SK59396A3 - Mechanical device for resounding an electric bass guitar - Google Patents
Mechanical device for resounding an electric bass guitar Download PDFInfo
- Publication number
- SK59396A3 SK59396A3 SK593-96A SK59396A SK59396A3 SK 59396 A3 SK59396 A3 SK 59396A3 SK 59396 A SK59396 A SK 59396A SK 59396 A3 SK59396 A3 SK 59396A3
- Authority
- SK
- Slovakia
- Prior art keywords
- guitar
- sounding
- mechanical device
- electric bass
- bass guitar
- Prior art date
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Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D1/00—General design of stringed musical instruments
- G10D1/04—Plucked or strummed string instruments, e.g. harps or lyres
- G10D1/05—Plucked or strummed string instruments, e.g. harps or lyres with fret boards or fingerboards
- G10D1/08—Guitars
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
- G10D3/16—Bows; Guides for bows; Plectra or similar playing means
- G10D3/173—Plectra or similar accessories for playing; Plectrum holders
Landscapes
- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Stringed Musical Instruments (AREA)
- Electrophonic Musical Instruments (AREA)
Abstract
Description
Mechanické zariadenie na ozvučenie elektrickej basovej gitaryMechanical sounding equipment for electric bass guitars
Oblasť technikyTechnical field
Vynález sa týka mechanického zariadenia na ozvučenie elektrickej basovej gitary.The invention relates to a mechanical device for sounding an electric bass guitar.
Doterajší stav technikyBACKGROUND OF THE INVENTION
Elektrická basová gitara, prvýkrát skonštruovaná v 40-tich rokoch tohto storočia až do dnešných čias prechádzala rôznymi konštrukčnými zmenami, ktoré viedli k väčšej dokonalosti, spoľahlivosti a pod. Súčasná basová gitara je už tak technicky vyspelá, že sa mení jej funkcia v hudbe samotnej.The electric bass guitar, first constructed in the 1940s to this day, has undergone various design changes that have led to greater perfection, reliability and so on. The current bass guitar is already so technically advanced that it changes its function in the music itself.
Z voľakedy čisto sprievodného nástroja, ktorý dodával hudbe spodné basové tóny, sa v súčasnosti s vývojom hudby stáva dnes basová gitara nástrojom sólovým.From the purely accompanying instrument that gave the music the bottom bass tones, today the bass guitar is becoming a solo instrument.
Všetky konštrukčné zmeny, ktoré sa doteraz na nástroji vykonali sa týkali vždy jednotlivých časti nástroja a odstraňovali sa ich nedostatky napr. presnosť ladenia ladiacej mechaniky, parametre elektromagnetických snímačov tuhosť kobylky a podobne.All the structural changes that have been made on the tool so far have always concerned the individual parts of the tool and eliminated their deficiencies eg. tuning accuracy of tuning mechanics, parameters of electromagnetic sensors bridge stiffness and the like.
Žiadna z týchto zmien však nepriniesla výraznú zmenu:However, none of these changes has brought a significant change:
1. Farby zvuku nástroja1. Instrument sound colors
2. Možnosť použiť pri hre na gitaru nejakú inú prstovú techniku hrania, pričom súčasný trend hudby a samotní hráči na tento nástroj sa dožadujú práve týchto dvoch podstatných zmien.2. Possibility to use some other finger playing technique while playing the guitar, while the current trend of music and the players themselves are demanding exactly these two fundamental changes.
Podstata vynálezuSUMMARY OF THE INVENTION
Uvedené nedostatky rieši predložený vynález,ktorého podstata spočíva vo vytvorení mechanického zariadenia na rozozvučanie elektrickej basovej gitary. Mechanické zariadenie je umiestnené v otvore tela gitary a pozostáva z najmenej jednej tvarovanej klapky, pružne uloženej na boku vybrania gitary pomocou oceľovej vratnej pružiny, ktorá je na svojej spodnej strane opatrená dorazom a na dne vybrania gitary je na podstavci otočné uložené najmenej jedno ozvučujúce ramienko opatrené násadkou, pričom medzi ramienkom a dnom vybrania gitary je umiestnené oceľové pero.The above-mentioned drawbacks are solved by the present invention, which is based on the provision of a mechanical device for the acoustic bass guitar. The mechanical device is located in the opening of the guitar body and consists of at least one shaped flap resiliently mounted on the side of the guitar recess by means of a steel return spring which is provided with a stop on its underside and at least one sounding arm is rotatably mounted on the base of the guitar recess. a steel pen is placed between the shoulder and the bottom of the guitar removal.
Uvedené mechanické zariadenie svojou funkciou zabezpečuje ramienkový spôsob rozozvučania nástroja. Tým, že strunu nerozochvieva prst hráča, ale drevené ramienko, zvuk vychádzajúci z nástroja má úplne iný charakter a farbu zvuku ako všetky doterajšie zvuky vyludzované akoukoľvek technikou hry. Ostatné požadované kvality zvuku napr. dĺžka znejúceho tónu ( sustain) ostanú zachované a dynamika (zmena decibelovej hodnoty tónu) a rýchlosť tónu vychádzajúceho z nástroja sa týmto spôsobom hrania ešte podstatne skvalitnil. Ramienkový spôsob vytvárania tónov zvýrazňuje vo zvuku vyššie alikvotné (harmonické ) tóny, čo dáva hráčovi viac možnosti hrania v tzv. flažoletoch. Taktiež sa výrazne skvalitňuje hranie v akordoch (súzvuku viacerých tónov ), zvýrazňuje sa čitateľnosť jednotlivých tónov.By its function, said mechanical device provides a shoulder method of sounding the tool. By striking the string not with the player's finger, but with the wooden hanger, the sound coming from the instrument has a completely different character and color of the sound than all the sounds made so far by any technique played. Other desired sound quality eg. the length of the sustaining tone will be retained, and the dynamics (changing the decibel value of the tone) and the speed of the tone coming from the instrument will be significantly improved in this way of playing. The shoulder method of tone creation emphasizes higher overtone (harmonic) tones in the sound, giving the player more possibility to play in the so-called. flazolety. It also greatly improves playing in chords (unison of multiple tones), enhances the readability of individual tones.
Súčasný trend hudby sa dožaduje väčšej rýchlosti po sebe znejúcich tónov. Túto požiadavku spĺňa tento mechanizmus.The current trend of music calls for greater speed of consecutive tones. This mechanism fulfills this requirement.
Nový spôsob vytvárania tónu však nevylučuje možnosť hrania obvyklým spôsobom. Tým, že sa mechanizmus nainštaluje do nástroja neobmedzuje sa možnosť hráča hrať pôvodným spôsobom. Hráč si vyberá ten spôsob hrania, ktorý mu práve vyhovuje a môže súčasne použiť aj obidva spôsoby.However, the new way of creating a tone does not exclude the possibility of playing in the usual way. By installing the mechanism in the instrument, the player's ability to play in the original way is not limited. The player chooses the playing method that suits him and can use both at the same time.
Ďalšou výhodou tohto mechanizmu je to,že jeho použitím má hráč možnosť vylúdiť z nástroja zvuky podobné iným zvukom hudobných nástrojov napr. cimbal, bongá a pod.A further advantage of this mechanism is that by using it, the player has the possibility to lure sounds from the instrument similar to other sounds of musical instruments e.g. dulcimer, bongos, etc.
Prehlad obrázkov na výkresochOverview of the drawings
Na obr. 1 je znázornené mechanické zariadenie, rozozvučujúce mechanizmus elektrickej basovej gitary v kľudovej polohe. Na obr. 2 je znázornené toto zariadenie v pracovnej polohe.In FIG. 1 illustrates a mechanical device that triggers the mechanism of an electric bass guitar in a rest position. In FIG. 2 shows the device in the operating position.
Príklady uskutočneniaEXAMPLES
Zariadenie uvádza do činnosti hráč na gitaru tlakom alebo úderom na tvarovanú klapku 3 , tá sa týmto začína posúvať zo svojej kľudovej východiskovej polohy smerom dovnútra gitary. Po krátkom nábehu naráža na kratší koniec ramienka 4, ktoré sa takto uvedené do pohybu začína otáčať okolo svojho ukotvenia 8 v podstavci 11. Ramienko je v určitom-presne vymedzenom časovom úseku ďalej tlačené klapkou. To sa deje až do momentu, kedy klapka zastavuje svoj pohyb dotykom svojho nastaviteľného dorazu 6 o dno 7 vybrania gitary. V tomto momente sa ramienko 4 ešte nedotýka struny 1 gitary. Vzdialenosť medzi bodom zastavenia klapky 3. a dotyku ramienka 4 so strunou 1 prekonáva ramienko svojou zotrvačnou silou. Potom až ramienko 4 naráža do struny gitary a tým ju rozkmitáva. Ramienko 4 však po údere na strunu nesmie ďalej na strune zotrvať, pretože by jej bránilo v ďalšom kmitaní a tón vydávaný zo struny by bol tlmený. Túto podmienku mu umožňuje splniť práve tento časový a priestorový úsek medzi bodom zastavenia klapky 2 a bodom dotyku ramienka 4 so strunou 1. Ramienko 4 sčasti odrazené od struny 1 a sčasti tlačené oceľovým perom 5 okamžite po údere na strunu 1 ju opúšťa a vracia sa do svojej východiskovej polohy. V prípade, že je klapka ešte stále vo svojej pracovnej polohe, ramienko 4 sa prirazí k nej avšak už dostatočne vzdialené od struny gitary, takže tá môže voľne kmitať. V tomto prípade sa ramienko 4 dostáva do svojej východiskovej polohy pomocou oceľového pera 5 po uvoľnení klapky 2. Klapka 2 sa vysúva po uvoľnení tlaku prsta na ňu pomocou vratnej pružiny 10 do svojej východiskovej polohy, ktorá je zaistená dorazom klapky 2 na ochranný kryt 2.The device is actuated by a guitar player by pressing or striking the shaped flap 3, which in turn begins to move out of its rest position towards the inside of the guitar. After a short start, it strikes the shorter end of the arm 4, which thus begins to rotate about its anchor 8 in the pedestal 11. The arm is further pushed by the flap within a certain period of time. This happens until the flap stops its movement by touching its adjustable stop 6 on the bottom 7 of the guitar recess. At this point the arm 4 does not yet touch the string of the 1 guitar. The distance between the stopping point of the flap 3 and the contact of the arm 4 with the string 1 overcomes the arm by its inertia force. Then, until the arm 4 hits the string of the guitar, it vibrates it. The string 4, however, must not remain on the string after striking the string, as it would prevent it from further oscillating and the tone emitted from the string would be muted. It is precisely this time and space that it can fulfill this condition between the stopping point of the flap 2 and the point of contact of the string 4 with the string 1. The string 4 partially reflected from the string 1 and partially pressed by the steel tongue 5 immediately leaves the string 1 your home location. If the flap is still in its working position, the arm 4 will come to it but already sufficiently distant from the guitar string so that it can oscillate freely. In this case, the arm 4 returns to its initial position by means of a steel tongue 5 upon release of the flap 2. The flap 2 extends after releasing the finger pressure on it by means of a return spring 10 to its initial position secured by the stop of the flap 2 on the protective cover 2.
Priemyselná využiteľnosťIndustrial usability
Vynález je možné využiť pri výrobe elektrických basových gitár, u ktorých sa vyžaduje rozvinutie ich výrazových možnosti. Zariadenie sa dá inštalovať do práve vyrábaných basových gitár, alebo sa dá nainštalovať samostatne už do vyrobených gi tár ako samostatný prídavný celok.The invention can be used in the manufacture of electric bass guitars that require their expressive possibilities. The device can be installed in the currently produced bass guitars, or it can be installed separately into the produced basses as a separate additional unit.
Claims (7)
Priority Applications (3)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
SK593-96A SK59396A3 (en) | 1996-05-10 | 1996-05-10 | Mechanical device for resounding an electric bass guitar |
AU29209/97A AU2920997A (en) | 1996-05-10 | 1997-05-02 | Mechanical device for resounding an electric bass guitar |
PCT/SK1997/000004 WO1997043753A1 (en) | 1996-05-10 | 1997-05-02 | Mechanical device for resounding an electric bass guitar |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
SK593-96A SK59396A3 (en) | 1996-05-10 | 1996-05-10 | Mechanical device for resounding an electric bass guitar |
Publications (1)
Publication Number | Publication Date |
---|---|
SK59396A3 true SK59396A3 (en) | 1998-06-03 |
Family
ID=20433718
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
SK593-96A SK59396A3 (en) | 1996-05-10 | 1996-05-10 | Mechanical device for resounding an electric bass guitar |
Country Status (3)
Country | Link |
---|---|
AU (1) | AU2920997A (en) |
SK (1) | SK59396A3 (en) |
WO (1) | WO1997043753A1 (en) |
Families Citing this family (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US7151210B2 (en) * | 2002-09-26 | 2006-12-19 | Fender Musical Instruments Corporation | Solid body acoustic guitar |
WO2015165047A1 (en) * | 2014-04-29 | 2015-11-05 | 陈少林 | String plucking mechanism for realizing strong and weak plucking |
Family Cites Families (4)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
GB459675A (en) * | 1935-08-27 | 1937-01-13 | George Samuel James | Stringed musical instruments |
DE3504007A1 (en) * | 1984-11-05 | 1986-08-07 | William 8000 München Schmitz | Keyed guitar |
DE3440339A1 (en) * | 1984-11-05 | 1986-05-07 | William 8000 München Schmitz | Guitar with keys |
DE3942456A1 (en) * | 1989-12-22 | 1991-06-27 | Steiner Ernst | Key-operated guitar functioning on percussion principle - has rocking bars and hammers located under strings and actuated by mechanical transmission whose simple structure requires little or no tool |
-
1996
- 1996-05-10 SK SK593-96A patent/SK59396A3/en unknown
-
1997
- 1997-05-02 WO PCT/SK1997/000004 patent/WO1997043753A1/en active Application Filing
- 1997-05-02 AU AU29209/97A patent/AU2920997A/en not_active Abandoned
Also Published As
Publication number | Publication date |
---|---|
AU2920997A (en) | 1997-12-05 |
WO1997043753A1 (en) | 1997-11-20 |
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