KR102139889B1 - A Real-Time Collaboration and Evaluation System for a Music Creation Activities on an online Platform - Google Patents

Abstract

The present invention relates to a collaboration system for a music creation activity on an online network. An aspect of the present invention provides a collaboration system for a music creation activity on an online network which comprises: a server providing a service required for music collaboration; and a plurality of user terminals connected to the server through a network, wherein the server includes: a user management module for managing a user using the service of a collaboration server; a collaboration module for managing collaboration performed by the users; and an evaluation module for evaluating a result from the collaboration of the users and the collaboration module includes: a project generation module generating a project corresponding to a request if a user sends the request for collaboration from a user terminal; a project participation module selecting a user group corresponding to a work of the project generated by the project generation module, asking users of the corresponding user group whether to participate in the project, and assigning users, who hope to participate in the project, as project participants with respect to the generated project; and a project management module for managing a result generated by the project. The present invention enables personal creators to perform music creation activities more easily and efficiently.

Description

A Real-Time Collaboration and Evaluation System for a Music Creation Activities on an online Platform}

The present invention relates to a real-time evaluation and collaboration system for music creation activities on an online platform, and more specifically, music by utilizing each talent and collective intelligence of non-professionals interested in music, including music experts in each field. It is a real-time evaluation and collaboration system for music creation activities on an online platform that can support creation.

Recently, as the music market is globalized and media distribution channels such as YouTube are activated, interest in creative objects such as sound sources created by individuals is gradually increasing. In addition, sound sources created by such individuals can be quickly shared and spread among users through social media such as Instagram, Facebook, etc., and built-in media player functions such as smartphones that can play various multimedia contents. With the proliferation of one terminal, an environment in which users can access music anytime and anywhere is established, and accordingly, interest in song creation and sound source production is growing.

In order to create a sound source by creating songs by people with interest and talent in music creation activities such as conventional music creation, all the music production activities required for sound source production, such as singer or All activities such as vocal selection, performance, mix, mastering, arrangement, recording, album jacket creation, selection of distributors for music sources, etc., had to be personally recognized and contacted with the expert, and had to be directly involved in sound source production. There is a problem that it is not easy to find an expert, and it is not easy to connect.

However, it was difficult and uncomfortable for an individual to perform each field necessary for creating a sound source by creating a song. In addition, since an individual's own sound source often has less expertise, distribution is difficult, so the individual creates the sound source. There are many difficulties in manufacturing, production, and distribution.

In addition, the music community site Mule, which is currently commercially available, provides various fields such as job search, job search, lessons, rental, music, evaluation, creation, musical instrument, arrangement, album jacket, recording, mixing, songwriting, composition, video production, etc. There is an inconvenient problem, such as having to go into each respective site mule individually and make a contact and schedule, and there is a problem that the creator, the performer, etc. must perform all the procedures individually.

In addition to this, enormous costs are required because audition tests, education, re-issues, etc. are necessary to select people who have current musical talents or interests and have a close relationship with SM, YG, etc., and to be selected for their activities. There is a problem that time and effort have to be put in, and therefore, there are many difficulties in finding and acting out talented or competent musicians in music because of these problems.

Therefore, there is a need for a real-time online platform that can perform overall activities of music creation, such as song creation, criticism, and music production while participating in music-related experts, non-professionals, and anyone with a talent and interest in music without such difficulties.

The present invention was devised on the basis of the above-mentioned problems, by allowing many professional groups (or professional groups) or non-professional groups (amateur groups) existing on the online platform to participate in music creation activities, that is, writers and For composers, it is possible to connect singers or vocals, arrangers, mixers, performers, evaluations, evaluation opinions, etc. necessary for the production of sound sources. Conversely, writers, composers, personal creation sources, mixers, performers, etc. required for singers or vocals are connected. The basic task is to provide a real-time evaluation and collaboration system for music creation activities on an online platform that can be done.

In addition, another task is to simplify the music creation process and increase the efficiency while reducing the time and cost of the music creation process.

Another challenge is that a music expert or a non-professional (amateur) presents and evaluates evaluation opinions in real time in the creative process of music, and edits and reflects the evaluation opinions in real time to derive and promote the best music creations. Shall be

In addition, another task is to easily discover excellent musical talents among non-professional musicians (amateurs).

In addition, it is another task that anyone can participate in the platform without regard to time and place by supporting a dedicated application line on a PC or a smartphone.

In addition, tasks such as maintenance, management, rental, and distribution of the finished sound source through music creation activities are another task.

In addition, the part involved in the sound source completed through the music creation activities is limited to writing, composing, criticism, and singer or vocal, and the rest of the creative activities such as performance, mixing, mastering, arrangement, recording, album jacket creation, etc. Another task is to consider it as an auxiliary activity.

In addition, another task is to distribute the income of the sound source completed through the music creation activity through the participation ratio and weight to those involved in the sound source creation.

According to an aspect of the present invention to solve the above problems, a collaboration system for music creation activities online is provided, the collaboration system comprising: a server providing a service required for music collaboration; The server includes a plurality of user terminals connected through a network, and the server includes a user management module for managing a user using a service provided by a collaboration server; A collaboration module for managing collaborations performed by users; And an evaluation module for evaluating the result of the user's collaboration, the collaboration module comprising: a project generation module that generates a project corresponding to the request when a user requests a collaboration from a user terminal; Project participation module that selects a user group corresponding to the task of the project created by the project creation module, asks users of the corresponding user group to participate in the project, and assigns the user who wants to participate as a project participant to the created project ; And it characterized in that it comprises a project management module for managing the results generated by the project.

In the above-described aspect, the user management module includes users who have subscribed to the service as a group of songwriters, composers, singers or vocalists, arrangers, session groups, recording engineers, mixing engineers, mastering engineers, and album jacket creators It is configured to manage separately.

In addition, in the above-described aspect, the project management module is configured to record the participants who have performed work on the generated project results, and the evaluation module evaluates the project results managed by the project management module and evaluates the participants who performed the work. It is configured to perform.

In addition, in the above-described aspect, a plurality of sub-projects are generated for one project generated by the project creation module, and the project creation module includes a participant designation module, and the cooperative requestor wishes to collaborate through the participant designation module It is configured to designate a user for each music field, and the project participation module is configured to inquire whether to participate in the project for the designated user and to assign a user who wants to participate as a project participant for the generated project.

According to the above-described problems and the solution of the present invention, since an individual can connect parts necessary for music creation to each other in performing a music creation activity, an individual creator can perform music creation activities more easily and efficiently. The effect can be obtained.

In addition, it has the advantage of simplifying the music creation process and reducing the time and cost while increasing the efficiency of the music creation process.As a music expert or a non-professional (amateur) presents evaluation opinions in real time in the music creation process, it is evaluated. By reflecting the evaluation opinions, it is possible to edit in real time, so it is effective in deriving and promoting the best music creation, and it is easy to discover excellent music talent among non-professionals (amateurs) with interest and talent in music, and PC Alternatively, by providing a dedicated app line for smartphones, etc., anyone can participate in the platform without regard to time and place, so there is an advantage of using collective intelligence, and experts or non-professionals or unspecified persons (or hereinafter referred to as'participants') .) By utilizing the collective intelligence of, etc., music creation activities are promoted through appropriate financial compensation to those involved in music creation activities through music creation activities, so that music is promoted more and more.

1 is a block diagram showing the configuration of a collaborative system for online music creation activities according to the present invention;
2 is a block diagram showing the main configuration of a collaboration server according to the present invention;
3 is an explanatory diagram for explaining the main configuration and function in the first embodiment of the collaboration module of the collaboration server;
Figure 4 is an explanatory diagram for explaining each operation during arrangement work in the project creation module, project participation module, project management module, evaluation module;
Figure 5 is an explanatory diagram for explaining each operation during the session collaboration in the project creation module, project participation module, project management module, evaluation module;
6 is an explanatory diagram for explaining the main configuration and functions in the second embodiment of the collaboration module of the collaboration server;
7 is a flow chart showing an exemplary operation flow in the second embodiment of the collaboration module of the present invention;
8 is a flow chart showing another exemplary operation flow in the second embodiment of the collaboration module of the present invention.

Advantages and features of the present invention, and methods for achieving them will be clarified with reference to embodiments described below in detail together with the accompanying drawings. However, the present invention is not limited to the embodiments disclosed below, but will be implemented in various different forms.

This embodiment in the present specification is to provide a complete disclosure of the present invention, and to fully inform the scope of the invention to those skilled in the art to which the present invention pertains. And the present invention is only defined by the scope of the claims. Thus, in some embodiments, well-known components, well-known operations, and well-known techniques are not specifically described in order to avoid obscuring the present invention.

The same reference numerals refer to the same components throughout the specification. In addition, the terms (mentioned) used in this specification are for describing the embodiments and are not intended to limit the present invention. In the present specification, the singular form also includes the plural form unless otherwise specified in the phrase. Also, components and actions recited as “includes (or is provided with)” do not exclude the presence or addition of one or more other components and actions.

Unless otherwise defined, all terms (including technical and scientific terms) used in the present specification may be used as meanings commonly understood by those skilled in the art to which the present invention pertains. In addition, terms defined in the commonly used dictionary are not ideally or excessively interpreted unless defined. Hereinafter, embodiments of the present invention will be described with reference to the accompanying drawings.

1 is a configuration diagram of a system for explaining a collaboration system (hereinafter referred to as a collaboration system) for music creation according to an embodiment of the present invention. Referring to Figure 1, the collaboration system 1 according to an embodiment of the present invention, a network for the collaboration server 10 and the collaboration server 10 for providing services of the collaboration system (1) ( And a user-side terminal 20 connected through N). The collaboration system 1 of FIG. 1 is according to an example of the present invention, and the present invention is not limited to the embodiment illustrated in FIG. 1.

Meanwhile, the user-side terminal 20 may be divided into a collaboration request terminal 20a and a collaboration participation terminal 20b for convenience of description, and the collaboration request terminal 20a is a terminal of a user who has requested to perform a joint project. It may be defined, and the collaboration terminal 20b may be defined as a terminal of a user who participates in the collaboration in response to a request from the collaboration request terminal 20a.

As illustrated in FIG. 1, the user terminal 20 and the collaboration server 10 are connected to each other via a network, and users participating in the music creation collaboration can collaborate with each other through a program provided to the collaboration server. . The number of collaboration users that can participate in one collaboration is not limited.

In addition, the user refers to all music-related workers (experts) and non-employees (amateurs) who are interested in creating music, using the music collaboration service according to the present invention, by function provided by the collaboration server of the present invention. Refers to a user who can create or change some or all of the sound source content in fields related to sound source production, such as author, composer, arranger, session player, MIDI engineer, vocalist, recording engineer, mixing engineer, mastering engineer, etc. In addition, it may further include a critic who can help improve the quality of the sound source content.

The network (N) refers to a connection structure capable of exchanging information between each node such as a plurality of user terminals and a collaboration server 10, and such a network (N) is a 3GPP (3rd Generation Partnership Project) network, Long Term Evolution (LTE) network, 5G network, World Interoperability for Microwave Access (WIMAX) network, Internet, Local Area Network (LAN), Wireless Local Area Network (LAN), Wide Area Network (WAN), PAN ( Personal Area Network (Bluetooth) network, satellite broadcasting network, analog broadcasting network, DMB (Digital Multimedia Broadcasting) network, and the like.

In the system having such a structure, the user accesses the collaboration server 10 through the user terminal 20 and accesses the parts necessary for sound source production or creation through the sound source collaboration tool program or application provided by the collaboration server 10. It is operated such that other users connected to the collaboration server 10 request the collaboration and participate in the collaboration of the sound source in response to the collaboration request.

Here, the user terminal is not particularly limited as long as it is a terminal capable of accessing the collaboration server 10 and performing a sound source collaboration tool program or application according to the present invention, and is currently widely used in laptop computers and desktops. It may include a terminal device such as a computer, PDA, smart pad, smart phone, etc., but the user terminal 20 used in the present invention is not limited to these types.

2 is a diagram schematically showing the function of the collaboration server 10 in the collaboration system for music creation according to the present invention. As shown in FIG. 2, the collaboration server 10 includes a user management module 100 for managing users for receiving services of the collaboration server, and a collaboration module for managing collaborations performed by users. (200), the evaluation module 300 for evaluating the results of the user's collaboration.

The user management module 100 is stored and managed in the user database 190, and the collaboration result by the collaboration module 200 is stored and managed in the collaboration database 290, and is evaluated through the evaluation module 300 The results obtained are managed by the evaluation database 390.

The user management module 100 includes user information when a user subscribes to the collaboration service according to the present invention. At this time, the user management module 100 allows the user to select a field of interest (lyric, composition, arrangement, session, musical instrument, recording, mixing, mastering) through the membership process of the collaboration service and select the selected information. Stored in the user database 190.

In addition, the user management module 100 may receive the user's own employment cost information further and store it in the user database 190 in consideration of the case where the employment cost is required to be paid between users. It is also possible to enter a workable area and further store it in the user database 190.

Hereinafter, the collaboration module will be described.

(First Example)

The collaboration module 200 functions to manage the overall activities of the collaboration, such as creation of a project of the collaboration requested by the user, tracking of the created project, and termination of the collaboration project, and the result of the collaboration generated in the collaboration. It functions to store in the collaboration database 290.

The evaluation module 300 functions to perform users' evaluation on the collaboration results, and the results evaluated by the evaluation module are reflected in all the collaboration results, which are evaluated by the users who participated in the collaboration as well as the evaluation of the results themselves ( For example, it is evaluated by writing, composing, arranging, recording, mixing, mastering), and is configured to improve individual recognition within the collaboration service.

3 is a functional block diagram for explaining the function of the collaboration module 200 in the collaboration server 10 according to the present invention. As illustrated in FIG. 3, the collaboration module 200 includes a project creation module 210, a project participation module 220, and a project management module 230.

The project creation module 210 generates a project for a corresponding user request when an individual user requests music collaboration from the collaboration module 200. The created project is created step by step in the order of sound source production. For example, the first project is a writing and composing project, the second project is an editing project, the third project is a session project, the fourth project is a recording project, the fifth project is a mixing project, and the last N project is a mastering project. Can.

Specifically, as shown in FIG. 4, the requester performs a collaborative request for necessary work through the project creation module 210. It is assumed that the user who made the request in FIG. 4 is a lyricist and composer, and has subsequently requested work for arrangement through the project generation module 210. However, when it is necessary to write and compose (for example, a user belonging to a singer or a vocal group), the user may request the compose and compose through the project creation module 210.

On the other hand, in the example shown in FIG. 4, the requester who requested the arrangement may designate the arrangement direction. For example, the requester performs a request by selecting one or more of various music fields such as ballad, dance, rock, modern rock, hippop, jazz, etc. for the digital sheet music uploaded by the requester.

The project participation module 220 converts the request made by the user to the public and notifies the requester of such request to individuals registered as arrangers in the user database.

The user or arranger who receives the project request reviews whether to participate in the project through the uploaded digital sheet music and accepts the request if he wants to participate in the project, while rejecting the request if he does not want to participate in the project.

Accordingly, as shown in FIG. 3, the number of sub-projects is determined in correspondence with the number of participants participating in the project. When the project collaboration request is generated, that is, the request is generated in the project creation module. Every time, the user required for the request is notified and the participation of the project is managed.

The project participation module 220 generates a message confirming whether to participate as a group corresponding to the request among a group of users registered in the user database and determines users who have accepted the request as a project participant.

The project participation group is not limited to this, but may include a lyric/composition group, a singer or vocal group, an arranger group, a session group, a recording engineer group, a mixing engineer group, and a mastering engineer group. It may include.

In general, in order to generate music or a sound source, generating digital sheet music by a songwriter and a composer; Arranging the generated sheet music; A session recording (or session track generation) step of recording an instrument player in accordance with the arranged song, a step of recording the sound of a singer or vocalist for the session recorded sound source (generating a vocal track); A mixing step of mixing the generated sound sources (tracks) into one sound (track); It consists of a mastering step of correcting the tone and sound for the mixed sound source. Therefore, according to the process of generating the sound source, the requester can request only the parts necessary for each collaboration request, and the request is usually performed according to the above-described steps. For example, in the stage in which the voice of the current vocal is recorded, the requester may perform a request for a mixing stage in which the next stage, the generated sound source tracks, is mixed into one, so that the participant generates in each stage of sound source generation Participation can be decided according to the request.

Referring again to FIG. 4, participants (participants 1 to 3) who participated through the project participation module 220 arrange arrangements according to the individuality of each participant upon request. As multiple arrangements are possible by each participant, multiple arrangements can be made for one original composition.

Each arrangement result generated by each participant is managed by the project management module 230, and the project management module 230 manages the tag of the original arranger-arranger for each generated arrangement result. That is, when the arrangement result is completed, the completed result includes participant information of the corresponding project by the project management module, and users of the collaboration server 10 can know who the participant (arranger) of the corresponding project is. This also affects the participants' perceptions, which can enhance their personal sense of achievement and motivate them to participate voluntarily.

Referring back to FIGS. 3 and 4, when arrangers complete the arrangement for the corresponding sound source, the project management module 230 converts the arrangement results to public for the entire user group, and users use the evaluation module 300 An evaluation is performed for each published arrangement result.

In the evaluation module 300, as shown in FIG. 4, evaluation of arrangement results generated by the first to third participants is performed by users, and evaluation performed is performed on the original song itself as well as the evaluation of the corresponding arrangement. Can also be performed. For this evaluation, the project results stored in the project management module 230 may be configured to separately reproduce digital sources and arranged digital sources uploaded by original lyrics and composers. That is, when the evaluator listens to the first to third project results provided from the project management module 230, the original digital soundtrack track and the arranged digital soundtrack can be separately reproduced through a selection button provided on the user's screen. Through this, the original song is evaluated as well as the arrangement.

The requester who requested the first arrangement can select a desired arrangement result after evaluation by the evaluation module 300, and may perform a subsequent sound source generation operation with the selected arrangement result, or generate the next sound source with all of the created arrangement results Although it is possible to proceed, it is preferable to select only one arrangement result that is most suitable for the intention of the requester or to select an arrangement result by referring to the user's rating and then proceed to the next sound source generation operation with the selected result.

In the case of unselected arrangement results, it is possible to obtain a rating from the user instead, so that an advantageous influence can be given to the arranger's own career, and in the case of an unselected arranger, he or she can negotiate with the original arranger who is the requester of arrangement. You can also proceed to the next collaboration with the arranged music. This is because it is impossible to use the sound source without permission because the result of the arranged arrangement has tag information indicating who the original composer (author, composer) is and who the arranger is. The advantage is that other users do it instead.

On the other hand, the arrangement results for the original song are performed using an editing tool provided by the collaboration server. The editing tools provide MIDI sounds for various instruments, and arrangers can use these MIDI sounds to generate editing results. The result includes digital sheet music for the instruments used for the arrangement, which can be used to create a track of sessions in a later step.

After the arrangement is completed, the first requester creates a new project using the arrangement. The next new project is a session recording (or session track creation) step in which the instrument performance is recorded according to the arranged results.

5 is a block diagram for explaining session collaboration in the collaboration server 10 according to the present invention.

In the same manner as described above, the requester makes a request for the required session work through the project creation module 210. The user who made the request in FIG. 5 is a lyricist and composer (original composer) described on the basis of FIG. 4, and requests the work for session performance through the project creation module 210 with the collaborated arrangement results.

Upon request, the requester uploads the digital music score for the required instrument along with the arrangement results. The project participation module 220 converts the request made by the user to the public and notifies the requester of such request to individuals who have registered as an instrument player in the user database. In this case, since the requester requested to play a session on the piano, the project participation module provides the second arranger result and session sheet music to the piano players from the database and asks to participate in the project, and the piano player who receives the project request is provided We review whether we will participate in the project through arrangements and digital sheet music, and if we want to participate in the project, we accept the request, but if we do not want to participate in the project, we reject the request.

Accordingly, as illustrated in FIG. 5, the number of new sub-projects is determined in correspondence with the number of participants participating in the project. Several types of piano tracks can be created by each participant.

Each performance result generated by each piano performance participant is managed by the project management module 230, and the project management module 230 manages tags of original music players, arrangers, and performers for each generated performance results. That is, when the performance result is completed, the completed result includes all the participant information of the corresponding project by the project management module, and the users of the collaboration server 10 are who are the original music, arranger, and piano player of the corresponding project This will affect the awareness of the participants, thereby enhancing personal achievement and motivating voluntary participation.

In addition, when the players complete the performance for the corresponding sound source, the recorded piano track is uploaded through the project management module 230, and the performance results are converted to public for the entire user group, and the users use the evaluation module 300 Evaluate each of the public performance results.

In the evaluation module 300, the evaluation of the performance results generated by the first to third participants (performers) is performed by the users as described above, and the performed evaluation is stored in each evaluation database for each player, and recognition of the performer Will affect.

The requester who requested the first piano session can select a desired performance result after the evaluation by the evaluation module 300 has been made, and may perform a subsequent sound source generation operation with the selected performance result, or the next sound source with all of the created performance results Although it is possible to proceed with the creation, it is preferable to select only the performance result that is most suitable for the intention of the original requester, or select the selected performance result by referring to the user's rating, and then proceed to the next sound source generation operation with the selected performance result. desirable.

After that, the requester creates a project for each instrument that enters the arrangement result, proceeds and completes the session project. Through these steps, track sounds constituting the sound source for each instrument are collected.

Thereafter, after the session step for playing the instrument is completed, the first requester uploads it to the project creation module 210 using the selected performance result, and performs additional tasks such as vocal, recording, mixing, and mastering. The work of these vocals, recordings, mixings, and maststrings is created at the request of the user, and the required sound sources or tracks are provided and managed by the participants through the project participation module.

Therefore, according to the present invention, when one project is generated, a plurality of sub-projects can be generated according to the participating participants, evaluation of the generated sub-projects is made, and again with the best result among the plurality of sub-projects By creating a new project, you can sequentially collaborate on sound sources.

In addition, the user's evaluation is performed on the unselected result among the sub-projects, and the evaluated result is calculated and accumulated as the participant's rating, so that the recognition of the participant is improved and it can be advantageously applied to the user's profile. In addition, since the unselected results are also stored and stored in a collaborative database or the like, and can be viewed by other users when necessary, the effect of promoting the work that the user has worked on can be obtained.

Table 1 below shows the participant information included in the final result sound source by collaboration.

[Table 1] Participant information of the final result sound source

The final collaborative sound source is stored as a final sound source in the collaboration database, and the final sound source further includes participant list information, rating information, and participant-related information.

If a user is interested in a user in a specific field, for example, a arranger, through a final collaborative sound source, the user can view the arrangements of the user in more detail through viewing information of the arranger. When working, a specific arranger or a specific user may be designated to request collaboration.

(Second example)

6 is a view showing another embodiment of the collaboration module 200 of the collaboration system 10 according to the present invention. As shown in FIG. 6, the collaboration module 200 includes an integrated project creation module 210a, a project participation module 220, and a project management module 230.

The integrated project creation module 210 is operated to generate a project in consideration of a participant for working with a single individual user from the initial stage of sound source production. When the user creates an integrated project unlike the first embodiment, the integrated project requests the user who requested the integrated project to designate a user to participate in the integrated project. To this end, the integrated project creation module 210a includes a participant designation module 210b for designating a participant.

The requestor is designated as a collaborative participant based on the rating information of each user in the relevant field disclosed in the evaluation database 390 as described above through the participant designation module 210b, or the work information included in the user information. Or, designate a user who was usually interested as a collaborator.

In the step of creating an integrated project, the integrated project creator may be a user responsible for at least one of the above-mentioned lyrics, composition, arrangement, session, singer or vocal, mixing, and mastering, and is a producer who is in charge of sound source production. You can also create On the other hand, if writing and composing (original music) are completed at this stage, the currently completed results are registered when the integrated project is created.

The project participation module 220 notifies designated users that an integrated project request has been received, and also provides profile information of a user (requester) who requested the integrated project, and a currently completed result as needed.

The designated users determine whether to participate in the integrated project generated based on the requestor's profile information and currently completed result information through the project participation module 220.

The project participation module 220 records the user who has accepted the request as a participant of the generated integrated project, notifies the requestor about the designator who has not participated, and the requestor again recruits the participants through the participant designation module 210b .

The project management module 230 stores all the work results generated by the collaboration participants, and the tag information of the participants who participated in the work results is stored and managed in the same as the first embodiment.

For example, participant information from the author, composer and arranger is recorded in the intermediate result, which is completed through composition, composition, and arrangement by the integrated project, and the collaborator who is engaged in the integrated project but is not involved in the intermediate result is recorded as the participant. Does not work.

This means that even if a participant leaves the integrated project team in the middle of the project, the result will be protected as a participant in the result of their participation, so that it can be protected from copyright and other problems caused by this, and if the team leaves the team without contributing to the integrated project Since there is no record left as a participant, the problem of unfairly scoring may be solved.

7 is a flow chart showing the procedure of the production process of the sound source generated by the integrated project as described above. As shown in FIG. 7, the requester discloses the original song (composition/composition) to the user or the evaluator through the project management module 230 as the primary result of the generated integrated project team. Here, the evaluator may be a music expert or a music producer registered in the collaboration system as a user.

In step S120, the evaluator performs evaluation on the primary outcome and feeds it back to the integrated project team. In the case of positive feedback, the step proceeds to S130, but when negative feedback is received, the step returns to S110 and the feedback is reflected in the original song to receive the primary feedback again.

If the feedback step for the primary result is passed in step S120, the step proceeds to S130, and in this step, the secondary result is generated by arranging the primary result.

When the arrangement result (secondary result) for the original song is generated in step S130, the requester discloses to the user or the evaluator through the project management module 230 in step S140. Here, the evaluator may be a music expert or a music producer registered in the collaboration system as a user.

In step S140, if the secondary result receives a positive feedback from the evaluator, the step proceeds to S150, but otherwise, if a negative feedback is received, the step proceeds to S130 to reflect and correct the feedback for the secondary result.

In the subsequent step S150, operations such as vocal, session, mixing, mastering, and album jacket are performed on the secondary result. This work is carried out by participants in the field within the integrated project, which results in tertiary outcomes.

When the tertiary result is generated in step S150, the requestor receives a tertiary evaluation from the evaluator in step S160. In step S160, if the 3rd result receives positive feedback from the evaluator, the step proceeds to S170. Otherwise, if a negative feedback is received, the step proceeds to S150 to reflect and correct the feedback for the 3rd result.

Subsequently, in step S170, minor errors such as the color of the album jacket and the correction of mastering are corrected for the third-feedback sound source to generate the fourth result and the final evaluation is performed in step S180.

If the final feedback is passed in step S180, the sound source or record is produced and distributed in step S190, otherwise, the process proceeds to step S170, whereby the fourth result is corrected again.

8 is a flow chart showing another procedure of the production process of the sound source generated by the integrated project as described above. In the process of producing a sound source according to the flowchart of FIG. 7, whenever a co-worked result is generated, the expert or record producer or users receive the feedback, and the result is reflected in the result at each stage, whereas the flowchart shown in FIG. 8 In the process of producing the sound source according to the production method shown in FIG. 7 is substantially the same, except that it is configured to generate the final result by receiving feedback from experts or record producers or users only for the fourth result (intermediate result). The detailed description will be omitted.

On the other hand, financial income incentives can be provided through participation ratios and weights to those who are involved in creating the sound sources for the income of the sound sources completed through music creation activities.

In general, since authors, composers, and singers have the right to sound sources, creators such as performance, mixing, mastering, arrangement, recording, and album jacket creation are in employment relationship with sound source rights holders (authors, composers, singers), but their creative activities It can also compensate for the cost.

The above-described embodiments are for illustration only, and those having ordinary knowledge in the technical field to which the above-described embodiments belong can easily be modified into other specific forms without changing the technical idea or essential characteristics of the above-described embodiments. You will understand. Therefore, it should be understood that the above-described embodiments are illustrative in all respects and not restrictive. For example, each component described as a single type may be implemented in a distributed manner, and similarly, components described as distributed may be implemented in a combined form.

For example, although the first and second embodiments in the above-described collaboration module 200 are described as separate independent examples, the two embodiments may be implemented in combination with a part of each other.

For example, in the above-described second embodiment, the integrated project is described to designate all users related to writing, composing, arranging, session, vocal, mixing, and mastering. As in the embodiment, it may be changed or modified to obtain a desired result through a collaboration request.

The above description is merely illustrative of the technical spirit of the present invention, and those skilled in the art to which the present invention pertains may make various modifications and variations without departing from the essential characteristics of the present invention. Therefore, the embodiments disclosed in the present invention are for illustrative purposes, not for limiting the technical spirit of the present invention, and the scope of the technical spirit of the present invention is not limited by these embodiments.

Therefore, the protection scope of the present invention should be interpreted by the following claims rather than limited by the above-described embodiments, and all technical spirits within the equivalent ranges should be interpreted as being included in the scope of the present invention.

1: Collaboration system for music creation
10: Collaboration Server
20: user terminal
100: user management module
200: collaboration module
300: evaluation module
190: user database
290: collaboration database
390: evaluation database

Claims (6)

In real-time collaboration and evaluation system for music creation activities on an online platform,
The real-time collaboration system includes a server that provides a service required for music collaboration; And a plurality of user terminals connected to the server through a network,
The server includes a user management module for managing users using the services of the collaboration server; A collaboration module for managing collaborations performed by users; And an evaluation module for evaluating the results of collaboration by users,
The collaboration module,
A project generation module for generating a project for each function and for each function corresponding to a request when a user requests a joint work for each function and each step of music production from the plurality of user terminals;
Select a user group corresponding to the task of the project created by the project creation module, ask the user of the corresponding user group whether to participate in the project, save the user's data, and create a user who wants to participate in the generated project. A project participation module that is assigned as a project participant and notifies a user who wishes to participate by converting a request made by the user to public; And
It includes a project management module for managing the results generated by the project participants,
For one project generated by the project generation module, a plurality of sub-projects can be generated corresponding to the number of participants in the project,
The project management module is configured to record participants who have performed work on the generated project results, and the evaluation module converts the generated project results to public for the entire user group, and users are published using the evaluation module. It is configured to evaluate the project outputs for each and the participants who performed the work,
The user management module is configured to manage users who have subscribed to the service by separating them into a group of songwriters, composers, vocal groups, arrangers, session groups, recording engineers, mixing engineers, mastering engineers, and album jacket creators. Become,
The evaluation module is configured such that after evaluation is performed for each function and step by step in each field, a requester can select a performance result desired by each function and step, and perform music generation work with the performance result. To do
Real-time collaboration and evaluation system for music creation activities on an online platform
According to claim 1,
The project creation module includes a participant designation module, and the cooperative requester is configured to designate a user who wishes to collaborate through a participant designation module for each corresponding music field,
The project participation module is configured to inquire whether to participate in a project for a designated user and assign a user who wants to participate as a project participant for the generated project.
Real-time collaboration and evaluation system for music creation activities on an online platform.
According to claim 1,
The method according to claim 1 or 2,
It is characterized by being able to provide financial financial incentives through participation ratios and weights to those who are involved in the sound source creation for the income of the sound sources completed through music creation activities.
Real-time collaboration and evaluation system for music creation activities on an online platform.
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