WO2017154662A1 - Electric guitar - Google Patents

Electric guitar Download PDF

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Publication number
WO2017154662A1
WO2017154662A1 PCT/JP2017/007715 JP2017007715W WO2017154662A1 WO 2017154662 A1 WO2017154662 A1 WO 2017154662A1 JP 2017007715 W JP2017007715 W JP 2017007715W WO 2017154662 A1 WO2017154662 A1 WO 2017154662A1
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WO
WIPO (PCT)
Prior art keywords
frame
electric guitar
neck
string
dovetail
Prior art date
Application number
PCT/JP2017/007715
Other languages
French (fr)
Japanese (ja)
Inventor
陽介 梶屋
清行 奥山
多一 中村
輝彦 宇部
雅広 山崎
Original Assignee
株式会社セッショナブル
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by 株式会社セッショナブル filed Critical 株式会社セッショナブル
Priority to JP2018504392A priority Critical patent/JP6856261B2/en
Publication of WO2017154662A1 publication Critical patent/WO2017154662A1/en

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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00General design of stringed musical instruments
    • G10D1/04Plucked or strummed string instruments, e.g. harps or lyres
    • G10D1/05Plucked or strummed string instruments, e.g. harps or lyres with fret boards or fingerboards
    • G10D1/08Guitars
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars

Definitions

  • the present invention relates to a new design and structure of an electric guitar.
  • An electric guitar is a stringed instrument that converts a string vibration into an electric signal by a pickup, transmits the electric signal to an amplifier through a shield connected to a jack, and amplifies the electric signal by the amplifier to output sound from a speaker.
  • electric guitars there are historically several typical designs such as the caster cast type and the Les Paul type, and the user selects an electric guitar according to their favorite design or tone. I have chosen.
  • the tone that determines the value of the electric guitar is affected by the wood material used for the head, neck and body.
  • the vibration of the string is transmitted to the body through a head and a neck that are in contact with the string, and a bridge and a tail piece that are holding members that hold the end of the string on the body side.
  • the wooden body vibrates due to string vibration as a resonance body, but the vibration transmitted through the body is fed back to the string through the bridge and tailpiece and added to the string vibration, and the string vibration is converted into an electrical signal by the pickup.
  • Each guitar produces a unique tone.
  • maple material has a characteristic in the high range
  • mahogany material has a characteristic in the mid to low range
  • alder material has a characteristic in the high range to the mid range
  • the problem common to the above-mentioned method of changing the tone by changing the material of the wood is that the electric guitar so far follows the typical basic design mentioned above, so that the tone is also restricted in design That is.
  • the body functions as a string vibration resonator that creates a unique tone color for each electric guitar, the vibration transmission in the body is naturally affected by the shape.
  • the shape of the existing electric guitar is fixed to several basic designs, and no new electric guitar that attempts to realize a variety of sounds beyond the existing basic design has appeared on the market. In other words, the design is mature and its evolution has stopped.
  • the present invention was made against the background of the existing electric guitar as described above.
  • the purpose is to provide an electric guitar with a new design that can improve the tone without depending on the wood material.
  • the present invention provides the following electric guitar.
  • the present invention relates to an electric guitar having a neck, a wooden body, and a holding member that is attached to the body and holds one end side of a string, wherein the body includes a frame that transmits string vibrations. .
  • the body since the body includes a frame for transmitting string vibration, string vibration can be transmitted to the wooden body not only by the wooden body but also by the frame.
  • the frame can be made of a metal material. According to this, the string vibration can be effectively transmitted to the body.
  • a metal material having a low internal attenuation factor is preferable as the metal frame.
  • aluminum, titanium, cobalt chromium alloy, etc. can be used.
  • the frame can be configured to have a holding member mounting portion. According to this, since a holding member (for example, a bridge or a tail piece) that holds an end portion (for example, a ball end) of a string can be attached to the attachment portion of the frame, the string vibration can be directly transmitted to the frame. it can. Since the frame transmits vibrations to the body through the external frame part and the internal frame part, it is possible to more reliably and effectively realize a timbre change utilizing the vibration transferability of the entire body.
  • a holding member for example, a bridge or a tail piece
  • an end portion for example, a ball end
  • the frame may have an external frame portion surrounding the outer periphery of the body.
  • the frame may have an internal frame portion disposed inside the body.
  • the outer frame portion surrounding the outer periphery of the body can improve the transmission of vibrations to the outer periphery of the body away from the center side of the body. That is, the outer periphery of the body is surrounded by the outer frame portion, and vibration transmission can be confined inside thereof, and vibration transmission performance on the outer periphery side of the body away from the holding member that holds the string can be enhanced. Therefore, it is possible to effectively realize a timbre change utilizing the vibration transmission of the entire body.
  • the internal frame part provided in the inside of the body can improve the vibration transmissibility inside the thickness of the body.
  • These external frame part and internal frame part can constitute a frame as having either one of them, but by making the frame having both, vibration transmission on both the outer peripheral side and the center side of the body, That is, there is an advantage that the tone color can be effectively improved by vibration transmission utilizing the entire body.
  • the frame can reinforce the rigidity of the wooden body. Accordingly, warping generated in the body due to the tension of the string and the dry state can be suppressed.
  • the said external frame part can comprise with the following forms, for example.
  • the first form is an end-like annular form that surrounds the entire outer periphery of the body except for the connecting portion with the neck.
  • the second form provides the body by providing a portion that wraps around the neck or the back side of the body, or an internal frame portion embedded in the body so as to bypass the connection portion with the neck. It is the endless annular form which surrounds the outer periphery.
  • a 3rd form is a form partially provided in the outer periphery of a body. This includes, for example, an aspect provided on the left and right side surfaces along the longitudinal direction of the body, and an aspect provided on the front end side of the body.
  • the inner frame portion may have a shape connected to at least two parts of the outer frame portion.
  • the external frame parts are connected by the internal frame part, for example, the part of the external frame part on the right side of the body and the part of the external frame part on the left side of the body are connected by the internal frame part.
  • This makes it easier to transmit vibration from the center side of the body to the outer peripheral side, and vice versa, improving vibration transmission.
  • the vibration transmission performance of the entire body since the different parts of the outer frame part are connected by the inner frame part, the overall rigidity of the frame against warping and twisting can be increased. Since the overall rigidity of the frame increases, the effect of reinforcing the rigidity of the wooden body also increases, so there is also an advantage that deformation of the body such as warpage caused by changes in string tension or dry state can be more effectively suppressed. .
  • Such an inner frame part may be any one that connects two or more parts of the outer frame part, and the number of parts may be any number.
  • the inner frame portion can be formed to extend radially from the center side of the body toward the outer periphery of the body.
  • the attachment part of a holding member can be provided in the center of the radial shape, and an external frame part can be provided in the outer side edge part of a radial shape.
  • the body may have a front plate and a back plate that sandwich and hold the frame.
  • the timbre of the electric guitar that can be realized by the combination of the frame, the front plate and the back plate can be made more diverse than the case where the body is made of only wood, and the selection range of the timbre is widened. Can be spread.
  • the frame can be configured to have a fitting recess into which the body is fitted. According to this, since the outer peripheral edge of the wooden body is fitted into the fitting recess of the frame, the body can be brought into close contact with the frame, and vibration transmission between the frame and the body can be improved. Further, since the outer edge of the wooden body is fitted into the fitting recess, the outer edge of the body can be protected from damage or the like.
  • the body may have a cut portion lacking the body so as to cut from the tip side toward the center. According to the electric guitar having this cut portion, the body can be greatly reduced in weight and thereby the tone can be improved, and further, a novel design that is different from the existing electric guitar can be realized.
  • the difference in the weight of the body affects the timbre. Specifically, the lighter the weight of the body, the easier it is to produce a sound with a shorter wavelength (high frequency band). If the weight of the body is heavy, a long wavelength (low frequency band) sound tends to occur, and the tone tends to be unclear and dull. Therefore, although it is considered preferable to use light wood as a material for the body in order to produce a clear tone, it is difficult to largely change the weight of the body.
  • the weight of the body can be reduced by the cut portion, so that a sound in a high frequency band is likely to be generated, and a clearer and clearer tone can be obtained.
  • the weight of the body is realized by a shape element that is a novel cut part that does not impair the aesthetics, it realizes a novel guitar design that is different from existing electric guitars. Can do.
  • the “cut part” is not a term meaning only a shape part obtained by cutting a material, but a term including a shape part formed without cutting the material. Therefore, a shape portion formed by any of primary processing and secondary processing of materials, such as polishing, grinding, melting, and molding of materials, is included.
  • the frame may have an inner peripheral frame portion along the cut portion. According to this, since the frame has the inner peripheral frame portion along the cut portion, a vibration transmission path leading from the cut portion to the outer frame portion or the inner frame portion is formed in the body, and the vibration transmission performance of the entire body is improved. Can do.
  • the holding member can be attached to the inner peripheral frame portion.
  • a holding member such as a bridge or a tailpiece can be attached to the inner peripheral frame portion in the cut portion of the body, so that the end portion side of the string is located within the thickness of the body from the body surface side. It can be bent into a part. By providing such a bent portion on the string, it is possible to easily maintain the tension of the string.
  • the design of the electric guitar it is possible to realize a novel and sophisticated design that does not exist in existing electric guitars, in which holding members that are bridges and tailpieces are arranged in the cut portion of the body. Furthermore, compared to a conventional electric guitar in which a holding member such as a bridge or a tail piece protrudes from the surface of the body, the holding member does not hit the player's hand and prevents the performance from being hindered. be able to.
  • the holding member has a tail holding part for fixing one end of the string inside the cut part of the body. According to this, the string can be reliably held by the tail holding part so that the string is stretched from the inside of the cut part of the body to the surface side of the body. In addition, it is possible to realize a holding member with a novel design that is not found in an electric guitar so far.
  • the frame may have a distal end frame portion that connects opposing portions of the inner peripheral frame portion facing each other through a cut portion on the distal end side of the body. According to this, since the inner peripheral frame portions of the frame are connected by the distal end frame portion at the distal end side of the body, a vibration transmission path is formed between the inner peripheral frame portions separated via the cut portion. Further, it is possible to improve the vibration transmission property between the front end portions of the body facing each other through the cut portion.
  • the present invention may have an acoustic adjustment portion attached to the cut portion. Since it has an acoustic adjustment part in the cut part, it does not have to be placed on the acoustic adjustment part on the front or back of the body, so the acoustic adjustment part is not caught in the player's hand during performance, and an electric guitar that is easy to play can do.
  • the cut part of the body can be a polygonal shape that becomes wider from the center side to the tip side of the body. According to this, it is possible to realize a design in which novelty is further emphasized by the polygonal cut portion which becomes wider toward the tip side of the body.
  • a polygonal shape for example, a substantially trapezoidal shape can be used.
  • the body becomes a double-headed shape facing the cut part, further detracting from aesthetics while emphasizing novelty No design can be realized.
  • the body can be configured to have an inclined surface from the front surface or the back surface toward the outer periphery. According to this, it is possible to reduce the volume by reducing the volume of the peripheral portion of the body. Therefore, it is possible to easily generate a short wavelength sound, and the tone of the electric guitar can be made clear.
  • the slanted surface gives a design impression that looks like a Japanese sword blade, making it possible to produce a sharp and powerful design impression.
  • the neck and the body of the present invention can have a dovetail connecting portion as a neck joint structure.
  • the existing neck joint structure includes a “detachable neck” that secures the body and neck with bolts (screws), a “set neck” that adheres and fixes the body and neck, and a neck material that extends to the body end.
  • Three types of “through neck” that adheres and fixes (wings) are known.
  • the “detachable neck” is bolted between the body and the neck, there is a problem that vibration transmission from the neck to the body is reduced by a slight gap generated between the neck and the body.
  • the adhesion between the body and the neck changes depending on the strength of the bolting, there is a problem that the timbre changes due to the change in vibration transmission.
  • the neck and the body are connected by the ant assembly connecting portion applying Japanese traditional Miyada carpenter technology.
  • a tension exceeding about 5 kgf (49 N) is acting on each string, and a total tension exceeding about 40 kgf (392 N) is generally acting on a total of six strings.
  • the electric bass is more than this, and the strings are thicker and stronger than the electric guitar, so they are stretched with greater force, and the total tension of the four strings is usually over 80 kgf (784 N). .
  • the above-mentioned ant assembly connecting portion uses the tension of the strings as a force for improving the adhesion between the neck and the body.
  • the opposing surfaces of the ant groove and ant that make up the ant group are urged in the direction in which they are in close contact with each other by the action of the large tension of the strings described above, which is much larger than the bolt tightening force at the detachable neck Can be brought into close contact with.
  • the ant assembly connecting portion can be configured to have a ant groove portion in which a groove opens on the front surface side of the body and a ant portion provided on the back surface of the neck. According to this, the ant portion is inserted along the length direction of the ant groove portion, and the side surface of the neck ant portion is perpendicular to the length direction (perpendicular to the surface of the body), and the side surface of the neck is The groove surface of the dovetail portion can be pressed and locked in a close contact state.
  • the ant assembly connecting portion may be configured to have a pair of locking surfaces provided on a neck and a body that come into contact with each other by tension of the string. According to this, the pair of locking surfaces provided on the body and the neck can be locked in close contact with each other by the tension of the strings.
  • the “pair of locking surfaces” can be constituted by the groove surface of the dovetail portion and the side surface of the dovetail portion.
  • an electric guitar having a novel design that is superior to the basic design of an existing electric guitar and has an excellent acoustic surface.
  • the present invention can be realized as various electric guitars such as electric guitars and bass guitars, it is possible to bring innovation beyond the category to the design and technology of electric guitars.
  • the front view of the electric guitar of FIG. The rear view of FIG.
  • the disassembled perspective view of the body of the electric guitar of FIG. FIG. 5 is a cross-sectional view taken along line AA in FIG. 4.
  • frame of the electric guitar of FIG. The perspective view of the neck and head of the electric guitar of FIG. BB sectional drawing of FIG.
  • Explanatory drawing which shows the dovetail part by a modification.
  • an electric guitar according to an embodiment of the present invention will be described with reference to the drawings.
  • an electric guitar will be described as an example of the electric guitar 1, but the present invention can also be implemented as a bass guitar with appropriate modifications.
  • the longitudinal direction (front-rear direction) of the electric guitar 1 is the X direction
  • “+ X” is the front end side of the electric guitar 1
  • “ ⁇ X” is the rear end side.
  • the width direction of the electric guitar 1 is the Y direction
  • “+ Y” is the right side
  • “ ⁇ Y” is the left side.
  • the thickness direction of the electric guitar 1 is taken as the Z direction
  • “+ Z” is assumed to be the front side of the electric guitar 1
  • “ ⁇ Z” is assumed to be the back side.
  • the specification of these directions does not limit the method of using the electric guitar 1 or the like.
  • the body 2 includes a front plate 6, a back plate 7 and a frame 8.
  • the front plate 6 and the back plate 7 are fixed to the front surface 8 a and the back surface 8 b of the frame 8.
  • the frame 8 of the present embodiment has a fitting recess 8c formed on the front surface 8a and the back surface 8b, respectively, and the front plate 6 and the back plate 7 are press-fitted therein and fitted in a close contact state. It is fixed with.
  • an adhesive layer may be provided on all or part of the bottom surface 8d and the side surface 8e of the fitting recess 8c.
  • an adhesive layer is different from the front plate 6, the back plate 7 and the frame 8 as a medium through which the string vibration is transmitted.
  • the body 2 in which the front plate 6, the back plate 7 and the frame 8 are combined has a cavity (not shown) corresponding to the thickness of the frame 8 between the front plate 6 and the back plate 7.
  • the body 2 vibrates as a resonance body of the string vibration, thereby generating a specific vibration derived from its shape, structure, wood material, etc., and the vibration is fed back to the vibration of the string 5, and this electric guitar It will produce a unique tone.
  • the fan 2 is formed in the body 2 so as to gradually widen from the center side toward the tip side (+ X).
  • This fan-shaped hole 9 constitutes the “cut portion” of the present invention.
  • an inclined surface 2 a is formed in which the plate surfaces of the front plate 6 and the back plate 7 smoothly incline from the center side of the front plate 6 and the back plate 7 toward the outer peripheral frame 8. ing.
  • the inclined surface 2a has a shape that gradually widens from the rear end side (-X) to the front end side (+ X) of the electric guitar 1, and looks like a blade that can be seen in a Japanese sword blade. It is a design element that gives the above impression. As a result, the electric guitar 1 has a sharp and powerful design impression on the body 2 by gradually spreading the blade from the rear end side ( ⁇ X) to the front end side (+ X). .
  • the front plate 6 is made of wood, and has a fan-shaped notch 6 a that forms a fan-shaped hole 9 on the tip side (+ X).
  • the notch 6a is formed by lacking wood in a concave shape from the front end side to the center side of the front plate 6, whereby the pair of pointed heads 6b facing the front plate 6 via the notch 6a. Is formed.
  • wood having excellent acoustic characteristics when used as a musical instrument such as hinoki, sen, alder, maple, china, etc., or processed wood subjected to thermowood processing or the like can be used.
  • Pickups 10a and 10b that convert vibrations of the strings 5 into electric signals and a bridge 11 that supports the strings 5 are attached to the surface of the front plate 6, and the strings 5 are stretched over them.
  • electrical components such as tone control and volume control electrically connected to the pickups 10a and 10b, jacks serving as output terminals to the amplifier, and wirings connecting them are arranged.
  • a jack insertion port 8 f is formed on the outer peripheral surface of the frame 8.
  • a dovetail groove 12 for dovetailing with the neck 3 is formed at the tip of the front plate 6 on the neck 3 side as shown in FIGS.
  • the dovetail portion 12 constitutes the “ant assembly connecting portion” of the present invention.
  • the dovetail groove 12 is formed such that the width W1 of the groove bottom surface 12a is wider than the width W2 of the upper opening edge 12b. Further, the dovetail groove portion 12 has a width W1 of the groove bottom surface 12a and a width W2 of the opening edge 12b that are gradually decreased from an insertion port 12c for inserting a dovetail portion 13 of the neck 3 described later to a back wall 12d on the back side in the insertion direction. It is formed to be narrow.
  • the back plate 7 is made of wood, and, like the front plate 6, a fan-shaped cutout portion 7 a that forms a fan-shaped hole 9 is formed on the tip side (+ X), and a pair of opposed pointed heads on both sides thereof. 7b is formed.
  • the back plate 7 is made of wood having excellent acoustic characteristics when used as a musical instrument, such as hinoki, sen, alder, maple, and china, and processed wood thereof.
  • the material of the wood of the front board 6 and the back board 7 does not need to be the same, By changing the material of the front board 6 and the back board 7, it can be set as the electric guitar 1 of various acoustic characteristics.
  • FIG. 6 is a perspective view of the frame 8.
  • Various metal materials can be used as the material of the frame 8, and for example, an aluminum alloy, a titanium alloy, a cobalt chromium alloy, or the like can be used.
  • an aluminum alloy the machinability is good and the manufacture is easy, and the lightweight frame 8 is obtained.
  • a titanium alloy since it is harder and lighter than an aluminum alloy, a rigid and lightweight frame 8 can be obtained.
  • a cobalt chrome alloy it is a metal having higher hardness and higher mechanical strength than an aluminum alloy or a titanium alloy, so that it has excellent vibration transmission, and the tone of the electric guitar 1 can be made clearer. Therefore, it is preferable.
  • the frame 8 has a shape having an outer frame portion 8A, an inner frame portion 8B, an inner peripheral frame portion 8C, and a tip frame portion 8D.
  • the outer frame portion 8A is a portion provided on the outer periphery of the body 2 and constitutes the “external frame portion” of the present invention. Specifically, left and right side surface portions 8A1 are formed. Cutaways 8A1a and 8A1b are formed on the outer frame portion 8A of the present embodiment. That is, the cutaway 8A1a, which is a double cutaway, and protrudes relatively long, has an annular mounting hole for attaching the end of the strap with a carabiner or the like when the strap (not shown) is attached to the electric guitar 1. 8A1c is formed
  • the inner frame portion 8B is a portion provided inside the body 2 and constitutes the “inner frame portion” of the present invention.
  • an erection portion 8B1 that connects between the left and right side surface portions 8A1 of the outer frame portion 8A is formed as the inner frame portion 8B.
  • the inner peripheral frame portion 8C is a portion provided so as to overlap the notch portion 6a of the front plate 6 and the notch portion 7a of the back plate 7.
  • the inner peripheral frame portion 8C and the distal end frame portion 8D of the outer frame portion 8A are continuously connected to form an endless polygonal annular frame portion 8E.
  • the inner peripheral frame portion 8C has three side surfaces. That is, the first longitudinal side surface 8C1, the second longitudinal side surface 8C2, and the first and second longitudinal side surfaces 8C1, 8C2 extending from the center side to the distal end side (+ X) are connected to one end side of the body 2. This is the short side surface 8C3.
  • a plurality of control knobs 14 are attached to the second longitudinal side surface 8C2 as “acoustic adjusting portions”. In this embodiment, three control knobs 14 are attached.
  • a mounting portion 8C3a for fastening the tailpiece 15 as a “holding member” with a bolt B is formed (FIG. 10).
  • the front end frame portion 8D is formed between a pair of pointed heads 6b and 7b of the front plate 6 and the back plate 7, and constitutes a part of the outer frame portion 8A.
  • an attachment hole 8 ⁇ / b> D ⁇ b> 1 for attaching the end of the strap with a carabiner or the like is formed through the front end frame portion 8 ⁇ / b> D.
  • the mounting hole 8D1 is formed at the tip and does not protrude.
  • the body 2 has the “cut portion” of the present invention by the inner peripheral frame portion 8C, the front end frame portion 8D, and the cutout portion 6a of the front plate 6 and the cutout portion 7a of the back plate 7 that overlap the inner peripheral frame portion 8C. Is formed.
  • the fan-shaped hole 9 has a fan-shaped form that gradually becomes wider from the center side of the body 2 toward the front end side (+ X).
  • Tailpiece configuration [FIGS. 1-4, 6, 9, 10]: A tail piece 15 as a “holding member” for fixing the end of the string 5 is attached inside the fan-shaped hole 9.
  • the tail piece 15 is made of metal, and an aluminum alloy, a titanium alloy, a cobalt chromium alloy, or the like can be used in the same manner as the frame. Since the tail piece 15 is also in direct contact with the end of the string 5 and is directly fixed to the body 2, it is preferably formed of a material having high vibration transmission. In this respect, a cobalt chrome alloy having a particularly high hardness and a high mechanical strength is preferable, and the tone of the electric guitar 1 can be made remarkably clear. As this cobalt chromium alloy, “COBARION” (registered trademark) manufactured by Eiwa Co., Ltd. can be used.
  • the tail piece 15 is formed with a tail holding portion 15a and a mounting portion 15b.
  • the tail holding part 15a is formed in a block shape, and fixed holes 15c for a plurality of strings 5 are formed.
  • the fixed hole 15c of the string 5 has a shape in which the hole diameter gradually decreases.
  • the tail holding portion 15a has a front surface curved in an arc shape in the width direction Y, and the fixing holes 15c opened there are formed in a vertically long elliptical shape, which is different from existing tail pieces. It has a novel design and exhibits a unique design impression.
  • the mounting portion 15b is formed in a plate shape, and an insertion hole 15d for the bolt B is formed.
  • the tail piece 15 is detachably fixed to the frame 8 by fastening the mounting portion 15b with the bolt B along the short side surface 8C3 of the inner peripheral frame portion 8C of the frame 8.
  • Neck and head configuration (Figs. 1-3, 7, 8): In the neck 3, a thin long plate-like fingerboard 17 is attached to the surface of a long plate-like wooden neck body 16, and a metal fret 18 is attached on the fingerboard 17.
  • a dovetail portion 13 is formed on the tip side (+ X) of the neck body 16 as a convex portion for fixing with the body 2 and dovetail assembly (FIG. 7).
  • the ant portion 13 and the above-mentioned ant groove portion 12 constitute the “ant assembly connecting portion” of the present invention.
  • the dovetail portion 13 of the neck body 16 has a width W4 at the lower end portion wider than a width W3 at the upper end portion.
  • the width W3 of the upper end portion of the dovetail portion 13 of the neck body 16 is substantially the same as the width W2 of the opening edge 12b of the dovetail portion 12 of the front plate 6.
  • the width W4 of the lower end portion of the dovetail portion 13 is substantially the same as the width W1 of the groove bottom surface 12a of the dovetail groove portion 12 of the front plate 6.
  • the head 4 is a wooden member formed continuously with the neck 3, and is provided with a metal peg 19 and a peg post 20 that fix the end of the string 5.
  • the neck 3 and the head 4 are made of wood having excellent acoustic characteristics when used as musical instruments, such as hinoki, sen, alder, maple, and china.
  • the body 2 of the electric guitar 1 is assembled.
  • the body 2 is attached by press-fitting the front plate 6 and the back plate 7 into the fitting recess 8 c of the frame 8.
  • the fitting recess 8c may be provided with an adhesive layer and fixed.
  • electrical components such as a control knob 14 are attached to the frame 8.
  • the connection is performed by inserting the dovetail part 13 of the neck 3 into the dovetail part 12 of the body 2 as follows.
  • the width W2 of the opening edge 12b is substantially the same as the width W3 of the upper end portion of the dovetail portion 13 of the neck 3
  • the width of the groove bottom surface 12a of the dovetail groove portion 12 W1 is substantially the same as the width W4 of the lower end portion of the ant portion 13 of the neck 3.
  • the dovetail groove portion 12 of the body 2 has a shape in which the back wall 12d side is narrower than the insertion port 12c side of the dovetail portion 13.
  • the dovetail portion 13 can be smoothly inserted into the dovetail portion 12 with almost no resistance, but the insertion resistance gradually increases. And finally, the dovetail part 13 will be press-fitted into the dovetail groove part 12 by pressing the neck 3 against the insertion resistance. At this time, the tip portion of the ant portion 13 is in contact with the back wall 12d which is the back end portion of the ant groove portion 12.
  • the insertion side tip of the dovetail part 13 is in contact with the back wall 12d of the dovetail part 12, so that the neck 3 is restricted from moving in the insertion direction (+ X direction).
  • a strong resistance force acts on the movement in the removal direction ( ⁇ X direction) due to the pressing force and frictional force between the dovetail portion 13 and the dovetail groove portion 12, but it is not possible to prevent it from coming off.
  • the neck 3 can be extracted from the body 2.
  • the dovetail portion 13 is detached from the dovetail portion 12 above the surface of the front plate 6 in the fitted state. Even if it tries, the side surface 13a of the ant portion 13 is engaged with the side surface 12e of the dovetail groove portion 12 and is prevented from coming off. Therefore, the neck 3 is in a state where movement of the body 2 in the thickness direction (+ Z direction) is restricted. Further, since the bottom surface 13b of the dovetail portion 13 contacts the groove bottom surface 12a of the opposed dovetail groove portion 12, the neck 3 is also restricted from moving in the thickness direction ( ⁇ Z direction) with respect to the body.
  • the neck 3 In the state in which the neck 3 is assembled to the body 2 as described above, the neck 3 is temporarily fixed to the body 2, and for example, even if the body 2 is not supported by holding only the neck 3, the body 2 does not fall. It will be fixed with some strength.
  • the string 5 is stretched from the body 2 through the neck 3 to the head 4.
  • One end side of the string 5 is fixed to the tail piece 15 of the body 2, and the other end side is fixed to the peg post 20 of the head 4.
  • the string 5 can be fixed to the tailpiece 15 by inserting the string 5 into the fixing hole 15c of the tailpiece 15 and locking the ball end at the end of the string 5 to the fixing hole 15c as described above.
  • the string 5 is fixed to the peg post 20 by passing the end of the string 5 with the ball end cut through a peg hole (not shown) of the peg post 20 and turning the peg 19 to wind the string 5 around the peg post 20. Is called.
  • the string 5 when the string 5 is stretched from the body 2 to the head 4, the string 5 acts so as to pull them in the insertion direction in which the ant portion 13 and the ant groove portion 12 abut each other by the tension.
  • the side surface 13a of the ant portion 13 is urged in the contact direction against the side surface 12e of the opposing ant groove portion 12 by the tension of the string 5, and can be brought into close contact with each other with a large force by the six strings 5.
  • the movement of the neck 3 in the removal direction ( ⁇ X direction) with respect to the body 2 is restricted, and the fixing of the neck 3 to the body 2 is completed.
  • the electric guitar 1 configured as described above has the following various features in addition to those already described.
  • the electric guitar 1 since the fan-shaped hole 9 as the “cut portion” is provided in the body 2, the electric guitar 1 can be greatly reduced in weight and easily generate a sound with a short wavelength (high frequency band). As a result, the tone of the electric guitar 1 can be made clear.
  • a large single fan-shaped hole 9 is formed in the body 2 unlike the light weight that gives a complicated impression to the viewer, as in the case of reducing the weight by forming many small holes in the body. By doing so, you can give a unified impression. And you can realize a novel design that is different from existing electric guitars.
  • the peripheral portion of the body 2 has the inclined surface 2a that smoothly inclines from the front plate 6 and the back plate 7 toward the frame 8, so that the volume of the peripheral portion of the body 2 can be reduced. As a result, the weight of the body 2 can be reduced, so that a short wavelength sound is likely to be generated, and a clear tone can be obtained. Further, in terms of design, the inclined surface 2a can provide a design impression such as a “blade pattern”, and the body 2 can provide a sharp and powerful design impression.
  • the tone obtained by changing the material of these members is more than the case where the body is made of only wood.
  • the outer frame portion 8 ⁇ / b> A of the frame 8 can improve vibration transmission performance on the outer peripheral side away from the center side of the body 2 connected to the neck 3. Further, the inner frame portion 8 ⁇ / b> B of the frame 8 can improve the vibration transmission performance inside the body 2.
  • the vibration transmission performance between the outer peripheral sides of the body 2 can be improved. Therefore, it is possible to effectively realize improvement in timbre by vibration transmission on both the outer peripheral side and the center side of the body 2, that is, vibration transmission utilizing the entire body 2.
  • a vibration transmission path by two multiple closed loops is formed on the front end side (+ X) from the installation part 8B1.
  • the first closed loop is a vibration transmission path formed by the installation portion 8B1, the left and right side surface portions 8A1 of the outer frame portion 8A, and the tip frame portion 8D.
  • the second closed loop is a vibration transmission path formed by the inner peripheral frame portion 8C and the distal end frame portion 8D inside the second closed loop. Both the large and small vibration transmission paths are directly connected to the tailpiece 15 that directly receives string vibration. Therefore, the entire body 2 can effectively function as a string vibration resonator.
  • a vibration transmission path from the neck 3 to the body 2 is secured on the rear end side ( ⁇ X) from the erection portion 8B1 by a neck joint structure that is firmly adhered to each other, which will be described later, and the outer frame portion 8A.
  • the upper half of the outer periphery of the body 2 is surrounded by the left and right side surfaces 8A1 until the side surface of the neck 3 is reached. This also allows the entire body 2 to function effectively as a string vibration resonator.
  • the frame 8 reinforces the rigidity of the wooden front plate 6 and the back plate 7 by its rigidity. Therefore, the curvature which arises in the body 2 by the tension
  • the tail piece 15 on which the tension of the string 5 directly acts is not fixed to the wooden front plate 6 or the back plate 7 but is fixed to the metal frame 8. It is possible to suppress warping of the front plate 6 and the back plate 7.
  • the neck joint structure of the neck 3 and the body 2 allows the neck 3 and the body 5 to be firmly adhered only by the dovetail portion of the dovetail groove portion 12 and the dovetail portion 13 and the tension of the string 5.
  • the adhesive layer and the gap between the neck 3 and the body 2 generated in the conventional electric guitar can be eliminated, and the vibration transmission from the neck 3 to the body 2 can be improved.
  • the sound of the electric guitar 1 can be made clearer by improving the sound of the sound due to the vibration of 2.
  • the neck 3 can be easily detached from the body 2 by removing the strings 5. Therefore, even when an accident that damages the neck 3 or the head 4 occurs, it can be easily replaced and the maintainability can be improved.
  • control knob 14 Since the control knob 14 is provided inside the fan-shaped hole 9, they are not caught by the player during performance, and the electric guitar 1 can be easily played.
  • control knob 14 and the tail piece 15 are provided inside the fan-shaped hole C, they give a refined aesthetic that has a sense of unity as compared to the conventional electric guitar exposed from the body 2 to the outside. be able to.
  • the frame 8B1 is exemplified as the inner frame 8B.
  • the construction part 8B2 of the inner frame part 8B extends from the attachment part 8C3a of the inner peripheral frame part 8C and is connected to the constricted part 8A2 of the outer frame part 8A.
  • the erection part 8B2 of the inner frame part 8B since it is connected to the attachment part 8C3a of the tailpiece 15, the transmission of the string vibration is more effectively transmitted to the outer frame part 8A than in the above embodiment. be able to.
  • the installation portion 8C3a of the tail piece 15 is centered, and the installation portion 8B2 and the first longitudinal side surface 8C1 and the second longitudinal side surface 8C2 of the inner peripheral frame portion 8C are extended and removed. It is a form connected to the frame portion 8A, and thereby string vibration can be efficiently transmitted to the entire body 2.
  • the metal material is exemplified as the material of the frame 8, but other materials such as wood and resin can be used as well as the metal material.
  • the metal material is more suitable as the frame 8 for transmitting the string vibration to the body 2 because the internal damping rate is different between the metal material and wood or the like.
  • the frame 8 includes the outer frame portion 8A, the inner frame portion 8B, the inner peripheral frame portion 8C, and the tip frame portion 8D is shown. You may have.
  • the body 2 having the fan-shaped hole 9 is exemplified as the “cut portion”, but the fan-shaped hole 9 may be omitted. Further, the fan-shaped hole 9 as the “cut portion” may be other polygonal shape or circular shape instead of the sector shape.
  • the dovetail groove portion 12 is provided on the front plate 6 of the body 2 as shown in FIGS. 4 and 5 as shown in FIGS. 4 and 5 .
  • a dovetail groove portion 12 similar to that of the above embodiment may be provided, and the front plate 6 may be provided with a dovetail recess portion 6c into which the dovetail protrusion 21 is fitted.
  • the dovetail groove portion 12 is provided on the front plate 6, an operation for masking the dovetail groove portion 12 is required when the front plate 6 is coated, and the work load is large.
  • the modification as shown in FIG. 12 eliminates the need for masking work of the front plate 6, and does not require painting on the surface of the back plate 7 to be combined with the front plate 6.
  • the dovetail groove portion 12 and the dovetail portion 13 are exemplified as the neck joint structure of the body 2 and the neck 3, but a configuration without such a dovetail connecting portion may be employed.
  • the body 2 and the neck 3 can be fixed by bolt fastening or an adhesive.
  • tailpiece 15 is fixed to the frame 8 with the bolt B
  • the present invention is not limited to such an aspect.
  • a tail piece may be integrally formed on a part of the frame 8, or the tail piece 15 may be fixed to the frame 2 by welding or bonding.
  • an electric guitar is exemplified as the electric guitar 1, but it can be applied to various electric guitars such as a bass guitar.

Abstract

Provided is an electric guitar with new design, the sound of which can be improved independently from the material of wood. Employing, as a connection structure for a neck 3 and a body 2, a dovetail connection unit formed from a mortise portion 12 and a tenon portion 13 enables the neck 3 and the body 2 to be biased so as to be in close contact with each other, and firmly connected to each other due to tension of a string 5. The body 2 has a metal frame 8 having an outer frame portion 8A provided on the outer circumference of the body 2 or an inner frame portion 8B provided inside the body 2, whereby the whole of the body 2 can effectively function as a resonator of string vibration. Further, by providing a fan-shaped hole 9 from the distal end side to the center side of the body 2, the sound can be improved while the weight is reduced.

Description

電気ギターElectric guitar
 本発明は、電気ギターの新たなデザインとその構造に関する。 The present invention relates to a new design and structure of an electric guitar.
 電気ギターは、弦の振動をピックアップによって電気信号に変換し、その電気信号をジャックに接続したシールドを通じてアンプに伝え、アンプで電気信号を増幅させることでスピーカから音を出力する弦楽器である。電気ギターについては、ストラストキャスタータイプやレスポールタイプ等、歴史的に幾つかの代表的なデザインのものが普及しており、ユーザはその中から好みのデザインや音色等に応じて電気ギターを選んでいる。 An electric guitar is a stringed instrument that converts a string vibration into an electric signal by a pickup, transmits the electric signal to an amplifier through a shield connected to a jack, and amplifies the electric signal by the amplifier to output sound from a speaker. As for electric guitars, there are historically several typical designs such as the caster cast type and the Les Paul type, and the user selects an electric guitar according to their favorite design or tone. I have chosen.
 その電気ギターの価値を決める音色については、ヘッド、ネック、ボディに使用する木材の材質の影響を受けることが知られている。弦の振動は弦と接するヘッド、ネック、そして弦のボディ側の端部を保持する保持部材であるブリッジやテールピースを通じてボディに伝達される。木製のボディは共鳴体として弦振動によって振動するが、そのボディを伝わる振動がブリッジやテールピースを通じて弦にフィードバックされて弦の振動に加わり、その弦振動をピックアップが電気信号に変換することで電気ギターごとに固有の音色を生じることになる。 It is known that the tone that determines the value of the electric guitar is affected by the wood material used for the head, neck and body. The vibration of the string is transmitted to the body through a head and a neck that are in contact with the string, and a bridge and a tail piece that are holding members that hold the end of the string on the body side. The wooden body vibrates due to string vibration as a resonance body, but the vibration transmitted through the body is fed back to the string through the bridge and tailpiece and added to the string vibration, and the string vibration is converted into an electrical signal by the pickup. Each guitar produces a unique tone.
 このように、弦の振動が伝わるボディの材質によって弦にフィードバックされる振動が異なるため、ボディに使用する木材は電気ギターの音色に大きな影響を及ぼす。例えば、メイプル材は高音域に特長があり、マホガニー材は中低音域に特長があり、アルダー材は高音域から中音域に特長があり、メイプル材と比較して乾いた音質になることが知られている。 As described above, since the vibration fed back to the string varies depending on the material of the body through which the vibration of the string is transmitted, the wood used for the body greatly affects the tone of the electric guitar. For example, maple material has a characteristic in the high range, mahogany material has a characteristic in the mid to low range, alder material has a characteristic in the high range to the mid range, and it is known that it has a dry sound quality compared with the maple material. It has been.
 ところで、電気ギターに使用できる木材の種類には限りがあることから、木材の種類を変えることで既存の電気ギターと音色について差別化するのは難しい。そのため、木材に熱加工するサーモウッド加工を施した木材を使用する電気ギターや、木質繊維を接着材と共に熱圧成型した繊維板からボディを構成する電気ギターのような木材の加工方法を工夫した電気ギターが徐々に市場に出てきてはいるものの、木材の材質を超えて多様な音色を実現するものは知られていない。 By the way, since there are limits to the types of wood that can be used for electric guitars, it is difficult to differentiate the tone from existing electric guitars by changing the type of wood. For this reason, we devised wood processing methods such as electric guitars that use thermowood processed wood for heat processing, and electric guitars that make up the body from fiberboards made of wood fibers with adhesive and heat-pressed. Although electric guitars are gradually appearing on the market, there is no known one that can achieve a variety of tones beyond the material of wood.
 そして木材の材質を変えることで音色を変える前述の方法に共通する課題は、これまでの電気ギターが前述した代表的な基本デザインを踏襲しており、そのため音色についてもデザイン上の制約を受けるということである。前述のとおりボディは電気ギターごとの固有の音色を作り出す弦振動の共鳴体として機能することから、自ずとボディにおける振動伝達性はその形状の影響を受ける。しかしながら、既存の電気ギターの形状は幾つかの基本デザインに固定化されており、既存の基本デザインを超えて多様な音色を実現しようとする新たな電気ギターは市場に出てきていない。即ち、デザインは成熟しており、その進化は止まったままである。 And the problem common to the above-mentioned method of changing the tone by changing the material of the wood is that the electric guitar so far follows the typical basic design mentioned above, so that the tone is also restricted in design That is. As described above, since the body functions as a string vibration resonator that creates a unique tone color for each electric guitar, the vibration transmission in the body is naturally affected by the shape. However, the shape of the existing electric guitar is fixed to several basic designs, and no new electric guitar that attempts to realize a variety of sounds beyond the existing basic design has appeared on the market. In other words, the design is mature and its evolution has stopped.
 以上のような既存の電気ギターを背景としてなされたのが本発明である。その目的は、木材の材質に依存することなく音色を改善できる新たなデザインの電気ギターを提供することにある。 The present invention was made against the background of the existing electric guitar as described above. The purpose is to provide an electric guitar with a new design that can improve the tone without depending on the wood material.
 前記目的を達成すべく本発明は、以下の電気ギターを提供する。 In order to achieve the above object, the present invention provides the following electric guitar.
 本発明は、ネックと、木製のボディと、前記ボディに取付けられ弦の一端側を保持する保持部材と、を有する電気ギターについて、前記ボディが弦振動を伝達するフレームを備えることを特徴とする。 The present invention relates to an electric guitar having a neck, a wooden body, and a holding member that is attached to the body and holds one end side of a string, wherein the body includes a frame that transmits string vibrations. .
 本発明によれば、既存の木材のみの電気ギターでは実現できない多様な音色を実現することが可能となる。即ち前記ボディが、弦振動を伝達するフレームを備えるため、木製のボディによる振動伝達のみならず、フレームによっても弦振動を木製のボディに伝達させることができる。 According to the present invention, it is possible to realize various timbres that cannot be realized with an existing electric guitar made only of wood. That is, since the body includes a frame for transmitting string vibration, string vibration can be transmitted to the wooden body not only by the wooden body but also by the frame.
 前記フレームについては、金属材でなるものとして構成できる。これによれば、弦振動をボディに対して効果的に伝達することができる。金属製のフレームとしては、具体的には内部減衰率が低い金属材料が好ましい。例えばアルミニウム、チタン、コバルトクロム合金等を使用することができる。 The frame can be made of a metal material. According to this, the string vibration can be effectively transmitted to the body. Specifically, a metal material having a low internal attenuation factor is preferable as the metal frame. For example, aluminum, titanium, cobalt chromium alloy, etc. can be used.
 前記フレームについては、保持部材の取付部を有するものとして構成できる。これによれば、弦の端部(例えばボールエンド)を保持する保持部材(例えばブリッジ、テールピース)をフレームの取付部に取付けることができるので、弦振動を直接的にフレームに伝達することができる。そしてフレームは外部フレーム部や内部フレーム部を通じて振動をボディに対して伝達することから、ボディ全体の振動伝達性を活かした音色の変化をより確実で効果的に実現することができる。 The frame can be configured to have a holding member mounting portion. According to this, since a holding member (for example, a bridge or a tail piece) that holds an end portion (for example, a ball end) of a string can be attached to the attachment portion of the frame, the string vibration can be directly transmitted to the frame. it can. Since the frame transmits vibrations to the body through the external frame part and the internal frame part, it is possible to more reliably and effectively realize a timbre change utilizing the vibration transferability of the entire body.
 前記フレームについては、前記ボディの外周を囲む外部フレーム部を有することができる。また、前記フレームについては、前記ボディの内部に配置する内部フレーム部を有することができる。 The frame may have an external frame portion surrounding the outer periphery of the body. In addition, the frame may have an internal frame portion disposed inside the body.
 本発明によれば、既存の木材のみの電気ギターでは実現できない多様な音色を実現することが可能となる。即ち、ボディの外周を囲む外部フレーム部は、ボディの中心側から離れたボディの外周への振動伝達性を向上させることができる。つまりボディの外周が外部フレーム部により包囲されて、その内側に振動伝達を閉じ込めることができるとともに、弦を保持する保持部材から離れているボディの外周側における振動伝達性を高めることができる。したがって、ボディ全体の振動伝達性を活かした音色の変化を効果的に実現することができる。また、ボディの内部に設ける内部フレーム部は、ボディの厚みの内部における振動伝達性を向上することができる。 According to the present invention, it is possible to realize various timbres that cannot be realized with an existing electric guitar made only of wood. In other words, the outer frame portion surrounding the outer periphery of the body can improve the transmission of vibrations to the outer periphery of the body away from the center side of the body. That is, the outer periphery of the body is surrounded by the outer frame portion, and vibration transmission can be confined inside thereof, and vibration transmission performance on the outer periphery side of the body away from the holding member that holds the string can be enhanced. Therefore, it is possible to effectively realize a timbre change utilizing the vibration transmission of the entire body. Moreover, the internal frame part provided in the inside of the body can improve the vibration transmissibility inside the thickness of the body.
 これら外部フレーム部と内部フレーム部は、その何れか一方を有するものとしてフレームを構成できるが、その双方を合わせ持つフレームとすることで、ボディの外周側と中心側の双方での振動伝達性、即ちボディ全体を活かした振動伝達による音色の改善を効果的に実現することができる利点がある。またフレームはその剛性によって木製のボディの剛性を補強できる。したがって弦の張力や乾燥状態によってボディに生じる反りを抑制することができる。 These external frame part and internal frame part can constitute a frame as having either one of them, but by making the frame having both, vibration transmission on both the outer peripheral side and the center side of the body, That is, there is an advantage that the tone color can be effectively improved by vibration transmission utilizing the entire body. The frame can reinforce the rigidity of the wooden body. Accordingly, warping generated in the body due to the tension of the string and the dry state can be suppressed.
 前記外部フレーム部については、例えば以下の形態で構成することができる。
 第1の形態は、ネックとの連結部位を除いてボディの外周全体を包囲する有端環状の形態である。
 第2の形態は、ネックとの連結部位についてネック又はボディの裏面側に回り込む部位を設けたり、ネックとの連結部位を迂回するようにボディの内部に埋設する内部フレーム部を設けることで、ボディの外周を包囲する無端環状の形態である。
 第3の形態は、ボディの外周に部分的に設ける形態である。これは例えばボディの長手方向に沿う左右の側面に設ける態様や、ボディの先端側に設ける態様等がある。
About the said external frame part, it can comprise with the following forms, for example.
The first form is an end-like annular form that surrounds the entire outer periphery of the body except for the connecting portion with the neck.
The second form provides the body by providing a portion that wraps around the neck or the back side of the body, or an internal frame portion embedded in the body so as to bypass the connection portion with the neck. It is the endless annular form which surrounds the outer periphery.
A 3rd form is a form partially provided in the outer periphery of a body. This includes, for example, an aspect provided on the left and right side surfaces along the longitudinal direction of the body, and an aspect provided on the front end side of the body.
 前記内部フレーム部については、外部フレーム部の少なくとも2つの部位に繋がる形状とすることができる。これによれば、外部フレーム部どうしが内部フレーム部によって繋がるので、例えばボディの右側面にある外部フレーム部の部位とボディの左側面にある外部フレーム部の部位とが内部フレーム部で繋がることにより、ボディの中心側から外周側に振動を伝えやすくなり、その逆もまた振動伝達性が向上する。その結果、ボディ全体の振動伝達性を高めることが可能となる。また、外部フレーム部の異なる部位どうしが内部フレーム部により繋がることで、反りや捻りに対するフレームの全体剛性を高めることができる。そしてフレームの全体剛性が高まることで、木製のボディの剛性の補強効果も高まるので、弦の張力や乾燥状態の変化等により生じる反り等のボディの変形を、さらに効果的に抑制できる利点もある。 The inner frame portion may have a shape connected to at least two parts of the outer frame portion. According to this, since the external frame parts are connected by the internal frame part, for example, the part of the external frame part on the right side of the body and the part of the external frame part on the left side of the body are connected by the internal frame part. This makes it easier to transmit vibration from the center side of the body to the outer peripheral side, and vice versa, improving vibration transmission. As a result, it is possible to improve the vibration transmission performance of the entire body. In addition, since the different parts of the outer frame part are connected by the inner frame part, the overall rigidity of the frame against warping and twisting can be increased. Since the overall rigidity of the frame increases, the effect of reinforcing the rigidity of the wooden body also increases, so there is also an advantage that deformation of the body such as warpage caused by changes in string tension or dry state can be more effectively suppressed. .
 このような内部フレーム部は、外部フレーム部の2つ以上の部位を繋ぐものであればよく、部位数については幾つであってもよい。また、内部フレーム部は、ボディの中心側からボディの外周に向かう放射状に伸長するものとして形成することができる。そして、その放射形状の中心には、保持部材の取付部を設けることができ、放射形状の外側端部には外部フレーム部を設けることができる。 Such an inner frame part may be any one that connects two or more parts of the outer frame part, and the number of parts may be any number. Further, the inner frame portion can be formed to extend radially from the center side of the body toward the outer periphery of the body. And the attachment part of a holding member can be provided in the center of the radial shape, and an external frame part can be provided in the outer side edge part of a radial shape.
 前記ボディについては、前記フレームを挟み込んで保持する表板と裏板とを有するものとして構成できる。これによれば、フレームと表板と裏板との組み合わせにより実現できる電気ギターの音色を、木材のみでボディを構成する場合よりも多種多様なものとすることができ、音色の選択の幅を広げることができる。この場合、フレームと表板又は裏板とには連結部を設けるのが好ましい。具体的にはフレームに孔を設け、表板又は裏板にはその孔に圧入する突起を設けるとよく、これとは逆にフレームに突起を設け、表板又は裏板には孔を設けてもよい。これによりフレームに対する表板と裏板の密着性が高まりフレームとボディとの振動伝達性を向上することができる。 The body may have a front plate and a back plate that sandwich and hold the frame. According to this, the timbre of the electric guitar that can be realized by the combination of the frame, the front plate and the back plate can be made more diverse than the case where the body is made of only wood, and the selection range of the timbre is widened. Can be spread. In this case, it is preferable to provide a connection part between the frame and the front or back plate. Specifically, it is better to provide a hole in the frame and provide a protrusion on the front or back plate to press fit into the hole. On the contrary, provide a protrusion on the frame and provide a hole in the front or back plate. Also good. Thereby, the adhesiveness of the front plate and the back plate with respect to the frame is increased, and the vibration transmission property between the frame and the body can be improved.
 前記フレームについては、ボディを嵌め込む嵌合凹部を有するものとして構成できる。これによれば、木製のボディの外周縁がフレームの嵌合凹部に嵌り込むので、フレームにボディを密着させることができ、フレームとボディとの振動伝達性を高めることができる。また、木製のボディの外縁が嵌合凹部に嵌り込むため、ボディの外縁を破損等から保護することができる。 The frame can be configured to have a fitting recess into which the body is fitted. According to this, since the outer peripheral edge of the wooden body is fitted into the fitting recess of the frame, the body can be brought into close contact with the frame, and vibration transmission between the frame and the body can be improved. Further, since the outer edge of the wooden body is fitted into the fitting recess, the outer edge of the body can be protected from damage or the like.
 前記ボディは、先端側から中央に向けて切り込むように前記ボディを欠如するカット部を有することができる。このカット部を有する電気ギターによれば、ボディを大きく軽量化でき、それにより音色も改善でき、さらに既存の電気ギターと一線を画した斬新なデザインを実現することができる。 The body may have a cut portion lacking the body so as to cut from the tip side toward the center. According to the electric guitar having this cut portion, the body can be greatly reduced in weight and thereby the tone can be improved, and further, a novel design that is different from the existing electric guitar can be realized.
 即ち、ボディの重量の違いが音色に影響を与えることが分かってきており、具体的にはボディの重量が軽いほど短い波長(高周波帯域)の音が生じやすく鮮明な音色となる傾向がある反面、ボディの重量が重いと長い波長(低周波帯域)の音が生じやすく不鮮明で鈍い音色となる傾向がある。したがって鮮明な音色を出すにはボディの材料として軽量な木材を使用することが好ましいとされているものの、大きくボディの重量を変えることは困難である。 In other words, it has been found that the difference in the weight of the body affects the timbre. Specifically, the lighter the weight of the body, the easier it is to produce a sound with a shorter wavelength (high frequency band). If the weight of the body is heavy, a long wavelength (low frequency band) sound tends to occur, and the tone tends to be unclear and dull. Therefore, although it is considered preferable to use light wood as a material for the body in order to produce a clear tone, it is difficult to largely change the weight of the body.
 これに対して本発明であれば、カット部によってボディの重量を軽減することが可能であり、高周波帯域の音が生じやすくなり、より鮮明でクリアーな音色とすることができる。また、ボディの軽量化を、カット部という斬新でありながら美観を損ねない形状要素によって実現していることから、これまでにない既存の電気ギターと一線を画した斬新なギターデザインを実現することができる。 On the other hand, according to the present invention, the weight of the body can be reduced by the cut portion, so that a sound in a high frequency band is likely to be generated, and a clearer and clearer tone can be obtained. In addition, because the weight of the body is realized by a shape element that is a novel cut part that does not impair the aesthetics, it realizes a novel guitar design that is different from existing electric guitars. Can do.
 なお、「カット部」は材料を切断して得られる形状部位だけを意味する用語ではなく、材料の切断によらずに形成される形状部位をも含む用語である。したがって、研磨、研削、溶解、材料の成形等、材料の一次加工や二次加工の別を問わず何れによって形作られる形状部位も含まれる。 It should be noted that the “cut part” is not a term meaning only a shape part obtained by cutting a material, but a term including a shape part formed without cutting the material. Therefore, a shape portion formed by any of primary processing and secondary processing of materials, such as polishing, grinding, melting, and molding of materials, is included.
 前記フレームについては、前記カット部に沿う内周フレーム部を有することができる。これによれば、フレームがカット部に沿う内周枠部を有するので、カット部から外部フレーム部又は内部フレーム部に通じる振動伝達経路がボディに形成され、ボディ全体の振動伝達性を向上することができる。 The frame may have an inner peripheral frame portion along the cut portion. According to this, since the frame has the inner peripheral frame portion along the cut portion, a vibration transmission path leading from the cut portion to the outer frame portion or the inner frame portion is formed in the body, and the vibration transmission performance of the entire body is improved. Can do.
 前記保持部材については、内周フレーム部に取り付けることができる。これによれば、ブリッジやテールピース等の保持部材をボディのカット部にある内周フレーム部に取付けることができるので、弦の端部側をボディの表面側からボディの厚み内に位置するカット部へと屈曲させることができる。弦にそのような屈曲部を設けることで、弦の張力を維持しやすくすることができる。また、電気ギターのデザインについても、ブリッジやテールピースである保持部材をボディのカット部に配置するという、既存の電気ギターにない斬新で洗練されたデザインを実現することができる。さらに、ブリッジやテールピース等の保持部材がボディの表面に突出して配置されている従来の電気ギターと比較して、保持部材が奏者の手に当たることがなくなり、演奏の妨げになることを防止することができる。 The holding member can be attached to the inner peripheral frame portion. According to this, a holding member such as a bridge or a tailpiece can be attached to the inner peripheral frame portion in the cut portion of the body, so that the end portion side of the string is located within the thickness of the body from the body surface side. It can be bent into a part. By providing such a bent portion on the string, it is possible to easily maintain the tension of the string. In addition, regarding the design of the electric guitar, it is possible to realize a novel and sophisticated design that does not exist in existing electric guitars, in which holding members that are bridges and tailpieces are arranged in the cut portion of the body. Furthermore, compared to a conventional electric guitar in which a holding member such as a bridge or a tail piece protrudes from the surface of the body, the holding member does not hit the player's hand and prevents the performance from being hindered. be able to.
 前記保持部材については、ボディのカット部の内部で弦の一端を固定するテール保持部を有する。これによれば、ボディのカット部の内部からボディの表面側へ弦を張るように、テール保持部によって弦を確実に保持することができる。また、これまでの電気ギターにない斬新なデザインの保持部材を実現することができる。 The holding member has a tail holding part for fixing one end of the string inside the cut part of the body. According to this, the string can be reliably held by the tail holding part so that the string is stretched from the inside of the cut part of the body to the surface side of the body. In addition, it is possible to realize a holding member with a novel design that is not found in an electric guitar so far.
 前記フレームについては、ボディの先端側でカット部を介して対向する前記内周フレーム部の対向部位どうしを繋ぐ先端枠部を有することができる。これによれば、フレームの内周フレーム部どうしがボディの先端側で先端枠部によって繋がるので、カット部を介して離間する内周フレーム部どうしの間に振動伝達経路が形成されることになり、カット部を介して対向するボディの先端部どうしの間での振動伝達性を向上することができる。 The frame may have a distal end frame portion that connects opposing portions of the inner peripheral frame portion facing each other through a cut portion on the distal end side of the body. According to this, since the inner peripheral frame portions of the frame are connected by the distal end frame portion at the distal end side of the body, a vibration transmission path is formed between the inner peripheral frame portions separated via the cut portion. Further, it is possible to improve the vibration transmission property between the front end portions of the body facing each other through the cut portion.
 前記本発明については、前記カット部に取付けた音響調節部を有することができる。カット部に音響調節部を有するので、ボディの表面又は裏面に音響調節部に配置しなくてもよく、したがって演奏中に音響調節部が奏者の手に引っかかることが無くなり、演奏しやすい電気ギターとすることができる。 The present invention may have an acoustic adjustment portion attached to the cut portion. Since it has an acoustic adjustment part in the cut part, it does not have to be placed on the acoustic adjustment part on the front or back of the body, so the acoustic adjustment part is not caught in the player's hand during performance, and an electric guitar that is easy to play can do.
 前記ボディのカット部は、ボディの中央側から先端側にかけて幅広となる多角形状とすることができる。これによれば、ボディに先端側にかけて幅広となる多角形状のカット部によって、さらに斬新さを強調したデザインを実現することができる。こうした多角形状としては、例えば略台形状とすることができる。ボディの中央側から先端側に向けて広がる台形状のカット部を有することで、ボディがカット部を介して対向する双頭の尖頭形状となり、さらに斬新さを強調しながらも美観を損ねることのないデザインを実現することができる。 The cut part of the body can be a polygonal shape that becomes wider from the center side to the tip side of the body. According to this, it is possible to realize a design in which novelty is further emphasized by the polygonal cut portion which becomes wider toward the tip side of the body. As such a polygonal shape, for example, a substantially trapezoidal shape can be used. By having a trapezoidal cut part that spreads from the center side to the tip side of the body, the body becomes a double-headed shape facing the cut part, further detracting from aesthetics while emphasizing novelty No design can be realized.
 前記ボディについては、表面又は裏面から外周に向かう傾斜面を有するものとして構成できる。これによれば、ボディの周縁部分の体積を削減して軽量化することができる。そのため短い波長の音が生じやすくすることができ、電気ギターの音色を鮮明なものとすることができる。また、傾斜面が日本刀の刃文のような意匠的印象をもたらし、鋭利で迫力のある意匠的印象を奏することができる。 The body can be configured to have an inclined surface from the front surface or the back surface toward the outer periphery. According to this, it is possible to reduce the volume by reducing the volume of the peripheral portion of the body. Therefore, it is possible to easily generate a short wavelength sound, and the tone of the electric guitar can be made clear. In addition, the slanted surface gives a design impression that looks like a Japanese sword blade, making it possible to produce a sharp and powerful design impression.
 前記本発明の前記ネックと前記ボディについては、ネックジョイント構造として蟻組連結部を有することができる。 The neck and the body of the present invention can have a dovetail connecting portion as a neck joint structure.
 既存のネックジョイント構造には、ボディとネックをボルト(ネジ)で固定する「デタッチャブル・ネック」、ボディとネックを接着固定する「セットネック」、ネック材をボディエンドまで伸長させ、その左右にボディ(ウィング)を接着固定する「スルーネック」の3種類が知られている。しかしながら「デタッチャブル・ネック」は、ボディとネックをボルト止めするため、ネックとボディとの生じる僅かな隙間によってネックからボディへの振動伝達性が低下してしまうという課題がある。また、ボルト締めの強さの度合いによってボディとネックの密着性が変化するため、振動伝達性も変化して音色が変わってしまうという課題がある。「セットネック」は、接着固定するため、ネックの取外しが不可能であるか極めて困難であり、折れたネックの交換やメンテナンス性に劣るという課題がある。また、ネックとボディとの間に接着層が介在するため、そこで振動伝達の媒質が変わるため、振動伝達性の面でも劣るという課題がある。そして「スルーネック」についてもセットネックと同様の課題がある。 The existing neck joint structure includes a “detachable neck” that secures the body and neck with bolts (screws), a “set neck” that adheres and fixes the body and neck, and a neck material that extends to the body end. Three types of “through neck” that adheres and fixes (wings) are known. However, since the “detachable neck” is bolted between the body and the neck, there is a problem that vibration transmission from the neck to the body is reduced by a slight gap generated between the neck and the body. Moreover, since the adhesion between the body and the neck changes depending on the strength of the bolting, there is a problem that the timbre changes due to the change in vibration transmission. Since the “set neck” is bonded and fixed, it is impossible or extremely difficult to remove the neck, and there is a problem in that the broken neck is inferior in replacement and maintenance. In addition, since an adhesive layer is interposed between the neck and the body, the vibration transmission medium is changed there. “Through neck” has the same problem as set neck.
 これに対して本発明では、ネックとボディを日本の伝統的な宮大工の技術を応用した前記蟻組連結部により連結する。エレキギターでは、弦1本あたり約5kgf(49N)を超える張力が作用しており、6弦を合計すると約40kgf(392N)を超える張力が作用しているのが一般的である。エレキベースはこれをさらに上回り、エレキギターよりも弦が太くて強いため、より大きな力で張っており、4弦を合計すると約80kgf(784N)を超える張力が作用しているのが通常である。 On the other hand, in the present invention, the neck and the body are connected by the ant assembly connecting portion applying Japanese traditional Miyada carpenter technology. In an electric guitar, a tension exceeding about 5 kgf (49 N) is acting on each string, and a total tension exceeding about 40 kgf (392 N) is generally acting on a total of six strings. The electric bass is more than this, and the strings are thicker and stronger than the electric guitar, so they are stretched with greater force, and the total tension of the four strings is usually over 80 kgf (784 N). .
 前記蟻組連結部は、こうした弦の張力をネックとボディの密着性を高める力として利用する。蟻組を構成する蟻溝と蟻との対向面が、前述した弦の大きな張力の作用によって相互に密着する方向に付勢され、デタッチャブル・ネックにおけるボルトの締付力よりも遙かに大きな力で密着させることができる。本発明ではこうした密着性の高いネックジョイント構造でネックとボディとを連結することが可能であり、その密着性の高さによってネックからボディに入力される振動の伝達性も大きく向上することができる。 The above-mentioned ant assembly connecting portion uses the tension of the strings as a force for improving the adhesion between the neck and the body. The opposing surfaces of the ant groove and ant that make up the ant group are urged in the direction in which they are in close contact with each other by the action of the large tension of the strings described above, which is much larger than the bolt tightening force at the detachable neck Can be brought into close contact with. In the present invention, it is possible to connect the neck and the body with such a highly-adhesive neck joint structure, and due to the high adhesion, the transmission of vibrations input from the neck to the body can be greatly improved. .
 強固な密着力を実現しながらも、セットネックやスルーネックのように接着剤を用いることは必須ではない。したがって弦の張力が解かれていれば、ネックとボディとの着脱は極めて容易であり、ネックやヘッドが破損した場合でもボディから容易に取外すことができて交換作業を楽に行うことができる。また、ネックとボディとの間に接着層がなければ、接着層による振動の伝達性の低下も起こらず、ネックからボディへの振動伝達性も良好であり、そしてボディの振動伝達性の向上により音の響きをよくすることができ、電気ギターの音色をより鮮明にできる効果がある。 It is not essential to use an adhesive like a set neck or through neck while achieving a strong adhesion. Therefore, if the tension of the string is released, the neck and the body can be attached and detached very easily, and even if the neck or head is damaged, it can be easily removed from the body and the replacement work can be performed easily. In addition, if there is no adhesive layer between the neck and the body, the transmission of vibration due to the adhesive layer does not occur, the transmission of vibration from the neck to the body is good, and the improvement of vibration transmission of the body The sound of the sound can be improved, and the effect of making the tone of the electric guitar clearer.
 前記蟻組連結部については、前記ボディの表面側に溝が開口する蟻溝部と、前記ネックの裏面に設けた蟻部とを有するものとして構成できる。これによれば、蟻溝部の長さ方向に沿って蟻部が挿入され、その長さ方向に対する直交方向(ボディの表面に対する垂直方向)で、ネックの蟻部の側面が弦の張力によってボディの蟻溝部の溝面を押圧して密着状態で係止することができる。 The ant assembly connecting portion can be configured to have a ant groove portion in which a groove opens on the front surface side of the body and a ant portion provided on the back surface of the neck. According to this, the ant portion is inserted along the length direction of the ant groove portion, and the side surface of the neck ant portion is perpendicular to the length direction (perpendicular to the surface of the body), and the side surface of the neck is The groove surface of the dovetail portion can be pressed and locked in a close contact state.
 前記蟻組連結部は、前記弦の張力によって相互に当接するボディとネックに設けた一対の係止面を有するものとして構成できる。これによれば、ボディとネックに設けた一対の係止面が弦の張力によって相互に密着状態で係止することができる。その「一対の係止面」は蟻溝部の溝面と蟻部の側面により構成することができる。 The ant assembly connecting portion may be configured to have a pair of locking surfaces provided on a neck and a body that come into contact with each other by tension of the string. According to this, the pair of locking surfaces provided on the body and the neck can be locked in close contact with each other by the tension of the strings. The “pair of locking surfaces” can be constituted by the groove surface of the dovetail portion and the side surface of the dovetail portion.
 本発明によれば、既存の電気ギターの基本デザインを超えて、音響面に優れており、これまでに無かった斬新なデザインを有する電気ギターを実現することができる。 According to the present invention, it is possible to realize an electric guitar having a novel design that is superior to the basic design of an existing electric guitar and has an excellent acoustic surface.
 このような本発明は、エレキギターやベースギター等、様々な電気ギターとして実現することが可能であるため、電気ギターのデザインや技術にカテゴリーを超えた革新をもたらすことができる。 Since the present invention can be realized as various electric guitars such as electric guitars and bass guitars, it is possible to bring innovation beyond the category to the design and technology of electric guitars.
一実施形態の電気ギターを示す斜視図。The perspective view which shows the electric guitar of one Embodiment. 図1の電気ギターの正面図。The front view of the electric guitar of FIG. 図2の背面図。The rear view of FIG. 図1の電気ギターのボディの分解斜視図。The disassembled perspective view of the body of the electric guitar of FIG. 図4のA-A断面図。FIG. 5 is a cross-sectional view taken along line AA in FIG. 4. 図1の電気ギターのフレームを示す斜視図。The perspective view which shows the flame | frame of the electric guitar of FIG. 図1の電気ギターのネック及びヘッドの斜視図。The perspective view of the neck and head of the electric guitar of FIG. 図7のB-B断面図。BB sectional drawing of FIG. 図1のテールピースの正面図。The front view of the tail piece of FIG. 図1のテールピースの取付状態を示す側面図。The side view which shows the attachment state of the tailpiece of FIG. 変形例によるフレームの平面図。The top view of the flame | frame by a modification. 変形例による蟻溝部を示す説明図。Explanatory drawing which shows the dovetail part by a modification.
 以下、本発明の一実施形態による電気ギターについて図面を参照しつつ説明する。本実施形態では電気ギター1の例としてエレキギターを説明するが、本発明は適宜変更を加えることでベースギターとして実施することも可能である。 Hereinafter, an electric guitar according to an embodiment of the present invention will be described with reference to the drawings. In the present embodiment, an electric guitar will be described as an example of the electric guitar 1, but the present invention can also be implemented as a bass guitar with appropriate modifications.
 本明細書、図面では、例えば図1で示すように電気ギター1の長手方向(前後方向)をX方向とし、「+X」を電気ギター1の先端側、「-X」を後端側とする。同様に電気ギター1の幅方向をY方向とし、「+Y」を右側、「-Y」を左側とする。そして電気ギター1の厚み方向をZ方向とし、「+Z」を電気ギター1の表面側、「-Z」を裏面側として説明する。しかしながらこれらの方向の特定は電気ギター1の使用方法等を限定するものではない。 In the present specification and drawings, for example, as shown in FIG. 1, the longitudinal direction (front-rear direction) of the electric guitar 1 is the X direction, “+ X” is the front end side of the electric guitar 1, and “−X” is the rear end side. . Similarly, the width direction of the electric guitar 1 is the Y direction, “+ Y” is the right side, and “−Y” is the left side. The thickness direction of the electric guitar 1 is taken as the Z direction, “+ Z” is assumed to be the front side of the electric guitar 1, and “−Z” is assumed to be the back side. However, the specification of these directions does not limit the method of using the electric guitar 1 or the like.
電気ギターの全体構成〔図1~3〕:
 電気ギター1は、ボディ2と、ボディ2に接続されたネック3と、ネック3の後端側(-X)に設けられたヘッド4と、ヘッド4からネック3を経てボディ2に張られた弦5を備えている。
Overall configuration of electric guitar [Figs. 1-3]:
The electric guitar 1 is stretched on the body 2 through the body 2, the neck 3 connected to the body 2, the head 4 provided on the rear end side (−X) of the neck 3, and the head 4 through the neck 3. A string 5 is provided.
ボディの構成〔図1~6〕:
 ボディ2は、表板6、裏板7及びフレーム8を備える。表板6と裏板7は、フレーム8の表面8aと裏面8bに固定されている。その固定方法として、本実施形態のフレーム8には、表面8aと裏面8bに嵌合凹部8cがそれぞれ形成されており、そこに表板6と裏板7を圧入して密着状態で嵌め込むことで固定している。
Body configuration (Figs. 1-6):
The body 2 includes a front plate 6, a back plate 7 and a frame 8. The front plate 6 and the back plate 7 are fixed to the front surface 8 a and the back surface 8 b of the frame 8. As a fixing method, the frame 8 of the present embodiment has a fitting recess 8c formed on the front surface 8a and the back surface 8b, respectively, and the front plate 6 and the back plate 7 are press-fitted therein and fitted in a close contact state. It is fixed with.
 表板6と裏板7のフレーム8に対する固定力を高めるために、嵌合凹部8cの底面8dや側面8eの全部または一部に接着層を設けるようにしてもよい。但し、こうした接着層は弦振動が伝わる媒質として表板6、裏板7、フレーム8とは異質であることから、使うとしても部分的に設ける方が良い。 In order to increase the fixing force of the front plate 6 and the back plate 7 to the frame 8, an adhesive layer may be provided on all or part of the bottom surface 8d and the side surface 8e of the fitting recess 8c. However, such an adhesive layer is different from the front plate 6, the back plate 7 and the frame 8 as a medium through which the string vibration is transmitted.
 表板6、裏板7、フレーム8を組み合わせたボディ2は、表板6と裏板7との間にフレーム8の板厚に相当する図示せぬ空洞を有する。そしてボディ2は、弦振動の共鳴体として振動することで、その形状、構造、木材の材質等に由来する固有の振動を生成し、その振動が弦5の振動にフィードバックされて、この電気ギター1に固有の音色を生み出すことになる。 The body 2 in which the front plate 6, the back plate 7 and the frame 8 are combined has a cavity (not shown) corresponding to the thickness of the frame 8 between the front plate 6 and the back plate 7. The body 2 vibrates as a resonance body of the string vibration, thereby generating a specific vibration derived from its shape, structure, wood material, etc., and the vibration is fed back to the vibration of the string 5, and this electric guitar It will produce a unique tone.
 ボディ2には、中央側から先端側(+X)に向けて漸次幅広となる扇形孔9が形成されている。この扇形孔9は本発明の「カット部」を構成するものである。 The fan 2 is formed in the body 2 so as to gradually widen from the center side toward the tip side (+ X). This fan-shaped hole 9 constitutes the “cut portion” of the present invention.
 ボディ2の周縁部分には、表板6及び裏板7の中央側から外周のフレーム8の側に向けて、表板6と裏板7の板面が滑らかに傾斜する傾斜面2aが形成されている。この傾斜面2aは、電気ギター1の後端側(-X)から先端側(+X)に向けて漸次幅広となる形状とされており、あたかも日本刀の刀身に見られる刃文のような外観上の印象を与えるデザイン要素となっている。これによって電気ギター1は、後端側(-X)から先端側(+X)に向けて徐々に刃文が広がることで、ボディ2に鋭利で迫力のある意匠的印象を奏するものとなっている。 In the peripheral portion of the body 2, an inclined surface 2 a is formed in which the plate surfaces of the front plate 6 and the back plate 7 smoothly incline from the center side of the front plate 6 and the back plate 7 toward the outer peripheral frame 8. ing. The inclined surface 2a has a shape that gradually widens from the rear end side (-X) to the front end side (+ X) of the electric guitar 1, and looks like a blade that can be seen in a Japanese sword blade. It is a design element that gives the above impression. As a result, the electric guitar 1 has a sharp and powerful design impression on the body 2 by gradually spreading the blade from the rear end side (−X) to the front end side (+ X). .
表板の構成〔図1,2,4〕:
 表板6は木材でなり、先端側(+X)には扇形孔9を構成する扇形状の切欠部6aを有する。切欠部6aは、表板6の先端側から中央側に向けて凹状に木材を欠如して形成されており、これによって表板6には切欠部6aを介して対向する一対の尖頭部6bが形成されている。表板6の材質としては、ヒノキ、セン、ハンノキ、イタヤカエデ、シナ等、楽器として用いた場合に音響特性に優れた木材や、それにサーモウッド加工等を施した加工木材を用いることができる。
Structure of the front plate [Figs. 1, 2, 4]:
The front plate 6 is made of wood, and has a fan-shaped notch 6 a that forms a fan-shaped hole 9 on the tip side (+ X). The notch 6a is formed by lacking wood in a concave shape from the front end side to the center side of the front plate 6, whereby the pair of pointed heads 6b facing the front plate 6 via the notch 6a. Is formed. As the material of the front plate 6, wood having excellent acoustic characteristics when used as a musical instrument, such as hinoki, sen, alder, maple, china, etc., or processed wood subjected to thermowood processing or the like can be used.
 表板6の表面には、弦5の振動を電気信号に変換するピックアップ10a、10bと、弦5を支持するブリッジ11が取付けられており、弦5はこれらの上に張り渡されている。ボディ2の内部にはピックアップ10a、10bと電気的に接続されるトーンコントロール、ボリュームコントロール、アンプへの出力端子となるジャック、それらを繋ぐ配線等の電気部品が配置される。フレーム8の外周面にはジャックの差込口8fが形成されている。 Pickups 10a and 10b that convert vibrations of the strings 5 into electric signals and a bridge 11 that supports the strings 5 are attached to the surface of the front plate 6, and the strings 5 are stretched over them. Inside the body 2, electrical components such as tone control and volume control electrically connected to the pickups 10a and 10b, jacks serving as output terminals to the amplifier, and wirings connecting them are arranged. A jack insertion port 8 f is formed on the outer peripheral surface of the frame 8.
 表板6のネック3側の先端部には、図4、図5で示すようにネック3との蟻組みのための蟻溝部12が形成されている。この蟻溝部12は本発明の「蟻組連結部」を構成するものである。 A dovetail groove 12 for dovetailing with the neck 3 is formed at the tip of the front plate 6 on the neck 3 side as shown in FIGS. The dovetail portion 12 constitutes the “ant assembly connecting portion” of the present invention.
 蟻溝部12は、溝底面12aの幅W1が上端の開口縁12bの幅W2よりも広く形成されている。また、蟻溝部12は、後述するネック3の蟻部13を挿入する挿入口12cから挿入方向奥側の奥壁12dにかけて、溝底面12aの幅W1と開口縁12bの幅W2が徐々に僅かに狭くなるように形成されている。 The dovetail groove 12 is formed such that the width W1 of the groove bottom surface 12a is wider than the width W2 of the upper opening edge 12b. Further, the dovetail groove portion 12 has a width W1 of the groove bottom surface 12a and a width W2 of the opening edge 12b that are gradually decreased from an insertion port 12c for inserting a dovetail portion 13 of the neck 3 described later to a back wall 12d on the back side in the insertion direction. It is formed to be narrow.
裏板の構成〔図3〕:
 裏板7は木材でなり、表板6と同様に、先端側(+X)に扇形孔9を構成する扇形状の切欠部7aが形成されており、その両側には対向する一対の尖頭部7bが形成されている。裏板7も表板6と同様に、ヒノキ、セン、ハンノキ、イタヤカエデ、シナ等、楽器として用いた場合に音響特性に優れた木材やその加工木材が用いられている。なお、表板6と裏板7の木材の材質は同一である必要は無く、表板6と裏板7の材質を変化させることで、様々な音響特性の電気ギター1とすることができる。
Back plate configuration (Figure 3):
The back plate 7 is made of wood, and, like the front plate 6, a fan-shaped cutout portion 7 a that forms a fan-shaped hole 9 is formed on the tip side (+ X), and a pair of opposed pointed heads on both sides thereof. 7b is formed. Similarly to the front plate 6, the back plate 7 is made of wood having excellent acoustic characteristics when used as a musical instrument, such as hinoki, sen, alder, maple, and china, and processed wood thereof. In addition, the material of the wood of the front board 6 and the back board 7 does not need to be the same, By changing the material of the front board 6 and the back board 7, it can be set as the electric guitar 1 of various acoustic characteristics.
フレームの構成〔図1~4,6,10〕:
 図6はフレーム8の斜視図である。フレーム8の材質としては種々の金属材料を用いることができ、例えばアルミ合金、チタン合金、コバルトクロム合金等を用いることができる。アルミ合金の場合には、切削加工性が良く製造が容易であり、また軽量なフレーム8が得られる。チタン合金の場合には、アルミ合金よりも硬くて軽量であることから、剛性が高く軽量なフレーム8が得られる。コバルトクロム合金の場合にはアルミ合金やチタン合金よりも高硬度、高機械強度を有する金属であることから振動伝達性に優れており、電気ギター1の音色をより鮮明なものとすることができるため好ましい。
Frame configuration (Figs. 1-4, 6, 10):
FIG. 6 is a perspective view of the frame 8. Various metal materials can be used as the material of the frame 8, and for example, an aluminum alloy, a titanium alloy, a cobalt chromium alloy, or the like can be used. In the case of an aluminum alloy, the machinability is good and the manufacture is easy, and the lightweight frame 8 is obtained. In the case of a titanium alloy, since it is harder and lighter than an aluminum alloy, a rigid and lightweight frame 8 can be obtained. In the case of a cobalt chrome alloy, it is a metal having higher hardness and higher mechanical strength than an aluminum alloy or a titanium alloy, so that it has excellent vibration transmission, and the tone of the electric guitar 1 can be made clearer. Therefore, it is preferable.
 フレーム8は、外枠部8A、内枠部8B、内周枠部8C、先端枠部8Dを有する形状となっている。 The frame 8 has a shape having an outer frame portion 8A, an inner frame portion 8B, an inner peripheral frame portion 8C, and a tip frame portion 8D.
 外枠部8Aは、ボディ2の外周に設ける部分であり、本発明の「外部フレーム部」を構成する。具体的には、左右の側面部8A1が形成されている。本実施形態の外枠部8Aにはカッタウェイ8A1a、8A1bが形成されている。即ち、ダブルカッタウェイであり、そのうちの比較的長く突出するカッタウェイ8A1aには、電気ギター1にストラップ(図示略)を取付ける際に、ストラップの端部をカラビナ等で取付けるための環状の取付孔8A1cが形成されている The outer frame portion 8A is a portion provided on the outer periphery of the body 2 and constitutes the “external frame portion” of the present invention. Specifically, left and right side surface portions 8A1 are formed. Cutaways 8A1a and 8A1b are formed on the outer frame portion 8A of the present embodiment. That is, the cutaway 8A1a, which is a double cutaway, and protrudes relatively long, has an annular mounting hole for attaching the end of the strap with a carabiner or the like when the strap (not shown) is attached to the electric guitar 1. 8A1c is formed
 内枠部8Bは、ボディ2の内部に設ける部分であり、本発明の「内部フレーム部」を構成する。本実施形態では、内枠部8Bとして、外枠部8Aの左右の側面部8A1の間を繋ぐ架設部8B1が形成されている。 The inner frame portion 8B is a portion provided inside the body 2 and constitutes the “inner frame portion” of the present invention. In the present embodiment, an erection portion 8B1 that connects between the left and right side surface portions 8A1 of the outer frame portion 8A is formed as the inner frame portion 8B.
 内周枠部8Cは、表板6の切欠部6aと裏板7の切欠部7aと重なるように設ける部分である。この内周枠部8Cと、外枠部8Aの先端枠部8Dとは連続して繋がっており無端で多角形の環状枠部8Eを形成する。 The inner peripheral frame portion 8C is a portion provided so as to overlap the notch portion 6a of the front plate 6 and the notch portion 7a of the back plate 7. The inner peripheral frame portion 8C and the distal end frame portion 8D of the outer frame portion 8A are continuously connected to form an endless polygonal annular frame portion 8E.
 内周枠部8Cには3つの側面が形成されている。即ち、ボディ2の中央側から先端側(+X)に向けて伸長する第1の長手側面8C1と、第2の長手側面8C2と、第1と第2の長手側面8C1、8C2の一端側を繋ぐ短手側面8C3である。 The inner peripheral frame portion 8C has three side surfaces. That is, the first longitudinal side surface 8C1, the second longitudinal side surface 8C2, and the first and second longitudinal side surfaces 8C1, 8C2 extending from the center side to the distal end side (+ X) are connected to one end side of the body 2. This is the short side surface 8C3.
 このうち第2の長手側面8C2には、「音響調節部」として複数のコントロールノブ14が取付けられている。本実施形態では3つのコントロールノブ14が取付けられている。短手側面8C3には、「保持部材」としてのテールピース15をボルトBでネジ止めする取付部8C3aが形成されている(図10)。 Among these, a plurality of control knobs 14 are attached to the second longitudinal side surface 8C2 as “acoustic adjusting portions”. In this embodiment, three control knobs 14 are attached. On the short side surface 8C3, a mounting portion 8C3a for fastening the tailpiece 15 as a “holding member” with a bolt B is formed (FIG. 10).
 先端枠部8Dは、表板6と裏板7の一対の尖頭部6b、7bの間に架け渡して形成されており、外枠部8Aの一部を構成する。先端枠部8Dには、電気ギター1にストラップ(図示略)を取付ける際に、ストラップの端部をカラビナ等で取付けるための取付孔8D1が貫通形成されている。既存の電気ギターでは、ストラップピンが電気ギターの先端から突出しているため、電気ギターを立て掛けたときに姿勢が不安定になったり、ストラップピンが曲がったりすることがある。しかしながら、本実施形態では先端にあって突出しない取付孔8D1として形成されているので、そうした不都合は生じない。 The front end frame portion 8D is formed between a pair of pointed heads 6b and 7b of the front plate 6 and the back plate 7, and constitutes a part of the outer frame portion 8A. When attaching a strap (not shown) to the electric guitar 1, an attachment hole 8 </ b> D <b> 1 for attaching the end of the strap with a carabiner or the like is formed through the front end frame portion 8 </ b> D. In the existing electric guitar, since the strap pin protrudes from the tip of the electric guitar, the posture may become unstable or the strap pin may be bent when the electric guitar is stood. However, in the present embodiment, such an inconvenience does not occur because the mounting hole 8D1 is formed at the tip and does not protrude.
 以上のような内周枠部8C、先端枠部8D、そして内周枠部8Cと重なる表板6の切欠部6aと裏板7の切欠部7aによって、ボディ2には本発明の「カット部」を構成する扇形孔9が形成されることになる。扇形孔9は、ボディ2の中央側から先端側(+X)に向けて徐々に幅広となる扇形状の形態となっている。 The body 2 has the “cut portion” of the present invention by the inner peripheral frame portion 8C, the front end frame portion 8D, and the cutout portion 6a of the front plate 6 and the cutout portion 7a of the back plate 7 that overlap the inner peripheral frame portion 8C. Is formed. The fan-shaped hole 9 has a fan-shaped form that gradually becomes wider from the center side of the body 2 toward the front end side (+ X).
テールピースの構成〔図1~4,6,9,10〕:
 この扇形孔9の内部には、弦5の端部を固定する「保持部材」としてのテールピース15が取付けられている。テールピース15は金属製であり、フレームと同様に、アルミ合金、チタン合金、コバルトクロム合金等が用いることができる。テールピース15も、弦5の端部と直接接触するとともに、ボディ2に直接固定されるものであるため、振動伝達性の高い材質で形成するのが好ましい。この点では、特に高硬度であり、機械強度の高いコバルトクロム合金が好ましく、電気ギター1の音色を顕著に鮮明なものとすることができる。このコバルトクロム合金としては株式会社エイワ製「COBARION」(登録商標)を使用することができる。
Tailpiece configuration [FIGS. 1-4, 6, 9, 10]:
A tail piece 15 as a “holding member” for fixing the end of the string 5 is attached inside the fan-shaped hole 9. The tail piece 15 is made of metal, and an aluminum alloy, a titanium alloy, a cobalt chromium alloy, or the like can be used in the same manner as the frame. Since the tail piece 15 is also in direct contact with the end of the string 5 and is directly fixed to the body 2, it is preferably formed of a material having high vibration transmission. In this respect, a cobalt chrome alloy having a particularly high hardness and a high mechanical strength is preferable, and the tone of the electric guitar 1 can be made remarkably clear. As this cobalt chromium alloy, “COBARION” (registered trademark) manufactured by Eiwa Co., Ltd. can be used.
 テールピース15には、図9、図10で示すように、テール保持部15aと取付部15bが形成されている。 As shown in FIGS. 9 and 10, the tail piece 15 is formed with a tail holding portion 15a and a mounting portion 15b.
 テール保持部15aは、ブロック状に形成されており、複数の弦5の固定孔15cが形成されている。弦5の固定孔15cは、徐々に孔径が小さくなる形状とされており、ボディ2の先端側(+X)から弦5を挿通すると、弦5のボールエンドが引っ掛かることで抜け止めされる。テール保持部15aは、前面が幅方向Yで円弧状に湾曲する形状とされており、そこに開口する固定孔15cは縦長楕円状に並べて形成されていることで、既存のテールピースとは異質で斬新なデザインとなっており、特有の意匠的印象を発揮している。 The tail holding part 15a is formed in a block shape, and fixed holes 15c for a plurality of strings 5 are formed. The fixed hole 15c of the string 5 has a shape in which the hole diameter gradually decreases. When the string 5 is inserted from the front end side (+ X) of the body 2, the ball end of the string 5 is caught and is prevented from coming off. The tail holding portion 15a has a front surface curved in an arc shape in the width direction Y, and the fixing holes 15c opened there are formed in a vertically long elliptical shape, which is different from existing tail pieces. It has a novel design and exhibits a unique design impression.
 取付部15bは板状に形成されており、ボルトBの挿通孔15dが形成されている。テールピース15は、取付部15bをフレーム8の内周枠部8Cの短手側面8C3に沿わせてボルトBで止めることでフレーム8に着脱可能に固定される。 The mounting portion 15b is formed in a plate shape, and an insertion hole 15d for the bolt B is formed. The tail piece 15 is detachably fixed to the frame 8 by fastening the mounting portion 15b with the bolt B along the short side surface 8C3 of the inner peripheral frame portion 8C of the frame 8.
 図10で示すようにテールピース15がブリッジ11よりも下側(-Z側)に設けられていることにより、弦5を張った際にブリッジ11からテールピース15に向けて屈曲し、その弦5の端部に下方(-Z側)に向けた張力が加わり、弦5を水平に一直線状に張って水平に保持する場合と比較して弦5の張りを強くするとともに張力を維持することができる。これにより電気ギター1の音色を持続的に鮮明なメリハリのあるものとすることができる。 As shown in FIG. 10, since the tail piece 15 is provided below the bridge 11 (−Z side), when the string 5 is stretched, the string is bent from the bridge 11 toward the tail piece 15, and the string The tension toward the lower side (-Z side) is applied to the end of 5 to strengthen the tension of the string 5 and maintain the tension compared to the case where the string 5 is stretched horizontally and held horizontally. Can do. As a result, the tone of the electric guitar 1 can be continuously vivid and sharp.
ネック、ヘッドの構成〔図1~3,7,8〕:
 ネック3は、長板状の木製のネック本体16の表面に薄い長板状の指板17が取り付けられるとともに、指板17上には金属製のフレット18が取付けられている。
Neck and head configuration (Figs. 1-3, 7, 8):
In the neck 3, a thin long plate-like fingerboard 17 is attached to the surface of a long plate-like wooden neck body 16, and a metal fret 18 is attached on the fingerboard 17.
 ネック本体16の先端側(+X)には、ボディ2と蟻組みで固定のための凸部である蟻部13が形成されている(図7)。この蟻部13は前述の蟻溝部12とともに本発明の「蟻組連結部」を構成する。ネック本体16の蟻部13は、図8で示すように上端部の幅W3よりも下端部の幅W4の方が広くなっている。 A dovetail portion 13 is formed on the tip side (+ X) of the neck body 16 as a convex portion for fixing with the body 2 and dovetail assembly (FIG. 7). The ant portion 13 and the above-mentioned ant groove portion 12 constitute the “ant assembly connecting portion” of the present invention. As shown in FIG. 8, the dovetail portion 13 of the neck body 16 has a width W4 at the lower end portion wider than a width W3 at the upper end portion.
 ネック本体16の蟻部13の上端部の幅W3は、表板6の蟻溝部12の開口縁12bの幅W2と略同一となっている。また蟻部13の下端部の幅W4は、表板6の蟻溝部12の溝底面12aの幅W1と略同一となっている。 The width W3 of the upper end portion of the dovetail portion 13 of the neck body 16 is substantially the same as the width W2 of the opening edge 12b of the dovetail portion 12 of the front plate 6. The width W4 of the lower end portion of the dovetail portion 13 is substantially the same as the width W1 of the groove bottom surface 12a of the dovetail groove portion 12 of the front plate 6.
 ヘッド4は、ネック3に連続して形成されている木製の部材であり、弦5の端部を固定する金属製のペグ19及びペグポスト20が設けられている。 The head 4 is a wooden member formed continuously with the neck 3, and is provided with a metal peg 19 and a peg post 20 that fix the end of the string 5.
 ネック3及びヘッド4は、ヒノキ、セン、ハンノキ、イタヤカエデ、シナ等、楽器として用いた場合に音響特性に優れた木材を用いて作られている。 The neck 3 and the head 4 are made of wood having excellent acoustic characteristics when used as musical instruments, such as hinoki, sen, alder, maple, and china.
電気ギターの組立方法:
 次に、電気ギター1の組立方法について説明する。
How to assemble an electric guitar:
Next, a method for assembling the electric guitar 1 will be described.
 まず、電気ギター1のボディ2を組み立てる。ボディ2は、フレーム8の嵌合凹部8cに表板6と裏板7をそれぞれ圧入して取付ける。このとき嵌合凹部8cに接着層を設けて固定してもよいことは、前述した通りである。なお、フレーム8にはコントロールノブ14等の電気部品が取付けられている。 First, the body 2 of the electric guitar 1 is assembled. The body 2 is attached by press-fitting the front plate 6 and the back plate 7 into the fitting recess 8 c of the frame 8. At this time, as described above, the fitting recess 8c may be provided with an adhesive layer and fixed. Note that electrical components such as a control knob 14 are attached to the frame 8.
 次に、ボディ2とネック3を連結する。連結はボディ2の蟻溝部12にネック3の蟻部13を以下のようにして挿入することで行われる。 Next, the body 2 and the neck 3 are connected. The connection is performed by inserting the dovetail part 13 of the neck 3 into the dovetail part 12 of the body 2 as follows.
 即ち、ボディ2の蟻溝部12の挿入口12cの側では、開口縁12bの幅W2はネック3の蟻部13の上端部の幅W3と略同一であり、蟻溝部12の溝底面12aの幅W1はネック3の蟻部13の下端部の幅W4と略同一となっている。 That is, on the insertion opening 12c side of the dovetail groove portion 12 of the body 2, the width W2 of the opening edge 12b is substantially the same as the width W3 of the upper end portion of the dovetail portion 13 of the neck 3, and the width of the groove bottom surface 12a of the dovetail groove portion 12 W1 is substantially the same as the width W4 of the lower end portion of the ant portion 13 of the neck 3.
 これに対して、ボディ2の蟻溝部12は、蟻部13の挿入口12cの側よりも奥壁12dの側の方が窄んだ形状となっている。 On the other hand, the dovetail groove portion 12 of the body 2 has a shape in which the back wall 12d side is narrower than the insertion port 12c side of the dovetail portion 13.
 そのため蟻溝部12に蟻部13を挿入した嵌合当初の段階では、ほぼ抵抗なくスムーズに蟻部13を蟻溝部12に挿入できるが、その挿入抵抗は次第に強くなる。そして最終的には挿入抵抗に逆らうようにネック3を押圧することで、蟻部13が蟻溝部12に圧入されることとなる。このとき蟻部13の先端部分は蟻溝部12の奥端部である奥壁12dに当接した状態となる。 Therefore, at the initial stage of fitting when the dovetail portion 13 is inserted into the dovetail portion 12, the dovetail portion 13 can be smoothly inserted into the dovetail portion 12 with almost no resistance, but the insertion resistance gradually increases. And finally, the dovetail part 13 will be press-fitted into the dovetail groove part 12 by pressing the neck 3 against the insertion resistance. At this time, the tip portion of the ant portion 13 is in contact with the back wall 12d which is the back end portion of the ant groove portion 12.
 ボディ2とネック3との嵌合後には、蟻部13の挿入側先端部が蟻溝部12の奥壁12dに当接しているため、ネック3は挿入方向(+X方向)への移動が規制されている。他方、蟻部13と蟻溝部12との間の押圧力及び摩擦力によって抜去方向(-X方向)への移動には強い抵抗力が作用する状態となっているが、このままでは抜け止めはできておらず、ボディ2からネック3を抜き取ることができる。 After the body 2 and the neck 3 are fitted, the insertion side tip of the dovetail part 13 is in contact with the back wall 12d of the dovetail part 12, so that the neck 3 is restricted from moving in the insertion direction (+ X direction). ing. On the other hand, a strong resistance force acts on the movement in the removal direction (−X direction) due to the pressing force and frictional force between the dovetail portion 13 and the dovetail groove portion 12, but it is not possible to prevent it from coming off. The neck 3 can be extracted from the body 2.
 また、蟻部13の下端部の幅W4は蟻溝部12の開口縁12bの幅W2よりも広いため、嵌合状態では、蟻部13が蟻溝部12から表板6の表面の上方に脱離しようとしても、蟻部13の側面13aが対向する蟻溝部12の側面12eと係止して抜け止めされる。したがって、ネック3はボディ2の厚み方向(+Z方向)の移動が規制された状態となる。また、蟻部13の底面13bは、対向する蟻溝部12の溝底面12aと当接するため、ネック3はボディに対して厚み方向(-Z方向)への移動も規制されている。 Further, since the width W4 of the lower end portion of the dovetail portion 13 is wider than the width W2 of the opening edge 12b of the dovetail portion 12, the dovetail portion 13 is detached from the dovetail portion 12 above the surface of the front plate 6 in the fitted state. Even if it tries, the side surface 13a of the ant portion 13 is engaged with the side surface 12e of the dovetail groove portion 12 and is prevented from coming off. Therefore, the neck 3 is in a state where movement of the body 2 in the thickness direction (+ Z direction) is restricted. Further, since the bottom surface 13b of the dovetail portion 13 contacts the groove bottom surface 12a of the opposed dovetail groove portion 12, the neck 3 is also restricted from moving in the thickness direction (−Z direction) with respect to the body.
 さらに、蟻部13の側面13aが対向する蟻溝部12の側面12eと当接するため、ネック3はボディ2に対して左右の幅方向(±Y方向)への移動が規制されている。 Furthermore, since the side surface 13a of the dovetail portion 13 comes into contact with the side surface 12e of the dovetail groove portion 12, the movement of the neck 3 in the left-right width direction (± Y direction) is restricted with respect to the body 2.
 以上のようにしてネック3をボディ2に蟻組みした状態では、ネック3はボディ2に対して仮固定されて、例えばネック3だけを持ってボディ2を支えなくても、ボディ2が落下しない程度の強さで固定されることとなる。 In the state in which the neck 3 is assembled to the body 2 as described above, the neck 3 is temporarily fixed to the body 2, and for example, even if the body 2 is not supported by holding only the neck 3, the body 2 does not fall. It will be fixed with some strength.
 次に、ボディ2からネック3を経てヘッド4に弦5が張り渡される。弦5の一端側はボディ2のテールピース15に固定され、他端側はヘッド4のペグポスト20に固定される。 Next, the string 5 is stretched from the body 2 through the neck 3 to the head 4. One end side of the string 5 is fixed to the tail piece 15 of the body 2, and the other end side is fixed to the peg post 20 of the head 4.
 弦5のテールピース15への固定は、前述のように弦5をテールピース15の固定孔15cに挿通し、弦5の端部のボールエンドを固定孔15cに係止させればよい。 The string 5 can be fixed to the tailpiece 15 by inserting the string 5 into the fixing hole 15c of the tailpiece 15 and locking the ball end at the end of the string 5 to the fixing hole 15c as described above.
 弦5のペグポスト20への固定は、ペグポスト20のペグ穴(図示略)にボールエンドを切除した弦5の端部を通し、ペグ19を回してペグポスト20の周囲に弦5を巻き付けることで行われる。 The string 5 is fixed to the peg post 20 by passing the end of the string 5 with the ball end cut through a peg hole (not shown) of the peg post 20 and turning the peg 19 to wind the string 5 around the peg post 20. Is called.
 こうしてボディ2からヘッド4にかけて弦5を張ると、弦5はその張力によって蟻部13と蟻溝部12とが相互に突き当たる挿入方向へそれらを引っ張るように作用する。これとともに蟻部13の側面13aが弦5の張力によって対向する蟻溝部12の側面12eに対して密着方向に付勢され、6本の弦5による大きな力で相互に密着させることができる。これによってネック3はボディ2に対する抜去方向(-X方向)への移動が規制された状態となり、ネック3のボディ2への固定が完了する。 Thus, when the string 5 is stretched from the body 2 to the head 4, the string 5 acts so as to pull them in the insertion direction in which the ant portion 13 and the ant groove portion 12 abut each other by the tension. At the same time, the side surface 13a of the ant portion 13 is urged in the contact direction against the side surface 12e of the opposing ant groove portion 12 by the tension of the string 5, and can be brought into close contact with each other with a large force by the six strings 5. As a result, the movement of the neck 3 in the removal direction (−X direction) with respect to the body 2 is restricted, and the fixing of the neck 3 to the body 2 is completed.
電気ギターの作用効果:
 上記構成による電気ギター1は、既に説明したものに加えて以下のような様々な特徴を有する。
Electric guitar effects:
The electric guitar 1 configured as described above has the following various features in addition to those already described.
 電気ギター1によれば、ボディ2に「カット部」としての扇形孔9を設けているため、電気ギター1を大きく軽量化することができ、短い波長(高周波帯域)の音を生じやすくすることができ、これにより電気ギター1の音色を鮮明なものとすることができる。 According to the electric guitar 1, since the fan-shaped hole 9 as the “cut portion” is provided in the body 2, the electric guitar 1 can be greatly reduced in weight and easily generate a sound with a short wavelength (high frequency band). As a result, the tone of the electric guitar 1 can be made clear.
 デザインの面では、例えばボディに小孔を多数形成して軽量化を図る態様のように、見る者に煩雑な印象を与える軽量化とは異なり、ボディ2に大きな単一の扇形孔9を形成することにより統一感のある印象を与えることができる。そして既存の電気ギターと一線を画した斬新なデザインを実現することができる。 In terms of design, for example, a large single fan-shaped hole 9 is formed in the body 2 unlike the light weight that gives a complicated impression to the viewer, as in the case of reducing the weight by forming many small holes in the body. By doing so, you can give a unified impression. And you can realize a novel design that is different from existing electric guitars.
 ボディ2の周縁部分は、表板6及び裏板7側からフレーム8に向けて滑らかに傾斜する傾斜面2aを有することで、ボディ2の周縁部分の体積を削減することができる。これによりボディ2を軽量化できるため、短い波長の音が生じやすく、鮮明な音色とすることができる。また、デザインの面では、傾斜面2aが「刃紋」のような意匠的印象をもたらし、ボディ2が鋭利で迫力のある意匠的印象を奏することができる。 The peripheral portion of the body 2 has the inclined surface 2a that smoothly inclines from the front plate 6 and the back plate 7 toward the frame 8, so that the volume of the peripheral portion of the body 2 can be reduced. As a result, the weight of the body 2 can be reduced, so that a short wavelength sound is likely to be generated, and a clear tone can be obtained. Further, in terms of design, the inclined surface 2a can provide a design impression such as a “blade pattern”, and the body 2 can provide a sharp and powerful design impression.
 ボディ2を木製の表板6及び裏板7と、金属製のフレーム8とにより構成することにより、これらの部材の材質を変化させることで得られる音色を木材のみでボディが作成された場合よりも多種多様なものとすることができ、音色の選択の幅を広げることができる。 By constructing the body 2 with the wooden front plate 6 and the back plate 7 and the metal frame 8, the tone obtained by changing the material of these members is more than the case where the body is made of only wood. Can be a wide variety, and the range of timbre selection can be expanded.
 即ち、フレーム8の外枠部8Aは、ネック3と繋がるボディ2の中心側から離れた外周側における振動伝達性を向上することができる。
 また、フレーム8の内枠部8Bは、ボディ2の内部における振動伝達性を向上することができる。特に外枠部8Aの側面部8A1どうしを繋ぐ架設部8B1として構成しているため、ボディ2の外周側どうしの振動伝達性を向上することができる。
 したがって、ボディ2の外周側と中心側の双方での振動伝達性、即ちボディ2の全体を活かした振動伝達による音色の改善を効果的に実現することができる。
That is, the outer frame portion 8 </ b> A of the frame 8 can improve vibration transmission performance on the outer peripheral side away from the center side of the body 2 connected to the neck 3.
Further, the inner frame portion 8 </ b> B of the frame 8 can improve the vibration transmission performance inside the body 2. In particular, since it is configured as an erection portion 8B1 that connects the side surface portions 8A1 of the outer frame portion 8A, the vibration transmission performance between the outer peripheral sides of the body 2 can be improved.
Therefore, it is possible to effectively realize improvement in timbre by vibration transmission on both the outer peripheral side and the center side of the body 2, that is, vibration transmission utilizing the entire body 2.
 特に、架設部8B1より先端側(+X)には2つの多重閉ループによる振動伝達経路が形成されている。第1の閉ループは、架設部8B1と外枠部8Aの左右の側面部8A1と先端枠部8Dによる振動伝達経路である。第2の閉ループは、その内側にある内周枠部8Cと先端枠部8Dによる振動伝達経路である。この大小2つの振動伝達経路は、何れも弦振動を直接受けるテールピース15に直接繋がっている。したがって、ボディ2の全体を弦振動の共鳴体として効果的に機能させることができる。 In particular, a vibration transmission path by two multiple closed loops is formed on the front end side (+ X) from the installation part 8B1. The first closed loop is a vibration transmission path formed by the installation portion 8B1, the left and right side surface portions 8A1 of the outer frame portion 8A, and the tip frame portion 8D. The second closed loop is a vibration transmission path formed by the inner peripheral frame portion 8C and the distal end frame portion 8D inside the second closed loop. Both the large and small vibration transmission paths are directly connected to the tailpiece 15 that directly receives string vibration. Therefore, the entire body 2 can effectively function as a string vibration resonator.
 また、架設部8B1より後端側(-X)には、後述する強固に相互に密着するネックジョイント構造によりネック3からボディ2への振動伝達経路が確保されている上に、外枠部8Aの左右の側面部8A1によってボディ2の外周の上半分がネック3の側面に至るまで取り囲まれた格好となっている。これによっても、ボディ2の全体を弦振動の共鳴体として効果的に機能させることができる。 Further, a vibration transmission path from the neck 3 to the body 2 is secured on the rear end side (−X) from the erection portion 8B1 by a neck joint structure that is firmly adhered to each other, which will be described later, and the outer frame portion 8A. The upper half of the outer periphery of the body 2 is surrounded by the left and right side surfaces 8A1 until the side surface of the neck 3 is reached. This also allows the entire body 2 to function effectively as a string vibration resonator.
 フレーム8は、その剛性によって木製の表板6と裏板7の剛性を補強する。したがって、弦の張力や乾燥状態によってボディ2に生じる反りを抑制することができる。 The frame 8 reinforces the rigidity of the wooden front plate 6 and the back plate 7 by its rigidity. Therefore, the curvature which arises in the body 2 by the tension | tensile_strength and dry state of a string can be suppressed.
 弦5の張力が直接作用するテールピース15は、木製の表板6や裏板7に固定されているのではなく金属製のフレーム8に固定されていることから、これによって弦5の張力によって表板6や裏板7に反りが発生するのを抑制することができる。 The tail piece 15 on which the tension of the string 5 directly acts is not fixed to the wooden front plate 6 or the back plate 7 but is fixed to the metal frame 8. It is possible to suppress warping of the front plate 6 and the back plate 7.
 ネック3とボディ2とのネックジョイント構造は、蟻溝部12と蟻部13の蟻組みと弦5の張力のみでネック3とボディ5を強固に密着させることができる。これにより従来の電気ギターにおいて生じていたネック3とボディ2との間の、接着層及びその分の間隙を無くすことができ、ネック3からボディ2への振動伝達性を高めることができ、ボディ2の振動による音の響きを向上させて、電気ギター1の音色をより鮮明な音色とすることができる。 The neck joint structure of the neck 3 and the body 2 allows the neck 3 and the body 5 to be firmly adhered only by the dovetail portion of the dovetail groove portion 12 and the dovetail portion 13 and the tension of the string 5. As a result, the adhesive layer and the gap between the neck 3 and the body 2 generated in the conventional electric guitar can be eliminated, and the vibration transmission from the neck 3 to the body 2 can be improved. The sound of the electric guitar 1 can be made clearer by improving the sound of the sound due to the vibration of 2.
 従来のネック3とボディ2を接着剤で固定する電気ギターと異なり、弦5を取り外せばボディ2からネック3を容易に取り外すことができる。そのためネック3やヘッド4が破損するアクシデントが生じた場合でも容易に交換することができ、メンテナンス性を向上することができる。 Unlike the conventional electric guitar in which the neck 3 and the body 2 are fixed with an adhesive, the neck 3 can be easily detached from the body 2 by removing the strings 5. Therefore, even when an accident that damages the neck 3 or the head 4 occurs, it can be easily replaced and the maintainability can be improved.
 コントロールノブ14が扇形孔9の内部に設けられていることにより、演奏中にこれらが奏者の手に引っかかることが無くなり、演奏しやすい電気ギター1とすることができる。 Since the control knob 14 is provided inside the fan-shaped hole 9, they are not caught by the player during performance, and the electric guitar 1 can be easily played.
 コントロールノブ14やテールピース15が扇形孔Cの内部に設けられていることにより、これらがボディ2から外部に露出している従来の電気ギターと比較して統一感のある洗練された美観を与えることができる。 Since the control knob 14 and the tail piece 15 are provided inside the fan-shaped hole C, they give a refined aesthetic that has a sense of unity as compared to the conventional electric guitar exposed from the body 2 to the outside. be able to.
実施形態の変形例〔図11,12〕:
 本発明は上述した実施形態に限定されることなく、種々の変形が可能である。
Modification of Embodiment [FIGS. 11 and 12]:
The present invention is not limited to the above-described embodiment, and various modifications can be made.
 前記実施形態のフレーム8では内枠部8Bとして架設部8B1を有するものを例示したが、例えば図11で示すような構造としてもよい。即ち内枠部8Bの架設部8B2が、内周枠部8Cの取付部8C3aから伸長して外枠部8Aのくびれ部8A2に繋がる形態としたものである。このように内枠部8Bの架設部8B2によれば、テールピース15の取付部8C3aに対して繋がっているため弦振動の伝達を、前記実施形態よりもさらに効果的に外枠部8Aに伝えることができる。また、この変形例のフレーム8のように、テールピース15の取付部8C3aを中心として、架設部8B2、内周枠部8Cの第1の長手側面8C1、第2の長手側面8C2が伸長し外枠部8Aに繋がる形態であり、これによってボディ2の全体に弦振動を効率的に伝達することができる。 In the frame 8 of the above embodiment, the frame 8B1 is exemplified as the inner frame 8B. However, for example, a structure as shown in FIG. That is, the construction part 8B2 of the inner frame part 8B extends from the attachment part 8C3a of the inner peripheral frame part 8C and is connected to the constricted part 8A2 of the outer frame part 8A. Thus, according to the erection part 8B2 of the inner frame part 8B, since it is connected to the attachment part 8C3a of the tailpiece 15, the transmission of the string vibration is more effectively transmitted to the outer frame part 8A than in the above embodiment. be able to. Further, like the frame 8 of this modified example, the installation portion 8C3a of the tail piece 15 is centered, and the installation portion 8B2 and the first longitudinal side surface 8C1 and the second longitudinal side surface 8C2 of the inner peripheral frame portion 8C are extended and removed. It is a form connected to the frame portion 8A, and thereby string vibration can be efficiently transmitted to the entire body 2.
 前記実施形態ではフレーム8の材質として金属材料を例示したが、金属材料だけでなく木材や樹脂等他の材料を用いることもできる。しかしながら、金属材料と木材等では内部減衰率等が異なることから、弦振動をボディ2に伝達するフレーム8としてより適しているのは金属材料である。 In the above embodiment, the metal material is exemplified as the material of the frame 8, but other materials such as wood and resin can be used as well as the metal material. However, the metal material is more suitable as the frame 8 for transmitting the string vibration to the body 2 because the internal damping rate is different between the metal material and wood or the like.
 前記実施形態ではフレーム8が外枠部8A、内枠部8B、内周枠部8C、先端枠部8Dを有する例を示したが、その何れかであってもよく、またそれらを2つ以上有するものでもよい。 In the above-described embodiment, an example in which the frame 8 includes the outer frame portion 8A, the inner frame portion 8B, the inner peripheral frame portion 8C, and the tip frame portion 8D is shown. You may have.
 前記実施形態では「カット部」として扇形孔9を有するボディ2を例示したが、扇形孔9は省略してもよい。また、「カット部」としての扇形孔9は扇形ではなく他の多角形状や円形とすることもできる。 In the above embodiment, the body 2 having the fan-shaped hole 9 is exemplified as the “cut portion”, but the fan-shaped hole 9 may be omitted. Further, the fan-shaped hole 9 as the “cut portion” may be other polygonal shape or circular shape instead of the sector shape.
 前記実施形態では、図4、5で示すようにボディ2の表板6に蟻溝部12を設ける例を示したが、図12で示すように裏板7に蟻組用突起21を形成して、ここに前記実施形態と同様の蟻溝部12を設けるようにし、他方表板6には蟻組用突起21が嵌まり込む蟻組用凹部6cを設ける構成としてもよい。表板6に蟻溝部12を設けると、表板6の塗装をする際に蟻溝部12をマスキングする作業が必要となり作業負担が大きい。しかしながら、図12のような変形例とすることで表板6のマスキング作業が不要であり、また裏板7の表板6と合わせる面は塗装が不要であり、しかも蟻組用突起21の長手側面は表板6の蟻組用凹部6cによって隠されて、蟻組用突起21の上面はネック3を挿入すれば隠されるため、蟻組用突起21を塗装する必要がなく作業負担を減らすことができる。 In the above embodiment, an example in which the dovetail groove portion 12 is provided on the front plate 6 of the body 2 as shown in FIGS. 4 and 5 is shown. However, as shown in FIG. Here, a dovetail groove portion 12 similar to that of the above embodiment may be provided, and the front plate 6 may be provided with a dovetail recess portion 6c into which the dovetail protrusion 21 is fitted. When the dovetail groove portion 12 is provided on the front plate 6, an operation for masking the dovetail groove portion 12 is required when the front plate 6 is coated, and the work load is large. However, the modification as shown in FIG. 12 eliminates the need for masking work of the front plate 6, and does not require painting on the surface of the back plate 7 to be combined with the front plate 6. Since the side surface is hidden by the dovetail recess 6c of the front plate 6 and the top surface of the dovetail protrusion 21 is hidden when the neck 3 is inserted, it is not necessary to paint the dovetail protrusion 21 and the work load is reduced. Can do.
 前記実施形態ではボディ2とネック3のネックジョイント構造として蟻溝部12と蟻部13を例示したが、こうした蟻組連結部のない構成としてもよい。ボディ2とネック3はボルト締結や接着剤で固定することもできる。 In the above embodiment, the dovetail groove portion 12 and the dovetail portion 13 are exemplified as the neck joint structure of the body 2 and the neck 3, but a configuration without such a dovetail connecting portion may be employed. The body 2 and the neck 3 can be fixed by bolt fastening or an adhesive.
 前記実施形態では、テールピース15をフレーム8にボルトBで固定する例を示したが、本発明ではこうした態様に限らない。フレーム8の一部にテールピースを一体形成されていてもよく、またテールピース15をフレーム2に溶接や接着等により固定する態様であってもよい。 In the above embodiment, an example in which the tailpiece 15 is fixed to the frame 8 with the bolt B has been described, but the present invention is not limited to such an aspect. A tail piece may be integrally formed on a part of the frame 8, or the tail piece 15 may be fixed to the frame 2 by welding or bonding.
 前記実施形態では、電気ギター1としてエレキギターを例示したが、ベースギター等、様々な電気ギターに実施することが可能である In the above embodiment, an electric guitar is exemplified as the electric guitar 1, but it can be applied to various electric guitars such as a bass guitar.
 1   電気ギター
 2   ボディ
 2a  傾斜面
 3   ネック
 4   ヘッド
 5   弦
 6   表板
 6a  切欠部
 6b  尖頭部
 6c  蟻組用凹部
 7   裏板
 7a  切欠部
 7b  尖頭部
 8   フレーム
 8A   外枠部
 8A1  側面部
 8A1a カッタウェイ
 8A1b カッタウェイ
 8A1c 取付孔
 8A2  くびれ部
 8B   内枠部
 8B1  架設部
 8B2  架設部
 8C   内周枠部
 8C1  第1の長手側面
 8C2  第2の長手側面
 8C3  短手側面
 8C3a  取付部
 8D   先端枠部
 8D1  取付孔
 8E   環状枠部
 8a   表面
 8b   裏面
 8c   嵌合凹部
 8d   底面
 8e   側面
 8f   差込口
 9    扇形孔
10a、10b  ピックアップ
11   ブリッジ
12   蟻溝部(蟻組連結部)
12a  溝底面
12b  開口縁
12c  挿入口
12d  奥壁
12e  側面(係止面)
13   蟻部(蟻組連結部)
13a  側面(係止面)
13b  底面
14   コントロールノブ
15   テールピース(保持部材)
15a  テール保持部
15b  取付部
15c  固定孔
15d  挿通孔
16   ネック本体
17   指板
18   フレット
19   ペグ
20   ペグポスト
21   蟻組用突起
 B   ボルト
DESCRIPTION OF SYMBOLS 1 Electric guitar 2 Body 2a Inclined surface 3 Neck 4 Head 5 String 6 Front plate 6a Notch 6b Pointed head 6c Concave for dovetail 7 Back plate 7a Notch 7b Pointed head 8 Frame 8A Outer frame 8A1 Side 8A1a Cutter Way 8A1b Cutter Way 8A1c Mounting Hole 8A2 Constriction 8B Inner Frame 8B1 Installation 8B2 Installation 8C Inner Frame 8C1 First Long Side 8C2 Second Long Side 8C3 Short Side 8D 3 Front Attachment 8D Hole 8E Annular frame portion 8a Front surface 8b Back surface 8c Fitting recess 8d Bottom surface 8e Side surface 8f Insertion port 9 Fan-shaped holes 10a, 10b Pickup 11 Bridge 12 Dovetail groove portion (ant assembly connecting portion)
12a Groove bottom surface 12b Opening edge 12c Insertion slot 12d Back wall 12e Side surface (locking surface)
13 Ant part (ant group connection part)
13a Side (locking surface)
13b Bottom 14 Control knob 15 Tail piece (holding member)
15a Tail holding portion 15b Mounting portion 15c Fixing hole 15d Insertion hole 16 Neck body 17 Finger plate 18 Fret 19 Peg 20 Peg post 21 Dovetail protrusion B Bolt

Claims (14)

  1. ネックと、
    木製のボディと、
    前記ボディに取付けられ弦の一端側を保持する保持部材と、
    を有する電気ギターにおいて、
    前記ボディが弦振動を伝達するフレームを備えることを特徴とする電気ギター。
    Neck and
    With a wooden body,
    A holding member attached to the body and holding one end of the string;
    In an electric guitar having
    An electric guitar, wherein the body includes a frame for transmitting string vibration.
  2. 前記フレームは、金属材でなる
    請求項1記載の電気ギター。
    The electric guitar according to claim 1, wherein the frame is made of a metal material.
  3. 前記フレームは、前記保持部材の取付部を有する
    請求項1又は請求項2記載の電気ギター。
    The electric guitar according to claim 1, wherein the frame has an attachment portion for the holding member.
  4. 前記フレームは、前記ボディの外周を囲む外部フレーム部を有する
    請求項1~請求項3何れか1項記載の電気ギター。
    The electric guitar according to any one of claims 1 to 3, wherein the frame includes an external frame portion surrounding an outer periphery of the body.
  5. 前記フレームは、前記ボディの内部に配置する内部フレーム部を有する
    請求項1~請求項4何れか1項記載の電気ギター。
    The electric guitar according to any one of claims 1 to 4, wherein the frame has an internal frame portion disposed inside the body.
  6. 前記内部フレーム部は、前記外部フレーム部の少なくとも2つの部位に繋がる形状である
    請求項5記載の電気ギター。
    The electric guitar according to claim 5, wherein the inner frame portion has a shape connected to at least two portions of the outer frame portion.
  7. 前記ボディは、先端側から中央に向けて切り込むように前記ボディを部分的に欠如するカット部を有する
    請求項1~請求項6何れか1項記載の電気ギター。
    The electric guitar according to any one of claims 1 to 6, wherein the body has a cut portion partially lacking the body so as to be cut from the front end side toward the center.
  8. 前記フレームは、前記カット部に沿う内周フレーム部を有する
    請求項7記載の電気ギター。
    The electric guitar according to claim 7, wherein the frame has an inner peripheral frame portion along the cut portion.
  9. 前記保持部材は、前記内周フレーム部に取付けられている
    請求項8記載の電気ギター。
    The electric guitar according to claim 8, wherein the holding member is attached to the inner peripheral frame portion.
  10. 前記フレームは、前記ボディの先端側で前記カット部を介して対向する前記内周フレーム部の対向部位どうしを繋ぐ先端枠部を有する
    請求項8又は請求項9記載の電気ギター。
    10. The electric guitar according to claim 8, wherein the frame includes a front end frame portion that connects opposing portions of the inner peripheral frame portion facing each other through the cut portion on a front end side of the body.
  11. 前記カット部に取付けた音響調節部を有する
    請求項7~請求項10何れか1項記載の電気ギター。
    The electric guitar according to any one of claims 7 to 10, further comprising an acoustic adjustment portion attached to the cut portion.
  12. 前記ネックと前記ボディは、ネックジョイント構造として蟻組連結部を有する
    請求項1~請求項11何れか1項記載の電気ギター。
    The electric guitar according to any one of claims 1 to 11, wherein the neck and the body have a dovetail connecting portion as a neck joint structure.
  13. 前記蟻組連結部は、前記ボディの表面側に溝が開口する蟻溝部と、前記ネックの裏面に設けた蟻部とを有する請求項12記載の電気ギター。 The electric guitar according to claim 12, wherein the dovetail connection portion includes a dovetail groove portion having a groove opening on a front surface side of the body and a dovetail portion provided on a back surface of the neck.
  14. 前記蟻組連結部は、前記弦の張力によって相互に当接する前記ボディと前記ネックに設けた一対の係止面を有する
    請求項12又は請求項13記載の電気ギター。
    14. The electric guitar according to claim 12, wherein the dovetail connection portion includes a pair of locking surfaces provided on the neck and the body that are in contact with each other by tension of the string.
PCT/JP2017/007715 2016-03-11 2017-02-28 Electric guitar WO2017154662A1 (en)

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Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US10803840B1 (en) 2019-06-21 2020-10-13 Dreadnought, Inc. Linear dovetail neck joint for musical instrument
US20210020152A1 (en) * 2018-03-19 2021-01-21 Fender Musical Instruments Corporation Stringed Instrument Resonance System

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Publication number Priority date Publication date Assignee Title
JPS6347395U (en) * 1986-09-17 1988-03-31
JP2000276167A (en) * 1999-01-19 2000-10-06 Yamaha Corp Body structure of stringed instrument
JP2001356758A (en) * 2000-06-13 2001-12-26 Yamaha Corp Body structure of stringed instrument
US7893330B1 (en) * 2008-09-05 2011-02-22 Andreasen Randy G Stringed instrument construction
JP2013148660A (en) * 2012-01-18 2013-08-01 Freedom Custom Guitar Research Neck and body joint device for guitar

Patent Citations (5)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS6347395U (en) * 1986-09-17 1988-03-31
JP2000276167A (en) * 1999-01-19 2000-10-06 Yamaha Corp Body structure of stringed instrument
JP2001356758A (en) * 2000-06-13 2001-12-26 Yamaha Corp Body structure of stringed instrument
US7893330B1 (en) * 2008-09-05 2011-02-22 Andreasen Randy G Stringed instrument construction
JP2013148660A (en) * 2012-01-18 2013-08-01 Freedom Custom Guitar Research Neck and body joint device for guitar

Cited By (3)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US20210020152A1 (en) * 2018-03-19 2021-01-21 Fender Musical Instruments Corporation Stringed Instrument Resonance System
US11935505B2 (en) * 2018-03-19 2024-03-19 Fender Musical Instruments Corporation Stringed instrument resonance system
US10803840B1 (en) 2019-06-21 2020-10-13 Dreadnought, Inc. Linear dovetail neck joint for musical instrument

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