WO2022097304A1 - Acoustic apparatus - Google Patents

Acoustic apparatus Download PDF

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Publication number
WO2022097304A1
WO2022097304A1 PCT/JP2020/041759 JP2020041759W WO2022097304A1 WO 2022097304 A1 WO2022097304 A1 WO 2022097304A1 JP 2020041759 W JP2020041759 W JP 2020041759W WO 2022097304 A1 WO2022097304 A1 WO 2022097304A1
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WO
WIPO (PCT)
Prior art keywords
string
strings
piece
vibration
rod
Prior art date
Application number
PCT/JP2020/041759
Other languages
French (fr)
Japanese (ja)
Inventor
功児 小林
竜太 香川
Original Assignee
株式会社弦奏Japan
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by 株式会社弦奏Japan filed Critical 株式会社弦奏Japan
Priority to CN202080004450.1A priority Critical patent/CN114762036A/en
Priority to PCT/JP2020/041759 priority patent/WO2022097304A1/en
Priority to JP2021074171A priority patent/JP7329870B2/en
Publication of WO2022097304A1 publication Critical patent/WO2022097304A1/en

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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10CPIANOS, HARPSICHORDS, SPINETS OR SIMILAR STRINGED MUSICAL INSTRUMENTS WITH ONE OR MORE KEYBOARDS
    • G10C3/00Details or accessories
    • G10C3/04Frames; Bridges; Bars
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/32Constructional details

Definitions

  • the present invention relates to an acoustic device, particularly to an acoustic device that can be attached to a piano.
  • Patent Document 2 Based on the above complex background, it has been attempted to play music by acoustic signals from electronic devices such as audio players, personal computers, and smartphones, using the soundboards of existing grand pianos and upright pianos as acoustic devices. For example, Patent Document 2).
  • a piano equipped with such a sound device allows the performer to play at the same time as the music is played, and is suitable for new playing methods and music education.
  • vibration is transmitted to the soundboard via a vibration mechanism that converts an electric signal into vibration. Therefore, if there is a problem in transmitting vibration to the soundboard, music cannot be played. Therefore, the mounting structure between the vibration mechanism and the soundboard is important.
  • the vibration mechanism or the vibrator of the vibration mechanism is directly fixed to the soundboard. This ensures that the vibration is transmitted to the soundboard.
  • the soundboard by applying a certain load via the vibrator. This prevents the oscillator from repelling and separating from the soundboard during vibration. If the vibrator is separated from the soundboard even a little, the vibration is not transmitted to the soundboard.
  • the original tone of the soundboard may not be reproduced. That is, there is a risk of impairing the original function of the piano. It is also reported that the fact that the acoustic device is inside the piano itself causes noise and resonance. In this respect as well, the original function of the piano may be impaired.
  • the present invention solves the above-mentioned problems, and an object of the present invention is to provide an acoustic device having a mounting structure that does not impose a mechanical load on the soundboard.
  • the present invention that solves the above problems is an acoustic device attached to any of a plucked string instrument, a bowed string instrument, and a plucked string instrument that transmits the vibration of a string to a board via a piece.
  • the acoustic device is provided on a vibration mechanism that vibrates the piece via a vibrator based on an acoustic signal from the outside, a base portion connected to the vibration mechanism, and an end portion side of the base portion.
  • a string holding portion that presses the string from the opposite side of the plate, a through hole provided substantially in the center of the base portion, a rod portion provided so as to be able to displace the inside of the through hole in the axial direction, and the tip of the rod portion.
  • the rod axis is composed of an overhanging portion provided in the rod axis in a direction substantially orthogonal to the rod axis, and the string hanging portion for hanging the strings from the plate side and the string hanging portion are placed on the plate between the position corresponding to the piece and the position corresponding to the string holding portion. It is provided with a displacement mechanism that displaces the rod portion toward and away from the position, and a fine adjustment mechanism that adjusts the axial positional relationship between the rod portion and the overhanging portion.
  • the displacement mechanism is set so that the chord hanging portion is located away from the plate so that the overhanging portion is hung on the chord and the chord hanging portion is located close to the plate. The hook between the overhanging portion and the string is released.
  • the displacement mechanism generates an elastic force on the strings, and the vibrator is gently pressed against the bridge by the third-class leverage action. If the tension of the strings is strong and there is a risk that the pressing force will be excessive, the fine adjustment mechanism can be used to adjust the pressing force to an appropriate level.
  • the displacement mechanism is capable of rotating the rod portion about an axis, and displaces the overhanging portion in the chord direction and the chord orthogonal direction.
  • the overhanging part By setting the overhanging part in the direction of the strings, the overhanging part can be inserted between the strings. By setting the overhanging part in the direction orthogonal to the strings, the strings are securely hooked.
  • the displacement mechanism displaces the chord hook portion to a position approaching the plate and a position moving away from the plate by rotating the rod portion around an axis.
  • the tension acting on the strings is preferably 10 kgf or more.
  • the present invention that solves the above problems is an acoustic device attached to any of a plucked string instrument, a bowed string instrument, and a plucked string instrument that transmits the vibration of a string to a board via a piece.
  • the acoustic device is provided on a vibration mechanism that vibrates the piece via a vibrator based on an acoustic signal from the outside, a base portion connected to the vibration mechanism, and an end portion side of the base portion.
  • a string holding portion that presses the string from the opposite side of the plate, a through hole provided substantially in the center of the base portion, a rod portion provided so as to be able to displace the inside of the through hole in the axial direction, and the tip of the rod portion.
  • It consists of an overhanging portion that is provided in the rod axis in a direction substantially orthogonal to the rod axis. It is provided with a displacement mechanism that displaces the string hanging portion to a position approaching the plate and a position moving away from the plate by rotating the string hanging portion.
  • the present invention that solves the above problems is a method of attaching an audio device.
  • the audio device is arranged so that the string holding portion is distal to the piece on the string operating side.
  • the string operation side is the side that repels the strings in a plucked string instrument, the side that rubs the strings in a plucked string instrument, and the side that strikes the strings in a plucked string instrument. In the case of a piano, it is on the keyboard side.
  • the acoustic device According to the acoustic device according to the present invention, no mechanical load is applied to the board of the musical instrument. As a result, the original tone of the musical instrument can be maintained. That is, it can be played as a musical instrument.
  • FIG. 1 is a schematic cross-sectional view of a grand piano.
  • FIG. 2 is an exploded perspective view. The basic structure of a grand piano will be briefly explained.
  • a grand piano consists of a keyboard, hammer, damper, strings, soundboard, pieces, etc.
  • the strings are stretched horizontally and in front of the player.
  • the grand piano has an upper lid (large roof) that covers the strings, and by lifting this, a richer volume can be produced. It is fixed at an angle of about 45 degrees by a support rod. This makes the sound directional.
  • the soundboard and sound stick are located under the strings, and the vibration of the strings transmitted through the bridge is efficiently transmitted to the air.
  • the soundboard is grained and the direction is generally the same as the length of the piece.
  • the sound stick is located on the opposite side of the soundboard piece, and is also grained.
  • the sound bar is arranged in the direction of the grain of the sound board, that is, in the direction of intersection with the length of the piece.
  • the sound stick acts as a framework that supports the sound board.
  • the sound transmitted through the soundboard / sound bar has a predetermined ratio between the grain direction and the grain crossing direction.
  • the sound bar helps propagate the vibration in the cross-grain direction of the soundboard, which causes the vibration to be transmitted uniformly throughout the soundboard.
  • the soundboard 1 is supported horizontally on the support.
  • a plurality of sound bars 2 are arranged side by side on the lower surface of the sound board 1.
  • the piece 3 is extended so as to intersect the two-axis direction of the sound bar.
  • FIGS. 3 and 4 are detailed configuration diagrams around the piece. For convenience, the keyboard side is in front.
  • the 4th end of the string is fixed with a pin.
  • the string 4 is continuous with the piece 3 via the front and rear piece pins.
  • Piece 3 has a short piece and a long piece. The short piece is continuous with the low-pitched string, and the long piece is continuous with the middle and high-pitched strings. As a result, the vibration of the string 4 is transmitted to the piece 3.
  • the sound device 10 is attached so as to come into contact with the piece 3 via the string 4.
  • two acoustic devices, a short piece and a long piece, are attached.
  • the soundboard 1 is designed to resonate in a wide range from high to low.
  • the soundboard 1 selects a range, and the treble is reverberated on the treble side and the bass is reverberated on the bass side.
  • the soundboard 1 appropriately selects a range. As a result, music is reproduced in a wide range from high to low.
  • the sound device 10 can be applied to an upright piano as well as a grand piano.
  • FIG. 5 is an exploded perspective view of an upright piano.
  • FIG. 6 is a schematic configuration diagram of the inside as viewed from the front. The basic structure of an upright piano will be explained in comparison with a grand piano.
  • the frame, strings, soundboard, etc. are arranged in the horizontal direction, whereas in an upright piano, the frame, strings, soundboard, etc. are arranged in the vertical direction.
  • the upright piano requires less installation space than the grand piano.
  • a piece 3 is provided on one side of the soundboard 1, and a plurality of sound sticks 2 are provided on the opposite side. Multiple stanchions support the upright piano vertically.
  • FIGS. 7 and 8 are detailed configuration diagrams around the piece. For convenience, the keyboard side is in front. The composition around the pieces of the upright piano is the same as that of the grand piano.
  • the sound device 10 is attached so as to come into contact with the piece 3 via the string 4.
  • two acoustic devices, a short piece and a long piece, are attached.
  • FIG. 9 is a side view of the audio device.
  • the acoustic device 10 includes a vibration mechanism 11, a base portion 12, a string holding portion 13, a through hole 14, a string hooking portion 15, and a displacement mechanism 18.
  • the vibration mechanism 11 is the main configuration of the acoustic device 10, and will be described later separately.
  • the oscillator 31 of the vibration mechanism 11 comes into contact with the surface of the piece 3.
  • the base portion 12 is a plate-shaped member, and is arranged so that the longitudinal direction coincides with the chord direction.
  • the base portion 12 is connected to the vibration mechanism 11.
  • the vibration mechanism 11 may be fitted to the ring portion provided at the end portion.
  • the end portion of the base portion 12 and the vibration mechanism 11 may be integrally molded so as to be continuous.
  • the material is not limited, but it is preferable that it has appropriate elasticity and rigidity.
  • the string pressing portion 13 extends in the direction orthogonal to the plate surface at the end portion of the base portion 12 opposite to the vibration mechanism. When the audio device is attached, the plurality of strings 4 are pressed from the opposite side of the soundboard 1.
  • the string pressing portion 13 has a longitudinal direction in the direction orthogonal to the strings.
  • the through hole 14 penetrates in the plate thickness direction at substantially the center of the base portion 12.
  • the string hanging portion 15 is composed of a rod portion 16 and an overhanging portion 17.
  • the rod portion 16 is provided so as to be freely displaceable in the through hole in the direction of the rod axis and the direction around the rod axis.
  • the overhanging portion 17 is provided at the tip of the rod portion 16 and overhangs in a direction substantially orthogonal to the rod axis.
  • the audio device When the audio device is attached, it has a longitudinal direction in the direction orthogonal to the strings, and the strings 4 are hung from the soundboard 1 side between the position corresponding to the bridge and the position corresponding to the string holding portion.
  • the base portion 12 serves as a lever body
  • the string pressing portion 13 serves as a fulcrum
  • the string hooking portion 15 serves as a force point
  • the oscillator 31 serves as an action point.
  • the displacement mechanism 18 displaces the string hanging portion 15 to a position approaching and a position away from the soundboard 1.
  • the displacement mechanism 18 is, for example, a lever cam.
  • the lever cam 18 is composed of an L-shaped lever and a base.
  • the L-shaped lever is pin-coupled to the rod portion 16 head and also to the base portion.
  • the rod portion 16 is displaced in the rod axial direction via the pin coupling.
  • FIG. 10 is a schematic cross-sectional view of the vibration mechanism 11.
  • the vibration mechanism 11 vibrates based on an acoustic signal from the outside.
  • the vibration mechanism 11 includes a permanent magnet 32, a yoke 33 surrounding the permanent magnet 32, and a voice coil 34 supported by the yoke 33 so as to be located in the magnetic gap by the damper 35 (see FIGS. 9 and 10). ).
  • a rod-shaped oscillator 31 as an output end is fixed to the voice coil 34.
  • the outer circumference of the yoke member 33 is covered with a case.
  • the damper 35 is a flat leaf spring cut out into a predetermined shape.
  • the oscillator 31 vibrates due to the voice coil 34 when the current corresponding to the acoustic signal is supplied to the voice coil 34.
  • ⁇ Installation / Removal ⁇ 11 and 12 are diagrams illustrating an operation of attaching the acoustic device 10 so as to abut on the piece 3 via the string 4.
  • the audio device 10 is placed distal to the piece 3 when viewed from the keyboard.
  • the sound device 10 is tilted to bring the oscillator 31 into contact with the surface of the piece 3.
  • the L-shaped lever of the lever cam 18 is in the raised state.
  • the overhanging portion 17 is displaced in the chord direction via the lever cam 18, and the overhanging portion 17 is inserted between the strings. Further, the string pressing portion 13 is brought into contact with the plurality of strings 4. After that, the overhanging portion 17 is displaced in the direction orthogonal to the strings via the lever cam 18.
  • the elastic force of the string 4 is generated at the string hanging portion 15, which is the point of effort.
  • a force that presses the oscillator 31 against the piece 3 acts on the string pressing portion 13 as a fulcrum.
  • the base portion 12 acts as a third-class lever.
  • the pressing force of the oscillator 31 against the piece 3 is appropriately adjusted and acts reliably.
  • the acoustic device 10 is securely attached to the string 4, and the oscillator 31 is gently pressed against the piece 3 by the third-class leverage action.
  • the vibration of the oscillator 31 is transmitted to the soundboard 1 via the piece 3.
  • the overhanging portion 17 is displaced in the chord direction via the lever cam 18, and the overhanging portion 17 is removed from between the strings.
  • the installation / removal of the audio device 10 is easy.
  • the pressing force of the oscillator 31 against the piece 3 is appropriately adjusted. As a result, music can be played appropriately.
  • FIG. 13 is a configuration diagram of the fine adjustment mechanisms 21 and 22.
  • the example of attaching the audio device 10 to the piano has been described above.
  • the tension of the piano strings is stronger than the tension of the guitar and violin strings.
  • piano strings are less likely to deform than guitar or violin strings. Therefore, due to excessive deformation of the strings, the pressing force of the oscillator 31 against the piece 3 tends to be strong. Excessive pressing force restrains the vibration of the vibrator 31. Further, an excessive pressing force destroys the acoustic device 10.
  • the space (distance) between the string 4 and the surface of the piece 3 is slightly different depending on the type of piano.
  • the piano has a large number of strings, and the tension of the strings differs depending on the strings. There is a risk of problems due to differences in distance and tension.
  • the fine adjustment mechanism 21 may be added to the audio device 10.
  • the rod portion 16 and the overhanging portion 17 can be separated.
  • the fine adjustment mechanism 21 is provided at the joint portion between the rod portion 16 and the overhanging portion 17.
  • a screw hole is provided on the end surface of the rod portion 16, and a screw is provided on the overhanging portion 17 to be screwed.
  • the degree of screwing may be adjusted, or may be selected from a plurality of overhanging portions 17 having different screwing amounts.
  • a nut may be inserted into the threaded portion and the nut size may be changed as appropriate.
  • the rod axial position of the overhanging portion 17 may be finely adjusted by providing the rod portion 16 with an expansion / contraction mechanism.
  • the fine adjustment mechanism 21 is not limited to the above if the position of the overhanging portion 17 and the rod portion 16 can be adjusted in the rod axis direction, in other words, if the position of the overhanging portion 17 can be finely adjusted in the rod axis direction.
  • the fine adjustment mechanism 21 allows fine adjustment of the positional relationship between the overhanging portion 17 and the string 4. As a result, even if there is almost no displacement of the string 4, the pressing force can be adjusted to an appropriate level.
  • the string pressing portion 13 presses the string 4 from the opposite side of the soundboard 1, while the overhanging portion 17 hangs the string 4 from the soundboard 1 side.
  • the thickness of the string 4 differs depending on the string.
  • the number of strings is large in a piano, there is a risk that problems may occur due to differences in the thickness of the strings.
  • the fine adjustment mechanism 22 may be added to the audio device 10.
  • the string holding portion 13 is separable from the base portion 12.
  • the fine adjustment mechanism 22 is provided at the joint portion between the string pressing portion 13 and the base portion 12.
  • a fitting hole is provided at a position corresponding to the connection of the base portion 12, and the rod portion of the string pressing portion 13 is fitted. If the fitting hole and the rod portion are not circular (for example, hexagonal), they will not rotate and will be stably coupled. At that time, the insertion member 22A is detachably provided on the head of the string holding portion 13 rod portion.
  • the positional relationship between the string pressing portion 13 and the base portion 12 can be adjusted by the presence or absence of the interposing member or by changing the size of the interposing member. As a result, the positional relationship between the string pressing portion 13 and the overhanging portion 17 can be adjusted.
  • the fine adjustment mechanism 21 can be modified in various ways. If the positional relationship between the overhanging portion 17 and the rod portion 16 in the rod axis direction can be adjusted, in other words, the position of the overhanging portion 17 may be adjusted in the rod axis direction.
  • a fitting hole may be provided in the end surface of the rod portion 16 to fit the overhanging portion 17, and an insertion member may be detachably provided on the head of the overhanging portion 17.
  • the fine adjustment mechanism 22 can be deformed in various ways. If the positional relationship between the string pressing portion 13 and the base portion 12 can be adjusted, in other words, the positional relationship between the string pressing portion 13 and the overhanging portion 17 may be adjusted.
  • the string pressing portion 13 and the base portion 12 may be connected via the insertion member 22B (not shown) without a head. Further, the string pressing portion 13 and the base portion 12 may be screwed together to adjust the degree of screwing at the time of screwing, or the nut may be inserted into the screwed portion to change the nut size. ..
  • the fine adjustment mechanism 21 may be added.
  • Displacement mechanism deformation example Although the lever cam 18 is given as an example of the displacement mechanism 18, various deformations are possible as long as the mechanism displaces the chord hanging portion 15 between the position approaching and the position away from the soundboard 1.
  • a screw-in type displacement mechanism 19 instead of the lever cam 18, a screw-in type displacement mechanism 19 is used.
  • FIG. 14 is an operation explanatory view of the screw-in type displacement mechanism 19.
  • the screw-in type displacement mechanism 19 is integrated with the rod portion 16 and has a knob on the head.
  • the rod portion 16 and the through hole 14 form a screw mechanism. When the knob is rotated, the rod portion 16 is displaced in the direction of the rod axis while rotating.
  • the overhanging portion 17 is displaced in the chord direction via the knob of the screw-in type displacement mechanism 19, and the overhanging portion 17 is inserted between the strings. If the longitudinal direction of the knob and the longitudinal direction of the overhanging portion 17 match, it is easy to imagine the direction of the overhanging portion 17. Further, the string pressing portion 13 is brought into contact with the plurality of strings 4. After that, the overhanging portion 17 is displaced in the direction orthogonal to the strings via the knob of the screw-in type displacement mechanism 19.
  • the rod portion 16 moves in the direction of the base portion 12. Along with this, the string hanging portion 15 is set at a position away from the soundboard 1. The overhanging portion 17 is in a state of being caught on the string 4. Due to the elastic force of the string 4, the base portion 12 acts as a third-class lever, and the vibrator 31 is pressed against the piece 3.
  • the rod portion 16 moves in the soundboard 1 direction.
  • the string hanging portion 15 is set to a position close to the soundboard 1.
  • the overhanging portion 17 is released from being caught on the string 4.
  • the elastic force of the string 4 is also released.
  • the overhanging portion 17 is displaced in the chord direction via the knob of the screw-in type displacement mechanism 19, and the overhanging portion 17 is removed from between the strings.
  • the elastic force of the string 4 selectively acts by pushing down / pushing down the L-shaped lever of the lever cam 18.
  • Piano strings are less likely to deform than guitar or violin strings. If it is excessively deformed, the pressing force of the oscillator 31 against the piece 3 may become excessive, and the vibration of the oscillator 31 may be restrained or the acoustic device 10 may be destroyed.
  • the position of the overhanging portion 17 can be adjusted in the rod axis direction depending on the degree of knob rotation, and the pressing force can be adjusted to an appropriate level.
  • the screw-in type displacement mechanism 19 has the features of the lever cam type displacement mechanism 18 and the fine adjustment mechanism 21.
  • the fine adjustment mechanism 21 does not have to be indispensable.
  • the piano strings are less likely to be deformed than the guitar or violin strings, the movement of the rod portion 16 is short, and the screwing operation of the screw-in type displacement mechanism 19 is not a burden.
  • Plucked string instruments produce sound by plucking the strings. Examples include guitar, bass, harp, kin, shamisen, harpsichord, sitar and the like. Bowed strings make sounds by rubbing the strings with a bow or stick. Examples include violins, violas, cellos, contrabass and kokyu. In plucked string instruments, the strings are struck in some way to produce sound. An example is the piano.
  • the invention of the present application is particularly suitable for a stringed instrument such as a piano or a contrabass, in which the tension of the strings is strong.
  • FIG. 15 is an image diagram when the sound device 10 is attached to the contrabass. If there is a risk that the strings will vibrate due to the vibration of the acoustic device 10 and a dissonant sound will be generated, the acoustic device 10 is arranged proximal to the piece when viewed from the neck, and the oscillator 31 is brought into contact with the surface of the piece. The string pressing portion 13 suppresses unnecessary vibration of the strings. When there is a request for simultaneous performance as in the case of a piano, the acoustic device 10 is arranged proximal to the piece when viewed from the neck, and the oscillator 31 is brought into contact with the surface of the piece.
  • the acoustic guitar piece is provided at the end of the string. Therefore, the mounting position is uniquely determined. If you attach a vibration mechanism to the strings of an acoustic guitar, the vibration of the strings will change. Therefore, it is difficult to use it as a musical instrument with an audio device attached. Further, the strings of the acoustic guitar are exposed, and the attachment / detachment of the acoustic device is relatively easy. When the acoustic guitar is used as a musical instrument, the acoustic device may be removed. It is not intended to be used as a musical instrument with the sound device attached to an acoustic guitar or the like.
  • the string presser (mute) is indispensable. From this point as well, it is not intended to be used as a musical instrument with the acoustic device attached to an acoustic guitar or the like.
  • Patent 6304576 Patent 6390069
  • the structure of a piano is more complicated than that of a guitar, and it is laborious to install. Once installed, it is relatively difficult to remove the audio device.
  • the guitar sound device mounting mechanism (using strings) cannot be directly used for the piano.
  • a major piano maker has been trying to use a piano soundboard as an acoustic device for an electronic device.
  • a major piano maker is familiar with the structure of a piano and transmits vibrations directly to the soundboard in order to maximize the characteristics of the soundboard.
  • it is difficult to attach the vibration mechanism directly to the soundboard.
  • the inventor of the present application tries to transmit the vibration of the vibration mechanism to the sound bar by using the support column as the mounting mechanism, or uses the sound bar as the mounting mechanism to transmit the vibration of the vibration mechanism to the sound bar. I tried to tell it to you and tried and errored.
  • the guitar is a plucked string instrument and the piano is a plucked string instrument, both of which have the characteristics of a stringed instrument.
  • the tension is strong like a piano string, we focused on the fact that the effect of the vibration of the string due to the operation of the acoustic device is small. Therefore, it was found that even if the vibration mechanism is attached to the piano strings, the vibration of the strings is not affected if the piano strings are located distal to the piece when viewed from the keyboard. That is, it can be used (simultaneously played) as a musical instrument with an audio device attached.
  • the tension of the strings of a guitar or a violin is 10 kgf / piece or less.
  • the tension of a string is weak like a guitar or a violin, the string is easily deformed by applying a relatively weak force.
  • the string hook pulls up the string the string shape follows. As a result, there is no possibility that an excessive elastic force is generated, and the position adjustment is relatively easy due to the displacement of the strings.
  • the tension of the cello strings is about 10 to 20 kgf / line
  • the tension of the contrabass strings is about 25 to 35 kgf / line
  • the tension of the piano strings is about 75 to 90 kgf / line, which are relatively strong. Even if a strong force is applied, the strings are not easily deformed. In addition, if a strong force is applied, the device may be damaged. Therefore, the displacement of the string hook is relatively short. As a result, the fine adjustment mechanism becomes important.
  • the present invention is particularly suitable when the tension of the strings is strong, such as in a piano or a contrabass.

Abstract

The present invention provides an acoustic apparatus that is attached to any of a plucked string instrument, a bowed string instrument, and a struck stringed instrument. An acoustic apparatus 10 is provided with a vibration mechanism 11, a base part 12, a string retaining part 13, a through-hole 14, a string hanging part 15, a displacement mechanism 18, and fine adjustment mechanisms 21, 22. The string hanging part 15 is configured from a bar section 16 and an overhang section 17. The overhang section 17 is brought into a state of being hung on a string 4 by moving the string hanging part 15 to a position away from a sounding board 1 by the displacement mechanism 18. Elastic force is generated in the string 4, and a vibrator 31 is gently pressed against a bridge 3 by a third-class lever action. If there is a possibility that pressing force becomes excessive due to strong tension of the string 4, the pressing force can be appropriately adjusted by the fine adjustment mechanisms 21, 22.

Description

音響装置Audio equipment
 本発明は、音響装置に関し、特にピアノに取り付け可能な音響装置に関する。 The present invention relates to an acoustic device, particularly to an acoustic device that can be attached to a piano.
 従来から、自動演奏可能なピアノがある。日本でも、1980年~90年代を中心に、店舗のインテリアとして展示されていた。しかしながら、演奏者が演奏するのと同様、ハンマーで弦を叩く等物理的な駆動を伴うため、故障が多い。長期間の使用により故障しても、ピアノの調律師では電気の修理はできず、また修理交換のための部品がない。このような事情により、自動演奏可能なピアノの取り扱いは現在も僅かながら継続しているものの、長期的には減りつつある。 Traditionally, there are pianos that can be played automatically. Even in Japan, it was exhibited as a store interior, mainly in the 1980s and 1990s. However, as with a performer playing, there are many failures because it involves physical drive such as hitting a string with a hammer. Even if it breaks down due to long-term use, the piano tuner cannot repair the electricity, and there are no parts for repair and replacement. Due to these circumstances, the handling of pianos that can be played automatically is still slightly continuing, but it is decreasing in the long run.
 一方で、一般家庭でも、グランドピアノやアップライトピアノが購入されていた時期があるが、現在では使用されないままのことが多い。また、中古市場にも多くのピアノが比較的安価で流通している。 On the other hand, even in ordinary households, there were times when grand pianos and upright pianos were purchased, but nowadays they are often left unused. In addition, many pianos are distributed in the second-hand market at a relatively low price.
 さらに、電子ピアノにおいて、自然楽器としての生ピアノ(グランドピアノやアップライトピアノ)における響板を再現し、音響装置として利用するものもある(例えば特許文献1)。 Furthermore, some electronic pianos reproduce the soundboard of a live piano (grand piano or upright piano) as a natural musical instrument and use it as an acoustic device (for example, Patent Document 1).
 近年、デジタル技術の発達により、音楽を電子デバイスにより再生することが、容易になった。 In recent years, with the development of digital technology, it has become easier to play music on electronic devices.
 以上の複合的な背景により、既存のグランドピアノやアップライトピアノの響板を音響装置として、オーディオプレーヤー・パソコン・スマートフォンなどの電子デバイスからの音響信号により音楽を再生することが試みられている(例えば特許文献2)。 Based on the above complex background, it has been attempted to play music by acoustic signals from electronic devices such as audio players, personal computers, and smartphones, using the soundboards of existing grand pianos and upright pianos as acoustic devices. For example, Patent Document 2).
 このような音響装置を備えたピアノでは、音楽再生に合せて、演奏者が同時演奏でき、新しい演奏手法や音楽教育に適している。 A piano equipped with such a sound device allows the performer to play at the same time as the music is played, and is suitable for new playing methods and music education.
特開2017-067913号公報Japanese Unexamined Patent Publication No. 2017-067913 特開2015-114457号公報JP-A-2015-114457
 上記音響装置では、電気信号を振動に変換する加振機構を介して、振動を響板に伝達する。したがって、振動の響板への伝達に不具合があると、音楽再生できなくなる。したがって、加振機構と響板との取付構造が重要になる。 In the above acoustic device, vibration is transmitted to the soundboard via a vibration mechanism that converts an electric signal into vibration. Therefore, if there is a problem in transmitting vibration to the soundboard, music cannot be played. Therefore, the mounting structure between the vibration mechanism and the soundboard is important.
 上記音響装置では、加振機構または加振機構の振動子を響板に直接固定している。これにより振動は響板に確実に伝達される。 In the above acoustic device, the vibration mechanism or the vibrator of the vibration mechanism is directly fixed to the soundboard. This ensures that the vibration is transmitted to the soundboard.
 さらに、振動子を介してある程度の負荷をかけて響板を押圧することが好ましい。これにより、振動子が加振時に反発して響板から離間することを防止する。なお、少しでも振動子が響板から離間すると、振動は響板に伝達されない。 Further, it is preferable to press the soundboard by applying a certain load via the vibrator. This prevents the oscillator from repelling and separating from the soundboard during vibration. If the vibrator is separated from the soundboard even a little, the vibration is not transmitted to the soundboard.
 しかしながら、響板を加工したり、響板に直接負荷をかけたりすれば、響板本来の音色を再生できくなるおそれがある。すなわち、ピアノ本来の機能を損なうおそれがある。また、音響装置がピアノ内部にあること自体が、雑音、共鳴の原因となるとの報告もある。この点でも、ピアノ本来の機能を損なうおそれがある。 However, if the soundboard is processed or a load is applied directly to the soundboard, the original tone of the soundboard may not be reproduced. That is, there is a risk of impairing the original function of the piano. It is also reported that the fact that the acoustic device is inside the piano itself causes noise and resonance. In this respect as well, the original function of the piano may be impaired.
 また、取付けに大がかりな改造が必要であり、さらに一度取付けると取外しが難しく、取り外しても加工跡が残り中古売買の際の評価額が低くなる等の理由により、試しに加振機構を取り付けようとする契機にならない。 In addition, it is necessary to make major modifications to the installation, and once it is installed, it is difficult to remove it, and even if it is removed, processing marks will remain and the evaluation value at the time of second-hand sales will be low, so let's install the vibration mechanism as a trial. It does not become an opportunity to do so.
 本発明は上記課題を解決するものであり、響板に力学的負荷をかけない取付構造を備えた音響装置を提供することを目的とする。 The present invention solves the above-mentioned problems, and an object of the present invention is to provide an acoustic device having a mounting structure that does not impose a mechanical load on the soundboard.
 上記課題を解決する本発明は、駒を介して弦の振動を板に伝える撥弦楽器、擦弦楽器、打弦楽器のいずれかに取付けられる音響装置である。音響装置は、外部からの音響信号に基づき、振動子を介して前記駒を加振する加振機構と、前記加振機構に連設されるベース部と、前記ベース部の端部側に設けられ、前記弦を板反対側から押える弦押え部と、前記ベース部の略中央に設けられる貫通孔と、前記貫通孔内を軸方向に変位自在に設けられる棒部と、前記棒部の先端に設けられ棒軸略直交方向に張り出す張り出し部とからなり、前記駒相当位置と前記弦押え部相当位置の間において、前記弦を板側から掛ける弦掛け部と、前記弦掛け部を板に近づく位置と遠ざかる位置とに変位させる変位機構と、前記棒部と前記張り出し部との軸方向位置関係を調整する微調整機構と、を備える。 The present invention that solves the above problems is an acoustic device attached to any of a plucked string instrument, a bowed string instrument, and a plucked string instrument that transmits the vibration of a string to a board via a piece. The acoustic device is provided on a vibration mechanism that vibrates the piece via a vibrator based on an acoustic signal from the outside, a base portion connected to the vibration mechanism, and an end portion side of the base portion. A string holding portion that presses the string from the opposite side of the plate, a through hole provided substantially in the center of the base portion, a rod portion provided so as to be able to displace the inside of the through hole in the axial direction, and the tip of the rod portion. It is composed of an overhanging portion provided in the rod axis in a direction substantially orthogonal to the rod axis, and the string hanging portion for hanging the strings from the plate side and the string hanging portion are placed on the plate between the position corresponding to the piece and the position corresponding to the string holding portion. It is provided with a displacement mechanism that displaces the rod portion toward and away from the position, and a fine adjustment mechanism that adjusts the axial positional relationship between the rod portion and the overhanging portion.
 上記発明において好ましくは、前記変位機構は、前記弦掛け部を板から離れる位置とすることにより、前記張り出し部を前記弦に掛ける状態とし、前記弦掛け部を板に近づく位置とすることにより、前記張り出し部と前記弦との掛りを解除する。 In the above invention, preferably, the displacement mechanism is set so that the chord hanging portion is located away from the plate so that the overhanging portion is hung on the chord and the chord hanging portion is located close to the plate. The hook between the overhanging portion and the string is released.
 変位機構により、弦に弾性力が発生し、第3種梃子作用により振動子は駒に緩やかに押圧される。弦の張力が強く、押圧力が過度になる恐れがある場合は、微調整機構により、適度な押圧力に調整できる。 The displacement mechanism generates an elastic force on the strings, and the vibrator is gently pressed against the bridge by the third-class leverage action. If the tension of the strings is strong and there is a risk that the pressing force will be excessive, the fine adjustment mechanism can be used to adjust the pressing force to an appropriate level.
 上記発明において好ましくは、前記変位機構は、前記棒部を軸周りに回動可能であり、前記張り出し部を弦方向と弦直交方向とに変位させる。 In the above invention, preferably, the displacement mechanism is capable of rotating the rod portion about an axis, and displaces the overhanging portion in the chord direction and the chord orthogonal direction.
 張り出し部を弦方向とすることにより、張り出し部は弦と弦の間を挿通可能となる。張り出し部を弦直交方向とすることにより、確実に弦を引掛ける。 By setting the overhanging part in the direction of the strings, the overhanging part can be inserted between the strings. By setting the overhanging part in the direction orthogonal to the strings, the strings are securely hooked.
 上記発明において好ましくは、前記変位機構は、前記棒部を軸周りに回動させることにより、前記弦掛け部を板に近づく位置と遠ざかる位置とに変位させる。 In the above invention, preferably, the displacement mechanism displaces the chord hook portion to a position approaching the plate and a position moving away from the plate by rotating the rod portion around an axis.
 棒部を捻じ込むことにより、押圧力を調整しながら、取り付けできる。 By screwing in the rod part, it can be attached while adjusting the pushing pressure.
 上記発明において好ましくは、前記弦に作用する張力は10Kgf以上である。 In the above invention, the tension acting on the strings is preferably 10 kgf or more.
 特に、弦の張力が強いとき、微調整機構による効果が顕著になる。 Especially when the tension of the strings is strong, the effect of the fine adjustment mechanism becomes remarkable.
 上記課題を解決する本発明は、駒を介して弦の振動を板に伝える撥弦楽器、擦弦楽器、打弦楽器のいずれかに取付けられる音響装置である。音響装置は、外部からの音響信号に基づき、振動子を介して前記駒を加振する加振機構と、前記加振機構に連設されるベース部と、前記ベース部の端部側に設けられ、前記弦を板反対側から押える弦押え部と、前記ベース部の略中央に設けられる貫通孔と、前記貫通孔内を軸方向に変位自在に設けられる棒部と、前記棒部の先端に設けられ棒軸略直交方向に張り出す張り出し部とからなり、前記駒相当位置と前記弦押え部相当位置の間において、前記弦を板側から掛ける弦掛け部と、前記棒部を軸周りに回動させることにより、前記弦掛け部を板に近づく位置と遠ざかる位置とに変位させる変位機構と、を備える。 The present invention that solves the above problems is an acoustic device attached to any of a plucked string instrument, a bowed string instrument, and a plucked string instrument that transmits the vibration of a string to a board via a piece. The acoustic device is provided on a vibration mechanism that vibrates the piece via a vibrator based on an acoustic signal from the outside, a base portion connected to the vibration mechanism, and an end portion side of the base portion. A string holding portion that presses the string from the opposite side of the plate, a through hole provided substantially in the center of the base portion, a rod portion provided so as to be able to displace the inside of the through hole in the axial direction, and the tip of the rod portion. It consists of an overhanging portion that is provided in the rod axis in a direction substantially orthogonal to the rod axis. It is provided with a displacement mechanism that displaces the string hanging portion to a position approaching the plate and a position moving away from the plate by rotating the string hanging portion.
 棒部を捻じ込みながら、押圧力を調整することにより、微調整機構による効果に類似する効果が得られる。 By adjusting the pressing force while screwing in the rod part, an effect similar to the effect of the fine adjustment mechanism can be obtained.
 上記課題を解決する本発明は、音響装置の取り付け方法である。前記弦押え部が弦操作側に対し駒より遠位になるように、音響装置を配置する。 The present invention that solves the above problems is a method of attaching an audio device. The audio device is arranged so that the string holding portion is distal to the piece on the string operating side.
 弦操作側とは、撥弦楽器では弦を撥く側、擦弦楽器では弦を擦る側、打弦楽器では弦を叩く側をいう。ピアノの場合は鍵盤側である。 The string operation side is the side that repels the strings in a plucked string instrument, the side that rubs the strings in a plucked string instrument, and the side that strikes the strings in a plucked string instrument. In the case of a piano, it is on the keyboard side.
 駒より遠位にて弦を押さえることにより、弦はほぼミュートされなくなる。これにより同時演奏が可能になる。 By pressing the strings distal to the piece, the strings are almost never muted. This enables simultaneous performance.
 本発明に係る音響装置によれば、楽器の板に力学的負荷をかけない。その結果、楽器本来の音色を維持できる。すなわち、楽器として演奏できる。 According to the acoustic device according to the present invention, no mechanical load is applied to the board of the musical instrument. As a result, the original tone of the musical instrument can be maintained. That is, it can be played as a musical instrument.
 また、取付容易であるとともに、取外しが容易であり、かつ、楽器の板に加工跡が残らない。 In addition, it is easy to install and remove, and no processing marks are left on the instrument board.
 撥弦楽器、擦弦楽器、打弦楽器のいずれにも装着可能であるが、特に、弦の張力が強い場合にも適用可能である。 It can be attached to any of plucked string instruments, bowed string instruments, and plucked string instruments, but it is also applicable especially when the tension of the strings is strong.
グランドピアノの概略断面図Schematic cross section of a grand piano グランドピアノの分解斜視図An exploded perspective view of a grand piano グランドピアノの詳細構成図Detailed configuration diagram of a grand piano グランドピアノの詳細構成図Detailed configuration diagram of a grand piano アップライトピアノの分解斜視図An exploded perspective view of an upright piano アップライトピアノの概略構成図Schematic configuration of an upright piano アップライトピアノの詳細構成図Detailed configuration diagram of an upright piano アップライトピアノの詳細構成図Detailed configuration diagram of an upright piano 音響装置の側面図Side view of audio equipment 加振機構の断面図Cross-sectional view of the vibration mechanism 動作説明図Operation explanatory diagram 取付方法Mounting method 微調整機構Fine adjustment mechanism 動作説明図(変形例)Operation explanatory diagram (variation example) 擦弦楽器への適用例Application example to bowed string instrument
 ~グランドピアノ概要~
 図1は、グランドピアノの概略断面図である。図2は、分解斜視図である。グランドピアノの基本構造について簡単に説明する。
-Overview of the grand piano-
FIG. 1 is a schematic cross-sectional view of a grand piano. FIG. 2 is an exploded perspective view. The basic structure of a grand piano will be briefly explained.
 グランドピアノは、鍵盤、ハンマー、ダンパー、弦、響板、駒等から構成される。 A grand piano consists of a keyboard, hammer, damper, strings, soundboard, pieces, etc.
 弦は水平にかつ奏者の正面方向に張られている。 The strings are stretched horizontally and in front of the player.
 鍵盤を打つと、連動してダンパーがあがると共にハンマーが弦を叩いて振動させる。弦の振動駒を介して響板に伝わり拡大される。鍵盤から手を離すとダンパーが降り、振動が止められる。 When you hit the keyboard, the damper goes up and the hammer hits the strings to vibrate. It is transmitted to the soundboard through the vibrating piece of the string and enlarged. When you release your hand from the keyboard, the damper goes down and the vibration is stopped.
 またペダルによって全てのダンパーがあげられていると、打弦されていない他の弦も共鳴し、ピアノ独特の響きを作り出す。 Also, if all the dampers are raised by the pedal, other strings that have not been struck will also resonate, creating a sound peculiar to a piano.
 グランドピアノでは弦を覆う上蓋(大屋根)がついており、これを持ち上げることによってより豊かな音量を出すことが出来る。これは支え棒によって斜め約45度に固定される。これにより音が指向性を帯びる。 The grand piano has an upper lid (large roof) that covers the strings, and by lifting this, a richer volume can be produced. It is fixed at an angle of about 45 degrees by a support rod. This makes the sound directional.
 響板・響棒は弦の下に位置し、駒を通じて伝えられた弦の振動を空気に効率良く伝える。響板は柾目に木取りされており、その方向は駒の長さ方向に一致させるのが一般的である。響棒は響板の駒に対して反対面に位置し、やはり柾目に木取りされている。 The soundboard and sound stick are located under the strings, and the vibration of the strings transmitted through the bridge is efficiently transmitted to the air. The soundboard is grained and the direction is generally the same as the length of the piece. The sound stick is located on the opposite side of the soundboard piece, and is also grained.
 響棒は響板木目方向に対して、つまり駒の長さ方向に対しても交差する方向に配置される。響棒は響板を支える骨組みの役目を果たす。響板・響棒材を伝わる音は木目方向と木目横断方向ではおよそ所定の比率となる。響棒は響板の柾目横断方向への振動の伝播を助け、これにより、響板全体に振動が均質に伝わる。 The sound bar is arranged in the direction of the grain of the sound board, that is, in the direction of intersection with the length of the piece. The sound stick acts as a framework that supports the sound board. The sound transmitted through the soundboard / sound bar has a predetermined ratio between the grain direction and the grain crossing direction. The sound bar helps propagate the vibration in the cross-grain direction of the soundboard, which causes the vibration to be transmitted uniformly throughout the soundboard.
 響板1は支柱の上に水平方向に支持されている。響板1下面には、複数の響棒2が並設されている。響板1上面には、駒3が響棒2軸方向と交わるように延設されている。 The soundboard 1 is supported horizontally on the support. A plurality of sound bars 2 are arranged side by side on the lower surface of the sound board 1. On the upper surface of the soundboard 1, the piece 3 is extended so as to intersect the two-axis direction of the sound bar.
 図3および図4は駒周辺の詳細構成図である。便宜的に鍵盤側を手前とする。 FIGS. 3 and 4 are detailed configuration diagrams around the piece. For convenience, the keyboard side is in front.
 弦4端部はピンで固定されている。ピン手前側において、前後の駒ピンを介して弦4は駒3と連続する。駒3には短駒と長駒とがある。短駒は低音弦と連続し、長駒は中・高音弦と連続する。これにより、弦4の振動が駒3に伝達される。 The 4th end of the string is fixed with a pin. On the front side of the pin, the string 4 is continuous with the piece 3 via the front and rear piece pins. Piece 3 has a short piece and a long piece. The short piece is continuous with the low-pitched string, and the long piece is continuous with the middle and high-pitched strings. As a result, the vibration of the string 4 is transmitted to the piece 3.
 音響装置10は弦4を介して駒3に当接するように取り付けられる。図示の例では、短駒と長駒との2つの音響装置が取り付けられている。 The sound device 10 is attached so as to come into contact with the piece 3 via the string 4. In the illustrated example, two acoustic devices, a short piece and a long piece, are attached.
 ところで、響板1は高音から低音まで広音域において響くようにできている。言い換えると、響板1は音域を選択し、高音は高音側で響かせ、低音は低音側で響かせる。2つの音響装置に対し、高音から低音まで含む音響信号を入力すると、響板1は適宜音域を選択する。これにより、高音から低音まで広音域において、音楽が再生される。 By the way, the soundboard 1 is designed to resonate in a wide range from high to low. In other words, the soundboard 1 selects a range, and the treble is reverberated on the treble side and the bass is reverberated on the bass side. When an acoustic signal including high to low sounds is input to the two acoustic devices, the soundboard 1 appropriately selects a range. As a result, music is reproduced in a wide range from high to low.
 ~アップライトピアノ概要~
 音響装置10はグランドピアノと同様にアップライトピアノにも適用可能である。
~ Overview of upright piano ~
The sound device 10 can be applied to an upright piano as well as a grand piano.
 図5は、アップライトピアノの分解斜視図である。図6は、内部を正面から見た概略構成図である。アップライトピアノの基本構造についてグランドピアノと比較して説明する。 FIG. 5 is an exploded perspective view of an upright piano. FIG. 6 is a schematic configuration diagram of the inside as viewed from the front. The basic structure of an upright piano will be explained in comparison with a grand piano.
 グランドピアノはフレーム、弦、響板等を水平方向に配置するのに対し、アップライトピアノではフレーム、弦、響板等を鉛直方向に配置する。これにより、グランドピアノに比べて、アップライトピアノは設置スペースを要しなくなる。 In a grand piano, the frame, strings, soundboard, etc. are arranged in the horizontal direction, whereas in an upright piano, the frame, strings, soundboard, etc. are arranged in the vertical direction. As a result, the upright piano requires less installation space than the grand piano.
 グランドピアノでは、ハンマーが反動と重力によって自然な動きで下に落ちるのに対し、アップライトピアノでは、バネによりハンマーを戻す。 In a grand piano, the hammer falls down naturally due to recoil and gravity, whereas in an upright piano, the hammer is returned by a spring.
 その他の構成はグランドピアノと同様であり、動作もグランドピアノと同様である。すなわち、鍵盤を打つと、連動してダンパーがあがると共にハンマーが弦を叩いて振動させる。この振動は弦振動の端の一つであるブリッジから響板に伝わり拡大される。鍵盤から手を離すとダンパーが降り、振動が止められる。 Other configurations are the same as the grand piano, and the operation is also the same as the grand piano. That is, when the keyboard is hit, the damper is raised and the hammer hits the strings to vibrate. This vibration is transmitted to the soundboard from the bridge, which is one of the ends of the string vibration, and is expanded. When you release your hand from the keyboard, the damper goes down and the vibration is stopped.
 響板1の一面には駒3が設けられ、反対側の面には複数の響棒2が設けられる。複数の支柱がアップライトピアノを鉛直方向に支える。 A piece 3 is provided on one side of the soundboard 1, and a plurality of sound sticks 2 are provided on the opposite side. Multiple stanchions support the upright piano vertically.
 図7および図8は駒周辺の詳細構成図である。便宜的に鍵盤側を手前とする。アップライトピアノの駒周辺の構成もグランドピアノと同様である。 FIGS. 7 and 8 are detailed configuration diagrams around the piece. For convenience, the keyboard side is in front. The composition around the pieces of the upright piano is the same as that of the grand piano.
 音響装置10は弦4を介して駒3に当接するように取り付けられる。図示の例では、短駒と長駒との2つの音響装置が取り付けられている。 The sound device 10 is attached so as to come into contact with the piece 3 via the string 4. In the illustrated example, two acoustic devices, a short piece and a long piece, are attached.
 ~音響装置~
 図9は、音響装置の側面図である。
~ Audio equipment ~
FIG. 9 is a side view of the audio device.
 音響装置10は、加振機構11と、ベース部12と、弦押え部13と、貫通孔14と、弦掛け部15と、変位機構18とを備える。 The acoustic device 10 includes a vibration mechanism 11, a base portion 12, a string holding portion 13, a through hole 14, a string hooking portion 15, and a displacement mechanism 18.
 加振機構11は、音響装置10の主構成であり、別途後述する。音響装置取り付け時において、加振機構11の振動子31は駒3表面に当接される。 The vibration mechanism 11 is the main configuration of the acoustic device 10, and will be described later separately. When the acoustic device is attached, the oscillator 31 of the vibration mechanism 11 comes into contact with the surface of the piece 3.
 ベース部12は、板状部材であり、長手方向が弦方向と一致するように配置される。ベース部12は加振機構11に連設される。例えば端部に設けられたリング部に加振機構11を勘合させてもよい。ベース部12端部と加振機構11が連続するように一体成形してもよい。材質は限定されないが適度な弾性と剛性を有していることが好ましい。 The base portion 12 is a plate-shaped member, and is arranged so that the longitudinal direction coincides with the chord direction. The base portion 12 is connected to the vibration mechanism 11. For example, the vibration mechanism 11 may be fitted to the ring portion provided at the end portion. The end portion of the base portion 12 and the vibration mechanism 11 may be integrally molded so as to be continuous. The material is not limited, but it is preferable that it has appropriate elasticity and rigidity.
 弦押え部13は、ベース部12の加振機構反対側端部に板面に対し直交方向に延設される。音響装置装着時において、複数の弦4を響板1反対側から押える。弦押え部13は、弦直交方向に長手方向を有する。 The string pressing portion 13 extends in the direction orthogonal to the plate surface at the end portion of the base portion 12 opposite to the vibration mechanism. When the audio device is attached, the plurality of strings 4 are pressed from the opposite side of the soundboard 1. The string pressing portion 13 has a longitudinal direction in the direction orthogonal to the strings.
 貫通孔14はベース部12の略中央にて板厚方向に貫通している。 The through hole 14 penetrates in the plate thickness direction at substantially the center of the base portion 12.
 弦掛け部15は棒部16と張り出し部17とから構成されている。棒部16は貫通孔内を棒軸方向および棒軸周り方向に変位自在に設けられる。 The string hanging portion 15 is composed of a rod portion 16 and an overhanging portion 17. The rod portion 16 is provided so as to be freely displaceable in the through hole in the direction of the rod axis and the direction around the rod axis.
 張り出し部17は棒部16の先端に設けられ、棒軸略直交方向に張り出している。音響装置装着時において、弦直交方向に長手方向を有し、駒相当位置と弦押え部相当位置の間において、弦4を響板1側から掛ける。 The overhanging portion 17 is provided at the tip of the rod portion 16 and overhangs in a direction substantially orthogonal to the rod axis. When the audio device is attached, it has a longitudinal direction in the direction orthogonal to the strings, and the strings 4 are hung from the soundboard 1 side between the position corresponding to the bridge and the position corresponding to the string holding portion.
 音響装置10においてベース部12は梃子本体として、弦押え部13は支点として、弦掛け部15は力点として、振動子31は作用点となる。 In the acoustic device 10, the base portion 12 serves as a lever body, the string pressing portion 13 serves as a fulcrum, the string hooking portion 15 serves as a force point, and the oscillator 31 serves as an action point.
 変位機構18は、弦掛け部15を響板1に近づく位置と遠ざかる位置とに変位させる。変位機構18は例えばレバーカムである。 The displacement mechanism 18 displaces the string hanging portion 15 to a position approaching and a position away from the soundboard 1. The displacement mechanism 18 is, for example, a lever cam.
 レバーカム18は、L字レバーと、基部とから構成される。L字レバーは棒部16頭部とピン結合されるとともに、基部ともピン結合される。L字レバーが基部に対し回動すると、ピン結合を介して棒部16が棒軸方向に変位する。 The lever cam 18 is composed of an L-shaped lever and a base. The L-shaped lever is pin-coupled to the rod portion 16 head and also to the base portion. When the L-shaped lever rotates with respect to the base portion, the rod portion 16 is displaced in the rod axial direction via the pin coupling.
 図10は加振機構11の概略断面図である。加振機構11は外部からの音響信号に基づき加振する。 FIG. 10 is a schematic cross-sectional view of the vibration mechanism 11. The vibration mechanism 11 vibrates based on an acoustic signal from the outside.
 加振機構11は、永久磁石32と、永久磁石32を取り囲むヨーク33と、ダンパー35によって磁気ギャップ内に位置するようにヨーク33に支持されるボイスコイル34とを含む(図9および図10参照)。ボイスコイル34には、出力端としての棒状の振動子31が固定されている。ヨーク部材33の外周はケースにより覆われている。ダンパー35は平坦な板ばねを所定の形状に切り抜いたものである。 The vibration mechanism 11 includes a permanent magnet 32, a yoke 33 surrounding the permanent magnet 32, and a voice coil 34 supported by the yoke 33 so as to be located in the magnetic gap by the damper 35 (see FIGS. 9 and 10). ). A rod-shaped oscillator 31 as an output end is fixed to the voice coil 34. The outer circumference of the yoke member 33 is covered with a case. The damper 35 is a flat leaf spring cut out into a predetermined shape.
 加振機構11では、ボイスコイル34に音響信号に対応する電流が供給されることにより、ボイスコイル34によって振動子31が振動する。 In the vibration mechanism 11, the oscillator 31 vibrates due to the voice coil 34 when the current corresponding to the acoustic signal is supplied to the voice coil 34.
 ~取り付け・取り外し~
 図11および図12は、音響装置10を弦4を介して駒3に当接するように取り付けする動作について説明する図である。
~ Installation / Removal ~
11 and 12 are diagrams illustrating an operation of attaching the acoustic device 10 so as to abut on the piece 3 via the string 4.
 まず、音響装置10を鍵盤から見て駒3より遠位に配置する。音響装置10を傾けて振動子31を駒3表面に当接させる。レバーカム18のL字レバーは起きた状態である。 First, the audio device 10 is placed distal to the piece 3 when viewed from the keyboard. The sound device 10 is tilted to bring the oscillator 31 into contact with the surface of the piece 3. The L-shaped lever of the lever cam 18 is in the raised state.
 レバーカム18を介して、張り出し部17を弦方向に変位させ、張り出し部17を弦と弦の間に挿通させる。さらに、弦押え部13を複数の弦4に当接させる。その後、レバーカム18を介して、張り出し部17を弦直交方向に変位させる。 The overhanging portion 17 is displaced in the chord direction via the lever cam 18, and the overhanging portion 17 is inserted between the strings. Further, the string pressing portion 13 is brought into contact with the plurality of strings 4. After that, the overhanging portion 17 is displaced in the direction orthogonal to the strings via the lever cam 18.
 レバーカム18のL字レバーを押し下げると、カム作用により、棒部16がベース部12方向に移動する。これに伴い、弦掛け部15を響板1から離れる位置とする。張り出し部17が弦4に引っ掛かる状態となる。 When the L-shaped lever of the lever cam 18 is pushed down, the rod portion 16 moves in the direction of the base portion 12 due to the cam action. Along with this, the string hanging portion 15 is set at a position away from the soundboard 1. The overhanging portion 17 is in a state of being caught on the string 4.
 弦4の弾性力が、力点である弦掛け部15に発生する。弦押え部13を支点として、振動子31を駒3に押し付ける力が作用する。このように、ベース部12が第3種梃子として作用する。これにより振動子31の駒3への押付力は適度に調整され、かつ、確実に作用する。 The elastic force of the string 4 is generated at the string hanging portion 15, which is the point of effort. A force that presses the oscillator 31 against the piece 3 acts on the string pressing portion 13 as a fulcrum. In this way, the base portion 12 acts as a third-class lever. As a result, the pressing force of the oscillator 31 against the piece 3 is appropriately adjusted and acts reliably.
 言い換えると、音響装置10は弦4に確実に装着されるとともに、第3種梃子作用により振動子31は駒3に緩やかに押圧される。振動子31の振動は駒3を介して響板1に伝達される。 In other words, the acoustic device 10 is securely attached to the string 4, and the oscillator 31 is gently pressed against the piece 3 by the third-class leverage action. The vibration of the oscillator 31 is transmitted to the soundboard 1 via the piece 3.
 ついで、音響装置10を弦4から取り外す動作について説明する(図示省略)。 Next, the operation of removing the audio device 10 from the string 4 will be described (not shown).
 レバーカム18のL字レバーを押し上げると、棒部16が響板1方向に移動する。これに伴い、弦掛け部15を響板1に近づく位置とする。張り出し部17の弦4への引っ掛かりを解除する。弦4の弾性力も解除される。 When the L-shaped lever of the lever cam 18 is pushed up, the rod portion 16 moves in one direction of the soundboard. Along with this, the string hanging portion 15 is set to a position close to the soundboard 1. The overhanging portion 17 is released from being caught on the string 4. The elastic force of the string 4 is also released.
 レバーカム18を介して、張り出し部17を弦方向に変位させ、張り出し部17を弦と弦の間から抜去する。 The overhanging portion 17 is displaced in the chord direction via the lever cam 18, and the overhanging portion 17 is removed from between the strings.
 以上のように、音響装置10の取り付け・取り外しは容易である。 As described above, the installation / removal of the audio device 10 is easy.
 ~効果~
 ところで、少しでも振動子31が駒3から離間すると、振動は響板1に伝達されない。駒3への押付力が、弱すぎると、振動子31が飛び跳ねてびびり音の原因となる。一方で、振動子31の駒3への押付力が過剰すぎると、振動子31の振動が拘束される結果、響板1は振動しない。
~ Effect ~
By the way, if the oscillator 31 is separated from the piece 3 even a little, the vibration is not transmitted to the soundboard 1. If the pressing force against the piece 3 is too weak, the oscillator 31 jumps and causes a chattering sound. On the other hand, if the pressing force of the vibrator 31 against the piece 3 is excessive, the vibration of the vibrator 31 is constrained, and as a result, the soundboard 1 does not vibrate.
 音響装置10では、振動子31の駒3への押付力は適度に調整されている。これにより、適切に、音楽再生できる。 In the sound device 10, the pressing force of the oscillator 31 against the piece 3 is appropriately adjusted. As a result, music can be played appropriately.
 また、音響装置10装着において響板1に力学的負荷をかけない。さらに、音響装置10を鍵盤から見て駒3より遠位に配置することにより、弦4への影響もほとんどない。その結果、ピアノとして演奏するとき、ピアノ本来の音色を維持できる。 In addition, no mechanical load is applied to the soundboard 1 when the audio device 10 is attached. Further, by arranging the acoustic device 10 distal to the piece 3 when viewed from the keyboard, there is almost no influence on the strings 4. As a result, when playing as a piano, the original tone of the piano can be maintained.
 ~微調整機構~
 図13は微調整機構21,22の構成図である。
~ Fine adjustment mechanism ~
FIG. 13 is a configuration diagram of the fine adjustment mechanisms 21 and 22.
 以上、音響装置10をピアノに取付ける例について説明している。ピアノの弦の張力はギターやバイオリンの弦の張力に比べて強い。言い換えると、ピアノの弦はギターやバイオリンの弦に比べて変形しにくい。したがって、弦の過度な変形により、振動子31の駒3への押付力も強くなりやすい。過度の押付力は振動子31の振動を拘束する。また、過度の押付力は音響装置10を破壊する。 The example of attaching the audio device 10 to the piano has been described above. The tension of the piano strings is stronger than the tension of the guitar and violin strings. In other words, piano strings are less likely to deform than guitar or violin strings. Therefore, due to excessive deformation of the strings, the pressing force of the oscillator 31 against the piece 3 tends to be strong. Excessive pressing force restrains the vibration of the vibrator 31. Further, an excessive pressing force destroys the acoustic device 10.
 ところで、弦4と駒3表面との空間(距離)は、ピアノの種類により微妙に異なる。また、ピアノは弦の本数が多く、弦によって弦の張力も異なる。距離の相違による影響や張力の相違による不具合が発生する恐れがある。 By the way, the space (distance) between the string 4 and the surface of the piece 3 is slightly different depending on the type of piano. In addition, the piano has a large number of strings, and the tension of the strings differs depending on the strings. There is a risk of problems due to differences in distance and tension.
 これに対し、音響装置10に微調整機構21を追加してもよい。 On the other hand, the fine adjustment mechanism 21 may be added to the audio device 10.
 弦掛け部15では、棒部16と張り出し部17とが分離可能である。微調整機構21は、棒部16と張り出し部17との結合部に設けられる。 In the string hanging portion 15, the rod portion 16 and the overhanging portion 17 can be separated. The fine adjustment mechanism 21 is provided at the joint portion between the rod portion 16 and the overhanging portion 17.
 たとえば、棒部16端面にねじ穴を設け、張り出し部17にねじを設け、螺合させる。螺合の際、捻じ込み程度を調節してもよいし、捻じ込み量の異なる複数の張り出し部17から選択してもよい。螺合部にナットを介挿させ、適宜ナットサイズを変更してもよい。 For example, a screw hole is provided on the end surface of the rod portion 16, and a screw is provided on the overhanging portion 17 to be screwed. At the time of screwing, the degree of screwing may be adjusted, or may be selected from a plurality of overhanging portions 17 having different screwing amounts. A nut may be inserted into the threaded portion and the nut size may be changed as appropriate.
 棒部16に伸縮機構を設けることによって張り出し部17の棒軸方向位置を微調整してもよい。 The rod axial position of the overhanging portion 17 may be finely adjusted by providing the rod portion 16 with an expansion / contraction mechanism.
 張り出し部17と棒部16との棒軸方向位置関係を調整できれば、言い換えると、張り出し部17位置を棒軸方向に微調整できれば、微調整機構21は上記に限定されない。 The fine adjustment mechanism 21 is not limited to the above if the position of the overhanging portion 17 and the rod portion 16 can be adjusted in the rod axis direction, in other words, if the position of the overhanging portion 17 can be finely adjusted in the rod axis direction.
 微調整機構21により、張り出し部17と弦4との位置関係を微調整できる。その結果、弦4の変位がほとんどなくとも、適度な押圧力に調整できる。 The fine adjustment mechanism 21 allows fine adjustment of the positional relationship between the overhanging portion 17 and the string 4. As a result, even if there is almost no displacement of the string 4, the pressing force can be adjusted to an appropriate level.
 また、弦押え部13は弦4を響板1反対側から押えるのに対し、張り出し部17は弦4を響板1側から掛ける。ところで、弦4の太さは弦により異なる。特に、ピアノでは弦の本数が多いため、弦の太さの相違による不具合が発生する恐れがある。 Further, the string pressing portion 13 presses the string 4 from the opposite side of the soundboard 1, while the overhanging portion 17 hangs the string 4 from the soundboard 1 side. By the way, the thickness of the string 4 differs depending on the string. In particular, since the number of strings is large in a piano, there is a risk that problems may occur due to differences in the thickness of the strings.
 これに対し、音響装置10に微調整機構22を追加してもよい。 On the other hand, the fine adjustment mechanism 22 may be added to the audio device 10.
 弦押え部13はベース部12と分離可能である。微調整機構22は弦押え部13とベース部12との結合部に設けられる。 The string holding portion 13 is separable from the base portion 12. The fine adjustment mechanism 22 is provided at the joint portion between the string pressing portion 13 and the base portion 12.
 ベース部12の結合相当箇所に嵌合穴を設け、弦押え部13の棒部を嵌合させる。嵌合穴および棒部を円形以外(例えば六角形)としておくと回動せず安定結合する。その際、弦押え部13棒部の頭部に介挿部材22Aを着脱可能に設ける。介挿部材の有無、または、介挿部材サイズ変更により、弦押え部13とベース部12との位置関係が調整可能となる。その結果、弦押え部13と張り出し部17との位置関係も調整可能となる。 A fitting hole is provided at a position corresponding to the connection of the base portion 12, and the rod portion of the string pressing portion 13 is fitted. If the fitting hole and the rod portion are not circular (for example, hexagonal), they will not rotate and will be stably coupled. At that time, the insertion member 22A is detachably provided on the head of the string holding portion 13 rod portion. The positional relationship between the string pressing portion 13 and the base portion 12 can be adjusted by the presence or absence of the interposing member or by changing the size of the interposing member. As a result, the positional relationship between the string pressing portion 13 and the overhanging portion 17 can be adjusted.
 ~微調整機構変形例~
 微調整機構21は種々の変形が可能である。張り出し部17と棒部16との棒軸方向位置関係を調整できれば、言い換えると、張り出し部17位置を棒軸方向に調整できればよい。
-Example of modification of fine adjustment mechanism-
The fine adjustment mechanism 21 can be modified in various ways. If the positional relationship between the overhanging portion 17 and the rod portion 16 in the rod axis direction can be adjusted, in other words, the position of the overhanging portion 17 may be adjusted in the rod axis direction.
 微調整機構21において、棒部16端面に嵌合穴を設け、張り出し部17を嵌合させるとともに、張り出し部17頭部に介挿部材を着脱可能に設けてもよい。 In the fine adjustment mechanism 21, a fitting hole may be provided in the end surface of the rod portion 16 to fit the overhanging portion 17, and an insertion member may be detachably provided on the head of the overhanging portion 17.
 微調整機構22は種々の変形が可能である。弦押え部13とベース部12との位置関係が調整できれば、言い換えると、、弦押え部13と張り出し部17との位置関係を調整できればよい。 The fine adjustment mechanism 22 can be deformed in various ways. If the positional relationship between the string pressing portion 13 and the base portion 12 can be adjusted, in other words, the positional relationship between the string pressing portion 13 and the overhanging portion 17 may be adjusted.
 微調整機構22において、頭部のない介挿部材22B(図示追加)を介して弦押え部13とベース部12とを結合してもよい。また、弦押え部13とベース部12を螺合結合とし、螺合の際の捻じ込み程度を調節してもよいし、螺合部にナットを介挿させ、ナットサイズを変更してもよい。 In the fine adjustment mechanism 22, the string pressing portion 13 and the base portion 12 may be connected via the insertion member 22B (not shown) without a head. Further, the string pressing portion 13 and the base portion 12 may be screwed together to adjust the degree of screwing at the time of screwing, or the nut may be inserted into the screwed portion to change the nut size. ..
 微調整機構21により張り出し部17の位置を調整することで、併せて、張り出し部17と弦押え部13との位置関係を調整できるのであれば、微調整機構21のみを追加してもよい。 If the positional relationship between the overhanging portion 17 and the string pressing portion 13 can be adjusted by adjusting the position of the overhanging portion 17 by the fine adjustment mechanism 21, only the fine adjustment mechanism 21 may be added.
 ~変位機構変形例~
 変位機構18の例としてレバーカム18を挙げたが、弦掛け部15を響板1に近づく位置と遠ざかる位置とに変位させる機構であれば、種々の変形が可能である。例えば、レバーカム18に変えて、ネジ込み式変位機構19とする。
~ Displacement mechanism deformation example ~
Although the lever cam 18 is given as an example of the displacement mechanism 18, various deformations are possible as long as the mechanism displaces the chord hanging portion 15 between the position approaching and the position away from the soundboard 1. For example, instead of the lever cam 18, a screw-in type displacement mechanism 19 is used.
 図14はネジ込み式変位機構19の動作説明図である。ネジ込み式変位機構19は、棒部16と一体であり、頭部につまみを有する。棒部16と貫通孔14とがネジ機構となっている。つまみを回転すると、棒部16が回転しながら棒軸方向に変位する。 FIG. 14 is an operation explanatory view of the screw-in type displacement mechanism 19. The screw-in type displacement mechanism 19 is integrated with the rod portion 16 and has a knob on the head. The rod portion 16 and the through hole 14 form a screw mechanism. When the knob is rotated, the rod portion 16 is displaced in the direction of the rod axis while rotating.
 ネジ込み式変位機構19のつまみを介して、張り出し部17を弦方向に変位させ、張り出し部17を弦と弦の間に挿通させる。なお、つまみ長手方向と張り出し部17長手方向が一致していると、張り出し部17の向きを想像しやすい。さらに、弦押え部13を複数の弦4に当接させる。その後、ネジ込み式変位機構19のつまみを介して、張り出し部17を弦直交方向に変位させる。 The overhanging portion 17 is displaced in the chord direction via the knob of the screw-in type displacement mechanism 19, and the overhanging portion 17 is inserted between the strings. If the longitudinal direction of the knob and the longitudinal direction of the overhanging portion 17 match, it is easy to imagine the direction of the overhanging portion 17. Further, the string pressing portion 13 is brought into contact with the plurality of strings 4. After that, the overhanging portion 17 is displaced in the direction orthogonal to the strings via the knob of the screw-in type displacement mechanism 19.
 ネジ込み式変位機構19のつまみを回転すると、棒部16がベース部12方向に移動する。これに伴い、弦掛け部15を響板1から離れる位置とする。張り出し部17が弦4に引っ掛かる状態となる。弦4の弾性力により、ベース部12が第3種梃子として作用し、振動子31は駒3に押し付けられる。 When the knob of the screw-in type displacement mechanism 19 is rotated, the rod portion 16 moves in the direction of the base portion 12. Along with this, the string hanging portion 15 is set at a position away from the soundboard 1. The overhanging portion 17 is in a state of being caught on the string 4. Due to the elastic force of the string 4, the base portion 12 acts as a third-class lever, and the vibrator 31 is pressed against the piece 3.
 ネジ込み式変位機構19のつまみを逆方向に回転すると、棒部16が響板1方向に移動する。これに伴い、弦掛け部15を響板1に近づく位置とする。張り出し部17の弦4への引っ掛かりを解除する。弦4の弾性力も解除される。 When the knob of the screw-in type displacement mechanism 19 is rotated in the opposite direction, the rod portion 16 moves in the soundboard 1 direction. Along with this, the string hanging portion 15 is set to a position close to the soundboard 1. The overhanging portion 17 is released from being caught on the string 4. The elastic force of the string 4 is also released.
 ネジ込み式変位機構19のつまみを介して、張り出し部17を弦方向に変位させ、張り出し部17を弦と弦の間から抜去する。 The overhanging portion 17 is displaced in the chord direction via the knob of the screw-in type displacement mechanism 19, and the overhanging portion 17 is removed from between the strings.
 ところで、レバーカム18のL字レバーの押し下げ/押し下げにより、選択的に、弦4の弾性力が作用する。ピアノの弦はギターやバイオリンの弦に比べて変形しにくい。過度に変形させると、振動子31の駒3への押付力が過度になる恐れもあり、振動子31の振動を拘束したり、音響装置10を破壊したりする。 By the way, the elastic force of the string 4 selectively acts by pushing down / pushing down the L-shaped lever of the lever cam 18. Piano strings are less likely to deform than guitar or violin strings. If it is excessively deformed, the pressing force of the oscillator 31 against the piece 3 may become excessive, and the vibration of the oscillator 31 may be restrained or the acoustic device 10 may be destroyed.
 これに対し、ネジ込み式変位機構19では、つまみ回転の程度により、張り出し部17位置を棒軸方向に調整でき、適度な押圧力に調整できる。 On the other hand, in the screw-in type displacement mechanism 19, the position of the overhanging portion 17 can be adjusted in the rod axis direction depending on the degree of knob rotation, and the pressing force can be adjusted to an appropriate level.
 つまり、ネジ込み式変位機構19は、レバーカム式変位機構18と微調整機構21との特徴を併せ持つ。 That is, the screw-in type displacement mechanism 19 has the features of the lever cam type displacement mechanism 18 and the fine adjustment mechanism 21.
 さらに、ネジ込み式変位機構19のみで微調整機構21と同様の効果を得られる場合は、微調整機構21を必須としなくてもよい。 Further, if the same effect as that of the fine adjustment mechanism 21 can be obtained only by the screw-in type displacement mechanism 19, the fine adjustment mechanism 21 does not have to be indispensable.
 なお、ピアノの弦はギターやバイオリンの弦に比べて変形しにくく、棒部16の移動も短く、ネジ込み式変位機構19の捻じ込み動作は負担にならない。 The piano strings are less likely to be deformed than the guitar or violin strings, the movement of the rod portion 16 is short, and the screwing operation of the screw-in type displacement mechanism 19 is not a burden.
 ~他の楽器への適用~
 音響装置をピアノに取付ける例について説明してきたが、撥弦楽器、擦弦楽器、打弦楽器に適用可能である。撥弦楽器、擦弦楽器、打弦楽器は、弦が板に沿って張られており、駒を介して弦の振動を板に伝える点で共通している。
-Application to other musical instruments-
Although an example of attaching an acoustic device to a piano has been described, it can be applied to a plucked string instrument, a bowed string instrument, and a plucked string instrument. Plucked string instruments, bowed string instruments, and plucked string instruments are common in that the strings are stretched along the board and the vibration of the strings is transmitted to the board through the pieces.
 撥弦楽器では、弦をはじくことによって音を出す。例として、ギター、ベース、ハープ、琴、三味線、チェンバロ、シタールなどが挙げられる。擦弦楽器では、弓または棒で、弦をこすることによって音を出す。例として、バイオリン、ビオラ、チェロ、コントラバス、胡弓が挙げられる。打弦楽器では、弦を何らかの方法で叩いて音を出す。例として、ピアノが挙げられる。 Plucked string instruments produce sound by plucking the strings. Examples include guitar, bass, harp, kin, shamisen, harpsichord, sitar and the like. Bowed strings make sounds by rubbing the strings with a bow or stick. Examples include violins, violas, cellos, contrabass and kokyu. In plucked string instruments, the strings are struck in some way to produce sound. An example is the piano.
 ただし、ハープにおいては、弦が板に沿って張られておらず、適宜、明細書中の「板」を「支柱側の仮想面」と読み替える。 However, in the harp, the strings are not stretched along the board, and the "board" in the specification should be read as "virtual surface on the support side" as appropriate.
 本願発明は、特に、ピアノやコントラバスなどの、弦の張力が強い弦楽器の場合に好適である。 The invention of the present application is particularly suitable for a stringed instrument such as a piano or a contrabass, in which the tension of the strings is strong.
 図15は、音響装置10をコントラバスに装着するときのイメージ図である。音響装置10の振動に伴い弦も振動し不協和音が発生する恐れのある場合は、音響装置10をネックから見て駒より近位に配置し、振動子31を駒表面に当接させる。弦押え部13が不要な弦の振動を抑制する。ピアノ同様に同時演奏の要望がある場合は、音響装置10をネックから見て駒より近位に配置し、振動子31を駒表面に当接させる。 FIG. 15 is an image diagram when the sound device 10 is attached to the contrabass. If there is a risk that the strings will vibrate due to the vibration of the acoustic device 10 and a dissonant sound will be generated, the acoustic device 10 is arranged proximal to the piece when viewed from the neck, and the oscillator 31 is brought into contact with the surface of the piece. The string pressing portion 13 suppresses unnecessary vibration of the strings. When there is a request for simultaneous performance as in the case of a piano, the acoustic device 10 is arranged proximal to the piece when viewed from the neck, and the oscillator 31 is brought into contact with the surface of the piece.
 ~備考1~
 本願発明者は、既に、主にアコースティックギターを対象に弦楽器に取付ける音響装置を提案している(特許5849172号)。加振機構をギターの弦に取付けている。
Remark 1 ~
The inventor of the present application has already proposed an acoustic device to be attached to a stringed instrument mainly for acoustic guitars (Patent No. 5849172). The vibration mechanism is attached to the strings of the guitar.
 アコースティックギターの駒は弦の端部に設けられている。したがって、取付位置は一義的に決まっている。アコースティックギターの弦に加振機構を取り付けると、弦の振動が変わる。したがって、音響装置を取り付けた状態で、楽器として使用することは難しい。また、アコースティックギターの弦は露出しており、音響装置の取り付け取外しは比較的容易であり、楽器として使用する場合は、音響装置を取外せばよい。音響装置をアコースティックギター等に取り付けた状態での楽器として使用を想定していない。 The acoustic guitar piece is provided at the end of the string. Therefore, the mounting position is uniquely determined. If you attach a vibration mechanism to the strings of an acoustic guitar, the vibration of the strings will change. Therefore, it is difficult to use it as a musical instrument with an audio device attached. Further, the strings of the acoustic guitar are exposed, and the attachment / detachment of the acoustic device is relatively easy. When the acoustic guitar is used as a musical instrument, the acoustic device may be removed. It is not intended to be used as a musical instrument with the sound device attached to an acoustic guitar or the like.
 また、音響装置が作動するのに伴い、弦も振動し、不協和音の原因となる。したがって、弦の押え(ミュート)は必須である。この点からも、音響装置をアコースティックギター等に取り付けた状態での楽器として使用を想定していない。 Also, as the audio device operates, the strings also vibrate, causing dissonance. Therefore, the string presser (mute) is indispensable. From this point as well, it is not intended to be used as a musical instrument with the acoustic device attached to an acoustic guitar or the like.
 次に、本願発明者は、ピアノに取付ける音響装置を提案している(特許6304576,特許6390069)。ピアノはギターに比べて構造が複雑であり、取り付けに労力を有し、一度取付けると、音響装置の取外しは比較的困難である。一方で、ピアノでは、新しい演奏手法や音楽教育のため、音楽再生に合せて、演奏者が同時演奏したいという要望が多い。したがって、加振機構の取付位置の検討が重要になる。つまり、ギター用の音響装置取り付け機構(弦の利用)をそのままピアノへ転用できない。 Next, the inventor of the present application proposes an acoustic device to be attached to a piano (Patent 6304576, Patent 6390069). The structure of a piano is more complicated than that of a guitar, and it is laborious to install. Once installed, it is relatively difficult to remove the audio device. On the other hand, in the case of piano, there are many requests that performers want to play at the same time as music is played because of new playing methods and music education. Therefore, it is important to consider the mounting position of the vibration mechanism. In other words, the guitar sound device mounting mechanism (using strings) cannot be directly used for the piano.
 ところで、従来から、大手ピアノメーカーにより、ピアノの響板を電子デバイスの音響装置として利用することが試みられている。大手ピアノメーカーは、ピアノの構造を熟知しており、響板の特性を最大限発揮しようと、振動を直接響板に伝達している。しかし、加振機構を響板に直接取り付けることは難しい。 By the way, a major piano maker has been trying to use a piano soundboard as an acoustic device for an electronic device. A major piano maker is familiar with the structure of a piano and transmits vibrations directly to the soundboard in order to maximize the characteristics of the soundboard. However, it is difficult to attach the vibration mechanism directly to the soundboard.
 これに対し、本願発明者は、支柱を取付機構に利用して、加振機構の振動を響棒に伝えようとしたり、響棒を取付機構に利用して、加振機構の振動を響棒に伝えようとしたり、試行錯誤をしてきた。 On the other hand, the inventor of the present application tries to transmit the vibration of the vibration mechanism to the sound bar by using the support column as the mounting mechanism, or uses the sound bar as the mounting mechanism to transmit the vibration of the vibration mechanism to the sound bar. I tried to tell it to you and tried and errored.
 その後も、試行錯誤を繰り返した結果、ギターは撥弦楽器であり、ピアノは打弦楽器であり、ともに弦楽器のとしての特徴を有するため、ギターへの取付機構をピアノに転用できるかを再検討した。ピアノの弦のように張力が強い場合は、音響装置作動に伴う弦の振動の影響が少ないことに着目した。そこで、ピアノの弦のうち、鍵盤から見て、駒より遠位の箇所であれば、ピアノの弦に加振機構を取り付けても、弦の振動に影響を与えないことを見出した。すなわち、音響装置を取り付けた状態で、楽器としても使用(同時演奏)可能である。以上のような思考過程を経て、本発明を完成させるに至った。 After that, as a result of repeated trial and error, the guitar is a plucked string instrument and the piano is a plucked string instrument, both of which have the characteristics of a stringed instrument. When the tension is strong like a piano string, we focused on the fact that the effect of the vibration of the string due to the operation of the acoustic device is small. Therefore, it was found that even if the vibration mechanism is attached to the piano strings, the vibration of the strings is not affected if the piano strings are located distal to the piece when viewed from the keyboard. That is, it can be used (simultaneously played) as a musical instrument with an audio device attached. Through the above thinking process, the present invention was completed.
 ~備考2~
 ギターやバイオリンの弦の張力は10kgf/本以下である。ギターやバイオリンのように弦の張力が弱い場合、比較的弱い力を作用させただけで、弦は変形しやすい。弦掛け部が弦を引き上がると、弦形状は追従する。その結果、過度な弾性力が発生する恐れがなく、弦の変位により位置調整は比較的容易である。
~ Remark 2 ~
The tension of the strings of a guitar or a violin is 10 kgf / piece or less. When the tension of a string is weak like a guitar or a violin, the string is easily deformed by applying a relatively weak force. When the string hook pulls up the string, the string shape follows. As a result, there is no possibility that an excessive elastic force is generated, and the position adjustment is relatively easy due to the displacement of the strings.
 一方、チェロの弦の張力は10~20kgf/本程度、コントラバスの弦の張力は25~35kgf/本程度、ピアノの弦の張力は75~90kgf/本程度と比較的強い。強い力を作用させても、弦は変形しにくい。また、強い力を作用させると装置が壊れるおそれがある。したがって、弦掛け部の変位は比較的短くなる。その結果、微調整機構が重要になる。 On the other hand, the tension of the cello strings is about 10 to 20 kgf / line, the tension of the contrabass strings is about 25 to 35 kgf / line, and the tension of the piano strings is about 75 to 90 kgf / line, which are relatively strong. Even if a strong force is applied, the strings are not easily deformed. In addition, if a strong force is applied, the device may be damaged. Therefore, the displacement of the string hook is relatively short. As a result, the fine adjustment mechanism becomes important.
 すなわち、本願発明は、特に、ピアノやコントラバスなど、弦の張力が強い場合に好適である。 That is, the present invention is particularly suitable when the tension of the strings is strong, such as in a piano or a contrabass.
 1 響板
 2 響棒
 3 駒
 10 音響装置
 11 加振機構
 12 ベース部
 13 弦押え部
 14 貫通孔
 15 弦掛け部
 16 棒部
 17 張り出し部
 18 変位機構(レバーカム式)
 19 変位機構(ネジ込み式)
 21 微調整機構(弦掛け部側)
 22 微調整機構(弦押え部側)
 31 振動子
 32 永久磁石
 33 ヨーク
 34 ボイスコイル
 35 ダンパー

 
1 Soundboard 2 Sound bar 3 Piece 10 Sound device 11 Vibration mechanism 12 Base part 13 String holding part 14 Through hole 15 String hanging part 16 Rod part 17 Overhanging part 18 Displacement mechanism (lever cam type)
19 Displacement mechanism (screw type)
21 Fine adjustment mechanism (string hook side)
22 Fine adjustment mechanism (string presser side)
31 Oscillator 32 Permanent magnet 33 York 34 Voice coil 35 Damper

Claims (7)

  1.  駒を介して弦の振動を板に伝える撥弦楽器、擦弦楽器、打弦楽器のいずれかに取付けられる音響装置であって、
     外部からの音響信号に基づき、振動子を介して前記駒を加振する加振機構と、
     前記加振機構に連設されるベース部と、
     前記ベース部の端部側に設けられ、前記弦を板反対側から押える弦押え部と、
     前記ベース部の略中央に設けられる貫通孔と、
     前記貫通孔内を軸方向に変位自在に設けられる棒部と、前記棒部の先端に設けられ棒軸略直交方向に張り出す張り出し部とからなり、前記駒相当位置と前記弦押え部相当位置の間において、前記弦を板側から掛ける弦掛け部と、
     前記弦掛け部を板に近づく位置と遠ざかる位置とに変位させる変位機構と、
     前記棒部と前記張り出し部との軸方向位置関係を調整する微調整機構と
     を備えることを特徴とする音響装置。
    An acoustic device that can be attached to any of a plucked string instrument, a bowed string instrument, or a plucked string instrument that transmits the vibration of a string to a board via a piece.
    A vibration mechanism that vibrates the piece via an oscillator based on an acoustic signal from the outside,
    The base part connected to the vibration mechanism and
    A string pressing portion provided on the end side of the base portion and pressing the strings from the opposite side of the plate, and a string pressing portion.
    A through hole provided in the substantially center of the base portion and
    The rod portion is provided so as to be freely displaceable in the through hole in the axial direction, and the rod portion is provided at the tip of the rod portion and overhangs in a direction substantially orthogonal to the rod axis. Between the string hanging part where the string is hung from the plate side,
    A displacement mechanism that displaces the string hook to a position that approaches and a position that moves away from the plate.
    An audio device including a fine adjustment mechanism for adjusting the axial positional relationship between the rod portion and the overhanging portion.
  2.  前記変位機構は、
     前記弦掛け部を板から離れる位置とすることにより、前記張り出し部を前記弦に掛ける状態とし、
     前記弦掛け部を板に近づく位置とすることにより、前記張り出し部と前記弦との掛りを解除する
     ことを特徴とする請求項1記載の音響装置。
    The displacement mechanism is
    By locating the string hanging portion away from the board, the overhanging portion is placed on the string.
    The acoustic device according to claim 1, wherein the string hooking portion is positioned close to the plate to release the hooking between the overhanging portion and the string.
  3.  前記変位機構は、前記棒部を軸周りに回動可能であり、前記張り出し部を弦方向と弦直交方向とに変位させる
     ことを特徴とする請求項1または2記載の音響装置。
    The acoustic device according to claim 1 or 2, wherein the displacement mechanism is capable of rotating the rod portion about an axis and displaces the overhanging portion in a chord direction and a chord orthogonal direction.
  4.  前記変位機構は、前記棒部を軸周りに回動させることにより、前記弦掛け部を板に近づく位置と遠ざかる位置とに変位させる
     ことを特徴とする請求項1~3いずれか記載の音響装置。
    The acoustic device according to any one of claims 1 to 3, wherein the displacement mechanism displaces the chord hanging portion between a position approaching and a position away from the plate by rotating the rod portion around an axis. ..
  5.  前記弦に作用する張力は10Kgf以上である
     ことを特徴とする請求項1~4いずれか記載の音響装置。
    The acoustic device according to any one of claims 1 to 4, wherein the tension acting on the strings is 10 kgf or more.
  6.  駒を介して弦の振動を板に伝える撥弦楽器、擦弦楽器、打弦楽器のいずれかに取付けられる音響装置であって、
     外部からの音響信号に基づき、振動子を介して前記駒を加振する加振機構と、
     前記加振機構に連設されるベース部と、
     前記ベース部の端部側に設けられ、前記弦を板反対側から押える弦押え部と、
     前記ベース部の略中央に設けられる貫通孔と、
     前記貫通孔内を軸方向に変位自在に設けられる棒部と、前記棒部の先端に設けられ棒軸略直交方向に張り出す張り出し部とからなり、前記駒相当位置と前記弦押え部相当位置の間において、前記弦を板側から掛ける弦掛け部と、
     前記棒部を軸周りに回動させることにより、前記弦掛け部を板に近づく位置と遠ざかる位置とに変位させる変位機構と、
     を備えることを特徴とする音響装置。
    An acoustic device that can be attached to any of a plucked string instrument, a bowed string instrument, or a plucked string instrument that transmits the vibration of a string to a board via a piece.
    A vibration mechanism that vibrates the piece via an oscillator based on an acoustic signal from the outside,
    The base part connected to the vibration mechanism and
    A string pressing portion provided on the end side of the base portion and pressing the strings from the opposite side of the plate, and a string pressing portion.
    A through hole provided in the substantially center of the base portion and
    The rod portion is provided so as to be freely displaceable in the through hole in the axial direction, and the rod portion is provided at the tip of the rod portion and overhangs in a direction substantially orthogonal to the rod axis. Between the string hanging part where the string is hung from the plate side,
    A displacement mechanism that displaces the string hanging portion between a position approaching and a position away from the plate by rotating the rod portion around an axis.
    An audio device characterized by being equipped with.
  7.  請求項1~6いずれか記載の音響装置において、
     前記弦抑え部が弦操作側に対し駒より遠位になるように、
     配置する
     ことを特徴とする音響装置の取り付け方法。
     
    In the acoustic device according to any one of claims 1 to 6.
    So that the string holding part is distal to the piece with respect to the string operating side.
    How to install an audio device, characterized by placement.
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