CN109970425B - Art sculpture light clay and preparation method thereof - Google Patents
Art sculpture light clay and preparation method thereof Download PDFInfo
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- CN109970425B CN109970425B CN201910377913.8A CN201910377913A CN109970425B CN 109970425 B CN109970425 B CN 109970425B CN 201910377913 A CN201910377913 A CN 201910377913A CN 109970425 B CN109970425 B CN 109970425B
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- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B28/00—Compositions of mortars, concrete or artificial stone, containing inorganic binders or the reaction product of an inorganic and an organic binder, e.g. polycarboxylate cements
- C04B28/14—Compositions of mortars, concrete or artificial stone, containing inorganic binders or the reaction product of an inorganic and an organic binder, e.g. polycarboxylate cements containing calcium sulfate cements
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- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B2111/00—Mortars, concrete or artificial stone or mixtures to prepare them, characterised by specific function, property or use
- C04B2111/00025—Aspects relating to the protection of the health, e.g. materials containing special additives to afford skin protection
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- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B2111/00—Mortars, concrete or artificial stone or mixtures to prepare them, characterised by specific function, property or use
- C04B2111/00474—Uses not provided for elsewhere in C04B2111/00
- C04B2111/00956—Uses not provided for elsewhere in C04B2111/00 for making sculptures or artistic casts
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- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B2111/00—Mortars, concrete or artificial stone or mixtures to prepare them, characterised by specific function, property or use
- C04B2111/40—Porous or lightweight materials
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Abstract
The invention relates to art sculpture light clay and a preparation method thereof. Comprises the following raw materials of 20 to 40 portions of gypsum, 15 to 20 portions of filling material, 10 to 25 portions of binding agent, 1 to 2 portions of odor masking agent, 2 to 5 portions of liquid paraffin oil, 0.1 to 0.5 portion of retarder, 0.5 to 1 portion of toner and 10 to 25 portions of water; the binder is dispersible latex powder. The light art sculpture mud provided by the invention adopts the dispersible latex powder as the binder to be matched with the gypsum and the filler, so that the weight of the light art sculpture mud is reduced on the premise of improving the strength of the light art sculpture mud. The prepared Meisu sculpture mud can be used for preparing indoor large sculptures, is convenient to carry during transition due to light weight, and meanwhile, does not influence the health of users due to the fact that the used raw materials do not contain VOC.
Description
Technical Field
The invention relates to the technical field of art sculptures, in particular to art sculpture light clay and a preparation method thereof.
Background
The main components of the art sculpture clay in the prior art are mostly natural argil, the art sculpture clay needs to be crushed and uniformly mixed into a proper viscous state before sculpture, and the art sculpture clay needs to be prepared on site every time of use, so that the art sculpture clay is very inconvenient. On the other hand, in the process of sculpture creation, local adjustment needs to be carried out on the works, and the adjusted pottery clay is easy to dry and crack due to the volatilization of water, so that inconvenience is brought to local repair. Meanwhile, as the main component is the natural argil, when the large sculpture is prepared, the finished sculpture product is heavier, is inconvenient to carry when being transferred to a place and displayed, and is easy to be damaged due to low strength.
Although, in the prior art, a two-component method is adopted, namely epoxy resin and filling material are mixed to prepare a component A, a curing agent and the filling material are mixed to prepare a component B, A, B components are separately packaged and stored, and A, B components are mixed before use. The molding time is delayed by using the chemical change generated between A, B components, and the use is convenient, but because the epoxy resin and the epoxy resin curing agent are used, the VOC (volatile organic compound) contained in the epoxy resin curing agent can affect the body health of users.
Accordingly, the prior art is yet to be improved and developed.
Disclosure of Invention
In view of the defects of the prior art, the invention aims to provide the art sculpture light mud and the preparation method thereof, and aims to solve the problems that the existing art sculpture mud is heavy in weight, low in strength and harmful to the health of users.
The technical scheme adopted by the invention for solving the technical problems is as follows:
the light art sculpture mud comprises the following raw materials in parts by weight: 20-40 of gypsum
15-20 parts of filling material, 10-25 parts of binding agent, 1-2 parts of odor masking agent, 2-5 parts of liquid paraffin oil, 0.1-0.5 part of retarder, 0.5-1 part of toner and 10-25 parts of water; the binder is dispersible latex powder.
The art sculpture light clay comprises the following raw materials in parts by weight: gypsum plaster
20-25 parts of filler, 15-18 parts of adhesive, 10-15 parts of odor masking agent, 1-1.5 parts of liquid paraffin oil, 0.1-0.3 part of retarder, 0.5-0.7 part of toner and 10-15 parts of water; the binder is dispersible latex powder.
The light mud for artistic sculpture is characterized in that the filler is one or more of sugarcane air-dried pulp, softwood air-dried pulp and reed air-dried pulp.
The art sculpture light mud is characterized in that the odor masking agent is one or more of saccharin sodium, sulphaguanidine and essence.
The light art sculpture mud is characterized in that the retarder is one or a mixture of several of protein, citric acid, citrate, phosphate and tartaric acid.
The light art sculpture mud is characterized in that the toner is one or more of titanium white, iron blue, cadmium red, lithopone, carbon black and iron oxide red.
The art sculpture light mud comprises the following raw materials in parts by weight: 1-3 parts of glycerin, 0.1-0.5 part of calcium phosphate mildew preventive and 1-3 parts of starch.
The light art sculpture mud is characterized in that the starch is one or more of wheat starch, corn starch, cassava starch and potato starch.
A preparation method of art sculpture light mud comprises the following steps:
soaking the filler in water, and pulping the soaked filler in a pulping machine to obtain filler slurry;
fully mixing the binder with water to obtain a binder aqueous solution;
adding gypsum into the aqueous solution of the binder, and uniformly stirring to obtain a mixture;
and mixing the odor masking agent, the liquid paraffin oil, the retarder, the toner, the filler slurry and the mixture, and kneading the mixture at 20-35 ℃ by using a kneader to obtain the light art sculpture mud.
The preparation method of the art sculpture light mud comprises the following steps of mixing an odor masking agent, liquid paraffin oil, a retarder, a toner, the filler slurry and the mixture, kneading the mixture at 20-35 ℃ by using a kneader to obtain the art sculpture light mud, and further comprising the following steps:
adding the art sculpture light mud into a rolling machine for rolling to obtain a daub-shaped mud;
and placing the daub-shaped mud in a forming machine for forming treatment to obtain formed mud.
Has the advantages that: the light art sculpture mud provided by the invention adopts the dispersible latex powder as the binder to be matched with the gypsum and the filler, so that the weight of the light art sculpture mud is reduced on the premise of improving the strength of the light art sculpture mud. The prepared Meisu sculpture mud can be used for preparing indoor large sculptures, is convenient to carry during transition due to light weight, and meanwhile, does not influence the health of users due to the fact that the used raw materials do not contain VOC.
Drawings
Fig. 1 is a flow chart of a method for preparing an art sculpture light mud according to an embodiment of the present invention.
Detailed Description
In order to make the objects, technical solutions and advantages of the present invention clearer and clearer, the present invention is further described in detail below with reference to the accompanying drawings and examples. It should be understood that the specific embodiments described herein are merely illustrative of the invention and are not intended to limit the invention.
The invention discloses art sculpture light mud which comprises the following raw materials in parts by weight:
20-40 parts of gypsum, 15-20 parts of filler, 10-25 parts of binder, 1-2 parts of odor masking agent, 2-5 parts of liquid paraffin oil, 0.1-0.5 part of retarder, 0.5-1 part of toner and 10-25 parts of water; the binder is dispersible latex powder.
It should be noted that the hardness of the obtained art light mud can be adjusted according to the specific use environment, for example, when making a framework, the hardness of the art light mud needs to be properly higher, and if making a surface sculpture, the hardness needs to be softer. The specific hardness adjustment can be realized by increasing the use amount of the dry powder, increasing and reducing the water consumption, or placing the finished product mud for reaction for a period of time, and the like.
Specifically, the gypsum is a monoclinic mineral and mainly contains calcium sulfate (CaSO) as a chemical component4) A hydrate of (1). Gypsum is a widely used industrial and building material. Can be used for cement retarders, gypsum building products, model making, medical food additives, sulfuric acid production, paper fillers, paint fillers and the like. In the existing sculpture, the gypsum powder is mainly used for casting a model because the setting time is short (the setting is changed to be about 15 minutes), and the gypsum powder is rarely directly used for manual sculpture.
The dispersible latex powder is water-soluble white or white-like flowable powder, is a copolymer of ethylene and vinyl acetate, and takes polyvinyl alcohol as protective colloid. The mortar has outstanding waterproof performance and good bonding strength, increases the elasticity of the mortar, has longer opening time, gives the mortar excellent alkali resistance, improves the adhesiveness/adhesiveness, the breaking strength, the plasticity, the wear resistance and the constructability of the mortar, and has stronger flexibility in flexible anti-crack mortar. It is used for preparing white emulsion paint for decorating and protecting building outer walls. Is not used in the art sculpture field.
The liquid paraffin oil is a mineral oil, and is a colorless and odorless mixture obtained from the fractionation of crude oil. The main components are carbon and hydrogen.
The dispersible latex powder, the liquid paraffin oil and the gypsum are matched, and the gypsum is modified by utilizing the caking property of the dispersible latex powder and the flexibility of the liquid paraffin oil, so that the gypsum which can only be used for casting a model originally is used for hand sculptures, and the application range of the gypsum is expanded.
In one or more embodiments, the filler used in the present invention is a lightweight filler, such as sugarcane air-dried pulp, softwood air-dried pulp, and reed air-dried pulp, wherein the air-dried pulp is a pulp with a moisture content of 10%, in order to reduce the weight of the art sculpture mud. On the one hand, the used filling material can reduce the weight of the sculpture mud, and on the other hand, because of the plant fiber contained in the sugarcane air-dried pulp, the needle-leaved wood air-dried pulp and the reed air-dried pulp, the overall strength of the art sculpture mud can be further enhanced, and the sculpture mud is prevented from falling down due to the action of self gravity in the sculpture process, so that the sculpture works have the problem of deformation. Of course, the filler used in the present invention may be sugar cane dried pulp, softwood air dried pulp, and reed dried pulp, and is not limited to the air dried pulp. The air-dried pulp is adopted, and because the air-dried pulp contains partial moisture, the subsequent soaking pulping is facilitated. Because the adopted filler is bagasse after sugar pressing or reed, the production and processing cost of the art sculpture light mud can be reduced.
In one or more embodiments, the retarder is one or a mixture of several of protein, citric acid, citrate, phosphate and tartaric acid. The drying time of the art sculpture mud can be further optimized by adding a certain amount of retarder, and relatively abundant time for modifying sculpture works is provided for users.
In some embodiments, the toner is one or more of titanium white, iron blue, cadmium red, lithopone, carbon black, and iron oxide red. Namely, a certain amount of toner is added, so that the sculpture has a certain ground color, and the sculpture product is conveniently colored in the follow-up process.
In some embodiments, the odor masking agent is one or more of sodium saccharin, sulphaguanidine, and perfume. Namely, the light clay for art sculpture can have certain fragrance by adding the odor masking agent, and can mask unpleasant odor brought by other raw materials.
In one or more embodiments, the art sculpture lightweight mud further comprises glycerin, a calcium phosphate mildew preventive and starch. The light clay for artistic sculpture can be made not sticky by adding a certain amount of glycerin, and the sculpture works are not easy to mildew due to damp by adding the calcium phosphate mildew preventive. The hand feeling and the strength of the art sculpture light weight mud can be further improved by adding a certain amount of wheat starch, corn starch, cassava starch and potato starch.
Further, the invention also provides a preparation method of the art sculpture light mud. The method comprises the following steps:
s100, soaking the filler in water, and pulping the soaked filler in a pulping machine to obtain filler slurry.
Specifically, the filler is immersed in water at a certain temperature, for example, at 20 to 35 ℃ depending on the ratio of the filler. And fishing out the filler after the filler is softened, draining excessive water, putting the filler into a pulping machine, and crushing and pulping to obtain filler slurry for later use.
And S200, fully mixing the binder with water to obtain a binder aqueous solution.
Specifically, water is added to the binder to prepare an aqueous solution of the binder. In this step, the amount of water added may be any, and an aqueous binder solution may be prepared, or only the binder may be dissolved to form a paste.
S300, adding gypsum into the aqueous solution of the binder, and uniformly stirring to obtain a mixture.
Specifically, gypsum is added to the aqueous solution of the binder or the binder in the form of a paste prepared in step S200, and the mixture is stirred and mixed uniformly. Of course, for ease of mixing, the gypsum and binder may be pre-mixed and water added to the mixed material. That is, the sequence of adding water is not limited herein.
S400, mixing the odor masking agent, the liquid paraffin oil, the retarder, the toner, the filler slurry and the mixture, and kneading the mixture by using a kneader at the temperature of 20-35 ℃ to obtain the light art sculpture mud.
Specifically, various auxiliary materials (an odor masking agent, liquid paraffin oil, a retarder and toner) and the filler slurry are put into a kneader and kneaded at the temperature of 20-35 ℃, so that even if the materials are fully mixed, the materials are physically combined through kneading of the kneader, and the flexibility of the art sculpture mud is improved.
In some embodiments, after the step S400, the method further comprises the steps of:
s500, adding the art sculpture light mud into a rolling machine for rolling to obtain daub-shaped mud;
s600, placing the daub-shaped mud in a forming machine for forming treatment to obtain formed mud.
Specifically, after the art sculpture light mud is prepared, the art sculpture light mud is further rolled, and after the rolling, the forming treatment is carried out through a forming machine, so as to obtain the forming mud.
The present invention provides a lightweight art sculpture mud which is further explained by the following specific examples.
Example 1
Weighing 15 parts by weight of sugarcane air-dried pulp, putting the sugarcane air-dried pulp into warm water at the temperature of 20 ℃, and soaking for 30 minutes. And fishing out the air-dried sugarcane pulp after being softened, draining excessive water, and putting the sugarcane pulp into a pulping machine for pulping to obtain sugarcane pulp for later use.
Weighing 10 parts by weight of dispersible latex powder, adding 10 parts by weight of water into the dispersible latex powder, and stirring to obtain an aqueous solution of the dispersible latex powder. And weighing 20 parts by weight of gypsum, adding the gypsum into the aqueous solution of the dispersible latex powder, and stirring and mixing to obtain a mixture of the dispersible latex powder, the gypsum and the water.
And (3) putting the obtained mixture of the dispersible latex powder, the gypsum and the water, 1 part by weight of essence, 2 parts by weight of liquid paraffin oil, 0.1 part by weight of citric acid and 0.5 part by weight of titanium dioxide into a kneader, and kneading for 45 minutes at the temperature of 20 ℃ to obtain the artistic sculpture light mud.
Example 2
20 parts by weight of softwood air-dried pulp is weighed and put into warm water at the temperature of 30 ℃ for soaking for 35 minutes. And fishing out the air-dried softwood pulp after the softening, draining excessive water, and putting the softwood pulp into a beating machine for beating to obtain softwood pulp for later use.
Weighing 25 parts by weight of dispersible latex powder, adding 25 parts by weight of water into the dispersible latex powder, and stirring to obtain an aqueous solution of the dispersible latex powder. Weighing 30 parts by weight of gypsum, adding the gypsum into the aqueous solution of the dispersible latex powder, and stirring and mixing to obtain a mixture of the dispersible latex powder, the gypsum and water.
And (2) putting the obtained mixture of the dispersible latex powder, gypsum and water, 2 parts by weight of saccharin sodium, 3 parts by weight of liquid paraffin oil, 0.3 part by weight of protein and 0.7 part by weight of iron blue powder into a kneader, and kneading for 45 minutes at the temperature of 30 ℃ to obtain the artistic sculpture light mud.
Example 3
20 parts by weight of softwood air-dried pulp is weighed and put into warm water at the temperature of 30 ℃ for soaking for 35 minutes. And fishing out the air-dried softwood pulp after the softening, draining excessive water, and putting the softwood pulp into a beating machine for beating to obtain softwood pulp for later use.
Weighing 25 parts by weight of dispersible latex powder, adding 25 parts by weight of water into the dispersible latex powder, and stirring to obtain an aqueous solution of the dispersible latex powder. Weighing 30 parts by weight of gypsum, adding the gypsum into the aqueous solution of the dispersible latex powder, and stirring and mixing to obtain a mixture of the dispersible latex powder, the gypsum and water.
And putting the obtained mixture of the dispersible latex powder, gypsum and water, 2 parts by weight of saccharin sodium, 3 parts by weight of liquid paraffin oil, 0.3 part by weight of protein, 0.7 part by weight of iron blue powder, 3 parts by weight of glycerin, 0.5 part by weight of calcium phosphate mildew preventive and 3 parts by weight of cassava starch into a kneader, and kneading for 45 minutes at the temperature of 30 ℃ to obtain the light art sculpture mud.
In conclusion, the invention provides the art sculpture light mud and the preparation method thereof. The light art sculpture mud takes dispersible latex powder as a binder to modify gypsum, so that the gypsum which originally can only be used for casting a mould is used as the hand sculpture mud, and the application range of the gypsum is expanded. The sugarcane air-dried pulp, the reed air-dried pulp and the needle-leaved wood air-dried pulp are added into the fine arts sculpture light-weight mud, so that the strength of the fine arts sculpture light-weight mud is improved, and the weight of the fine arts sculpture light-weight mud is reduced. Through adding glycerine and starch for the fine arts sculpture light clay is not sticky, cooperates mildew inhibitor, retarder, smell masking agent simultaneously, makes the flexibility of fine arts sculpture light clay, intensity and construction scope (solidification) obtain very big promotion. The preparation method of the art sculpture light mud comprises the steps of soaking and softening sugarcane air-dried pulp, reed air-dried pulp and softwood air-dried pulp in advance, and then putting the soaked and softened sugarcane air-dried pulp, reed air-dried pulp and softwood air-dried pulp into a pulping machine for pulping. Mixing dispersible latex powder, gypsum and water, adding various auxiliary materials into a kneading machine together, kneading to obtain art sculpture light mud, and rolling the obtained art sculpture light mud by a rolling machine to obtain daub-shaped mud; and placing the daub-shaped mud in a forming machine for forming treatment to obtain formed mud. The prepared Meisu sculpture mud can be used for preparing indoor large sculptures, is convenient to carry during transition due to light weight, and meanwhile, does not influence the health of users due to the fact that the used raw materials do not contain VOC.
It is to be understood that the invention is not limited to the examples described above, but that modifications and variations may be effected thereto by those of ordinary skill in the art in light of the foregoing description, and that all such modifications and variations are intended to be within the scope of the invention as defined by the appended claims.
Claims (3)
1. The art sculpture light mud is characterized by comprising the following raw materials in parts by weight:
20-25 parts of gypsum, 15-18 parts of filling material, 10-15 parts of binding agent, 1-1.5 parts of odor masking agent, 2-3 parts of liquid paraffin oil, 0.1-0.3 part of retarder, 0.5-0.7 part of toner and 10-15 parts of water; the binder is dispersible latex powder; the filler is one or more of sugarcane air-dried pulp, softwood air-dried pulp and reed air-dried pulp; the retarder is one or a mixture of more of protein, citric acid, citrate, phosphate and tartaric acid; the toner is one or more of titanium white, iron blue, cadmium red, lithopone, carbon black and iron oxide red;
the feed also comprises the following raw materials in parts by weight: 1-3 parts of glycerol, 0.1-0.5 part of calcium phosphate mildew preventive and 1-3 parts of starch;
the starch is one or more of wheat starch, corn starch, cassava starch and potato starch.
2. The lightweight mud for art sculptures according to claim 1, wherein the odor masking agent is one or more of saccharin sodium, sulphaguanidine and essence.
3. A method for preparing an art sculpture light weight mud as claimed in any one of claims 1 to 2, which comprises the steps of:
soaking the filler in water, and pulping the soaked filler in a pulping machine to obtain filler slurry;
fully mixing the binder with water to obtain a binder aqueous solution;
adding gypsum into the aqueous solution of the binder, and uniformly stirring to obtain a mixture;
mixing an odor masking agent, liquid paraffin oil, a retarder, a toner, the filler slurry and the mixture, and kneading the mixture at the temperature of 20-35 ℃ by using a kneader to obtain the art sculpture light mud;
adding the art sculpture light mud into a rolling machine for rolling to obtain a daub-shaped mud;
and placing the daub-shaped mud in a forming machine for forming treatment to obtain formed mud.
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| CN110713369B (en) * | 2019-11-05 | 2021-12-24 | 苏州金螳螂文化发展股份有限公司 | Sculpture cement and preparation method thereof |
| CN111268989B (en) * | 2020-02-17 | 2021-09-17 | 苏州金螳螂文化发展股份有限公司 | Mud carving material and preparation method thereof |
| CN111499325A (en) * | 2020-04-07 | 2020-08-07 | 荆门千年健医疗保健科技有限公司 | Gypsum powder, preparation method thereof and application thereof in sculptures and baking-free pottery clay |
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| KR101703470B1 (en) * | 2016-02-15 | 2017-02-06 | 김진태 | Artificial sculptures by using red clay composition |
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| CN101348361A (en) * | 2007-07-17 | 2009-01-21 | 张文瑞 | Color handwork sculptures mud for student and manufacturing method thereof |
| CN102211901A (en) * | 2011-04-29 | 2011-10-12 | 东莞市汇欣工贸有限公司 | Sculpture mud for student and preparation method thereof |
| CN102343758A (en) * | 2011-05-23 | 2012-02-08 | 邓启文 | Production method of gypsum relief product |
| CN102887696A (en) * | 2012-09-20 | 2013-01-23 | 金星铜集团有限公司 | Self-hardening sculpture mud and preparation method thereof |
| KR101703470B1 (en) * | 2016-02-15 | 2017-02-06 | 김진태 | Artificial sculptures by using red clay composition |
| CN107973940A (en) * | 2017-12-04 | 2018-05-01 | 郑州轻工业学院 | A kind of industrial art sculpture clay |
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