板の間を下補強板が固定するように架設されていることを特徴とする請求項2に記載の日本箏。 The second aspect of claim 2, wherein the upper reinforcing plate is erected between the two upper soundboards and the lower reinforcing plate is fixed between the two lower soundboards. Japanese koto. 前記第1溝の長さは前記共鳴胴における前記表面板が前記第1溝に対応する位置の長さより小さく、前記第1溝の両端部と前記表面板の前記内壁との間にはいずれも滑らかな移行面が設置され、前記第2溝の長さは前記共鳴胴における前記表面板が前記第2溝に対応する位置の長さより小さく、前記第2溝の両端部と前記表面板の前記内壁との間にはいずれも滑らかな移行面が設置されていることを特徴とする請求項1に記載の日本箏。 The length of the first groove is smaller than the length of the position where the surface plate in the resonance cylinder corresponds to the first groove, and both ends of the first groove and the inner wall of the surface plate are both located. A smooth transition surface is installed, the length of the second groove is smaller than the length of the position where the surface plate in the resonance cylinder corresponds to the second groove, and both ends of the second groove and the surface plate of the surface plate. The Japanese koto according to claim 1, wherein a smooth transition surface is installed between the inner wall and the inner wall. 前記第3溝の長さは前記共鳴胴における前記底板が前記第3溝に対応する位置の長さより小さく、前記第3溝の両端部と前記底板の内壁との間にはいずれも滑らかな移行面が設置され、前記第4溝の長さは前記共鳴胴内における前記底板が前記第4溝に対応する位置の長さより小さく、前記第4溝の両端部と前記底板の前記内壁との間にはいずれも滑らかな移行面が設置されていることを特徴とする請求項2に記載の日本箏。 The length of the third groove is smaller than the length of the position where the bottom plate in the resonance cylinder corresponds to the third groove, and a smooth transition is made between both ends of the third groove and the inner wall of the bottom plate. A surface is installed, the length of the fourth groove is smaller than the length of the position where the bottom plate corresponds to the fourth groove in the resonance cylinder, and between both ends of the fourth groove and the inner wall of the bottom plate. The Japanese koto according to claim 2, wherein each of the koto has a smooth transition surface. 前記横響板は前記共鳴胴内の横方向に配置され、前記横響板の中央に通弦孔が開設されていることを特徴とする請求項3に記載の日本箏。 The Japanese koto according to claim 3, wherein the horizontal sound board is arranged in the lateral direction in the resonance cylinder, and a string hole is provided in the center of the horizontal sound box. 前記横響板と前記表面板及び前記側板との接続側辺には第1切り込みが設置され、組立状態において前記第1切り込みと前記表面板及び前記側板の内壁との間に第1半月孔が形成され、前記横響板と前記底板及び前記側板の接続側辺には第2切り込みが設置され、組立状態において前記第2切り込みと前記底板及び前記側板の前記内壁との間に第2半月孔が形成されていることを特徴とする請求項8に記載の日本箏。 A first notch is installed on the connecting side of the soundboard and the surface plate and the side plate, and a first half-moon hole is provided between the first notch and the inner wall of the surface plate and the side plate in the assembled state. A second notch is provided on the connecting side of the soundboard and the bottom plate and the side plate, and a second half-moon hole is provided between the second notch and the inner wall of the bottom plate and the side plate in the assembled state. The Japanese koto according to claim 8, wherein the koto is formed. 前記第1溝、前記第2溝、前記第3溝及び前記第4溝はいずれも円弧状溝であることを特徴とする請求項2に記載の日本箏。 The Japanese koto according to claim 2, wherein the first groove, the second groove, the third groove, and the fourth groove are all arcuate grooves.
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JPS50117812U (en) * 1974-03-08 1975-09-26
JPS59101295U (en) * 1982-12-27 1984-07-07 森川 忠司 Koto

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* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS50117812U (en) * 1974-03-08 1975-09-26
JPS59101295U (en) * 1982-12-27 1984-07-07 森川 忠司 Koto

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