CN112549842A - Cold stick welding inlay process for noble metal and natural gemstone inlaid Thangka and calligraphy and painting - Google Patents
Cold stick welding inlay process for noble metal and natural gemstone inlaid Thangka and calligraphy and painting Download PDFInfo
- Publication number
- CN112549842A CN112549842A CN202011167701.6A CN202011167701A CN112549842A CN 112549842 A CN112549842 A CN 112549842A CN 202011167701 A CN202011167701 A CN 202011167701A CN 112549842 A CN112549842 A CN 112549842A
- Authority
- CN
- China
- Prior art keywords
- thangka
- calligraphy
- welding
- metal
- painting
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Pending
Links
Images
Classifications
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
- B44C5/00—Processes for producing special ornamental bodies
- B44C5/04—Ornamental plaques, e.g. decorative panels, decorative veneers
- B44C5/0446—Ornamental plaques, e.g. decorative panels, decorative veneers bearing graphical information
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B05—SPRAYING OR ATOMISING IN GENERAL; APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05C—APPARATUS FOR APPLYING FLUENT MATERIALS TO SURFACES, IN GENERAL
- B05C17/00—Hand tools or apparatus using hand held tools, for applying liquids or other fluent materials to, for spreading applied liquids or other fluent materials on, or for partially removing applied liquids or other fluent materials from, surfaces
- B05C17/12—Other hand tools for producing patterns
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
- B44C1/00—Processes, not specifically provided for elsewhere, for producing decorative surface effects
- B44C1/26—Inlaying with ornamental structures, e.g. niello work, tarsia work
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
- B44C5/00—Processes for producing special ornamental bodies
- B44C5/04—Ornamental plaques, e.g. decorative panels, decorative veneers
- B44C5/0415—Ornamental plaques, e.g. decorative panels, decorative veneers containing metallic elements
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
- B44C5/00—Processes for producing special ornamental bodies
- B44C5/04—Ornamental plaques, e.g. decorative panels, decorative veneers
- B44C5/0438—Ornamental plaques, e.g. decorative panels, decorative veneers containing stone elements
Landscapes
- Engineering & Computer Science (AREA)
- Mechanical Engineering (AREA)
- Adornments (AREA)
Abstract
The invention relates to the technical field of Tibetan, other Buddhism cultural arts and various artware, calligraphy and painting, in particular to a cold-stick welding inlay process for inlaying Thangka and calligraphy and painting by noble metal and natural precious stones. The method comprises the steps of preparing in an early stage; cold stick welding of metal wires, use of precious metals and precious stones; fixing the gem powder and the glaze and laminating the works; embedding Tangka and calligraphy and painting works and decorating the picture frame. The adopted drawing board can be stored for a long time, is corrosion-resistant and high-low temperature resistant, and is easy to perform fiber welding and welding with other metal materials; the adopted cold welding material has high welding strength; the process does not need to carry out high-temperature roasting, acid washing, polishing and other treatments on the metal wire pattern and the bottom plate, and also does not need to carry out polishing and gold plating at the later stage, and the process can directly enter the processes of gem inlaying, pigment filling and the like, thereby greatly reducing the manufacturing process and the labor intensity. The finished product has the characteristics of firmness, no degumming, water resistance, high and low temperature resistance, corrosion resistance, easy storage, long storage time and the like.
Description
Technical Field
The invention relates to the technical field of Tibetan, other Buddhism cultural arts and various artware, calligraphy and painting, in particular to a cold-stick welding inlay process for inlaying Thangka and calligraphy and painting by noble metal and natural precious stones.
Background
Thang-Ka (Thang-ga), also called Tangga, Tangkar, is a Tibetan transliteration, which refers to a religious scroll painting hung for vanning after being mounted with satin. The Thangka is a unique painting art form in Tibetan culture, the subject matter content relates to a plurality of fields of Tibetan history, politics, culture, social life and the like, and the ancient Thangka is a Tibetan Buddhism and the teaching product. The prior Thangka art painting is roughly divided into; hand drawing, embroidery, silk inlay, silk tapestry and the like.
The color of the hand-painted Thangka is generally mineral and plant pigment. When drawing, various gemstones including coral, green pine, pearl, agate, mineral substances and the like are smashed and ground into powder, and then glue is added for color matching. The hand-painted Thangka has the following defects:
the method comprises the following steps of (A) hand-drawing Thangka raw materials: the particle integrity, the aesthetic property, the optical property and the like of the natural jewel of coral, green pine, pearl and agate cannot be reflected, the original cut shape of the natural raw jewel or bare stone is lost, the internal structure, the growth lines, the crystallization, the dispersion effect and the like of the natural raw jewel or bare stone are all damaged, and if the cat-eye jewel is used, the natural raw jewel is ground into powder, so that the cat-eye effect is not generated. Because of medium limitation, the hand-painted Thangka drawing usually adopts yak bone glue or hide glue to prepare pigment, and thus the Thangka is prevented from being stained with water and damp. In relatively humid environments in the south, for example, the paint and canvas may become wet or completely detached; mineral and plant pigments of the hand-painted Thangka can be dissolved in water, so that the hand-painted Thangka is extremely easy to damage.
(II) hand-drawing raw materials of the Thangka base plate: the base plate is made of cotton cloth, brocade, cowhide and the like, so that the hand-painted, embroidered, piled embroidered and tapestry tangram tangy is not easy to store for a long time. Thangka and artwork, which have come off during the self-explanatory period, are very rare. According to the introduction of the Chinese Thangka net and the introduction of the magic Tangka technology for embroidering red night by shallow analysis, the Ming Dynasty 'magic Tangka for embroidering red night' is the earliest pattern of the Thangka, and although the pattern is stored for hundreds of years, the appearance of the Thangka is old, dark and light in color, weak in medium and low in aesthetic feeling due to time abrasion.
(III) defects in preservation: gold foil, silver color and other colors used for manually drawing the Thangka are easy to damage, and the Thangka needs to be stored properly, and if the Thangka is opened and closed frequently, the Thangka can be cracked, discolored and the like. The method generally needs to be deposited in museums with proper conditions; or a special room is needed to be kept in a constant temperature and constant humidity environment for storage; or placed in a large box made of aluminum alloy, and the glass needs to be glass added with ultraviolet rays to prevent direct sunlight. In addition, the hand-painted Thangka is easy to be stained with dust, and a small amount of dust is still remained after the hand-painted Thangka is shielded by the silk cloth for shielding the Thangka and cannot be completely isolated. Meanwhile, hand-painted Thangka needs to be insect-proof, rat-proof, moth-proof, touch-proof, and mildew-proof, and if an insect-proof agent or a moth-proof material is stuck on the Thangka, the Thangka may be damaged. Therefore, the hand-painted Thangka has high storage cost and a complicated storage method.
The tanga filigrees is a pure handmade tanga artwork which is inlaid by gold wires based on the traditional Chinese filigree and combined with modern science and technology on the basis of the tanga manufacturing process. The wire inlay Thangka mainly has the following defects:
the wire inlay Thangka process aspect: the manufacturing method of the wire inlay Thangka is taken from the traditional cloisonne process. The bottom plate used for wire inlay Thangka usually adopts wood plates, gypsum plates, aluminum-plastic plates and the like, and the manufacturing process is to fix high-tech alumina wires on the bottom plate to form a picture. The drawing board has the characteristics of short storage time, easiness in damage, easiness in variability and pressure difference resistance, and cannot be welded with a metal material. According to the invention name: tang Ka (Tang Ka Cao) with wire inlay; the application number CN20152073902.1 discloses that in the link of wire bonding, the industry commonly uses the common decorative glue such as "good brothers" to bond, or uses the common adhesive to solidify and shape the alumina wire (collectively called as metal wire) on the bottom plate to form the picture. The decorative glue or common adhesive has low bonding fastness and short shelf life. Experiments show that the wire inlay Thangka manufactured by the process has the advantages that the drawing board is easy to be wetted under the conditions of a humid environment similar to the south or a dry environment in the north but moisture permeates and infiltrates the wall surface of the hanging Thangka, the aluminum oxide wires used for composition are affected by moisture, mildew crystals can be generated on the wire surfaces, and after the primer is wetted, the aluminum oxide wires are easy to fall off from the drawing board, so that large-area colors fall off simultaneously, and the wire inlay Thangka is completely damaged.
(II) wire inlay Thangka raw material aspect: at present, cloisonne raw materials are adopted in wire inlay Thangka, and mainly alumina wires and mineral pigments are adopted in wire inlay Thangka. The wire inlay Thangka manufactured by the process is rich in color, but does not relate to gem inlay, so that the Thangka art lacks of the third dimension and luxurious aesthetic feeling which are plain and attractive. Common adhesives such as decorative glue used for wire inlay Thangka are influenced by the performance of the adhesives, and even if the jewel is inlaid, the jewel particles cannot be bonded with the drawing board in high strength and are easy to fall off from the drawing board. According to the introduction of a network search engine ' Baidu encyclopedia ' -cloisonne process ', the process is complex and comprises wire inlay, blue burning, roasting, polishing, gold plating and the like. At present, cloisonne art is mostly used for three-dimensional art modeling, such as vessels like bottles, pots, furnaces, bowls, plates, tripods, candlestick, goblet, pots, etc., vessels like display towers, cranes, horses, etc., and then a new painting type combining painting and cloisonne art, namely a metal-tire plane cloisonne enamel painting, which is called cloisonne decorative painting for short, appears. But hardly any reference is made to sculpts and art work, especially of Tibetan religious colors.
Most of embroidery, pile embroidery and silk tapestry Tang-Ka adopt silk and brocade, the materials are fragile, cannot be embedded with particle jewels, are easy to damp, need to be dustproof, fireproof, mothproof and mildewproof, are difficult to store, and the color of canvas is easy to fade and age. The calligraphy and painting works are mostly presented on media such as paper, silk cloth, silk fabric, silk and the like, and acid materials such as animal glue, starch, paste and the like are added in the mounting of the calligraphy and painting works, so that the calligraphy and painting works are mildewed, damaged by worms, changed in color fading, aged and crisp when encountering moisture, light, heat and the like, and the works are delicate and difficult to store.
Disclosure of Invention
Based on the problems, the invention aims to provide a cold stick welding pinching process for inlaying Thangka and calligraphy and painting by noble metal and natural precious stones.
A cold stick welding inlay process for inlaying Thangka and calligraphy and painting with noble metal and natural gemstone specifically comprises the following steps:
the method comprises the following steps: early preparation
S1: stock preparation
(1) Drawing board: the metal material with firm material is adopted as the drawing board, and the surface of the metal drawing board is smooth and clean, so that the metal drawing board needs to be firstly subjected to preliminary polishing to form rough texture, and the subsequent cold welding process treatment is facilitated; meanwhile, in order to achieve the best cold stick welding effect, the drawing board needs to be scrubbed by acetone and dried;
(2) a metal wire: the metal wire needs to be drawn in advance, wherein the oxidized metal wire needs to be soaked at the water temperature of 10-20 ℃ so as to meet the process requirement;
(3) cold welding raw materials: the adhesive comprises an A adhesive material and a B adhesive material, wherein the A adhesive material has the high temperature resistance of 90-120 ℃, the low temperature resistance of-50 ℃ and the curing time of 1-3 hours; the B adhesive material has high and low temperature resistance of-60 to 120 ℃ and curing time of 1 hour;
s2: drawing, drafting
After the drawing board is scrubbed and dried, drawing or duplicating the pattern strictly according to the requirements of the sizes and corresponding proportions of Buddha statues and other patterns introduced in the Buddha statue measurement;
s3: lines and patterns
After the pattern is made, bending, pinching and breaking the stretched metal wire into required lines and patterns by using scissors and tweezers;
step two: cold stick welding of metal wire
The adhesive is prepared according to a strict proportion, firstly, the A-type adhesive material is prepared according to a material-liquid ratio of 2: 1, uniformly mixing; then quickly mixing the B-type adhesive material according to the material-liquid ratio of 1: 1, uniformly mixing; mixing the uniformly mixed A-type adhesive material and B-type adhesive material, and then uniformly mixing again; then, a small metal tip is used for walking glue along the lines on the drawing board, then the metal wire is bonded to the surface, a proper amount of cold-bonding welding glue formed by mixing the A-type adhesive material and the B-type adhesive material is bonded, the metal wire is pressed on the adhesive tape, when the metal wire is completely occluded with the welding glue on the drawing board, slight pressure is applied, the bonding process of one metal wire is completed, and the steps are repeated until all the lines are bonded;
step three: use of precious metals and precious stones
S1: raw material beneficiation
In order to ensure the natural and high quality of raw materials, the raw materials are all pure metals and pure natural gemstones with national certificates, and are handed to official agencies for authentication;
s2: pretreatment of raw materials
According to the inlaying requirements, in order to ensure the cooperation and the aesthetic feeling of the inlaid natural jewel and the Thangka pattern and ensure the high-strength adhesion with the drawing board, the raw materials are pretreated by proper finishing, cutting, polishing, weaving receptacle and particle stacking procedures under the condition of not influencing the gloss and the appearance of the jewel;
s3: precious metal and gem stick welding
After the pretreatment procedure, the cold-bonding welding glue prepared before is used for bonding welding; bending, pinching and breaking out lines, patterns and various natural gems by metal wires, and bonding and welding the lines, the patterns and the various natural gems at required positions by stacking or embedding techniques; wherein, the adhesion welding of part of the natural jewel, if the drawing board is a copper drawing board, a corresponding small pit needs to be chiseled on the copper drawing board, the flower support is adhered and welded in the pit, and then the natural jewel is adhered and welded in the flower support;
step four: fixing of gemstone powder and glaze and product coating
After the step three, pigment filling is needed, firstly, natural gem with transparent color is ground into powder, and the natural gem is fully and repeatedly elutriated and precipitated to remove impurities in the gem powder; the glaze is subjected to full and repeated elutriation and precipitation to remove impurities in the glaze; then, fully blending the glaze and the gem powder respectively by using transparent blending glue, filling the pigment in the Thangka works in a point blue mode, and deeply curing the pigment by using transparent sand-fixing glue after the pigment is completely dried; after the above-mentioned process is finished, adopt the resin material, carry on the tectorial membrane to the whole work;
step five: special embedding of Thangka and calligraphy and painting works
After the Thangka and calligraphy and painting works are finished, in order to ensure that the works cannot contact with or react with the outside air, a transparent sealed box is specially customized and a unique opening is reserved, the Thangka and calligraphy and painting works are placed into the transparent sealed box from the reserved unique opening of the sealed box according to the size of the Thangka and calligraphy and painting works, and the periphery of the Thangka and calligraphy and painting works is fixed and sealed;
step six: decorative picture frame
The Thangka and the calligraphy and painting works are added with a picture frame to play a role in further decoration and beautification, and the finished product is finished.
Further, the class A adhesive material in the step one is red star kd504a super glue. The chemical pipeline can be bonded and repaired, the tap water pipe crack can also be repaired, and the bonding method for copper and steel products can replace electric welding, tin soldering, copper welding and pig iron welding; has the advantages of water resistance, corrosion resistance, insolation resistance, boiling water boiling resistance, and acid and alkali resistance.
Further, the B-type adhesive material in the step one is a Kafft cast high-temperature glue cast iron oil tank leaking stoppage sealing repairing agent. The material has the characteristics of high curing speed, strong shearing force, high bonding strength and good bonding force on various materials, is suitable for bonding and repairing metal, automobile parts, glass and gem materials, and after curing, the colloid is hard like iron, is particularly suitable for metal and copper parts, and has excellent effect; low odor, environmental protection, water resistance, oil resistance, acid and alkali resistance, and is special for metal materials.
Further, the metal wire in the step one is a gold wire, a silver wire, an aluminum wire or a copper wire.
Further, the mixing amount of the adhesive material of the type A and the adhesive material of the type B in the cold bonding of the metal wires in the step two is determined according to the size of the pattern to be bonded and the number of the metal wires.
Further, the glaze in the fourth step is cloisonne enamel glaze.
Further, the natural precious stone is one of pinus virgata, coral, olivine, diamond, emerald, ruby, sapphire, beeswax, spinel, tourmaline, topaz, jade, or agate.
Compared with the prior art, the invention has the following beneficial effects:
(1) the drawing board adopted by the invention is made of a metal material which is firm in material, can be stored for a long time, resists corrosion and high and low temperatures, and is easy to perform fiber welding and welding with other metal materials.
(2) The invention adopts welding materials with different components and close characteristics to be mixed for use, has high welding strength, effectively controls the proportion of welding time, and more accords with the stick-welding characteristic of the metal wire in unit time, the curing time is 1-3 hours after the stick-welding is finished, and the glue does not have the degumming phenomenon after 24 hours of the stick-welding, and in the processes of water experiment, oil experiment, shockproof experiment and high-temperature stewing, and has the characteristics of firmness, no degumming, water resistance, high and low temperature resistance, corrosion resistance, easy storage, long storage time and the like; can replace various welding using open fire, such as argon arc welding and the like.
(3) The metal wire pattern and the bottom plate do not need to be subjected to high-temperature roasting, acid washing, polishing and other treatments, the processes of gem inlaying, pigment filling and the like can be directly carried out, polishing and gold plating are not needed in the later period, the processes of gem inlaying, pigment filling and the like can be directly carried out, and the manufacturing process and the labor intensity are greatly reduced.
(4) The finished product of the Thangka and the calligraphy and painting is novel in appearance, bright and attractive, complicated in pattern, luxurious and noble, solemn and exquisite in noble metal and natural gem inlaid with the Thangka, the finished product not only has the advantages of thick and lingering atmosphere, but also is neat and magnificent in picture, and gives people a rich and lustery artistic experience; and the finished product is embedded in a plane three-dimensional way by various precious metals and natural gems, so that the product has a wide appreciation space.
Drawings
FIG. 1 is a graph showing the effect of the Thangka water test of the present invention;
FIG. 2 is a diagram showing the effect of the Thangka shock-proof test of the present invention;
FIG. 3 is a diagram showing the effect of the invention after high temperature resistance test.
Detailed Description
The technical solutions of the present invention will be described clearly and completely with reference to the following embodiments, and it should be understood that the described embodiments are only a part of the embodiments of the present invention, and not all of the embodiments. All other embodiments, which can be derived by a person skilled in the art from the embodiments given herein without making any creative effort, shall fall within the protection scope of the present invention.
Example 1
A cold stick welding inlay process for inlaying Thangka and calligraphy and painting with noble metal and natural gemstone specifically comprises the following steps:
the method comprises the following steps: early preparation
S1: stock preparation
(1) Drawing board: the metal material with firm material is adopted as the drawing board, and the surface of the metal drawing board is smooth and clean, so that the metal drawing board needs to be firstly subjected to preliminary polishing to form rough texture, and the subsequent cold welding process treatment is facilitated; meanwhile, in order to achieve the best cold stick welding effect, the drawing board needs to be scrubbed by acetone and dried;
(2) a metal wire: the metal wire needs to be drawn in advance, wherein the oxidized metal wire needs to be soaked at the water temperature of 10-20 ℃ so as to meet the process requirement;
(3) cold welding raw materials: the adhesive comprises an A adhesive material and a B adhesive material, wherein the A adhesive material has the high temperature resistance of 90-120 ℃, the low temperature resistance of-50 ℃ and the curing time of 1-3 hours; the B adhesive material has high and low temperature resistance of-60 to 120 ℃ and curing time of 1 hour;
s2: drawing, drafting
After the drawing board is scrubbed and dried, drawing or copying the pattern strictly according to the requirements of the sizes and the corresponding proportions of the Buddha statue and other patterns introduced in the Buddha statue measurement book;
s3: lines and patterns
After the pattern is made, bending, pinching and breaking the stretched metal wire into required lines and patterns by using scissors and tweezers;
step two: cold stick welding of metal wire
The adhesive is prepared according to a strict proportion, firstly, the A-type adhesive material is prepared according to a material-liquid ratio of 2: 1, uniformly mixing; then quickly mixing the B-type adhesive material according to the material-liquid ratio of 1: 1, uniformly mixing; mixing the uniformly mixed A-type adhesive material and B-type adhesive material, and then uniformly mixing again; then, a small metal tip is used for walking glue along the lines on the drawing board, then the metal wire is bonded to the surface, a proper amount of cold-bonding welding glue formed by mixing the A-type adhesive material and the B-type adhesive material is bonded, the metal wire is pressed on the adhesive tape, when the metal wire is completely occluded with the welding glue on the drawing board, slight pressure is applied, the bonding process of one metal wire is completed, and the steps are repeated until all the lines are bonded;
step three: use of precious metals and precious stones
S1: raw material beneficiation
In order to ensure the natural and high quality of raw materials, the raw materials are all pure metals and pure natural gemstones with national certificates, and are handed to official agencies for authentication;
s2: pretreatment of raw materials
According to the inlaying requirements, in order to ensure the cooperation and the aesthetic feeling of the inlaid natural jewel and the Thangka pattern and ensure the high-strength adhesion with the drawing board, the raw materials are pretreated by proper finishing, cutting, polishing, weaving receptacle and particle stacking procedures under the condition of not influencing the gloss and the appearance of the jewel;
s3: precious metal and gem stick welding
After the pretreatment procedure, the cold-bonding welding glue prepared before is used for bonding welding; bending, pinching and breaking out lines, patterns and various natural gems by metal wires, and bonding and welding the lines, the patterns and the various natural gems at required positions by stacking or embedding techniques; wherein, the adhesion welding of part of the natural jewel, if the drawing board is a copper drawing board, a corresponding small pit needs to be chiseled on the copper drawing board, the flower support is adhered and welded in the pit, and then the natural jewel is adhered and welded in the flower support;
step four: fixing of gemstone powder and glaze and product coating
After the step three, pigment filling is needed to increase the glossiness and aesthetic feeling of the Thangka and painting and calligraphy works, firstly, natural precious stones with transparent colors are ground into powder, and the natural precious stones are fully and repeatedly elutriated and precipitated to remove impurities in the precious stone powder; the glaze is subjected to full and repeated elutriation and precipitation to remove impurities in the glaze; then, transparent blending glue is used for fully blending glaze and gem powder respectively, pigment filling is carried out on the Thangka works in a point blue mode, and transparent sand fixing glue is used for deeply curing the pigment after the pigment is completely dried out, so that the Thangka works and the painting and calligraphy artware are firmer; after the working procedures are finished, a resin material is adopted to coat the film on the whole work, so that the effect of isolating the work from air is achieved;
step five: special embedding of Thangka and calligraphy and painting works
After the Thangka and calligraphy and painting works are finished, in order to ensure that the works cannot contact with or react with the outside air, a transparent sealed box is specially customized and a unique opening is reserved, the Thangka and calligraphy and painting works are placed into the transparent sealed box from the reserved unique opening of the sealed box according to the size of the Thangka and calligraphy and painting works, and the periphery of the Thangka and calligraphy and painting works is fixed and sealed;
step six: decorative picture frame
The Thangka and the calligraphy and painting works are added with a picture frame to play a role in further decoration and beautification, and the finished product is finished.
Preferably, the adhesive material in the class A in the first step is red star kd504a super glue. The chemical pipeline can be bonded and repaired, the tap water pipe crack can also be repaired, and the bonding method for copper and steel products can replace electric welding, tin soldering, copper welding and pig iron welding; has the advantages of water resistance, corrosion resistance, insolation resistance, boiling water boiling resistance, and acid and alkali resistance.
Preferably, the B-type adhesive material in the first step is a Kafft cast-iron high-temperature oil tank leaking stoppage sealing repairing agent. The material has the characteristics of high curing speed, strong shearing force, high bonding strength and good bonding force on various materials, is suitable for bonding and repairing metal, automobile parts, glass and gem materials, and after curing, the colloid is hard like iron, is particularly suitable for metal and copper parts, and has excellent effect; low odor, environmental protection, water resistance, oil resistance, acid and alkali resistance, and is special for metal materials.
Preferably, the metal wire in the first step is a gold wire, a silver wire, an aluminum wire or a copper wire.
And optimally, the mixing dosage of the A-type adhesive material and the B-type adhesive material in the cold bonding of the metal wires in the step two is determined according to the size of the bonding pattern and the number of the metal wires.
Preferably, the glaze of the fourth step is cloisonne enamel glaze.
Preferably, the natural precious stone is one of pinus sylvestris, coral, olivine, diamond, emerald, ruby, sapphire, beeswax, spinel, tourmaline, topaz, jadeite, or agate.
Example 2
(1) Water test
Experiment time: 30 days in 2019 and 1 month to 30 days in 2019 and 7 months
The experimental method comprises the following steps: the Thangka work manufactured in example 1 was completely immersed in a container filled with tap water, during which time water consumed by evaporation was added, so that the Thangka work was always completely submerged in water. Until the end of the experiment, over a period of 180 days.
The experimental results are as follows: the copper drawing board is not damaged by water immersion; the metal wire is firmly adhered on the drawing board, and the phenomenon of degumming caused by water immersion does not occur; the color and luster of the jewel on the drawing board are not changed, and the phenomenon that the jewel falls off from the drawing board due to soaking does not occur.
(2) Experiment of vibration prevention
Experiment time: 6 month and 9 days 2019
The experimental method comprises the following steps: the Thangka work made in example 1 was lifted off the table and dropped from the height of 1.2 m to the ground by natural falling, and the process was repeated several times.
The experimental results are as follows: the copper drawing board is not damaged by falling from a high place; the metal wire is firmly adhered to the drawing board, and the phenomenon of degumming caused by falling and vibration does not occur; the phenomenon that the gem on the drawing board falls off from the drawing board due to great vibration generated by falling from a high place is not found.
(3) High temperature test
Experiment time: 1/6/2019 to 7/6/2019
The experimental method comprises the following steps: the Thangka work manufactured in example 1 was completely wrapped with a thick blanket, and the blanket was placed on an electric blanket and continuously heated to maintain the temperature at about 50 ℃ for 7 days.
The experimental results are as follows: the copper drawing board is not damaged by high temperature; the metal wire is firmly adhered on the drawing board, and the phenomenon of degumming due to high temperature is avoided; the gem on the drawing board does not fall off from the drawing board due to high temperature.
Although embodiments of the present invention have been shown and described, it will be appreciated by those skilled in the art that changes, modifications, substitutions and alterations can be made in these embodiments without departing from the principles and spirit of the invention, the scope of which is defined in the appended claims and their equivalents.
Claims (7)
1. A cold stick welding inlay process for inlaying Thangka and calligraphy and painting on noble metal and natural gemstone is characterized by comprising the following steps:
the method comprises the following steps: early preparation
S1: stock preparation
(1) Drawing board: the metal material with firm material is adopted as the drawing board, and the surface of the metal drawing board is smooth and clean, so that the metal drawing board needs to be firstly subjected to preliminary polishing to form rough texture, and the subsequent cold welding process treatment is facilitated; simultaneously, the drawing board is scrubbed by acetone and dried;
(2) a metal wire: the metal wire needs to be drawn in advance, wherein the oxidized metal wire needs to be soaked at the water temperature of 10-20 ℃;
(3) cold welding raw materials: the adhesive comprises an A adhesive material and a B adhesive material, wherein the A adhesive material has the high temperature resistance of 90-120 ℃, the low temperature resistance of-50 ℃ and the curing time of 1-3 hours; the B adhesive material has high and low temperature resistance of-60 to 120 ℃ and curing time of 1 hour;
s2: drawing, drafting
After the drawing board is scrubbed and dried, drawing or manufacturing patterns according to the sizes and corresponding proportion requirements of Buddha statues and other patterns introduced in the Buddha statue measurement;
s3: lines and patterns
After the pattern is made, bending, pinching and breaking the stretched metal wire into required lines and patterns by using scissors and tweezers;
step two: cold stick welding of metal wire
The adhesive is strictly prepared and used according to the proportion, firstly, the A-type adhesive material is prepared according to the material-liquid ratio of 2: 1, uniformly mixing; then quickly mixing the B-type adhesive material according to the material-liquid ratio of 1: 1, uniformly mixing; mixing the uniformly mixed A-type adhesive material and B-type adhesive material, and then uniformly mixing again; then, a small metal tip is used for walking glue along the lines on the drawing board, then the metal wire is bonded to the surface, a proper amount of cold-bonding welding glue formed by mixing the A-type adhesive material and the B-type adhesive material is bonded, the metal wire is pressed on the adhesive tape, when the metal wire is completely occluded with the welding glue on the drawing board, slight pressure is applied, the bonding process of one metal wire is completed, and the steps are repeated until all the lines are bonded;
step three: use of precious metals and precious stones
S1: raw material beneficiation
The raw materials are all pure metal and pure natural gemstones with national certificates, and are handed to official institutions for authentication;
s2: pretreatment of raw materials
Under the condition of not influencing the luster and the appearance of the gem, the raw materials are pretreated by proper working procedures of finishing, cutting, polishing, weaving a receptacle and stacking particles;
s3: precious metal and gem stick welding
After the pretreatment procedure, the cold-bonding welding glue prepared before is used for bonding welding; bending, pinching and breaking out lines, patterns and various natural gems by metal wires, and bonding and welding the lines, the patterns and the various natural gems at required positions by stacking or embedding techniques; wherein, the adhesion welding of part of the natural jewel, if the drawing board is a copper drawing board, a corresponding small pit needs to be chiseled on the copper drawing board, the flower support is adhered and welded in the pit, and then the natural jewel is adhered and welded in the flower support;
step four: fixing of gemstone powder and glaze and product coating
After the step three, pigment filling is needed, firstly, natural gem with transparent color is ground into powder, and the natural gem is fully and repeatedly elutriated and precipitated to remove impurities in the gem powder; the glaze is subjected to full and repeated elutriation and precipitation to remove impurities in the glaze; then, fully blending the glaze and the gem powder respectively by using transparent blending glue, filling the pigment in the Thangka works in a point blue mode, and deeply curing the pigment by using transparent sand-fixing glue after the pigment is completely dried; after the above-mentioned process is finished, adopt the resin material, carry on the tectorial membrane to the whole work;
step five: special embedding of Thangka and calligraphy and painting works
After the Thangka and calligraphy and painting works are finished, a transparent sealed box is specially customized and a unique opening is reserved, the Thangka and calligraphy and painting works are placed into the transparent sealed box from the reserved unique opening of the sealed box according to the size of the Thangka and calligraphy and painting works, and the periphery of the Thangka and calligraphy and painting works is fixed and sealed;
step six: decorative picture frame
And adding a picture frame on the Thangka and the calligraphy and painting works to finish the finished product.
2. The cold-stick welding process for inlaying Thangka and calligraphy and painting with noble metal and natural gemstone according to claim 1, wherein said class A adhesive material of step one is Red Star kd504a super glue.
3. The cold stick welding process of inlaying Thangka and calligraphy and painting with noble metal and natural gemstone according to claim 1, wherein the B-type adhesive material in the first step is Kafft cast high-temperature oil tank leaking stoppage sealing repairing agent.
4. The cold-stick welding inlay process for noble metals and natural gemstones with Thangka and calligraphy and painting according to claim 1, wherein the metal wire in step one is gold wire, silver wire, aluminum wire or copper wire.
5. The cold stick welding process of claim 1, wherein the amount of the mixture of the adhesive material of group a and the adhesive material of group B in the cold stick welding of the metal wires in step two is determined according to the size of the pattern to be stick-welded and the number of the metal wires.
6. The cold-stick welding inlay process of noble metal and natural gemstone inlaid Thangka and calligraphy and painting according to claim 1, wherein the glaze in step four is cloisonne enamel glaze.
7. The cold-stick welding process for inlaying Thangka and calligraphy and painting by noble metal and natural precious stone according to claim 1, wherein the natural precious stone is Pink virgata, coral, olivine, diamond, emerald, ruby, sapphire, beeswax, spinel, tourmaline, topaz, jadeite or agate.
Priority Applications (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| CN202011167701.6A CN112549842A (en) | 2020-10-28 | 2020-10-28 | Cold stick welding inlay process for noble metal and natural gemstone inlaid Thangka and calligraphy and painting |
Applications Claiming Priority (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| CN202011167701.6A CN112549842A (en) | 2020-10-28 | 2020-10-28 | Cold stick welding inlay process for noble metal and natural gemstone inlaid Thangka and calligraphy and painting |
Publications (1)
| Publication Number | Publication Date |
|---|---|
| CN112549842A true CN112549842A (en) | 2021-03-26 |
Family
ID=75042618
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| CN202011167701.6A Pending CN112549842A (en) | 2020-10-28 | 2020-10-28 | Cold stick welding inlay process for noble metal and natural gemstone inlaid Thangka and calligraphy and painting |
Country Status (1)
| Country | Link |
|---|---|
| CN (1) | CN112549842A (en) |
Cited By (1)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN113633078A (en) * | 2021-08-25 | 2021-11-12 | 深圳市甘露珠宝首饰有限公司 | Preparation of enamel precious metal ornament and ornament prepared by method |
Citations (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN1071881A (en) * | 1992-10-16 | 1993-05-12 | 刘尚玉 | The manufacture method of crystal cloisonne product |
| CN103818172A (en) * | 2014-01-25 | 2014-05-28 | 贺月红 | Process for manufacturing gem mounting cloisonn picture |
| CN107323149A (en) * | 2017-07-14 | 2017-11-07 | 陈少炜 | A kind of bamboo and wood tire thread weaving enamel manufacture craft |
| JP2018103609A (en) * | 2016-12-22 | 2018-07-05 | 明俊 町田 | Gold foil decoration method |
-
2020
- 2020-10-28 CN CN202011167701.6A patent/CN112549842A/en active Pending
Patent Citations (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN1071881A (en) * | 1992-10-16 | 1993-05-12 | 刘尚玉 | The manufacture method of crystal cloisonne product |
| CN103818172A (en) * | 2014-01-25 | 2014-05-28 | 贺月红 | Process for manufacturing gem mounting cloisonn picture |
| JP2018103609A (en) * | 2016-12-22 | 2018-07-05 | 明俊 町田 | Gold foil decoration method |
| CN107323149A (en) * | 2017-07-14 | 2017-11-07 | 陈少炜 | A kind of bamboo and wood tire thread weaving enamel manufacture craft |
Cited By (1)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN113633078A (en) * | 2021-08-25 | 2021-11-12 | 深圳市甘露珠宝首饰有限公司 | Preparation of enamel precious metal ornament and ornament prepared by method |
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| EP1777255A2 (en) | Image making medium | |
| CN107935632A (en) | A kind of ware method for repairing and mending | |
| CN112549842A (en) | Cold stick welding inlay process for noble metal and natural gemstone inlaid Thangka and calligraphy and painting | |
| CN104960374A (en) | Manufacturing technology of cloisonne amber crystal drawing | |
| CN104999847A (en) | Activated carbon cloisonne painting manufacturing technology | |
| KR101754453B1 (en) | Manufacturing method for dotaechilgi with inlay | |
| CN108032662A (en) | The production method of porcelain utensil shell mother-of-pearl inlay | |
| KR101134026B1 (en) | Method for attaching mother-of-pearl using lacquer | |
| CN104149536A (en) | Jewel painting and manufacturing method thereof | |
| CN109553307B (en) | Preparation process of glass painting | |
| CN1004544B (en) | Enamelled crystal and making technique | |
| Frömke | Standardoperationen in der Herzchirurgie | |
| CN201376447Y (en) | Carbon board picture | |
| Riordan | American Stained Glass. First Article | |
| Larson | The treatment and examination of polychrome Chinese sculpture at the Victoria and Albert Museum | |
| CN102689567A (en) | Natural jade-decorative craftwork and manufacture method thereof | |
| CN102767115A (en) | Method for manufacturing decorative shaped article, composition and composition set | |
| CN1850521A (en) | Surface decorating method for decorative art earthenware | |
| CN209466902U (en) | A kind of craftwork with novel surface layer decoration technology | |
| Eberle | Creative glass techniques: fusing, painting, lampwork | |
| CN112405746A (en) | Paint line carving process for natural wood artware | |
| KR20200074498A (en) | Manufacturing method of binder for wha-gak, the binder manufactured by the same, and producing method of wha-gak using the same | |
| COWPER-COLES | ikDD DSDSDSDSkS k | |
| CN1058932A (en) | Kyanite-glazed ornaments and preparation method thereof | |
| Whiting | Ceramics |
Legal Events
| Date | Code | Title | Description |
|---|---|---|---|
| PB01 | Publication | ||
| PB01 | Publication | ||
| SE01 | Entry into force of request for substantive examination | ||
| SE01 | Entry into force of request for substantive examination | ||
| RJ01 | Rejection of invention patent application after publication |
Application publication date: 20210326 |
|
| RJ01 | Rejection of invention patent application after publication |