JPH0525647Y2 - - Google Patents

Description

[Detailed description of the invention] [Industrial application field] The invention has a driving part that gives an auditory notification,
The present invention also relates to a kendo driving table formed with a weighted bottom for specifying the tilting angle of the image according to the driving angle and for quickly restoring the image from the tilting angle to maintain a standing posture. be.

[Conventional technology] The essence of traditional Kendo is ``congruence of spirit, sword, and body,'' and this ``concordance of spirit, sword, and body'' means that the impact of the sword into the area of the attack and the stepping of the foot coincide. In order to acquire this kind of unity between the sword and the body, the practice method that is commonly used at present is that while striking with an opposing opponent, you can visually or feel the sword as it travels through the palm of your hand as you strike. It is an extremely uncertain thing that can be realized by feeling, and therefore it is extremely difficult to master the unity of sword gas, and it is an easy exercise for even high-level players to master and put into practice the unity of sword gas. The current situation is that people are having a hard time learning how to wear it.

As an instrument for mastering the above-mentioned alignment of the kikentai, there is a kendo uchikomi stand, which has a kendo uchikomi base in which air chambers with air whistles are formed at a plurality of desired locations on the statue body.
This invention was created as a device in Utility Application No. 158990, filed on October 17, 1988, by the present applicant and the same applicant.

[Problems to be solved by the invention] In the kendo driving stand of Utility Model No. 158990/1983, as described in the prior art, when the shinai is driven into the desired driving part of the statue body, the air chamber is closed. By compressing the air and making the flute sound, it is possible to auditory sense that the shinai has been hit at the desired location and when the shinai is being driven in. Then, the sound of the flute and the stepping of the foot, i.e., to the main body of the statue, can be sensed. Even if it is possible to easily confirm through hearing whether the strike of the shinai coincides with the landing of the right foot, if the practitioner steps toward the main body of the statue and drives the shinai, then the practitioner may continue to touch the main body of the statue. As the practitioner moves forward, the statue itself collides with the practitioner. If the opponent is a person, the opponent's body will dodge in response to the movements and advances of the person hitting the ball, but since the body of the statue is fixed and cannot be moved, the practitioner may come into contact with the body of the statue, or move forward. When the statue is struck, the statue itself falls due to the impact of the drive or the contact made when the practitioner steps on it, and the statue remains in a fallen state. The practitioner has to stand up the statue each time, and the practice is interrupted each time, causing the practitioner to dodge their body to avoid contact with the statue's body or adjust their impact. It had drawbacks such as being unsuitable as an instrument for practicing cutting.

In addition, an image having a striking target that emits light when struck is provided (see Japanese Utility Model Application Publication No. 111167/1983). However, this method is for visually confirming whether or not the drive has been made accurately, and is not suitable for practicing ``sword gas matching.'' In other words, in Kendo, following the direction of the sword with your eyes indicates immaturity. Moreover, in this invention, since the electric device is placed below the image, the image is fixedly installed, and there is no movement of the image due to implantation.

Furthermore, a figurine toy that is played by blowing is provided (see Japanese Utility Model Publication No. 10132/1983). However, even if this toy blows when it is hit into the target, since the bottom surface is formed in a hemispherical shape and the outer periphery of the bottom is formed in a circular shape, the tilt angle of the image depending on the hitting angle is not constant. There are problems such as the image rotating in an uncertain manner due to the impact, and returning slowly, resulting in cumbersome movements for the training of ``sword gas unity.''

The present invention was developed in view of these conventional problems, and its purpose is to identify the tilting angle of the statue corresponding to the sword driving angle, and to help the practitioner after the sword driving. It is designed so that it does not interfere with the movement of passing through the statue, and the statue body is equipped with a restoring function, so that even if the statue body falls down due to contact with the practitioner or the impact of driving, the restoring force will allow the statue body to maintain a standing posture,
To provide a kendo driving stand that allows one to practice driving into the statue body with all his might, and enables continuous driving in accordance with the movement of the statue body, thereby making it possible to easily and reliably master the alignment of spirit, sword, and body. It's about trying.

[Means for Solving the Problems] In order to achieve the above object, the kendo driving table of the present invention has a driving part in which air chambers equipped with air whistles are formed at a plurality of locations on the statue body. In this Kendo driving table, the bottom of the image body is pentagonal, one side of the bottom is located in front of the image, and the left and right sides corresponding to the top, front, and left and right sides adjacent to the front side of the bottom of the image body are located in front of the image. A weight is provided on each of the body parts of the image body, and a weight is provided on the bottom part of the image body to maintain the upright position of the image body.

[Function] When practicing hitting the statue against an opponent, when the shinai is driven into the desired part of the statue, the air in the air chamber is compressed and a whistle sounds, and the sound of the whistle causes the desired strike to occur. It is possible to auditorily perceive that the shinai has been struck accurately and when the shinai is struck. Therefore, it is possible to easily confirm through hearing whether the sound of the whistle and the stepping of the foot, that is, the striking of the foot into the image body and the landing of the stepped right foot are in agreement.

Even if the main body of the statue comes into contact with a practitioner or receives a shock from being hammered in, even if the main body of the statue simply tilts, it will not completely fall over or remain in a fallen state. The weight can restore and maintain the upright posture of the image body. In addition, when the image body whose outer periphery of the bottom part is polygonal is driven into the driving part of the surface and the thrust, it tilts around the rear side d or e of the bottom surface, and then returns around the side d or e as the axis. When the image body assumes a posture and is driven into the left and right barrels, the image body tilts around the rear sides d or e of the bottom surface, and then returns to its posture around these sides d and e,
In this way, since the tilting angle of the statue corresponding to the sword driving angle is specified, it is possible to prevent the practitioner from getting in the way of the movement of passing through the statue after driving the sword, and to return from the tilted posture to the prescribed position. side d
Alternatively, since the driving is performed quickly with e as the axis, the next driving can be performed in a short period of time while waiting for the image to return. Therefore,
This allows the practitioner to continuously drive in response to the movement of the statue body, which tilts or moves.Moreover, even if the statue body moves, the front of the statue body does not turn backward, allowing the practitioner to practice. You can maintain the same orientation facing the person, and you can easily and reliably master the alignment of spirit, sword, and body.

[Example] Examples will be described with reference to the drawings.

In FIG. 1, a life-sized image body 1 is formed, and the image body 1 is placed at a predetermined implantation site 2, for example.
As shown in FIG. 2, air chambers 3 are provided at a plurality of locations corresponding to the face, the butt, the body, etc., and the air chambers 3 are equipped with air whistles 4, and the image body 1 is loaded with weights to keep it standing. The image body 1 has a bottom 6 provided with 5
As shown in FIG. 3, the bottom part 6 has a rectangular outer periphery, preferably a pentagonal shape, and one side a is located in front of the image body 1.
If the image body 1 rotates due to the impact caused by driving or the practitioner's contact, the front of the image body 1, that is, side a, will not face backwards when viewed from the initial direction before driving. It is constructed by restricting the inverted motion so that the front of the main body 1 almost always faces the practitioner.

As shown in FIG. 1, a driving part 2 is provided at the top of the image body 1 as a part corresponding to the surface, a driving part 2 is provided at the front position of the image main body 1 as a part corresponding to the thrust, and a driving part 2 is provided at the front position of the image main body 1 as a part corresponding to the thrust. As shown in FIG. 3, it is desirable to provide the driving portions 2 at the positions of the left and right sides b and c adjacent to the front side a of the bottom surface 6.

[Effects of the invention] Since the present invention is configured as described above,
If you provide a driving stand with an air chamber equipped with a flute in the driving area of the statue body and practice driving against an opponent using this driving stand, the air flute will sound the moment the sword enters the driving area. You can easily and reliably master the unity of spirit, sword, and body through the auditory sense of the ringing. Even if the statue body comes into contact with a practitioner or receives a shock from being hammered in, the statue body will simply tilt and will not fall down completely or remain in a fallen state. Since the standing posture is maintained, the practitioner is able to continuously drive in response to the movements of the statue body, which may tilt or move.Also, since the bottom is formed in a polygonal shape, the practitioner can easily drive the statue body when it tilts or moves. The angle is specified and the return to standing is quick, so even if the statue body moves, the front of the statue body will not turn backwards and will almost maintain its orientation facing the practitioner.
It is an extremely easy-to-use practice tool for easily and reliably mastering the unity of the spirit, sword, and body, and encourages further dedication to the practice of "the unity of the spirit, sword, and body," and can accelerate progress toward higher-level players. There are advantages such as

[Brief explanation of the drawing]

FIG. 1 is a partially cutaway front view of the image body, FIG. 2 is an enlarged sectional view of the main part of the implanted portion, and FIG. 3 is a bottom view of the image body. 1... image body, 2... implantation site, 3... air chamber,
4...whistle, 5...weight, 6...bottom.

Claims (1)

[Scope of utility model registration request] In a kendo driving table which has a driving part with air chambers equipped with air whistles at multiple locations on the image body, the image body has a pentagonal bottom, one side of the bottom is located in front of the image, and the image body has a pentagonal bottom. A weight is provided on each of the left and right body parts corresponding to the left and right sides adjacent to the front side of the top, front, and bottom of the image, and a weight is provided on the bottom to maintain the upright position of the image body. A kendo platform featuring: