JPS6328040B2 - - Google Patents

Description

[Detailed Description of the Invention] The present invention utilizes a protective film (a vinyl sheet, a polyester sheet, or other material that is not easily affected by moisture, has little expansion and contraction, and is flexible) when lining a work of calligraphy or painting. , which has been devised so that even beginners can easily carry out the work by changing the work that conventionally required advanced techniques into a simple process.

The conventional method for lining calligraphy and painting works is that either the calligraphy work or the lining paper can be kept in a stable state by keeping them in close contact with a flat plate, but the other one can be held directly by hand or hung on a hanging pole. Since the pieces are pasted together in an unstable state where they are held by hand, they tend to sag, wrinkle, and tear easily.In addition, advanced techniques are required to ensure accurate pasting of the calligraphy work and the backing paper so that they do not shift. It took.

Therefore, in the present invention, the lining work board and the drying work board are overlapped with the calligraphy work in close contact with the backing work board via a protective film, and the backing paper is in direct contact with the drying work board, so there is no unstable element. The purpose is to provide a working method that even beginners can easily follow.

Next, an illustrated embodiment of the present invention will be described.
In this example, as shown in Fig. 1, first, a backing work plate 2 is placed on a table 1, a protective film 3 is spread on it, and a calligraphy work 4 is placed face down on top of the work plate 2, and the work is properly humidified. , and bring it into close contact with the protective film 3 while smoothing out wrinkles and sagging with a brush.

On the other hand, a drying work board 5 is placed on a table 1, a backing paper 6 is placed on it, the surface is uniformly coated with glue, and the back side is applied with glue in an appropriate width around the four circumferences, and is pasted on the drying work board 5.

Next, as shown in FIG.
are superimposed so that the calligraphy work 4 and the backing paper 6 face each other.

Next, as shown in FIG. 3, while holding the lining work plate 2 and drying work board 5 so that they do not shift, turn them upside down and place them so that the lining work board 2, originally at the bottom, becomes the top. , remove the backing work plate 2, apply pressure with a brush or the like from above the protective film 3, and firmly bond the calligraphy work 4 and the backing paper 6 together, then lightly bend one corner of the protective film 3 to finish the calligraphy work. Peel it off from 4.

After drying under the above conditions, the green of the backing paper 6 is cut along the green of the calligraphy work 4 to obtain a lined calligraphy work.

The lined work of calligraphy and painting obtained in this way is a work of calligraphy and painting that has been fully humidified, with the sagging and wrinkles completely smoothed out, and then placed on a protective film that is tightly adhered to the backing work plate and forms a completely flat surface. There are no wrinkles because the paper is attached to the backing paper, which is completely flat and in close contact with the drying work board.
When pasting, the brush does not touch the surface of the calligraphy work directly, but applies pressure from above the protective film, so it does not damage the paper fibers, prevents the calligraphy lines from blurring, and does not impair the aesthetic appearance.

As described above, in the method of the present invention, when lining a calligraphy work with lining paper, the calligraphy work is placed face down on a protective film spread on a lining work plate, humidified, and wrinkles and sagging are removed using a brush. Stretch it out so that it sticks to the protective film.

Next, apply glue evenly on the surface of the backing paper spread out on the drying work board, and apply glue on the back side to an appropriate width around the four circumferences.
Attach to dry work board.

Next, place the backing paper on top of the calligraphy work while keeping it in close contact with the drying work board, turn the work board up and down, and remove the backing work board so that the backing work board is at the top. This method is characterized by attaching the backing paper to the calligraphy work by pressing it with a brush or the like from above the protective film, and unlike the conventional method mentioned above, the calligraphy work and the backing paper are attached closely to the work board, which is easy to handle and maintains a stable flat surface. Since it is pasted together while still in place, it is efficient and easy even for beginners.

[Brief explanation of the drawing]

The drawings show an example of the present invention in the order of steps.
Figure 1 is a side view of the calligraphy work in close contact with the protective film spread on the lining work board, and a side view of the lining paper attached to the drying work board. Figure 2 is the protective film spread on the lining work board. Figure 3 is a side view of the backing paper attached to the drying work board superimposed on the calligraphy and painting work that has been placed in close contact with the work. This is a side view. 1...stand, 2...backing work board, 3...protective film, 4...calligraphy and painting work, 5...drying work board, 6...
...Backing paper.

Claims (1)

[Claims] 1. When lining a calligraphy work with lining paper, the calligraphy work is placed face down on a protective film spread on a lining work plate, humidified, and protected while smoothing out wrinkles and sagging with a brush. Adhere to the film. Next, apply glue evenly on the surface of the backing paper spread out on the drying work board, and apply glue on the back side to an appropriate width around the four circumferences.
Attach to dry work board. Next, place the backing paper on top of the calligraphy work while keeping it in close contact with the drying work board, turn the work board up and down, and remove the backing work board so that the backing work board is at the top. A method for lining work of calligraphy and painting, characterized by applying backing paper to the work of calligraphy and painting by pressing it with a brush or the like from above a protective film.