Classifications

• • G—PHYSICS
  • G10—MUSICAL INSTRUMENTS; ACOUSTICS
  • G10L—SPEECH ANALYSIS TECHNIQUES OR SPEECH SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING TECHNIQUES; SPEECH OR AUDIO CODING OR DECODING
  • G10L19/00—Speech or audio signals analysis-synthesis techniques for redundancy reduction, e.g. in vocoders; Coding or decoding of speech or audio signals, using source filter models or psychoacoustic analysis
  • G10L19/008—Multichannel audio signal coding or decoding using interchannel correlation to reduce redundancy, e.g. joint-stereo, intensity-coding or matrixing

Definitions

• the present invention relates to audio encoding and audio decoding, in particular to an encoding and decoding scheme, selectively extracting and/or transmitting phase information, when reconstruction of such information is perceptually relevant.
• Recent parametric multi-channel coding-schemes like binaural cue coding (BCC), parametric stereo (PS) or MPEG surround (MPS) use a compact parametric representation of the humans auditory system's cues for spatial perception.
• BCC binaural cue coding
• PS parametric stereo
• MPS MPEG surround
• an encoder performs a down-mix from M-input channels to N- output channels and transmits the extracted cues together with the down-mix signal.
• the cues are furthermore quantized according to the principles of human perception, that is, information which is not audible or distinguishable by the human auditory system may be deleted or coarsely quantized.
• the bandwidth consumed by such an encoded representation of an original audio signal may be further decreased by compacting the down-mix signal or the channels of the downmix signal using single channel audio compressors.
• single channel audio compressors Various types of those single channel audio compressors will be summarized as core coders within the following paragraphs.
• Typical cues used to describe the spatial interrelation between two or more audio channels are interchannel level differences (ILD) parametrizing level relations between input channels, interchannel cross correlations/coherences (ICC) parametrizing the statistical dependency between input channels and interchannel time/phase differences (ITD or IPD) parametrizing the time or phase difference between similar signal segments of input channels.
• ILD interchannel level differences
• ICC interchannel cross correlations/coherences
• IPD interchannel time/phase differences
• individual cues are normally calculated for different frequency bands. That is, for a given time segment of the signal, multiple cues parametrizing the same property are transmitted, each cue-parameter representing a predetermined frequency band of the signal.
• the cues may be calculated time- and frequency dependent on a scale close to the human frequency resolution.
• a corresponding decoder performs an upmix from M to N channels based on the transmitted spatial cues and the downmix transmitted signals (the transmitted downmix therefore often being called the carrier signal) .
• a resulting upmix channel may be described as a level- and phase weighted version of the transmitted downmix.
• the decorrelation derived while encoding the signals may be synthesized by mixing and weighting the transmitted downmix signal (the "dry” signal) with a decorrelated signal (the “wet” signal) derived from the downmix signal as indicated by the transmitted correlation parameters (ICC) .
• the upmixed channels then have a similar correlation with respect to each other than the original channels had.
• a decorrelated signal i.e. a signal having a cross correlation coefficient close to zero when cross- correlated with the transmitted signal
• An appropriate upmix could, for example, reproduce a spatial cue not transmitted on the average. That is, at least for a long-term segment of the full bandwidth signal, the average spatial property is preserved.
• phase estimator which derives a phase information indicating a phase relation between a first and a second input audio signal, when a phase shift between the input audio signals exceeds a predetermined threshold.
• An associated output interface which includes the spatial parameters and a downmix signal into the encoded representation of the input audio signals, does only include the derived phase information, when the transmission of phase information is, from a perceptional point of view, necessary.
• the determination of the phase information may be performed continuously and only the decision, whether the phase information is to be included or not, may be taken based on the threshold.
• the threshold could, for example, describe a maximum allowable phase shift, for which additional phase information processing is unnecessary to achieve an acceptable quality of the reconstructed signal.
• phase shift between the input audio signals may be derived independently from the actual generation of the phase information, such that a decent phase analysis to derive the phase information is only taking place when the phase threshold is exceeded.
• a spatial output mode decider may be implemented, which receives the continuously generated phase information, and which steers the output interface to include the phase information only when a phase information condition is met, that is, for example, when the phase difference between the input signals exceeds a predetermined threshold.
• the output interface predominantly includes the ICC and ILD parameters as well as the downmix signal into the encoded representation of the input audio signals only.
• the determined phase information is additionally included, such that the signal reconstructed using the encoded representation may be reconstructed with higher quality.
• this may be achieved by only a minimum amount of additional transmitted information, since the phase information is indeed only transmitted for those signal parts, which are critical.
• a further embodiment of the invention analyzes the signal to derive a signal characterization information, the signal characterization information distinguishing between input audio signals having different signal types or characteristics. This could, for example, be the different characteristics of speech and of music signals.
• the phase estimator may only be required, when the input audio signals have a first characteristic, whereas, when the input audio signals have a second characteristic, phase estimation might be obsolete.
• the output interface does therefore only include the phase information, when a signal is encoded which requires phase synthesis in order to provide an acceptable quality of the reconstructed signal.
• correlation information for example ICC parameters
• ICC parameters are permanently included in the encoded representation, since their presence may be important for both signal types or signal characteristics. This may, for example, also be true for the interchannel level difference, which essentially describes an energy relation between two reconstructed channels.
• the phase estimation may be performed based on other spatial cues, such as on the correlation ICC between the first and the second input audio signal. This may become feasible when the characterization information is present, which includes some additional constraints on the signal characteristics. Then, the ICC parameter may be used to extract, apart from statistical information, also phase information.
• the phase information may be included extremely bit efficient in that only one phase-switch is implemented, signalling the application of a phase shift of predetermined size. Nonetheless, the rough reconstruction of the phase relation in reproduction may be enough for certain signal types, as elaborated in more detail below.
• the phase information may be signalled in a much higher resolution (for example, 10 or 20 different phase shifts) or even as a continuous parameter, giving possible relative phase angles between - 180° and +180° .
• phase information may only be transmitted for a small number of frequency bands, which may be much smaller than the number of frequency bands used for the derivation of the ICC and/or ILD parameters.
• a single phase information may be necessary for the whole bandwith.
• a single phase information may be derived for a frequency range between, say, 100Hz and 5 kHz, since it is assumed that the signal energy of a speaker is mainly distributed in this frequency range.
• a common phase information parameter for the full bandwith may, for example, be feasible when a phase shift exceeds more than 90 degrees or more than 60 degrees.
• the phase information may furthermore directly be derived from already existent ICC parameters or correlation parameters, by applying a threshold criterion to said parameters. For example, when the ICC parameter is smaller than -0.1, it may be concluded that this correlation parameter corresponds to a fixed phase shift, as the speech characteristic of the input audio signals constrains other parameters as described in more detail below.
• an ICC parameter (correlation parameter) derived from the signal is furthermore modified or postprocessed, when the phase information is included into the bitstream.
• an ICC (correlation) parameter may actually comprise information about two characteristics, namely about the statistical dependence between the input audio signals and about a phase shift between those signals.
• the correlation parameter may therefore be modified, such that phase and correlation are, separately, considered as best as possible while reconstructing the signal.
• such correlation modification may also be performed by an embodiment of an inventive decoder. It could be activated, when the decoder receives additional phase information.
• inventive audio decoders may comprise an additional signal processor operating on the intermediate signals generated by an internal upmixer of the audio decoder.
• the upmixer does, for example, receive the downmix signal and all spatial cues other than the phase information (ICC and ILD) .
• the upmixer derives a first and a second intermediate audio signal, having signal properties as described by the spatial cues.
• the generation of an additional reverberation (decorrelated) signal may be foreseen in order to mix decorrelated signal portions (wet signals) and the transmitted downmix channel (dry signal) .
• the intermediate signal post processor does apply an additional phase shift to at least one of the intermediate signals, when phase information is received by the audio decoder. That is, the intermediate signal post processor is only operative when the additional phase information is transmitted. That is, embodiments of inventive audio decoders are fully compatible with a conventional audio decoder.
• decoders may, as well as on the encoder side, be performed in a time and frequency selective manner. That is, a consecutive series of neighbouring time slices having multiple frequency bands may be processed. Therefore, some embodiments of audio encoders incorporate a signal combiner in order to combine the generated intermediate audio signals and post processed intermediate audio signals, such that the encoder outputs time-continuous audio signal
• the signal combiner may use the intermediate audio signals derived by the upmixer and, for a second frame, the signal combiner may use the post processed intermediate signal, as it is derived by the intermediate signal post processor. Further to introducing a phase shift, it is, of course, also possible to implement a more sophisticated signal processing into the intermediate signal post processor.
• embodiments of audio decoders may comprise a correlation information processor, such as to post-process a received correlation information ICC, when phase information is additionally received.
• the post processed correlation information may then be used by a conventional upmixer, to generate the intermediate audio signals, such that, in combination with the phase shift introduced by the signal post processor, a naturally sounding reproduction of the audio signals may be achieved.
• FIG. 1 shows an upmixer generating two output signals from a downmix signal
• Fig. 2 shows an example for a use of ICC parameters by the upmixer of Fig. 1 ;
• Fig. 3 shows examples for signal characteristics of audio input signals to be encoded
• Fig. 4 shows an embodiment of an audio encoder
• Fig. 5 shows a further embodiment of an audio encoder
• Fig. 6 shows an example for an encoded representation of an audio signal generated by one of the encoders of Figs. 4 and 5;
• Fig. 7 shows a further embodiment of an encoder
• Fig. 8 shows a further embodiment of an encoder for speech/music encoding
• Fig. 9 shows an embodiment of a decoder
• Fig. 10 shows a further embodiment of a decoder
• Fig. 11 shows a further embodiment of a decoder
• Fig. 12 shows an embodiment of a speech/music decoder
• Fig. 13 shows an embodiment of a method for encoding
• Fig. 14 shows an embodiment of a method for decoding.
• Fig. 1 shows an upmixer as it may be used within an embodiment of a decoder to generate a first intermediate audio signal 2 and a second intermediate audio signal 4, using a downmix signal 6. Furthermore, an additional interchannel correlation information and an interchannel level difference information is used as steering parameters of amplifiers to control the upmix.
• the upmixer comprises a decorrelator 10, three correlation related amplifiers 12a to 12c, a first mixing node 14a, a second mixing note 14b, as well as first and second level related amplifiers 16a and 16b.
• the downmix audio signal 6 is a mono signal, which is distributed to the decorrelator 10 as well as to the input of decorrelation related amplifiers 12a and 12b.
• the decorrelator 10 creates, using the downmix audio signal 6, a decorrelated version of same by means of a decorrelation algorithm.
• the decorrelated audio channel (decorrelated signal) is input into the third of the correlation related amplifiers 12c. It may be noted that signal components of the upmixer which only comprise samples of the downmix audio signals are often also called “dry” signals, whereas signal components only comprising samples of the decorrelated signal are often called "wet" signals.
• the ICC related amplifiers 12a to 12c scale the wet and the dry signal components, according to a scaling rule depending on the transmitted ICC parameter. Basically, the energy of those signals is adjusted prior to a summation of the dry and wet signal components by the summation nodes 14a and 14b.
• the output of the correlation related amplifier 12a is provided to a first input of the first summation node 14a and the output of the correlation related amplifier 12b is provided to a first input of summation node 14b.
• the output of the correlation related amplifier 12c associated to the wet signal is provided to a second input of the first summation node 14a as well as to a second input of the second summation node 14b.
• the sign of the wet signal at the summation nodes differs, in that it is input into the first summation node 14a with negative sign, whereas the wet signal with its original sign is input into the second summation node 14b. That is, the decorrelated signal is mixed with the first dry signal component with its original phase, whereas it is mixed with the second dry signal component with an inverted phase, i.e. with an phaseshift of 180°.
• the energy ratio was, as already explained, preecedingly adjusted in dependence of the correlation parameter, such that the signals output from the summation nodes 14a and 14b have a correlation similar to correlation of the originally encoded signals (which is parametrized by the transmitted ICC parameter) .
• an energy relation between the first channel 2 and the second channel 4 is adjusted, using the energy related amplifiers 16a and 16b.
• the energy relation is parametrized by the ILD parameter, such that both amplifiers are steered by a function depending on the ILD parameter.
• the so generated left and right channels 2 and 4 have a statistical dependence being similar to the statistical dependence of the originally encoded signals.
• Fig. 1 assumes a broadband implementation of the upmix
• further implementations may perform the upmix individually for multiple parallel frequency bands, such that the upmixer of Fig. 4 may operate on a bandwith limited representation of the original signal.
• the reconstructed signal with the full band with could then be gained by adding all bandwith limited output signals in a final synthesis mixture.
• Fig. 2 shows an example of a ICC parameter dependent function used to steer the correlation related amplifiers 12a to 12C. Using that function and appropriately deriving a ICC parameter from original channels to be encoded, the phaseshift between the originally encoded signals may be coarsely reproduced (on the average) .
• an understanding of the generation of the transmitted ICC parameter is essential.
• the basis for this discussion may be a complex inter-channel coherence parameter, derived between two corresponding signal segments of two input audio signals to be encoded, which is defined as follows:
• 1 indexes the number of samples within the signal segment processed
• optional index k denotes one of several subbands, which may, according to some specific embodiments, be represented by one single ICC parameter.
• Xi and X 2 are the complex-valued subband samples of the two channels
• k is the subband index
• 1 is the time index.
• the complex-valued subband samples may be derived by feeding the originally sampled input signals into a QMF- filterbank, deriving for example 64 subbands, wherein the samples within each of the subbands are represented by a complexe-valued number.
• ICC Com pi ex two corresponding signal segments are characterized by one complex-valued parameter, the parameter ICC Com pi ex , which has the following properties : Its length
• ICC comp ie ⁇ l represents the coherence of the two signals. The longer the vector, the more statistical dependence is between the two signals.
• both signals are, apart from one global scaling factor, identical. However, they may have a relative phase difference, which is then given by the phase angle of ICCcompiex- In that case, the angle of ICC com piex with respect to the real axis represents the phase angle between the two signals.
• the phase angle is consequently an average angle for all the processed parameter bands.
• Fig. 3 gives three examples 20a, 20b and 20c of possible vectors ICCcompiex-
• the absolute value (length) of vector 20a is close to unity, meaning that the two signals represented by the vector 20a are nearly the same but phase shifted with respect to each other. In other words, both signals are highly coherent.
• the phase angle 30 ( ⁇ ) directly corresponds to a phase shift between the almost identical signals.
• the complex vector 20b has an absolute value significantly lower than 1, both analyzed signal portions or signals are statistically fairly independent. That is, the signal within the observed time segments have no common shape.
• the phase angle 30 represents somewhat of a phase shift corresponding to the best match of both signals.
• the signals are incoherent, a common phase shift between the two signals is hardly of any significance.
• Vector 20c again, has an absolute value close to unity, such that its phase angle 32 ( ⁇ ) may again be unambiguously identified as a phase difference between two similar signals. Furthermore, it is apparent that a phase shift greater than 90° corresponds to a real part of the vector ICCcompiex/ which is smaller than 0.
• a possible upmix procedure to create a first and a second output channel from a transmitted downmix channel is illustrated in Fig. 1.
• Fig. 2 shows how the signal energies are distributed between the dry signal components (by steering amplifiers 12a and 12b) and the wet signal component (by steering amplifier 12c) .
• the real part of ICC complex is transmitted as a measure for the length of ICC CO mpi e ⁇ and thus for the similarity between signals.
• the x-axis gives the value of the transmitted ICC parameter and the y-axis gives the amount of energy of the dry signal (solid line 30a) and of the wet signal (dashed line 30b) mixed together by the summation nodes 14a and 14b of the upmixer. That is, when the signals are perfectly correlated (same signal shape, same phase) , the ICC parameter transmitted will be unity. Therefore, the upmixer distributes the received downmix audio signal 6 to the outputs, without adding any wet signal parts. As the downmix audio signal is essentially the sum of the original channels encoded, the reproduction is correct with respect to the phase and to the correlation.
• the transmitted ICC parameter is -1. Therefore, the reconstructed signal will comprise no signal portions of the dry signal, but only signal components of the wet signal. As the wet signal portion is added to the first audio channel and substracted from the second audio channel generated, the phase shift between the signals is correctly reconstructed to be 180°. However, the signal comprises no dry signal portions at all. This is unfortunate, since the dry signal actually comprises the whole direct information transmitted to the decoder.
• the signal quality of the reconstructed signal may be decreased.
• the decrease may be dependent on the signal type encoded, i.e., on the signal characteristic of the underlying signal.
• the correlated signals provided by decorrelator 10 have a reverberation- like sound characteristic. That is, for example, the audible distortion from only using the decorrelated signal is rather low for music signals as compared to speech signals, where a reconstruction from a reverberated-audio signal leads to an unnatural sounding.
• the previously described decoding scheme does only coarsely approximate the phase properties, since these are, at best, restored on the average. This is an extremely coarse approximation, since it is only achieved by varying the energy of the signal added, wherein the signal portions added have a relative phase difference of 180°.
• ICC ⁇ 0 anti-correlated
• a significant amount of decorrelated signal is necessary to restore this decorrelation, i.e., the statistical independence between the signals.
• the decorrelated signal as output of allpass filters has a "reverb-like" sound, the overall achievable quality is strongly degraded.
• the restoration of the phase relation may be less important, but for other signal types, the correct restoration may be perceptually relevant.
• the reconstruction of an original phase relation may be required, when a phase information derived from the signals satisfies certain perceptually motivated phase reconstruction criteria.
• phase information into a encoded representation of audio signals, when certain phase properties are fullfilled. That is, phase information is only occasionally transmitted, when the benefit (in a rate-distortion estimation) is significant. Moreover, the transmitted phase information may be coarsely quantized, such that only an insignificant amount of additional bit rate is required.
• the transmitted ICC parameter (the real part of ICC co mpi e x) is approximately -0.4. That is, in the upmix, more than 50% of the energy will be derived from the decorrelated signal. However, as an audible amount of energy is still originating from the downmix audio channel, the phase relation between the signal components originating from the downmix audio channel is still important, since audible. That is, it may be desirable to approximate the phase relation between the dry signal portions of the reconstructed signal more closely.
• phase information is transmitted, once it is determined that a phase shift between the original audio channels is greater than a predetermined threshold.
• a predetermined threshold may be 60°, 90° or 120°, depending on the specific implementation.
• the phase relation may be transmitted with high resolution, i.e., one of multiple predetermined phase shifts is signaled, or a continuously varying phase angle is transmitted.
• phase shift indicator or phase information is transmitted, indicating that the phase of the reconstructed signals shall be shifted by a predetermined phase angle.
• this phase shift applies only when the ICC parameter is within a predetermined negative range. This range could, for example, be the range from -1 to -0.3 or from -0.8 to -0.3 dependent on that phase threshold criterion. That is, one single bit of phase information may be required.
• the ICC parameter proceeds to ever smaller values, for example, lower than -0.6, only small amounts of signal energy in the first and second output channels 2 and 4 originate from the dry signal component. Therefore, restoring the correct phase properties between those perceptually less relevant signal portions may again be skipped, since the dry signal portions are hardly audible at all.
• Fig. 4 shows one embodiment of an inventive encoder for generating an encoded representation of a first input audio signal 40a and a second input audio signal 40b.
• the audio encoder 42 comprises a spatial parameter estimator 44, a phase estimator 46, an output operation mode decider 48 and an output interface 50.
• the first and second input audio signals 40a and 40b are distributed to the spatial parameter estimator 44 as well as to the phase estimator 46.
• the spatial parameter estimator is adapted to derive spatial parameters, indicating a signal characteristic of the two signals with respect to each other, such as for example an ICC parameter and an ILD parameter.
• the estimated parameters are provided to the output interface 50.
• the phase estimator 46 is adapted to derive phase information of the two input audio signals 40a and 40b. Such phase information could, for example, be a phase shift between the two signals. The phase shift could, for example, be directly estimated by performing a phase analysis of the two input audio signals 40a and 40b directly.
• the ICC parameters derived by the spatial parameter estimator 44 may be provided to the phase estimator via an optional signal line 52. The phase estimator 46 could then perform the phase difference determination using the ICC parameters anyway derived. This may lead to an implementation with lower complexity, as compared to an embodiment with full phase analysis of the two audio input signals.
• the phase information derived is provided to the output operation mode decider 48, which is able to switch the output interface 50 between a first output mode and a second output mode.
• the phase information derived is provided to the output interface 50, which creates an encoded representation of the first and the second input audio signals 40a and 40b by including specific subsets of the generated ICC, ILD or PI (phase information) parameters into the encoded representation.
• the output interface 50 includes the ICC, the ILD and the phase information PI into the encoded representation 54.
• the output interface 50 includes only the ICC and the ILD parameter into the encoded representation 54.
• the output mode decider 48 decides for the first output mode, when the phase information indicates a phase difference between the first and the second audio signals 40a and 40b, which is greater than a predetermined threshold.
• the phase difference could, for example, be determined by performing a complete phase analysis of the signal. This could, for example, be performed by shifting the input audio signals with respect to each other and by calculating the cross-correlation for each of the signal shifts. The cross-correlation with the highest value corresponds to the phaseshift.
• the phase information is estimated from the ICC parameter. A significant phase difference is assumed, when the ICC parameter (the real part of ICC com piex) is below a predetermined threshold. Possible phase shifts for the detection could, for example, be a phase shift bigger than 60°, 90° or 120°. To the contrary, a criterion for the ICC parameter could be a threshold of 0.3, 0 or -0.3.
• phase information introduced into the representation could, for example, be a single bit indicating a predetermined phase shift.
• the transmitted phase information could be more precise by transmitting phase shifts in a finer quantization, up to a continuous representation of a phase shift.
• the audio encoder could operate on a band limited copy of the input audio signals, such that several audio encoders 43 of Fig. 4 are implemented in parallel, each audio encoder operating on a bandwidth filtered version of an original broadband signal.
• Fig. 5 shows a further embodiment of an inventive audio encoder, comprising a correlation estimator 62, a phase estimator 46, a signal characteristic estimator 66 and an output interface 68.
• the phase estimator 46 corresponds to the phase estimator introduced in Fig. 4. A further discussion of the properties of the phase estimator is therefore omitted to avoid unnecessary redundancies.
• the signal characteristic estimator is adapted to derive signal characterization information, which indicates a first or a second different characteristic of the input audio signal. For example, a speech signal could be detected as a first characteristic and a music signal could be detected as a second signal characterization.
• the additional signal characteristic information can be used to determine the need for the transmission of phase information or, additionally, to interpret the correlation parameter in terms of a phase relation.
• the signal characterization estimator 66 is a signal classifier, used to derive the information, whether the current extract of the audio signal, i.e. of the first and second input audio channels 40a and 40b, is speech-like or non-speech.
• phase estimation by the phase estimator 46 could be switched on and off via an optional control link 70.
• phase estimation could be performed all the time, while the output interface is steered via an optional second control link 72, such as to include the phase information 74 only, when the first characteristic of the input audio signal, i.e. for example, the speech- characteristic, is detected.
• ICC-determination is performed all the time, such as to provide a correlation parameter required for an upmix of an encoded signal.
• a further embodiment of an audio encoder may, optionally, comprise a downmixer 76, adapted to derive a Downmix audio signal 78, which could, optionally be included into the encoded representation 54 provided by the audio encoder 60.
• the phase information could be based on an analysis of the correlation information ICC, as already discussed for the embodiment of Fig. 4.
• the output of the correlation estimator 62 may be provided to the phase estimator 46 via an optional signal line 52.
• Such determination could, for example, be based on ICC com pi e ⁇ according to the following considerations, when the signal is discriminated between being a speech-signal and a music- signal .
• phase angle ⁇ (IPD) of Fig. 3 can be estimated by using only the information on the real part of ICC co mpiex according to the following formula, without even valuating the complex vector ICC CO mpie ⁇ :
• Phase information may be gained based on the real part of ICCcompiex/ which could be determined without ever calculating the imaginary part of ICC co mpi e x-
• Fig. 6 gives an example of an encoded representation derived by the encoder 60 of Fig. 5.
• the encoded representation corresponds to a time segment 80a and to a first time segment 80b, the encoded representation only comprises correlation information, wherein for the second time segment 80c, the encoded representation generated by the output interface 68 comprises correlation information as well as phase information PI.
• an encoded representation generated by the audio encoder may be characterized in that it comprises a downmix signal (not shown for simplicity) , which is generated using a first and a second original output channel.
• the encoded representation further comprises a first correlation information 82a indicating a correlation between the first and the second original audio channels within a first time segment 80b.
• the representation does furthermore comprise a second correlation information 82b indicating a decorrelation between the first and the second audio channels within a second time segment 80c and first phase information 84, indicating a phase relation between the first and the second original audio channel for the second time segment, wherein no phase information is included for the first time segment 80b.
• a second correlation information 82b indicating a decorrelation between the first and the second audio channels within a second time segment 80c
• first phase information 84 indicating a phase relation between the first and the second original audio channel for the second time segment, wherein no phase information is included for the first time segment 80b.
• Fig. 7 schematically shows a further embodiment of the present invention, in which an audio encoder 90 furthermore comprises a correlation information modifier 92.
• the illustration of Fig. 7 assumes, that the spatial parameter extraction of, for example, the parameters ICC and ILD, has already been performed, such that the spatial parameters 94 are provided together with the audio signal 96.
• the audio encoder 90 furthermore comprises a signal characteristic estimator 66 and a phase estimator 46, operating as indicated above.
• phase parameters are extracted and submitted according to a first mode of operation, indicated by the upper signal path.
• a switch 98 which is steered by the signal classification and/or the phase analysis may activate a second mode of operation, where the provided spatial parameters 94 are transmitted without modification.
• the correlation information modifier 92 derives a correlation measure from the received ICC-parameters, which is transmitted instead of the ICC-parameters.
• the correlation measure is chosen such that it is greater than the correlation information, when a relative phase shift between the first and the second input audio signals is determined, and when the audio signal is classified to be a speech-signal.
• phase parameters are extracted and transmitted by phase parameter extractor 100.
• the optional ICC adjustment or the determination of a correlation measure may have the effect of an even better perceptual quality, since it accounts for the fact that for ICC s smaller than 0, the reconstructed signal would comprise only less than 50% of the dry signal, which are actually the only signals derived directly from the original audio signals. That is, although one knows that the audio signals can only differ significantly by a phase shift, the reconstruction provides a signal, which is dominated by the decorrelated signal (the wet signal) .
• the upmix will automatically use more signal energy from the dry signal, such using more of the "genuine" audio information, such that the reproduced signal is even closer to the original, when the necessity of a phase reproduction is derived.
• the transmitted ICC-parameters are modified in a way that the decoder upmix adds less decorrelated signal.
• One possible modification of the ICC parameter is to use the interchannel coherence (absolute value of
• Interchannel cross- correlation is defined as:
• ICC ICC complex
• the interchannel phase difference is calculated and transmitted to the decoder together with the remaining spatial side information.
• the representation can be very coarse in quantization of the actual phase values and may furthermore have a coarse frequency resolution, wherein even a broadband phase information may be beneficial, as it will be apparent from the embodiment of Fig. 8.
• phase difference may be derived from the complex interchannel relations as follows:
• a decoder's decorrelation synthesis may use the modified ICC-parameters (the correlation measures) to produce an upmix signal with reduced reverberation.
• the signal classifier discriminates between speech and music signals
• a decision whether the phase synthesis is required could be taken according to the following rules, once a predominant speech- characteristic of the signal is determined.
• a broad-band indication value or phase shift indicator may be derived, for several of the parameter bands, used to generate the ICC and ILD parameters. That is, for example, a frequency range predominantly populated by speech signals could be evaluated (for example between 100Hz and 2KHz) . One possible evaluation would be to calculate the mean correlation within this frequency range, based on the already derived ICC-parameters of the frequency bands. If it turns out that this mean correlation is smaller than a predetermined threshold, the signal may be assumed to be out of phase and a phase shift is triggered. Furthermore, multiple thresholds may be used to signal different phase shifts, depending on the desired granularity of the phase reconstruction. Possible threshold values could, for example, be 0, -0.3 or -0.5.
• Fig. 8 shows a further embodiment of the present invention, in which the encoder 150 is operative to encode speech and music signals.
• the first and second input audio signals 40a and 40b are provided to the encoder 150, which comprises a signal characteristic estimator 66, a phase estimator 46, a downmixer 152, a music core-coder 154, a speech core-coder 156 and a correlation information modifier 158.
• the signal characteristic estimator 66? is adapted to discriminate between a speech characteristic as first signal characteristic and a music characteristic as a second signal characteristic. Via control link 160, the signal characteristic estimator 66 is operative to steer the output interface 68, depending on the signal characteristic derived.
• the phase estimator estimates phase information, either directly from the input audio channels 40a and 40b or from the ICC-parameter derived by the downmixer 152.
• the downmixer creates a downmix audio channel M (162) and correlation information ICC (164) .
• the phase information estimator 46 may alternatively derive the phase information directly from the provided ICC-parameters 164.
• the downmix audio channel 162 can be provided to the music core coder 154 as well as to the speech core coder 156, both of which are connected to the output interface 68 to provide the encoded representation of the audio downmix channel.
• the correlation information 164 is, on the one hand, directly provided to the output interface 68.
• the output interface 68 includes different subsets of parameters into the decoded representation, depending on the signal characteristic estimated by the signal characteristic estimator 66.
• the output interface 68 includes the encoded representation of the downmix audio channel 106 encoded by the speech core-coder 156, as well as phase information PI derived from the phase estimator 46 and the correlation measure.
• the correlation measure may either be the correlation parameter ICC derived by the downmixer 152, or, alternatively, a correlation measure modified by the correlation information modifier 158.
• the correlation information modifier 158 may be steered and/or activated by the phase information estimator 46.
• the output interface includes the downmix audio channel 162 as encoded by the music core- coder 154 and the correlation information ICC as derived from the downmixer 152.
• the music and/or speech coders may be deactivated, until a activation signal switches them into the signal path, depending on the signal characteristic derived from the signal characteristic estimator 66.
• Fig. 9 shows an embodiment of a decoder according to the present invention.
• the audio decoder 200 is adapted to derive a first audio channel 202a and a second audio channel 202b from an encoded representation 204, the encoded representation 204 comprising a downmix audio signal 206a, first correlation information 208 for the first time segment of the downmix signal and second correlation information 210 for a second time segment of the downmix signal, wherein phase information 212 is only included for the first or second time segment.
• a demultiplexer which is not shown, demultiplexes the individual components of the encoded representation 204 and provides the first and second correlation information together with the Downmix audio signal 206a to an upmixer 220.
• the upmixer 220 could, for example, be the upmixer described in Fig. 1. However, different upmixers with different internal upmixing algorithms may be used. Generally, the upmixer is adapted to derive a first intermediate audio signal 222a for the first time segment, using the first correlation information 208 and the downmix audio signal 206a, as well as a second intermediate audio signal 222b, corresponding to the second time segment, using the second correlation information 210 and the downmix audio signal 206a.
• the first time segment is reconstructed using decorrelation information ICCi and the second time segment is reconstructed using ICC 2 .
• the first and second intermediate signals 222a and 222b are provided to an intermediate signal postprocessor 224, adapted to derive a postprocessed intermediate signal 226 for the first time segment using the corresponding phase information 212.
• the intermediate signal postprocessor 224 receives the phase information 212, together with the intermediate signals generated by the upmixer 220.
• the intermediate signal postprocessor 224 is adapted to add a phase shift to at least one of the audio channels of the intermediate audio signals, when phase information corresponding to the particular audio signal is present.
• the intermediate signal postprocessor 224 adds a phase shift to the first intermediate audio signal 222a, wherein the intermediate postprocessor does not add any phase shift to the intermediate audio signal 222b.
• the intermediate signal postprocessor 224 outputs a postprocessed intermediate signal 226 instead of the first intermediate audio signal and an unaltered second intermediate audio signal 222b.
• the audio decoder 200 further comprises a signal combiner 230, to combine the signals output from the intermediate signal postprocessor 224, and to thus derive the first and second audio channels 202a and 202b generated by the audio decoder 200.
• the signal combiner concatenates the signals as output from the intermediate signal postprocessor, to finally derive an audio signal for the first and second time segments.
• the signal combiner may implement some cross fading, such as to derive the first and second audio signals 202a and 202b by fading between the signals provided from the intermediate signal postprocessor.
• the signal combiners 230 are feasible.
• Using an embodiment of an inventive decoder as illustrated in Fig. 9 provides for the flexibility to add a additional phase shift, as it may be signaled by an encoder signal, or decode the signal in a backwards compatible manner.
• Fig. 10 shows a further embodiment of the present invention, in which the audio decoder comprises a decorrelation circuit 243, capable of operating according to a first decorrelation rule and according to a second decorrelation rule, depending on the transmitted phase information.
• the decorrelation rule according to which a decorrelated signal 242 is derived from the transmitted downmix audio channel 240 can be switched, wherein the switching depends on the existing phase information.
• a first decorrelation rule is used in order to derive the decorrelated signal 242.
• a second decorrelation rule is used, creating a decorrelated signal, which is more decorrelated than the signal created using the first decorrelation rule.
• a decorrelated signal may be derived, which is not as highly decorrelated as the signal used when no phase synthesis is required. That is, a decoder may then use a decorrelated signal, which is more similar to the dry signal, as such automatically creating a signal having more dry-signal components in the upmix. This is achieved by making the decorrelated signal more similar to the dry signal.
• an optional phase shifter 246 may be applied to the decorrelated signal generated for a reconstruction with phase synthesis. This provides a closer reconstruction of the phase properties of the reconstructed signal, by providing a decorrelated signal already having the correct phase relation with respect to the dry signal.
• Fig. 11 shows a further embodiment of an inventive audio decoder, comprising an analysis filter bank 260 and a synthesis filter bank 262.
• the decoder receives a downmix audio signal 206 together with the related ICC-parameters (ICC 0 ... ICC n ) .
• the different ICC- parameters are not only associated to different time segments but also to different frequency bands of the audio signal. That is, each time segment process has a full set of associated ICC- parameters (ICCo ••• ICC n ) .
• the analysis filterbank 260 derives 64 subband representations of the transmitted downmix audio signal 206. That is, 64 bandwidth limited signals (in the filterbank representation) are derived, each signal being associated with one ICC-parameter . Alternatively, several bandwidth limited signals may share a common ICC parameter.
• Each of the subband representations is processed by an upmixer 264a, 264b, ....
• Each of the upmixers could, for example, be an upmixer in accordance with the embodiment of Fig. 1.
• a first a the second audio channel (both bandwidth limited) are created.
• At least one of the so created audio channels per subband is input into an intermediate audio signal postprocessor 266a, 266b ..., as, for example, the intermediate audio signal postprocessor described in Fig. 9.
• the intermediate audio signal postprocessors 266a, 266b, ... are steered by the same, common, phase information 212. That is, an identical phase shift is applied to each subband signal, before the subband signals are synthesized by the synthesis filterbank 262 to become the first and second audio channels 202a and 202b output by the decoder.
• phase synthesis may thus be performed, requiring only one additional common phase information to be transmitted.
• the correct restoration of the phase properties of the original signal can, therefore, be performed without a reasonable increase in bit rate.
• the number of subbands, for which the common phase information 212 is used is signal dependent. Therefore, the phase information may only be evaluated for subbands, for which an increase in perceptual quality can be achieved, when a corresponding phase shift is applied. This may further increase the perceptual quality of the decoded signal.
• Fig. 12 shows a further embodiment of an audio decoder, adapted to decode an encoded representation of an original audio signal, which could be both, a speech signal or a music signal. That is, either a signal characterization information is transmitted within the encoded representation, indicating which signal characteristic is transmitted, or, the signal characteristic may implicitly be derived, depending on the presence of phase information in the bit stream. To this end, the presence of phase information would indicate a speech characteristic of the audio signal.
• the transmitted downmix audio signal 206 is, depending on the signal characteristic, either decoded by a speech decoder 266 or by a music decoder 268.
• the further processing is performed as illustrated and explained in Fig. 11. For the further implementation details, reference is therefore made to the explanation of Fig. 11.
• Fig. 13 illustrates an embodiment of an inventive method for generating an encoded representation of a first and a second input audio signal.
• a spatial parameter extraction step 300 an ICC- and an ILD-parameter is derived from the first and the second input audio signals.
• phase estimation step 302 phase information indicating a phase relation between the first and the second input audio signals is derived.
• a mode decision 304 a first output mode is selected, when the phase relation indicates a phase difference between the first and the second input audio signal, which is greater than a predetermined threshold and a second output mode is selected, when the phase difference is smaller than the threshold.
• a representation generation step 306 the ICC- parameter, the ILD-parameter and the phase information is included in the encoded representation in the first output mode, and the ICC- and the ILD-parameters without the phase relation are included into the encoded representation in the second output mode.
• Fig. 14 shows an embodiment of a method for generating a first and a second audio channel using an encoded representation of an audio signal, the encoded representation comprising a downmix audio signal, first and second correlation information indicating a correlation between a first and a second original audio channel used to generate the downmix signal, the first correlation information having the information for a first time segment of the downmix signal and the second correlation information having the information for a second, different time segment, and phase information, the phase information indicating a phase relation between the first and the second original audio channels for the first time segment.
• a first intermediate audio signal is derived using the downmix signal and the first correlation information, the first intermediate audio signal corresponding to the first time segment and comprising a first and a second audio channel.
• a second intermediate audio signal using the downmix audio signal and the second correlation information is also derived, the second intermediate audio signal corresponding to the second time segment and comprising a first and a second audio channel.
• a postprocessed intermediate signal is derived for the first time segment, using the first intermediate audio signal, wherein an additional phase shift indicated by the phase relation is added to at least one of the first or the second audio channels of the first intermediate audio signal.
• a signal combination step 404 the first and the second audio channels are generated, using the postprocessed intermediate signal and the second intermediate audio signal .
• the inventive methods can be implemented in hardware or in software.
• the implementation can be performed using a digital storage medium, in particular a disk, DVD or a CD having electronically readable control signals stored thereon, which cooperate with a programmable computer system such that the inventive methods are performed.
• the present invention is, therefore, a computer program product with a program code stored on a machine readable carrier, the program code being operative for performing the inventive methods when the computer program product runs on a computer.
• the inventive methods are, therefore, a computer program having a program code for performing at least one of the inventive methods when the computer program runs on a computer.

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