RU130173U1 - CALL DEVICE ON MOBILE PHONE BY MECHANICAL ANIMATION OF ANIMATION FIGURES AND MOBILE PHONE WITH CALLING MECHANICAL ANIMATION OF ANIMATION FIGURES - Google Patents

Abstract

1. The call device on a mobile phone equipped with a micromotor with the ability to turn it on / off by a signal of the electronic circuit of a mobile phone, characterized in that it is made with the possibility of visual calling by mechanical animation of the animation figures by means of animation figures installed in the mobile phone, operating respectively by means of an animation control system, kinematically coupled to a wheel gear and a wheel mounted on a micromotor shaft. 2. The call device on a mobile phone according to claim 1, characterized in that as a micromotor comprises a micromotor of a vibromotor with an eccentric removed from the shaft of the motor of the vibromotor. The call device on a mobile phone according to claim 1, characterized in that the animation control system is made in the form of a kinematic device that allows you to convert the rotation of the wheel drive into rotational, translational or oscillatory cyclic movement of the animation figures. The call device on a mobile phone according to claim 1, characterized in that the animation control system is made in the form of a pin, a finger, a cam or a snail mounted on a wheel axle, kinematically coupled to a lever or a system of levers configured to create a rotational, translational or oscillatory cyclic motion of animation figures. 5. The call device on a mobile phone according to claim 1, characterized in that the animation figures are made in the form of figures striking with a hammer on an anvil, for example, figures of a bear or a gnome hammering with an anvil beating a gong or bell figures, for example

Description

Technical field

The invention relates to mobile radio communications, in particular to radiotelephone devices, namely to mobile cellular and / or satellite phones with a visual call by mechanical animation of animation figures.

State of the art

Telephone (Greek. Τῆλε- “far” and φωvή - “voice”, “sound”) - a device for transmitting and receiving sound at a distance. Modern phones transmit sound through electrical signals [1].

In the years 1849-1854. Charles Bursel, mechanical engineer and vice-inspector of the Paris telegraph, developed the idea of telephony. Sh. Bursel stated the first principle of telephone operation in his dissertation in 1854, but he did not reach the practical implementation of telephone communications. Sh. Bursel was also the first to use the word “telephone”.

In the United States, an immigrant of Italian origin, Antonio Meucci, demonstrated a device that could transmit sounds over wires, and named him Telectrophon. Meucci filed a patent for his utility model in 1871.

In 1861, the German physicist and inventor Johann Philipp Reis demonstrated another device that could also transmit musical tones and human speech by wire. The device had a microphone of the original design, a power source (galvanic battery) and a speaker. Reis himself named the device he designed Telephon.

The telephone, patented in the USA in 1876 by Alexander Bell, was called the "talking telegraph." Bell's pipe served in turn to transmit and receive human speech. The subscriber was called through the handset using a whistle. The range of this line did not exceed 500 meters.

Alexander Bell filed an application with the Washington Patent Office for his utility model on February 14, 1876. Two hours later, an application for “Device for transmitting and receiving vocal sounds by telegraphic method” was filed by E. Gray from Chicago.

On March 7, 1876, Alexander Bell received a patent for a utility phone model. At the same time, A. Bell did not try to invent a telephone, but a “harmonic telegraph”. At that time, telegraphy experienced a huge shortage of lines.

There was no call on A. Bell's phone; it was invented later by his colleague, T. Watson (1878).

Currently, the most widely used are radiotelephones, which are a system consisting of a base to which analog or digital subscriber lines from a telephone exchange are connected, and one or more cordless handsets (mobile phones) that can either transmit to each other or make calls via external lines.

Mobile phones are divided into cellular and satellite.

The cell phone is based on a radio communication system designed to provide the user with communication anywhere. It consists of a large number of base stations, interconnected by central switches, and cell phones. When turned on, the cell-phone is registered at the nearest base station and, if its number is called, the central switch finds the phone and transfers the call to it through the nearest base station.

The satellite phone is based on digitalized and compressed transmission technology using digital methods over networks built on IP technology. For example, over the Internet. Allows you to significantly reduce the cost of conversations over long distances. Among the shortcomings is the problem of signal delay associated with the features of IP technology. Since 2005, the use of specialized programs (for example, Skype) has made IP telephony more accessible, although not entirely free.

In mobile phones, the call functions are usually implemented by sound calls and calls by vibration of the body (vibration calls).

Sound calls are usually made by playing various sounds or melodies through the speaker [2].

The speaker usually serves as the main source of sound in a mobile phone. Through the speaker, through the appropriate software, usually the conversation sound, and ringtones, system sounds, etc. are also reproduced.

Traditionally, a single speaker is used in a mobile phone to play all sounds. But increasingly, to improve the sound quality (for listening to music, speakerphone, ringtone, etc.), a separate speaker is used. A separate speaker is often used in phones with a musical focus, but it is not uncommon for manufacturers to install an additional speaker in their other phones.

Sound call signals (sound call) in modern mobile phones are carried out through ringtones for mobile phones (ringtones, realtones, Cell / Mobile Phone Ringtones, Cell / Mobile Phone Realtones) - sound files played as a call, call signal, SMS notification, MMS, alarms, MMS tracking [3].

Melodies are usually divided into categories: sounds / signals, cinema and TV, music and others. Also, tunes are classified by format: mp3, wav, midi, mmf, amr and others. A large number of realtones, polyphonic, monophonic ringtones, mp3 ringtones, ringtones with a human voice are known.

Most modern mobile phone models have the ability to play sound files of all major formats through appropriate software and can receive tunes via Bluetooth, infrared (IrDA) or cable.

The disadvantage of programmed melody playback in mobile phones is the insufficiently high sound quality compared to the natural sound of musical instruments. This is due to the limited capabilities of the speakers of conventional mobile phones, not designed to play music sounds in wide audio ranges. In particular, ordinary phones are not able to accurately reproduce the clear, clear, brilliant sound of metal bells and bells.

Most modern mobile phones, in addition to making a sound call through the speaker, also have a vibration alert function used for “silent mode” in situations where it is impossible to use sound calls (for example, during concerts, lectures, meetings, etc.), but need to be constantly connected.

The vibration alert function is realized by means of a vibration motor connected to the electronic components circuit, on the motor shaft of which an eccentric is installed. At the time of the receipt of call signals, the electronic circuit of the telephone turns on the vibration motor and the shaft of its engine starts to rotate. The presence of an eccentric load fixed to the axis of the motor of the vibromotor reports the vibrations to the phone body, the phone body begins to vibrate and vibrates to signal the call.

Some mobile phones also have a visual call function by turning on / off the screen backlight or special indicator lights.

Implementation of the visual animation call function in mobile phones has not been identified.

Animation (from the Latin "anima" - soul) is a technology that allows using the inanimate motionless objects to create the illusion of their movement [4].

From ancient times, from the Chinese shadow theater to the magic lantern of the 17th century, attempts were made to "revive" the image. In the 19th century it was proved that the image remained on the retina for another fraction of a second after the eye ceased to perceive the object itself, and taking into account this discovery, special mechanisms were invented, such as the Zootrop (1830s) of the British watchmaker W.H. Horner : a drum with a sequence of hand-drawn images. The drum rotated, and the impression was that the figures were moving. In the 1880s, the French inventor E. Reynaud developed this idea by adding a projector.

In 1906, after a useful model of a movie camera, J.S. Blackton made the first animated film in the United States. Humorous phases of funny faces, where the principle of "one shot - one picture" was applied. In 1911, under his leadership, animator Winsor McKay created the movie Little Nemo in a newspaper comic book. But as an art, the animation took hold after the McKay film Gertie's Dinosaur (1914). Gerty danced on the screen, turned the trees upside down, held the ball on her nose.

In 1917 Fleischer developed a “rotoscope”, which allows for the use of live actors for use in animation.

In 1924, the famous artist F. Leger staged the famous Mechanical Ballet.

The most popular form of animation is animation, which is a series of drawn images. In each subsequent figure, the figure is presented in a slightly different phase of movement. Individual drawings are photographed frame by frame, and then projected onto the screen at a speed of 24 frames per second in sound animation or 16 frames per second in mute. Actions and effects impossible in real life are the essence of animation [5].

Currently, there are puppet, silhouette, collage, computer and laser animations.

Puppet animation is second only to hand-drawn animation in popularity. The doll is located directly in front of the camera and photographed frame by frame, and each time minimal changes are made to her pose, so that during the subsequent projection an illusion of movement is created. This type of animation arose in Russia, where V.A. Starevich began making puppet films back in 1911.

In silhouette animation, figures cut out of cardboard or other material are superimposed on a celluloid film, and for each subsequent frame their position changes slightly.

In collage animation, the same principle is used, however, instead of figures, clippings from books, stickers, and illustrations are used. Animation of objects makes inanimate objects seem animated. Can be used as everyday items (matches, forks, watches), as well as photographs and various images.

In computer animation, after the main poses are drawn, the intermediate positions of the characters are automatically calculated. In electronic animation on a computer, the entire cartoon is created.

In laser animation using a laser beam and a set of mirrors, the illusion of a three-dimensional object is achieved.

The history of animation began long before the appearance in the world of cinema, invented by the Lumiere brothers.

The first attempts of a person to reproduce not only static pictures of the world, but also the movement itself, can already be observed in the works of primitive artists, which are characterized by the image of, for example, a running deer with a large number of legs showing the swiftness of his running, or, for example, a dancing hunter with eight feet and hands that convey various moments of movement in the dance. Later we find a dynamic transmission of movement in the sculptural reliefs of ancient Greece, in Egyptian murals of tombs and temples of the pharaohs. In China, they tried to create the illusion of the movement of the figure using the shadow theater, in which the shadows of the figures projected on the illuminated plane moved.

Back in the 70s BC the Roman poet and philosopher Lucretius in his treatise "On the nature of things" described a device for displaying animated moving drawings on the screen.

The books that appeared in the 15th century served as a kind of prototype of modern cinema, on each of the pages of which human figures in various phases of movement were depicted. It was necessary to roll such a book into a roll, and then quickly turn it around, as the rapidly turning pages created the effect of moving people.

A more perfect device can be considered the so-called "magic lantern" (lat. "Laternamagica"). Common in the Middle Ages, this device consisted of a wooden or metal case with a hole or lens in which the light source was placed. Between the light source and the optical system, glass plates were inserted with images printed on them, which were projected in this way onto any suitable surface.

The next stage in the evolution of instruments for animating drawings came in 1832, when the Belgian professor Joseph Plateau created a unique device in his laboratory - phenacystiscope (from the Greek word "phenax" - deceiver and root "osprey" - look).

The design of the phenacystiscope was based on the ability of the retina of the human eye to remember successive events. The author himself described his utility model: “The device consists of a cardboard disk with holes cut through it. Shapes are drawn on one side of the disc. When the disk is rotated around the axis in front of the mirror, the figures viewed in the mirror through the holes of the disk do not appear to rotate with the disk, but, on the contrary, appear completely independent and make movements inherent to them ”[6].

Almost simultaneously with the Plateau, a device with the same basic principle of action was invented by the Viennese geometry professor Simon von Stampfer. This device was called by the inventor "strobe". It was a cardboard drum mounted on an axle. On the inner side of this drum, on a paper tape, several drawings were applied (usually from eight to twelve), illustrating the successive phases of the movement of a person or animal performing a certain action, for example: running an ostrich, jumping a horse, etc. Each subsequent drawing reproduced a new moment of movement, while the last drawing of each cycle was as if closing in relation to the first drawing. Having inserted a paper tape with drawings into the drum with narrow, oblong holes cut against each drawing, and rotating the drum around its axis, the viewer saw a quick successive change of drawings, which created a complete illusion of their movement.

Thanks to this invention, the effect of visible movement when changing still images made on the internal disk, was called the stroboscopic effect.

There are many known devices, united by the name "zootrop". This is a device similar to a stroboscope, in which a disk with holes is replaced by a wooden or metal drum open from above, cut by vertical slots on the sides and rotating horizontally on the axis. The disk with pictures is replaced by a long ribbon, which is placed, rolled up in a circle, inside the drum. These tapes could hold five, ten or more dozens of pictures, while the disks could not hold more than two dozen.

The zootrop was first constructed in 1834 by the English mathematician William George Horner, and was called the “dedaleum” (in honor of Daedalus, who, according to legend, created moving pictures of people and animals).

Subsequent versions of this device (in particular, the device, which was designed in 1860 by the Frenchman Desvin, and a similar device by the American William E. Lincoln) assigned the name "zootropa" to all such devices.

In 1853, the Austrian Baron von Uhacius, constructing a stroboscope in which images were placed on a glass disk and illuminated by an oil lamp, first projected them onto the screen.

In 1861, the American Colman Sellers invented the cinematoscope, which was a series of photographs pasted onto a drum, replacing one another in front of the viewer’s eyes.

The Frenchman Emile Reynaud, having borrowed the rotary drum of the zootrop Horner and improving the mirror system of the phenacystiscope Joseph Plateau, created a new, more advanced device, calling it Reynaud's “praxinoscope”. On August 30, 1877, when the praxinoscope of Emil Reynaud was patented in Paris, we can consider the birthday of the animation in the form in which we know it today.

Around the same time, from 1870, in San Francisco, the Englishman Edward Maybridge began his work on shooting the successive phases of the movement of a living object (initially galloping horses served as this object).

Edward Maybridge invented the so-called zoopraxiscope (eng. Zoopraxiscope from other Greek. Ζῷov - animal, living + πράξις - activity, movement + σκοπέω - watch, watch) - a device for "projecting moving pictures."

A little later, in 1884, Marey created the first chrono-photographic apparatus. The experiments of Maybridge and Marey made a significant contribution to the study of human and animal movements and the development of technology.

In 1885, Herman Kastler creates a mutoscope, which is a device with a drum in which a thousand (or more) drawings were placed.

1888 - Reynaud improved his praxinoscope, transferred the drawings to a celluloid tape (35 mm) and displayed it on a large screen in the circle of his family and friends. Since 1892, Reynaud has been organizing special shows at the Greven Museum and gives them the name Optical Theater.

It was only in 1895 that the Lumiere brothers developed the design of a movie camera for shooting and projecting moving photographs, calling it a cinema, with which the history of modern cinema began.

Mechanical animation in a mechanical watch is also known, historically represented by jacquemars (animated moving figures of people, for example, a man beating a bell), animated animals (for example, a screaming rooster), and so on. landscape animation (for example, the sun moving across the sky, flowing water, moving leaves on trees).

Animation in a mechanical watch was initially closely connected with the repeater function - moving, figures in the watch enlivened the process of repulsing certain time intervals.

The jacquemars were still present at the early tower clocks, later - in all kinds of interior clocks, and with the advent and development of pocket and then wristwatches, the jacquemars also decorated them.

Religious subjects, as well as a variety of frivolous scenes, became very popular motifs for animated watches of the Middle Ages.

Mechanical movement is inherent in all these watches, however mechanical animation in mobile phones has never been used by anyone before to make a visual call.

Mechanical musical instruments are also known - devices that perform musical pieces using exclusively mechanical means [7].

The driving method distinguishes between: a) instruments with a clock mechanism - a spring or a weight (music clocks, music snuffboxes) and b) instruments with a handle for rotation (barrel organ).

The sound extraction method distinguishes between: c) instruments with bells, bells, steel plates or strings, and d) instruments with flute or reed pipes.

Virtually all known ancient musical instruments, whichever of these four categories fit, e) a shaft with pins was inherent. In later musical instruments, a shaft with pins was replaced by sheets with holes cut out in them (music sheets).

At Carillons, which was probably the oldest mechanical tool, the shaft pins made a sound, lifting the hammers striking the bells. The English company Gillet and Bland in Croydon, at the time, made this improvement to this mechanism that the pins only used the force of the spring to produce a hammer blow.

In small music snuffboxes and music boxes (a + c), the pins hooked on the variously set teeth of the metal ridge (steel plates). It was even possible in them to increase or decrease the strength of sound and speed of movement (using special devices) within certain limits. The eolian was arranged in a similar way, where there was no need for a separate pneumatic attached mechanism, and the device for mechanical play was placed inside the harmonium [8].

Mechanical musical instruments were made in the form of various designs and shapes - small primitive signet rings, snuffboxes, caskets, dolls, alarm clocks, as well as complex floor clocks, orchestrions, tower chimes, “voiced” carriages. According to the method of “recording” and reproducing sounds, mechanical musical instruments were divided into 2 main groups: operating by means of a shaft with pins and working using paper cardboard tape (music tape) or a metal disk with perforation (music disk). The pins and perforations were placed in a certain sequence in the form of a mechanical "recording" of music. The sound source of mechanical musical instruments was flute and reed organ pipes with fur, metal combs with teeth of different lengths, sets of tuned bells, bells, strings, drums.

The vast majority of mechanical musical instruments were equipped with only the same sounding element (most often with a comb or pipes), but there were also complex structures where their various types were combined. The shaft, belt, disk were set in motion in a simple manual or foot way, using a clockwork, weight-lifting gear, wheels of a rolling carriage, later an electric motor, and in the distant past, a water drive. The rotating shaft hooked pins to the teeth of the comb, bells, bells, bells, strings and drums, actuated bows or pressed valves that opened the air to the pipes, resulting in sound. Moving tape and disk interacted with hammer and pneumatic mechanics, sound was formed during the passage of the hole above the string or channel that sucks air [9].

The repertoire of mechanical musical instruments depended on the degree of complexity and perfection of the design of the instruments. It consisted of chimes, tunes, home and entertainment music - fashionable songs, dances, plays, as well as individual numbers from popular operas, operettas, and other productions. large forms in a simplified arrangement. The performance of the music was mechanistic, devoid of expressiveness and shades of character, because gradual amplification or attenuation of sonority in mechanical musical instruments was impossible. Only in instruments such as an orchestrion did the automatic switching of sounds from flute pipes to reed pipes and vice versa made it possible to muffle the overall sound.

The first information about mechanical musical instruments dates back to the 16th century. Especially a lot of systems of mechanical musical instruments, including automatic, operating when lowering coins in them, appeared in the late 19th - early. 20th centuries .; they were used in taverns, restaurants, various entertainment establishments and in the bourgeois-merchant life. The most advanced types of mechanical musical instruments, in particular a watch with an organ, were found in the homes of nobles. At that time, a barrel organ was widely used, on which roving musicians played. With the advent of the gramophone, and then the radio-magnetic equipment of mechanical musical instruments, they almost went out of use [10].

No visual call devices on a mobile phone with mechanical animation of animation figures in the scope of the search were found.

Despite the rapid development of communication technology and the expansion of the functionality of mobile phones, with the ability to not only write SMS, listen to music, take pictures, use game applications, but also use the Internet, the main function of mobile phones was and remains the function of making outgoing and receiving incoming calls (calls). Therefore, despite the constant appearance of new functions, the improvement of the functions of calling a mobile phone continues.

A well-known mobile phone containing a radio unit, an audio unit, a logic unit, a device for reading SIM cards, a power supply, an antenna, a vibrator, a microphone, a speaker, a display and a keyboard, characterized in that the mobile phone is additionally equipped with at least one vibrator connected with a logic unit capable of recognizing and transmitting control signals independently to any of the vibrators. In this case, the logic unit is configured to generate control signals for the frequency and direction of rotation of the vibrators [11].

A device for transmitting audio information to a deaf or hard of hearing person, consisting of a block for processing sound signals, which includes a microphone, the output of which is connected through an sensitivity regulator to an electronic circuit, and a converter block containing a vibrating alert, characterized in that it is a block for processing sound signals additionally, a radio signal transmitter is introduced, the input of which is connected to the output of the electronic circuit, and a radio signal receiver, the output of which is connected to Wonka. At the same time, a visual indicator is connected in parallel with the vibrating alert or instead of it [12].

Known handheld telephone, made with the possibility of providing various vibrations with only one vibration motor [13], which includes the first means for receiving a call signal and external signals; second means for classifying, while distinguishing, a ringing signal or external signals; and third means for providing one of the various vibration patterns of the portable communication device based on the classified feature. The second means includes means for extracting sample data from external signals; storage means for storing a set of predefined patterns; and control means for comparing the sample data with one of a set of predefined patterns stored in the storage means and generating a control signal. The distinguishing feature extraction means includes an analog-to-digital converter for converting the analog signals of external signals into digital signals, the digital signals being digital signals in a temporary representation; a converter into a frequency representation for converting digital signals from an analog-to-digital converter into signals in a frequency representation; logic means for summing adjacent frequency signals from the converter to the frequency representation and creating newly amplified frequency signals; a filter for removing noise signals from the newly amplified frequency signals, wherein the amplitude of the noise signals is less than the amplitude of the base signal; and a battery for accumulating output signals from the filter based on the frequency band to generate sample data. The third means includes a vibration motor, the center of which is located away from the center of gravity of the portable communication device. The vibromotor includes an asymmetrically balanced load, which is fixed on the end of its axis, which is not parallel to any of the axes X, Y and Z of the portable communication device. The vibration motor further includes a position meter for controlling the position of the asymmetrically balanced load and in which the position meter is controlled by second means. This phone may also include several vibromotors made similar to the vibrator described above.

The disadvantages of this device is the inability to implement the visual call functions on a mobile phone.

The closest in technical essence and the result achieved using the prototype is an animated music box-postcard, consisting of a postcard, a box-shaped structure attached to the specified postcard, with a window in the specified box-shaped structure and a music box mechanism installed in the specified box-shaped structure; a moving figure, movably mounted in the specified box-shaped structure with the specified window, and a rod installed with the specified box-shaped structure, which connects the specified mechanism of the music box and the specified moving figure [14].

In this animated music box-postcard (prototype):

the mechanism of the music box performs a rotational movement, and said thrust converts the rotational movement made by the specified mechanism of the music box into a rotational-rotational movement of the indicated movable figure;

the mechanism of the music box contains an installed rotating shaft, and the specified rod contains a transmission for transmitting the rotational movement of the specified shaft to the wheel, which is mounted on the specified box-like structure on an axis directed perpendicular to the specified shaft, and can rotate on it; wherein the first link has a first and second end, and said first end is freely connected to said wheel, and the second link has a first end, freely connected to the second end of said first link, and the second end is rotatably fixed to said box-like structure ., and a moving figure attached to the specified second link;

the box-shaped structure defines the plane, the mechanism of the music box contains a rotating shaft mounted parallel to the specified plane, and the movable figure is mounted on an axis perpendicular to the specified plane;

the thrust contains a transmission for transmitting the rotational movement of the specified shaft to the wheel, which is mounted to rotate on an axis perpendicular to the specified plane; the first end of the first link is freely connected to the specified wheel, and the first end of the second link is freely connected to the second end of the specified first link, and the second end is effectively connected to the specified movable figure.

The disadvantage of this animated music box, postcard (prototype) is its bulkiness and the inability to use for visual calling in compact mobile phones.

Task and technical result

The problem to which the claimed technical solution is directed, and the technical result obtained from the use of the utility model, is to expand the basic functionality of mobile phones, namely, to provide the possibility of visual calling by mechanical animation of a moving figure.

Utility Model Disclosure

The characteristic functional features of the utility model are:

- the possibility of its use in almost any mobile phone that contains or is equipped with a micromotor, for example, a micromotor of a vibromotor with an eccentric removed, which is usually used in mobile phones to implement the vibration alert function.

- Implementation on a mobile phone of the visual call function of the animated mechanical motion of the image.

- the possibility of its implementation in various versions of the design: with the function of mechanical animation and at the same time with the function of the natural sound of a mechanical musical instrument and with the function of mechanical animation.

The characteristic distinguishing design features of the utility model are:

- the presence in the mobile phone of a wheel drive kinematically connected with a micromotor, for example a micromotor of a vibromotor without an eccentric on the motor shaft, and transmitting movement from the micromotor to the mechanical animation control system

- the availability of means and means of animation, which can be performed, for example, as a window closed on a mobile phone with a transparent screen under which animation figures are placed, driven by mechanical movement by means of a micromotor, a wheel system and a mechanical animation control system.

The goal and the required technical result are achieved by the fact that the call device on a mobile phone equipped with a micromotor with the ability to turn it on / off by the signal of the electronic circuit of the mobile phone is configured to visually call mechanical animation of the animation figures by means of animation figures installed in the mobile phone, respectively functioning through an animation control system kinematically coupled to a wheel gear and a wheel mounted on a shaft ikrodvigatelya.

The animation control system is made in the form of a kinematic device that allows you to convert the rotation of the wheel drive into a rotational, translational or oscillatory cyclic movement of the animation figures.

For example, an animation control system can be made in the form of a pin, a finger, a cam or a snail mounted on a wheel axle, kinematically coupled to a lever or a system of levers made with the possibility of creating rotational, translational or oscillatory cyclic movement of animation figures.

Animation figures can be made in the form of figures striking with a hammer on an anvil, for example, figures of a bear or a dwarf beating with a hammer on an anvil beating a gong or bell figures, for example, figures of a person beating a bell or figures of a bird pecking a bell, or another figure animating the corresponding sound reproduction, and the wheel transmission is made with a gear ratio equal to the ratio of the micromotor speed to the optimal frequency of the cyclic movements of the animation figures.

In this case, the device may include means for switching on / off the sound call mode with the natural sounds of a mechanical musical instrument, the visual call mode with mechanical animation of the animation figures, and the sound call mode with natural sounds of a mechanical musical instrument and visual call with mechanical animation of the animation figures.

The goal and the technical result obtained using this is achieved by the fact that a mobile phone equipped with a micromotor with the ability to turn it on / off according to the signal of the electronic circuit of the mobile phone, in the first embodiment, is equipped with the above-described device for visual calling mechanical animation of animation figures by means of additionally installed in mobile phone animation figures, respectively operating through an animation control system, kinematic and mating gear wheel with a wheel mounted on the shaft of the micromotor.

A brief description of the drawings.

Figures 1, 2, 3 respectively show variants of structural and functional circuits of a mobile phone with a device for sound calling with natural sounds of mechanical musical instruments (Fig. 1), an inventive device for visually calling a mechanical animation of an animation figure (Fig. 2), a device for simultaneous sound call of the natural sound of a mechanical musical instrument and a visual call of a mechanical animation of an animation figure (figure 3).

Figure 4 shows the assembly of a micromotor (vibromotor engine) 6 with an engine wheel 7 mounted on its axis.

Figure 5 shows a side view of the interface of the micromotor (vibromotor engine) 6 with the wheel system and the cochlea 15 by means of a gear 7 connected by the gears, the first gear wheel 8, the tribe of the first gear wheel 17, the second gear wheel 18.

Figure 6 shows a top view of a variant of the device for producing natural sound of a mechanical musical instrument using the example of a mechanical bell mechanism in a mobile phone driven by a micromotor (conventional vibromotor engine) in general, where a micromotor (vibromotor motor) 6, a wheel system, are shown in kinematic connection including a motor wheel 7, a first gear wheel 8, a pin 9 of a snail 15 touching with a hammer 13, a hammer stop 10, a hammer spring 11, a thrust pin for a hammer 12, a hammer 13, a bell bowl 14, snail 15, hammer hammer 16, second gear wheel 18.

Figure 7 shows a design variant of a mechanical bell, including a cochlea 15, a hammer assembly 13 and a bell bowl 14.

On Fig shows a top view of a variant of the device of the animation mechanism in a mobile phone driven by a micromotor (vibromotor engine) as a whole, where the micromotor (vibromotor engine) 6, a wheel system including an engine wheel 7, a first gear wheel 8, are shown in kinematic connection pin 9, second gear wheel 18, animation cam 19, animation lever 20, animation lever spring 21, animation figures 22, 23.

Figures 9 and 10 show an animation cam 19 and animation figures 23 and 23 in different phases of movement.

Figure 11 shows a top view of the options for mobile phone devices with a sound call by the sound of a mechanical ringtone and a visual call by mechanical animation of the animation figures, which show the micromotor (vibromotor engine) 6, the motor wheel 7, the first gear wheel 8, the touch pin of the cochlea hammer 9, hammer limiter 10, hammer spring 11, snail 15, hammer hammer 16, second gear wheel 18, animation cam 19, animation lever 20, animation lever spring 21, animation figures 22, 23.

On Fig, 13, 14 shows options for the appearance of a mobile phone with options for a sound call with the natural sound of a mechanical call (Fig), for a visual call of a mechanical animation of an animation figure (Fig), for a simultaneous sound call and a mechanical sound a call and a visual call of a mechanical animation of an animation figure (Fig. 14), on which the screen of telephone 1, the housing of telephone 2, buttons of telephone 3, a device for generating mechanical vibrations 4, mechanical ring 5 and animation figures 22, 23 are indicated.

Structurally, in the preferred, but not the only mandatory embodiment, the claimed device in the embodiment of calling on a mobile phone with natural sounds of a mechanical call includes the following details: screen of telephone 1, telephone body 2, telephone buttons 3, device for generating mechanical vibrations 4, mechanical ring 5, micromotor (vibrator motor with the cam removed) 6, the wheel of the engine 7, the first gear wheel 8, the touch pin of the cochlear hammer 9, the limiter of the hammer 10, the spring of the hammer 11, PORN pin hammer 12, hammer 13, bell cup 14, the cochlea 15, the striker hammer 16, the first pinion gear wheel 17, second wheel gear 18.

In an embodiment with a function of visually invoking a mechanical animation of a figure, the device further comprises an animation cam 19, an animation lever 20, an animation lever spring 21, and animation figures 22, 23.

Utility Model Implementation

The proposed design options for the device allows you to integrate into a regular mobile phone a device that allows you to provide a visual call by mechanical animation of a moving figure.

As figures of animation various figures can be used.

When using the claimed device, the vibration alert function can be replaced with the visual call function of mechanical animation, that is, you can use the finished design and layout of a mobile phone without changes, in which an eccentric is removed from the motor shaft, instead a wheel is placed to drive the mechanical animation.

Probably used as micromotors, the vibration motors of modern mobile phones have, as a rule, 6,000 to 20,000 rpm. The optimal gear ratio in the wheel system - the gearbox (wheels 7, 8, 17, 8.) is selected based on the engine speed and the need for the sound frequency of the sound of mechanical musical instruments.

The user can set the animation mode or mechanical music call in the menu by selecting the call modes, i.e. when a vibration alert is selected, the functioning mode of the claimed device is turned on.

When making a sound call, a musical instrument can produce not only melodies and musical sounds, but also produce cyclically repeating unorganized sounds such as the monotonous sound of an ordinary bell or bell.

We show the principle of operation of the claimed device by the example of using a mechanical bell as a source of natural sound with animation on a mobile phone:

The engine 6, by rotating, through the wheel system transmits the movement to the cochlea 15. The contact pin of the cochlea of the hammer 9, located on the hammer 13, is constantly in contact with the profile of the cochlea 13. The hammer pin 12 is located on the hammer 13, against which the spring 11 presses, pressing the pin 9 to the snail profile 9.

The snail, making a rotation along the profile, raises the hammer 13, and he breaks under the action of a spring and strikes the drummer 16 on the bell - the bell's bell 14. A sound is heard. The limiter 10, is a thick spring, which under the influence of the inertia of the hammer 13, bends for a short moment and returns the hammer to the neutral position and at the same time serves as a limiter for the hammer to fall on the cochlea.

The cochlea rotates at an average speed of 5 to 20 beats per second, and the hammer strikes the bowl of the bell.

Vibration alert motors typically have 6,000 to 20,000 rpm, based on the need for the frequency of the animation figures and the engine speed, the optimal gear ratio in the wheel system - gearbox (wheels 7, 8, 17, 18.) is selected

The engine 6, by rotating, through the wheel system transmits the movement to the cam 19. The finger located on the lever 20 is constantly in contact with the cam 19 profile. To ensure constant contact, the spring 21 presses the lever 20 against the cam 19 profile.

Cam 19 performing a rotation interacting with the lever 20, makes it move relative to a fixed axis. A figure 22 is rigidly attached to the lever 20, making a movement together with the lever 20.

Using one engine for a mechanical bell option allows you to use both a mechanical bell and animation, as an option to one wheel 7, you can connect two gearboxes 7, 8, 17, 18, which in turn will be connected to a vibration generator and a mechanical bell to create sound as well as an animation management system and animation figures, for animation.

Thus, it is ensured that a natural sound of a mechanical musical instrument and a visual call by a mechanical animation of a moving figure are made possible by natural sound.

Separate elements of the inventive device and a mobile phone with the device are made by well-known methods from materials commonly used in the industry using conventional conventional equipment.

Information sources

1.http: //ru.wikipedia.org/wiki/%D0%A2%D0%B5%D0%BB%D0%B5%D1%84%D0%BE%D0%BD

2.http: //www.mobile-kit.net/glossary/sound

3. http://www.mobinations.com/sounds.php?genre=4

4.http: //dic.academic.ru/dic.nsf/enc_colier/3304/ANIMATION

5. Ginzburg S.S. Essays on the theory of cinema. M., 1974; Asenin S.V. Screen Wizards. Aesthetic problems of modern animation. M., 1974; The wisdom of fiction. Masters of animation about themselves and their art. M., 1983; Creation of a film, or several interviews on business matters. M., 1990; Orlov A.M. The animatographer and his anima: Psychogenic aspects of screen technology. M., 1995; Asenin S.V. Walt Disney: The Secrets of Hand-Drawn Movie World. M., 1995.

6. Georges Sadul The general history of cinema. - Moscow: Art, 1958. - V.1

7.http: //notoboz.ru/instrumets/350-mekhanicheskie-muzykalnye-instrumenty.html

8.http: //notoboz.ru/instrumets/350-mekhanicheskie-muzykalnye-instrumenty.html

9. http://enc-dic.com/enc_music/Mehanicheskie-Muzykalnye-Instrumenty-4699/

10. http://enc-dic.com/enc_music/Mehanicheskie-Muzykalnye-Instrumenty-4699/

11. RU 2008103869 H04M 1/00 Date of publication of the application: 08/10/2009

12. RU 2008103869 A61F 11/04, H04R 25/00 Date of publication of the application: July 10, 2004

13. RU 2004127900 H04M 1/00 Date of publication of the application: 02.20.2006 Convention priority: 09/19/2003 KR 10-2003-0065341 10/10/2003 US 60 / 510.55

14. US 6523285 B09F 27/00 publ. 02/25/2003 (prototype)

Claims (8)

1. The call device on a mobile phone equipped with a micromotor with the ability to turn it on / off by the signal of the electronic circuit of a mobile phone, characterized in that it is made with the possibility of a visual call by mechanical animation of animation figures by means of animation figures installed in the mobile phone, operating accordingly through an animation management system, kinematically coupled to a wheel drive and a wheel mounted on a micromotor shaft. 2. The call device on a mobile phone according to claim 1, characterized in that as a micromotor comprises a micromotor of a vibromotor with an eccentric removed from the shaft of the motor of the vibromotor. 3. The call device on a mobile phone according to claim 1, characterized in that the animation control system is made in the form of a kinematic device that allows you to convert the rotation of the wheel drive into rotational, translational or oscillatory cyclic movement of the animation figures. 4. The call device on a mobile phone according to claim 1, characterized in that the animation control system is made in the form of a pin, a finger, a cam or a snail mounted on a wheel axis of a wheel, kinematically coupled to them a lever or a system of levers made with the possibility of creating a rotational , translational or oscillatory cyclic movement of figures of animation. 5. The call device on a mobile phone according to claim 1, characterized in that the animation figures are made in the form of a figure striking with a hammer on an anvil, for example, a bear or gnome figure, hammering a figure in a gong or bell with an anvil, for example, a figure of a man beating into a bell, or figures of a bird pecking a bell, or of another figure animating the corresponding reproduction of sounds. 6. The call device on a mobile phone according to claim 1, characterized in that the wheel transmission is made with a gear ratio equal to the ratio of the micromotor speed to the optimal frequency of cyclic movements of the animation figures. 7. A mobile phone equipped with a micromotor with the ability to turn it on / off by a signal of the electronic circuit of a mobile phone, characterized in that the mobile phone is equipped with a visual call device for mechanical animation of the animation figures by means of additionally installed animation figures in the mobile phone, respectively animation control systems, kinematically coupled wheel gear with a wheel mounted on a micromotor shaft. 8. The mobile phone according to claim 7, characterized in that it comprises a visual call device with mechanical animation of the animation figures according to any one of claims 1 to 6.

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