KR102660532B1 - Porcelain ashesbax equipped with a sculpture and its manufacturing method - Google Patents

Abstract

The present invention relates to a ceramic urn equipped with a sculpture, which is made of ceramic material, has a space on the inside for placing the remains, and has a sculpture with a specified shape on the outside, and a method of manufacturing the same,
The ceramic urn forms a body having a resting space for storing the remains, a communication member and a sculpture are formed, and an urn body composed of an anti-collapse pillar for supporting the load of the sculpture inside the resting space; and an urn lid that seals the communication member of the upper horizontal wall of the burial body.
In addition, the method of manufacturing a ceramic urn includes the step of producing liquid earthen water (S10); Step of forming the urn body by injecting the soil water into a mold in which the shape of the urn body is formed (S20); Attaching a previously manufactured cylindrical communication member, naturally drying the urn body for 48 hours, and performing primary firing at 850°C to 950°C for 8 hours (S30); Applying glaze to the urn body and then performing secondary firing at 1250°C to 1290°C for more than 12 hours (S40); Transferring a pattern for decoration to the surface of the urn body and the communication member and performing third firing at 800°C to 820°C for 5 hours (S50); And a step (S60) of completing the ceramic urn by closing the communication member with the urn lid.

Description

Porcelain urn equipped with a sculpture and its manufacturing method {Porcelain ashesbax equipped with a sculpture and its manufacturing method}

The present invention relates to a ceramic urn, and more specifically, to a ceramic urn equipped with a sculpture, which is made of ceramic material, has a space on the inside for placing the ashes, and is provided with a sculpture having a specific shape on the outside. and its manufacturing method.

In general, Korea's funeral rites had a strong Buddhist flavor before the Joseon Dynasty, but after the Joseon Dynasty, the Zhu Xi rites, influenced by Confucianism, became the basis.

Additionally, the funeral system has changed and developed in different styles depending on the times. The burial method, which was the mainstream until modern times, became a custom in the Joseon Dynasty with the combination of Confucianism and Feng Shui theory, and has continued to this day.

Currently, cemeteries scattered across the entire country of Korea amount to 982㎢, or 1% of the country's land area, which is 16 times the size of Seoul, and three times the area of Yeouido is being converted into a cemetery every year, and in this state, the burial culture is declining. If the method is not changed, the entire country may be encroached upon by cemeteries. Moreover, private cemeteries account for as much as 70% of all cemeteries, and the number of cemeteries is increasing by 200,000 every year, but the seriousness of the problem lies in the fact that the government cannot do this as it pleases.

However, fortunately, in recent years, as national awareness of cremation has greatly improved and laws related to funerals have also been revised prospectively, many changes are occurring in the long-standing funeral culture centered on burial methods.

Statistically, the cremation rate in Korea has been steadily increasing from 7% in 1971 to 139% in 1980, 191% in 1993, and 23% in 1996. Recently, due to improved awareness of cremation, the number of people who are cremated after their death has increased. It was found that the proportion of people who want to be cremated reaches 767%, but compared to China's 100% cremation rate and Japan's 97% cremation rate, the reality is that there are still many gaps.

In addition, the Korea Housewives' Club Association conducted an awareness survey on funeral culture among 1,000 adult men and women across the country, and found that the approval rate for cremation was 767% for the self, 602% for family or relatives, and 707% for others. , the most common reason for being in favor (313%) was that the neglect of graves without relatives was a major social problem, 377% said that it could reduce the burden of cemetery management, and 266% said that it was difficult to secure a cemetery.

On the other hand, after the deceased is cremated, the remains are sealed in an urn and placed individually or by family in a charnel house used by many people, or in a charnel house in a park cemetery, or in a charnel house or charnel facility installed in a private tomb.

However, typical urns have a problem in that they cannot escape the uniform shape of a jar consisting of a cylindrical body containing ashes and a lid that closes the body. This is because, since the urn is made of ceramic material, the structure cannot support the load of the sculpture even if it is formed with a specific shape.

On the other hand, the urn may have a structure with a specific shape, but in this case, it is made of a material that can withstand the load of the sculpture, such as wood or plastic, rather than ceramics, so the urn has a solemn religious or Confucian ideology. There is a problem where the character's aesthetic sense is highlighted and cannot be felt.

Domestic Registered Patent No. 10-1083849

The present invention was devised to solve the problems and technical prejudices described above. The urn is made of ceramic material and has a space inside where the ashes are placed, and a sculpture with symbolism and a specific shape is provided on the outside. The purpose is to provide a ceramic urn equipped with a sculpture that can be used and a method of manufacturing the same.

The ceramic urn equipped with the sculpture of the present invention for achieving the above purpose consists of an upper horizontal wall and a lower horizontal wall spaced apart from each other at the top, and a vertical wall connecting the upper horizontal wall and the lower horizontal wall, so that the ashes are stored inside. A seating body is formed having a seating space for storing the powder, and a communication member and a sculpture of a specific shape are formed on the upper horizontal wall to communicate with the seating space in a protruding state, and are formed inside the seating space to provide the upper horizontal wall. An urn body consisting of an anti-collapse pillar that supports the wall and prevents the upper horizontal wall from collapsing due to the load of the sculpture during the ceramic urn manufacturing process; And an urn lid that seals the communication member of the upper horizontal wall.

At this time, it is preferable that the anti-collapse pillar supports the horizontal surface of the upper horizontal wall on which the sculpture is not molded.

In addition, it is preferable that the anti-collapse pillars are protruded in plural numbers from the lower horizontal wall to support the horizontal surface of the upper horizontal wall.

In addition, the anti-collapse pillar is preferably protruded from the lower horizontal wall in a single curved shape so that it can be supported along the horizontal surface of the upper horizontal wall where the sculpture is not molded.

In addition, the sculpture is preferably formed integrally with the upper horizontal wall and surrounds the communication member.

Meanwhile, a sub-enclosure containing dehumidifying products, moisture-proofing products, and the deceased's belongings is inserted into the communication member, and a flange portion spanning the communication member is formed on the upper outer circumference of the sub-enclosure, and the bottom surface provides ventilation. A plurality of ventilation holes are formed for the sub-enclosure, and the upper part of the sub-enclosure is preferably closed by a sub-lid.

In addition, it is preferable that patterns for decoration are transferred to the surface of the ceramic urn.

On the other hand, the method of manufacturing a ceramic urn includes the step of mixing white clay and deflocculating material to produce viscous liquid clay (S10); A resting body having a resting space by injecting the earthen water into a mold molded in the shape of the urn body, a communication hole formed in the resting body and a sculpture of a specific shape, and an anti-collapse pillar supporting the upper horizontal wall inside the resting space. A step of molding the formed urn body (S20); Attaching a previously manufactured cylindrical communication member to the communication port of the upper horizontal wall, naturally drying the urn body for 48 hours, and performing primary firing at 850°C to 950°C for 8 hours (S30); Applying a glaze to the urn body that has undergone primary firing and then secondary firing at 1250°C to 1290°C for more than 12 hours (S40); Transferring a pattern for decoration to the surface of the secondary firing urn body and communication member, and performing third firing at 800°C to 820°C for 5 hours (S50); And a step (S60) of inserting a sub-box having a pre-fabricated sub-lid into the communication member of the urn body that has undergone third firing, and completing the ceramic urn by closing the communication member with the urn lid.

At this time, in step S20, it is preferable that the sculpture is integrally formed with the upper horizontal wall and protrudes outward.

In addition, the step S50 preferably further includes the step of transferring a pattern for decoration to the surface of the previously manufactured urn lid.

The ceramic urn equipped with the sculpture of the present invention having the above configuration is provided with a space for placing the ashes inside through the upper horizontal wall, the lower horizontal wall, and the vertical wall, and the sculpture is placed on the upper horizontal wall. By providing a protruding urn, the urn made of ceramics can be provided with a sculpture of a specific desired shape, which has the excellent effect of breaking away from the uniform shape of a conventional jar.

In addition, according to the method of manufacturing a ceramic urn, when forming the urn body using a ceramic material, a collapse prevention pillar is formed inside so that the upper horizontal wall on which the sculpture is formed can be supported, so that the upper horizontal wall on which the sculpture is formed is a ceramic urn manufacturing process. It has an excellent effect in fundamentally preventing sinking of the table.

Figure 1 is an actual photograph showing a ceramic urn according to the present invention,
Figure 2 is an exploded perspective view of Figure 1,
Figure 3 is a main cross-sectional view of the combined state of Figure 1;
Figure 4 is a perspective view showing a ceramic urn according to the present invention provided with a memorial tablet and a photo of the deceased printed on the surface of the vertical wall;
Figure 5 is a perspective view showing another embodiment of the anti-collapse pillar of the ceramic urn according to the present invention,
Figure 6 is a flow chart showing a method of manufacturing a ceramic urn according to the present invention.

Hereinafter, preferred embodiments of the present invention will be described in more detail with reference to the attached drawings. Embodiments of the present invention may be modified in various forms, and the scope of the present invention should not be construed as limited to the embodiments described below. These embodiments are provided to explain the present invention in more detail to those skilled in the art. Therefore, the shape of each element shown in the drawing may be exaggerated to emphasize a clearer explanation.

Terms such as first, second, etc. may be used to describe various components, but the components should not be limited by the terms. Terms are used only to distinguish one component from another.

The terms used in this application are only used to describe specific embodiments and are not intended to limit the invention. Singular expressions include plural expressions unless the context clearly dictates otherwise. In this application, terms such as “comprise” or “have” are intended to designate the presence of features, numbers, steps, operations, components, parts, or combinations thereof described in the specification, but are not intended to indicate the presence of one or more other features. It should be understood that this does not exclude in advance the possibility of the existence or addition of elements, numbers, steps, operations, components, parts, or combinations thereof.

Figure 1 is an actual photograph showing a ceramic urn according to the present invention, Figure 2 is an exploded perspective view of Figure 1, Figure 3 is a main cross-sectional view of the combined state of Figure 1, and Figure 4 is a memorial tablet in a ceramic urn according to the present invention. is provided, and is a perspective view showing a photo of the deceased printed on the surface of a vertical wall. Figure 5 is a perspective view showing another example of an anti-collapse pillar among the structures of a ceramic urn according to the present invention, and Figure 6 is a perspective view of the present invention. This is a flowchart showing the manufacturing method of a ceramic urn.

As shown in Figures 1 to 3, the ceramic urn 100 of the present invention includes an upper horizontal wall 121 and a lower horizontal wall 122 spaced apart from each other at the top, and the upper horizontal wall 121 and the lower horizontal wall. It is made up of a vertical wall (123) connecting the ashes (122) to form a resting body (120) having a resting space (124) for storing the ashes inside, and the resting body (120) is protruded from the upper horizontal wall (121). A communication member 130 communicating with the space 124 and a sculpture 140 of a specific shape are formed, and are formed inside the burial space 124 to support the upper horizontal wall 121, and the ceramic urn 100 ) The urn body 110 consisting of an anti-collapse pillar 150 that prevents the upper horizontal wall 121 from collapsing due to the load of the sculpture 140 during the manufacturing process; And an urn lid 170 that seals the communication member 130 of the upper horizontal wall 121.

The biggest feature of the ceramic urn 100 of the present invention is that the overall shape is made of porcelain and is provided with a separate space 124 for placing the urn, and has a specific shape that could not be provided in the conventional ceramic urn. It is provided with a sculpture 140, and allows the sculpture 140 to be supported by a collapse prevention pillar 150 integrally formed inside the seating space 124.

The ceramic urn 100 of the present invention is for storing the ashes of the deceased, and the overall shape is manufactured using ceramic material.

Figure 1 shows an actual photo of the ceramic urn of the present invention.

As shown, the ceramic urn 100 is formed with a resting body 120 in which the urn is placed on the lower side of the drawing, and a communication member 130 and a sculpture 140 of a specific shape are formed on the upper side of the resting body 120. It is formed, the communication member 130 is closed on the lid of the urn, and various patterns are transferred to the outer surface of each component.

Hereinafter, the structure of the ceramic urn 100 will be described in detail with reference to FIGS. 1 to 3.

The ceramic urn 100 largely includes an urn body 110 and an urn lid 170 that are formed using ceramics.

Here, pottery is a general term for pottery and porcelain, and is made by mixing pottery or high-quality clay as the main raw material with feldspar or quartz and firing it. it means.

The urn body 110 includes a burial body 120, a sculpture 140, and a collapse prevention pillar 150.

The burial body 120 is a place where the remains of the deceased are placed and stored, and maintains the shape of a hexahedron with a predetermined overall height.

The placement body 120 includes an upper horizontal wall 121, a lower horizontal wall 122, and a vertical wall 123.

The upper horizontal wall 121 and the lower horizontal wall 122 maintain a square shape in a horizontal plate shape, and are arranged to be spaced apart at a predetermined interval toward the upper direction in the drawing.

The vertical wall 123 connects the spaced upper horizontal wall 121 and the lower horizontal wall 122, and is connected along the perimeter of the upper horizontal wall 121 and the lower horizontal wall 122, so that the ashes are placed inside. It forms a storage space 124 that can be stored.

That is, the upper and lower ends of the vertical wall 123 are connected to the upper horizontal wall 121 and the lower horizontal wall 122, respectively, so that the upper horizontal wall 121, the lower horizontal wall 122, and the vertical wall 123 are formed. A resting body 120 having an integrated resting space 124 is formed.

At this time, the depth of the burial space 124 where the remains are placed may be determined according to the length of the vertical wall 123.

This is because various functions of the seating body 120 can be added by varying the vertical length of the vertical wall 123.

For example, if you want to store only the ashes in the resting space 124, the depth of the resting space 124 does not need to be deep, so the length of the vertical wall 123 is sufficient as shown in Figure 3. do.

On the other hand, when the length of the vertical wall 123 is formed as long as shown in FIG. 4, the depth of the burial space 124 is sufficiently secured, so the ashes are placed in a separate ashes storage box (not shown) and the ashes storage box itself is used as a burial space. It can be placed in (124), and furthermore, as space on the outer surface is secured, there is also the advantage of printing pictures of the deceased on the surface of the vertical wall (123).

In addition, on one side of the enshrinement body 120, a memorial tablet 126 may be placed on which phrases such as the date of birth, date of death, or religious baptismal name of the deceased can be written, as shown in FIG. 4.

In this embodiment, the placement body 120 is shown as having a square hexahedron shape, but the shape is not limited because it may have various shapes such as cylindrical, elliptical, and polygonal.

A communication member 130 and a sculpture 140 are formed on the upper horizontal wall 121 of the seating body 120, as shown in FIGS. 1 to 3.

The communication member 130 has a cylindrical shape made of ceramic material and is disposed on the upper surface of the communication opening 125 formed in communication with the seating space 124 on the upper horizontal wall 121, as shown in the drawing from the upper horizontal wall 121. It is glued so that it protrudes at a predetermined length toward the top.

In other words, the communication member 130 extends the communication with the seating space 124 to the outside.

In this embodiment, the communication member 130 is shown as being formed as a cylinder, but the outer surface of the cylinder may be formed as a plurality of surfaces so that photos or images can be engraved on it.

Meanwhile, the inside of the communication member 130 contains dehumidifying and moisture-proofing products such as charcoal or activated carbon to block moisture while maintaining the humidity inside the resting space 124 where the remains are placed, as shown in FIGS. 2 and 3. A sub-enclosure 160 made of ceramic material and having a predetermined space in which the belongings of the deceased can be stored is inserted and placed.

The sub-enclosure 160 maintains the shape of a cylinder with only the top open so that it can be inserted into the inside of the communication member 130, and has a rim-shaped plan on the outer circumference of the top that hangs over the step of the communication member 130. A branch 161 is formed.

In addition, a plurality of ventilation holes 162 are formed on the bottom surface of the sub-enclosure 160 to communicate with the seating space 124 of the seating body 120. This ventilation hole 162 is formed so that the dehumidifying or moisture-proofing product contained in the sub-enclosure 160 can perform a smooth function.

In addition, a sub lid 163 made of ceramics is provided on the upper part of the sub enclosure 160 to close the open sub enclosure 160.

As shown in FIGS. 1 to 3, the sculpture 140 is formed to protrude upward from the upper horizontal wall 121 in the drawing, and is the most well-known place in Feng Shui, meaning it surrounds the graveyard with blue dragons and white tigers. As such, it maintains a specific bow shape.

In other words, by implementing the sculpture 140 in the shape of a bow, it symbolizes wishing for the prosperity of not only the deceased but also descendants.

At this time, the sculpture 140 is formed integrally with the upper horizontal wall 121 and protrudes toward the upper direction in the drawing, and is centered around the communication member 130 disposed on the upper horizontal wall 121. Arranged to surround.

In this embodiment, the sculpture 140 is shown as having the shape of a bow, but surrounding the communication member 130, a folding screen on which images with meaning such as a photo of the deceased or the zodiac signs can be printed or a photo can be directly inserted. The shape of the sculpture 140 is not limited because it may be in the shape of a picture frame.

In addition, although the sculpture 140 is shown as being integral with the upper horizontal wall 121, the sculpture 140 may be made of a separate ceramic material and attached to the upper horizontal wall 121.

The anti-collapse pillar 150 supports the upper horizontal wall 121 in which the sculpture 140 having an open shape is integrally formed, and is connected to the upper horizontal wall 121 and the upper horizontal wall 121 inside the seating space 124 of the seating body 120. It is formed in contact to prevent the upper horizontal wall 121 on which the sculpture 140 is formed from sinking in the direction of the lower horizontal wall 122 during the manufacturing process of the ceramic urn 100.

That is, the anti-collapse pillar 150 is formed together with the urn body 110 through an initial molding mold in the ceramic urn 100 manufacturing process, and includes a communication member 130 attached to the upper horizontal wall 121 in the later process, and Together, the urn body 110 continues to support the upper horizontal wall 121 in a horizontal state under the load of the sculpture 140 and the communication member 130 during the process of going through numerous post-processes, so that the upper horizontal wall ( 121) is fundamentally prevented from collapsing in the direction of the lower horizontal wall 122.

In this case, as the collapse of the upper horizontal wall 121 is blocked, the shapes of the sculpture 140 and the communication member 130 along with the upper horizontal wall 121 are prevented from being deformed.

For this purpose, the anti-collapse pillar 150 is formed adjacent to the lower surface of the upper horizontal wall 121 inside the seating space 124, as shown in FIGS. 2 and 3, and the sculpture 140 is not formed to protrude. It is desirable to support only the horizontal surface of the upper horizontal wall 121.

At this time, the anti-collapse pillars 150 are formed in plural pieces so as to simultaneously support several sections of the horizontal surface of the upper horizontal wall 121, and are raised from the lower horizontal wall 122 to support the horizontal surface of the upper horizontal wall 121. support them.

That is, a plurality of anti-collapse pillars 150 support the horizontal section of the upper horizontal wall 121 between the communication member 130 and the sculpture 140, and the position of the anti-collapse pillars 150 is where the horizontal surface is. If so, it can be anywhere on the upper horizontal wall (121).

In addition, it is preferable that the anti-collapse pillar 150 has a cylindrical shape with a trapezoidal shape whose area gradually expands as it moves toward the lower horizontal wall 122, which means that the load of the upper horizontal wall 121 is applied to the anti-collapse pillar ( 150), so that it can be distributed.

In addition, the plurality of anti-collapse pillars 150 are formed together when forming the urn body 110 through a molding mold during the manufacturing process of the ceramic urn 100.

Meanwhile, Figure 5 shows a perspective view showing another embodiment of the anti-collapse pillar 150 of the ceramic urn 100 according to the present invention.

The collapse prevention pillar 150 of another embodiment is designed to support the upper horizontal wall 121 along the horizontal section of the upper horizontal wall 121 between the communication member 130 and the sculpture 140, as shown in FIG. 5. , it may be raised in a single curved shape along the horizontal section from the lower horizontal wall 122 to support the horizontal surface.

In this case, the anti-collapse pillar 150 forms a single shape inside the seating space 124 and supports the horizontal section at the same time, so even if the load depending on the shape of the sculpture 140 is biased to one side, the upper horizontal wall 121 can be stably supported.

At this time, the cross section of the anti-collapse pillar 150" preferably also has a trapezoidal shape so that the load of the upper horizontal wall 121 can be transmitted and distributed to the anti-collapse pillar 150".

The urn lid 170 is made of ceramic material, and blocks the resting space 124 from communicating with the external environment by sealing the open top of the communication member 130 into which the sub-enclosure 160 is inserted, as shown in FIG. 3. do.

At this time, separate packing is provided between the urn lid 170 and the communication member 130 to prevent discoloration or corrosion of the ashes stored in the resting space 124 of the resting body 120 by blocking the flow of moisture or air. It is preferable that the member P is interposed.

In addition, the upper surface of the urn lid 170 maintains a convex shape facing upward, which is due to the fact that the urn lid 170 is coupled to the communication member 130, thereby creating a shape feature that motifs the shape of the urn where the deceased is buried. To have it.

On the other hand, as shown in Figure 1, the surface of the body 120, communication member 130, urn lid 170, and sculpture 140 of the ceramic urn 100 has an atmosphere such as religious phrases, flowers, gold decoration, etc. Various patterns that can be created can also be transferred.

Hereinafter, a method of manufacturing a ceramic urn equipped with a sculpture according to the present invention will be described with reference to the attached drawings.

The ceramic urn 100 of the present invention includes the step of producing viscous liquid clay by stirring white clay and deflocculating material (S10); The earthen water is injected into a mold in which the shape of the urn body 110 is formed to form a resting body 120 having a resting space 124, a communication opening 125 formed in the resting body 120, and a sculpture of a specific shape ( 140) and a step (S20) of molding the urn body 110 having an anti-collapse pillar 150 formed inside the burial space 124 to support the upper horizontal wall 121 (S20); The urn body 110 was naturally dried for 48 hours by attaching a previously manufactured cylindrical communication member 130 to the communication port 125 of the upper horizontal wall 121, and then dried for 8 hours at 850°C to 950°C. Firing step (S30); Applying a glaze to the urn body 110 that has undergone primary firing and then secondary firing at 1250°C to 1290°C for more than 12 hours (S40); Transferring a pattern for decoration to the surface of the secondary firing urn body 110 and communication member 130, and performing third firing at 800°C to 820°C for 5 hours (S50); And inserting the sub-enclosure 160 having a pre-fabricated sub-lid 163 into the communication member 130 of the urn body 110 that has undergone the third firing, and connecting the communication member 130 with the urn lid 170. It is manufactured including a step (S60) of completing the ceramic urn 100 by closing it.

The step (S10) of producing viscous liquid mud water by stirring white clay and deflocculating material,

First, white clay and deflocculating material (caustic soda) are put together in a stirrer and stirred.

At this time, the stirring time of the white clay and the deflocculating material is more than 5 hours. This is to ensure that the white clay soil and the deflocculating material are stirred until they have a predetermined viscosity and become a liquid clay that can be injected into the mold.

The earthen water is injected into a mold in which the shape of the urn body 110 is formed to form a resting body 120 having a resting space 124, a communication opening 125 formed in the resting body 120, and a sculpture of a specific shape ( 140) and a step (S20) of molding the urn body 110 having an anti-collapse pillar 150 formed inside the burial space 124 to support the upper horizontal wall 121 (S20);

When the earthen water is completed through the above stirring, the earthen water is injected into a mold made of plaster for forming the shape of the urn body 110.

At this time, the inside of the molding frame is composed of an upper horizontal wall 121, a lower horizontal wall 122, and a vertical wall 123 corresponding to the shape of the urn body 110, and a resting space 124 is formed inside. (120), a communication port 125 formed in the upper horizontal wall 121 to communicate with the resting space 124, a sculpture 140 in the shape of a flap formed to protrude integrally with the upper horizontal wall 121, and a resting space (124) Inside, a plurality of anti-collapse pillars 150 are processed to support the upper horizontal wall 121.

Afterwards, the moisture from the soil injected into the mold is absorbed into the mold over a predetermined period of time, and the remaining water that has not been absorbed is drained out of the mold through a stopper provided in the mold.

In addition, the dirt in the molding mold from which the remaining water has been drained goes through a curing step for more than 20 minutes, and after going through the curing step, the molding mold is opened to form the seating body 120, the communication member 130, the sculpture 140, and the recessed support pillar. This formed urn body 110 is obtained.

In addition, two molding frames form a set so that the molded urn body 110 can be separated.

Meanwhile, in step S20, the sculpture 140 is preferably formed to protrude outward while being integrated with the upper horizontal wall 121.

For this purpose, it is natural that the molding frame is processed so that the upper horizontal wall 121 and the sculpture 140 form one body.

In this embodiment, the sculpture 140 is shown as being formed integrally with the upper horizontal wall 121 in an open shape. However, since the sculpture 140 may be manufactured separately and attached to the upper horizontal wall 121, the sculpture 140 ) does not limit the structure.

The urn body 110 is naturally dried for 48 hours by attaching a previously manufactured cylindrical communication member 130 to the communication port 125 of the upper horizontal wall 121, and then first fired at 850 to 950° C. for 8 hours. The step (S30) is,

First, the upper and lower parts prepared through steps S10 to S20 above are opened on the upper surface of the communication port 125 formed in communication with the resting space 124 on the upper horizontal wall 121 of the naturally dried urn body 110. Attach the cylindrical communication member 130.

At this time, liquid dirt for attachment is applied to the lower end of the communication member 130, and the communication member 130 to which the dirt is applied is seated on the upper surface of the communication opening 125, that is, the upper surface of the upper horizontal wall 121. and is attached to the upper horizontal wall (121).

Afterwards, the urn body 110 on which the communication member 130 is seated is naturally dried for more than 48 hours.

In this case, since the natural drying of the urn body 110 is carried out in a state containing moisture immediately after being separated from the mold, the horizontal upper horizontal wall 121 of the resting body 120 is a communication member with the sculpture 140. Due to the weight of (130), it is inevitable that it will receive a load directed in the direction of gravity.

However, since the plurality of anti-collapse pillars 150 molded together with the urn body 110 support the upper horizontal wall 121 in a state in contact with the horizontal surface of the upper horizontal wall 121, the upper horizontal wall 121 It prevents sinking in the direction of gravity during the natural drying period.

The role of the collapse prevention pillar 150 as described above, that is, the support of the upper horizontal wall 121, continues after the urn body 110 is separated from the molding frame until the firing stage in which moisture in the urn body 110 is completely removed, which will be described later. .

Afterwards, the naturally dried urn body 110 is placed in a kiln and undergoes a primary firing step for 8 hours under conditions of 850°C to 950°C.

Here, if the temperature of the kiln is set to 850 ℃ or lower, the hardness of the fired urn body 110 is weak, so cracks or damage occur during the process after glazing or re-firing, while the temperature of the kiln is 950 ℃. If set to above, the hardness of the urn body 110 may become stronger, but when applying the glaze, the absorption rate of the glaze decreases, causing a problem in which the glaze is not applied smoothly.

The step (S40) of applying a glaze to the urn body 110 that has undergone primary firing and then secondary firing at 1250°C to 1290°C for more than 12 hours,

A glaze is applied to the surface of the urn body 110 that has undergone the first firing.

Thereafter, the urn body 110 to which the glaze has been applied is placed in a kiln and subjected to secondary firing under conditions of 1250°C to 1290°C for at least 12 hours and up to 20 hours.

Here, when the temperature of the kiln is set to 1250°C or lower, the glaze applied to the urn body 110 does not melt and the surface of the urn body 110 after firing is not exposed to light, causing product problems, and conversely, the temperature of the kiln If is set to 1290°C or higher, a problem occurs in which cracks are formed in the glaze applied to the urn body 110 after firing due to the temperature difference between the temperature of the urn body 110 and the glaze due to the high temperature.

The step (S50) of transferring a pattern for decoration to the surface of the secondary fired urn body 110 and the communication member 130 and performing third firing at 800°C to 820°C for 5 hours,

Various patterns for decoration are transferred to the surface of the urn body 110 on which secondary firing has been completed.

First, select a pattern suitable for each position of the urn body 110 (for example, the resting body 120, the communication member 130, and the urn lid 170, etc.) and apply the corresponding transfer paper.

Thereafter, the urn body 110 coated with transfer paper is placed in a kiln and fired a third time for more than 5 hours under conditions of 800°C to 820°C.

Here, when the temperature of the kiln is set to 800°C or lower, the transfer paper applied to the surface of the urn body 110 does not melt properly and complete adhesion to the surface is not achieved, resulting in the problem of the pattern peeling off after the product is completed. Conversely, If set to 820°C or higher, the transfer paper is lost due to the high temperature, resulting in defects in the urn body 110.

On the other hand, it is preferable that step S50 further includes the step of transferring a pattern for decoration to the surface of the previously manufactured urn lid 170.

Finally, the sub-enclosure 160 having a pre-fabricated sub-lid 163 is inserted into the communication member 130 of the urn body 110 that has undergone the third firing, and the communication member 130 is used as the urn lid 170. ) The step (S60) of completing the ceramic urn 100 by closing the urn,

As a step in completing the final ceramic urn 100, the urn body 110 with the pattern transferred is first prepared.

Thereafter, by going through the steps described above, the sub-enclosure 160 is inserted into the communication member 130 among the previously manufactured communication member 130, urn lid 170, sub-enclosure 160, and sub-lid 163. It is mounted, and the upper part of the sub-enclosure 160 is sealed with the sub-lid 163.

Then, the final ceramic urn 100 is completed by sealing the open upper part of the communication member 130 into which the sub-enclosure 160 and the sub-lid 163 are inserted with the urn lid 170.

As described so far, the ceramic urn equipped with the sculpture of the present invention has a space for placing the ashes inside through the upper horizontal wall, the lower horizontal wall, and the vertical wall, and has the sculpture protruding from the upper horizontal wall. By doing this, there is an excellent effect of breaking away from the uniform shape of a conventional jar by allowing the urn made of ceramics to be equipped with a sculpture of a specific desired shape.

In addition, according to the method of manufacturing a ceramic urn, when forming the urn body using a ceramic material, an anti-collapse pillar is formed inside so that the upper horizontal wall on which the sculpture is formed can be supported, so that the upper horizontal wall on which the sculpture is formed is a ceramic urn manufacturing process. It has an excellent effect in fundamentally preventing collapse of the table.

Above, the ceramic urn equipped with the sculpture of the present invention and its manufacturing method have been described with reference to preferred embodiments and the attached drawings, but this is only intended to aid understanding of the invention and is not intended to limit the technical scope of the invention thereto. Of course.

In other words, various changes and modifications can be made by those skilled in the art without departing from the technical gist of the present invention, and such changes and modifications are within the technical scope of the present invention in terms of interpretation of the claims. It goes without saying that it is within.

100: ceramic urn 110: urn body
120: Placement body 121: Upper horizontal wall
122: lower horizontal wall 123: vertical wall
124: enshrinement space 125: connection port
130: communication member 140: sculpture
150: Collapse prevention pillar 160: Sub-enclosure
161: Flange portion 162: Ventilation hole
163: sub lid 170: urn lid

Claims (10)

In a ceramic urn (100) equipped with a sculpture (140) in which ashes are stored,
It consists of an upper horizontal wall 121 and a lower horizontal wall 122 spaced apart from each other at the top, and a vertical wall 123 connecting the upper horizontal wall 121 and the lower horizontal wall 122 to store the ashes inside. Forming a seating body 120 having a seating space 124,
A communication member 130 that protrudes and communicates with the seating space 124 and a sculpture 140 of a specific shape are formed on the upper horizontal wall 121,
It is formed inside the resting space 124 to support the upper horizontal wall 121, and prevents the upper horizontal wall 121 from collapsing due to the load of the sculpture 140 during the manufacturing process of the ceramic urn 100. An urn body (110) consisting of a collapse prevention pillar (150); and
It includes an urn lid 170 that seals the communication member 130 of the upper horizontal wall 121,
The anti-collapse pillar 150 is a ceramic urn equipped with a sculpture, characterized in that it supports the horizontal surface of the upper horizontal wall 121 on which the sculpture 140 is not molded.
delete According to paragraph 1,
The anti-collapse pillar 150 is a ceramic urn equipped with a sculpture, characterized in that the plurality of anti-collapse pillars 150 are protruded from the lower horizontal wall 122 to support the horizontal surface of the upper horizontal wall 121.
According to paragraph 1,
The anti-collapse pillar 150 is a single curved protrusion from the lower horizontal wall 122 so that the sculpture 140 can be supported along the horizontal surface of the unmolded upper horizontal wall 121. ) A ceramic ossuary equipped with a sculpture characterized by
According to paragraph 1,
The sculpture 140 is formed integrally with the upper horizontal wall 121 and is formed to surround the communication member 130. A ceramic urn equipped with a sculpture.
According to paragraph 1,
A sub-enclosure 160 containing dehumidifying products, moisture-proofing products, and belongings of the deceased is inserted into the communication member 130,
A flange portion 161 spanning the communication member 130 is formed on the upper outer circumference of the sub-enclosure 160, and a plurality of ventilation holes 162 for ventilation are formed on the bottom surface,
A ceramic urn equipped with a sculpture, characterized in that the upper part of the sub-enclosure 160 is closed by a sub-lid 163.
According to paragraph 1,
A ceramic urn equipped with a sculpture (140), characterized in that a pattern for decoration is transferred to the surface of the ceramic urn (100).
In the method of manufacturing a ceramic urn equipped with a sculpture,
A step of preparing viscous liquid mud water by stirring white clay and deflocculating material (S10);
The earthen water is injected into a mold in which the shape of the urn body 110 is formed to form a resting body 120 having a resting space 124, a communication opening 125 formed in the resting body 120, and a sculpture of a specific shape ( 140) and a step (S20) of molding the urn body 110 having an anti-collapse pillar 150 formed inside the burial space 124 to support the upper horizontal wall 121 (S20);
The urn body 110 was naturally dried for 48 hours by attaching a previously manufactured cylindrical communication member 130 to the communication port 125 of the upper horizontal wall 121, and then dried for 8 hours at 850°C to 950°C. Firing step (S30);
Applying a glaze to the urn body 110 that has undergone primary firing and then secondary firing at 1250°C to 1290°C for more than 12 hours (S40);
Transferring a pattern for decoration to the surface of the secondary firing urn body 110 and communication member 130, and performing third firing at 800°C to 820°C for 5 hours (S50); and
Insert the sub-enclosure 160 having a pre-fabricated sub-lid 163 into the communication member 130 of the urn body 110 that has undergone the third firing, and close the communication member 130 with the urn lid 170. A method of manufacturing a ceramic urn, characterized in that it is manufactured including a step (S60) of completing the ceramic urn 100.
According to clause 8,
In step S20,
A method of manufacturing a ceramic urn, characterized in that the sculpture (140) is formed integrally with the upper horizontal wall (121) and protrudes in the outward direction.
According to clause 8,
In step S50,
A method of manufacturing a ceramic urn, characterized in that it further comprises the step of transferring a pattern for decoration to the surface of the previously manufactured urn lid 170.

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