WO2016027856A1 - Support for stringed instrument and vibration device for stringed instrument - Google Patents

Support for stringed instrument and vibration device for stringed instrument Download PDF

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Publication number
WO2016027856A1
WO2016027856A1 PCT/JP2015/073382 JP2015073382W WO2016027856A1 WO 2016027856 A1 WO2016027856 A1 WO 2016027856A1 JP 2015073382 W JP2015073382 W JP 2015073382W WO 2016027856 A1 WO2016027856 A1 WO 2016027856A1
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WO
WIPO (PCT)
Prior art keywords
transducer
trf
support
trb
wall
Prior art date
Application number
PCT/JP2015/073382
Other languages
French (fr)
Japanese (ja)
Inventor
晋吾 江國
Original Assignee
ヤマハ株式会社
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Filing date
Publication date
Application filed by ヤマハ株式会社 filed Critical ヤマハ株式会社
Publication of WO2016027856A1 publication Critical patent/WO2016027856A1/en

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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10GREPRESENTATION OF MUSIC; RECORDING MUSIC IN NOTATION FORM; ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR, e.g. SUPPORTS
    • G10G5/00Supports for musical instruments
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R1/00Details of transducers, loudspeakers or microphones
    • H04R1/02Casings; Cabinets ; Supports therefor; Mountings therein
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R7/00Diaphragms for electromechanical transducers; Cones
    • H04R7/02Diaphragms for electromechanical transducers; Cones characterised by the construction

Definitions

  • the present invention relates to a support for supporting a stringed instrument having a resonance body and a vibration apparatus for the stringed instrument.
  • Stringed instruments with a resonant body are known, such as acoustic guitars, basses, violins, ukuleles, and mandolins.
  • the resonance drum of a guitar is composed of a front plate, a back plate and a side plate. A sound hole is formed on the front plate.
  • the strings vibrate, and as a result, mainly the front and back plates vibrate.
  • the resonance cylinder resonates due to the vibration of the front plate and the back plate, and rich sound is generated.
  • Patent Document 1 discloses a configuration in which a speaker is attached to a sound hole of a guitar and the resonance body functions as an enclosure for the speaker.
  • Patent Document 2 discloses an acoustic accelerator in which a stringed instrument body such as a guitar is provided with a vibrating body such as a spring that applies string vibration to promote sound.
  • Patent Document 1 it is necessary to attach a speaker to a stringed instrument, and some processing for that is also required. For this reason, the configuration disclosed in Patent Document 1 is not easy to be widely applied to general (for example, commercially available) guitars and the like. Moreover, according to the structure of patent document 2, although sound promotion is achieved, it is not the structure for enjoying sound itself with the vibration by a vibrating body.
  • An example of an object of the present invention is to make it possible to generate rich sound by a vibrator using a resonance drum of a general stringed instrument.
  • a support for a stringed musical instrument having a resonance body includes a support for supporting the stringed musical instrument, and a state in which the support supports the stringed musical instrument.
  • a vibration apparatus for a stringed musical instrument having a resonance body having a first wall and a second wall different from each other abuts on the first wall.
  • rich sound can be generated by a vibrator using a resonance body of a general stringed instrument.
  • rich sound can be generated by the vibrator using two different walls of the resonance body of a general stringed musical instrument.
  • FIG. 1A is a side view of a support according to a first embodiment of the present invention.
  • FIG. 1B is a side view of the support according to the first embodiment of the present invention.
  • the support (support) shown in FIGS. 1A and 1B is configured to support a stringed instrument having a resonance body.
  • 1A and 1B show an acoustic guitar 100 as an example of a stringed instrument and a guitar stand 20 as an example of a support.
  • the stringed instrument supported by the support to which the first embodiment of the present invention is applied may be any stringed instrument as long as it has a resonance body. Specific examples of stringed instruments may include acoustic bass, violin, ukulele, mandolin.
  • the stringed instrument may be an electric stringed instrument provided with a sensor such as a pickup as long as the stringed instrument has a resonance body.
  • electric stringed instruments may include an electric acoustic guitar, bass, violin, ukulele, mandolin.
  • the guitar 100 has a neck 16 and a resonance body 10.
  • a string 14 is stretched from the neck 16 to the resonance cylinder 10.
  • the resonance cylinder 10 includes a front plate 11, a back plate 12 and a side plate 13.
  • the front plate 11 is substantially parallel to and opposed to the back plate 12.
  • the side plate 13 is generally a connecting wall that connects the edge 17 of the front plate 11 and the edge 18 of the back plate 12.
  • the side plate 13 has higher rigidity than the front plate 11 and the back plate 12.
  • a sound hole 15 is formed on the front plate 11.
  • the front plate 11 and the back plate 12 serve as main vibration walls that mainly vibrate.
  • the stand 20 has a control unit 101.
  • the control unit 101 is integral with the stand 20.
  • the stand 20 has a bottom 23, two front arms 21 and one rear arm 22.
  • the front arm 21 is disposed on the front side.
  • the rear arm 22 is disposed rearward.
  • the front end portion of the bottom portion 23 is connected to the lower end of the front arm 21.
  • the rear end of the bottom 23 is connected to the lower end of the rear arm 22.
  • the front arm 21 and the rear arm 22 face each other across the bottom 23.
  • the combination of the bottom 23, the front arm 21 and the rear arm 22 has a U-shape.
  • Each of the front arms 21 is provided with a transducer TrF.
  • the transducer TrF faces the inside of the U-shaped portion of the stand 20. That is, the transducer TrF is provided at the upper end of the inner surface of the front arm 21 (the surface facing the rear arm 22).
  • the transducer TrF is configured to vibrate the front plate 11.
  • the rear arm 22 is provided with a transducer TrB.
  • the transducer TrB faces the inside of the U-shaped portion of the stand 20. That is, the transducer TrB is provided at the upper end of the inner surface of the rear arm 22 (the surface facing the front arm 21).
  • the transducer TrB is configured to vibrate the back plate 12.
  • the transducer TrF and the transducer TrB may be collectively referred to as a transducer Tr.
  • the transducer Tr is a vibrator that vibrates according to an acoustic signal (musical sound signal) supplied as a drive signal and generates sound by exciting (exciting) a target.
  • the transducer Tr is driven by the control unit 101 (details will be described later with reference to FIG. 2).
  • the basic shape of the stand 20 may be the same as a general (commercially available) stand. It is also possible to obtain the stand 20 according to the first embodiment of the present invention by providing the control unit 101 and the transducer Tr in a stand having a general configuration.
  • the stand 20 supports the resonance body 10 of the guitar 100 with the neck 16 facing upward by the bottom 23, the front arm 21 (transducer TrF provided on the front arm 21), and the rear arm 22 (transducer TrB provided on the rear arm 22).
  • the bottom 23, the front arm 21 (transducer TrF provided on the front arm), and the rear arm 22 (transducer TrB provided on the rear arm 22) may be an example of a support portion.
  • the bottom portion 23 is a main support portion that receives the resonance cylinder 10.
  • a supported portion 19 in which the lower portion of the resonance cylinder 10, specifically, the side plate 13, the edge portion 17 of the front plate 11, and the edge portion 18 of the back plate 12 are supported by the bottom portion 23 in a posture in which the neck 16 faces upward. It becomes.
  • the resonance cylinder 10 When the guitar 20 is supported by the stand 20, the resonance cylinder 10 is inserted between the U-shaped portion of the stand 20, that is, between the transducer TrF and the transducer TrB, and the supported portion 19 of the resonance cylinder 10 is supported by the support portion (bottom portion). 23).
  • the distance between the transducer TrF and the transducer TrB is the thickness of the resonance body of a general guitar (distance between the outer surface of the front plate 11 and the outer surface of the back plate 12). Is set larger than.
  • FIG. 1A shows a state immediately after the resonance cylinder 10 is inserted into the U-shaped portion of the stand 20 and the supported portion 19 is brought into contact with the bottom portion 23.
  • FIG. 1C shows a state in which the guitar 100 is normally supported by the stand 20.
  • the normally supported state is a state in which the supported portion 19 is supported by the bottom portion 23, the transducer TrF is in contact with the front plate 11, and the transducer TrB is attached to the back plate 12. A state of contact.
  • the position of the transducer TrB is higher than the transducer TrF. Therefore, as shown in FIG. 1A, when the supported portion 19 is supported by the bottom portion 23 and the transducers TrF and TrB are not in contact with the front plate 11 and the back plate 12, respectively, the side where the transducer TrB is present. By tilting the resonance cylinder 10 (rearward), the transducers TrF and TrB come into contact with the front plate 11 and the back plate 12, respectively (see FIG. 1C). As long as the transducers TrF and TrB are in contact with the front plate 11 and the back plate 12, the contact point of contact with the bottom 23 may be anywhere in the supported portion 19. In the example shown in FIG. 1C, the edge 18 of the back plate 12 is the contact point P1.
  • the transducer TrF and the transducer TrB are viewed from a direction substantially perpendicular to the front plate 11 (that is, viewed from the axial direction (vibration direction) of the transducer TrF or the transducer TrB). And the position is different.
  • the stand 20 is installed on the floor, and the transducer TrB is positioned above the transducer TrF in a state where the transducers TrF and TrB are higher than the bottom 23.
  • the transducer TrB contacts the back plate 12 at a position farther than the transducer TrF with respect to the side plate 13.
  • the transducer TrF contacts the front plate 11 at a position closer to the transducer TrB with respect to the side plate 13.
  • the back plate 12 is suitable for generating mid to low frequency sound.
  • the transducer TrB is arranged so as to vibrate a position as close to the center as possible in the surface direction of the back plate 12.
  • the front plate 11 is suitable for generating high frequency sound.
  • the transducer TrF may be arranged at a position close to the side plate 13.
  • the excitation position may be set in consideration of these viewpoints.
  • a bridge B and a pick guard P are provided on the front plate 11 of the guitar 100.
  • the transducer TrF preferably vibrates a position avoiding the sound hole 15 or a position avoiding foreign matters such as the bridge B and the pick guard P, but is not limited to such a configuration.
  • the transducer TrF may indirectly vibrate the front plate 11 by vibrating components fixed to the front plate 11 such as the bridge B and the pick guard P. Since the sound and localization slightly change depending on the excitation position of the transducers TrF and TrB, the arrangement of the transducers TrF and TrB may be set in consideration of them.
  • the transducer TrF may be disposed at a position corresponding to the antinode position of the desired n-th normal mode on the front plate 11.
  • the transducer TrF may be disposed at a position where the desired anti-nth normal mode antinode position on the front plate 11 can be vibrated.
  • the transducer TrF When the transducer TrF is arranged in this way, when the transducer TrF vibrates the surface plate 11, the surface plate 11 is likely to vibrate at a frequency corresponding to the desired n-th normal mode. It tends to occur.
  • FIG. 1D is a front view of a first modification of the stand 20 according to the first embodiment.
  • the transducer TrF is arranged in the vicinity of the bridge B. More specifically, the transducer TrF is disposed on the lower side of the bridge B in the front plate 11. In the example shown in FIG.
  • the transducer TrB may not be provided.
  • the antinode of vibration in the first normal mode (basic mode) of the front plate 11 exists near the bridge B of the guitar 100.
  • vibration of a low frequency (basic frequency) corresponding to the vibration in the first normal mode is likely to occur in the front plate 11.
  • it becomes easy to generate low frequency sound in the guitar 100 Therefore, according to the stand 20 shown in FIG. 1D, it is possible to cause the guitar 100 to generate a sound close to the actual guitar sound.
  • the tips of the transducers TrF and TrB are formed in a convex curved surface such as a spherical surface.
  • a convex curved surface such as a spherical surface.
  • the angles of the front plate 11 and the back plate 12 in a state where the guitar 100 is normally supported by the stand 20 may be different. Therefore, since the tips of the transducers TrF and TrB have a convex curved surface, it is easy to ensure a contact state, so the stand 20 can be widely applied to many types of guitars.
  • FIG. 2 is a block diagram showing the configuration of the control unit 101.
  • a CPU (central processing unit) 31 accepts an input from the operator 32 via the bus 36.
  • the CPU 31 controls various I / Fs (interfaces) 34, the distribution unit 33, and the memory 35.
  • the CPU 31 includes a ROM (read) only memory), a RAM (random access memory), a timer, and the like.
  • Various I / Fs 34 include an interface conforming to the MIDI (musical instrument digital instrument) standard, an interface for inputting a musical sound signal, and the like.
  • waveform data groups dF and dB are stored in advance.
  • Each of the waveform data groups dF and dB is a collection of sampling waveform data for one sound generated by sampling a musical sound waveform such as a guitar, and has a volume envelope.
  • the waveform data groups dF and dB are data for generating sound by the transducers TrF and TrB, respectively.
  • the distribution unit 33 divides the input music signal into a high frequency music signal and a middle frequency and low frequency music signal.
  • the distribution unit 33 supplies the high frequency tone signal to the transducer TrF.
  • the distributor 33 supplies the mid-range and low-range musical sound signals to the transducer TrB.
  • the frequency bands handled by the transducer TrF and the transducer TrB are different.
  • the transducer TrF that vibrates the front plate 11 has a higher frequency band than the transducer TrB.
  • the CPU 31 selects waveform data from the waveform data groups dF and dB based on information such as pitches and key depression velocities in the automatic performance data that are sequentially read, and generates a waveform signal from the selected waveform data.
  • the distribution unit 33 converts the transmitted waveform signal into an analog tone signal and supplies them to the transducers TrF and TrB.
  • control unit 101 does not include a CPU, but includes an input terminal for an acoustic signal, and the control unit 101 drives the transducers TrF and TrB with the acoustic signal input to the input terminal.
  • You may comprise as follows.
  • the transducers TrF and TrB when the guitar 100 is supported on the stand 20, the transducers TrF and TrB abut on the resonance cylinder 10, and the resonance cylinder 10 can be vibrated by the transducers TrF and TrB. Therefore, rich sound can be generated by the vibrator (transducers TrF and TrB) using the resonance drum of a general stringed instrument (guitar 100). Further, it is also possible to vibrate the resonance cylinder 10 with the transducers TrF and TrB for a long time without playing the guitar while the guitar 100 is supported on the stand 20. As a result, the effect of promoting so-called aging, in which the timbre is improved in the same manner as when the player has played the guitar 100 for a long time, can be expected.
  • the tone of the guitar 100 in the desired sound range can be improved by aging.
  • the transducers TrF and TrB cause the guitar 100 to generate sound in the entire range. For this reason, the timbre of the guitar 100 in the whole sound range can be improved by aging.
  • the transducers TrF and TrB vibrate the front plate 11 and the back plate 12, respectively. Therefore, two opposing main vibration walls (the front plate 11 and the back plate 12) can be vibrated at the same time, and rich sounds can be generated efficiently. Moreover, the positions of the transducers TrF and TrB are made different from each other when viewed from a direction substantially perpendicular to the front plate 11 (that is, viewed from the axial direction (excitation direction) of the transducers TrF and TrB). For this reason, the transducers TrF and TrB can vibrate suitable portions of the front plate 11 and the back plate 12 respectively. Moreover, since the guitar 100 can be held in a state of being twisted as shown in FIG. 1C, the guitar 100 can be prevented from falling.
  • the transducer TrF and TrB can be simply operated by tilting the resonance cylinder 10. Can be brought into contact with the front plate 11 and the back plate 12.
  • a modification of the transducer Tr of the stand 20 according to the first embodiment will be described with reference to FIGS. 3A and 3B.
  • a second modification of the stand 20 according to the first embodiment will be described with reference to FIGS. 3C and 3D.
  • FIG. 3A is a side view showing a first modification of the transducer Tr.
  • FIG. 3B is a side view showing a second modification of the transducer Tr.
  • the transducer TrF has a joint portion 24 with a variable angle, and is biased in a direction in which the transducer TrF stands upright.
  • Specific examples of the joint portion 24 may include a universal joint, a gimbal, and the like. By making the angle of the transducer TrF variable, the transducer TrF can easily come into contact with the front plate 11 appropriately.
  • the transducer TrF has an elastic portion 25 in a part thereof. Due to the elastic deformation of the elastic portion 25, the transducer TrF can easily come into contact with the front plate 11 appropriately.
  • Specific examples of the elastic portion 25 may include rubber and a spring.
  • the joint portion 24 or the elastic portion 25 is employed, and the tips of the transducers TrF and TrB are formed in a convex curved surface. For this reason, the transducer TrF and the front plate 11 can transmit sufficient vibration while being in point contact. That is, by combining the joint portion 24 and the elastic portion 25 with the tip shape of the convex curved surface, it is possible to ensure an appropriate contact state with many types of guitars. If a flat surface is provided at the tips of the transducers TrF and TrB and the joint portion 24 is employed, it is possible to ensure surface contact with the vibration surface.
  • the excitation direction of the transducer is substantially vertical with respect to the excitation surface, the vibration transmission function can be sufficiently performed even with the configuration in which the point is brought into contact with the convex curved surface as described above.
  • the point contact has an advantage that the excitation direction can be made substantially vertical with respect to the excitation surface in various contact states.
  • the configuration shown in FIG. 3A or FIG. 3B can absorb the difference in size and shape of the resonance cylinder 10 and the variation in the placement depending on the model, and can be widely applied to many kinds of guitars.
  • the joint portion 24 and the elastic portion 25 need to have appropriate hardness to such an extent that the vibration of the transducer TrF can be properly transmitted to the front plate 11.
  • the configuration of FIG. 3A or FIG. 3B can also be applied to the transducer TrB.
  • FIGS. 3C and 3D are side views showing a second modification of the stand 20.
  • FIG. 3C shows a state where the guitar 100 is being supported by the stand 20.
  • FIG. 3D shows a state where the guitar 100 is supported by the stand 20.
  • the front arm 21 and the rear arm 22 of the stand 20 are closer to each other toward the tip.
  • the interval between the transducer TrF and the transducer TrB is set to be narrower than the configuration in FIG. 1A.
  • the distance between the transducer TrF and the transducer TrB is set to be slightly smaller than the thickness of a general guitar resonance drum.
  • at least one of the front arm 21 and the rear arm 22 is configured to bend in an expanding direction (a direction in which the front arm 21 and the rear arm 22 are separated from each other) due to elasticity.
  • the front plate 11 and the back plate 12 of the resonance cylinder 10 come into contact with the transducers TrF and TrB.
  • the user simply inserts the resonance cylinder 10 as it is (ie, rotates the resonance cylinder 10 around an axis perpendicular to the longitudinal axis of the guitar 100 and parallel to the front plate 11). It advances and makes the supported part 19 contact
  • at least one of the front arm 21 and the rear arm 22 (mainly the rear arm 22) is elastically deformed in the opening direction, the interval between the transducers TrF and TrB is increased, and the supported portion 19 is opposed to the bottom portion 23.
  • the transducers TrF and TrB can be appropriately brought into contact with the front plate 11 and the back plate 12 with an appropriate force by a simple operation, respectively. You may apply combining the structure of FIG. 3A, 3B, and 3C suitably.
  • a portion of the guitar 100 that does not hinder the vibration of the main vibration wall is preferably a supported portion supported by the stand 20.
  • the supported portion 19 the side plate 13, the edge portion 17 of the front plate 11, or the edge portion 18 of the back plate 12
  • the head support portion is a supported portion.
  • FIG. 4A is a perspective view of a support according to the second embodiment.
  • FIG. 4A shows a stand 20 as an example of a support.
  • the stand 20 has a bifurcated head support 26 at the top.
  • the head support portion 26 may be an example of a support portion.
  • the user passes the neck 16 of the guitar 100 through the bifurcated portion of the head support portion 26 and hooks the head 9 of the guitar 100 on the head support portion 26.
  • the head support unit 26 holds the guitar 100 in a state where the guitar 100 is suspended.
  • the transducer TrB is arranged at a height at which the resonance cylinder 10 is located at the lower part of the stand 20. The transducer TrB comes into contact with the back plate 12 of the resonance cylinder 10 of the guitar 100 in a suspended state with an appropriate force.
  • FIG. 4B is a perspective view of a first modification of the stand 20 according to the second embodiment.
  • the stand 20 is a stationary type.
  • the head support portion 26 plays a role of supporting the head 9 and the neck 16 so that the guitar 100 does not move forward and backward.
  • Two transducers TrS are provided at positions where the lower portion of the stand 20 is in contact with the side plate 13 of the resonance cylinder 10. In this case, the main load of the guitar 100 is received by the transducer TrS.
  • the transducer TrS is configured to vibrate the side plate 13.
  • the transducer TrS may be an example of a support unit.
  • the side plate 13 has higher rigidity than the front plate 11 and the back plate 12. Therefore, when the transducer TrS applies vibration to the side plate 13, the vibration is transmitted to the front plate 11 and the back plate 12 through the side plate 13. Thus, the front plate 11 and the back plate 12 can be vibrated only by the transducer TrS.
  • a transducer TrS is provided at the bottom 23 instead of one of the transducers TrF and TrB with respect to the stand 20 of FIGS. 1A to 1C.
  • a transducer TrS may be provided on the bottom 23, and both the transducers TrF and TrB may be omitted.
  • the supported portion 19 may be supported by the bottom portion 23 and the bottom portion 23 may receive the main load of the guitar 100.
  • the transducer TrS contacts the side plate 13 but does not receive a large load on the guitar 100.
  • the U-shaped portion of the stand 20 may be designed so that the transducer TrS contacts the front plate 11 or the back plate 12.
  • the sound is better when a certain amount of load is applied to the transducer. Therefore, in the case of the configuration shown in FIG. 4A, it is preferable to appropriately set the protrusion amount of the transducer TrB and the like so that an appropriate load is applied to the transducer TrB using the weight of the guitar 100. As another configuration, the projecting amount of the transducer TrB may be adjustable. In the case of the configuration shown in FIG. 4B as well, the sound may be improved by configuring the transducer TrS so as to apply an appropriate load by using the weight of the guitar 100.
  • FIG. 4C is a perspective view of a second modification of the stand 20 according to the second embodiment.
  • the stand 20 shown in FIG. 4C is a wall-hanging type.
  • the stand 20 has a plate-like attachment portion 28.
  • the attachment portion 28 is fixed to the wall portion 8 such as a room.
  • the stand 20 further includes an extension portion 29 that is connected to the attachment portion 28 and extends obliquely downward in a direction away from the wall portion 8.
  • a transducer TrB is provided below the extension portion 29. When the head 9 of the guitar 100 is hooked on the head support portion 26 and the guitar 100 is suspended, the transducer TrB comes into contact with the back plate 12 of the resonance body 10 with an appropriate force.
  • a neck-suspended stand 20 as shown in FIG. 4A or 4C may vibrate the front plate 11, the back plate 12, and the side plate 13. Therefore, the stand 20 of FIG. 4A or 4C may further include the transducers TrF and TrS. In the configuration of FIG. 4A in that case, the head support 26 may receive a main load.
  • the same effects as those of the first embodiment can be achieved with respect to generating rich sound by the vibrator using the resonance body of a general stringed instrument.
  • FIG. 5A is a side view of a support according to a third embodiment of the present invention.
  • FIG. 5B is a front view of the support according to the third embodiment of the present invention.
  • the stand 20 as a support has a bottom portion 7, a back wall 6, two extending portions 27, and a connecting portion 30.
  • the extending part 27 extends from the upper part of the back wall 6.
  • the connecting portion 30 is fixed to the back wall 6 and connects the rear ends of the two extending portions 27 to each other.
  • the combination of the two extending portions 27 and the connecting portion 30 has a U shape in a top view.
  • the extension part 27 and the connection part 30 may be an example of a support part.
  • the back wall 6 is provided with a transducer TrS configured to vibrate the side plate 13.
  • the bottom portion 7 is provided with transducers TrF, TrB, TrS for exciting the front plate 11, the back plate 12, and the side plate 13, respectively.
  • the user inserts the resonance body 10 between the transducers TrF and TrB, abuts the side plate 13 against the transducer TrS disposed on the back wall 6, and also places the neck 16 of the guitar 100 between two adjacent extending portions 27. Through. Then, the user tilts the head 9 toward the back wall 6 side. As a result, the transducers TrF, TrB, and TrS come into contact with the front plate 11, the back plate 12, and the side plate 13, respectively. 5A and 5B, some of the transducers TrF, TrB, TrS may be omitted.
  • a large number of points can be vibrated with relatively little space.
  • the stands 20 may be continuously arranged.
  • a plurality of sets of two extending portions 27 and connecting portions 30 may be provided.
  • the posture of the guitar 100 when supported by the stand 20 is not limited to the standing posture.
  • transducers TrF and TrB may be provided on a stand 20 that holds the guitar 100 obliquely so that the thickness direction of the resonance cylinder 10 is substantially horizontal.
  • transducers TrF and TrB may be provided on the stand 20 that holds the resonance body 10 of the guitar 100 so that the thickness direction of the resonance body 10 is substantially in the vertical direction.
  • the stand 20 shown in FIGS. 6B and 6C includes an arm 41 extending from the bottom 43, a transducer TrB provided on the bottom 43, and a transducer TrF provided on the arm 41.
  • the bottom 43 has a support surface 42 that is a tapered surface surrounding the transducer TrB.
  • the edge 18 of the back plate 12 is supported on the support surface 42 by the weight of the resonance cylinder 10.
  • the transducer TrB has a joint portion 24 and is urged in a direction in which the transducer TrB is standing upright.
  • the transducer TrB comes into contact with the back plate 12 so that an appropriate load is applied to the transducer TrB.
  • the transducer TrF also comes into contact with the front plate 11 with an appropriate force due to the elasticity of the arm 41.
  • the same effects as those of the first embodiment can be obtained with respect to generating rich sound by the vibrator using the resonance body of a general stringed instrument.
  • the configuration shown in FIGS. 1A to 6C is a support for supporting a stringed instrument.
  • the embodiment of the present invention is not limited to a configuration that is recognized as a support (stand) from the viewpoint of generating rich sound by a vibrator using a resonance drum of a stringed musical instrument.
  • the configuration according to the embodiment of the present invention may be a configuration recognized as a stringed instrument vibration device.
  • the stand 20 having the configuration shown in FIGS. 1A to 6C is also grasped as a vibration device.
  • FIG. 7A is a side view of a stringed musical instrument to which a vibration exciter according to a fourth embodiment is attached.
  • FIG. 7B is a front view of the stringed musical instrument to which the vibration exciter according to the fourth embodiment is attached.
  • the vibration device 120 is configured in a U shape in a side view.
  • the vibration device 120 includes a bridge portion 123, two first arms 121 extending from one end of the bridge portion 123, and a second arm 122 extending from the other end of the bridge portion 123.
  • the distance between the two first arms 121 is wider than the width of the neck 16.
  • the first arm 121 is shorter than the second arm 122.
  • a transducer TrB is provided on the second arm 122.
  • the first arm 121 is provided with a transducer TrF.
  • the vibration device 120 has the same configuration as the stand 20 shown in FIGS. 3C and 3D. That is, at least one of the first and second arms 121 and 122 has elasticity. Further, the distance between the transducers TrF and TrB is slightly narrower than the thickness of a general guitar resonance drum. 7A and 7B, the control unit is not shown.
  • the guitar 100 When using the vibration exciter 120, the guitar 100 may be supported by some support so that the thickness direction of the resonance cylinder 10 is along the horizontal direction.
  • the resonance cylinder 10 of the guitar 100 erected so that the neck 16 is arranged upward is applied from above so as to be sandwiched between the U-shaped portions of the vibration device 120.
  • the vibration device 120 may be engaged.
  • the lower surface of the bridge portion 123 becomes the engaging portion K1.
  • the upper portion of the side plate 13 (the vicinity of the neck 16) becomes the engaged portion K2. Therefore, the engaging part K1 is engaged with the engaged part K2.
  • the transducers TrF and TrB come into contact with the front plate 11 and the back plate 12 with an appropriate force by the elasticity of the first and second arms 121 and 122, respectively.
  • FIGS. 7A and 7B exemplify the vibration device 120 configured to be hooked on the guitar 100 in a standing posture.
  • the posture of the guitar 100 when using the vibration device 120 is not limited to the example shown in FIGS. 7A and 7B.
  • An excitation device having an engagement portion (K1) engaged with an engaged portion (K2) of a stringed musical instrument and a transducer Tr configured to vibrate two main vibration walls at opposite positions. If so, the fourth embodiment of the present invention is applicable.
  • the engagement mode is not limited to the illustrated mode. From the viewpoint of efficiently exciting the main vibration wall, it is desirable that the engaged portion (K2) is a portion of the stringed instrument that does not hinder the vibration of the main vibration wall. However, it is not limited to such a configuration.
  • the vibration device 120 may be in contact with the musical instrument using only the transducer Tr, and the transducer Tr may sandwich the resonance drum.
  • the bridge portion 123 may be separated from the bridge portion 123 without contacting the guitar 100.
  • the vibration device 120 may be used in a state where the user grips the vibration device 120 with a hand.
  • the supported portion 19 corresponds to the engaged portion K2, and the bottom portion 23 corresponds to the engaging portion K1.
  • the head 9 or the neck 16 corresponds to the engaged portion K2, and the head support portion 26, the extending portion 27, and the connecting portion 30 are engaged. It corresponds to the part K1.
  • the edge portion 18 corresponds to the engaged portion K2, and the support surface 42 corresponds to the engaging portion K1.
  • the applicable configuration among the configurations of the stand 20 shown in FIGS. 1A to 6C may be applied to the vibration device 120.
  • a configuration in which the excitation positions of the transducers TrF and TrB are different from each other when viewed from a direction substantially perpendicular to the front plate 11 can be applied to the excitation device 120.
  • a configuration in which the frequency bands handled by the transducer TrF and the transducer TrB are different can be applied to the vibration device 120.
  • the configuration in which the tips of the transducers TrF and TrB are formed in a convex curved surface can be applied to the vibration device 120.
  • the number of transducers Tr for exciting the same surface may be one or more. Moreover, it is not essential to simultaneously excite a plurality of surfaces as in the illustrated configuration, and a configuration in which some of the transducers Tr are omitted may be used. Furthermore, the configuration is not limited to the configuration in which the transducer Tr vibrates the main vibration wall. For example, the transducer Tr may vibrate only the portion of the resonance cylinder 10 other than the main vibration wall (the side plate 13, the edge 17 of the front plate 11, the edge 18 of the back plate 12, etc.).
  • the present invention may be applied to a stringed instrument support and a stringed instrument vibration device.
  • Resonance cylinder 11 Front plate (first main vibration wall) 12 Back plate (second main vibration wall) 13 Side plate (connection wall) 17, 18 Edge portion 19 Supported portion 20 Stand 23 Bottom portion (support portion) 100 Acoustic guitar (stringed instrument) 120 Exciter TrF transducer (first exciter) TrB transducer (second vibrator) K1 engaging part K2 engaged part

Abstract

A support for a stringed instrument having a resonance body comprises a support portion for supporting the stringed instrument, and a vibrator that comes into contact with the resonance body of the stringed instrument and vibrates the resonance body in a state where the support portion supports the stringed instrument.

Description

弦楽器の支持体、弦楽器の加振装置Stringed instrument support, stringed instrument vibration device
 本発明は、共鳴胴を有する弦楽器を支持する支持体、弦楽器の加振装置に関する。
 本願は、2014年8月21日に、日本に出願された特願2014-168617号に基づき優先権を主張し、その内容をここに援用する。
The present invention relates to a support for supporting a stringed instrument having a resonance body and a vibration apparatus for the stringed instrument.
This application claims priority on August 21, 2014 based on Japanese Patent Application No. 2014-168617 for which it applied to Japan, and uses the content for it here.
 アコースティックのギター、ベース、バイオリン、ウクレレ、マンドリン等、共鳴胴を有する弦楽器が知られている。例えばギターの共鳴胴は、表板、裏板及び側板から構成される。表板にはサウンドホールが形成される。演奏により弦が振動し、その結果、主として表板及び裏板が振動する。さらに、表板及び裏板の振動により共鳴胴が共鳴して豊かな音響が発生する。 弦 Stringed instruments with a resonant body are known, such as acoustic guitars, basses, violins, ukuleles, and mandolins. For example, the resonance drum of a guitar is composed of a front plate, a back plate and a side plate. A sound hole is formed on the front plate. As a result, the strings vibrate, and as a result, mainly the front and back plates vibrate. Furthermore, the resonance cylinder resonates due to the vibration of the front plate and the back plate, and rich sound is generated.
 このような弦楽器で、ユーザによる演奏によらずに共鳴胴を利用して音響を発生させる装置が知られている。例えば、特許文献1は、ギターのサウンドホールにスピーカを取り付け、共鳴胴をスピーカのエンクロージャとして機能させる構成を開示している。特許文献2は、ギター等の弦楽器本体に、弦振動を与えるはね等の振動体を設け、音響促進を図るようにした音響促進器を開示している。 Such a stringed instrument is known to generate sound using a resonance drum without depending on the performance of the user. For example, Patent Document 1 discloses a configuration in which a speaker is attached to a sound hole of a guitar and the resonance body functions as an enclosure for the speaker. Patent Document 2 discloses an acoustic accelerator in which a stringed instrument body such as a guitar is provided with a vibrating body such as a spring that applies string vibration to promote sound.
日本国実用新案登録第3188252号公報Japanese Utility Model Registration No. 3188252 日本国特開2006-65276号公報Japanese Unexamined Patent Publication No. 2006-65276 日本国特開平5-227585号公報Japanese Laid-Open Patent Publication No. 5-227585 日本国特開平5-244677号公報Japanese Laid-Open Patent Publication No. 5-244677
 しかしながら、特許文献1では、弦楽器にスピーカを取り付ける必要があり、またそのための何らかの加工も必要となる。このため、特許文献1に開示の構成は、一般の(例えば、市販の)ギター等に広く適用することは容易ではない。また、特許文献2の構成によれば、音響促進が図られるが、振動体による振動で音響自体を楽しむための構成ではない。 However, in Patent Document 1, it is necessary to attach a speaker to a stringed instrument, and some processing for that is also required. For this reason, the configuration disclosed in Patent Document 1 is not easy to be widely applied to general (for example, commercially available) guitars and the like. Moreover, according to the structure of patent document 2, although sound promotion is achieved, it is not the structure for enjoying sound itself with the vibration by a vibrating body.
 弦楽器以外では、サウンドホールのある箱体に振動体を設け、箱体を振動させるスピーカも知られている(特許文献3、4参照)。しかしこれらの構成も、一般的な弦楽器に広く適用できない。 Other than stringed instruments, a speaker is also known in which a vibrating body is provided in a box with a sound hole to vibrate the box (see Patent Documents 3 and 4). However, these configurations are not widely applicable to general stringed instruments.
 本発明は上記の問題を解決するためになされた。本発明の目的の一例は、一般の弦楽器の共鳴胴を利用して加振器によって豊かな音響を発生させることができるようにすることにある。 The present invention was made to solve the above problems. An example of an object of the present invention is to make it possible to generate rich sound by a vibrator using a resonance drum of a general stringed instrument.
 上記目的を達成するために、本発明の第1の実施態様に係る共鳴胴を有する弦楽器の支持体は、前記弦楽器を支持する支持部と、前記支持部が前記弦楽器を支持している状態において、前記弦楽器の前記共鳴胴に当接して前記共鳴胴を加振する加振器と、を有する。 In order to achieve the above object, a support for a stringed musical instrument having a resonance body according to the first embodiment of the present invention includes a support for supporting the stringed musical instrument, and a state in which the support supports the stringed musical instrument. A vibration exciter that abuts on the resonance drum of the stringed instrument and vibrates the resonance drum.
 上記目的を達成するために、本発明の第2の実施態様に係る互いに異なる第1の壁及び第2の壁を有する共鳴胴を有する弦楽器の加振装置は、前記第1の壁に当接して前記第1の壁を加振する第1の加振器と、前記第2の壁に当接して前記第2の壁を加振する第2の加振器と、を有する。 In order to achieve the above object, a vibration apparatus for a stringed musical instrument having a resonance body having a first wall and a second wall different from each other according to a second embodiment of the present invention abuts on the first wall. A first vibrator that vibrates the first wall, and a second vibrator that abuts the second wall and vibrates the second wall.
 本発明の実施形態に係る支持体によれば、一般の弦楽器の共鳴胴を利用して加振器によって豊かな音響を発生させることができる。 According to the support according to the embodiment of the present invention, rich sound can be generated by a vibrator using a resonance body of a general stringed instrument.
 本発明の実施形態に係る加振装置によれば、一般の弦楽器の共鳴胴の互いに異なる2つの壁を利用して加振器によって豊かな音響を発生させることができる。 According to the vibration device according to the embodiment of the present invention, rich sound can be generated by the vibrator using two different walls of the resonance body of a general stringed musical instrument.
本発明の第1の実施の形態に係る支持体の側面図である。It is a side view of the support body concerning a 1st embodiment of the present invention. 本発明の第1の実施の形態に係る支持体(スタンド)の正面図である。It is a front view of the support body (stand) which concerns on the 1st Embodiment of this invention. 本発明の第1の実施の形態に係る支持体の側面図である。It is a side view of the support body concerning a 1st embodiment of the present invention. 本発明の第1の実施の形態に係るスタンドの第1の変形例の正面図である。It is a front view of the 1st modification of the stand which concerns on the 1st Embodiment of this invention. 図1Aに示すスタンドの制御部の構成を示すブロック図である。It is a block diagram which shows the structure of the control part of the stand shown to FIG. 1A. 本発明の第1の実施の形態に係るスタンドのトランスデューサの第1の変形例を示す側面図である。It is a side view showing the 1st modification of a transducer of a stand concerning a 1st embodiment of the present invention. 本発明の第1の実施の形態に係るスタンドのトランスデューサの第2の変形例を示す側面図である。It is a side view which shows the 2nd modification of the transducer of the stand which concerns on the 1st Embodiment of this invention. 本発明の第1の実施の形態に係るスタンドの第2の変形例を示す側面図である。It is a side view which shows the 2nd modification of the stand which concerns on the 1st Embodiment of this invention. 本発明の第1の実施の形態に係るスタンドの第2の変形例を示す側面図である。It is a side view which shows the 2nd modification of the stand which concerns on the 1st Embodiment of this invention. 本発明の第2の実施の形態に係る支持体(スタンド)の斜視図である。It is a perspective view of the support body (stand) which concerns on the 2nd Embodiment of this invention. 本発明の第2の実施の形態に係るスタンドの第1の変形例の斜視図である。It is a perspective view of the 1st modification of the stand which concerns on the 2nd Embodiment of this invention. 本発明の第2の実施の形態に係るスタンドの第2の変形例の斜視図である。It is a perspective view of the 2nd modification of the stand which concerns on the 2nd Embodiment of this invention. 本発明の第3の実施の形態に係る支持体(スタンド)の側面図である。It is a side view of the support body (stand) which concerns on the 3rd Embodiment of this invention. 本発明の第3の実施の形態に係る支持体の正面図である。It is a front view of the support body which concerns on the 3rd Embodiment of this invention. 本発明の第3の実施の形態に係るスタンドの第1の変形例を示す側面図である。It is a side view which shows the 1st modification of the stand which concerns on the 3rd Embodiment of this invention. 本発明の第3の実施の形態に係るスタンドの第2の変形例を示す側面図である。It is a side view showing the 2nd modification of a stand concerning a 3rd embodiment of the present invention. 第3の実施の形態に係るスタンドの第2の変形例を示す上面図である。It is a top view which shows the 2nd modification of the stand which concerns on 3rd Embodiment. 本発明の第4の実施の形態に係る加振装置が取り付けられた弦楽器の側面図である。It is a side view of the stringed musical instrument to which the vibration apparatus which concerns on the 4th Embodiment of this invention was attached. 本発明の第4の実施の形態に係る加振装置が取り付けられた弦楽器の正面図である。It is a front view of the stringed musical instrument to which the vibration apparatus which concerns on the 4th Embodiment of this invention was attached.
 以下、本発明の実施の形態を図面を参照して説明する。 Hereinafter, embodiments of the present invention will be described with reference to the drawings.
 図1Aは、本発明の第1の実施の形態に係る支持体の側面図である。図1Bは、本発明の第1の実施の形態に係る支持体の側面図である。図1Aおよび1Bに示す支持体(支持部)は、共鳴胴を有する弦楽器を支持するように構成されている。図1Aおよび1Bは、弦楽器の一例としてアコースティックギター100を示し、支持体の一例としてギター用のスタンド20を示している。本発明の第1の実施形態が適用される支持体に支持される弦楽器は、共鳴胴を有すればいずれの弦楽器であってもよい。弦楽器の具体例は、アコースティックベース、バイオリン、ウクレレ、マンドリンを含んでもよい。また、上記弦楽器としては、共鳴胴を有する弦楽器であればピックアップ等のセンサを備える電気弦楽器でもよい。電気弦楽器の具体例は、エレクトリックアコースティックギター、ベース、バイオリン、ウクレレ、マンドリンを含んでもよい。 FIG. 1A is a side view of a support according to a first embodiment of the present invention. FIG. 1B is a side view of the support according to the first embodiment of the present invention. The support (support) shown in FIGS. 1A and 1B is configured to support a stringed instrument having a resonance body. 1A and 1B show an acoustic guitar 100 as an example of a stringed instrument and a guitar stand 20 as an example of a support. The stringed instrument supported by the support to which the first embodiment of the present invention is applied may be any stringed instrument as long as it has a resonance body. Specific examples of stringed instruments may include acoustic bass, violin, ukulele, mandolin. The stringed instrument may be an electric stringed instrument provided with a sensor such as a pickup as long as the stringed instrument has a resonance body. Specific examples of electric stringed instruments may include an electric acoustic guitar, bass, violin, ukulele, mandolin.
 図1A、1Bに示すように、ギター100は、ネック16及び共鳴胴10を有する。ネック16から共鳴胴10にかけて弦14が張設される。共鳴胴10は、表板11、裏板12及び側板13から構成される。表板11は、裏板12と略平行であり、かつ対向している。側板13は概ね、表板11の縁部17と裏板12の縁部18とに連接する連接壁である。側板13の剛性は、表板11、裏板12よりも高い。表板11には、サウンドホール15が形成される。表板11及び裏板12は、主として振動する主振動壁となる。 As shown in FIGS. 1A and 1B, the guitar 100 has a neck 16 and a resonance body 10. A string 14 is stretched from the neck 16 to the resonance cylinder 10. The resonance cylinder 10 includes a front plate 11, a back plate 12 and a side plate 13. The front plate 11 is substantially parallel to and opposed to the back plate 12. The side plate 13 is generally a connecting wall that connects the edge 17 of the front plate 11 and the edge 18 of the back plate 12. The side plate 13 has higher rigidity than the front plate 11 and the back plate 12. A sound hole 15 is formed on the front plate 11. The front plate 11 and the back plate 12 serve as main vibration walls that mainly vibrate.
 スタンド20は、制御部101を有する。図1Aに示す例においては、制御部101はスタンド20と一体である。しかしながら、このような構成に限定されず、制御部101はスタンド20とは別体としてもよい。スタンド20は、底部23と2本の前アーム21と1本の後アーム22とを有する。前アーム21は、前方に配置されている。後アーム22は、後方に配置されている。底部23の前方の端部は、前アーム21の下端と接続している。底部23の後方の端部は、後アーム22の下端と接続している。前アーム21と後アーム22とは、底部23を挟んで互いに対向している。スタンド20の側面から見たときに、底部23と前アーム21と後アーム22との組み合わせがU字状を呈する。前アーム21の各々には、トランスデューサTrFが設けられている。トランスデューサTrFは、スタンド20のU字状部分の内側を向いている。すなわち、トランスデューサTrFは、前アーム21の内側の面(後アーム22と対向する面)の上端に設けられている。トランスデューサTrFは、表板11を加振するように構成されている。後アーム22には、トランスデューサTrBが設けられている。トランスデューサTrBは、スタンド20のU字状部分の内側を向いている。すなわち、トランスデューサTrBは、後アーム22の内側の面(前アーム21と対向する面)の上端に設けられている。トランスデューサTrBは、裏板12を加振するように構成されている。トランスデューサTrFとトランスデューサTrBは、トランスデューサTrと総称する場合がある。トランスデューサTrは、駆動信号として供給される音響信号(楽音信号)に応じて振動し、対象を加振(励振)することで音響を発生させる加振器である。トランスデューサTrは制御部101によって駆動される(その詳細は図2を参照して後述する)。 The stand 20 has a control unit 101. In the example illustrated in FIG. 1A, the control unit 101 is integral with the stand 20. However, the configuration is not limited to such a configuration, and the control unit 101 may be separated from the stand 20. The stand 20 has a bottom 23, two front arms 21 and one rear arm 22. The front arm 21 is disposed on the front side. The rear arm 22 is disposed rearward. The front end portion of the bottom portion 23 is connected to the lower end of the front arm 21. The rear end of the bottom 23 is connected to the lower end of the rear arm 22. The front arm 21 and the rear arm 22 face each other across the bottom 23. When viewed from the side of the stand 20, the combination of the bottom 23, the front arm 21 and the rear arm 22 has a U-shape. Each of the front arms 21 is provided with a transducer TrF. The transducer TrF faces the inside of the U-shaped portion of the stand 20. That is, the transducer TrF is provided at the upper end of the inner surface of the front arm 21 (the surface facing the rear arm 22). The transducer TrF is configured to vibrate the front plate 11. The rear arm 22 is provided with a transducer TrB. The transducer TrB faces the inside of the U-shaped portion of the stand 20. That is, the transducer TrB is provided at the upper end of the inner surface of the rear arm 22 (the surface facing the front arm 21). The transducer TrB is configured to vibrate the back plate 12. The transducer TrF and the transducer TrB may be collectively referred to as a transducer Tr. The transducer Tr is a vibrator that vibrates according to an acoustic signal (musical sound signal) supplied as a drive signal and generates sound by exciting (exciting) a target. The transducer Tr is driven by the control unit 101 (details will be described later with reference to FIG. 2).
 スタンド20の基本形状は、一般的な(市販の)スタンドと同じでもよい。一般的な構成のスタンドに制御部101及びトランスデューサTrを設けることで本発明の第1の実施形態のスタンド20を得ることも可能である。スタンド20は、底部23、前アーム21(に設けられたトランスデューサTrF)及び後アーム22(に設けられたトランスデューサTrB)により、ネック16を上向きにした姿勢のギター100の共鳴胴10を支持する。底部23、前アーム21(に設けられたトランスデューサTrF)及び後アーム22(に設けられたトランスデューサTrB)が支持部の一例であってもよい。底部23が、共鳴胴10を受ける主な支持部となる。ネック16が上向きとなった姿勢における共鳴胴10の下部、具体的には、側板13、表板11の縁部17及び裏板12の縁部18が、底部23に支持される被支持部19となる。 The basic shape of the stand 20 may be the same as a general (commercially available) stand. It is also possible to obtain the stand 20 according to the first embodiment of the present invention by providing the control unit 101 and the transducer Tr in a stand having a general configuration. The stand 20 supports the resonance body 10 of the guitar 100 with the neck 16 facing upward by the bottom 23, the front arm 21 (transducer TrF provided on the front arm 21), and the rear arm 22 (transducer TrB provided on the rear arm 22). The bottom 23, the front arm 21 (transducer TrF provided on the front arm), and the rear arm 22 (transducer TrB provided on the rear arm 22) may be an example of a support portion. The bottom portion 23 is a main support portion that receives the resonance cylinder 10. A supported portion 19 in which the lower portion of the resonance cylinder 10, specifically, the side plate 13, the edge portion 17 of the front plate 11, and the edge portion 18 of the back plate 12 are supported by the bottom portion 23 in a posture in which the neck 16 faces upward. It becomes.
 スタンド20にギター100を支持させる際には、スタンド20のU字状部分、すなわちトランスデューサTrFとトランスデューサTrBとの間に共鳴胴10を挿入し、共鳴胴10の被支持部19を支持部(底部23)に支持させる。ギター100としては一般的なギターが想定される。従って、スタンド20に汎用性を持たせるために、トランスデューサTrFとトランスデューサTrBとの間隔は、一般的なギターの共鳴胴の厚み(表板11の外側面と裏板12の外側面との距離)よりも大きく設定されている。 When the guitar 20 is supported by the stand 20, the resonance cylinder 10 is inserted between the U-shaped portion of the stand 20, that is, between the transducer TrF and the transducer TrB, and the supported portion 19 of the resonance cylinder 10 is supported by the support portion (bottom portion). 23). As the guitar 100, a general guitar is assumed. Therefore, in order to give the stand 20 versatility, the distance between the transducer TrF and the transducer TrB is the thickness of the resonance body of a general guitar (distance between the outer surface of the front plate 11 and the outer surface of the back plate 12). Is set larger than.
 図1Aでは、スタンド20のU字状部分に共鳴胴10を挿入して被支持部19を底部23に当接させた直後の状態が示される。これに対し、図1Cでは、ギター100がスタンド20に正常に支持された状態を示している。第1の実施形態で、正常に支持された状態とは、被支持部19が底部23に支持された状態で、且つ、トランスデューサTrFが表板11に当接すると共に、トランスデューサTrBが裏板12に当接した状態をいう。 FIG. 1A shows a state immediately after the resonance cylinder 10 is inserted into the U-shaped portion of the stand 20 and the supported portion 19 is brought into contact with the bottom portion 23. On the other hand, FIG. 1C shows a state in which the guitar 100 is normally supported by the stand 20. In the first embodiment, the normally supported state is a state in which the supported portion 19 is supported by the bottom portion 23, the transducer TrF is in contact with the front plate 11, and the transducer TrB is attached to the back plate 12. A state of contact.
 トランスデューサTrBの位置は、トランスデューサTrFよりも高い。よって、図1Aに示すように、被支持部19を底部23に支持させた状態で、トランスデューサTrF、TrBがそれぞれ、表板11、裏板12に当接していない場合は、トランスデューサTrBがある側(後方)へ共鳴胴10を傾倒させることで、トランスデューサTrF、TrBがそれぞれ、表板11、裏板12に当接する(図1C参照)。トランスデューサTrF、TrBが表板11、裏板12に当接する状態であれば、底部23と当接する当接点は被支持部19のうちどこでもよい。図1Cに示す例では、裏板12の縁部18が当接点P1となっている。 The position of the transducer TrB is higher than the transducer TrF. Therefore, as shown in FIG. 1A, when the supported portion 19 is supported by the bottom portion 23 and the transducers TrF and TrB are not in contact with the front plate 11 and the back plate 12, respectively, the side where the transducer TrB is present. By tilting the resonance cylinder 10 (rearward), the transducers TrF and TrB come into contact with the front plate 11 and the back plate 12, respectively (see FIG. 1C). As long as the transducers TrF and TrB are in contact with the front plate 11 and the back plate 12, the contact point of contact with the bottom 23 may be anywhere in the supported portion 19. In the example shown in FIG. 1C, the edge 18 of the back plate 12 is the contact point P1.
 ギター100がスタンド20に正常に支持された状態において、表板11に略垂直な方向から見て(すなわち、トランスデューサTrFまたはトランスデューサTrBの軸方向(振動方向)から見て)、トランスデューサTrFとトランスデューサTrBとの位置が異なっている。スタンド20が床面に設置され、底部23よりもトランスデューサTrF、TrBが高い位置の状態で、トランスデューサTrFよりもトランスデューサTrBが上方に位置する。トランスデューサTrBは、側板13を基準としてトランスデューサTrFよりも遠い位置において、裏板12に当接する。トランスデューサTrFは、側板13を基準としてトランスデューサTrBよりも近い位置において表板11に当接する。 When the guitar 100 is normally supported by the stand 20, the transducer TrF and the transducer TrB are viewed from a direction substantially perpendicular to the front plate 11 (that is, viewed from the axial direction (vibration direction) of the transducer TrF or the transducer TrB). And the position is different. The stand 20 is installed on the floor, and the transducer TrB is positioned above the transducer TrF in a state where the transducers TrF and TrB are higher than the bottom 23. The transducer TrB contacts the back plate 12 at a position farther than the transducer TrF with respect to the side plate 13. The transducer TrF contacts the front plate 11 at a position closer to the transducer TrB with respect to the side plate 13.
 裏板12は中域から低域の音響を発生させるのに適している。このため、加振効率を高めるべく、裏板12の面方向における極力中央に近い位置を加振するようにトランスデューサTrBが配置される。表板11は高域の音響を発生させるのに適している。高域の音響に関しては、加振位置による加振効率の差異が小さい。よって、側板13に近い位置にトランスデューサTrFを配置してもよい。表板11、裏板12のいずれについても、側板13から遠い中央付近を加振すれば低域が強調される。逆に、側板13に近い周辺付近を加振すれば低域が出にくくなって相対的に高域が強調される傾向がある。従って、これらの観点を考慮して加振位置を設定してもよい。 The back plate 12 is suitable for generating mid to low frequency sound. For this reason, in order to increase the excitation efficiency, the transducer TrB is arranged so as to vibrate a position as close to the center as possible in the surface direction of the back plate 12. The front plate 11 is suitable for generating high frequency sound. For high-frequency sounds, the difference in excitation efficiency depending on the excitation position is small. Therefore, the transducer TrF may be arranged at a position close to the side plate 13. For both the front plate 11 and the back plate 12, if the vicinity of the center far from the side plate 13 is vibrated, the low range is emphasized. On the contrary, if the vicinity of the vicinity near the side plate 13 is vibrated, it is difficult for the low range to appear and the high range tends to be emphasized relatively. Therefore, the excitation position may be set in consideration of these viewpoints.
 図1Dに示すように、ギター100の表板11には、ブリッジBとピックガードPとが設けられている。トランスデューサTrFは、サウンドホール15を避けた位置、あるいはブリッジBやピックガードP等の異物を避けた位置を加振するのが望ましいが、このような構成に限定されない。トランスデューサTrFは、ブリッジBやピックガードP等、表板11に固定されている部品を加振することで表板11を間接的に加振するようにしてもよい。トランスデューサTrF、TrBによる加振位置によって音響や定位が多少変化するので、それらを考慮してトランスデューサTrF、TrBの配置を設定してもよい。その理由は、裏板12から発生する低域の音響の定位はあまり明瞭に認識されないが、表板11については特に定位の考慮が有用な場合もあるからである。表板11と裏板12との両方を加振すると、音響が表板11と裏板12との間(共鳴胴10の厚み方向の略中心)に定位する。このように振動を加えて音響を発生させた場合には、楽器演奏により音響を発生させた場合に近い自然な定位感を得ることができる。
 トランスデューサTrFは、表板11における所望の第n次正規モードの腹の位置に対応する位置に配置されてもよい。すなわち、トランスデューサTrFは、表板11における所望の第n次正規モードの腹の位置が加振可能な位置に配置されてもよい。このようにトランスデューサTrFを配置した場合、トランスデューサTrFが表板11を加振すると、表板11がその所望の第n次正規モードに対応した周波数の振動をしやすくなるため、その周波数の音響が発生しやすくなる。
 図1Dは、第1の実施の形態に係るスタンド20の第1の変形例の正面図である。図1Dに示す例において、トランスデューサTrFはブリッジB付近に配置されている。より具体的には、トランスデューサTrFは、表板11におけるブリッジBの下側に配置されている。図1Dに示す例において、トランスデューサTrBは設けられていなくてもよい。
 表板11の第1次正規モード(基本モード)の振動の腹は、ギター100のブリッジB付近に存在する。このため、図1Dに示す状態でトランスデューサTrFが表板11を加振すると、第1次正規モードの振動に対応する低い周波数(基本振動数)の振動が表板11に生じやすくなる。その結果、ギター100に低い周波数の音響を発生させやすくなる。よって、図1Dに示すスタンド20によれば、ギター100に実際のギターの音に近い音を発生させることが可能となる。
As shown in FIG. 1D, a bridge B and a pick guard P are provided on the front plate 11 of the guitar 100. The transducer TrF preferably vibrates a position avoiding the sound hole 15 or a position avoiding foreign matters such as the bridge B and the pick guard P, but is not limited to such a configuration. The transducer TrF may indirectly vibrate the front plate 11 by vibrating components fixed to the front plate 11 such as the bridge B and the pick guard P. Since the sound and localization slightly change depending on the excitation position of the transducers TrF and TrB, the arrangement of the transducers TrF and TrB may be set in consideration of them. This is because the localization of low-frequency sound generated from the back plate 12 is not clearly recognized, but the localization of the front plate 11 may be particularly useful. When both the front plate 11 and the back plate 12 are vibrated, the sound is localized between the front plate 11 and the back plate 12 (substantially the center in the thickness direction of the resonance cylinder 10). When sound is generated by applying vibration in this way, a natural localization feeling close to that when sound is generated by playing a musical instrument can be obtained.
The transducer TrF may be disposed at a position corresponding to the antinode position of the desired n-th normal mode on the front plate 11. That is, the transducer TrF may be disposed at a position where the desired anti-nth normal mode antinode position on the front plate 11 can be vibrated. When the transducer TrF is arranged in this way, when the transducer TrF vibrates the surface plate 11, the surface plate 11 is likely to vibrate at a frequency corresponding to the desired n-th normal mode. It tends to occur.
FIG. 1D is a front view of a first modification of the stand 20 according to the first embodiment. In the example shown in FIG. 1D, the transducer TrF is arranged in the vicinity of the bridge B. More specifically, the transducer TrF is disposed on the lower side of the bridge B in the front plate 11. In the example shown in FIG. 1D, the transducer TrB may not be provided.
The antinode of vibration in the first normal mode (basic mode) of the front plate 11 exists near the bridge B of the guitar 100. For this reason, when the transducer TrF vibrates the front plate 11 in the state shown in FIG. 1D, vibration of a low frequency (basic frequency) corresponding to the vibration in the first normal mode is likely to occur in the front plate 11. As a result, it becomes easy to generate low frequency sound in the guitar 100. Therefore, according to the stand 20 shown in FIG. 1D, it is possible to cause the guitar 100 to generate a sound close to the actual guitar sound.
 トランスデューサTrF、TrBの先端は球面等の凸曲面に形成されている。ここで、ギター100の形状(種類)やサイズによって、ギター100がスタンド20に正常に支持された状態における表板11や裏板12の角度が異なり得る。よって、トランスデューサTrF、TrBの先端が凸曲面を有することにより、当接状態を確保しやすくなるので、多くの種類のギターに広くスタンド20を適用できる。 The tips of the transducers TrF and TrB are formed in a convex curved surface such as a spherical surface. Here, depending on the shape (type) and size of the guitar 100, the angles of the front plate 11 and the back plate 12 in a state where the guitar 100 is normally supported by the stand 20 may be different. Therefore, since the tips of the transducers TrF and TrB have a convex curved surface, it is easy to ensure a contact state, so the stand 20 can be widely applied to many types of guitars.
 図2は、制御部101の構成を示すブロック図である。 FIG. 2 is a block diagram showing the configuration of the control unit 101.
 CPU(central processing unit)31は、バス36を介して、操作子32からの入力を受け付ける。CPU31は、各種I/F(インターフェイス)34、分配部33、メモリ35を制御する。CPU31は、図示はしないが、ROM(read only memory)、RAM(random access memory)、タイマ等を有する。各種I/F34には、MIDI(musical instrument digital instrument)規格に準拠したインターフェイスや、楽音信号を入力するためのインターフェイス等が含まれる。 A CPU (central processing unit) 31 accepts an input from the operator 32 via the bus 36. The CPU 31 controls various I / Fs (interfaces) 34, the distribution unit 33, and the memory 35. Although not shown, the CPU 31 includes a ROM (read) only memory), a RAM (random access memory), a timer, and the like. Various I / Fs 34 include an interface conforming to the MIDI (musical instrument digital instrument) standard, an interface for inputting a musical sound signal, and the like.
 メモリ35には、波形データ群dF、dBが予め記憶されている。波形データ群dF、dBは、それぞれ、ギター等の楽音波形をサンプリングして生成された1発音分のサンプリング波形データの集まりであり、音量エンベロープを有している。波形データ群dF、dBは、それぞれトランスデューサTrF、TrBで発音させるためのデータである。 In the memory 35, waveform data groups dF and dB are stored in advance. Each of the waveform data groups dF and dB is a collection of sampling waveform data for one sound generated by sampling a musical sound waveform such as a guitar, and has a volume envelope. The waveform data groups dF and dB are data for generating sound by the transducers TrF and TrB, respectively.
 各種I/F34からアナログの楽音信号が入力された場合、分配部33は、その入力された音楽信号を高域用の楽音信号と中域および低域用の楽音信号とに分ける。分配部33は、高域用の楽音信号をトランスデューサTrFに供給する。分配部33は、中域および低域用の楽音信号をトランスデューサTrBに供給する。このように、トランスデューサTrFとトランスデューサTrBとでは受け持つ周波数帯域が異なっている。表板11を加振するトランスデューサTrFがトランスデューサTrBよりも高い周波数帯域を受け持つ。 When analog music signals are input from various I / Fs 34, the distribution unit 33 divides the input music signal into a high frequency music signal and a middle frequency and low frequency music signal. The distribution unit 33 supplies the high frequency tone signal to the transducer TrF. The distributor 33 supplies the mid-range and low-range musical sound signals to the transducer TrB. As described above, the frequency bands handled by the transducer TrF and the transducer TrB are different. The transducer TrF that vibrates the front plate 11 has a higher frequency band than the transducer TrB.
 各種I/F34からMIDI等のデータ規格の自動演奏データが入力された場合について説明する。この場合、CPU31は、順次読み出される自動演奏データ中の音高や押鍵ベロシティ等の情報に基づいて、波形データ群dF、dBから波形データを選択し、選択した波形データから波形信号を生成してそれを分配部33に送る。分配部33は、送られた波形信号をアナログの楽音信号に変換し、それらをトランスデューサTrF、TrBに供給する。 The case where automatic performance data of data standards such as MIDI is input from various I / Fs 34 will be described. In this case, the CPU 31 selects waveform data from the waveform data groups dF and dB based on information such as pitches and key depression velocities in the automatic performance data that are sequentially read, and generates a waveform signal from the selected waveform data. To the distribution unit 33. The distribution unit 33 converts the transmitted waveform signal into an analog tone signal and supplies them to the transducers TrF and TrB.
 構成を簡単にする観点からは、制御部101がCPUを備えることなく、音響信号用の入力端子を備えて、その入力端子に入力された音響信号で制御部101がトランスデューサTrF、TrBを駆動するように構成してもよい。 From the viewpoint of simplifying the configuration, the control unit 101 does not include a CPU, but includes an input terminal for an acoustic signal, and the control unit 101 drives the transducers TrF and TrB with the acoustic signal input to the input terminal. You may comprise as follows.
 第1の実施の形態によれば、スタンド20にギター100を支持させると、共鳴胴10にトランスデューサTrF、TrBが当接し、トランスデューサTrF、TrBにより共鳴胴10を加振できる。よって、一般の弦楽器(ギター100)の共鳴胴を利用して加振器(トランスデューサTrF、TrB)によって豊かな音響を発生させることができる。また、ギター100をスタンド20に支持させたまま、ユーザが演奏することなく、トランスデューサTrF、TrBで共鳴胴10を長い時間振動させることも可能である。これにより、ギター100を演奏者が長時間弾き込んだ状態と同じように音色が向上する、いわゆるエイジングを促進する効果も期待できる。
 トランスデューサTrF、TrBによってユーザが所望する音域の音響をギター100に発音させると、エイジングによりその所望音域におけるギター100の音色を向上させることができる。
 トランスデューサTrF、TrBにホワイトノイズを示す信号を入力した場合、トランスデューサTrF、TrBがギター100に全音域の音響を発生させる。このため、エイジングにより全音域におけるギター100の音色を向上させることができる。
According to the first embodiment, when the guitar 100 is supported on the stand 20, the transducers TrF and TrB abut on the resonance cylinder 10, and the resonance cylinder 10 can be vibrated by the transducers TrF and TrB. Therefore, rich sound can be generated by the vibrator (transducers TrF and TrB) using the resonance drum of a general stringed instrument (guitar 100). Further, it is also possible to vibrate the resonance cylinder 10 with the transducers TrF and TrB for a long time without playing the guitar while the guitar 100 is supported on the stand 20. As a result, the effect of promoting so-called aging, in which the timbre is improved in the same manner as when the player has played the guitar 100 for a long time, can be expected.
When the sound of the sound range desired by the user is generated on the guitar 100 by the transducers TrF and TrB, the tone of the guitar 100 in the desired sound range can be improved by aging.
When signals indicating white noise are input to the transducers TrF and TrB, the transducers TrF and TrB cause the guitar 100 to generate sound in the entire range. For this reason, the timbre of the guitar 100 in the whole sound range can be improved by aging.
 トランスデューサTrF、TrBは、表板11、裏板12をそれぞれ加振する。よって、対向する2つの主振動壁(表板11、裏板12)を同時に振動させ、効率よく豊かな音響を発生させることができる。しかも、表板11に略垂直な方向から見て(すなわち、トランスデューサTrF、TrBの軸方向(加振方向)から見て)、トランスデューサTrF、TrBの位置を異ならせている。このため、トランスデューサTrF、TrBは表板11、裏板12それぞれの適した箇所を加振することができる。また、ギター100を図1Cに示すようにこじった状態で保持できるため、ギター100の転倒を防止できる。 The transducers TrF and TrB vibrate the front plate 11 and the back plate 12, respectively. Therefore, two opposing main vibration walls (the front plate 11 and the back plate 12) can be vibrated at the same time, and rich sounds can be generated efficiently. Moreover, the positions of the transducers TrF and TrB are made different from each other when viewed from a direction substantially perpendicular to the front plate 11 (that is, viewed from the axial direction (excitation direction) of the transducers TrF and TrB). For this reason, the transducers TrF and TrB can vibrate suitable portions of the front plate 11 and the back plate 12 respectively. Moreover, since the guitar 100 can be held in a state of being twisted as shown in FIG. 1C, the guitar 100 can be prevented from falling.
 また、被支持部19を底部23に支持させたときにトランスデューサTrF、TrBが表板11、裏板12に直ちに当接しない場合でも、共鳴胴10を傾倒させるという簡単な操作でトランスデューサTrF、TrBを表板11、裏板12に当接させた状態にできる。 Even if the transducers TrF and TrB are not immediately brought into contact with the front plate 11 and the back plate 12 when the supported portion 19 is supported on the bottom 23, the transducer TrF and TrB can be simply operated by tilting the resonance cylinder 10. Can be brought into contact with the front plate 11 and the back plate 12.
 図3A及び3Bを参照して、第1の実施の形態に係るスタンド20のトランスデューサTrの変形例を説明する。また、図3C及び3Dを参照して、第1の実施の形態に係るスタンド20の第2の変形例を説明する。 A modification of the transducer Tr of the stand 20 according to the first embodiment will be described with reference to FIGS. 3A and 3B. A second modification of the stand 20 according to the first embodiment will be described with reference to FIGS. 3C and 3D.
 図3Aは、トランスデューサTrの第1の変形例を示す側面図である。図3Bは、トランスデューサTrの第2の変形例を示す側面図である。図3Aに示すように、トランスデューサTrFは、角度可変のジョイント部24を有すると共に、真直に起立状態となる方向に付勢さている。ジョイント部24の具体例は、ユニバーサルジョイントやジンバル等を含んでもよい。トランスデューサTrFの角度が可変となることで、トランスデューサTrFが表板11に適切に当接しやすくなる。図3Bに示すように、トランスデューサTrFは、その一部に弾性部25を有する。弾性部25の弾性変形によって、トランスデューサTrFが表板11に適切に当接しやすくなる。弾性部25の具体例は、ゴムおよびばねを含んでもよい。 FIG. 3A is a side view showing a first modification of the transducer Tr. FIG. 3B is a side view showing a second modification of the transducer Tr. As shown in FIG. 3A, the transducer TrF has a joint portion 24 with a variable angle, and is biased in a direction in which the transducer TrF stands upright. Specific examples of the joint portion 24 may include a universal joint, a gimbal, and the like. By making the angle of the transducer TrF variable, the transducer TrF can easily come into contact with the front plate 11 appropriately. As shown in FIG. 3B, the transducer TrF has an elastic portion 25 in a part thereof. Due to the elastic deformation of the elastic portion 25, the transducer TrF can easily come into contact with the front plate 11 appropriately. Specific examples of the elastic portion 25 may include rubber and a spring.
 図3A、3Bに示す例においては、ジョイント部24または弾性部25が採用され、なおかつ、トランスデューサTrF、TrBの先端が凸曲面に形成されている。このため、トランスデューサTrFと表板11とは点接触でありながら十分な振動を伝達することができる。すなわち、ジョイント部24や弾性部25と凸曲面の先端形状とを組み合わせることで、多くの種類のギターで適切な当接状態を確保することができる。トランスデューサTrF、TrBの先端に平坦面を設けると共に、ジョイント部24を採用すれば、加振面との面接触を確保することは可能である。しかし、トランスデューサの加振方向が加振面に対して略鉛直であれば、上記のように凸曲面により点接触させる構成でも十分に振動伝達機能は果たされる。しかも点接触であれば、様々な当接状態で加振面に対して加振方向を略鉛直にできる利点がある。 3A and 3B, the joint portion 24 or the elastic portion 25 is employed, and the tips of the transducers TrF and TrB are formed in a convex curved surface. For this reason, the transducer TrF and the front plate 11 can transmit sufficient vibration while being in point contact. That is, by combining the joint portion 24 and the elastic portion 25 with the tip shape of the convex curved surface, it is possible to ensure an appropriate contact state with many types of guitars. If a flat surface is provided at the tips of the transducers TrF and TrB and the joint portion 24 is employed, it is possible to ensure surface contact with the vibration surface. However, if the excitation direction of the transducer is substantially vertical with respect to the excitation surface, the vibration transmission function can be sufficiently performed even with the configuration in which the point is brought into contact with the convex curved surface as described above. Moreover, the point contact has an advantage that the excitation direction can be made substantially vertical with respect to the excitation surface in various contact states.
 このように、図3Aまたは図3Bの構成により、機種による共鳴胴10の寸法、形状の相違や置き方のばらつきを吸収し、多くの種類のギターに広く対応することができる。トランスデューサTrFの振動が表板11に適切に伝達できる程度に、ジョイント部24や弾性部25が適切な硬さを有する必要がある。トランスデューサTrBについても図3Aまたは図3Bの構成を適用できる。 As described above, the configuration shown in FIG. 3A or FIG. 3B can absorb the difference in size and shape of the resonance cylinder 10 and the variation in the placement depending on the model, and can be widely applied to many kinds of guitars. The joint portion 24 and the elastic portion 25 need to have appropriate hardness to such an extent that the vibration of the transducer TrF can be properly transmitted to the front plate 11. The configuration of FIG. 3A or FIG. 3B can also be applied to the transducer TrB.
 図3C、3Dは、スタンド20の第2の変形例を示す側面図である。図3Cはギター100がスタンド20によって支持される途中の状態を示す。図3Dはギター100がスタンド20によって支持されている状態を示す。 FIGS. 3C and 3D are side views showing a second modification of the stand 20. FIG. 3C shows a state where the guitar 100 is being supported by the stand 20. FIG. 3D shows a state where the guitar 100 is supported by the stand 20.
 図3Cに示すように、スタンド20の底部23と前アーム21と後アーム22との組み合わせが側面視で呈するU字状部分において、前アーム21と後アーム22とを先端ほど互いに近くなるように構成する。図3Cに示す構成においては、トランスデューサTrFとトランスデューサTrBとの間隔が、図1Aの構成よりも狭く設定されている。また、図3Cに示す構成においては、トランスデューサTrFとトランスデューサTrBとの間隔が一般的なギターの共鳴胴の厚みよりも少し狭く設定されている。さらに、スタンド20において、前アーム21及び後アーム22の少なくとも一方については弾性により拡がり方向(前アーム21と後アーム22とが互いに離れる方向)に曲がるように構成されている。 As shown in FIG. 3C, in the U-shaped portion where the combination of the bottom 23, the front arm 21 and the rear arm 22 of the stand 20 is shown in a side view, the front arm 21 and the rear arm 22 are closer to each other toward the tip. Constitute. In the configuration shown in FIG. 3C, the interval between the transducer TrF and the transducer TrB is set to be narrower than the configuration in FIG. 1A. In the configuration shown in FIG. 3C, the distance between the transducer TrF and the transducer TrB is set to be slightly smaller than the thickness of a general guitar resonance drum. Further, in the stand 20, at least one of the front arm 21 and the rear arm 22 is configured to bend in an expanding direction (a direction in which the front arm 21 and the rear arm 22 are separated from each other) due to elasticity.
 トランスデューサTrF、TrB間に共鳴胴10を挿入する段階で、共鳴胴10の表板11、裏板12がトランスデューサTrF、TrBに当接する。ユーザは、そのまま共鳴胴10をこじるようにして(すなわち、ギター100の長手軸に対して垂直でかつ表板11に対して平行な軸周りに、共鳴胴10を回転させるようにして)挿入を進めて被支持部19を支持部(底部23)に当接させる。その際、前アーム21と後アーム22の少なくとも一方(主に後アーム22)が開く方向に弾性変形することでトランスデューサTrF、TrB間の間隔が大きくなると共に、被支持部19が底部23に対向および当接し、正常な支持状態となる。このように、簡単な操作によってトランスデューサTrF、TrBをそれぞれ表板11、裏板12に適度な力で適切に当接させることができる。図3A、3B、3Cの構成を適宜組み合わせて適用してもよい。 At the stage of inserting the resonance cylinder 10 between the transducers TrF and TrB, the front plate 11 and the back plate 12 of the resonance cylinder 10 come into contact with the transducers TrF and TrB. The user simply inserts the resonance cylinder 10 as it is (ie, rotates the resonance cylinder 10 around an axis perpendicular to the longitudinal axis of the guitar 100 and parallel to the front plate 11). It advances and makes the supported part 19 contact | abut to a support part (bottom part 23). At that time, at least one of the front arm 21 and the rear arm 22 (mainly the rear arm 22) is elastically deformed in the opening direction, the interval between the transducers TrF and TrB is increased, and the supported portion 19 is opposed to the bottom portion 23. Then, they come into contact with each other and become a normal support state. As described above, the transducers TrF and TrB can be appropriately brought into contact with the front plate 11 and the back plate 12 with an appropriate force by a simple operation, respectively. You may apply combining the structure of FIG. 3A, 3B, and 3C suitably.
 (第2の実施の形態)
 共鳴胴10の主振動壁を効率よく加振するために、ギター100のうち主振動壁の振動を妨げない部分を、スタンド20で支持される被支持部とするのが好ましい。第1の実施の形態として、被支持部19(側板13、表板11の縁部17または裏板12の縁部18)が支持される構成を説明した。第1の実施の形態とは異なり、本発明の第2の実施の形態では、ヘッド支持部を被支持部とする。
(Second Embodiment)
In order to efficiently vibrate the main vibration wall of the resonance cylinder 10, a portion of the guitar 100 that does not hinder the vibration of the main vibration wall is preferably a supported portion supported by the stand 20. As the first embodiment, the configuration in which the supported portion 19 (the side plate 13, the edge portion 17 of the front plate 11, or the edge portion 18 of the back plate 12) is supported has been described. Unlike the first embodiment, in the second embodiment of the present invention, the head support portion is a supported portion.
 図4Aは、第2の実施の形態に係る支持体の斜視図である。図4Aは、支持体の一例としてスタンド20を示す。スタンド20は、上部に二股形状のヘッド支持部26を有する。ヘッド支持部26が支持部の一例であってもよい。ユーザは、ギター100のネック16をヘッド支持部26の二股部分に通し、ヘッド支持部26にギター100のヘッド9を引っ掛ける。その結果、ヘッド支持部26は、ギター100が吊された状態で、ギター100を保持する。スタンド20の下部において共鳴胴10が位置する高さにトランスデューサTrBが配置される。吊された状態となったギター100の共鳴胴10の裏板12にトランスデューサTrBが適度な力で当接する。 FIG. 4A is a perspective view of a support according to the second embodiment. FIG. 4A shows a stand 20 as an example of a support. The stand 20 has a bifurcated head support 26 at the top. The head support portion 26 may be an example of a support portion. The user passes the neck 16 of the guitar 100 through the bifurcated portion of the head support portion 26 and hooks the head 9 of the guitar 100 on the head support portion 26. As a result, the head support unit 26 holds the guitar 100 in a state where the guitar 100 is suspended. The transducer TrB is arranged at a height at which the resonance cylinder 10 is located at the lower part of the stand 20. The transducer TrB comes into contact with the back plate 12 of the resonance cylinder 10 of the guitar 100 in a suspended state with an appropriate force.
 図4Bは、第2の実施の形態に係るスタンド20の第1の変形例の斜視図である。スタンド20は、据え置き型である。図4Bに示す例では、図4Aに示す例とは異なり、ヘッド支持部26はギター100が前後に動いて倒れないようにヘッド9およびネック16を支える役割を果たす。スタンド20の下部において共鳴胴10の側板13に当接する位置に、トランスデューサTrSが2つ設けられる。この場合、ギター100の主な荷重はトランスデューサTrSが受ける。トランスデューサTrSは、側板13を加振するように構成されている。トランスデューサTrSが支持部の一例であってもよい。
 側板13は、表板11および裏板12と比較して剛性が高い。よって、トランスデューサTrSが側板13に振動を加えると、その振動が側板13を介して表板11および裏板12に伝わる。このように、トランスデューサTrSのみで、表板11および裏板12を加振することができる。
FIG. 4B is a perspective view of a first modification of the stand 20 according to the second embodiment. The stand 20 is a stationary type. In the example shown in FIG. 4B, unlike the example shown in FIG. 4A, the head support portion 26 plays a role of supporting the head 9 and the neck 16 so that the guitar 100 does not move forward and backward. Two transducers TrS are provided at positions where the lower portion of the stand 20 is in contact with the side plate 13 of the resonance cylinder 10. In this case, the main load of the guitar 100 is received by the transducer TrS. The transducer TrS is configured to vibrate the side plate 13. The transducer TrS may be an example of a support unit.
The side plate 13 has higher rigidity than the front plate 11 and the back plate 12. Therefore, when the transducer TrS applies vibration to the side plate 13, the vibration is transmitted to the front plate 11 and the back plate 12 through the side plate 13. Thus, the front plate 11 and the back plate 12 can be vibrated only by the transducer TrS.
 図4Bに示す例と図1A~1Cに示す例とを組み合わせた構成を採用してもよい。この場合、図1A~1Cのスタンド20に対し、トランスデューサTrFおよびTrBの一方に代えて、底部23にトランスデューサTrSを設ける。別の構成例として、底部23にトランスデューサTrSを設け、トランスデューサTrFおよびTrBの両方を省略してもよい。このような組み合わせの構成の場合、図1A~1Cのように、被支持部19が底部23に支持されて、ギター100の主な荷重を底部23が受ける構成としてもよい。この場合、トランスデューサTrSは側板13に当接するが、ギター100の荷重を大きくは受けない。トランスデューサTrSが表板11または裏板12に当接するように、スタンド20のU字状部分を設計してもよい。 4B may be combined with the example shown in FIGS. 1A to 1C. In this case, a transducer TrS is provided at the bottom 23 instead of one of the transducers TrF and TrB with respect to the stand 20 of FIGS. 1A to 1C. As another configuration example, a transducer TrS may be provided on the bottom 23, and both the transducers TrF and TrB may be omitted. In the case of such a combined configuration, as shown in FIGS. 1A to 1C, the supported portion 19 may be supported by the bottom portion 23 and the bottom portion 23 may receive the main load of the guitar 100. In this case, the transducer TrS contacts the side plate 13 but does not receive a large load on the guitar 100. The U-shaped portion of the stand 20 may be designed so that the transducer TrS contacts the front plate 11 or the back plate 12.
 一般に、トランスデューサにはある程度の荷重がかかった方が音響は良好となる。従って、図4Aに示す構成の場合、ギター100の自重を利用してトランスデューサTrBに適切な荷重がかかるよう、トランスデューサTrBの突出量等を適切に設定することが好ましい。別の構成として、トランスデューサTrBの突出量を調整可能に構成してもよい。図4Bに示す構成の場合も、ギター100の自重を利用してトランスデューサTrSに適切な荷重がかかるように構成して、音響が良好になるようにしてもよい。 In general, the sound is better when a certain amount of load is applied to the transducer. Therefore, in the case of the configuration shown in FIG. 4A, it is preferable to appropriately set the protrusion amount of the transducer TrB and the like so that an appropriate load is applied to the transducer TrB using the weight of the guitar 100. As another configuration, the projecting amount of the transducer TrB may be adjustable. In the case of the configuration shown in FIG. 4B as well, the sound may be improved by configuring the transducer TrS so as to apply an appropriate load by using the weight of the guitar 100.
 図4Cは、第2の実施の形態に係るスタンド20の第2の変形例の斜視図である。図4Cに示すスタンド20は、壁掛け吊し型である。スタンド20は、板状の取り付け部28を有する。取り付け部28は、室内等の壁部8に固定される。スタンド20はさらに、取り付け部28に接続されるとともに、壁部8から離れる方向に斜め下方に延びる延出部29を有する。延出部29の下部にトランスデューサTrBが設けられる。ヘッド支持部26にギター100のヘッド9を引っ掛けてギター100を吊すと、共鳴胴10の裏板12にトランスデューサTrBが適度な力で当接する。 FIG. 4C is a perspective view of a second modification of the stand 20 according to the second embodiment. The stand 20 shown in FIG. 4C is a wall-hanging type. The stand 20 has a plate-like attachment portion 28. The attachment portion 28 is fixed to the wall portion 8 such as a room. The stand 20 further includes an extension portion 29 that is connected to the attachment portion 28 and extends obliquely downward in a direction away from the wall portion 8. A transducer TrB is provided below the extension portion 29. When the head 9 of the guitar 100 is hooked on the head support portion 26 and the guitar 100 is suspended, the transducer TrB comes into contact with the back plate 12 of the resonance body 10 with an appropriate force.
 図4Aまたは図4Cに示すようなネック吊し型のスタンド20が、表板11、裏板12及び側板13を加振するようにしてもよい。従って、図4Aまたは図4Cのスタンド20が、トランスデューサTrF、TrSをさらに有してもよい。その場合の図4Aの構成では、主な荷重をヘッド支持部26が受けるようにしてもよい。 A neck-suspended stand 20 as shown in FIG. 4A or 4C may vibrate the front plate 11, the back plate 12, and the side plate 13. Therefore, the stand 20 of FIG. 4A or 4C may further include the transducers TrF and TrS. In the configuration of FIG. 4A in that case, the head support 26 may receive a main load.
 第2の実施の形態によれば、一般の弦楽器の共鳴胴を利用して加振器によって豊かな音響を発生させることに関し、第1の実施の形態と同様の効果を奏することができる。 According to the second embodiment, the same effects as those of the first embodiment can be achieved with respect to generating rich sound by the vibrator using the resonance body of a general stringed instrument.
 (第3の実施の形態)
 図5Aは、本発明の第3の実施の形態に係る支持体の側面図である。図5Bは、本発明の第3の実施の形態に係る支持体の正面図である。支持体であるスタンド20は、底部7、背壁6、2つの延出部27、および連結部30を有する。延出部27は、背壁6の上部から延びる。連結部30は、背壁6に固定され、2つの延出部27の後端を互いに接続している。2つの延出部27と連結部30の組み合わせは、上面視でU字状を呈する。延出部27および連結部30が支持部の一例であってもよい。
 背壁6には、側板13を加振するように構成されたトランスデューサTrSが設けられている。底部7には、表板11、裏板12、側板13をそれぞれ加振するためのトランスデューサTrF、TrB、TrSが設けられる。
(Third embodiment)
FIG. 5A is a side view of a support according to a third embodiment of the present invention. FIG. 5B is a front view of the support according to the third embodiment of the present invention. The stand 20 as a support has a bottom portion 7, a back wall 6, two extending portions 27, and a connecting portion 30. The extending part 27 extends from the upper part of the back wall 6. The connecting portion 30 is fixed to the back wall 6 and connects the rear ends of the two extending portions 27 to each other. The combination of the two extending portions 27 and the connecting portion 30 has a U shape in a top view. The extension part 27 and the connection part 30 may be an example of a support part.
The back wall 6 is provided with a transducer TrS configured to vibrate the side plate 13. The bottom portion 7 is provided with transducers TrF, TrB, TrS for exciting the front plate 11, the back plate 12, and the side plate 13, respectively.
 ユーザは、トランスデューサTrF、TrB間に共鳴胴10を挿入し、背壁6に配置されたトランスデューサTrSに側板13を突き当てると共に、隣接する2本の延出部27の間にギター100のネック16を通す。そして、ユーザは、背壁6の側にヘッド9を倒す。これにより、トランスデューサTrF、TrB、TrSが、それぞれ表板11、裏板12、側板13に当接する。図5Aおよび5Bに示す構成において、トランスデューサTrF、TrB、TrSのうち一部を省略してもよい。 The user inserts the resonance body 10 between the transducers TrF and TrB, abuts the side plate 13 against the transducer TrS disposed on the back wall 6, and also places the neck 16 of the guitar 100 between two adjacent extending portions 27. Through. Then, the user tilts the head 9 toward the back wall 6 side. As a result, the transducers TrF, TrB, and TrS come into contact with the front plate 11, the back plate 12, and the side plate 13, respectively. 5A and 5B, some of the transducers TrF, TrB, TrS may be omitted.
 第3の実施の形態によると、比較的省スペースで多数の点を加振することができる。
 別の構成として、スタンド20を連続して並べてもよい。さらに別の構成として、2本の延出部27と連結部30との組を複数設けてもよい。このような構成を採用することにより、比較的省スペースで多数のギターを同時に加振することができる。従って、複数ギターの加振による合奏や、ギター生産現場における複数ギターのエイジング工程等を効率的に行なうことができるという利点がある。
According to the third embodiment, a large number of points can be vibrated with relatively little space.
As another configuration, the stands 20 may be continuously arranged. As another configuration, a plurality of sets of two extending portions 27 and connecting portions 30 may be provided. By adopting such a configuration, a large number of guitars can be vibrated simultaneously in a relatively small space. Therefore, there is an advantage that it is possible to efficiently perform an ensemble by oscillating a plurality of guitars, an aging process for a plurality of guitars at a guitar production site, and the like.
 スタンド20に支持される際のギター100の姿勢は起立姿勢に限られない。例えば、図6Aに示すように、共鳴胴10の厚み方向が略水平方向に沿うようにギター100を斜めに保持するスタンド20にトランスデューサTrF、TrBを設けてもよい。 The posture of the guitar 100 when supported by the stand 20 is not limited to the standing posture. For example, as shown in FIG. 6A, transducers TrF and TrB may be provided on a stand 20 that holds the guitar 100 obliquely so that the thickness direction of the resonance cylinder 10 is substantially horizontal.
 図6B、6Cに示すように、共鳴胴10の厚み方向が略鉛直方向に沿うようにギター100の共鳴胴10を保持するスタンド20にトランスデューサTrF、TrBを設けてもよい。具体的には、図6B、6Cに示すスタンド20は、底部43から延びるアーム41と、底部43に設けられたトランスデューサTrBと、アーム41に設けられたトランスデューサTrFとを有する。底部43は、トランスデューサTrBを囲むテーパ面である支持面42を有する。 6B and 6C, transducers TrF and TrB may be provided on the stand 20 that holds the resonance body 10 of the guitar 100 so that the thickness direction of the resonance body 10 is substantially in the vertical direction. Specifically, the stand 20 shown in FIGS. 6B and 6C includes an arm 41 extending from the bottom 43, a transducer TrB provided on the bottom 43, and a transducer TrF provided on the arm 41. The bottom 43 has a support surface 42 that is a tapered surface surrounding the transducer TrB.
 ユーザが、共鳴胴10をトランスデューサTrF、TrB間に挿入すると、共鳴胴10の自重により裏板12の縁部18が支持面42に支持される。トランスデューサTrBは、ジョイント部24を有すると共に、真直に起立状態となる方向に付勢されている。縁部18が支持面42に当接すると、適度な荷重がトランスデューサTrBにかかるように裏板12にトランスデューサTrBが当接する。それと共に、トランスデューサTrFも、アーム41の弾性によって適度な力で表板11に当接する。 When the user inserts the resonance cylinder 10 between the transducers TrF and TrB, the edge 18 of the back plate 12 is supported on the support surface 42 by the weight of the resonance cylinder 10. The transducer TrB has a joint portion 24 and is urged in a direction in which the transducer TrB is standing upright. When the edge 18 comes into contact with the support surface 42, the transducer TrB comes into contact with the back plate 12 so that an appropriate load is applied to the transducer TrB. At the same time, the transducer TrF also comes into contact with the front plate 11 with an appropriate force due to the elasticity of the arm 41.
 第3の実施の形態によれば、一般の弦楽器の共鳴胴を利用して加振器によって豊かな音響を発生させることに関し、第1の実施の形態と同様の効果を奏することができる。 According to the third embodiment, the same effects as those of the first embodiment can be obtained with respect to generating rich sound by the vibrator using the resonance body of a general stringed instrument.
 (第4の実施の形態)
 図1A~図6Cに示す構成は、弦楽器を支持する支持体である。しかし、弦楽器の共鳴胴を利用して加振器によって豊かな音響を発生させるという観点からは、本発明の実施形態は、支持体(スタンド)として認識される構成に限定されない。例えば、本発明の実施形態に係る構成は、弦楽器の加振装置として認識される構成であってもよい。図1A~図6Cに示す構成のスタンド20も加振装置として把握される。
(Fourth embodiment)
The configuration shown in FIGS. 1A to 6C is a support for supporting a stringed instrument. However, the embodiment of the present invention is not limited to a configuration that is recognized as a support (stand) from the viewpoint of generating rich sound by a vibrator using a resonance drum of a stringed musical instrument. For example, the configuration according to the embodiment of the present invention may be a configuration recognized as a stringed instrument vibration device. The stand 20 having the configuration shown in FIGS. 1A to 6C is also grasped as a vibration device.
 本発明の第4の実施の形態では、弦楽器の加振装置に特化した構成を説明する。図7Aは、第4の実施の形態に係る加振装置が取り付けられた弦楽器の側面図である。図7Bは、第4の実施の形態に係る加振装置が取り付けられた弦楽器の正面図である。 In the fourth embodiment of the present invention, a configuration specialized for a stringed instrument vibration device will be described. FIG. 7A is a side view of a stringed musical instrument to which a vibration exciter according to a fourth embodiment is attached. FIG. 7B is a front view of the stringed musical instrument to which the vibration exciter according to the fourth embodiment is attached.
 図7Aおよび7Bに示す加振装置120は、ヘッドホン型の装置である。加振装置120は、側面視でU字状に構成される。加振装置120は、ブリッジ部123と、ブリッジ部123の一端から延びる2つの第1アーム121と、ブリッジ部123の他端から延びる第2アーム122とを有する。2つの第1アーム121の間隔は、ネック16の幅より広い。第1アーム121は、第2アーム122よりも短い。第2アーム122にトランスデューサTrBが設けられている。第1アーム121にトランスデューサTrFが設けられる。加振装置120は、図3C、3Dに示すスタンド20と同様の構成を有する。すなわち、第1および第2アーム121、122の少なくとも一方は弾性を有する。また、トランスデューサTrF、TrB間の間隔は、一般的なギターの共鳴胴の厚みよりも少し狭い。図7Aおよび7Bにおいて、制御部の図示は省略されている。 7A and 7B is a headphone type device. The vibration device 120 is configured in a U shape in a side view. The vibration device 120 includes a bridge portion 123, two first arms 121 extending from one end of the bridge portion 123, and a second arm 122 extending from the other end of the bridge portion 123. The distance between the two first arms 121 is wider than the width of the neck 16. The first arm 121 is shorter than the second arm 122. A transducer TrB is provided on the second arm 122. The first arm 121 is provided with a transducer TrF. The vibration device 120 has the same configuration as the stand 20 shown in FIGS. 3C and 3D. That is, at least one of the first and second arms 121 and 122 has elasticity. Further, the distance between the transducers TrF and TrB is slightly narrower than the thickness of a general guitar resonance drum. 7A and 7B, the control unit is not shown.
 加振装置120を使用する際は、共鳴胴10の厚み方向が水平方向に沿うように何らかの支持体でギター100を支持してもよい。この場合において、例えば、図7A、7Bに示すように、ネック16が上方に配されるように起立したギター100の共鳴胴10を加振装置120のU字状部分で挟むように上方から加振装置120を係合させてもよい。この場合、ブリッジ部123の下面が係合部K1となる。また、側板13の上部(ネック16の近傍部分)が被係合部K2となる。よって、係合部K1が被係合部K2に係合される。その際、トランスデューサTrF、TrBに挟まれる共鳴胴10においては、第1および第2アーム121、122の弾性によって、表板11、裏板12にトランスデューサTrF、TrBがそれぞれ適度な力で当接する。 When using the vibration exciter 120, the guitar 100 may be supported by some support so that the thickness direction of the resonance cylinder 10 is along the horizontal direction. In this case, for example, as shown in FIGS. 7A and 7B, the resonance cylinder 10 of the guitar 100 erected so that the neck 16 is arranged upward is applied from above so as to be sandwiched between the U-shaped portions of the vibration device 120. The vibration device 120 may be engaged. In this case, the lower surface of the bridge portion 123 becomes the engaging portion K1. Further, the upper portion of the side plate 13 (the vicinity of the neck 16) becomes the engaged portion K2. Therefore, the engaging part K1 is engaged with the engaged part K2. At that time, in the resonance cylinder 10 sandwiched between the transducers TrF and TrB, the transducers TrF and TrB come into contact with the front plate 11 and the back plate 12 with an appropriate force by the elasticity of the first and second arms 121 and 122, respectively.
 これにより、一般の弦楽器の共鳴胴の対向する2つの壁を利用して加振器によって豊かな音響を発生させることができる。 This makes it possible to generate rich sound by the vibrator using the two opposing walls of the resonance drum of a general stringed instrument.
 図7A、7Bでは、起立姿勢のギター100に引っ掛ける形態の加振装置120を例示した。しかしながら、加振装置120の使用時のギター100の姿勢は、図7A、7Bに示す例に限定されない。弦楽器の被係合部(K2)に係合される係合部(K1)と、互いに対向位置にある2つの主振動壁を加振するように構成されたトランスデューサTrとを有する加振装置であれば、本発明の第4の実施形態を適用可能である。 7A and 7B exemplify the vibration device 120 configured to be hooked on the guitar 100 in a standing posture. However, the posture of the guitar 100 when using the vibration device 120 is not limited to the example shown in FIGS. 7A and 7B. An excitation device having an engagement portion (K1) engaged with an engaged portion (K2) of a stringed musical instrument and a transducer Tr configured to vibrate two main vibration walls at opposite positions. If so, the fourth embodiment of the present invention is applicable.
 係合の態様は例示した態様に限られない。主振動壁を効率よく加振する観点から、被係合部(K2)が、弦楽器のうち主振動壁の振動を妨げない部分であることが望ましい。しかしながら、このような構成に限定されない。 The engagement mode is not limited to the illustrated mode. From the viewpoint of efficiently exciting the main vibration wall, it is desirable that the engaged portion (K2) is a portion of the stringed instrument that does not hinder the vibration of the main vibration wall. However, it is not limited to such a configuration.
 係合部K1や被係合部K2を設けることは必須でない。すなわち、加振装置120が、トランスデューサTrだけで楽器に接し、トランスデューサTrが共鳴胴を挟む構成であってもよい。例えば、図7Aに示す構成の場合、ブリッジ部123がギター100に接することなく、ブリッジ部123から離間していてもよい。このような構成を採用する場合、例えば、加振装置120をユーザが手で把持した状態で加振装置120を使用してもよい。 It is not essential to provide the engaging portion K1 and the engaged portion K2. That is, the vibration device 120 may be in contact with the musical instrument using only the transducer Tr, and the transducer Tr may sandwich the resonance drum. For example, in the case of the configuration shown in FIG. 7A, the bridge portion 123 may be separated from the bridge portion 123 without contacting the guitar 100. When adopting such a configuration, for example, the vibration device 120 may be used in a state where the user grips the vibration device 120 with a hand.
 図1A~図3Dに示すスタンド20を加振装置として把握する場合は、被支持部19が被係合部K2に相当し、底部23が係合部K1に相当する。図4A~図5Bに示すスタンド20を加振装置として把握する場合は、ヘッド9またはネック16が被係合部K2に相当し、ヘッド支持部26、延出部27および連結部30が係合部K1に相当する。図6B、6Cに示すスタンド20を加振装置として把握する場合は、縁部18が被係合部K2に相当し、支持面42が係合部K1に相当する。 When grasping the stand 20 shown in FIGS. 1A to 3D as a vibration device, the supported portion 19 corresponds to the engaged portion K2, and the bottom portion 23 corresponds to the engaging portion K1. When grasping the stand 20 shown in FIGS. 4A to 5B as a vibration device, the head 9 or the neck 16 corresponds to the engaged portion K2, and the head support portion 26, the extending portion 27, and the connecting portion 30 are engaged. It corresponds to the part K1. When grasping the stand 20 shown in FIGS. 6B and 6C as a vibration device, the edge portion 18 corresponds to the engaged portion K2, and the support surface 42 corresponds to the engaging portion K1.
 図1A~図6Cに示すスタンド20の構成のうち適用可能な構成は加振装置120に適用してもよい。例えば、表板11に略垂直な方向から見てトランスデューサTrF、TrBの加振位置が互いに異なるようにするという構成は、加振装置120に適用できる。トランスデューサTrFとトランスデューサTrBとで受け持つ周波数帯域が異なるようにするという構成は、加振装置120に適用できる。トランスデューサTrF、TrBの先端を凸曲面に形成するという構成は、加振装置120に適用できる。 The applicable configuration among the configurations of the stand 20 shown in FIGS. 1A to 6C may be applied to the vibration device 120. For example, a configuration in which the excitation positions of the transducers TrF and TrB are different from each other when viewed from a direction substantially perpendicular to the front plate 11 can be applied to the excitation device 120. A configuration in which the frequency bands handled by the transducer TrF and the transducer TrB are different can be applied to the vibration device 120. The configuration in which the tips of the transducers TrF and TrB are formed in a convex curved surface can be applied to the vibration device 120.
 上記各実施の形態において、同じ面を加振するためのトランスデューサTrの数は1つでも複数でもよい。また、例示した構成の通りに複数の面を同時に加振することは必須でなく、一部のトランスデューサTrを省略した構成であってもよい。さらに、トランスデューサTrが主振動壁を加振する構成に限られない。例えば、トランスデューサTrが共鳴胴10のうち主振動壁以外の部分(側板13、表板11の縁部17、裏板12の縁部18等)だけを加振してもよい。 In each of the above embodiments, the number of transducers Tr for exciting the same surface may be one or more. Moreover, it is not essential to simultaneously excite a plurality of surfaces as in the illustrated configuration, and a configuration in which some of the transducers Tr are omitted may be used. Furthermore, the configuration is not limited to the configuration in which the transducer Tr vibrates the main vibration wall. For example, the transducer Tr may vibrate only the portion of the resonance cylinder 10 other than the main vibration wall (the side plate 13, the edge 17 of the front plate 11, the edge 18 of the back plate 12, etc.).
 以上、本発明をその好適な実施形態に基づいて詳述してきたが、本発明はこれら特定の実施形態に限られるものではなく、この発明の要旨を逸脱しない範囲の様々な形態も本発明に含まれる。上述の実施の形態や変形例の一部を適宜組み合わせてもよい。 Although the present invention has been described in detail based on preferred embodiments thereof, the present invention is not limited to these specific embodiments, and various forms within the scope of the present invention are also included in the present invention. included. Some of the above-described embodiments and modifications may be combined as appropriate.
本発明は、弦楽器の支持体、弦楽器の加振装置に適用してもよい。
The present invention may be applied to a stringed instrument support and a stringed instrument vibration device.
 10 共鳴胴
 11 表板(第1の主振動壁)
 12 裏板(第2の主振動壁)
 13 側板(連接壁)
 17、18 縁部
 19 被支持部
 20 スタンド
 23 底部(支持部)
 100 アコースティックギター(弦楽器)
 120 加振装置
 TrF トランスデューサ(第1の加振器)
 TrB トランスデューサ(第2の加振器)
 K1 係合部
 K2 被係合部
10 Resonance cylinder 11 Front plate (first main vibration wall)
12 Back plate (second main vibration wall)
13 Side plate (connection wall)
17, 18 Edge portion 19 Supported portion 20 Stand 23 Bottom portion (support portion)
100 Acoustic guitar (stringed instrument)
120 Exciter TrF transducer (first exciter)
TrB transducer (second vibrator)
K1 engaging part K2 engaged part

Claims (8)

  1.  共鳴胴を有する弦楽器の支持体であって、
     前記弦楽器を支持する支持部と、
     前記支持部が前記弦楽器を支持している状態において、前記弦楽器の前記共鳴胴に当接して前記共鳴胴を加振する加振器と、
     を有する弦楽器の支持体。
    A support for a stringed instrument having a resonant body,
    A support for supporting the stringed instrument;
    In a state where the support portion supports the stringed instrument, a vibrator that abuts the resonance cylinder of the stringed instrument and vibrates the resonance cylinder;
    A support for stringed musical instruments.
  2.  前記加振器が前記支持部に設けられている請求項1記載の弦楽器の支持体。 2. The stringed musical instrument support according to claim 1, wherein the vibration exciter is provided on the support.
  3.  前記加振器は、前記支持部が前記弦楽器を支持している状態において、前記共鳴胴の壁に当接して前記壁を加振する請求項1または2に記載の弦楽器の支持体。 3. The string instrument support according to claim 1, wherein the vibrator vibrates the wall by abutting against a wall of the resonance body in a state where the support portion supports the string instrument.
  4.  前記壁は、互いに対向する第1の壁と第2の壁とを有し、
     前記加振器は、前記第1の壁を加振する第1の加振器と、前記第2の壁を加振する第2の加振器とを有する請求項3記載の弦楽器の支持体。
    The wall has a first wall and a second wall facing each other,
    4. The string instrument support according to claim 3, wherein the vibrator includes a first vibrator for vibrating the first wall and a second vibrator for vibrating the second wall. .
  5.  前記支持部が前記弦楽器を支持している状態において、前記第1の壁に略垂直な方向から見て、前記第1の加振器と前記第2の加振器との位置が異なっている請求項4記載の弦楽器の支持体。 In a state where the support portion supports the stringed instrument, the positions of the first vibrator and the second vibrator differ from each other when viewed from a direction substantially perpendicular to the first wall. A support for a stringed musical instrument according to claim 4.
  6.  前記加振器の、前記共鳴胴に当接する部分は、凸曲面形状である請求項1~5のいずれか1項に記載の弦楽器の支持体。 6. The support for a stringed instrument according to claim 1, wherein a portion of the vibrator that is in contact with the resonance cylinder has a convex curved surface shape.
  7.  互いに異なる第1の壁及び第2の壁を有する共鳴胴を有する弦楽器の加振装置であって、
     前記第1の壁に当接して前記第1の壁を加振する第1の加振器と、
     前記第2の壁に当接して前記第2の壁を加振する第2の加振器と、
     を有する弦楽器の加振装置。
    A vibration device for a stringed instrument having a resonance body having a first wall and a second wall different from each other,
    A first vibrator that abuts the first wall and vibrates the first wall;
    A second vibrator that abuts against the second wall and vibrates the second wall;
    An excitation device for a stringed instrument having
  8.  前記第1の壁及び第2の壁は互いに対向する請求項7記載の弦楽器の加振装置。 The string instrument excitation device according to claim 7, wherein the first wall and the second wall face each other.
PCT/JP2015/073382 2014-08-21 2015-08-20 Support for stringed instrument and vibration device for stringed instrument WO2016027856A1 (en)

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EP3627491A4 (en) * 2018-06-26 2021-03-31 Synca-Outfit Nq Co., Ltd Vibration applicator

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EP3627491A4 (en) * 2018-06-26 2021-03-31 Synca-Outfit Nq Co., Ltd Vibration applicator

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