US629374A - Violin. - Google Patents

Violin. Download PDF

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US629374A
US629374A US69029098A US1898690290A US629374A US 629374 A US629374 A US 629374A US 69029098 A US69029098 A US 69029098A US 1898690290 A US1898690290 A US 1898690290A US 629374 A US629374 A US 629374A
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rim
wood
neck
sound
instrument
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US69029098A
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James C Kindig
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/02Resonating means, horns or diaphragms

Definitions

  • My invention relates to improvements in violins, guitars, mandolins, and analogous stringed musical instruments; and the object in view is to improve the construction by dispensing with the number of parts ordinarily employed in the manufacture of the bodyand the number of glue-joints which unite the parts of the bod y and the neck together, such glue-joints being liable to give way in the ordinary instrument.
  • FIG. 1 is a perspective view of the body or neck of a violin constructed in accordance with this invention and showing the top removed to more clearly represent the seat formed by the rabbet in the rim.
  • Fig. 2 is a longitudinal section of the instrument with the top or sound-board in position.
  • Fig. 3 is a transverse section on the plane indicated by the dotted line 3 3 of Fig. 2.
  • Fig. 4 is a detail plan view of the top or sound-board.
  • a block of hard wood,.fro1n which the body and neck of a musical instrument are carved or cut to the desired or any preferred shape.
  • This block may be a single piece of hard wood of any preferred nature, or the block may be built up of layers of wood united together by cement and subjected to pressure to render the mass solid.
  • the body produced by carving from a block of hard wood comprises the rim 10, the bottom 11, and the neck 12, all of which are integral one with the other, because they are carved from a block of hard wood.
  • the body and neck may be of any shape or contour preferred by the skilled constructor, and in the operation of carving the body the usual sound'chamber 13 is produced therein.
  • the liner or flange 14 is formed at the line where the rim and bottom are joined together, and this flange or liner extends continuously around the body, of which it forms an integral part, and is housed or contained within the sound-chamber 13.
  • the upper side of the body is open, as represented by Fig. 1, and in the upper edge of the rim 10 is produced a rabbet 15, which extends continuously around the rim.
  • the formation of this rabbet produces a horizontal ledge or liner 16 and the vertical surrounding flange l7, and these flanges are arranged on the free edge of the rim to provide a seat for the reception of the soft-woodtop or sound board.
  • the rim and body are curved at the middle portions thereof, and they are given a shape or contour resembling the ordinary instrument.
  • offsets 18 are formed in the rabbet 15 and the oifstanding surrounding flange 17.
  • the soft-wood top or sound-board 19 is a single piece, which is arched in cross-section and provided with the usual sound-slots 20.
  • This top 19 is fashioned to correspond with the contour of the rim, and its dimensions are such as to make it fit snugly in the rabbet 15 of said rim.
  • the contour or shape of the top 19 produces the prongs 21, which are adapted to fit in the offsets 18 of the rimfiange 17.
  • This top 19 is sprung in place in therabbet or seat 15 of the rim,andits tongues fit snugly within the offsets 18, so as to in sure proper registration of the top with the rim.
  • the rim may be glued or cemented to the top to hold the parts firmly joinedtogether.
  • One of the important features of my invention consists in having the soft-wood top 19 flush with the surrounding flange 17 of the hard-wood body, and this method of joining the parts together causes the hard-wood surrounding flange 17 to protect the edges of the soft-wood top from injury and wear.
  • I provide a tongue or projection 22 at the end of the body opposite to the neck.
  • This tongue 22 is integral with the rim of the body and it provides for the convenient attachment of the tailpiece in a secure firm manner.
  • the head 23 is cut on the neck of the instrument for the reception of the key or keys around which the strings are coiled.
  • My musical instrument is designed to be equipped, like others ofits class, with the tailpiece, the bridge, the key or keys, and the strings; but as these features are common in the art I have not deemed it necessary to illustrate the same.
  • a violinframe having its rim, back and neck out from a single piece of hard wood, and provided in the margin of its rim with a rabbet which extends continuously around the inner face of the rim, and forms thereon an integral otI- standing, continuous rib, and a sound-board fitted and secured at its edges within the rabbet of the rim, the portions of the soundingboard adjacentto the edges thereof lying flush with the edge of the offstanding rib, and being covered and protected thereby, substantially as described.

Description

N0. 629,374. Patented July 25, I899.
J. C. KINDIG.
VIOLIN.
(Application filed Sept. 6, 1898.)
UNITED STATES PATENT ()EEIcE.
JAMES C. KINDIG, OF KANSAS CITY, MISSOURI.
VIOLIN.
SPECIFICATION forming part of Letters Patent No. 629,374, dated July 25, 1899. Application filed Septembcrfi, 1898. Serial No. 690,290. No model.)
To all (Ell/071i, it may concern..-
Be it known that I, JAMES C. KINDIG, a citizen of the United States, residing at Kansas City, in the county of Jackson and State of Missouri, have invented a new and useful Violin, of which the following is a specitieation.
My invention relates to improvements in violins, guitars, mandolins, and analogous stringed musical instruments; and the object in view is to improve the construction by dispensing with the number of parts ordinarily employed in the manufacture of the bodyand the number of glue-joints which unite the parts of the bod y and the neck together, such glue-joints being liable to give way in the ordinary instrument.
Further objects of the invention are to simplify and cheapen the construction, to render it more durable, andto increase the volume of the sound, and, furthermore, to protect the edges of the soft-wood top or sound-board by a flange of the hardwood rim.
In the common method of making the bodies and necks of stringed musical instruments of the class to which this improvementrelates it is the practice to make the body of a number of pieces, which are bent to the desired shape, and the neck is made in a separate piece from the body, all of these-parts being joined together by adhesive cement or glue; but this method strains the wood, due to the bending of the pieces which form the body, and provides a large number of joints, which under atmospheric changes and usage of the instrument are liable to break open. I overcome these objections by making the body and neck all from a solid block of hard wood,
which is cut or carved to the desired or proper tion, I have illustrated it in the accompanying drawings, forming a part of this specification, and in which- Figure 1 is a perspective view of the body or neck of a violin constructed in accordance with this invention and showing the top removed to more clearly represent the seat formed by the rabbet in the rim. Fig. 2 is a longitudinal section of the instrument with the top or sound-board in position. Fig. 3 is a transverse section on the plane indicated by the dotted line 3 3 of Fig. 2. Fig. 4 is a detail plan view of the top or sound-board.
Like numerals of reference denote like and corresponding parts in each of the several figures of the drawings.
In carrying my invention into practice I provide a block of hard wood,.fro1n which the body and neck of a musical instrument are carved or cut to the desired or any preferred shape. This block may be a single piece of hard wood of any preferred nature, or the block may be built up of layers of wood united together by cement and subjected to pressure to render the mass solid. The body produced by carving from a block of hard wood comprises the rim 10, the bottom 11, and the neck 12, all of which are integral one with the other, because they are carved from a block of hard wood. The body and neck may be of any shape or contour preferred by the skilled constructor, and in the operation of carving the body the usual sound'chamber 13 is produced therein. The liner or flange 14 is formed at the line where the rim and bottom are joined together, and this flange or liner extends continuously around the body, of which it forms an integral part, and is housed or contained within the sound-chamber 13.
The upper side of the body is open, as represented by Fig. 1, and in the upper edge of the rim 10 is produced a rabbet 15, which extends continuously around the rim. The formation of this rabbet produces a horizontal ledge or liner 16 and the vertical surrounding flange l7, and these flanges are arranged on the free edge of the rim to provide a seat for the reception of the soft-woodtop or sound board.
As represented by the drawings, the rim and body are curved at the middle portions thereof, and they are given a shape or contour resembling the ordinary instrument. As the rabbet and the flanges formed thereby partake of the contour of the body, offsets 18 are formed in the rabbet 15 and the oifstanding surrounding flange 17.
The soft-wood top or sound-board 19 is a single piece, which is arched in cross-section and provided with the usual sound-slots 20. This top 19 is fashioned to correspond with the contour of the rim, and its dimensions are such as to make it fit snugly in the rabbet 15 of said rim. The contour or shape of the top 19 produces the prongs 21, which are adapted to fit in the offsets 18 of the rimfiange 17. This top 19 is sprung in place in therabbet or seat 15 of the rim,andits tongues fit snugly within the offsets 18, so as to in sure proper registration of the top with the rim. If desired, the rim may be glued or cemented to the top to hold the parts firmly joinedtogether.
One of the important features of my invention consists in having the soft-wood top 19 flush with the surrounding flange 17 of the hard-wood body, and this method of joining the parts together causes the hard-wood surrounding flange 17 to protect the edges of the soft-wood top from injury and wear.
In the process of cutting or carving the body from a single block of wood I provide a tongue or projection 22 at the end of the body opposite to the neck. This tongue 22 is integral with the rim of the body and it provides for the convenient attachment of the tailpiece in a secure firm manner.
As is usual in the art, the head 23 is cut on the neck of the instrument for the reception of the key or keys around which the strings are coiled. My musical instrument is designed to be equipped, like others ofits class, with the tailpiece, the bridge, the key or keys, and the strings; but as these features are common in the art I have not deemed it necessary to illustrate the same.
From the foregoing description, taken in connection with the drawings, it will be observed that I have provided a musical instrument in which the body and neck are made from a single piece of hard wood, thus obviating the straining of the wood due to the bending of the several pieces thereof to give the desired shape to the instrument. My improved construction obviates the employment of a large number of adhesive joints which unite the sectional construction of the body ordinarily employed, and at best the instrument has a single adhesive joint between the soft-wood top and the hard-wood body. The internal liner and the tailpiece-tongue are integral with the body, and the instrument is thus rendered exceedingly strong and dura ble. The soft-wood top is securely seated in the rabbeted edge of the rim, and the edges of said top are housed within a hard-wood rim to be protected effectually thereby.
IVhile I have represented my invention as embodied in a violin, I would have it understood that I do not restrict myself to this special adaptation, because I am aware that the invention may be employed in the construction of violoncellos, guitars, mandolins, and analogous stringed instrun'ients.
Changes may be made in the form of some of the parts, while their essential features are retained and the spirit of the invention embodied. Hence I do not desire to be limited to the precise form of all the parts as shown, reserving the right to vary therefrom.
Having thus described the invention, what I claim is As a new article of manufacture, a violinframe having its rim, back and neck out from a single piece of hard wood, and provided in the margin of its rim with a rabbet which extends continuously around the inner face of the rim, and forms thereon an integral otI- standing, continuous rib, and a sound-board fitted and secured at its edges within the rabbet of the rim, the portions of the soundingboard adjacentto the edges thereof lying flush with the edge of the offstanding rib, and being covered and protected thereby, substantially as described.
In testimony that I claim the foregoing as my own I have hereto affixed my signature in the presence of two witnesses.
JAMES C. KINDIG. lVitnesses:
A. O. BINDBEUTEL, THOMAS H. WEST.
US69029098A 1898-09-06 1898-09-06 Violin. Expired - Lifetime US629374A (en)

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Cited By (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2498926A (en) * 1949-01-31 1950-02-28 R C Marrs Guitar body construction
US2588101A (en) * 1950-07-15 1952-03-04 Fin Der Inc Musical instrument construction
US2597154A (en) * 1950-05-15 1952-05-20 Maccaferri Mario Stringed musical instrument
US2743644A (en) * 1950-10-02 1956-05-01 Lapin Products Inc Molded plastic string instrument
US3769871A (en) * 1972-04-25 1973-11-06 J Cawthorn Stone guitar with tuned neck
US6284957B1 (en) 1997-06-12 2001-09-04 Luis G. Leguia Carbon fiber cello

Cited By (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US2498926A (en) * 1949-01-31 1950-02-28 R C Marrs Guitar body construction
US2597154A (en) * 1950-05-15 1952-05-20 Maccaferri Mario Stringed musical instrument
US2588101A (en) * 1950-07-15 1952-03-04 Fin Der Inc Musical instrument construction
US2743644A (en) * 1950-10-02 1956-05-01 Lapin Products Inc Molded plastic string instrument
US3769871A (en) * 1972-04-25 1973-11-06 J Cawthorn Stone guitar with tuned neck
US6284957B1 (en) 1997-06-12 2001-09-04 Luis G. Leguia Carbon fiber cello

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