FR2840852A1

FR2840852A1 - To give a beeswax polish to a surface, a colored acrylic paint is applied to a dry coating on the surface, followed by beeswax which is polished to give the appearance of leather

Info

Publication number: FR2840852A1
Application number: FR0207515A
Authority: FR
Inventors: Frederic Charpagne
Original assignee: DECOPERSO
Current assignee: DECOPERSO
Priority date: 2002-06-18
Filing date: 2002-06-18
Publication date: 2003-12-19

Abstract

To give a colored beeswax polish on a support surface, with the appearance of a Cordoba leather, a coating is applied to the surface with a spatula and dried. An acrylic paint is spread over the coating and dried, followed by a colored beeswax which is also dried. The surface is finally polished with a chamois leather.

Description

partiellemerlt ou totalement la tension durant la phase demoulage.partially or completely the tension during the molding phase.

La presente invention concerne 1' application de materiaux en couches The present invention relates to the application of layered materials

successives, afin de realiser une patine murale a la cire d' abeille. successive, in order to create a wall patina with beeswax.

Il est important de souligner qu' habituellement les patines vent realisees uniquement 1' aide de produits en phases acqueuses, plus simples d' utilisation. Ce procede a la cire d' abeille, permet d'obtenir pour la premiere fois en matiere de patines, un aspect cuir. La mise en aeuvre se decline en 4 phases distinctes: - L' application d' un enduit ( additionne a un additif acrylique pour permettre un temps de travail plus important de la matiere lors des phases 2 et 3). Wile se fait au moyen de 2 couteaux a enduire de dimensions 14mm et 21mm: on se sert de la plus petite pour prendre la matiere dans le pot, et de la seconde pour 1' etaler sur le support mural. Des lors, on spatulera avec des mouvements irreguliers de maniere a structurer le fond et laisser It is important to underline that usually the patinas wind realized only using products in aqueous phases, simpler to use. This beeswax process makes it possible, for the first time in terms of patinas, to have a leather look. The implementation is declined in 4 distinct phases: - The application of a coating (added to an acrylic additive to allow a longer working time of the material during phases 2 and 3). Wile is done by means of 2 knives to be coated with dimensions 14mm and 21mm: we use the smallest to take the material in the pot, and the second to spread it on the wall support. From then on, we will spatulate with irregular movements so as to structure the bottom and leave

apparatre des asperites dans lesquels la cire viendra se loger pour donner l'effet attendu. appear asperites in which the wax will lodge to give the expected effect.

- Dans un second temps, et apres avoir patiente 12 heures de sechage, on appliquera a 1'aide d' un rouleau a peinture traditionnel, une teinte de fond ( c' est elle qui definie la teinte finale) qui n'est autre qu'une peinture acrylique mate. Cette derriere doit imperativement couvrir la totalite de la surface spatulee precedemment, sans laisser entrevoir la moindre - In a second step, and after having waited 12 hours of drying, we will apply using a traditional paint roller, a background shade (it is she who defines the final shade) which is none other than '' a matt acrylic paint. This back must imperatively cover the whole of the previously spatulated surface, without allowing any glimpse

petite partie de la couche inferieur. small part of the lower layer.

- Concernant la troisieme partie de ['application, toujours sans omettre de respecter une - Concerning the third part of the application, always without forgetting to respect a

nouvelle fois les 1 2 heures de sechage, on procedera a 1' application de la cire d' abeille. again the 1 2 hours of drying, we will proceed to the application of beeswax.

C'est une cire d'abeille teintee a base d'essence de terebenthine, habituellement utilisee pour la restauration des meubles, cadres etc On la trouve dans les coloris de nombreux bois existent; c' est pourquoi le choix de l'une d' entre elles reste a [ ' appreciation de chacun: il n'y a pas une grande difference quant a 1'aspect final de l'effet de decoration; cependant nous preconisons l'utilisation d'un ch8ne soit clair, moyen ou rustique, en fonction de la luminosite que l' on desire laisser a la patine. Cette application se fera a [' aide d'un chiffon: il suffit de prendre de la cire avec ce dernier en pleine matiere, puis de l'etaler de facon circulaire sur le mur prealablement spatule et colore. Le lien entre 2 passes devra se faire par salissure pour eviter le phenomene <<ton sur ton >> occasionne par la It is a stained beeswax based on turpentine, usually used for the restoration of furniture, frames etc. It is found in the colors of many woods exist; this is why the choice of one of them remains to everyone's appreciation: there is not a big difference as to the final aspect of the decorative effect; however we recommend the use of a light, medium or rustic oak, depending on the brightness that one wishes to leave on the patina. This application will be done using a cloth: just take wax with it in full material, then spread it circularly on the wall previously spatula and colored. The link between 2 passes must be made by dirt to avoid the phenomenon "tone on tone" caused by the

superposition de 2 couches de cires, bien connu dans le domaine de la patine murale. superposition of 2 layers of waxes, well known in the field of wall patina.

- La phase 3 achevee, et bien evidemment apres avoir attendu les 12 heures de sechage Indispensables, interviendra l'ultime et non moins importante phase, cite phase 4: par le biais d'une chamoisine, nous lustrerons le mur ainsi patine de maniere a donner une certaine - 2 brillance a l'effet decoratif, lui donnant ainsi son aspect cuir (cuir de Cordoux pour 8tre precis). - 3 - Phase 3 completed, and obviously after waiting for the 12 hours of drying Indispensable, will intervene the last and no less important phase, quote phase 4: by means of a chamois, we will polish the wall and patina so give a certain - 2 shine to the decorative effect, thus giving it its leather look (Cordoux leather to be precise). - 3

Claims

1) Method for making a patina with tinted beeswax having a Cordoux leather appearance on a support, characterized in that it consists of the following stages: - Application of a coating in order to structure the surface of the support and drying - Application of an acrylic paint on the plaster and drying - Application of tinted beeswax and drying - Polishing of the patina using a chamois

2) Method according to claim n l characterized in that ['the application of the coating is carried out with a spatula so as to leave appear asperites in which the wax