SU27213A1 - Silent film dubbing - Google Patents

Description

The technique of making (1en sounding film in most cases does not allow simultaneous recording of sound and recording images. DL In order to avoid being mixed with the sound of extraneous tones and noises, one has to run to studio sound recording, having made a dumb film that requires A subsequent dubbing of a silent film is unavoidable in the vast majority of cases, namely: when shooting full-length films, artistic content, in scientific and cinema films, in movies, in films before documentary character, in animations, in the dubbing of significant stocks of previously stored material stored in film libraries, etc.

In the subsequent recording of the sound to vyjKe, the existing silent fil-tay of the most important haunting H-is to achieve synchronism, i.e., perfect sound match. Moments with individual frames dumb .f14lma. The proposed Method of simultaneous dubbing of a silent film is intended to simplify the synchronization work. ., The work of sounding a silent film is introduced in three moments: 1) the development of sound-noise Kj (iaBKpa, 2) is broken. the development of sound shchunov scores and 3) recording of a synchronous sound and noise design of a silent film with the help of any of the existing ones. systems of sound-filling apparatus.

For the production of sound and noise, the clavier is mute to be sounded. placed on a special my-; tazhno-metrazhny table. The mounting-metering table is equipped with spring clamps for the film and a matt glass glass illuminated from below by uniform light of electric lamps and a strong, dyed paint or in any other way by the transverse division of the dpo frame size.

By placing a posit & & (or negative) silent film: on the frosted glass of the table, one gets the opportunity to see the contents of the final 8 pieces of tape, for example, a piece. in 1 meter, containing 52 frames. After reviewing the content of the segment, they are placed along both film eras, along the last, two made of paper or any other material (for example, linen, silk, etc.). The tapes are also provided with transverse divisions coinciding with the divisions. , frosted glass of the table, that is, with the borders of the film frames. In addition, each of the tapes is provided with a five ruler of the usual note system, with the ruler

one tape with a treble key to the treble clef, and the rulers of the other tape with a bass key. A note system on tapes serves to record both music and noise,

and speech matching to the silent film. Placing the clavier tapes on both sides of the film, while respecting the complete coincidence of its frames with the divisions on the tape, firmly fix the part, the film and the clavier tape, about one meter long, with clips on both sides.

After etrg-oh get down- | K,., Application of clavier on the tape with mascara; % OR any other way, (all kind

designations of the nature of music, noise, speech, etc., corresponding to the content of this piece of silent film.

Then the clamp is removed and the film is moved on the mounting-measuring table for the next 52 frames, continuing to make the clavier, with which both side tapes are placed on the measuring table not in a continuous strip, but in separate segments, for example, one meter in length. The latter is made for convenience of work, although it is quite possible to use also solid tapes of the clavier, moved with the help of rollers fixed on both edges of the assembly table.

If a continuous clavier tape is used, it is rolled up in the usual way into a roll; if, however, they deal with tape segments, then they are renumbered in the order of meters of the film, and then glued or stitched and rolled up into a roll. . Upper and lower (violin and bass) tapes of clavier

also glued or stitched, but prp d6l line. A double-note system made by the above method forms a synchronous-sonic clavier, which, in turn, is a usable material — for making a synchronous-sound score for sounding a film.

When making a synchronous-sounding artillery to a silent film, they use the ento clavier, without needing to show the film on the screen, which

it is already | by itself facilitating a job easily. Further, using the noise, music, etc., recorded on the clavier tape, confined to certain frames, they develop the score for participating performers in the manner usual in music. Gradually moving the clavier tape with your hand or with the help of some kind of device, browsing all the material related to the development in the score, without any need to attach to the film itself or display it on the screen.

This method also makes it possible to rehearse the entire sound recording of the sit film at a musical instrument alone for a short time with the sound design of the entire film, as well as to track down the necessary movie messages that sound with the sound effects. Accordingly, the rhythm of music and noise sets (:, the rate at which a cadre is passing through a projection apparatus for a certain period of time, which is counted with a timer or a stopwatch.

The chart also includes indications of the duration of a certain moment, note the nature of the design (music, noise, etc.), give signals of an approaching change of the editing frame or sound moment, and indicate the total number of meters of film traveled.

In the production of rehearsals, the conductor and director, using the score, should be followed by 3 strict observance by all performers of the rhythm set for this moment and fixed in the score, without any deflections, since it was found that a deviation of 4--5 frames equal to time Va seconds, can break clear synchronism.

After all the performers have mastered their part, one-a-time, one performance is given with a silent film, the desired corrections to the content of the content, then the sound design is recorded by the recording device on film stock or grammar records.

The described spRrb can be modified as follows. Paral well. to the passing phylum, two metal tapes are fixedly fixed on the mounting and measuring table,

 each about one meter long. On each of the ribbons, a ptylinear note system and numbered transverse divisions corresponding to film frames are engraved. This modification of the timeline gives an opportunity

even with a little skill in / work

enter the contents of the acoustic music design not only on the penta clavier, but also directly on the notes of the condition, but the metric clavier of the usual type. The conditional metric of the clavier is made by laying parallel to the note line, the bows of the rubber

or the like of a stamp giving a division of one. the clavier lines correspond to the quantity of frames of a silent film (for example, 52 frames correspond to one line of the clavier, one, a meter of film and three seconds of film passage in the projection unit); Such a simplification of the keyboard makes it possible for the composer, the audio director and the scriptwriter, who is working on the dubbing of a silent film, to calculate all the moments of the film's design, synchronize the sound moments with visual images.

According to the inventors, conditionally metric clavier gives the opportunity to facilitate the work of the composer and director, not only when dubbing ready-made films, but also when creating new sound films according to the existing literary scenario. In the latter case, the replacement of a silent film is

) worked in detail and proper

timed literary scenario, the same work on the voice-over) of the future silent film is conducted by the composer and director in the manner described above.

Subject matter of the invention;

1. A silent film dubbing method, characterized in that a silent film, meter by meter, is propelled along an assembly table, positioned on either side to form a synchronous-sounding clavier, a paper tape j-sheet, or MaTepHH, j etc., divided into frames that coincide with frames of a silent film and are equipped with a musical system with a bass and treble clef, then both side tapes are longitudinally glued or stitched, wound onto a roll and then compiled on a clavier synchronous-sound musical score with the introduction of a number of symbols associated with the rhythms of the silent film, depending on the nature of the design and the special conditions of showing the film on the screen, with the aim of using it when further shooting a sound film.

2. In the measurement-footage table specified in paragraph 1, the use of two parallel metal tapes fixedly fastened on it with engraved on the last violin and bass note system and with numbered divisions corresponding to the frames рез trezka of the film processed for dubbing.