US382943A - billings - Google Patents

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US382943A
US382943A US382943DA US382943A US 382943 A US382943 A US 382943A US 382943D A US382943D A US 382943DA US 382943 A US382943 A US 382943A
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stop
doors
knobs
recess
rods
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10BORGANS, HARMONIUMS OR SIMILAR WIND MUSICAL INSTRUMENTS WITH ASSOCIATED BLOWING APPARATUS
    • G10B3/00Details or accessories
    • G10B3/10Actions, e.g. key actions, couplers or stops
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10BORGANS, HARMONIUMS OR SIMILAR WIND MUSICAL INSTRUMENTS WITH ASSOCIATED BLOWING APPARATUS
    • G10B1/00General design of organs, harmoniums or similar wind musical instruments with associated blowing apparatus
    • G10B1/08General design of organs, harmoniums or similar wind musical instruments with associated blowing apparatus of harmoniums, i.e. reed organs

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  • This invention relates to a musical instrument known on the market as the New Orchestral Piano-Organ, and which has as an essential feature the external appearance of an upright piano with six-octave manual of keys, (more or less,) the case being so fashioned as to obtain this appearance, and pedals in construction and appearance like piano-pedals being substituted for the ordinary carpet-covered flat wooden pedals of an organ, the kneeswells, when used, alone indicating from the outside the real character'of the instrument, and which when not in use may be folded back out of sight.
  • the object of the invention is to further this simulation of a piano by having any desired number of sets of reeds normally open for play-, ing without any-'stop-knobs appearing, and requiring operation to this end the stop-knobs for specially operating said reeds and for effeeling various organ combinations being normally concealed in the case, and being accessible through slides or doors, which in the act ofopeuing automatically cut off the first-named set of reeds, and then leave the organ subject to their reemployment alone by operation of their special stop knob or knobs, or in con- 5 junction with any desired number of other stops or sets of reeds.
  • the invention consists in a piano organ having this object in View constructed and arranged substantially as I will now proceed to set forth more particularly, and finally specifically claim.
  • Figure 1 is a perspective View with the key-board cover open.
  • Fig. 2 is a front elevation of the stopaction on a larger scale, the remaining figures being on this same scale.
  • Fig. 3 is a rear elevation;
  • Fig. 4 a plan;
  • Fig. 5 is a crosssection taken in the plane of linen: m, Fig. 4.
  • the case A in general outline and finish is like that of a common upright piano now on the market, without limit as to design or ornamentation. When kneeswells a a are used, they may be fashioned to so harmonize with the case as to look like a part of its ornamentation.
  • the pedals b b, for operating the bellows are externally like piano-pedals, and their construction and arrangement, so far as I am aware, are peculiar to the concern manufacturing'theinstru ment,herei nbefore referred to.
  • the key-board c is of ordinary design, and the connection of the keys with the reeds may be through actions of ordinary construction.
  • My invention concerns the mechanism for throwing into and out of action the various stops or sets of reeds to be operated by these keys of the key-board.
  • d d are the mutes, hinged, as indicated, to the reed-board e, and thereby capable of being given a rising and falling motion.
  • Springsff applied to these mutes, normally tend to close them.
  • Each mute has applied to it rods g h, which in turn are connected to cranked ends t'j of rock-shafts kl, respectively. (See more specially Fig. .3.)
  • rock-shafts Z are supported in a double bar, m, which is arranged in brackets m m,se cured to the framing, and the rock-shaftskare arranged in bearings at W, fastened to the bar m.
  • the upper ends of the rock-shafts 7c are provided with forwardly-extended arms k, terminating in tappets it" le As presently will appear, these tappet-tipped arms extend within the path of movement of the stop-concealing slides or doors, so that the operation of such slides or doors actuates said arms, and through them the rock-shafts, and through the latter the rods 9, and so ultimately the mutes, to open or close the said mutes.
  • the upper ends of the rock-shafts Z are provided with tappets Z Z, also extended forwardly and into operative connection with rollers n on the rods a of the stop-rods.
  • tappets Z Z By pulling out and pushing in the stop-rods the mutes are respectively opened and closed through the action of the rollers 02 on the tappets Z Z, causing said tappets to actuate the rock-shafts Z, cranks j, and rods h.
  • the knobsa s ot the stop rods are arranged in a recess, 0, in the frontof the frame or case just over the key-board.
  • Slides or doors pp are arranged to be slid back and forth in ways (1 q in the frame or case to cover and uncover the recess 0, so as to conceal the stop-knobs and expose them.
  • These slides 12 12 in the an rangement shown are connected by brackets 1' 9' with wiper-blocks s 8, arranged in guides t on the frame or case parallel with the guides or ways (1 to move with the doors 1).
  • the recess 0 may contain any number of stop knobs necessary to operate the several stops employed in the instrument. Each stop will be connected with its action in any ordinary manner; but it is only necessary that a single full set of reeds be coupled up with its stop'knob and the doors, as set forth, because all the stopknobs have to be pushed into the recess before the doors can be closed.
  • any addi tional number of stops may be introduced into the instrument to give desired stop-combinations.
  • the diapason and dulciana are the normallyopen stops, the stop-knobs of which are coupled for the before-described duplex operation.
  • Stop-operating mechanism of ordinary construction having its stop-knob arranged in a recess or inclosure, combined with a secondary operating mechanism coupled therewith and controlling access to said recess or inclosure, substantially as described.
  • Stop-operating mechanism of ordinary construction having its stop-knobs arranged in a recess, combined with secondary stop'op- 6 crating mechanism coupled with and operated by doors or slides for such recess,substantially as described.
  • An ordinary stop-operating mechanism having its knobs arranged in a recess along with the knobs of any desired number of other steps, combined with a secondary stop-open ating mechanism comprising doors to close said recess when all the stop-knobs are withdrawn therein, so as to render all the stops or 7 reeds inoperative, rods connected to any desired stop-action, and rockshafts and tappets thereon cooperating with said rods and doors, substantially as described.

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Wing Frames And Configurations (AREA)

Description

(No Model.)
2 Sheets-Sheet 1.
L. G. BILLINGS.
REED ORGAN STOP ACTION.
Patented May15, 1888.
I; WITNESSES 71/ I N. PETERS. Phm-Lilhu her, Wnshingioll. DC.
(No Model.) 2 Sheets-Sheet 2..
L. G. BILLINGS.
REED ORGAN STOP ACTION.
No. 382,943. c Patented May 15, 1888. L i a: MP5.
a I v711 2 I "";l I
Wig I m 1in) i 5 k I, l U k g I. '1 i l 1 H E 0 P51: l I 0Q 11 6' y :2 h 3: J
I 72- 711 7 i I III I Q f I 6 J, s Q 2/ lillim N. PETERS. Pholn-Lilhographer, Washington. ac
UNITED STATES PATENT OFFICE...
LUTHER G. BILLINGS, OF WASHINGTON, DISTRICT OF COLUMBIA.
REED-ORGAN STQP-ACTION.
SPECIFICATION forming part of Letters Patent No. 382,943, dated May 15, 1888. Application filed hovember 4, 1887. Serial No. 254,312. (No model.)
To aZZ whom it may concern.-
Be it known that I, LUTHER G. BILLINes, a citizen of the United States, residing at Washington, in the District of Columbia, have invented a certain new and useful Improvement in ReedOrgans, of which the following is a full, clear, and exact description.
This invention relates to a musical instrument known on the market as the New Orchestral Piano-Organ, and which has as an essential feature the external appearance of an upright piano with six-octave manual of keys, (more or less,) the case being so fashioned as to obtain this appearance, and pedals in construction and appearance like piano-pedals being substituted for the ordinary carpet-covered flat wooden pedals of an organ, the kneeswells, when used, alone indicating from the outside the real character'of the instrument, and which when not in use may be folded back out of sight.
The object of the invention is to further this simulation of a piano by having any desired number of sets of reeds normally open for play-, ing without any-'stop-knobs appearing, and requiring operation to this end the stop-knobs for specially operating said reeds and for effeeling various organ combinations being normally concealed in the case, and being accessible through slides or doors, which in the act ofopeuing automatically cut off the first-named set of reeds, and then leave the organ subject to their reemployment alone by operation of their special stop knob or knobs, or in con- 5 junction with any desired number of other stops or sets of reeds.
The invention consists in a piano organ having this object in View constructed and arranged substantially as I will now proceed to set forth more particularly, and finally specifically claim.
In the accompanying drawings, illustrating my invention, in the several figures of which like parts are similarly designated, Figure 1 is a perspective View with the key-board cover open. Fig. 2 is a front elevation of the stopaction on a larger scale, the remaining figures being on this same scale. Fig. 3 is a rear elevation; Fig. 4, a plan; and Fig. 5 is a crosssection taken in the plane of linen: m, Fig. 4. The case A in general outline and finish is like that of a common upright piano now on the market, without limit as to design or ornamentation. When kneeswells a a are used, they may be fashioned to so harmonize with the case as to look like a part of its ornamentation. The pedals b b, for operating the bellows, are externally like piano-pedals, and their construction and arrangement, so far as I am aware, are peculiar to the concern manufacturing'theinstru ment,herei nbefore referred to. The key-board c is of ordinary design, and the connection of the keys with the reeds may be through actions of ordinary construction.
My invention concerns the mechanism for throwing into and out of action the various stops or sets of reeds to be operated by these keys of the key-board.
For simplicitys sake I have shown a set of reed controllers or mutes in two parts, which are normally open, so as to permit the reeds to respond to the keys of the key-board, and which mutes, in addition, are independently operable by stop-knobs. d d are the mutes, hinged, as indicated, to the reed-board e, and thereby capable of being given a rising and falling motion. Springsff, applied to these mutes, normally tend to close them. Each mute has applied to it rods g h, which in turn are connected to cranked ends t'j of rock-shafts kl, respectively. (See more specially Fig. .3.)
The rock-shafts Z are supported in a double bar, m, which is arranged in brackets m m,se cured to the framing, and the rock-shaftskare arranged in bearings at W, fastened to the bar m. The upper ends of the rock-shafts 7c are provided with forwardly-extended arms k, terminating in tappets it" le As presently will appear, these tappet-tipped arms extend within the path of movement of the stop-concealing slides or doors, so that the operation of such slides or doors actuates said arms, and through them the rock-shafts, and through the latter the rods 9, and so ultimately the mutes, to open or close the said mutes. The upper ends of the rock-shafts Z are provided with tappets Z Z, also extended forwardly and into operative connection with rollers n on the rods a of the stop-rods. By pulling out and pushing in the stop-rods the mutes are respectively opened and closed through the action of the rollers 02 on the tappets Z Z, causing said tappets to actuate the rock-shafts Z, cranks j, and rods h.
The springs ff of the inutes,acting through the rods g and h and rock-shafts, serveto keep the tappets 7c and Z in position to be acted upon by the slides and stopoperating mech anism.
The knobsa s ot the stop rods are arranged in a recess, 0, in the frontof the frame or case just over the key-board. Slides or doors pp are arranged to be slid back and forth in ways (1 q in the frame or case to cover and uncover the recess 0, so as to conceal the stop-knobs and expose them. These slides 12 12 in the an rangement shown are connected by brackets 1' 9' with wiper-blocks s 8, arranged in guides t on the frame or case parallel with the guides or ways (1 to move with the doors 1).
\Vhen the stop-knobs are pulled out from the recess 0, as shown in Figs. 4, 5, their rollers or, acting as cams against the tappets or arms Z Z, will operate the rock-shafts Z, and
through them the rods h, and open the mutes. Now, if the stop-knobs be pushed back into the recess, the mutes will be closed, and their springs will force the tappets lflc' into the path of the wiper-blocks s, and if these wiperblocks then be moved toward each other they will act upon the tappets 7c", and through their arms k, the rock-shafts 7a, and rods g, again open the hcreinbefore referred to normallyopcn set or sets of reeds to permit playing.
It will be understood that the recess 0 may contain any number of stop knobs necessary to operate the several stops employed in the instrument. Each stop will be connected with its action in any ordinary manner; but it is only necessary that a single full set of reeds be coupled up with its stop'knob and the doors, as set forth, because all the stopknobs have to be pushed into the recess before the doors can be closed.
Having determined what set or sets of reeds it is desired to have normally open when the stop-knob-concealing doors are closed, and having coupled their stop action or actions with the dooraction, as set forth, any addi tional number of stops (using that term technically) may be introduced into the instrument to give desired stop-combinations. In the example shown the diapason and dulciana are the normallyopen stops, the stop-knobs of which are coupled for the before-described duplex operation.
\Vhat I claim is- 1. Stop-operating mechanism of ordinary construction having its stop-knob arranged in a recess or inclosure, combined with a secondary operating mechanism coupled therewith and controlling access to said recess or inclosure, substantially as described.
2. Stop-operating mechanism of ordinary construction having its stop-knobs arranged in a recess, combined with secondary stop'op- 6 crating mechanism coupled with and operated by doors or slides for such recess,substantially as described.
3. An ordinary stop-operating mechanism having its knobs arranged in a recess along with the knobs of any desired number of other steps, combined with a secondary stop-open ating mechanism comprising doors to close said recess when all the stop-knobs are withdrawn therein, so as to render all the stops or 7 reeds inoperative, rods connected to any desired stop-action, and rockshafts and tappets thereon cooperating with said rods and doors, substantially as described.
4. The spring-closed mutes and an ordinary stop mechanism connected therewith, and having its stop-knobs arranged in an inclosure, combined with a secondary operating mechanism, including the doors or covers of said inclosure for opening the mutes after the stop mechanism is closed and rendered operable only upon the closing of the stop mechanism, substantially as described.
5. The combinatiomwith the n1 utes and their springs, and ordinary stop mechanism connected therewith and arranged in a recess wherein it may be concealed, of a secondary operating mechanism comprising connections with the rnutes, doors for the recess, and interposed mechanism for closing and opening the mutes, respectively, by the opening and closing of the said doors, substantially as described.
6. lhe doors 2) and co-operating wipcrblocks 8, tappet-armed rock-shafts It, rods 9, r and spring-unites, combined with ordinary stops, the stop-knobs of which are arranged in a recess with which the doors co operate, substantially as described.
In testimony whereof I have hereunto set my hand this 2-ith day of October, A. D. 1887.
LUTHER G. BILLINGS.
Witnesses:
- EDWIN A. FrNcKEL, J urns H. GRIDLEY.
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