DE7629367U1 - REFLECTIVE PERCUSSION INSTRUMENT - Google Patents

Description

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AXbrecht von Zedlitz percussion instrument, j

The invention relates to percussion instruments 1 provided with "reflectors" (counter-sound | generating elements) for sound duplication. ^] Conventional percussion instruments such as drums (membranophones), berries,
Xylophone »Vibraphone, etc« (ldiophone = ^{w Selbstklinger tl} )
do not use all anatomical and therefore technical possibilities: wrists move stop organs (sticks, mallets, etc.) only in one direction (mostly j from top to bottom), foot pedals only work 1 forward on one side. | The invention is based on the object that the impact | direction opposite direction - when hand gelerik in f

In the event of a downward stroke, the necessary previous f

Backward movement - stepping backwards over the | at the foot

Heel-to be included in the playing technique and as a new Di- |

to make roenaion also audible (inversion principle) · |

This object is achieved according to the invention in that |

a percussive sound generating element (membrane, idio- |

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"Reflector" opposite at a certain distance

is set so that the stop member between the two |

alternate and if necessary (to and fro in rapid succession) j

can be "reflected" (reflection effect). |

Manually this means a duplication of the strike sequence

ge, since the stop element has now also always been |

can be made audible from bottom to top before it ~> | 4a4a traditional "blow" from top to bottom- I

leads, i.e. there is only one, bilateral ι

reflected stroke movement, so to speak a "mechanical one
Echo "(or tremolo).

Any sequence of strikes that were previously imprinted can now be done by
already the necessary previous back-up with the stop—
organ (top) aia "reflector ¹¹ is made to listen
Intermediate blows reflected exactly in the distance between the blows
condensed, that is, accelerated to twice as much.

7629367 02.0178

Albrecht vcn Zedliiz Perkusölons ^ -Insirument

Especially if both hands each have such a "reflective%" if possible Operate a tuned instrument synchronously in a certain interval, in particular when the sound and counter-sound generating elements each have a different spacing - fastest complementary Tremoli; on the other hand, one hand is free for counter-effects, while the other effortlessly reflects an iremolo on her own ".

There can also be special, T-shaped stop members (Double-ended mallets) that are attached to their front end in two more or less pronounced ends bum bilateral (up and down branch (see fig » 18 a-f).

Pedal result in foot machines as a stop element, which are extended by the stepping back over the heel Tone at a certain distance from the front large drums horizontally opposed back; the £ "Galloping" rhythm of the alternating forwards and / or backwards struck up to 2 times 2 Large drums complement the "mechanical lap" of the handbag accordingly (see Fig. 9-13 1).

Figure overview:

Figures 1-8 illustrate the comparison of sound generating elements for reflected impacts in the manual area; they are seen in perspective, FIG. 7 from the side.

Figures 9-12 are side views of the "back pedal pedal", which Stop organ precisely this opposition of the sound generating elements in the pedal area enables.

FIG. 13 shows in perspective a "double drumstick ¹ · ^ a combination of both areas« ί \

FIGS. 14a-f and FIG. 15 show in perspective further, idiophonic _{exemplary embodiments. FIG. 16 is the side view of a frame} ^ 5} to which the perspective section belongs. ^'L -Figur 17 is another perspective Auöführungs- beispielyund Figs 18a-f show laterally closing lent manual stop members a new kind.

7629367 02.0178

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Albrecht von Zedlitz percussion instrument

Character description:

Fig. 1: Vertically, a drum 1 is just such a 2 juxtaposed as a counter-sound generating element or "reflector", attached to a stand 3. The hand with the Ansehlagorgan 4 is capable of the one indicated by the double arrow 5 indicated reflected impact movement between Äen sound generating elements 1 and 2 to perform.

Fig. 2 t inclined position of the drums 1 and / or 2 astonishes the membrane spacing and influences! Dempo and Volume: Short distance 6 enables fast and quiet, medium distance 7 normal and large bistro dance # loud, slow Game or conventional single strikes • See also Fig. 18a-f).

Fig.3: By relocating the counter-sound generating element 2 with respect to the sound generating element 1, so that (in this case) their membranes only partially coincide, not only a certain area remains on the latter for individual layers 9, but the former is able to ^; Also to serve as a "reflector" 2 for a second or more output instruments 10.

Jfig. 4- ι Conversely, two or more counter-sound generating elements can ^{serve as "SE reflectors 11"} for a sound generating element 1, not only by displacing them as in FIG. 3, but also by making them correspondingly smaller 11, 12.

Kg. 5 ϊ From a conventional two-headed instrument such as the small or hanging-iEom-iOom ^ the snare drum etc »', reflection beats can also be won * !! , de ^ s upper ttnd lower limit, the hoops 15 mi * the membranes s £ _t nd zwisehen which the stop member now "reflect * can (DoppeXpfeil 5}

762936? 02.0178

§ Albrecht von Zedliijz · ^: Perkdssi'ons ^ Ins-fcrument

• Fig. 5, cont.: In this case the height of the drum; (! see Figure 2) or its Membranabatand directly involve the \ reflection playability, both should not be j KU-it big unless you use a pronounced: i th Doppelendschlägel (eiehe Fig.18c 7 »of a jl makes larger bistro dance playable.

The interior of the Sromrael thus becomes a space, which does not & α wide opening 14 can through for resonance reasons • be resealable in ski doors.

Fig.6: Starting instrument and "reflector" must be like

Said not to be a mambranophone, you can also use idiophones such as two basins 16 facing each other • in a stand 17 are arranged.

Fig. 7: The application is also for sound record games of the reflection principle possible: The (here) superordinate "Reflector" sound plates 18 can be in various Interval relationships to the basic sound bar 19 etehen; a hand tremolates e.g. in a chord, wäha » cxid the other at the same time in a completely different in- tcrrsll trcncliersn o *? r egg *> «Can do wrong (Dom) el— ! »File 5).

Fig. 8: Like two drums attached to a stand

20 illustrates, the reflection principle is also in the horizontal feasible.

Fig. 9: The reversal principle is also used in the pedal area effective through a back pedal; the operating principle of the well-known IOSmasehinen "is transferred; the! Erittbrett

However, 21 goes directly into a "backboard" at axis 22 23 across. It is more supportive with one of the heel Bend ^ or heel recess 24 provided and enables the respective additional operation of an opposite erected »backward Great Srommel.

Fig. 10-12 t The small views below show the Foot and the back pedal again ± n the three possible positions: Fig. 10 stepped forward (stepping on the gate), Fig. 11 depressed at the same time ("double step") and FIG. 12 stepped backwards (kickbacks); 25 are there-

7629367 02.0178

Albrecht von Zedlitz percussion instrument

Fig. 12, Ports.: 25 are the front, 26 the back.

teren large sirloin. §

Pig. 13: Am ⁿ double ^{drums ft} ; the two in front. |

Large three axles 27 are two rear faces 28 opposite one another

The player can use one of the two backwards §

inside large drums 28 attached bench 29 sit ί

and serves the two by two large iürummeln 27 * 28 f.

on the back pedal foot machines 30. I.

The Eom-2oms 1, which are fastened as usual to the large tubes 27, are ^{superordinated as “reflectors 11} : attached 32 to a separate stand 31” directly on the lower 3-O-Tom.

Pig. 14 af: Shapes made of sounding wood or metal serve (similar to Fig. 5) as an inner space or frame, as the stop organ can execute reflective blows in the same (double arrows). Polygonal or Versatility d) in conjunction with a variable distance between the sound generating element and counter sound generating element e), as well as thin \ nere or thicker walls f) can 2onhöhenunterschiede to.

Pig.15 ϊ Hexagonal are composed of six sides twice, whereby each of the side surfaces produces coordinated individual tones (c, d, e, f, g, h see drawing), which now apparently allow 9 options in freely combinable interval reference (see double arrows).

Pig. 16 χ Two posts 33 and crossbars 34 form a frame within which different lines or thin rods can be aligned horizontally 35 and vertically 36 ^ forming frame units of different sizes (section 16.1), which are now all around with pierced sound elements / ion carriers such as metal tubes 37 or nolzplatten 38 for reflected tremollers (double arrows) can be equipped; any intervals ^

can be "pre-program" in this frame;. by "\ drilled wooden balls 39 or the like are used for guiding the linen, bars ^35,36l;

7629367 03/02/78

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y Aibreeht von Zedlitz percussion instrument

17: A cylindrical metal barrel or the like. 40 n &"fc hardened single tones 41 lsi; a similar ι flatter 4-2 opposed (possibly through suspension). By turning the instruments beforehand," certain intervals "between the two can be established. ! Donslcalen to 33ec3cung "bring between a-tmen the Anschlägergan then treisolieren 3cann (Doppelpf hurry).

? ig. 1Sa-f: Manual stop organ for refluxed striking, characterized in that the handle 45 has two heads 44 at the front, which sit directly on the handle 43 as a “double head” a), b) -oQ

or that the stem 43 is at the front at an angle of 90 & £ äd on both sides in a shorter or longer transverse £ 4 branches, which has heads 44 at both ends (double-ended mallets) ·

The stem 43 does not have to be in the middle of the transverse bar 45 roots, b) and 4), but can also be shifted unilaterally apply &).

The cross bar 45 does not have to be at an angle of 90 degrees ■ b | -d), the stem 43 sit, but can depending on the Incline of the stop plane 46 in its entirety β) or both sides f) be angled accordingly « Depending on the distance to be bridged between sound and counter-sound generation for reflected striking element or the! pempo and the volume that are to be achieved (cf. Fig. 2!) you choose one of the forms from: aj for short distance (e.g. Pig.14), b) for medium, c) for large distances, d), e), f) for special purposes,

7629367 03/02/78

Claims (8)

Albrecht v.Zedlitz, "Reflektophon", G 7629367.9 Protection claims: l.Reflektophones PercussioneinstrumentfHeflektophon), characterized in that membranes or idiophonic sound generators. or output ^ oäer basic instruments other membranes or idiophonic sound generators (as "reflectors ⁿ ) are juxtaposed at a certain distance. 2.Manual slingsiDouble-end strikesDnaeh claim 1, characterized in that the stem 43 at the front two heads 44 ansitζen, either directly (Fig.18a) or over a longer or shorter cross bar 45, which is evenly spaced on both sides of the handle at the front (Fig.18b, c) or uneven (Fig.18d), right-angled (Fig.18 b, c, d) or angled differently (Fig.18e, f) -branched. 3.Reflektophon according to claim 1, characterized in that the The distance from the starting point to the reflector instrument is dimensioned in such a way that a lifting device (stick, mallet, etc.) can move up and down between them / can be moved back and forth / reflected, i.e. possibly 3cm to approx. 40cm (Fig. 1-8). 4.Reflektophon according to claim 3j, characterized in that basic and reflector instruments or their stop levels for distance regulation are inclined to each other (Fig. 2). S.Reflektophon according to claim 1, characterized _y that a basic or reflector instrument more than one reflector or. The basic instrument is opposed in that they are offset from one another or reduced in size as a whole £ Fig.3,4) 6.Reflektophon according to claim 1, characterized in that at conventional two-headed drums the wall between the upper and lower hoop 15 is (partially) recessed, i.e. one (possibly «· opening 14 in the corpus, which can be reclosed through a sliding door possesses (Fig. 5). 7.Reflektcphon according to claim 1, characterized in that idiophone Sound generator, if necessary from coordinated elements, output and Curved or polygonal reflector elements uniting (multilateral, -dimensional) spatial forms enter into different, related, opposite (opposed) Stop levels, which in turn either directly from idiophonic material exist or serve as a carrier for sound generators (Fig. 14, 15). 7629367 02.0178 I Albrecnt T.Zedlitz ^ 'Reflektopiion ", G 7629367.9 J Protection claims CPorts.): 1 8 .Ref lektophon according to, claim. 1, characterized in that a § Frame forms horizontal, vertical and diagonal frames, i.e. for I interfering or reflective striking in relation to one another ™ gene, i.e. diametrically or partially opposed stop planes offer I tetjdie on all sides / all around equipped with sound carriers / sound bodies j sdiidCPig.16). I 9 «Reflektophoa according to claim 1, characterized in that" steel drum "-like, i.e. round and dacer rotatable instruments with ■ eentric arrangement of the tones, diametrically opposed (Pig.17) « 7629367 02.0178