JP2016053604A - Electronic percussion instrument and controller for electronic percussion instrument - Google Patents
Electronic percussion instrument and controller for electronic percussion instrument Download PDFInfo
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本発明は手のひらや指を用いた演奏操作が可能な電子打楽器及び電子打楽器音源用コントローラに関する。 The present invention relates to an electronic percussion instrument and a controller for an electronic percussion sound source capable of performing performance operations using palms and fingers.
特許文献1には、手のひら等でパッドを打撃するハンド・パーカッションモードをもつ電子打楽器が記載されている。先行文献1に記載されている電子楽器にはスピーカを筐体に内蔵する例が示されており、演奏操作に対応して適切な音を発するようにパッドの感度を適切な感度に設定する為の構成について述べられいる。 Patent Document 1 describes an electronic percussion instrument having a hand / percussion mode in which a pad is hit with a palm or the like. The electronic musical instrument described in the prior art document 1 shows an example in which a speaker is built in a housing, and in order to set the sensitivity of the pad to an appropriate sensitivity so as to emit an appropriate sound corresponding to the performance operation. The structure of is described.
また、特許文献2には打面に対する押圧に応じて音色変えるために圧力センサを用いた例が記載されている。特許文献1に記載の電子打楽器ではスピーカグリルの具体的な構成形状は記載されておらず、単にステレオ音の放音を行う為の部品として記載されている。特許文献2に記載された電子打楽器では、圧力センサの出力で音量バランス変化させたりフィルタの係数に反映させるといった信号処理が必要であり、打面に圧力センサを連動させるための機構部品として特殊な形状のヘッドボードを用いる必要があった。 Patent Document 2 describes an example in which a pressure sensor is used to change a timbre according to a pressure on a hitting surface. In the electronic percussion instrument described in Patent Document 1, a specific configuration shape of the speaker grill is not described, but is simply described as a component for emitting a stereo sound. The electronic percussion instrument described in Patent Document 2 requires signal processing such as changing the volume balance by the output of the pressure sensor or reflecting it in the coefficient of the filter, and is a special mechanical component for linking the pressure sensor to the striking surface. It was necessary to use a shaped headboard.
このように、先行特許文献1や先行特許文献2では打楽器演奏を手のひらで行う際に音色を変えるためには電子的な制御やヘッドボードの様な可動部品が必要であった。 As described above, in Patent Documents 1 and 2, in order to change the timbre when performing percussion instruments with the palm of the hand, electronic control and movable parts such as a headboard are required.
また、従来の電子打楽器には、数ミリの突起を直線状または円弧状に10cm程度の配列して、この突起列をラテン音楽で持ちられるギロの様にこすることで高速連打の代用とするものがあった。ただし、連続的に連打音を発生しようとしても、突起列の端まで擦りつづけると折り返すか、触りなおす必要があり、安定に連打音を継続できる時間は規定されていた。なお、これらの突起は、指ではなく木製等硬い材質のスティックで擦ることを前提としたものだった。 In addition, in a conventional electronic percussion instrument, several millimeters of protrusions are arranged in a straight line or an arc shape of about 10 cm, and this protrusion row is rubbed like a guillo that can be held in Latin music, thereby substituting for high-speed continuous hitting. There was a thing. However, even if the continuous hitting sound is to be generated continuously, it is necessary to turn back or touch again if it continues to the end of the projection row, and the time for which the continuous hitting sound can be continued stably has been defined. These protrusions were premised on rubbing with a stick made of a hard material such as a wooden instead of a finger.
一方、特許文献3にはドラム本体の打撃面に対する打撃によるこの打撃面の振動を振動ピックアップによって衝撃波信号として検出するように構成された電子ドラムの音色リアリティの改善する打楽器音源の構成が外部信号からのトリガ検出部を含めPCM系信号処理部30として記載されているが、手のひらや指を用いて打楽器音源を新たな奏法で演奏できる構成に関する記載はない。 On the other hand, in Patent Document 3, the configuration of a percussion instrument sound source that improves the timbre reality of an electronic drum configured to detect a vibration of the striking surface due to striking against the striking surface of the drum body as a shock wave signal by a vibration pickup from an external signal. However, there is no description regarding a configuration in which a percussion instrument sound source can be played with a new performance using palms or fingers.
このように従来の電子打楽器では、打楽器演奏を手のひらや指で行う際に音色を変えるためには電子的な制御が必要であり、打楽器の連打を指を用いることで連続して安定に模擬することは困難であった。本発明はこれらの問題を解決することにより、電子打楽器の新たな演奏手法を実現する電子打楽器および電子打楽器用コントローラを実現することが本発明の課題である。 As described above, in the conventional electronic percussion instrument, it is necessary to control electronically in order to change the timbre when the percussion instrument is played with a palm or a finger, and the continuous percussion of the percussion instrument is continuously and stably simulated by using the finger. It was difficult. It is an object of the present invention to realize an electronic percussion instrument and a controller for an electronic percussion instrument that realizes a new performance method for electronic percussion instruments by solving these problems.
請求項1の電子打楽器は、
スピーカ500と、打楽器音発生回路201とを筐体1の内部に含む電子打楽器で、
前記スピーカ500から出力される音を前記筐体外部に放音するための複数の貫通孔12を前記筐体1に備え、
前記貫通孔12は前記筐体の上面のドーム状凸部に「手のひらで覆える大きさの領域」に密集して配置され、
前記「手のひらで覆える大きさの領域」の筐体の厚みは前記「手のひらで覆える大きさの領域」の周囲の筐体厚みよりも薄く形成されていることを特徴とする構成とした。この構成により容易に手のひらで音色を変えることができる電子打楽器を実現できる。
The electronic percussion instrument of claim 1 is:
An electronic percussion instrument including a speaker 500 and a percussion instrument sound generation circuit 201 inside the housing 1,
The housing 1 is provided with a plurality of through holes 12 for emitting sound output from the speaker 500 to the outside of the housing.
The through holes 12 are densely arranged in a “region of a size that can be covered with a palm” on the dome-shaped convex portion on the upper surface of the housing,
The thickness of the casing in the “region that can be covered with a palm” is formed to be thinner than the thickness of the casing around the “region that can be covered with a palm”. With this configuration, an electronic percussion instrument that can easily change the timbre with the palm of the hand can be realized.
請求項2の電子打楽器は、請求項1の電子打楽器で、前記複数の貫通孔は直径1mm以上8mm以下であり、前記複数の貫通孔の密集する領域は半径20mm以上50mm以下の円領域を前記複数の貫通孔の密集する領域内部に含み、前記円領域の開口率は20パーセント以上であり、前記複数の貫通孔のうち前記円領域内に含まれる貫通孔を除く貫通孔の開口面積の合計は前記円領域内の開口面積の1/2よりも狭いか又は前記円領域の外には貫通孔が前記筐体に無いことを特徴とする構成の電子打楽器である。このの構成の電子打楽器とすることで、演奏者は手のひらで容易に音色を変化させることができ従来の電子打楽器では困難であった新たな奏法を実現できる。 The electronic percussion instrument according to claim 2 is the electronic percussion instrument according to claim 1, wherein the plurality of through holes have a diameter of 1 mm or more and 8 mm or less, and a dense region of the plurality of through holes includes a circular area having a radius of 20 mm or more and 50 mm or less. The total area of the through holes excluding the through holes included in the circular region among the plurality of through holes is included within the dense region of the plurality of through holes, and the opening ratio of the circular region is 20% or more. Is an electronic percussion instrument having a configuration that is smaller than ½ of the opening area in the circular region or that there is no through hole in the casing outside the circular region. By using the electronic percussion instrument having this configuration, the performer can easily change the timbre with the palm of the hand, and a new performance method that is difficult with the conventional electronic percussion instrument can be realized.
請求項3の電子打楽器は、請求項1の電子打楽器のうち、前記筐体の内部に振動センサと、前記筐体周囲に外部からの電気信号を入力する外部信号入力端子と、を備え前記振動センサの出力に応じて第1の打楽器音を発生する第1の打楽器音発生回路と、前記信号入力端子に入力された電気信号の振幅に応じて第2の打楽器音を発生する第2の打楽器音発生回路と、第1の打楽器音と第2の打楽器音をミキシングするミキシング回路と前記ミキシング回路30の出力を入力しスピーカの駆動信号を発生する電力増幅回路を備えることを特徴とする構成の電子打楽器。この構成の電子打楽器とすることで、演奏者は外部の振動センサ等を併用して複数の打楽器音を用いて従来の電子打楽器より自由度の高い新たな奏法を実現できる。 The electronic percussion instrument of claim 3 comprises the vibration sensor of the electronic percussion instrument of claim 1 and an external signal input terminal for inputting an external electric signal around the casing. A first percussion instrument sound generating circuit that generates a first percussion instrument sound according to the output of the sensor; and a second percussion instrument that generates a second percussion instrument sound according to the amplitude of the electrical signal input to the signal input terminal. A sound generation circuit; a mixing circuit that mixes the first percussion instrument sound and the second percussion instrument sound; and a power amplification circuit that receives the output of the mixing circuit 30 and generates a speaker drive signal. Electronic percussion instrument. By using an electronic percussion instrument having this configuration, a performer can realize a new performance method with a higher degree of freedom than a conventional electronic percussion instrument using a plurality of percussion instrument sounds in combination with an external vibration sensor or the like.
請求項4の発明では、電子楽器用コントローラは、
筐体内部に前記筐体の振動を検出する振動センサで
前記筐体の表面に小孔の密集する領域を備え、
前記「小孔の密集する領域」は、2cm以上の半径を円形の軌跡に沿って、前記打楽器用コントローラの操作者が指を用いてこすることができる形状に形成される。
In the invention of claim 4, the controller for an electronic musical instrument is
A region in which small holes are densely formed on the surface of the housing with a vibration sensor that detects vibration of the housing inside the housing,
The “area where the small holes are dense” is formed in a shape that allows an operator of the percussion instrument controller to rub with a finger along a circular locus having a radius of 2 cm or more.
請求項5の発明では、請求項4の発明の電子楽器用コントローラで、前記振動センサに与えられる信号に応じて出力される電気信号を外部に出力する出力端子を持ち、
(A)前記振動センサに与えられる振動の周波数成分から音声帯域の信号成分を減衰させる低域通過フィルタまたは帯域通過フィルタ
または
(B)前記振動センサに与えられる振動の振幅が所定値以下であるとき信号の振幅を減衰または遮断するゲート回路
を前記振動センサの出力と前記出力端子の間に備えた。
According to a fifth aspect of the present invention, the electronic musical instrument controller according to the fourth aspect of the present invention has an output terminal that outputs an electrical signal output in response to a signal given to the vibration sensor,
(A) A low-pass filter or a band-pass filter that attenuates a signal component in a voice band from a frequency component of vibration applied to the vibration sensor, or (B) when the amplitude of vibration applied to the vibration sensor is a predetermined value or less. A gate circuit that attenuates or cuts off the amplitude of the signal is provided between the output of the vibration sensor and the output terminal.
請求項6の発明の電子楽器では、連打の模擬動作を安定に継続し発音することができる。連打の模擬動作に非貫通の小孔または小突起を用い筐体内部に埃などが入ることがない構造とすることができる。 In the electronic musical instrument according to the sixth aspect of the present invention, it is possible to stably continue and sound the simulated operation of repeated hitting. A non-penetrating small hole or small protrusion is used for the simulated operation of continuous hitting, and a structure in which dust or the like does not enter the housing can be obtained.
本発明によれば、打楽器演奏を手のひらで行う際に音色を変えるために電子的な制御無しでも演奏中に打楽器音の音色と音量を手のひらで変化させることができ、これにより従来の電子打楽器では困難な奏法を容易に実施可能となる。さらに、放音孔を手のひらの形状にあわせて凸曲面領域上に配置した場合に高音が出難くなることに対する対策を実現でき、またさらに、内部に振動センサを設けることにより、放音孔の部分を連続的にこすることで、スティックを用いなければ困難であったロール奏法を容易に行うことができるという効果がありスティックを用いても困難な高速連打中に強弱をつける奏法も容易に可能になる。なお、従来の電子打楽器でも直線状または円弧状に配列した数ミリの突起を設けてラテン音楽で持ちられるギロの様にこすることで高速連打の代用とするものがあったが、突起を用いたのでは、フィルタとしての効果をえることはできないし、突起列の長さに制限があるため、連打音を継続させるためには折り返しの動作が必要となり、連打を安定に継続することは困難だった。これに対して放音用の小孔の領域内に一様に孔を配置することができるので、この小孔が配置された領域内の表面を指を用いて円を描く様に擦ることによって、連打音を安定に継続するような奏法が容易に可能となる。 According to the present invention, it is possible to change the tone and volume of a percussion instrument sound during the performance without performing electronic control in order to change the tone when performing the percussion instrument performance with the palm. Difficult performance techniques can be easily implemented. Furthermore, when the sound emitting hole is arranged on the convex curved surface area in accordance with the shape of the palm, it is possible to realize a countermeasure against the difficulty of producing a high sound, and further, by providing a vibration sensor inside, a portion of the sound emitting hole can be realized. By continuously rubbing, there is an effect that it is possible to easily perform a roll performance that was difficult without using a stick. become. In addition, some conventional electronic percussion instruments have a few millimeters of protrusions arranged in a straight line or arc shape and rubbed like a gyro that is held in Latin music. Therefore, the effect as a filter cannot be obtained, and the length of the projection row is limited. Therefore, it is necessary to perform the folding operation in order to continue the continuous hitting sound, and it is difficult to keep the continuous hitting stably. was. On the other hand, since the holes can be arranged uniformly in the region of the small holes for sound emission, by rubbing the surface in the region where the small holes are arranged in a circle with a finger. Thus, it is possible to easily perform a rendition technique that continues the continuous hitting sound stably.
請求項1の発明によれば、打楽器演奏を手のひらで行う際に音色を変えるために電子的な制御無しでも演奏中に打楽器音の音色と音量を手のひらで変化させることができ、これにより従来の電子打楽器では困難な奏法を容易に実施可能となる。 According to the first aspect of the present invention, it is possible to change the timbre and volume of the percussion instrument sound during the performance without performing electronic control in order to change the timbre when performing the percussion instrument performance with the palm. It is possible to easily perform performance techniques that are difficult with electronic percussion instruments.
請求項2の発明によれば、請求項1の電子打楽器において、貫通孔(放音孔)を手のひらの形状にあわせて凸曲面領域上に配置した場合に高音が出難くなることに対する対策を実現できる。 According to the second aspect of the present invention, in the electronic percussion instrument of the first aspect, when the through hole (sound emitting hole) is arranged on the convex curved surface region in accordance with the shape of the palm, a measure for preventing the high sound from being realized is realized. it can.
請求項3の発明によれば、演奏者は外部の振動センサ等を併用して複数の打楽器音を用いた演奏が可能となり、従来の電子打楽器より自由度の高い新たな奏法を実現できる。 According to the third aspect of the present invention, the performer can perform using a plurality of percussion instrument sounds in combination with an external vibration sensor or the like, and can realize a new performance method with a higher degree of freedom than a conventional electronic percussion instrument.
請求項4の発明によれば、内部に振動センサを設けることにより、放音孔の部分を連続的にこすることで、スティックを用いなければ困難であったロール奏法を容易に行うことができるという効果がありスティックを用いても困難な高速連打中に強弱をつける奏法も容易に可能になる。なお、従来の電子打楽器でも直線状または円弧状に配列した数ミリの突起を設けてラテン音楽で持ちられるギロの様にこすることで高速連打の代用とするものがあったが、突起を用いたのでは、フィルタとしての効果をえることはできないし、突起列の長さに制限があるため、連打音を継続させるためには折り返しの動作が必要となり、連打を安定に継続することは困難だった。これに対して放音用の小孔の領域内に一様に孔を配置することができるので、この小孔が配置された領域内の表面を指を用いて円を描く様に擦ることによって、従来の電子打楽器の打面を用いたのでは困難であった、「連打音を安定に強弱をつけて継続」するような奏法が円や「8の字」を描くように打面をこすることで、容易に可能となり、電子打楽器の新たな奏法を実現できる。 According to the invention of claim 4, by providing a vibration sensor inside, by continuously rubbing the part of the sound emitting hole, it is possible to easily perform a roll playing method that was difficult without using a stick. This makes it possible to easily apply strength during high-speed continuous striking, which is difficult even with a stick. In addition, some conventional electronic percussion instruments have a few millimeters of protrusions arranged in a straight line or arc shape and rubbed like a gyro that is held in Latin music. Therefore, the effect as a filter cannot be obtained, and the length of the projection row is limited. Therefore, it is necessary to perform the folding operation in order to continue the continuous hitting sound, and it is difficult to keep the continuous hitting stably. was. On the other hand, since the holes can be arranged uniformly in the region of the small holes for sound emission, by rubbing the surface in the region where the small holes are arranged in a circle with a finger. However, it is difficult to use the conventional electronic percussion instrument's hitting surface, and the playing method that “continues the continuous hitting sound with stable strength” draws the hitting surface to draw a circle or “eight-letter”. By doing so, it becomes possible easily, and a new playing method of the electronic percussion instrument can be realized.
請求項5の発明によれば、演奏者が意図せぬ不要な振動による電子打楽器音源の誤動作を避けることができる。 According to the invention of claim 5, it is possible to avoid malfunction of the electronic percussion sound source due to unnecessary vibration unintended by the performer.
請求項6の発明の電子楽器では、連打の模擬動作を安定に継続し発音することができる。連打の模擬動作に非貫通の小孔を用いることができるので筐体内部に埃などが入ることがない構造とすることができ、連打を連続して模擬する等、新たな打楽器奏法が可能な電子打楽器を実現することができる。 In the electronic musical instrument according to the sixth aspect of the present invention, it is possible to stably continue and sound the simulated operation of repeated hitting. A non-penetrating small hole can be used for the simulated operation of repeated hitting, so that a structure in which dust or the like does not enter inside the housing can be achieved, and new percussion instrument playing methods such as continuously simulating repeated hitting are possible. An electronic percussion instrument can be realized.
本発明の一例である電子打楽器の外観と奏法を示す図を用い、具体的な構成について説明する。 A specific configuration will be described with reference to the drawings showing the appearance and performance of an electronic percussion instrument as an example of the present invention.
図1は本発明の一実施例の放音孔部12の上方に手5をかざした状態を示している。手のひら又は指と放音孔12の距離が狭ければ高音は出難くなり、音量も小さくなる。音色は手の近づけ方や、指を含む手のひらの曲げ具合により変化するためさまざまな奏法が可能となる。また、放音孔12をゆっくり開閉するかすばやく開閉するかによって異なる演奏効果が得られた。例えば、手のひらで素早く放音孔12の開閉を行うことで楽器用エフェクタのフランジャーを用いた様な音色効果を得ることができる。 FIG. 1 shows a state in which a hand 5 is held over a sound emitting hole 12 according to an embodiment of the present invention. If the distance between the palm or finger and the sound emission hole 12 is narrow, high sounds will be difficult to produce and the volume will be low. Since the timbre changes depending on how the hand approaches and how the palm including the finger bends, various performances are possible. Also, different performance effects were obtained depending on whether the sound emission holes 12 were opened or closed slowly. For example, by quickly opening and closing the sound emitting hole 12 with the palm of the hand, it is possible to obtain a timbre effect that uses a flanger of an instrument effector.
手のひら又は指でスピーカ開口部を塞ぐ動作をする為には手のひらの自然な状態に近い凸曲面を開口部とすることが望ましい。ただし、筐体を通常のスピーカボックスと同程度例えば5mmの肉厚で樹脂成型すると、孔を塞がない状態でも高音がこもり打楽器音の再生にふさわしくない音色となることがあるが、孔径を大きくすると演奏操作時に孔に指が入りロール奏法の模擬に使うことが困難となるため試行錯誤の結果肉厚を周囲より薄くすることで所望の音響特性と操作性を得た。強度との兼ね合いで決めるべきであるが、薄くする部分は周囲の厚みの1/2以下の厚みとすることで良好な結果を得た。図2に、第1の発明のドーム状領域内に配置された複数の貫通孔と周囲の肉厚を示す断面図を示す。 In order to close the speaker opening with the palm or finger, it is desirable to use a convex curved surface close to the natural state of the palm as the opening. However, if the case is resin-molded with a wall thickness of about 5 mm, for example, that of a normal speaker box, the high pitched sound may be too loud even when the hole is not blocked, but the sound may not be suitable for playing percussion instrument sounds. As a result, it was difficult to use a finger to enter the hole during the performance operation and to simulate the roll performance. As a result of trial and error, the wall thickness was made thinner than the surroundings to obtain the desired acoustic characteristics and operability. Although it should be determined in view of the strength, good results were obtained by setting the thickness of the thinned portion to be 1/2 or less of the surrounding thickness. FIG. 2 is a cross-sectional view showing a plurality of through-holes disposed in the dome-shaped region of the first invention and the surrounding thickness.
本発明の電子打楽器の回路構成の例を図3を用いて説明する。 An example of the circuit configuration of the electronic percussion instrument of the present invention will be described with reference to FIG.
請求項3の発明の電子打楽器1には外部信号入力102への入力信号によりトリガされる打楽器音発生回路2と振動センサ100の出力により駆動される打楽器音発生回路1があり打楽器音発生回路201と打楽器音発生回路の出力はミキシング回路300でミキシングされる。ミキシングされた信号は電力増幅回路400に送られスピーカ500を駆動しスピーカ500は打楽器音を発生する。打楽器音発生回路は先行技術文献4に記載されている様なメモリ波形を外部からの衝撃信号に応じて読み出す回路である。打楽器音発生回路201を駆動する振動センサ100はピエゾセンサであり、外部信号入力102への入力には従来からある楽器用のコンタクトマイク(内部の振動センサはピエゾセンサ)を用いる。外部信号入力102から入力された信号は、打楽器音発生回路202に入力され打楽器音発生回路202から出力される打楽器音信号はミキシング回路300で他の打楽器音発生回路の出力信号とミキシングされる。楽器用のコンタクトマイクはクリップで楽器に固定できる構成となっているため、楽器に限らず多様な物に固定することができる。たとえば、金属製の円盤の表面をゴムで覆った板やプラスチックの波板、更に雑誌や皿や靴など通常は打楽器として用いられない物にも装着して打面として扱う事ができる。 The electronic percussion instrument 1 of the invention of claim 3 includes a percussion instrument sound generation circuit 2 triggered by an input signal to the external signal input 102 and a percussion instrument sound generation circuit 1 driven by the output of the vibration sensor 100. The output of the percussion instrument sound generation circuit is mixed by the mixing circuit 300. The mixed signal is sent to the power amplifier circuit 400 to drive the speaker 500, which generates a percussion instrument sound. The percussion instrument sound generating circuit is a circuit for reading out a memory waveform as described in Prior Art Document 4 in accordance with an external impact signal. The vibration sensor 100 for driving the percussion instrument sound generating circuit 201 is a piezo sensor, and a conventional contact microphone for musical instruments (the internal vibration sensor is a piezo sensor) is used for input to the external signal input 102. The signal input from the external signal input 102 is input to the percussion instrument sound generation circuit 202 and the percussion instrument sound signal output from the percussion instrument sound generation circuit 202 is mixed by the mixing circuit 300 with the output signals of other percussion instrument sound generation circuits. Since the contact microphone for musical instruments is configured to be fixed to the musical instrument with a clip, it can be fixed to a variety of objects, not limited to musical instruments. For example, a metal disk surface covered with rubber, a plastic corrugated board, and magazines, dishes, shoes, and other objects not normally used as percussion instruments can be used as a hitting surface.
外部信号入力からの信号により打楽器音発生回路201で発生した打楽器音はスピーカー500から放音され、貫通孔(放音孔)12から筐体1の外部に出るが、このとき演奏者が手のひらで貫通孔(放音孔)12を塞ぐことにより音色の変化を得る。たとえば、外部信号入力102に対応する打楽器音発生回路202の音色を操作部110(例えば音色切替スイッチ)により制御回路120を介して打楽器音発生回路202の打楽器音をシンバル音に設定しておけば、手のひらで貫通孔(放音孔)を覆いすばやく指を上下させ開閉することなどで楽器用エフェクタのフランジャーを用いたような効果をえることができる。このとき、外部入力102に接続してあるコンタクトマイクが雑誌に装着されていれば、雑誌を叩いくとシンバル音がスピーカ500から放音され、放音中に筐体1の貫通孔(放音孔)12を開閉することでシンバルの音色を変化させることができる。 The percussion instrument sound generated in the percussion instrument sound generation circuit 201 by the signal from the external signal input is emitted from the speaker 500 and goes out of the housing 1 through the through hole (sound release hole) 12. A change in timbre is obtained by closing the through hole (sound emitting hole) 12. For example, the percussion instrument sound of the percussion instrument sound generation circuit 202 corresponding to the external signal input 102 is set to a cymbal sound via the control circuit 120 by the operation unit 110 (for example, a timbre changeover switch). By covering the through hole (sound emitting hole) with the palm of your hand and quickly opening and closing your finger, you can achieve the same effect as using the flanger of an effector for musical instruments. At this time, if a contact microphone connected to the external input 102 is attached to the magazine, a cymbal sound is emitted from the speaker 500 when the magazine is tapped, and the through-hole (sound emission) of the housing 1 is emitted during sound emission. You can change the tone of the cymbal by opening and closing the hole 12.
一方、筐体1内部の振動センサ100にもピエゾ素子を用いたセンサを用いる。振動センサ100からの出力は打楽器発生回路201に入力され打楽器音発生回路201の出力は打楽器音発生回路202の出力とミキシング回路300でミキシングされる。ミキシングされた信号は電力増幅回路400で増幅されスピーカ500から放音される。振動センサ100は筐体内部に装着されているため筐体の振動を拾いやすい。放音穴12を指や爪で擦ると段差部分で衝撃が生じるが筐体内部の振動センサ100はこの衝撃を検出し打楽器音発生回路201を駆動し打楽器信号を発生する。ここで、打楽器音発生回路201の音色がスネアドラムの音に設定されていれば、放音穴12が密集している部分を爪で擦るとスネアドラムを高速に連打するロール奏法の様な効果を得ることができる。前記ロール奏法の様な効果は、円を描くように放音孔の密集領域を指先で擦ることで直線状に擦るよりも長時間安定して継続することができ、ロール中の強弱表現や連打速度の調整などのような奏法上の工夫を加えることができる。 On the other hand, a sensor using a piezo element is also used for the vibration sensor 100 inside the housing 1. The output from the vibration sensor 100 is input to the percussion instrument generation circuit 201, and the output of the percussion instrument sound generation circuit 201 is mixed with the output of the percussion instrument sound generation circuit 202 by the mixing circuit 300. The mixed signal is amplified by the power amplifier circuit 400 and emitted from the speaker 500. Since the vibration sensor 100 is mounted inside the housing, it is easy to pick up vibrations of the housing. When the sound emitting hole 12 is rubbed with a finger or a nail, an impact is generated at the stepped portion. The vibration sensor 100 inside the housing detects this impact and drives the percussion instrument sound generating circuit 201 to generate a percussion instrument signal. Here, if the tone of the percussion instrument sound generation circuit 201 is set to the sound of a snare drum, an effect such as a roll performance technique that repeatedly strikes the snare drum at high speed when the portion where the sound emission holes 12 are densely rubbed with a nail is used. Can be obtained. The effect of the above-mentioned roll playing method can be continued stably for a long time rather than rubbing in a straight line by rubbing the dense region of the sound emitting holes with a fingertip like drawing a circle. Ingenuity in performance such as speed adjustment can be added.
図8に小孔(放音孔または非貫通孔)の密集した領域内を指で擦る経路の例を示した。
(a)円形に擦れば連打音を安定に継続することができる。
(b)直線状に擦ればギロの様にもちいることができ、
(c)多角形を描くように擦ればドラムロールを多角形の辺毎に繰り返す様なリズミカルな効果も得られる。
なお、図8では、小孔を図示すると煩雑になるため非図示とした。
FIG. 8 shows an example of a route of rubbing with a finger in a dense region of small holes (sound emitting holes or non-through holes).
(A) If it rubs circularly, a continuous hit sound can be continued stably.
(B) If it rubs straight, it can be used like a guillo.
(C) By rubbing so as to draw a polygon, a rhythmic effect can be obtained in which the drum roll is repeated for each side of the polygon.
In FIG. 8, the small holes are not shown because they are complicated.
なお、放音孔の密集領域は数cmの範囲で広がっている為、この領域内に指先で円のような図形を描ける。放音孔の密集領域は手のひらで塞ぐことができる範囲でなるべく広い事が望ましい。フィルタとしての効果を確実にするためには、複数の貫通孔は直径1mm以上8mm以下であり、前記複数の貫通孔の密集する領域は半径20mm以上50mm以下の円領域を前記複数の貫通孔の密集する領域内部に含み、前記円領域の開口率は20パーセント以上であり、前記複数の貫通孔のうち前記円領域内に含まれる貫通孔を除く貫通孔の開口面積の合計は前記円領域内の開口面積の1/2よりも狭いか又は前記円領域の外には貫通孔が前記筐体に無い構成とすればよい。なお、バスレフ用のダクトを筐体の下方に設ける場合は前記ダクトの断面積は前記円領域内に含まれる貫通孔を除く貫通孔の開口面積には含めないでよい。 In addition, since the dense region of the sound emitting holes is spread within a range of several centimeters, a circle-like figure can be drawn with the fingertip in this region. It is desirable that the dense region of the sound emission holes is as wide as possible as long as it can be closed with palms. In order to ensure the effect as a filter, the plurality of through-holes have a diameter of 1 mm or more and 8 mm or less, and the dense region of the plurality of through-holes is a circular region having a radius of 20 mm or more and 50 mm or less. The circular area has an opening ratio of 20% or more, and the sum of the opening areas of the through holes excluding the through holes included in the circular area is within the circular area. The opening area may be smaller than ½ of the opening area, or the casing may have no through hole outside the circular region. When a bass reflex duct is provided below the casing, the cross-sectional area of the duct may not be included in the opening area of the through hole excluding the through hole included in the circular region.
図7は筐体1へのスピーカ500の取り付け位置を示す断面図である。筐体1の上面の凸曲面には貫通孔(放音孔)12が密集する領域があり、この領域の下にスピーカ500が取り付けられている。スピーカ500の振動面(コーン)と、貫通孔(放音孔)12が密集する領域を含むドーム状凸部(凸曲面)の間にはドーム状の空隙が生じる。この空隙と放音孔の径、筐体の厚み=放音孔の深さ(ダクトとしてみたときのダクト長)の影響で高音が減衰することがある。この高音の減衰は、前記貫通孔(放音孔)12が密集する領域の部分のみ周辺よりも薄く形成することで改善される。また、筐体1の内部上方には筐体1へ加えられた振動を検出する振動センサ100が装着されている。なお電子打楽器用コントローラ2の断面図は省略するが、電子打楽器用コントローラ2の場合も筐体2の内部上方に筐体2へ加えられた振動を検出する振動センサ100が電子打楽器1の場合と同様に装着されている。 FIG. 7 is a cross-sectional view showing the mounting position of the speaker 500 to the housing 1. The convex curved surface on the upper surface of the housing 1 has a region where the through holes (sound emitting holes) 12 are dense, and the speaker 500 is attached below this region. A dome-shaped gap is formed between the vibration surface (cone) of the speaker 500 and the dome-shaped convex portion (convex curved surface) including a region where the through holes (sound emitting holes) 12 are densely packed. The high sound may be attenuated by the influence of the diameter of the air gap and the sound emission hole, the thickness of the housing = the depth of the sound emission hole (the duct length when viewed as a duct). The attenuation of the high sound is improved by forming only a portion of the region where the through holes (sound emission holes) 12 are denser than the periphery. In addition, a vibration sensor 100 that detects vibration applied to the housing 1 is mounted above the housing 1. Although a cross-sectional view of the electronic percussion instrument controller 2 is omitted, the electronic percussion instrument controller 2 also includes a case where the vibration sensor 100 that detects vibration applied to the casing 2 above the casing 2 is the electronic percussion instrument 1. It is similarly installed.
図4は請求項4の発明の電子打楽器用コントローラのブロック図の例である。図4を用いて回路例を説明する。
本発明の電子打楽器用コントローラ2は筐体内部に振動を検出する振動センサ100と
前記筐体の表面に小孔12の密集する領域を備え、前記「小孔の密集する領域」は、3cm以上の半径を円形の軌跡に沿って前記打楽器用コントローラ2の操作者が指を用いてをこすることができる形状に形成されている。
前記振動センサ100に与えられる信号に応じて出力される電気信号を外部に出力する出力端子150を持つが、センサとしてピエゾセンサを用いた場合にはセンサの出力をそのまま出力するか、外乱を避けるためのインピーダンス変換回路(非図示)を介して出力すればよい。、電子打楽器音源201を内蔵している場合は例えばリムショット音の様に短時間のエンベロープを持つ音色を出力すれば、他の電子打楽器音源のトリガ信号とすることもできるが、入力操作から信号出力までの遅延は避けることができない。なお、振動センサ100にはピエゾセンサ以外のセンサを用いてもよい。たとえば、ダイナミックスピーカーを振動検出用に用いこともできる。
FIG. 4 is an example of a block diagram of a controller for an electronic percussion instrument according to the invention of claim 4. A circuit example will be described with reference to FIG.
The controller 2 for electronic percussion instruments of the present invention includes a vibration sensor 100 for detecting vibration inside the housing and a region where the small holes 12 are densely arranged on the surface of the housing, and the “region where the small holes are dense” is 3 cm or more. The percussion instrument controller 2 can be rubbed with a finger along a circular locus.
An output terminal 150 for outputting an electrical signal output in response to a signal applied to the vibration sensor 100 is provided. However, when a piezo sensor is used as the sensor, the output of the sensor is output as it is or in order to avoid disturbance. May be output via an impedance conversion circuit (not shown). When the electronic percussion sound source 201 is incorporated, for example, if a tone having a short envelope such as a rim shot sound is output, it can be used as a trigger signal for other electronic percussion sound sources. The delay until output cannot be avoided. The vibration sensor 100 may be a sensor other than a piezo sensor. For example, a dynamic speaker can be used for vibration detection.
図5では、打楽器演奏者の予期せぬ不要な振動による誤動作を避けるために、
(A)前記振動センサ100に与えられる振動の周波数成分から音声帯域の信号成分を減衰させる低域通過フィルタまたは帯域通過フィルタ130と、
(B)前記振動センサ100に与えられる振動の振幅が所定値以下であるとき信号の振幅を減衰または遮断するゲート回路140
を前記振動センサ100の出力と出力端子150の間に備えているが、接続する電子打楽器音源の入力仕様によって(A)または(B)を省略してもよい。
In FIG. 5, in order to avoid malfunctions caused by unexpected and unnecessary vibrations of the percussion instrument player,
(A) a low-pass filter or a band-pass filter 130 that attenuates a signal component of a voice band from a frequency component of vibration applied to the vibration sensor 100;
(B) A gate circuit 140 that attenuates or cuts off the amplitude of the signal when the amplitude of the vibration applied to the vibration sensor 100 is a predetermined value or less.
Are provided between the output of the vibration sensor 100 and the output terminal 150, but (A) or (B) may be omitted depending on the input specifications of the electronic percussion instrument sound source to be connected.
電子楽器用コントローラの筐体上方表面には「小孔の密集する領域」があり、3cm以上の半径を円形の軌跡に沿って前記打楽器用コントローラの操作者が指を用いて擦ることができるように小孔12(非貫通孔)が配置されている。例えば、星型に「小孔の密集する領域」を持つ筐体とするのであれば、前記星型の中央部の五角形領域に内接する円の半径が3cm以上となるように星型の「小孔の密集する領域」の形状を決めると連続操作を行いやすくなる。前記内接円を描く様に指や爪で擦れば連続的に連打を模擬しやすい。 The upper surface of the housing of the electronic musical instrument controller has a “region where small holes are densely packed” so that the operator of the percussion musical instrument controller can rub with a finger along a circular path with a radius of 3 cm or more. A small hole 12 (non-through hole) is disposed in the hole. For example, if a star-shaped housing having a “small hole-dense region” is used, the star-shaped “small” is set so that the radius of a circle inscribed in the pentagonal region at the center of the star shape is 3 cm or more. If the shape of the “hole dense area” is determined, it is easy to perform continuous operation. Continuous rubbing can be easily simulated by rubbing with a finger or nail to draw the inscribed circle.
請求項4の打楽器用コントローラや請求項6の発明の電子打楽器でスピーカ500を含まない構成とる場合は、手のひらで貫通孔を開閉することに意味がないので、非貫通の小孔を用いて筐体の表面に小孔の密集する領域を備えこの領域をこすることで連打を模擬することができる。この場合は「非貫通の小孔の密集する領域」は、3cm以上の半径を円形の軌跡に沿って前記打楽器用コントローラの操作者が指を用いてこすることができる。例えば半径4cmの範囲に半径0.25mmの非貫通孔を中心間の距離が1mm以下になるように配置すればよい。また、スピーカ500を含む構成の場合でも、放音孔(貫通孔)が密集する領域の周辺に非貫通孔を配置することで連打を模擬できる領域を拡張することができる。非貫通孔の配置には制限がないので図1、図2に示した電子打楽器では放音孔の密集する領域の倍以上の厚みがあるので、打撃に対する強度が確保できる範囲で自由に非貫通孔を配置できる。 When the percussion instrument controller according to claim 4 or the electronic percussion instrument according to claim 6 does not include the speaker 500, it is meaningless to open and close the through-hole with the palm of the hand. The area where the small holes are densely provided on the surface of the body can be simulated by rubbing this area. In this case, the “region where the non-penetrating small holes are dense” can be rubbed with a finger by the operator of the percussion instrument controller along a circular locus with a radius of 3 cm or more. For example, a non-through hole with a radius of 0.25 mm may be arranged in a radius of 4 cm so that the distance between the centers is 1 mm or less. Even in the case of the configuration including the speaker 500, it is possible to expand a region where continuous hitting can be simulated by disposing non-through holes around a region where sound emitting holes (through holes) are dense. Since there is no restriction on the arrangement of the non-through holes, the electronic percussion instrument shown in FIG. 1 and FIG. Holes can be placed.
1 本発明の電子打楽器
2 本発明の電子打楽器用コントローラ
5 演奏者の手
12 小孔
15 小孔の密集領域内を擦る経路
100 振動センサ
102 外部信号入力1
103 外部信号入力2
104 外部信号入力3
120 制御回路
130 帯域制限フィルタ
140 ゲート回路
150 本発明の電子打楽器用コントローラの出力端子
201 打楽器音発生回路1
202 打楽器音発生回路2
203 打楽器音発生回路3
204 打楽器音発生回路4
300 ミキシング回路
400 電力増幅回路
500 スピーカ
DESCRIPTION OF SYMBOLS 1 Electronic percussion instrument 2 of this invention Controller 5 for electronic percussion instruments of this invention Player's hand 12 Small hole 15 The path | route rubbing in the dense area of small holes
100 Vibration sensor 102 External signal input 1
103 External signal input 2
104 External signal input 3
DESCRIPTION OF SYMBOLS 120 Control circuit 130 Band-limiting filter 140 Gate circuit 150 Output terminal 201 of the controller for electronic percussion instruments of this invention Percussion instrument sound generation circuit 1
202 Percussion instrument sound generation circuit 2
203 Percussion instrument sound generation circuit 3
204 Percussion instrument sound generation circuit 4
300 Mixing circuit 400 Power amplification circuit 500 Speaker
Claims (6)
前記スピーカ50から出力される音を前記筐体外部に放音するための複数の貫通孔を前記筐体に備え、
前記貫通孔は前記筐体の上面のドーム状凸部に「手のひらで覆える大きさの領域」に密集して配置され、
前記「手のひらで覆える大きさの領域」の筐体の厚みは前記「手のひらで覆える大きさの領域」の周囲の筐体厚みよりも薄く形成されていることを特徴とする電子打楽器。 An electronic percussion instrument including a speaker 50 and a percussion instrument sound generation circuit 201 inside a housing,
The housing is provided with a plurality of through holes for emitting sound output from the speaker 50 to the outside of the housing,
The through-holes are densely arranged in a “region of a size that can be covered with a palm” on the dome-shaped convex portion on the upper surface of the housing,
The electronic percussion instrument is characterized in that a thickness of a casing of the “region that can be covered with a palm” is formed thinner than a thickness of a casing around the “region that can be covered with a palm”.
前記筐体の表面に小孔の密集する領域を備え、
前記「小孔の密集する領域」は、3cm以上の半径を円形の軌跡に沿って前記打楽器用コントローラの操作者が指を用いてをこすることができる形状に形成されていることを特徴とする電子打楽器用コントローラ。 A vibration sensor for detecting vibration of the housing inside the housing and a region where small holes are densely formed on the surface of the housing,
The "area where the small holes are dense" is formed in a shape that allows an operator of the percussion instrument controller to rub with a finger along a circular trajectory with a radius of 3 cm or more. Controller for electronic percussion instruments.
前記振動センサに与えられる信号に応じて出力される電気信号を外部に出力する出力端子を持ち、
(A)前記振動センサに与えられる振動の周波数成分から音声帯域の信号成分を減衰させる低域通過フィルタまたは帯域通過フィルタ
または
(B)前記振動センサに与えられる振動の振幅が所定値以下であるとき信号の振幅を減衰または遮断するゲート回路
を前記振動センサの出力と前記出力端子の間に備えることを特徴とする電子打楽器用コントローラ。 The electronic percussion instrument controller has an output terminal for outputting an electrical signal output in response to a signal given to the vibration sensor,
(A) A low-pass filter or a band-pass filter that attenuates a signal component in a voice band from a frequency component of vibration applied to the vibration sensor, or (B) when the amplitude of vibration applied to the vibration sensor is a predetermined value or less. A controller for an electronic percussion instrument, comprising a gate circuit for attenuating or blocking a signal amplitude between the output of the vibration sensor and the output terminal.
前記筐体の表面に小孔又は小突起の密集する領域を備え、
前記「小孔又は小突起の密集する領域」は、3cm以上の半径を円形の軌跡に沿って前記打楽器用コントローラの操作者が指を用いてこすることができる形状に形成されていることを特徴とする電子打楽器。 In an electronic percussion instrument provided with a percussion instrument sound output terminal for outputting an output signal from the vibration sensor, a percussion instrument sound generation circuit, and the percussion instrument sound generation circuit to the outside of the casing inside the casing,
A region where small holes or small protrusions are concentrated on the surface of the housing,
The “area where the small holes or small protrusions are dense” is formed in a shape that allows an operator of the percussion instrument controller to rub a finger with a radius of 3 cm or more along a circular locus. Electronic percussion instrument.
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Citations (6)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPH06208375A (en) * | 1993-01-12 | 1994-07-26 | Roland Corp | Electronic musical instrument |
JPH11143469A (en) * | 1997-11-04 | 1999-05-28 | Munehiro Oishi | Handy musical instrument |
JP2005509175A (en) * | 2000-04-06 | 2005-04-07 | アジェーエミ−アカデミア デ ジナスチカ モベル リミタダ | Rhythm device, rhythm accompaniment method and electronic transducer |
JP2005168758A (en) * | 2003-12-10 | 2005-06-30 | Masahiro Hashimoto | Sound emitting toy |
JP2005266732A (en) * | 2004-03-19 | 2005-09-29 | Tomokazu Sugiyama | Percussion instrument |
JP2007025094A (en) * | 2005-07-14 | 2007-02-01 | Yamaha Corp | Electronic percussion instrument |
-
2014
- 2014-09-03 JP JP2014178606A patent/JP6469391B2/en not_active Expired - Fee Related
Patent Citations (6)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JPH06208375A (en) * | 1993-01-12 | 1994-07-26 | Roland Corp | Electronic musical instrument |
JPH11143469A (en) * | 1997-11-04 | 1999-05-28 | Munehiro Oishi | Handy musical instrument |
JP2005509175A (en) * | 2000-04-06 | 2005-04-07 | アジェーエミ−アカデミア デ ジナスチカ モベル リミタダ | Rhythm device, rhythm accompaniment method and electronic transducer |
JP2005168758A (en) * | 2003-12-10 | 2005-06-30 | Masahiro Hashimoto | Sound emitting toy |
JP2005266732A (en) * | 2004-03-19 | 2005-09-29 | Tomokazu Sugiyama | Percussion instrument |
JP2007025094A (en) * | 2005-07-14 | 2007-02-01 | Yamaha Corp | Electronic percussion instrument |
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