IT201900016994A1 - PREPARATION FOR MANUAL MODELING OF ORNAMENTAL CERAMIC SCULPTURES INCLUDING CREAMING ASH AND METHOD FOR ITS MAKING - Google Patents
PREPARATION FOR MANUAL MODELING OF ORNAMENTAL CERAMIC SCULPTURES INCLUDING CREAMING ASH AND METHOD FOR ITS MAKING Download PDFInfo
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- IT201900016994A1 IT201900016994A1 IT102019000016994A IT201900016994A IT201900016994A1 IT 201900016994 A1 IT201900016994 A1 IT 201900016994A1 IT 102019000016994 A IT102019000016994 A IT 102019000016994A IT 201900016994 A IT201900016994 A IT 201900016994A IT 201900016994 A1 IT201900016994 A1 IT 201900016994A1
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- sculpture
- clay
- modeling
- minutes
- hydrated
- Prior art date
Links
- 238000000034 method Methods 0.000 title claims description 17
- 238000002360 preparation method Methods 0.000 title claims description 17
- 239000000919 ceramic Substances 0.000 title claims description 7
- 235000002918 Fraxinus excelsior Nutrition 0.000 claims description 28
- 239000002956 ash Substances 0.000 claims description 28
- 239000004927 clay Substances 0.000 claims description 26
- 239000000463 material Substances 0.000 claims description 4
- 239000002985 plastic film Substances 0.000 claims description 3
- 229920006255 plastic film Polymers 0.000 claims description 3
- 230000002045 lasting effect Effects 0.000 claims description 2
- 239000000203 mixture Substances 0.000 description 3
- XEEYBQQBJWHFJM-UHFFFAOYSA-N Iron Chemical compound [Fe] XEEYBQQBJWHFJM-UHFFFAOYSA-N 0.000 description 2
- 230000015572 biosynthetic process Effects 0.000 description 2
- 238000010411 cooking Methods 0.000 description 2
- 238000010304 firing Methods 0.000 description 2
- 239000002245 particle Substances 0.000 description 2
- XAGFODPZIPBFFR-UHFFFAOYSA-N aluminium Chemical compound [Al] XAGFODPZIPBFFR-UHFFFAOYSA-N 0.000 description 1
- 229910052782 aluminium Inorganic materials 0.000 description 1
- 229940043430 calcium compound Drugs 0.000 description 1
- 150000001674 calcium compounds Chemical class 0.000 description 1
- 239000004568 cement Substances 0.000 description 1
- 150000001875 compounds Chemical class 0.000 description 1
- 230000006866 deterioration Effects 0.000 description 1
- 239000006185 dispersion Substances 0.000 description 1
- 230000002996 emotional effect Effects 0.000 description 1
- 238000004880 explosion Methods 0.000 description 1
- 229910052602 gypsum Inorganic materials 0.000 description 1
- 239000010440 gypsum Substances 0.000 description 1
- 230000016507 interphase Effects 0.000 description 1
- 229910052742 iron Inorganic materials 0.000 description 1
- 238000004898 kneading Methods 0.000 description 1
- 239000011344 liquid material Substances 0.000 description 1
- 230000001151 other effect Effects 0.000 description 1
- 239000011148 porous material Substances 0.000 description 1
- 239000004576 sand Substances 0.000 description 1
- LIVNPJMFVYWSIS-UHFFFAOYSA-N silicon monoxide Chemical class [Si-]#[O+] LIVNPJMFVYWSIS-UHFFFAOYSA-N 0.000 description 1
- 229910052814 silicon oxide Inorganic materials 0.000 description 1
Classifications
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- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B33/00—Clay-wares
- C04B33/02—Preparing or treating the raw materials individually or as batches
- C04B33/04—Clay; Kaolin
-
- A—HUMAN NECESSITIES
- A47—FURNITURE; DOMESTIC ARTICLES OR APPLIANCES; COFFEE MILLS; SPICE MILLS; SUCTION CLEANERS IN GENERAL
- A47G—HOUSEHOLD OR TABLE EQUIPMENT
- A47G33/00—Religious or ritual equipment in dwelling or for general use
-
- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B33/00—Clay-wares
- C04B33/02—Preparing or treating the raw materials individually or as batches
- C04B33/13—Compounding ingredients
- C04B33/132—Waste materials; Refuse; Residues
-
- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B33/00—Clay-wares
- C04B33/02—Preparing or treating the raw materials individually or as batches
- C04B33/13—Compounding ingredients
- C04B33/132—Waste materials; Refuse; Residues
- C04B33/135—Combustion residues, e.g. fly ash, incineration waste
- C04B33/1355—Incineration residues
-
- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B33/00—Clay-wares
- C04B33/32—Burning methods
-
- Y—GENERAL TAGGING OF NEW TECHNOLOGICAL DEVELOPMENTS; GENERAL TAGGING OF CROSS-SECTIONAL TECHNOLOGIES SPANNING OVER SEVERAL SECTIONS OF THE IPC; TECHNICAL SUBJECTS COVERED BY FORMER USPC CROSS-REFERENCE ART COLLECTIONS [XRACs] AND DIGESTS
- Y02—TECHNOLOGIES OR APPLICATIONS FOR MITIGATION OR ADAPTATION AGAINST CLIMATE CHANGE
- Y02P—CLIMATE CHANGE MITIGATION TECHNOLOGIES IN THE PRODUCTION OR PROCESSING OF GOODS
- Y02P40/00—Technologies relating to the processing of minerals
- Y02P40/60—Production of ceramic materials or ceramic elements, e.g. substitution of clay or shale by alternative raw materials, e.g. ashes
Landscapes
- Chemical & Material Sciences (AREA)
- Engineering & Computer Science (AREA)
- Ceramic Engineering (AREA)
- Dispersion Chemistry (AREA)
- Materials Engineering (AREA)
- Structural Engineering (AREA)
- Organic Chemistry (AREA)
- Environmental & Geological Engineering (AREA)
- Combustion & Propulsion (AREA)
- Curing Cements, Concrete, And Artificial Stone (AREA)
Description
DESCRIZIONE DESCRIPTION
Titolo Title
PREPARATO PER LA MODELLAZIONE MANUALE DI SCULTURE ORNAMENTALI IN CERAMICA COMPRENDENTI CENERI DA CREMAZIONE E METODO PER LA SUA REALIZZAZIONE PREPARATION FOR MANUAL MODELING OF ORNAMENTAL CERAMIC SCULPTURES INCLUDING CREAMING ASH AND METHOD FOR ITS MAKING
Campo tecnico Technical field
La presente invenzione appartiene al settore degli oggetti ornamentali e, più in particolare, al settore degli oggetti ornamentali che comprendono ceneri residuate dalla cremazione di cadaveri. The present invention belongs to the sector of ornamental objects and, more particularly, to the sector of ornamental objects which include residual ashes from the cremation of corpses.
Più esattamente la presente invenzione descrive un preparato per realizzare sculture in ceramica che contengano ceneri da cremazione ed un metodo per l’approntamento del preparato. La presente invenzione appartiene anche al settore degli oggetti destinati a perpetuare il ricordo e la memoria degli esseri viventi, dopo che avranno cessato di vivere. More precisely, the present invention describes a preparation for making ceramic sculptures that contain cremation ashes and a method for preparing the preparation. The present invention also belongs to the sector of objects intended to perpetuate the remembrance and memory of living beings, after they have ceased to live.
Stato della tecnica State of the art
È sentita da tempo immemorabile l’esigenza di creare oggetti che hanno lo scopo di ricordare nel tempo gli esseri viventi dopo che questi sono defunti; in particolare sono noti molti oggetti che comprendono piccole quantità di resti provenienti dal corpo del defunto, quali ad esempio capelli o denti, o simili porzioni di tessuti fisiologici poco soggetti a deteriorarsi nel tempo. The need to create objects that have the purpose of reminding living beings over time after they are dead has been felt since time immemorial; in particular, many objects are known which comprise small quantities of remains coming from the body of the deceased, such as for example hair or teeth, or similar portions of physiological tissues that are not subject to deterioration over time.
Nel mondo, oltre all’inumazione, la cremazione è uno dei metodi più largamente diffusi quale pratica per la destinazione finale dei cadaveri. Il procedimento di cremazione avviene nei crematori, all’interno di appositi forni che raggiungono temperature prossime ai 1000 °C. Nel tempo sono stati sviluppati speciali accorgimenti grazie ai quali i moderni forni crematori riescono ad ottenere una vera e propria disintegrazione dei cadaveri, che vengono restituiti sotto forma di ceneri molto fini e sottili, con particelle il cui diametro è dell’ordine delle decine di micrometri. Tradizionalmente le ceneri provenienti dalla cremazione vengono conservate in apposite urne, oppure vengono disperse in luoghi particolari. In the world, in addition to inaction, cremation is one of the most widely used methods as a practice for the final destination of corpses. The cremation process takes place in crematoria, inside special ovens that reach temperatures close to 1000 ° C. Over time, special devices have been developed thanks to which modern crematory ovens are able to obtain a real disintegration of the corpses, which are returned in the form of very fine and thin ashes, with particles whose diameter is of the order of tens of micrometers. . Traditionally, the ashes from cremation are stored in special urns, or are dispersed in particular places.
Talune persone giudicano queste soluzioni tradizionali aride e fredde, in quanto prive di una carica emozionale adeguata all’importanza del ricordo; pertanto si è gradualmente sviluppata l’esigenza di soluzioni tecniche che consentano di conservare almeno una parte delle ceneri di cremazione sotto forme tali da suscitare e mantenere un legame sentimentale forte e coinvolgente con l’essere vivente defunto. Some people consider these traditional solutions to be dry and cold, as they lack an emotional charge adequate to the importance of memory; therefore, the need for technical solutions has gradually developed that make it possible to preserve at least a part of the cremation ashes in such forms as to arouse and maintain a strong and engaging sentimental bond with the deceased living being.
Per questa ragione sono state sviluppate diverse soluzioni per realizzare degli oggetti che comprendessero almeno una parte delle ceneri provenienti dalla cremazione. For this reason, various solutions have been developed to create objects that include at least a part of the ashes coming from the cremation.
Ad esempio GB2476938 descrive sommariamente la possibilità di mischiare le ceneri della cremazione ad un qualunque materiale che sia suscettibile di essere colato in uno stampo ove poi si solidifica assumendo la forma desiderata, tale da ricordare l’essere vivente defunto. For example, GB2476938 briefly describes the possibility of mixing the ashes of cremation with any material that is likely to be poured into a mold where it then solidifies, assuming the desired shape, such as to remember the deceased living being.
Un insegnamento simile è contenuto in US5016330, che descrive un metodo che prevede la miscelazione delle ceneri in un materiale semiliquido, ad esempio a base di gesso, a cui viene poi data forma grazie ad uno stampo. A similar teaching is contained in US5016330, which describes a method that involves mixing the ashes into a semi-liquid material, for example based on gypsum, which is then shaped thanks to a mold.
US2009/0077779A1 e US2019/0160710 descrivono entrambi il modo per realizzare degli oggetti ricordo gettando in uno stampo una miscela cementizia di sabbia, conglomerati e ceneri da cremazione. US2009 / 0077779A1 and US2019 / 0160710 both describe the way to make souvenir objects by throwing a cement mixture of sand, conglomerates and cremation ashes into a mold.
In particolare AU2018100614 tratta di un preparato comprendente argilla e ceneri da cremazione da usarsi sia come inchiostro per stampanti 3D che per preparare oggetti da cuocere in forno, specificando che la soluzione preferita prevede l’impiego di argilla bianca. In particular AU2018100614 is a preparation comprising clay and cremation ashes to be used both as ink for 3D printers and to prepare objects to be baked in the oven, specifying that the preferred solution involves the use of white clay.
Numerose esperienze hanno tuttavia dimostrato che i manufatti composti da argilla mescolata con ceneri da cremazione hanno la tendenza a esplodere o a rompersi durante la cottura in forno, diventando inutilizzabili e, quel che è peggio, causando la perdita irrimediabile delle ceneri di cremazione che erano state aggiunte al preparato. However, numerous experiences have shown that artifacts composed of clay mixed with cremation ashes have a tendency to explode or break during cooking in the oven, becoming unusable and, what is worse, causing the irretrievable loss of cremation ashes that had been added. to the preparation.
Sul punto AU2018100614 non fornisce nessuna indicazione utile poiché si limita a consigliare che le dimensioni delle particelle d’argilla in relazione alle dimensioni delle ceneri siano in rapporto tale da prevenire la formazione di grossi pori e la conseguente rottura; tuttavia non viene fornita la minima indicazione su quale sia il rapporto dimensionale che eviterebbe le rotture. On point AU2018100614 it does not provide any useful information since it merely advises that the size of the clay particles in relation to the size of the ashes are in such a ratio as to prevent the formation of large pores and the consequent breakage; however, not the slightest indication is given as to which size ratio would prevent breakage.
Anche JP2006175075 affronta il problema della rottura della ceramica durante la cottura della scultura, offrendo però soluzioni di difficile realizzazione, quali l’uso di vibrazioni e di un forno in depressione. JP2006175075 also addresses the problem of ceramic breakage during the firing of the sculpture, offering however difficult solutions, such as the use of vibrations and a vacuum furnace.
Scopi e sommario dell’invenzione Aims and summary of the invention
È dunque scopo della presente invenzione fornire un preparato ed un metodo per modellare manualmente delle sculture in ceramica contenti ceneri da cremazione che non si rompano durante la fase di cottura in forno. It is therefore an object of the present invention to provide a preparation and a method for manually modeling ceramic sculptures containing cremation ashes which do not break during the baking step.
Scopo non secondario della presente invenzione è fornire un metodo che consenta di utilizzare completamente tutto il preparato comprendente argilla e ceneri da cremazione che è stato predisposto per la modellazione della scultura. A not secondary object of the present invention is to provide a method which allows to use completely all the preparation comprising clay and cremation ashes which has been prepared for modeling the sculpture.
Lo scopo sopradescritto viene raggiunto con un preparato per scultura realizzato a partire da una miscela idratata di argilla, del tipo già predisposto per lavori di scultura e venduto in panetti preconfezionati avvolti in un film plastico, alla quale viene aggiunta una quantità di ceneri da cremazione variabile fra il 10 % e il 50 % del peso dell’argilla utilizzata. The above purpose is achieved with a preparation for sculpture made from a hydrated mixture of clay, of the type already prepared for sculpture works and sold in prepackaged blocks wrapped in a plastic film, to which a variable quantity of cremation ashes is added. between 10% and 50% of the weight of the clay used.
Le proporzioni di impiego dei due materiali sono variabili in relazione alla quantità di argilla utilizzata, la quale dipende a sua volta dalle dimensioni della scultura da creare. The proportions of use of the two materials are variable in relation to the amount of clay used, which in turn depends on the size of the sculpture to be created.
Preferibilmente viene impiegata argilla da scultura già filtrata e degasata, possono essere usati indifferentemente diversi tipi di argilla, sia argilla bianca, che argilla rossa, marrone, ecc. Preferably, already filtered and degassed sculpture clay is used, different types of clay can be used indifferently, both white clay and red, brown clay, etc.
I diversi tipi di argilla comprendono generalmente una base di Ossidi di Silicio, in quantità generalmente comprese fra 25 % e 80 % e di composti di Calcio, in quantità che possono variare da 1 % a 25 %; effetti particolari di colore o altro possono essere ottenuti con argille che comprendono composti di Alluminio e/o di Ferro e/o di altri elementi. The different types of clay generally comprise a base of Silicon Oxides, in quantities generally comprised between 25% and 80% and of Calcium compounds, in quantities which can vary from 1% to 25%; particular color or other effects can be obtained with clays which include compounds of Aluminum and / or Iron and / or other elements.
Il metodo consiste nel prelevare dal panetto la quantità di argilla necessaria per la scultura e nell’aggiungervi la percentuale desiderata di ceneri da cremazione, dopodiché questo insieme viene amalgamato per un’ora circa, per creare un preparato uniforme ed omogeneo. The method consists in taking the amount of clay needed for sculpture from the dough and adding the desired percentage of cremation ashes, after which this whole is mixed for about an hour, to create a uniform and homogeneous preparation.
Dopo aver terminata la manipolazione del materiale viene modellata la scultura, dandole la forma finale; la scultura appena realizzata deve riposare almeno 24 ore prima della cottura in forno; questa fase di riposo è necessaria perché la scultura si disidrati, perdendo almeno una parte dell’umidità residua ancora contenuta. After finishing the manipulation of the material, the sculpture is modeled, giving it the final shape; the newly created sculpture must rest for at least 24 hours before being fired in the oven; this resting phase is necessary for the sculpture to dehydrate, losing at least part of the residual moisture still contained.
Trascorso questo tempo, la scultura è pronta per essere immessa nel forno di cottura, ad una temperatura che varia a seconda del tipo di argilla impiegata, per un totale di circa otto ore. After this time, the sculpture is ready to be placed in the firing oven, at a temperature that varies according to the type of clay used, for a total of about eight hours.
Si sottolinea la necessità di impastare a lungo l’argilla e le ceneri, sia per omogeneizzare il preparato che, soprattutto, per evitare la formazione di bolle d’aria all’interno dell’impasto, queste ultime potrebbero determinare fratture o esplosioni della scultura durante la cottura di quest’ultima. The need to knead the clay and the ashes for a long time is emphasized, both to homogenize the preparation and, above all, to avoid the formation of air bubbles inside the mixture, the latter could cause fractures or explosions of the sculpture during cooking the latter.
Secondo una procedura preferita la fase di impastatura è eseguita manualmente. According to a preferred procedure, the kneading step is performed manually.
Secondo una soluzione particolarmente efficiente il metodo oggetto della presente invenzione prevede che la modellazione della scultura venga effettuata lasciando nel suo basamento una cavità accessibile dal basso e che detta cavità venga utilizzata per accogliere al proprio interno il preparato che si rende necessario asportare dalla scultura durante la sua modellazione, in modo da evitare qualunque dispersione del preparato contenente le ceneri da cremazione. According to a particularly efficient solution, the method object of the present invention provides for the modeling of the sculpture to be carried out by leaving a cavity accessible from below in its base and for said cavity to be used to receive inside the preparation that it becomes necessary to remove from the sculpture during the its modeling, in order to avoid any dispersion of the preparation containing the cremation ashes.
Descrizione dettagliata dell’invenzione Detailed description of the invention
Il metodo per realizzare il preparato per modellare sculture ornamentali oggetto della presente domanda di brevetto prevede di usare contemporaneamente ceneri da cremazione e argilla idratata da scultura. Quest’ultima è del tipo che viene commercializzata già filtrata e degasata, avvolta in un involucro ermetico generalmente fatto con un film plastico. Le ceneri da cremazione devono essere fini ed omogenee. The method for making the preparation for modeling ornamental sculptures object of the present patent application provides for the simultaneous use of cremation ashes and hydrated sculpture clay. The latter is of the type that is marketed already filtered and degassed, wrapped in an airtight envelope generally made with a plastic film. Cremation ashes must be fine and homogeneous.
Per ottenere buoni risultati il peso dell’argilla deve essere compreso fra il doppio e dieci volte il peso delle ceneri da inglobare nella scultura. To obtain good results, the weight of the clay must be between double and ten times the weight of the ashes to be incorporated into the sculpture.
L’argilla idratata e le ceneri da cremazione devono essere amalgamate insieme tramite una manipolazione manuale di durata compresa fra 30 minuti e 120 minuti. The hydrated clay and cremation ashes must be blended together by manual manipulation lasting between 30 minutes and 120 minutes.
Risultati soddisfacenti si ottengono generalmente con un tempo di manipolazione di un’ora. Satisfactory results are generally obtained with a handling time of one hour.
Dopo aver amalgamato le ceneri con l’argilla idratata il preparato così ottenuto viene modellato e viene data la forma finale alla scultura. After mixing the ashes with the hydrated clay, the resulting preparation is modeled and the final shape is given to the sculpture.
Una volta realizzata la scultura il metodo oggetto della presente invenzione prevede che essa venga fatta riposare per almeno 24 ore, al fine di farle rilasciare almeno parte dell’umidità che essa ancora contiene, dopodiché la scultura viene cotta per almeno otto ore in un forno che raggiunge temperature comprese fra 900 °C e 1100 °C. Once the sculpture has been made, the method object of the present invention provides that it is left to rest for at least 24 hours, in order to make it release at least part of the humidity it still contains, after which the sculpture is baked for at least eight hours in an oven which it reaches temperatures between 900 ° C and 1100 ° C.
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Claims (5)
Priority Applications (1)
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IT102019000016994A IT201900016994A1 (en) | 2019-09-23 | 2019-09-23 | PREPARATION FOR MANUAL MODELING OF ORNAMENTAL CERAMIC SCULPTURES INCLUDING CREAMING ASH AND METHOD FOR ITS MAKING |
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IT102019000016994A IT201900016994A1 (en) | 2019-09-23 | 2019-09-23 | PREPARATION FOR MANUAL MODELING OF ORNAMENTAL CERAMIC SCULPTURES INCLUDING CREAMING ASH AND METHOD FOR ITS MAKING |
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Citations (11)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US5016330A (en) | 1989-08-07 | 1991-05-21 | Susan Botsch | Personalized pet animal memorial product |
JPH06133843A (en) * | 1992-10-28 | 1994-05-17 | Mitsuhiro Kitagawa | Image of buddha and its manufacture |
US6615463B1 (en) * | 2000-12-05 | 2003-09-09 | Hamid Hojaji | Methods to solidify cremation ash |
JP2004305659A (en) * | 2003-04-02 | 2004-11-04 | Yoshihiro Shoda | Manufacturing method of memorial praying object using cremains |
JP2006175075A (en) | 2004-12-22 | 2006-07-06 | Sankyo Kk | Game machine |
US20090077779A1 (en) | 2007-09-24 | 2009-03-26 | Kurt Zimmerman | Memorial objects incorporating cremation ash |
ES2342353A1 (en) * | 2008-09-19 | 2010-07-05 | Esther Casañ I Giner | Procedure to obtain ceramic materials from ashes of loved beings. (Machine-translation by Google Translate, not legally binding) |
GB2476938A (en) | 2010-01-13 | 2011-07-20 | Anne Warren | Memorial ornament incorporating cremation ashes |
KR20170051316A (en) * | 2015-10-29 | 2017-05-11 | 이정환 | Remembrance using bone and manufacturing method thereof |
AU2018100614A4 (en) | 2017-12-19 | 2018-07-05 | Narbon, S.L | Composition comprising cremation ashes |
US20190160710A1 (en) | 2016-08-14 | 2019-05-30 | Christina Allison | Memorial object for preserving cremains and methods to produce |
-
2019
- 2019-09-23 IT IT102019000016994A patent/IT201900016994A1/en unknown
Patent Citations (11)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US5016330A (en) | 1989-08-07 | 1991-05-21 | Susan Botsch | Personalized pet animal memorial product |
JPH06133843A (en) * | 1992-10-28 | 1994-05-17 | Mitsuhiro Kitagawa | Image of buddha and its manufacture |
US6615463B1 (en) * | 2000-12-05 | 2003-09-09 | Hamid Hojaji | Methods to solidify cremation ash |
JP2004305659A (en) * | 2003-04-02 | 2004-11-04 | Yoshihiro Shoda | Manufacturing method of memorial praying object using cremains |
JP2006175075A (en) | 2004-12-22 | 2006-07-06 | Sankyo Kk | Game machine |
US20090077779A1 (en) | 2007-09-24 | 2009-03-26 | Kurt Zimmerman | Memorial objects incorporating cremation ash |
ES2342353A1 (en) * | 2008-09-19 | 2010-07-05 | Esther Casañ I Giner | Procedure to obtain ceramic materials from ashes of loved beings. (Machine-translation by Google Translate, not legally binding) |
GB2476938A (en) | 2010-01-13 | 2011-07-20 | Anne Warren | Memorial ornament incorporating cremation ashes |
KR20170051316A (en) * | 2015-10-29 | 2017-05-11 | 이정환 | Remembrance using bone and manufacturing method thereof |
US20190160710A1 (en) | 2016-08-14 | 2019-05-30 | Christina Allison | Memorial object for preserving cremains and methods to produce |
AU2018100614A4 (en) | 2017-12-19 | 2018-07-05 | Narbon, S.L | Composition comprising cremation ashes |
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