M282994 、創作說明（1) 新型所屬之 本創作係 指一種 ，呈現 【先前 按 歐洲及 、繡布品 分之刺 在花樣 料上的 若 完成一 或圖形 車縫於 要的立 」地繡 缺 ο'、 下之缺 1· 化之花 刺、繡布 品’不 成本局 於底布 多層次 技術】 ，刺繡 亞洲最 才能大 縷品皆 及色澤 變化。 欲將刺 般的刺 ，然後 先前完 體繡花 在原先 而，該 點： 製造成 飾，再 品呈現 僅材料 ，故不 技術領域】 有關於一種刺繡布品之多層次立體花飾，尤 上一體繡出多層狀立體圖樣，經切割處理後 立體感者。 布品係起源於歐洲及中國的手工繡花，故以 為興盛，而直到歐洲以機器來代替手工，刺 量製造，以廣為大眾使用；一般而言，大部 僅止於平面上的繡花飾樣，而不同者，乃是 上作改變，而世界各國的差異，亦僅止於材 繡布品之飾樣呈現立體化，習知之製法係先 繡布品，並於另外一塊布上繡出所要的花飾 剪下該花飾或圖形，以人工方式加以手縫或 成之刺繡布品上，經染整以後，即成為所需 布品，因此，該立體繡花的部位係「疊層式 的刺繡布上。 種「疊層式」繡法製成之立體繡花，具有以 本高··其係在另一底布上繡出所要呈現立體 以手工方式剪下該花飾縫於刺繡布品上，令 出立體花飾，惟此種方式製成之立體刺繡布 成本增加，且其剪切及額外縫製所需之加工 具市場競爭力、無法達到普及化。M282994, creation description (1) The original creation of the new type refers to a kind of embroidery that presents [previously, if the thorns on the pattern according to the European and European embroidery products are finished, or the graphics are sewn to the desired position '. ', The next lack of 1. Huahua thorns, embroidery products' cost is not limited to the multi-layered technology of the bottom fabric], embroidery in Asia is the most capable of large-scale products and color changes. I want to make thorn-like thorns, and then finish the embroidery in the original. This point: Manufactured into a decoration, and then reproduce only the material, so it is not a technical field.] Regarding the multi-layered three-dimensional flower decoration of an embroidery fabric, especially integrated embroidery A multi-layered three-dimensional pattern is produced, and a three-dimensional impression is obtained after the cutting process. The cloth line originated from European and Chinese hand-made embroidery, so it was thought to be prosperous. Until Europe, the machine replaced the hand-made, stab-made, and widely used by the general public. Generally speaking, most of them only embroidered on flat surfaces. The difference is that the changes are made, and the differences between countries around the world are limited to the three-dimensional decoration of the material embroidery. The conventional method of embroidery is first embroidered, and the other fabric is embroidered. The floral ornament or figure is cut out, and it is manually stitched or embroidered on the embroidery fabric. After dyeing and finishing, it becomes the desired fabric. Therefore, the part of the three-dimensional embroidery is "laminated embroidery fabric." A three-dimensional embroidery made by the "stacked" embroidery method, which has a height of ...... embroidered on another base fabric to embroider the desired three-dimensional appearance and cut the floral ornament by hand to sew on the embroidery fabric. A three-dimensional floral decoration is produced, but the cost of the three-dimensional embroidery cloth made in this way increases, and the cutting tools and cutting tools required for additional sewing are competitive in the market and cannot be popularized.
第5頁 M282994 四、創作說明（2) 2.立體效 體化之花飾， 因而其呈現出 次之效果。 【新型内容】 本創作人 不捨的精神與 ，並經多方探 出本創作。 本創作提 一底布上以橫 度之多層狀立 兩端多，而形 或兩種以上， 一圈固定，藉 間部往 果不佳 再以手 之立體 ••其係在另一底布上繡出所要呈現立 工方式剪下該花飾缝於刺繡布品上， 效果較為單調、呆板，無法達到多層 使該中 花飾者 本 圖樣後 體花飾 化。 本 立體圖開，而 創作之 ，將立 ，因而 創作之 樣中間 形成立 有鑑於 精益求 討與試 供一種 向刺繡 體圖樣 成較南 而於換 此，將 兩側展 主要目 體圖樣 製造成 次Page 5 M282994 IV. Creation Instructions (2) 2. Three-dimensional effect The decorative flower has a secondary effect. [New content] The creator's perseverance and spirit, and explored this creation through many parties. This creation mentions that the base fabric has a multi-layered horizontal shape with more than two ends and a shape or two or more. It is fixed in a circle, and the three-dimensional hand is poor, and then the hand is three-dimensional. • It is tied to the other base. The embroidery on the cloth should be cut and stitched on the embroidery fabric. The effect is relatively monotonous and rigid, and it is impossible to achieve multiple layers to make the middle embroiderer's pattern body floral decoration. This three-dimensional drawing is open, and the creation will be established, so the creation of the middle of the creation takes into account the excellence and discusses and provides a pattern to the south of the embroidery body.
S 部切割 體花飾 此，乃思及創作的意念，遂本著鍥而 精的目的，積極不斷地加以研究改良 作樣品試驗，及多次修正改良，乃推 刺繡布品之多層次立體花飾，其係於 方式依預定形狀來回繡出凸起適當高 •，且該立體圖樣中間部刺繡之層數較 凸狀，又其使用之繡線顏色可為兩種 線前及收尾時繞著立體圖樣周邊刺繡 立體圖樣中間部切割一道縱向裂口， 開，即形成一具有多層次效果之立體 的，在於其係直接在底布上、繡出立體 中間部切割一道縱向裂口 ，而形成立 本低，具有市場競爭力及可達到普及 的，在於其係於繡出立體圖樣後，將 一道縱向裂口，使該中間部往兩側展 ，因而所呈現出之立體效果生動、活The cutting part of the S part is decorated with flowers, thinking about the idea of creation. Based on the purpose of pursuing perfection, it is actively and continuously researched and improved for sample tests, and repeatedly revised and improved. It is a multi-level three-dimensional flower decoration of embroidery fabrics. It is designed to embroider the raised and raised embossment back and forth according to the predetermined shape. The height of the embroidery in the middle of the three-dimensional pattern is more convex, and the color of the embroidery thread used can be two kinds of lines before and after the three-dimensional pattern. A longitudinal slit is cut in the middle part of the three-dimensional pattern of the peripheral embroidery, and it is opened to form a three-dimensional effect with a multi-level effect. It is directly embroidered on the base fabric and cuts a longitudinal slit in the middle part of the three-dimensional pattern. The market competitiveness and popularity can be achieved after it is embroidered with a three-dimensional pattern, and a longitudinal slit is made to make the middle part spread to both sides. Therefore, the three-dimensional effect presented is vivid and lively.
第6頁 M282994 四、創作說明（3) 潑，具多層次之立體美感。 【實施方式】 餘下，茲配合圖式將本創作較佳實施例詳細說明如后 圖本創作未 面圖所示， 狀繡出底層 起點，依此 之多層狀立 層數較兩端 為兩種或兩 時繞著立體 果。 五圖本創作 層狀立體圖 部（2 1 )之正 線往兩側展 之立體花飾 如第一圖 切割前之立體 其係於一底布 後，來回刺繡 方式反覆刺繡 >體圖樣（20)， 多，而呈現較 種以上，並且 圖樣（2 0 )周邊 再者如第 切割後之剖面 樣（2 0 )完成後 中切割一道縱 開，即形成一 (20,）者。 藉此，而 繡製出如第六 使刺繡之圖案 由上述具 效益： 本創作之刺繡動作示意圖、第二 圖及第三圖本創作未切割前之剖 (1 0 )上以橫向刺繡方式依預定形 中間部（2 1 ) —次，再往回刺繡至 預定層數，而形成凸起適當高度 且該立體圖樣（2 0 )中間部（2 1 )之 高凸狀，又其使用之繡線顏色可 於更換不同顏色之繡線前及收尾 刺繡一圈，以達到牢靠之固定效 四圖本創作切割後之立體圖及第 圖所示（請配合參閱附件），當多 ，利用刀具將立體圖樣（2 0 )中間 向裂口（ 2 2 )，使中間部（2 1 )之繡 具有多層次效果及多種顏色變化 可於底布（1 0 )上配合一般之平面刺繡（3 0 )， 圖所示之刺繡布品，達到立體起伏的變化， 更加栩棚如生。 體實施例之結構，可得知本創作具有下述之Page 6 M282994 IV. Creative Instructions (3) Splashy, multi-level three-dimensional beauty. [Embodiment] For the remainder, the preferred embodiment of this creation will be described in detail in conjunction with the drawings. As shown in the figure below, the starting point of the bottom layer is embroidered, and the number of multi-layered standing layers is two compared to the two ends. Seed or two-dimensional fruit around. The three-dimensional flower decoration of the layered three-dimensional drawing department (2 1) of the five-picture book creation is displayed on both sides as in the first figure. The three-dimensional flower decoration is tied to a base fabric after cutting, and it is embroidered back and forth repeatedly.> Body pattern (20) There are many, but more than one kind, and the periphery of the pattern (2 0) is cut like a section (20) after the first cut is completed, and a vertical cut is formed to form a (20,). In this way, embroidering the embroidery pattern such as the sixth makes the above-mentioned benefits: The embroidery action diagram, the second picture and the third picture of this creation are cut in a horizontal embroidery mode before cutting (1 0). Predetermined middle section (2 1) —times, and then embroider back to a predetermined number of layers to form a raised convex and high-convex shape of the middle section (2 1) of the three-dimensional pattern (20), and the embroidery used The thread color can be embroidered before and after the embroidery thread of different colors is replaced to achieve a reliable fixed effect. The four-dimensional drawing and the three-dimensional drawing shown in this book (please refer to the attachment). When there are many, use a cutter to change the three-dimensional The pattern (2 0) has a middle slit (2 2), so that the embroidery of the middle part (2 1) has a multi-layered effect and a variety of color changes. It can be matched with the ordinary flat embroidery (30) on the base fabric (1 0). The embroidery fabric shown shows a three-dimensional undulation, making it more vivid. The structure of the embodiment, we can know that this creation has the following
第7頁 M282994 開而形 場競爭 出多層 割一道 成立體 活潑， 本創作 容，同 見之於 依法提 利權， 者，僅 作實施 變4匕與 四、創作說明（4) 1. 其係直接 體圖樣（2 0 )中間 部（2 1 )往兩側展 成本低，具有市 2. 其係於繡 0 )中間部（2 1 )切 兩側展開，而形 效果極為生動、 綜上所述， 丨有改良之創作内 性，且本創作未 利法之規定，爰 委員授予合法專 唯以上所述 能以之限定本創 範圍所作之均等 範圍内。 在底布（1 Q )上繡 部（2 1 )切割一道 成立體花 力及可達 狀立體圖 縱向裂口 花飾（2 0 ’ 並且可達 確實已經 時又能夠 任何刊物 出新型專 至為感禱 為本創作 之範圍； 修部，皆 出立體圖樣（2 0 )後，將立 縱向裂口（ 2 2 )，使該中間 飾（20’），因而製造簡易 到普及化。 樣（2 0 )後，將立體圖樣（2 (22)，使該中間部（2 1 )往 )，因而所呈現出之立體 到多層次之立體美感。 達於突破性之結構，而具 達到產業上利用性與進步 ，亦具新穎性，當符合專 利申請，懇請 鈞局審查 〇 之較佳實施例而已，當不 即大凡依本創作申請專利 應仍屬本創作專利涵蓋之 #Page 7 M282994 In the open field competition, a multi-layer cut is established to form a lively body. This creative content is the same as the one used to raise rights according to law. Those who only make changes are described in Section 4. Creation Instructions (4) 1. Its Department The direct body pattern (20) the middle part (21) has low cost to the two sides, and it has the market 2. It is embroidered on the middle part (21). It cuts out on both sides, and the shape effect is very vivid. It is stated that 丨 there is an improved creative nature, and the provisions of this creative law are not valid, and the commissioner granted legal exclusive rights within the scope of equality that can be used to limit the scope of creative creation. On the base fabric (1 Q), the embroidery part (2 1) cuts together to form a physical strength and reachable three-dimensional figure longitudinal slit floral decoration (2 0 ', and reachable when it can really be any new publications. The scope of this creation; after the repair department has produced a three-dimensional pattern (20), the vertical slit (22) will be erected to make the middle decoration (20 '), so the manufacturing is simple to popularize. After the sample (2 0), The three-dimensional pattern (2 (22), so that the middle part (2 1)), so the three-dimensional to multi-level three-dimensional aesthetics presented. A breakthrough structure, and industrial availability and progress, It is also novel. When it meets the patent application, it is kindly requested to review the best embodiment of 〇. Otherwise, the application for a patent based on this creation should still be covered by this creation patent #
第8頁 M282994 _ 圖式簡單說明 第一圖：係本創作之刺繡動作示意圖。 第二圖：係本創作未切割前之立體圖。 第三圖：係本創作未切割前之剖面圖。 第四圖：係本創作切割後之立體圖。 第五圖：係本創作切割後之剖面圖。 第六圖：係本創作製成刺繡布品之實施例圖。 【主要元件符號說明】 10 底布 20 立 體 圖 樣 21 中間部 22 裂 α 20’ 立體花飾 30 平 面 刺 繡 附件：本創作實際樣品之照片。Page 8 M282994 _ Brief description of the drawing The first picture: the embroidery action of this creation. The second picture is a three-dimensional view before the cutting of this creation. The third picture: This is a cross-sectional view before cutting. The fourth picture is a perspective view after cutting. Fifth image: This is a cross-sectional view of this creation after cutting. The sixth figure: the embodiment of the embroidery fabric created by this creation. [Description of Symbols of Main Components] 10 Base fabric 20 Cube pattern 21 Middle part 22 Split α 20 ’Three-dimensional flower decoration 30 Flat thorn Embroidery Attachment: Photo of the actual sample of this creation.
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