EP1360874B1 - Tonsystem und verfahren zur tonwiedergabe - Google Patents

Tonsystem und verfahren zur tonwiedergabe Download PDF

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Publication number
EP1360874B1
EP1360874B1 EP02717406A EP02717406A EP1360874B1 EP 1360874 B1 EP1360874 B1 EP 1360874B1 EP 02717406 A EP02717406 A EP 02717406A EP 02717406 A EP02717406 A EP 02717406A EP 1360874 B1 EP1360874 B1 EP 1360874B1
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Prior art keywords
sound
surround
speakers
audio signal
channel audio
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EP02717406A
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English (en)
French (fr)
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EP1360874A2 (de
Inventor
Lawrence R. Fincham
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THX Ltd
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THX Ltd
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    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04S—STEREOPHONIC SYSTEMS 
    • H04S3/00—Systems employing more than two channels, e.g. quadraphonic
    • H04S3/002—Non-adaptive circuits, e.g. manually adjustable or static, for enhancing the sound image or the spatial distribution
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04S—STEREOPHONIC SYSTEMS 
    • H04S1/00—Two-channel systems
    • H04S1/002—Non-adaptive circuits, e.g. manually adjustable or static, for enhancing the sound image or the spatial distribution
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04R—LOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R2499/00—Aspects covered by H04R or H04S not otherwise provided for in their subgroups
    • H04R2499/10—General applications
    • H04R2499/13—Acoustic transducers and sound field adaptation in vehicles

Definitions

  • the field of the present invention relates to sound reproduction and, more specifically, to a speaker configuration and related sound processing for use in a sound system.
  • Some of the difficulties in achieving optimal sound quality in such systems result from the fact that a wide variety of different surround sound and multi-channel audio formats and speaker configurations exist, so that a particular sound system may have reasonably acceptable sound with respect to one or perhaps two audio formats yet sub-optimal sound with respect to other audio formats. Therefore, where a consumer desires, for example, to use a single sound system to play sound recordings in a variety of different formats, different levels of sound quality, some of which are poor or impaired, are likely to be experienced. While the user can adjust speaker positioning or relative balances to try to improve sound quality, such techniques may involve significant manual effort or inconvenience, may be hard to reproduce consistently, and may benefit only one or perhaps a few listeners in a relatively small portion of the listening area.
  • the 5.1 surround format comprises a compressed data stream containing five channels, generally designated left, center, right, surround left, and surround right, named for the speaker positions for which the channel information is intended.
  • a low frequency effects channel is formed by a combination of the five other channels, and may be provided to a sub-woofer.
  • the 6.1 surround format includes the same five channels as the 5.1 surround format, but adds a surround back channel, which may be fed to one or more back speakers in a surround sound system.
  • the 7.1 surround format is similar to the 6.1 surround format, but has two surround back channels (surround back left and surround back right) rather than a single back channel, for a total of seven channels.
  • the 5.1 surround format has two surround channels (surround left and right)
  • the 6.1 surround format has three surround channels (surround left, right and back)
  • the 7.1 surround format has four surround channels (surround left and right, and surround back left and right).
  • Basic surround system speaker configurations generally include from six to eight speakers placed at conventionally well-established locations, according to the type of surround format they are intended to play.
  • a six-speaker surround system typically includes left, right and center speakers (with the right and left speakers spaced widely apart), a sub-woofer, and surround left and right speakers (which may be monopolar or dipolar in nature).
  • a seven-speaker surround system typically includes the same speaker arrangement as the six-speaker surround system, but adds a back surround speaker.
  • An eight-speaker surround system typically includes the same speaker arrangement as the six-speaker surround system, but adds a back left surround speaker and a back right surround speaker.
  • the enjoyment experienced by a listener in a surround sound system can be affected by a number of factors, including the listener's physical position relative to the various speakers, as well as by the particular format of the audio track being played on the system. For example, when a 5.1 surround format soundtrack is played on an eight-speaker (7.1) surround system, certain anomalies may occur. An example is that, if the 5.1 surround left and surround right audio signals are monaural, then the left and right surround effects can disappear, being replaced by a single central "phantom" sound image at the rear.
  • 7.1 eight-speaker
  • Another phenomenon is that if the listener is positioned in the middle of the surround left and surround right speakers, he or she may perceive the surround left and right sound (if monaural) to be higher in volume that it otherwise would be, primarily due to the additive effect of the sound waves intersecting at the listener's position (known as a "lift” effect). If the sound pans from one side to the other (e.g., from left to right), the sound volume may appear to increase as left/right balance is achieved, and then appear to decrease as the sound continues to pan, even though the audio output level remains constant, due to the same "lift” effect. The sound quality may also seem to be “unstable,” in the sense that if the listener moves from the center position, the sound might seem to "flip" from one side to the other.
  • Some of these effects can be mitigated in 5.1 surround sound systems by the use of adaptive de-correlation with respect to the surround left and right speakers, which derives two substantially de-correlated signals when the surround left and right signals are monaural, in order to provide an improved enveloping surround effect.
  • GB-A-2,074,823 discloses a sound system having two widely spaced speakers, and the goal of which is to cancel acoustic cross-talk that occurs as a result of the fact that the listener's left and right ears are located some small finite distance apart; thus, the sound from the far left speaker and the far right speaker reaches either ear at different times.
  • This sound system attempts to cancel the acoustic cross-talk by taking a difference signal of the left and right channels, bandpass filtering it, delaying the bandpass filtered difference signal by an amount corresponding to the soundpath differential to the left and right ears, and then injecting the delayed signal back into the left and right channels.
  • This sound system generally assumes that the listener is positioned along the center axis between the widely spaced right and left speakers; however, if the listener is off-center than modified processing must be used, and the precise position of the listener must in any event be known a priori in order to calculate the delay used in the modified circuitry.
  • the present invention is directed to improved sound reproduction systems and methods involving a speaker configuration and/or placement, and related sound processing, for enlarging the perceived area and stability of a sound image generated from right and left source signals.
  • a sound system as set forth in claim 1.
  • a method for adaptively reproducing sound as set forth in claim 29.
  • a sound reproduction system comprises a pair of speakers (left and right) located in close proximity, and a sound processor which provides audio signals to the pair of speakers.
  • the sound processor acts to "spread" the sound image produced by the two closely spaced speakers by employing a cross-cancellation technique wherein a cancellation signal is derived, for example, from the difference between the left and right channels.
  • the resulting difference signal is scaled, delayed (if necessary) and spectrally modified before being added to the left channel and, in opposite polarity, to the right channel.
  • the spectral modification to the difference channel preferably takes the form of a low-frequency boost over a specified frequency range, in order to restore the correct timbral balance after the differencing process which causes a loss of bass when the low-frequency signals in each channel are similar. Additional phase-compensating all-pass networks may be inserted in the difference channel to correct for any extra phase shift contributed by the usually minimum-phase-shift spectral modifying circuit so that the correct phase relationship between the canceling signal and the direct signal is maintained over the desired frequency range.
  • a linear-phase network may be employed to provide the spectral modification to the difference channel, in which case compensation can be provided by application of an appropriate, and substantially identical, frequency-independent delay to both left and right channels.
  • a sound reproduction system for a surround sound stereophonic system may comprise a set of speakers (e.g., front, left, center, surround left, and surround right), including a pair of surround back speakers located in close proximity, and a sound processor.
  • the sound processor receives left and right surround channel signals (either side or rear surround signals), and generates a difference signal therefrom.
  • the resulting difference signal may be processed as described above - i.e., scaled, delayed (if necessary) and spectrally modified before being added to the left channel and, in opposite polarity, to the right channel.
  • Additional phase-compensating all-pass networks may, as noted above, be inserted in the difference channel to correct for any extra phase shift contributed by the usually minimum-phase-shift spectral modifying circuit so that the correct phase relationship between the canceling signal and the direct signal is maintained over the desired frequency range.
  • the pair of central speakers may be placed in a common enclosure with a central dividing partition that is inserted into or else integral with the front console or dashboard of the automobile.
  • the center speakers may be placed with their diaphragms facing down and in close proximity to a rigid reflecting surface such that substantially all of the sound energy is directed forward, towards the listener, via an arrow slot in the enclosure.
  • the resultant radiating system provides the dual benefit of occupying less dashboard area, where space is always at a premium, and possessing a very wide directional characteristics due to the slot having dimensions that can be made very small with respect to the wavelength the radiated sound.
  • FIG. 1 is a diagram illustrating playback of a soundtrack in a 5.1 surround system.
  • FIG. 2 is a diagram illustrating playback of a 5.1 surround format soundtrack in a 7.1 surround sound system.
  • FIG. 3 is a diagram illustrating playback of a 6.1 surround format soundtrack in a 7.1 surround sound system.
  • FIG. 4 is a diagram illustrating the concept of a "sweet spot" in the context of 6.1 surround format playback in a 7.1 surround sound system.
  • FIG. 5 is a diagram illustrating movement of the phantom image in conjunction with the listener's movement.
  • FIG. 6 is a diagram of a speaker configuration for a surround sound system, in accordance with a preferred embodiment as described herein.
  • FIG. 7 is a diagram illustrating 6.1 surround format playback in the surround sound system shown in FIG. 6 .
  • FIG. 8 is a simplified block diagram of a sound processing system in accordance with one or more embodiments as disclosed herein, as may be used, for example, in connection with the speaker configuration illustrated in FIG. 6 .
  • FIG. 9-1 is a more detailed diagram of a sound processing system as may be used, for example, in connection with the system illustrated in FIG. 6
  • FIG. 9-2 is a diagram of a sound processing system in general accordance with the layout illustrated in FIG. 9-1 , further showing examples of possible transfer function characteristics for certain processing blocks.
  • FIG. 10 is a diagram of a sound processing system illustrating representative transfer functions.
  • FIG. 11 is a diagram of a sound system in accordance with the general principles of the systems illustrated in FIGS. 8 and 9 , as applied in the context of a surround sound system.
  • FIG. 12 is a conceptual diagram illustrating processing/operation for 5.1 surround format playback in the context of a surround sound system such as shown, for example, in FIG. 6 or 11 .
  • FIGS. 13 and 14 are graphs illustrating examples of frequency response and phase transfer functions for a sound processing system having particular spectral weighting and other characteristics.
  • FIGS. 15-1, 15-2 , and 15-3 are graphs illustrating examples of gain and/or phase transfer functions for a sound processing system in accordance with FIG. 9-2 .
  • FIG. 16 is a diagram of a sound processor employing a linear spectral weighting filter.
  • FIG. 17 is a diagram of a preferred automobile sound system in accordance with one or more embodiments as disclosed herein.
  • FIG. 18 is a diagram of a surround sound system for an automobile or other vehicle.
  • FIGS. 19-1, 19-2 and 19-3 are diagrams illustrating possible placement of a pair of center speakers.
  • FIG. 20-1 is a front cut-away view of a preferred speaker enclosure for a pair of stereo speakers.
  • FIG. 20-2 is a top cross-sectional view of the speaker enclosure shown in FIG. 20-1 .
  • FIG. 20-3 is an oblique front view of the speaker enclosure shown in FIGS. 20-1 and 20-2 .
  • FIG. 20-4 is a diagram illustrating sound reflection from a downward oriented speaker, such as a speaker in the speaker enclosure of FIGS. 20-1 through 20-3 .
  • FIG. 21 is a block diagram illustrating an example of an automobile sound system for providing potentially improved extreme right/left sound, in connection with the pair of closely spaced center speakers.
  • FIG. 22 is a graph illustrating a relationship between speaker separation in various embodiments as disclosed herein and difference channel gain.
  • FIG. 23 is a diagram of another embodiment of a surround sound system for an automobile or other vehicle.
  • FIGS. 24-1 and 24-2 are diagrams comparing the audio effect of speaker placement and sound processing between the prior art and various embodiments as disclosed herein.
  • a preferred sound reproduction system comprises, in one aspect, a pair of speakers located in close proximity, and a sound processor which provides audio signals to the pair of speakers.
  • the sound processor preferably acts to "spread" the sound image produced by the two closely spaced speakers by employing a cross-cancellation technique wherein a cancellation signal is derived, for example, from the difference between the left and right channels.
  • the resulting difference signal is scaled, delayed (if necessary) and spectrally modified before being added to the left channel and, in opposite polarity, to the right channel, thereby enlarging the perceived area and stability of the stereo sound image. Further details of preferred sound processing techniques are described later herein.
  • FIG. 1 is a diagram illustrating playback of a surround-encoded soundtrack in a 5.1 surround system 100.
  • the 5.1 surround system 100 includes a front left speaker 104, a front right speaker 105, a center speaker 102, a sub-woofer 109, a surround left speaker 114, and a surround right speaker 115.
  • the surround left and right speakers 114, 115 are both dipolar speakers, which distribute sound in multiple (typically opposite) directions and are thereby provide improved ambient sound.
  • the surround left and right speakers 114, 115 are typically widely spaced on opposite sides of a room (or other listening space), at positions which are above and slightly to the rear of the desired listening position.
  • the speakers 102, 104, 105, 109, 114, and 115 in the 5.1 surround system 100 are generally arranged to provide optimum sound for a listener 107 positioned in the approximate center of the speaker arrangement.
  • a 5.1 surround system lacks an effective directional component to the immediate left and right sides and to the rear of the listener 107. Therefore, a 6.1 or 7.1 surround system, both of which have a rear speaker component, is generally capable of providing superior sound and audio effects in certain contexts.
  • a 6.1 surround system adds a single rear surround speaker, while a 7.1 surround system adds two rear surround speakers typically spaced relatively far apart from one another.
  • FIG. 2 is a diagram of a 7.1 surround system 200, illustrating playback of a 5.1 surround-encoded soundtrack.
  • the 7.1 surround system 200 includes front left and right speakers 204, 205, a center speaker 202, a sub-woofer 209, a surround left speaker 214, a surround right speaker 215, a surround back left speaker 224, and a surround back right speaker 225.
  • the surround left and right speakers 214, 215 are dipolar in nature.
  • the surround back left and right speakers 224, 225 are typically spaced relatively far apart behind the listener 207.
  • the surround left and right speakers 214, 215 receive the left and right surround channel information
  • the surround back left and right speakers 224, 225 may or may not receive the left and right surround channel information, depending upon how the user has programmed the system 200.
  • certain anomalies can occur. For example, if the left and right surround channels are monaural, the left/right surround effect can seem to disappear and be replaced by a single central "phantom" sound image 230 at the rear of the listener 207. This effect can be mitigated by the use of adaptive de-correlation, which involves derivation of two substantially de-correlated signals from the single monaural channel in order to provide an improved enveloping surround effect.
  • FIG. 3 is a diagram illustrating 6.1 surround format playback in a 7.1 surround system.
  • the speakers labeled 3xx generally correspond to the same speakers labeled 2xx in FIG. 2 .
  • the surround back speakers 324, 325 are fed with identical monaural signals (derived from the single surround back channel in the 6.1 encoding format), which may or may not be delayed with respect to each other to compensate for unequal distances from the optimum listening position. As illustrated in FIG.
  • the identical monaural signals being played through the surround back speakers 324, 325 produces a central "phantom" sound image 330 when the listener is positioned approximately equidistant from them.
  • Reported side effects include "coloration" associated with the phantom sound image 330, which can lead to listener confusion or an unnatural sound, a narrow "sweet spot” (see FIG. 4 ) due to lack of sound image stability when the listener moves off center from the axis which is equidistant from both surround back speakers 324, 325 (see FIG. 5 ), and suppression of certain frequency ranges due to cancellations (i.e., nulls) caused by a "comb filter” effect as the sound waves interfere with one another.
  • the sound quality of a 6.1 surround format soundtrack when played back in a 7.1 surround system 300, can suffer significantly, particularly for listeners that are not positioned in an optimum listening position.
  • FIG. 6 is a diagram showing a speaker configuration for a surround sound system 600 in accordance with a preferred embodiment as described herein.
  • the sound system 600 of FIG. 6 includes, similar to the systems 200 and 300 shown in FIGS. 2 and 3 , respectively, front left and right speakers 604, 605, a front center speaker 602, a sub-woofer 609, a surround left speaker 614, and a surround right speaker 615.
  • the sound system 600 further includes a surround back left speaker 624 and a surround back right speaker 625, which are preferably positioned in close proximity to one another, possibly even within the same speaker enclosure.
  • the surround back left and right speakers 624, 625 are preferably identical and may be either dipolar or monopolar in nature, but are shown in FIG. 6 as monopolar.
  • the speaker configuration of the sound system 600 illustrated in FIG. 6 coupled with a preferred sound processing technique, can provide improved sound quality when, for example, playing audio tracks recorded in any of the surround sound or multi-channel formats.
  • the various left, right, center, and surround left/right channel audio signals are fed to the appropriate individual speakers, as would normally be done with a typical 7.1 surround speaker configuration.
  • the surround back left and right speakers 624, 625 preferably receive the surround back right channel audio signal and surround back left channel audio signal after sound processing as further described in more detail later herein.
  • the sound system 600 of FIG. 6 When, on the other hand, the sound system 600 of FIG. 6 is used to play a soundtrack recorded in 6.1 surround format, the various left, right, center, and surround left/right channel audio signals are again fed to the appropriate individual speakers, as would normally be done with a typical 7.1 surround speaker configuration.
  • the surround back left and right speakers 624, 625 both receive and respond directly to the surround rear channel audio signal.
  • the central rear sound image produced by the closely spaced surround back left and right speakers 624, 625 from the monaural signal is stable over a much wider area, as compared to widely spread surround back left and right speakers, and has significantly less "coloration" or unnaturalness than the audio sound produced by such widely spaced rear surround speakers.
  • the sound system may effectively treat the soundtrack as a 5.1 soundtrack, and may send to the surround back left and right speakers 624, 625 the surround left and right channel audio signals, which may be mixed with at least some portion of the monaural channel information (if the soundtrack is matrix encoded).
  • the surround back left and right speakers 624, 625 both receive and respond directly to the surround rear channel audio signal, if such information is present, and, after suitable sound processing, as further described herein, to the surround left/right channel audio signals.
  • FIG. 7 illustrates the playback of a 6.1 surround-encoded soundtrack in the sound system 600 of FIG. 6 in such a situation.
  • a wide monaural sound image is projected from the surround back left and right speakers 624, 625.
  • the surround left and right channel audio signals are fed to both the surround left and right speakers 614, 615, and to the surround back left and right speakers 624, 625 after sound processing as further described later herein.
  • the various left, right and center channel audio signals are fed to the appropriate individual speakers, as would normally be done with a typical 7.1 surround speaker configuration.
  • Preferred operation with respect to the surround left and right speakers 614, 615 and surround back left and right speakers 624, 625 depends in part upon the nature of the surround left/right channel audio signals.
  • the sound system 600 preferably uses adaptive de-correlation to provide a de-correlated signal for the side surround speakers 614, 615, and provides a direct feed to the surround back left and right speakers 624, 625 to produce a superior rear central image.
  • the surround left/right channel audio signals are stereo in nature
  • the surround left/right channel audio signals are fed directly to the surround left and right speakers 614, 615 without adaptive de-correlation, and, if desired, after suitable sound processing as further described herein, to the surround back left and right speakers 624, 625.
  • the surround left and right channel audio signals are processed such that the apparent rear sound image size is increased, and its stability is improved at off-axis listening positions.
  • the appropriately apportioned and summed output of the two side surround speakers 614, 615 and the two surround back speakers 624, 625 creates a near-continuous rear-half sound field, thereby improving the sound experience for listeners over a wider area.
  • FIG. 12 is a simplified diagram conceptually illustrating playback of a 5.1 surround format soundtrack in the sound system 600 of FIG. 6 , when the sound system 600 is configured to apply the surround left and right channel audio signals 1211, 1212 to the rear surround speakers 1224, 1125.
  • the surround left and right channel audio signals 1211, 1212 are monaural, adaptive de-correlation processing (as represented by blocks 1271 and 1272) is activated, and when they are stereo in nature, adaptive sound processing for the rear surround speakers 1224, 1225 (as represented by block 1201) is activated.
  • the techniques described herein are capable of producing potentially improved sound for a stereo signal in connection with a speaker configuration that includes two speakers placed in close proximity.
  • a stereo signal from any encoded program e.g., surround sound or multi-channel soundtrack
  • any audio product or source is fed directly to the appropriate right and left speakers (e.g., left and right surround speakers) and, after suitable sound processing as further described herein, to the pair of speakers placed in close proximity (e.g., surround back speakers).
  • the pair of closely spaced speakers is thereby capable of generating a sound image of improved stability and quality over a wider area, thus enlarging the optimum listening area and providing greater satisfaction to the listeners.
  • FIG. 8 is a generalized block diagram of a sound processing system 800 in accordance with on embodiment as disclosed herein, as may be used, for example, in connection with the speaker configuration illustrated in FIG. 6 , or more generally, in any sound system which utilizes multiple audio channels to provide stereo source signals.
  • a left audio signal 811 and right audio signal 812 are provided to a sound processor 810, and then to a pair of closely spaced speakers 824, 825.
  • the left audio signal 811 and right audio signal 812 may also be provided to left and right side (surround or non-surround) speakers, not shown in FIG. 8 .
  • the sound processor 810 acts to "spread" the sound image produced by the two closely spaced speakers 824, 825 by employing a cross-cancellation technique wherein a cancellation signal is derived, for example, from the difference between the left and right audio signals 811, 812.
  • the resulting difference signal is scaled, delayed (if necessary) and spectrally modified before being added to the left channel and, in opposite polarity, to the right channel.
  • the spectral modification to the difference channel preferably takes the form of a low-frequency boost over a specified frequency range, in order to restore the correct timbral balance after the differencing process which causes a loss of bass when the low-frequency signals in each channel are similar.
  • the effect of the sound processor 810 is to enlarge the perceived area and stability of the sound image produced by the speakers 324, 325, and provide an effect of stereo sound despite the close proximity of the speakers 324, 325.
  • FIG. 9-1 is a more detailed diagram of a sound processing system 900 in accordance with various principles as disclosed herein, and as may be used, for example, in connection with the sound system 600 illustrated in FIG. 6 , or more generally, in any sound system which utilizes multiple audio channels to provide stereo source signals.
  • a left audio signal 911 and right audio signal 912 are provided from an audio source, and may be fed to other speakers as well (not shown in FIG. 9-1 ).
  • a difference between the left audio signal 911 and right audio signal 912 is obtained by, e.g., a subtractor 940, and the difference signal 941 is fed to a spectral weighting filter 942, which applies a spectral weighting (and possibly a gain factor) to the difference signal 941.
  • the characteristics of the spectral weighting filter 942 may vary depending upon a number of factors including the desired aural effect, the spacing of the speakers 924, 925 with respect to one another, the taste of the listener, and so on.
  • the output of the spectral weighting filter 942 may be provided to a phase equalizer 945, which compensates for the phase shifting caused by the spectral weighting filter 942 (if non-linear).
  • the output of the phase equalizer 945 is provided to a cross-cancellation circuit 947.
  • the cross-cancellation circuit 947 also receives the left audio signal 911 and right audio signal 912, as adjusted by phase compensation circuits 955 and 956, respectively.
  • the phase compensation circuits 955, 956, which may be embodied as, e.g., all-pass filters, preferably shift the phase of their respective input signals (i.e., left and right audio signals 911, 912) in a complementary manner to the phase shifting performed by the phase equalizer 945 (in combination with the phase distortion caused by the spectral weighting filter 924), such that the phase characteristic of the central channel is substantially 180° degrees out-of-phase with the phase characteristic of the left and right channels over the frequency band of interest.
  • the cross-cancellation circuit 947 which may include a pair of summing circuits (one for each channel), then mixes the spectrally-weighted, phase-equalized difference signal, after adjusting for appropriate polarity, with each of the phase-compensated left audio signal 911 and right audio signal 912.
  • the perceived width of the soundstage produced by the pair of speakers 924, 925 can be adjusted by varying the gain of the difference signal path, and/or by modifying the shape of the spectral weighting filter 942.
  • FIG. 9-2 is a diagram of a sound processing system 900' in general accordance with the principles and layout illustrated in FIG. 9-1 , further showing typical examples of possible transfer function characteristics for certain processing blocks.
  • a left audio signal 911' and a right audio signal 912' are provided from an audio source (not shown), and a difference signal 941' is obtained representing the difference between the left audio signal 911' and the right audio signal 912'.
  • the difference signal 941' is fed to a spectral weighting filter 942', which, in the instant example, applies a spectral weighting to the difference signal 941', the characteristics of which are graphically illustrated in the diagram of FIG. 9-2 .
  • FIG. 15-1 A more detailed graph of the transfer function characteristics (both gain and phase) of the spectral weighting filter 942' in this example appears in FIG. 15-1 .
  • the spectral weighting filter 942' is embodied as a first-order shelf filter with a gain of 0 dB at low frequencies, and turn-over frequencies at approximately 200 Hz and 2000 Hz.
  • the gain applied by gain/ amplifier block 946' can be integrated with the spectral weighting filter 942', or the gain can be applied downstream as illustrated in FIG. 9-2 .
  • the turnover frequencies, amount of gain, slope, and other transfer function characteristics may vary depending upon the desired application and/or overall system characteristics.
  • a phase equalizer 945' is provided in the center processing channel, and addition phase compensation circuits 955' and 956' in the right and left channels, to ensure that the desired phase relationship is maintained, over the band of interest, between the center channel and the right and left channels.
  • the spectral weighting filter 942' in the instant example causes a phase distortion over at least the 200 Hz to 2000 Hz range.
  • the phase equalizer 945' provides no gain, but modifies the overall frequency characteristic of the center channel.
  • the phase compensation circuits 955' and 956' likewise modify the phase characteristics of the left and right channels, respectively.
  • the phase compensation is preferably selected, in the instant example, such that the phase characteristic of the center channel (that is, the combined phase effect of the spectral weighting filter 942' and the phase equalizer 945') is approximately 180° out-of-phase with the phase characteristic of the left and right channels, over the frequency band of interest (in this example, over the 200 Hz to 2000 Hz frequency band).
  • the phase characteristic of the left and right channels are preferably remains the same, so that, among other things, monaural signals being played over the left and right channels will have identical phase processing on both channels (and thus maintain proper sound characteristics). Therefore, the phase compensation circuits 955' and 956' preferably are configured to apply identical phase processing to the left and right channels.
  • a higher Q value may be used to increase the steepness of the phase drop-off, reducing the extent to which the center channel is out-of-phase with the left and right channels at low frequencies (thus minimizing the burden imposed upon the speakers 924', 925').
  • FIG. 11 illustrates another implementation of the sound system 900 shown in FIG. 9-1 , where all-pass filters 1157, 1158 are used in phase compensation blocks 1155 and 1156, respectively, to provide phase equalization and/or compensation.
  • elements labeled with reference numerals "11xx” generally correspond to their counterparts labeled "9xx" in FIG. 9-1 .
  • FIG. 10 is another diagram of a sound processing system 1000, in accordance with the general principles explained with respect to FIGS. 3 and 9 , illustrating representative transfer functions according to an exemplary embodiment as described herein.
  • input audio signals X1 and X2 e.g., left and right audio signals
  • output signals Y1 and Y2 respectively (which may be fed to a pair of speakers, e.g., left and right speakers located in close proximity).
  • a difference between the input audio signals X1 and X2 is obtained from a subtractor 1040, which provides the resulting difference signal 1040 to a processing block 1060 having a transfer function -B.
  • the first input audio signal X1 is also fed to a processing block 1055 having a transfer function A, and the output of processing block 1055 is added together with the output of processing block 1060 and fed as the first output signal Y1.
  • the second input audio signal X2 is fed to a. processing block 1056 having a transfer function -A (i.e., the inverse of the transfer function A of processing block 1055), and the output of processing block 1056 is inverted and added together with the inverted output of processing block 1060, then fed as the second output signal Y2.
  • a transfer function -A i.e., the inverse of the transfer function A of processing block 1055
  • the transfer function -B of processing block 1060 represents the combined transfer functions of a spectral weighting filter of desired characteristics and a phase equalizer, such as illustrated by the difference path in the sound processing system 400 of FIG. 4 .
  • the transfer functions A and -A of processing blocks 1055 and 1056, respectively, each represent the transfer function of a phase compensation network that performs a complementary phase shifting to compensate for the phase effects caused by the processing block 1060. The polarities in FIG. 10 are selected so that appropriate cross-cancellation will be attained.
  • input signals X1 and X2 represent the Z-transforms of the left and right audio channel inputs
  • Y1 and Y2 represent the corresponding Z-transforms of the left and right channel outputs which feed the pair of speakers (e.g., left and right speakers) located in close proximity.
  • the transfer functions A, -A, and B may be represented in terms of z, and are determined in part by the sampling frequency Fs associated with processing in the digital domain.
  • a gain factor may also be included in block 1060, or else may be provided in the same path but as a different block or element. The gain may be determined for a particular application by experimentation, but is generally expected to be optimal in the range of 10-15 dB. In one embodiment, for example, the gain factor is 12 dB.
  • FIGS. 13 and 14 are graphs illustrating examples of frequency response and phase transfer functions for a sound processing system in accordance with FIG. 10 and having particular spectral weighting, equalization and phase compensation characteristics.
  • FIG. 13 illustrates a frequency response transfer function 1302 and phase transfer function 1305 for -B/A, which represents the transfer function of the difference channel ( -B ) and the first input channel (X1) with + 12 dB of gain added. As shown in FIG.
  • the frequency response transfer function 1302 exhibits a relatively flat gain in a first region 1320 of bass frequencies (in this example, up to about 200 Hertz), a decreasing gain in a second region 1321 of mid-range frequencies (in this example, from about 200 Hertz to about 2 KHz), and then a relatively flat gain again in a third region 1322 of high frequencies (in this example, above 2 KHz).
  • the phase response transfer function 1305 indicates that in the second region 1321 of mid-range frequencies (i.e., between about 200 Hertz and 2 KHz) the output signal remains substantially in phase.
  • FIG. 14 illustrates a frequency response transfer function 1402 and phase transfer function 1405 for -B/-A , which represents the transfer function of the difference channel ( -B ) and the first input channel (X2) with + 12 dB of gain added.
  • the frequency response transfer function 1402 exhibits a relatively flat gain in a first region 1420 of bass frequencies (in this example, up to about 200 Hertz), a decreasing gain in a second region 1421 of mid-range frequencies (in this example, from about 200 Hertz to about 2 KHz), and then a relatively flat gain again in a third region 1422 of high frequencies (in this example, above 2 KHz).
  • the phase response transfer function 1405 indicates that in the second region 1421 of mid-range frequencies (i.e., between about 200 Hertz and 2 KHz) the output signal is substantially inverted in phase (i.e., at 180 degrees).
  • the output signals Y1, Y2 are preferably provided to a pair of speakers located in close proximity.
  • the transfer functions A , -A , and B are examples selected for the situation where the speakers are located substantially adjacent to one another.
  • benefits may be attained in the system 1000 of FIG. 10 , or other embodiments described herein, where the pair of speakers are not immediately adjacent, but are nevertheless in close proximity with one another.
  • FIG. 16 is a diagram of a sound processing system 1600 in accordance with an alternative embodiment as described herein, employing a linear spectral weighting filter.
  • a left audio signal 1611 and right audio signal 1612 are processed to derive a pair of processed audio signals 1648, 1649 which are applied to a pair of closely spaced speakers 1624, 1625 (e.g., left and right speakers).
  • the left and right audio signals 1611, 1612 are operated upon by a subtractor 1640, which outputs a difference signal 1641 representing a difference between the left and right audio signals 1611, 1612.
  • the difference signal 1641 is fed to a spectral weighting filter 1642 having a linear phase characteristic.
  • the spectral weighting filter 1642 may have frequency response characteristics in general accordance, for example, with the transfer function illustrated in FIG. 9-2 (spectral weighting filter 942') or FIG. 15-1 . Because the spectral weighting filter 1642 has a linear phase characteristic, phase equalization and compensation are not necessary. Therefore, the output of the spectral weighting filter 1642 may be provided directly to a cross-cancellation circuit 1646, which then mixes the spectrally weighted signal with each of the left and right audio channels before applying them to the speakers 1624, 1625. To compensate for the delay caused by the spectral weighting filter 1642, delay components 1655 and 1656 may be added along the left and right channel paths, respectively. The delay components 1655, 1656 preferably have a delay characteristic equal to the latency of the linear spectral weighting filter 1642.
  • the amount of cross-cancellation provided by the sound processing in various embodiments generally determines the amount of "spread" of the sound image. If too much cross-cancellation is applied, then the resulting sound can seem clanky or echoey. If, on the other hand, too little cross-cancellation is applied, then the sound image may not be sufficiently widened or stabilized.
  • the pair of speakers (e.g., speakers 824 and 825 in FIG. 8 , or closely spaced speakers in other embodiments described herein) which receive the sound processed information are preferably located immediately adjacent to one another; however, they may also be physically separated while still providing benefits of enlarged sound image, increased stability, and so on.
  • the maximum acceptable separation of the pair of speakers can be determined by experimentation, but performance may gradually decline as the speakers are moved farther apart from one another.
  • the two speakers are placed no further apart than a distance that is comparable with the wavelength of the highest frequency that is intended to be radiated by the speakers. For a maximum frequency of 2 kHz, this separation would correspond to a center-to-center spacing of about 6 inches between the two speakers.
  • the two speakers are placed immediately next to one another, in order to attain the maximum benefit from the sound processing techniques as described herein.
  • Certain embodiments of the invention may find application in a variety of contexts other than home theater or surround sound systems.
  • implementations of the invention may, in some circumstances, be applicable to personal computer systems (e.g., configured to play audio tracks, multi-media presentations, or video games with "three-dimensional" or multi-channel sound), automobile or vehicular audio systems, portable stereos, televisions, radios, and any other context in which sound reproduction is desired.
  • Certain embodiments may find particular utility in situations in which possible speaker locations are limited and/or the maximum spacing between left and right speakers is severely limited, but where two adjacent or closely spaced speakers could be achieved.
  • the pair of closely spaced left and right speakers may be part of an integrated portable stereo unit, or else may be located atop or beneath a computer monitor, etc.
  • Audio systems are commonplace in automobiles and certain other vehicles. Such systems generally utilize program sources ranging from simple radios to relatively elaborate stereo or multi-channel systems with CD and cassette players together with multiple equalizers, preamplifiers, power amplifiers etc.
  • Some features are provided in automobile audio systems which can partially mitigate the aforementioned problems. For example, an occupant can manually adjust the sound balance to increase the proportional volume to the left or right speakers. Some automobile audio systems have a "driver mode" button which makes the sound optimal for the driver. However, because different listening axes exist for left and right occupants, an adjustment to the balance that satisfies the occupant (e.g., driver) on one side of the automobile will usually make the sound worse for the occupant seated on the other side of the automobile. Moreover, balance adjustment requires manual adjustment by one of the occupants, and it is generally desirable in an automobile to minimize user intervention.
  • Another modification made to some automobile audio systems is to provide a center speaker, which reduces the image instability that occurs when the listener is closer to either the left or right speaker when both are reproducing the same mono signal, with the intention of producing a central sound image.
  • Other potential approaches which might be taken in an attempt to mitigate the foregoing automotive sound problems include adding more speakers in a greater variety of positions (e.g., at the seat tops). While such techniques can sometimes provide a more pleasing effect, they cannot provide stable imaging as the problems associated with asymmetry described above still remain. The considerable additional cost of such design approaches is usually undesirable in the highly cost sensitive and competitive automotive industry. Moreover, as previously noted, space is usually at a premium in the automobile interior, and optimal speaker positions are limited.
  • a preferred automobile sound reproduction system comprises a pair of speakers placed close together and located in the front of the console or dashboard with their geometric center on (or as near as possible to) the central axis of symmetry of the vehicle.
  • the sound reproduction system further preferably comprises a sound processor which provides audio signals to the pair of speakers. Because the left and right center speakers are effectively adjacent to one another, the difference in time of arrival of the sound information becomes minimal, and the relative volume level of both speakers remains approximately the same. Moreover, both the right and left occupant experience approximately the same volume level from the center pair of speakers and the ratio of direct to indirect sound is minimized.
  • the sound processor acts to "spread" the sound image produced by the two closely spaced speakers by employing a cross-cancellation technique in which, for example, the cancellation signal is derived from the difference between the left and right channels.
  • the resulting difference signal is scaled, delayed (if necessary) and spectrally modified before being added to the left channel and, in opposite polarity, to the right channel.
  • the spectral modification to the difference channel preferably takes the form of a low-frequency boost over a specified frequency range, in order to restore the correct timbral balance after the differencing process which causes a loss of bass when the low-frequency signals in each channel are similar.
  • Additional phase-compensating all-pass networks may be inserted in the difference channel to correct for the extra phase shift contributed by the usually minimum-phase-shift spectral modifying circuit so that the correct phase relationship between the canceling signal and the direct signal is maintained over the desired frequency range.
  • a linear-phase network may be employed to provide the spectral modification to the difference channel, in which case compensation can be provided by application of an appropriate, and substantially identical, frequency-independent delay to both left and right channels.
  • the pair of central speakers may be placed in a common enclosure with a central dividing partition that is inserted into or else integral with the front console or dashboard of the automobile.
  • the center speakers may be placed with their diaphragms facing down and in close proximity to a rigid reflecting surface such that substantially all of the sound energy is directed forward, towards the listener, via an arrow slot in the enclosure.
  • the resultant radiating system provides the dual benefit of occupying less dashboard area, where space is always at a premium, and possessing a very wide directional characteristics due to the slot having dimensions that can be made very small with respect to the wavelength the radiated sound.
  • a pair of central speakers in conjunction with sound processing to provide improved sound quality may be employed in more than one location in the automobile, to extend the foregoing concepts further.
  • a pair of rear central speakers with similar sound processing may be added in the rear of the vehicle, for example in the center above the rear seatback, for use in the play back of program with discretely encoded or simulated multi-channel surround sound.
  • a pair of front central speakers may be used in both the driver compartment and the passenger compartment, the latter having applications for rear seat video presentations of films or music videos having multi-channel surround sound.
  • FIG. 17 is a diagram of a preferred automobile sound system 1700 in accordance with one or more embodiments as disclosed herein.
  • two speakers 1714, 1715 are positioned in close proximity to one another, and receive and respond to audio signals 1732 and 1733, respectively, from a sound processor 1708.
  • the speakers 1714, 1715 are preferably left and right speakers, may (but need not) be nominally identical, may be separated by a distance ⁇ D from one another as further described herein, and may be of any suitable size and type provided that they fit within the size constraints of the available automotive compartment(s) or other space.
  • the speakers 1714, 1715 may be positioned along or near the central axis of the interior of the automobile, such as, for example, in the center console, or atop the center of the dashboard, or in a central island between the driver and passenger seats.
  • the sound processor 1708 receives audio input signals 1702 and 1703 from a suitable audio signal source 1705, from any typical automotive audio components (e.g., CD player, cassette player, radio, etc.) that may be included therewith.
  • the audio input signals 1702, 1703 may be derived from any audio product, including any prerecorded medium (such as a cassette, CD, or DVD), any digital audio file, or any wireless (e.g., radio) broadcast received by the audio system.
  • the sound processor 1708 preferably processes the stereo sound signals 1702, 1703 according to techniques described in more detail herein, and provides the processed signals 1732, 1733 (after any desired amplification or level shifting) to the pair of closely spaced speakers 1714, 1715.
  • the stereo signals 1702, 1703 may also optionally be fed, either directly or via the sound processor 1718 (if certain additional or complementary sound processing is desired) to additional speakers, if any, such as left speaker 1724 and right speaker 1725 shown in FIG. 17 .
  • the sound processor 1708 acts to effectively "spread" the sound image by, in a broad sense, taking the difference between the two audio channels 1702, 1703, spectrally modifying the intermediate difference signal, and then, after scaling, adding it in appropriate polarity to the left and right channels.
  • the speakers 1714, 1715 are placed close together, side-by-side, the resulting phenomenon causes an apparent expansion of the stereo sound image despite the fact that the speakers 1714, 1715 are located in close proximity.
  • the bass lifting or spectral weighting carried out by the sound processor 1708 may cause phase shifting, which can be compensated for using phase equalization.
  • Complementary phase compensation can be provided along each of the audio channels 1702, 1703 prior to mixing (i.e., cross-cancellation) so that the left and right audio channels 1702, 1703 are substantially in phase with the spectrally modified difference signal.
  • the bass lifting or spectral weighting is accomplished using linear phase filtering, however, no phase equalization may be needed or desired, although equal delays are preferably added to both the left and right audio channel paths in order to compensate for the additional delay produced by the linear-phase equalizer in the difference channel.
  • the primary purpose of the speakers 1714, 1715 is not necessarily to provide only monaural information, as with a conventional centrally positioned speaker (although monaural information may be fed to the speakers 1714, 1715), but rather, when combined with suitable mid- to high-frequency processing and mixing (via the sound processor 1708), to produce a symmetrical spreading of stereo information, which results in a better stereo presentation for both left and right occupants regardless of the listening axis.
  • the two center speakers 1714, 1715 are closely spaced with respect to one another, the difference in time of arrival of the sound information to a given listener becomes minimal, and the relative volume level of both speakers, as perceived by a given listener, is approximately the same. Moreover, both the right and left occupant will generally experience approximately the same volume level from the center pair of speakers 1714, 1715.
  • the closely spaced speakers are unable to radiate potentially large out-of-phase, low-frequency components resulting from the cross-cancellation process, the very low frequencies can be isolated by means of a low-pass filter and directed to a separate sub-woofer, while a corresponding highpass filter may be utilized to prevent high-level, low-frequency signals from overloading the smaller speakers.
  • the left and right audio channels 1702, 1703 can be fed to left and right bass speakers 1721 and 1722, respectively, possibly in conjunction with attenuation at mid/high frequencies and/or boosting at low/bass frequencies as provided by the sound processor 1708 or any other suitable means.
  • mid/high frequencies are output by the center pair of closely spaced speakers and bass or low frequencies are output by left and right door-mounted speakers
  • advantages in amplifier efficiency may be achieved because less power will generally be needed to obtain higher volume levels.
  • the speakers 1714, 1715 When the speakers 1714, 1715 are placed in the front console or dashboard, or otherwise on or near the center axis of the automobile, they may (but need not be) mounted at a sufficient height so as to have a relatively unobstructed pathway to the listeners' ears, thus eliminating muffling or damping associated with obstructions such as seats and occupant bodies. In such embodiments, the speakers 1714, 1715 are located at an ideal or at least preferably acoustical position, being less obstructed and less reflected, and allowing more space for the sound to unfold.
  • the pair of speakers (e.g., speakers 1714 and 1715 in FIG. 17 ) which receive the sound processed information are preferably located immediately adjacent to one another; however, they may also be separated by some distance ⁇ D while still providing benefits of enlarged sound image, increased stability, and so on.
  • the farthest maximum separation of the speakers 1714, 1715 can be determined by experimentation, but performance may gradually decline as the speakers 1714, 1715 are moved farther apart from one another.
  • the pair of speakers 1714, 1715 are placed no further apart than a distance that is comparable with the wavelength of the highest frequency that is intended to be radiated by the speakers 1714, 1715.
  • FIGS. 20-1, 20-2, and 20-3 illustrate one example of an enclosure 2001, particularly suited to applications where space is limited, housing a pair of speakers 2014, 2015 which can receive and respond to sound processed signals from left and right audio channels in accordance with the various techniques described herein.
  • FIG. 20-1 is a front cut-away view of the exemplary speaker enclosure 2001 housing the pair of speakers 2014, 2015;
  • FIG. 20-2 is a top cross-sectional view of the speaker enclosure 2001 shown in FIG.
  • FIG. 20-3 is an oblique front view of the speaker enclosure 2001 shown in FIGS. 20-1 and 20-2 .
  • the speaker enclosure 2001 in this example is preferably substantially rectangular in shape, and is preferably designed with dimensions so as to slide into or otherwise fit within a standard "DIN " slot (approximately 8" by 2 1 ⁇ 2") in the front console space of an automobile.
  • the speaker enclosure 2001 may include a front panel 2032, a pair of side panels 2030, a top panel 2035, a bottom panel 2039, and possibly a back panel 2031.
  • an interior wall 2016 such as illustrated in FIG. 20-1 and 20-2 may be placed between the speakers 2014, 2015, thus creating two separate speaker chambers, one housing each of the two speakers 2014,2015.
  • the pair of speakers 2014, 2015 may be pointed directly frontwards; however, in the instant example, the speakers 2014, 2015 are oriented downwards, as illustrated in FIG. 20-1 .
  • a slot 2019 may be located at the bottom of the speaker enclosure 2001, to allow the sound from the speakers 2014, 2015 to radiate outwards towards the direction of the listeners in the automobile. Effectively, then, the speakers 2014, 2015 only take up an amount of surface space corresponding to the size of the slot 2019.
  • front console/dash space is typically extremely valuable since it is scarce, and thus the ability to position two speakers 2014, 2015 in the front console/dash while minimizing the amount of surface space consumed can be extremely advantageous.
  • Audio system controls/display(s) or other conventional console accouterments can be attached to or integral with the front panel 2032 of the speaker enclosure 2001, so the available surface space on the front panel 2032 is valuably utilized.
  • the speakers 2014, 2015 may be potentially larger in size (assuming console space is limited); for example, each speaker may be about 4" (for a total of 8" across collectively), which fits into the 8" DIN space, whereas the speakers would otherwise generally have to be under 2 1 ⁇ 2" to fit within the DIN space, if oriented in a frontwards direction.
  • the ability to place larger speakers in the center speaker unit allows better bass reproduction and, hence, reduces or potentially dispenses with the need for side (e.g., door-mounted) bass speakers to carry the bass information of the left and right channels.
  • FIG. 20-4 shows a generic speaker 2090 pointing downwards towards a surface 2091.
  • the sound output from the speaker 2090 radiates outward from the centerpoint along the surface 2091 in essentially all directions (i.e., a complete 360-degree circle).
  • a slot 2019 is preferably located at the bottom of the speaker enclosure 2001, to allow the sound from the speakers 2014, 2015 to radiate outwards towards the direction of the listeners in the automobile.
  • a layer of insulation 2012 e.g., foam
  • the speaker 20-2 may be placed within the speaker enclosure 2001, so that the sound does not reflect on the back panel 2031 (if any) of the speaker enclosure.
  • sound emanating from the speakers 2014, 2015 is cleanly projected through the slot 2019 to the listeners in the automobile.
  • the speakers 2014, 2015 might be directed upwards instead of downwards, with the slot 2019 being located at the top of the speaker enclosure 2001, to achieve a similar effect.
  • the speakers 2014, 2015 may alternatively be positioned sideways, either facing towards are away from each other, with a pair of slots (one for each of the speakers 2014, 2015) being vertical in orientation rather than horizontal, as with slot 2019.
  • the speaker enclosure may be taller but narrower in size.
  • one or more additional speakers 2017 of small size may be advantageously placed above the "bell" of the speakers 2014, 2015 and in the front panel 2032 of the speaker enclosure 2001, to radiate the higher frequencies.
  • the speaker enclosure 2001 shown in FIGS. 20-1 through 20-3 has certain advantages for placement in a standard DIN space of an automobile
  • the closely spaced speakers 1714, 1715 may be positioned in other areas of the automobile as well, such as atop the front dashboard, above the rear seatback, or in a center console or island located between the front seats or between the front and back seats.
  • the closely spaced speakers 1714, 1715 are located on or near the center axis of the automobile, so as to provide optimal sound quality evenly to occupants on both sides.
  • the centrally located speakers may be of limited size. Smaller speakers, however, tend to suffer losses at low frequencies.
  • left and right bass speakers e.g., speakers 1724, 1725
  • the left and right audio channels fed to the left and right door speakers can be processed to attenuate the mid/high frequencies and/or boost the bass audio components. Providing bass frequencies through the door speakers will not destroy the stereo effect of the mid/high frequencies provided by the central pair of speakers, since it is well known that frequencies below about 100 Hz are not normally localized by the human listener.
  • a sub-woofer may be added in a suitable location within the automobile to further enhance very low frequency bass audio components.
  • the sub-woofer may be located, for example, in the rear console of the car above the rear seatback, or in any other suitable location.
  • a similar pair of closely spaced speakers to those placed in the front console or area can also be placed in the rear of the automobile, for example, atop the rear seatback on or in the rear parcel shelf.
  • the same signals that are used to feed the front pair of closely spaced speakers can be used to feed the rear pair of closely spaced speakers.
  • a speaker enclosure 2001, such as shown in FIGS. 20A - 20C, containing the pair of closely spaced speakers may be placed in the rear of the vehicle to house these rear speakers.
  • FIG. 19-1 is a simplified top view of an automobile 1900 illustrating an example of placement of a pair of closely spaced speakers 1905 (whether or not in a speaker enclosure) in the front section of the automobile 1900 (e.g., in the front console or the front dash), with the addition of two door-mounted speakers 1907, 1908 for, e.g., providing added bass or low frequency audio components.
  • FIG. 19-2 illustrates an example similar to FIG. 19-1 , but adding a pair of closely spaced speakers 1930 (whether or not in a speaker enclosure) in the rear of the automobile 1920.
  • FIG. 19-3 illustrates an example of placement of speakers in a large vehicle such a limousine, with separate driver and passenger compartments. In the driver compartment 1941, the layout is similar to FIG.
  • FIG. 19-1 with a pair of closely spaced speakers 1945 in the front area (e.g., console, dash, or the like) of the vehicle 1940, and pair of door-mounted left and right speakers 1947, 1948.
  • the layout is similar to FIG. 19-2 , with two pairs of closely spaced speakers 1955, 1960, one in the front area and one in the rear area of the passenger compartment 1942, with a pair of right and left door-mounted speakers 1957, 1958 also.
  • any number of additional speakers and audio components may be added based upon individual need and preference, subject to spatial limitations of the vehicle, cost, etc.
  • a van or other large vehicle may have a DVD system which allows digital audio-visual media to be presented to the passengers of the vehicle, with the sound potentially being played through the vehicle audio system.
  • FIG. 21 A block diagram illustrating an example of an automobile sound system 2100 for providing potentially improved extreme right/left sound, in connection with the pair of closely spaced center speakers 2114, 2115, is illustrated in FIG. 21 .
  • the system 2100 shown therein operates much as described with the FIG. 17 sound system 1700 with respect to the closely spaced center speakers 2114, 2115, producing the illusion of a widened stereo sound image for the occupants of the vehicle.
  • the sound system 2100 illustrates the feed of left and right audio signals 2102, 2103 to left and right door-mounted speakers 2124, 2125, optionally through low pass filters 2181, 2182, respectively, to emphasize the bass tones.
  • some portion (dictated by a gain factor k) of the difference between the left and right audio channels 2102, 2103 is mixed in to each of the signals fed into the left and right door mounted speakers 2124, 2125.
  • the left and right audio channels 2102, 2103 are close in amplitude (and frequency)
  • the signals mixed into the left and right channels fed to the door mounted speakers 2124, 2125 are negligible.
  • the signal fed into the left or right channel grows proportionately (in a linear or non-linear fashion, depending upon preference).
  • a large difference between the left and right audio channels 2102, 2103 indicates an extreme left or right sound, which, in the sound system 2100 of FIG. 21 , can be successfully reproduced in the left or right door-mounted speakers 2124, 2125.
  • the sound system 1800 may include an audio signal source 1805 which provides a source for left and right audio channels 1802, 1803, which are fed to a sound processor 1808 which functions in a manner similar to sound processor 1708 shown in FIG. 17 , or various other sound processor embodiments described herein with respect to closely spaced left/right central speakers.
  • the left and right audio signals 1802, 1803 may, in the present example, comprise front left and front right audio signals of a surround sound formatted medium.
  • a center audio signal of the surround sound formatted medium may be mixed into the signals 1832, 1833 provided to the closely spaced speakers 1814, 1815, and may also be provided to additional center speakers 1817 (e.g., tweeters), if provided.
  • the closely spaced speakers 1814, 1815 and additional speakers 1817 may be embodied and arranged, for example, in the form of the speaker enclosure and arrangement illustrated in FIGS. 20A - 20C.
  • a surround left and surround right audio channel 1871, 1872 may be fed into surround left and right speakers 1824, 1825, which may be dipolar or monopolar in nature.
  • the surround left and right speakers 1824, 1825 may be generally used to provide ambient sound.
  • adaptive decorrelation may be employed, as well understood in the art, to prevent signal cancellation or similar sound deterioration.
  • Left and right speakers 1834, 1835 which may be, e.g., door-mounted speakers, may be directly fed the left and right audio channels 1802, 1803, or else may be fed only the bass/low frequency tones, possibly mixed with extreme right or left sound components, such as described previously with respect to the sound system of FIG. 21 .
  • the sound system 1800 of FIG. 18 may further be provided with an additional pair of closely spaced speakers (not shown) located at the rear of the vehicle.
  • the additional pair of closely spaced speakers may be fed the same processed left and right audio channel signals 1832, 1833 as provided to the front closely spaced speakers 1814, 1815, or may be fed similarly processed signals derived from the surround left and right audio channel signals 1871, 1872, or alternatively, surround back left and back right audio channel signals (not shown), if the audio product is encoded in a 7.1 surround or similar multi-channel format.
  • FIG. 23 is a diagram of a surround or multi-channel sound system 2300 similar to the sound system 1800 shown in FIG. 18 , but illustrating the presence of a pair (right and left) of closely spaced surround back speakers 2394, 2395.
  • a rear surround processor 2398 receives as inputs two surround back channels 2392, 2393 provided from the audio signal source 2305.
  • the rear surround processor 2398 preferably provides sound processing to the two surround back channels 2392, 2393 for the closely spaced rear surround speakers 2394, 2395 in a manner similar to that for the closely spaced front right/ left speakers 2314, 2315, using any of the sound processing techniques described herein for closely spaced speakers.
  • the sound processing for the surround back speakers 2394, 2395 need not be identical to that of the closely spaced front right/left speakers 2314, 2315, but may differ in terms of spectral weighting, gain, etc., to account for the fact that the surround back speakers 2314, 2315 may serve a different purpose to some degree than the front right/left speakers 2314, 2315.
  • the content of the surround back channels 2392, 2393 may depend upon the format of the encoded audio product.
  • the surround back channels 2392, 2393 may be the same as the right and left surround channels 2371, 2372.
  • the surround back channels 2392, 2393 may be the same as the right and left surround channels 2371, 2372, added or mixed with the single surround back channel.
  • the surround back channels 2392, 2393 are preferably the independent left and right surround back channels encoded in the audio product.
  • improved sound quality results from a stereo sound image that has stability over a larger area than would otherwise be experienced with, e.g., speakers spaced far apart without comparable sound processing. Consequently, the audio product (e.g., soundtrack) can be enjoyed with optimal or improved sound over a larger area, and by more listeners who are able to experience improved sound quality even when positioned elsewhere than the center of the speaker arrangement.
  • a home theater surround sound system or automobile sound system may be capable of providing quality sound to a greater number of listeners, not all of whom need to be positioned in the center of the speaker arrangement in order to enjoy the playback of the particular audio product.
  • the audio product from which the various audio source signals are derived, before distribution to the various speakers or other system components may comprise any audio work of any nature, such as, for example, a musical piece, a soundtrack to an audio-visual work (such as a DVD or other digitally recorded medium), or any other source or content having an audio component.
  • the audio product may be read from a recorded medium, such as a DVD, cassette, compact disc, CD-ROM, or else may be received wirelessly, in any available format, from a broadcast or point-to-point transmission.
  • the audio product preferably has at least left channel and right channel information (whether or not encoded), but may also include additional channels and may, for example, be encoded in a surround sound or other multi-channel format, such as Dolby-AC3, DTS, DVD-Audio, etc.
  • the audio product may also comprise digital files stored, temporarily or permanently, in any format used for audio playback, such as, for example, an MP3 format or a digital multi-media format.
  • circuit as used herein is meant broadly to encompass analog components, discrete digital components, microprocessor-based or digital signal processing (DSP), or any combination thereof.
  • DSP digital signal processing
  • the spectral weighting filter in the various embodiments described herein may provide spectral weighting over a band smaller or larger than the 200 Hertz to 2 KHz band. If the selected frequency band for spectral weighting is too large, then saturation may occur or clipping may result, while if the selected frequency band is too small, then the spreading effect may be inadequate. Also, if cross-cancellation is not mitigated at higher frequencies, as it is in the spectral weighting filters illustrated in certain embodiments herein, then a comb filter effect might result which will cause nulls at certain frequencies. Therefore, the spectral weighting frequency band, and the particular spectral weighting shape, is preferably selected to take account of the physical limitations of the speakers and electronic components, as well as the overall quality and effect of the speaker output.
  • the pair of closely spaced speakers may be forced to work harder than they would without cross-cancellation, because the cross-mixing of left and right signals requires that the speakers reproduce out-of-phase sound waves. To compensate for this effect, it may, for example, be desirable in some embodiments to increase the size of the amplifier(s) feeding the audio signals to the pair of closely spaced speakers.
  • the speakers utilized in the automobile sound system may be passive or active (i.e., with built-in or on-board amplification capability) in nature.
  • the various audio channels may be individually amplified, level-shifted, boosted, or otherwise conditioned appropriately for each individual speaker or pair of speakers.

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Claims (30)

  1. Tonsystem (800, 900) zum Empfangen eines Audiosignals des linken Kanals (811, 911, 911') und eines Audiosignals des rechten Kanals (812, 912, 912') von einer Audioquelle, und zum Erzeugen eines breiten, stabilen, synthetischen Stereotonbildes davon, wobei das Tonsystem (800, 900) gekennzeichnet ist durch:
    eine linke Treibereinheit (824, 825) und eine rechte Treibereinheit (825, 925), die angrenzend an jene angeordnet ist; und
    einen Tonprozessor (810), der für Folgendes konfiguriert ist:
    Empfangen des Audiosignals des linken Kanals (811, 911, 911') und des Audiosignals des rechten Kanals (812, 912, 912') als Eingänge;
    Erzeugen (940, 942) eines spektral gewichteten Stereodifferenzsignals aus dem Audiosignal des linken Kanals (811, 911, 911') und dem Audiosignal des rechten Kanals (812, 912, 912') teilweise durch Verstärken von Basstönen relativ zu den Tönen mittlerer und hoher Frequenzen;
    Phasenkompensieren (955, 956) des Audiosignals des linken Kanals (811, 911, 911') und des Audiosignals des rechten Kanals (812, 912, 912') relativ zu dem spektral gewichteten Stereodifferenzsignal; und
    Cross-Cancellation (947) des spektral gewichteten Stereodifferenzsignals mit dem phasenkompensierten Audiosignal des linken Kanals und dem phasenkompensierten Audiosignal des rechten Kanals vor der Ausgabe des gemischten Audiosignals des linken Kanals und des gemischten Audiosignals des rechten Kanals an die linke Treibereinheit (824, 824) beziehungsweise an die rechte Treibereinheit (825, 925).
  2. Tonsystem (800, 900) nach Anspruch 1, wobei der Tonprozessor (810) zum Erzeugen (940) eines Differenzsignals konfiguriert ist, das eine Differenz zwischen dem Audiosignal des linken Kanals (811, 911, 911') und dem Audiosignal des rechten Kanals (812, 912, 912') darstellt, und zum Ausführen (942) einer spektralen Wichtung an dem Differenzsignal, um dadurch das spektral gewichtete Signal zu erzeugen.
  3. Tonsystem (800, 900) nach Anspruch 2, wobei der Tonprozessor (810) einen Subtraktor (940) zum Erzeugen des Differenzsignals umfasst.
  4. Tonsystem (800, 900) nach Anspruch 2 oder 3, wobei der Tonprozessor (810) ein Shelf-Filter (Kuhschwanzfilter) (942') zum Ausführen der spektralen Wichtung an dem Differenzsignal umfasst, wobei das Shelf-Filter (942') gekennzeichnet ist durch:
    einen Niederfrequenzbereich relativ konstanter Verstärkung, in dem Niederfrequenztöne relativ zu Mittel-und Hochfrequenztönen verstärkt werden;
    einen Mittelfrequenzbereich mit einer im Allgemeinen abnehmenden Verstärkung bei steigender Frequenz; und
    einen Hochfrequenzbereich mit relativ konstanter Verstärkung, wobei die erste, zweite und dritte Filterregion im Allgemeinen benachbart sind.
  5. Tonsystem (800, 900) nach Anspruch 4, wobei das Shelf-Filter (942') des Weiteren gekennzeichnet ist durch ein Abfallen des Niederfrequenzbereichs auf den Mittelfrequenzbereich bei etwa 200 Hertz.
  6. Tonsystem (800, 900) nach Anspruch 5, wobei das Shelf-Filter (942') des Weiteren gekennzeichnet ist durch eine Grenze zwischen dem Mittelfrequenzbereich und dem Hochfrequenzbereich bei etwa 2 KHz.
  7. Tonsystem (800, 900) nach einem der Ansprüche 2, 3, 4, 5 oder 6, wobei das Shelf-Filter (942') ein lineares Filter ist.
  8. Tonsystem (800, 900) nach einem der vorangehenden Ansprüche, wobei der Tonprozessor (810) des Weiteren umfasst:
    einen Phasenentzerrer (945') zum Entzerren der Phase des spektral gewichteten Differenzsignals vor der Cross-Cancellation; und
    mehrere Phasenkompensatoren (955', 956') mit einer Phasencharakteristik, die zu dem Phasenentzerrer (945') und dem Spektral-Wichtungsfilter (942') über ein Frequenzband der Cross-Cancellation komplementär ist, die in Serie entlang dem Audiosignal des linken Kanals (811, 911, 911') beziehungsweise dem Audiosignal des rechten Kanals (812, 912, 912') angeordnet sind, vor der Cross-Cancellation.
  9. Tonsystem (800, 900) nach Anspruch 8, wobei der Phasenentzerrer (945') mehrere aller Passfilter umfasst, die gemeinsam eine erste Phasenübertragungsfunktion haben, und wobei jeder der Phasenkompensatoren (955', 956') mehrere aller Passfilter (1055, 1056) umfasst, die gemeinsam eine zweite Phasenübertragungsfunktion haben, die zu einer kombinierten Phasencharakteristik des Phasenentzerrers (945') und des Spektral-Wichtungsfilters (942') über ein Frequenzband der Cross-Cancellation komplementär ist.
  10. Tonsystem (800, 900) nach Anspruch 8, wobei der Phasenentzerrer (945') ein Filter zweiter Ordnung umfasst.
  11. Tonsystem (800, 900) nach einem der vorangehenden Ansprüche, wobei:
    das Audiosignal des linken Kanals (811, 911, 911') ein Surround-Audiosignal des linken Kanals umfasst, das an einen linken Surround-Lautsprecher gekoppelt ist;
    das Audiosignal des rechten Kanals (812, 912, 912') ein Surround-Audiosignal des rechten Kanals umfasst, das an einen rechten Surround-Lautsprecher gekoppelt ist; und
    die linke Treibereinheit (824, 924) und die rechte Treibereinheit (825, 925) in einem Surround-Lautsprecher zur Verwendung in einem Raumschall-Stereosystem hinten links beziehungsweise in einem Surround-Lautsprecher hinten rechts verwendet werden.
  12. Tonsystem (800, 900) nach einem der vorangehenden Ansprüche, wobei der Tonprozessor (810) insgesamt oder teilweise in der digitalen Domäne implementiert ist.
  13. Tonsystem (800, 900) nach einem der vorangehenden Ansprüche, wobei die linke Treibereinheit (824, 924) und die rechte Treibereinheit (825, 925) relativ zueinander innerhalb einer Distanz positioniert sind, die mit einer Wellenlänge einer gewählten höchsten Betriebsfrequenz vergleichbar ist, die von der linken und rechten Treibereinheit (824, 825, 924, 925) in Gebrauch ausgestrahlt wird.
  14. Tonsystem (800, 900) nach einem der vorangehenden Ansprüche, wobei die linke Treibereinheit (824, 924) und die rechte Treibereinheit (825, 925) unmittelbar nebeneinander liegen.
  15. Tonsystem (800, 900) nach einem der vorangehenden Ansprüche, wobei die linke Treibereinheit (824, 924) und die rechte Treibereinheit (825, 925) in einem Fahrzeug montiert sind.
  16. Tonsystem (800, 900) nach Anspruch 15, wobei die linke Treibereinheit (824, 924) und die rechte Treibereinheit (825, 925) im Wesentlichen auf der Mittelachse des Fahrzeuges oder in deren Nähe positioniert sind.
  17. Tonsystem (800, 900) nach Anspruch 15 oder 16, wobei die linke Treibereinheit (824, 924) und die rechte Treibereinheit (825, 925) in einem gemeinsamen Gehäuse montiert sind.
  18. Tonsystem (800, 900) nach Anspruch 17, wobei:
    die rechte Treibereinheit (825, 925) und die linke Treibereinheit (824, 924) zu einer Reflexionsfläche des gemeinsamen Gehäuses hin ausgerichtet sind; und
    das gemeinsame Gehäuse einen abgeschnittenen Schacht definiert, der in mindestens einem länglichen Schlitz mündet, der Ton projiziert, der von der linken Treibereinheit und der rechten Treibereinheit ausgeht, wodurch die Richtung des akustischen Ausgangs von der linken Treibereinheit (824, 924) und der rechten Treibereinheit (825, 925) geändert und die effektive Form, Abstrahlfläche und das Aspektverhältnis der linken und rechten Treibereinheit (824, 825, 924, 925) tranformiert werden.
  19. Tonsystem (800, 900) nach Anspruch 18, des Weiteren umfassend ein akustisches Absorptionsmaterial, das sich in dem gemeinsamen Gehäuse und gegenüber dem länglichen Schlitz befindet, wobei sich das akustische Absorptionsmaterial im Allgemeinen den äußeren hinteren Kantenkonturen der linken Treibereinheit (824, 924) und der rechten Treibereinheit (825, 925) anpasst, wodurch der akustische Ausgang von den Treibereinheiten (824, 825, 924, 925) zu dem länglichen Schlitz gelenkt wird.
  20. Tonsystem (800, 900) nach einem der Ansprüche 17, 18 oder 19, des Weiteren umfassend eine oder mehrere Hochfrequenz-Treibereinheiten, die in oder auf dem gemeinsamen Gehäuse montiert sind, wobei die Hochfrequenztreibereinheiten so ausgerichtet sind, dass ihr akustischer Ausgang direkt in das Innere des Fahrzeuges geht.
  21. Tonsystem (800, 900) nach einem der Ansprüche 15 bis 20, des Weiteren umfassend ein Paar an der Tür montierter linker und rechter Nieder- oder Mittelfrequenztreibereinheiten.
  22. Tonsystem (800, 900) nach Anspruch 11, wobei sich die linken und rechten hinteren Surround-Treibereinheiten (824, 825, 924, 925) in einem einzigen Lautsprechergehäuse befinden.
  23. Tonsystem (800, 900) nach Anspruch 11, des Weiteren umfassend einen vorderen linken Lautsprecher, einen vorderen rechten Lautsprecher und einen mittleren Lautsprecher, wobei der vordere linke Lautsprecher und der vordere rechte Lautsprecher zu dem rechten und linken äußeren Ende einer Hörfläche hin positioniert sind.
  24. Tonsystem (800, 900) nach Anspruch 11, des Weiteren umfassend einen ersten adaptiven Dekorrelationsschaltkreis, der zwischen dem Surround-Audiosignal des linken Kanals und dem linken Surround-Lautsprecher eingesetzt ist, und einen zweiten adaptiven Dekorrelationsschaltkreis, der zwischen dem Surround-Audiosignal des rechten Kanals und dem rechten Surround-Lautsprecher eingesetzt ist.
  25. Tonsystem (800, 900) nach Anspruch 8, wobei der Phasenentzerrer (945') mehrere aller Passfilter umfasst, und wobei jeder der Phasenkompensatoren (955', 956') mehrere aller Passfilter (1055, 1056) umfasst.
  26. Tonsystem (800, 900) nach Anspruch 11, wobei der linke Surround-Lautsprecher und der rechte Surround-Lautsprecher jeweils Dipol-Lautsprecher sind.
  27. Tonsystem (800, 900) nach Anspruch 18, wobei der abgeschnittene Schacht einen im Wesentlichen geraden und direkten Pfad für Ton, der aus der linken und rechten Treibereinheit (824, 825, 924, 925) ertönt, zu dem länglichen Schlitz bereitstellt.
  28. Tonsystem (800, 900) nach Anspruch 27, wobei der abgeschnittene Schacht senkrecht zu den Abstrahlflächen der linken und rechten Treibereinheit (824, 825, 924, 925) liegt.
  29. Verfahren zum adaptiven Wiedergeben von Ton in einer Weise, dass die wahrgenommene Fläche und Stabilität eines synthetischen Stereotonbildes vergrößert wird, wobei das Verfahren gekennzeichnet ist durch:
    Anordnen einer linken Treibereinheit (824, 924) neben einer rechten Treibereinheit (825, 925);
    Empfangen eines Audiosignals des linken Kanals (811, 911, 911') bei einem Tonprozessor (810);
    Empfangen eines Audiosignals des rechten Kanals (812, 912, 912') bei dem Tonprozessor (810);
    Erzeugen (940, 942) eines spektral gewichteten Stereodifferenzsignals aus dem Audiosignal des linken Kanals (811, 911, 911') und dem Audiosignal des rechten Kanals (812, 912, 912') teilweise durch Verstärken von Basstönen relativ zu den Tönen mittlerer und hoher Frequenzen;
    Phasenkompensieren (955, 956) des Audiosignals des linken Kanals (811, 911, 911') und des Audiosignals des rechten Kanals (812, 912, 912') relativ zu dem spektral gewichteten Stereodifferenzsignal; und
    Cross-Cancellation (947) des spektral gewichteten Stereodifferenzsignals mit dem Audiosignal des linken Kanals und dem Audiosignal des rechten Kanals vor dem Anlegen des gemischten Audiosignals des linken Kanals und des gemischten Audiosignals des rechten Kanals an die linke Treibereinheit (824, 924) beziehungsweise an die rechte Treibereinheit (825, 925).
  30. Verfahren nach Anspruch 29, wobei das spektral gewichtete Differenzsignal durch Erhalten (940) eines Differenzsignals, das eine Differenz zwischen dem Audiosignal des linken Kanals (811, 911, 911') und dem Audiosignal des rechten Kanals (812, 912, 912') darstellt, und Anlegen des Differenzsignals an ein Shelf-Filter (942') umfasst, wobei das Shelf-Filter (942') durch einen Niederfrequenzbereich relativ konstanter Verstärkung, in dem Niederfrequenztöne relativ zu Mittel- und Hochfrequenztönen verstärkt werden, einen Mittelfrequenzbereich mit einer im Allgemeinen abnehmenden Verstärkung bei steigender Frequenz, und einen Hochfrequenzbereich mit relativ konstanter Verstärkung gekennzeichnet ist, wobei die erste, zweite und dritte Filterregion im Allgemeinen benachbart sind.
EP02717406A 2001-02-09 2002-02-08 Tonsystem und verfahren zur tonwiedergabe Expired - Lifetime EP1360874B1 (de)

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CA2449410A1 (en) 2002-08-22
ATE418255T1 (de) 2009-01-15
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