JP6910183B2 - How to decorate earthenware - Google Patents

How to decorate earthenware Download PDF

Info

Publication number
JP6910183B2
JP6910183B2 JP2017078825A JP2017078825A JP6910183B2 JP 6910183 B2 JP6910183 B2 JP 6910183B2 JP 2017078825 A JP2017078825 A JP 2017078825A JP 2017078825 A JP2017078825 A JP 2017078825A JP 6910183 B2 JP6910183 B2 JP 6910183B2
Authority
JP
Japan
Prior art keywords
liquid
layer
pattern
paint
liquid layer
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Active
Application number
JP2017078825A
Other languages
Japanese (ja)
Other versions
JP2018177585A (en
Inventor
匠真 河本
匠真 河本
Original Assignee
匠真 河本
匠真 河本
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by 匠真 河本, 匠真 河本 filed Critical 匠真 河本
Priority to JP2017078825A priority Critical patent/JP6910183B2/en
Publication of JP2018177585A publication Critical patent/JP2018177585A/en
Application granted granted Critical
Publication of JP6910183B2 publication Critical patent/JP6910183B2/en
Active legal-status Critical Current
Anticipated expiration legal-status Critical

Links

Images

Landscapes

  • Decoration By Transfer Pictures (AREA)

Description

本発明は、陶磁器に対して模様を施す加飾方法に関する。 The present invention relates to a decoration method for applying a pattern to ceramics.

陶磁器には、その意匠性を高めるために、表面に着色して模様などの加飾を施すことが一般的に行われている(例えば特許文献1)。模様は多種多様に存在するが、規則性を持たない線や点を手作業で着色して構成される模様は複雑で独創性が高いものとなる。 In order to enhance the design of earthenware, it is common practice to color the surface and decorate the surface with a pattern or the like (for example, Patent Document 1). There are a wide variety of patterns, but patterns composed by manually coloring non-regular lines and dots are complex and highly original.

このような規則性を持たない模様の一例としては、所謂マーブル柄がある。マーブル柄は水に糊等を溶かすことで比重を高めた水溶液をバット等の容器に満たし、この水溶液の上に絵具を複数滴下し、竹串等で絵具を切るように形状を変形させる手法が一般的である。このとき、竹串が通ることで切られた絵具の切り込みに別の絵具が入り込むが、これら絵具同士の間には竹串により誘導された糊を含む水溶液が入るために、絵具同士が混ざり合わず、水溶液の上にマーブル柄の絵具層を形成することができる。マーブル柄は上記したような手法を用いることから同じ模様の再現が難しいため、高い独創性を有する。 As an example of a pattern having no such regularity, there is a so-called marble pattern. Marble pattern is a method of filling a container such as a bat with an aqueous solution whose specific gravity is increased by dissolving glue etc. in water, dropping multiple paints on this aqueous solution, and deforming the shape like cutting the paint with a bamboo skewer etc. It is common. At this time, another paint enters the notch of the paint cut by the bamboo skewer, but the paints are mixed because the aqueous solution containing the glue induced by the bamboo skewer enters between these paints. Instead, a marble-patterned paint layer can be formed on the aqueous solution. The marble pattern has a high degree of originality because it is difficult to reproduce the same pattern because the above-mentioned method is used.

特開平09−020579号公報(第2頁、第1図)Japanese Unexamined Patent Publication No. 09-020579 (Page 2, Fig. 1)

一旦形成されたマーブル柄の絵具層は、水溶液の上にて静止し、この形成された絵具層に紙や布等を当てることでマーブル柄を紙や布等に転写させることができる。この技術を応用し、絵具層を通して水溶液内に陶磁器を沈めた場合、絵具層を通り抜けた陶磁器の表面にマーブル柄を水圧転写することができる。前述したように、一旦形成されたマーブル柄の絵具層は、水溶液の上にて静止することから、模様の一部を選択して陶磁器の表面に写し取れる反面、模様が静止していることから躍動感を持たせることはできないという問題があった。 The paint layer of the marble pattern once formed is stationary on the aqueous solution, and the marble pattern can be transferred to the paper, cloth or the like by applying a paper or cloth to the formed paint layer. When this technique is applied and the ceramics are submerged in the aqueous solution through the paint layer, the marble pattern can be hydraulically transferred to the surface of the ceramics that have passed through the paint layer. As described above, since the paint layer of the marble pattern once formed is stationary on the aqueous solution, a part of the pattern can be selected and copied to the surface of the ceramics, but the pattern is stationary. There was a problem that it was not possible to give a sense of dynamism.

本発明は、このような問題点に着目してなされたもので、規則性を持たず、かつ躍動感を備えた模様を施すことができる陶磁器への加飾方法を提供することを目的とする。 The present invention has been made by paying attention to such a problem, and an object of the present invention is to provide a method for decorating earthenware which does not have regularity and can give a dynamic pattern. ..

前記課題を解決するために、本発明の陶磁器への加飾方法は、
陶磁器の表面に模様を施す加飾方法であり、
容器にを注ぎ入れ、液層を形成する工程と、
前記液層の上に、アルコールを主とする液体に顔料である呉須を含有させた前記液層を形成する油よりも表面張力の低い液体絵具を浮かべ、前記液層の上に模様層を形成する工程と、
前記陶磁器を前記模様層に当てて、前記陶磁器の表面に前記模様層の模様を転写する転写工程と、
を備えることを特徴としている。
この特徴によれば、液層の上に浮かべられた液体絵具は、容器に入れられた液体よりも表面張力が低いことから、所謂マランゴニ効果により液体絵具で形成された絵具層が液層の上で放射方向に自由表面移動するため、模様層の模様が滴下された直後から漸次変形する。この漸次変形する模様層の模様を陶磁器の表面に転写することで、規則性を持たず、かつ躍動感を備えた模様を陶磁器の表面に施すことができる。
In order to solve the above-mentioned problems, the method for decorating earthenware of the present invention is:
It is a decoration method that gives a pattern to the surface of ceramics.
The process of pouring oil into a container to form a liquid layer,
A liquid paint having a lower surface tension than the oil forming the liquid layer, which is a liquid mainly composed of alcohol containing Kuresu, which is a pigment, is floated on the liquid layer, and a pattern layer is formed on the liquid layer. And the process of
A transfer step of applying the ceramic to the pattern layer and transferring the pattern of the pattern layer to the surface of the ceramic.
It is characterized by having.
According to this feature, the liquid paint floating on the liquid layer has a lower surface tension than the liquid contained in the container, so that the paint layer formed by the liquid paint by the so-called Marangoni effect is on the liquid layer. Since the surface moves freely in the radial direction, the pattern is gradually deformed immediately after the pattern of the pattern layer is dropped. By transferring the pattern of the gradually deforming pattern layer to the surface of the ceramic, it is possible to apply a pattern having no regularity and a sense of dynamism to the surface of the ceramic.

前記模様層は、前記液層の上に液体絵具が滴下されて形成されることを特徴としている。
この特徴によれば、滴下された液体絵具が液層と衝突して弾けることで、偶発的な模様を形成でき、複雑かつ躍動感のある模様を形成することができる。
The pattern layer is characterized in that a liquid paint is dropped onto the liquid layer to form the pattern layer.
According to this feature, the dropped liquid paint collides with the liquid layer and pops, so that an accidental pattern can be formed, and a complicated and dynamic pattern can be formed.

記転写工程では前記模様層を通して前記陶磁器を前記液層内に浸す工程と、前記液層内に浸された前記陶磁器を空気中に引き上げる工程と、を備えていることを特徴としている。
この特徴によれば、陶磁器が模様層を通して液層内に浸されることで、流体圧転写により陶磁器の表面に模様層の模様が転写されるとともに、表面に転写された模様は液層を形成する油によりコーティングされ、空気中に引き上げる工程において模様層の模様が再度転写されることが抑制され、所望の模様を陶磁器の表面に施すことができる。
In the previous SL transfer process is characterized in that it comprises a step of immersing the ceramic through the pattern layer on the liquid layer, and a step of pulling the ceramic immersed in the liquid layer into the air.
According to this feature, when the ceramic is immersed in the liquid layer through the pattern layer, the pattern of the pattern layer is transferred to the surface of the ceramic by fluid pressure transfer, and the pattern transferred to the surface forms the liquid layer. The pattern of the pattern layer is suppressed from being transferred again in the step of being coated with the oil and pulled into the air, and a desired pattern can be applied to the surface of the ceramic.

前記模様層は、前記液層の上に単色の液体絵具により形成されることを特徴としている。
この特徴によれば、液体絵具の濃淡により躍動感のある模様を形成することができる。
The pattern layer is characterized in that it is formed on the liquid layer by a monochromatic liquid paint.
According to this feature, it is possible to form a dynamic pattern by the shade of the liquid paint.

実施例における陶磁器への加飾方法において、容器に液層を形成した状態を示す図である。It is a figure which shows the state which formed the liquid layer in the container in the method of decorating the earthenware in an Example. 液層の上に液体絵具を滴下する様子を示す図である。It is a figure which shows the state which the liquid paint is dropped on the liquid layer. 液層の上に滴下された液体絵具の様子を示す図であり、(a)は、滴下直後に液体絵具が破裂する様子を示す図であり、(b)及び(c)は、液層の上に滴下された液体絵具が移動する様子を示す図である。It is a figure which shows the state of the liquid paint dropped on the liquid layer, FIG. It is a figure which shows the state that the liquid paint dropped on is moving. (a)から(c)は、液層の上を液体絵具が移動する様子を示す図である。(A) to (c) are diagrams showing how the liquid paint moves on the liquid layer. 陶器を液層に浸す前の様子を示す図である。It is a figure which shows the state before immersing the pottery in a liquid layer. (a)及び(b)は、陶器に模様を流体圧転写させる様子を示す図である。(A) and (b) are diagrams showing how the pattern is fluidly transferred to the pottery. (a)及び(b)は、陶器を液層から引き上げる様子を示す図である。(A) and (b) are diagrams showing how the pottery is pulled up from the liquid layer. (a)から(d)は、陶器を液層から引き上げた後に、液層の上を液体絵具が移動する様子を示す図である。(A) to (d) are diagrams showing how the liquid paint moves on the liquid layer after the pottery is pulled up from the liquid layer.

本発明に係る陶磁器への加飾方法を実施するための形態を実施例に基づいて以下に説明する。 A mode for carrying out the method for decorating the ceramics according to the present invention will be described below based on examples.

陶磁器は、陶器・磁器の総称であり、その形状は食器皿や花瓶などの日用品からオブジェ等の非日用品である造形物等の多岐にわたるが、本実施例では陶器の食器皿に加飾を施す場合を例にとり説明する。 Ceramics is a general term for pottery and porcelain, and its shapes range from daily necessities such as tableware plates and vases to non-daily items such as objects. The case will be described as an example.

先ず、陶器の作成手順の概要を以下に説明する。
(1)素地となる土を練り、大まかな形状で成形する(成形工程)。
(2)成形された生素地を自然乾燥させる(半乾燥工程)。
(3)ある程度乾燥された素地を削る等して最終形状に成形する(調整工程)。
(4)更に自然乾燥を行い、素地を乾燥させる(乾燥工程)。
(5)窯入れし、比較的低温で素焼きを行い、素地の強度を高めるとともに、素地の表面から完全に水分を抜くことで後の下絵付け工程における顔料の定着を高める(素焼き工程)。
(6)素焼き後の素地に絵具により下絵付けを行う(下絵付け工程)。
(7)下絵付け後の素地に釉薬を塗布する(施釉工程)
(8)窯入れし、素焼きの際よりも高温で本焼きする(本焼き工程)。
First, the outline of the procedure for making pottery will be described below.
(1) Knead the soil to be the base material and mold it into a rough shape (molding process).
(2) The molded raw material is naturally dried (semi-drying step).
(3) The base material that has been dried to some extent is shaved to form a final shape (adjustment step).
(4) Further natural drying is performed to dry the substrate (drying step).
(5) Put in a kiln and unglazed at a relatively low temperature to increase the strength of the substrate and completely remove water from the surface of the substrate to enhance the fixation of pigments in the subsequent underpainting process (unglazed process).
(6) The base material after unglazed is painted with paint (drafting process).
(7) Apply glaze to the base material after sketching (glaze process)
(8) Put in a kiln and bake at a higher temperature than in unglazed (main baking process).

本実施例に係る陶磁器への加飾方法は、主に上記した下絵付け工程で行われる。次に下絵付け工程について図1から図8を用いて説明する。 The method of decorating the ceramics according to this embodiment is mainly performed by the above-mentioned underpainting step. Next, the sketching process will be described with reference to FIGS. 1 to 8.

図1に示されるように、容器1に液体を注ぎ入れ液層2を形成する。この液体は比重が大きく、かつ表面張力の大きい略透明の液体であることが望ましく、ここでは油7とする。また、容器1は、素焼き後の陶器3に流体圧転写する(図5参照)際に、その様子を確認し易くするため、ガラス等の透明の素材で形成されていることが望ましい。 As shown in FIG. 1, a liquid is poured into the container 1 to form a liquid layer 2. It is desirable that this liquid is a substantially transparent liquid having a large specific gravity and a large surface tension, and here, it is referred to as oil 7. Further, it is desirable that the container 1 is made of a transparent material such as glass in order to make it easy to confirm the state when fluid pressure transfer is performed to the pottery 3 after unglazed (see FIG. 5).

次に、図2に示されるように、容器1内に形成された液層2の上に液体絵具を滴下する。この液体絵具は、液層2を形成する液体である油に比べて比重が小さく、かつ表面張力が小さい液体絵具であることが望ましく、ここではアルコールを主とする液体に顔料である呉須を含有させたものとする。 Next, as shown in FIG. 2, the liquid paint is dropped onto the liquid layer 2 formed in the container 1. It is desirable that this liquid paint has a smaller specific density and a lower surface tension than oil, which is a liquid forming the liquid layer 2, and here, a liquid mainly composed of alcohol contains Kuresu, which is a pigment. Let's assume.

液層2の上に滴下された液体絵具の液滴4は、容器1に入れられた油7よりも比重が小さいことから、液層2の上に層分けされて浮遊する。また、液体絵具の液滴4は、容器に入れられた油よりも表面張力が低いことから、所謂マランゴニ効果により液滴4の表面が放射方向に移動することで、液滴4の形状が時間の経過とともに液層2の上で形状変形する。 Since the liquid paint droplet 4 dropped on the liquid layer 2 has a lower specific gravity than the oil 7 contained in the container 1, the liquid paint droplet 4 is layered and floats on the liquid layer 2. Further, since the surface tension of the liquid paint droplet 4 is lower than that of the oil contained in the container, the surface of the droplet 4 moves in the radial direction due to the so-called Marangoni effect, so that the shape of the droplet 4 becomes time. The shape is deformed on the liquid layer 2 with the passage of time.

詳しくは、図2及び図3(a)に示されるように、滴下された液体絵具の液滴4は、液層2との衝突により弾け、衝突位置に位置する部分4aと、放射方向にリング状に拡散される部分4bとに大分される。 Specifically, as shown in FIGS. 2 and 3A, the dropped liquid paint droplet 4 bursts due to collision with the liquid layer 2, and rings with the portion 4a located at the collision position in the radial direction. It is roughly divided into a portion 4b that is diffused in a shape.

図3(b)及び(c)に示されるように、油7と液体絵具との表面張力の差に起因するマランゴニ効果の作用により、液体絵具の液滴4のうち衝突位置に位置する部分4aは、その中心側から外側に向けて放射方向に略リング状に広がるように液層2上で形状変形する(図4(a)参照)。液体絵具の液滴4のうち衝突位置に位置する部分4aが略リング状に変形することで、液体絵具の液滴4に含有された顔料の粒子は中心側から外側に広がるように放射方向に移動する(図4(a)及び(b)参照)。また、滴下直後に放射方向にリング状に拡散された部分4bも、同様のマランゴニ効果の作用により、放射方向にその環の外径が拡がるように液層2上を自由表面移動する。このように、滴下直後に衝突位置に位置した部分4aと放射方向にリング状に拡散された部分4bとは、滴下された液体絵具の液滴4単位で絵具層5を形成する。 As shown in FIGS. 3 (b) and 3 (c), the portion 4a of the liquid paint droplet 4 located at the collision position due to the action of the Marangoni effect caused by the difference in surface tension between the oil 7 and the liquid paint. Deforms on the liquid layer 2 so as to spread substantially in a ring shape in the radial direction from the center side to the outside (see FIG. 4A). The portion 4a of the liquid paint droplet 4 located at the collision position is deformed into a substantially ring shape, so that the pigment particles contained in the liquid paint droplet 4 spread in the radial direction so as to spread from the center side to the outside. Move (see FIGS. 4 (a) and 4 (b)). Further, the portion 4b diffused in a ring shape in the radial direction immediately after dropping also freely moves on the liquid layer 2 so that the outer diameter of the ring expands in the radial direction by the action of the same Marangoni effect. As described above, the portion 4a located at the collision position immediately after the dropping and the portion 4b diffused in a ring shape in the radial direction form the paint layer 5 with 4 units of the dropped liquid paint droplets.

図4(a)及び(b)に示されるように、上記したマランゴニ効果により、複数滴下された液体絵具の液滴4,4,…にそれぞれ含有される顔料の粒子が液層2上を放射方向に移動し、次第に拡径する絵具層5,5,…の外縁5aに移動していく。そして、絵具層5,5,…は、近接する絵具層5,5,…の外縁5a,5a,…同士が衝接(ぶつかり接すること)し、絵具層5,5,…の外縁5a,5a,…同士が交わる部分にそれぞれの絵具層5,5,…に含有される顔料の粒子が集中し、太い環状となる(図4(c)参照)。 As shown in FIGS. 4 (a) and 4 (b), due to the above-mentioned Marangoni effect, pigment particles contained in a plurality of dropped liquid paint droplets 4, 4, ... Are radiated on the liquid layer 2. It moves in the direction and moves to the outer edge 5a of the paint layers 5, 5, ..., Which gradually expands in diameter. Then, in the paint layers 5, 5, ..., the outer edges 5a, 5a, ... Of the adjacent paint layers 5, 5, ... Are in contact with each other (collision with each other), and the outer edges 5a, 5a of the paint layers 5, 5, ... , ... The pigment particles contained in the respective paint layers 5, 5, ... Concentrate at the intersections of the paint layers, forming a thick ring (see FIG. 4 (c)).

また、マランゴニ効果による外縁5a,5a,…を拡径させる方向に作用する移動力は、対向する絵具層5,5の外縁5a,5aを互いに押し合わせ、これら外縁5a,5aが互いに押し合うことで拡径方向への変形速度が緩慢になる。 Further, the moving force acting in the direction of increasing the diameter of the outer edges 5a, 5a, ... Due to the Marangoni effect is that the outer edges 5a, 5a of the facing paint layers 5, 5 are pressed against each other, and these outer edges 5a, 5a are pressed against each other. The deformation speed in the diameter expansion direction becomes slow.

図4(a)から(c)に示されるように、液層2の表面における絵具層5,5,…の集合体により模様層6が形成される。尚、図4(a)から(c)は、液層2の表面に形成された模様層6の一部を示すものである。模様層6は、滴下からマランゴニ効果の影響が無くなるまでの間、液滴に含有される顔料の粒子の量が、その滴下直後の衝突位置の部分で時間の経過につれて次第に粗になり、絵具層5,5,…の外縁5a,5a,…同士が衝接し交わる部分が次第に密になるという形状の変化を継続的に起こすことになる。 As shown in FIGS. 4A to 4C, the pattern layer 6 is formed by the aggregate of the paint layers 5, 5, ... On the surface of the liquid layer 2. 4 (a) to 4 (c) show a part of the pattern layer 6 formed on the surface of the liquid layer 2. In the pattern layer 6, the amount of pigment particles contained in the droplets gradually becomes coarser with the passage of time at the collision position immediately after the droplets from the dropping until the influence of the Marangoni effect disappears, and the paint layer 6 The outer edges 5a, 5a, ... Of 5, 5, ... Are continuously changed in shape, in which the portions where the outer edges 5a, 5a, ...

下絵付け工程においては、図5から図6に示されるように、漸次変形している最中の模様層6に陶器3の表面を接触させることで、模様層6の一部が陶器3の表面に転写される(転写工程)。詳しくは、陶器3は模様層6を通して液層2内に浸されることで、模様層6が液層2と陶器3の表面とで挟圧され、陶器3の表面に流体圧転写される。尚、素焼き後の陶器3には、表面に細かい凹凸が形成されており、模様層6を構成する顔料が染み込み易くなっている。 In the sketching process, as shown in FIGS. 5 to 6, the surface of the pottery 3 is brought into contact with the pattern layer 6 that is undergoing gradual deformation, so that a part of the pattern layer 6 is the surface of the pottery 3. Is transferred to (transfer process). Specifically, when the pottery 3 is immersed in the liquid layer 2 through the pattern layer 6, the pattern layer 6 is sandwiched between the liquid layer 2 and the surface of the pottery 3, and fluid pressure transfer is performed on the surface of the pottery 3. The surface of the unglazed pottery 3 has fine irregularities, so that the pigment constituting the pattern layer 6 can easily permeate the pottery 3.

模様層6の一部が陶器3の表面に転写する際、液層2の表面における模様層6は時間の経過に合わせてその形状が変化していることから、陶器3を絵具層5,5,…を通して液層2に入れるタイミングや陶器3を動かす速度等で陶器3の表面に流体圧転写される模様が変化するため、規則性が無く、かつ躍動感のある固有の模様6aを陶器3の表面に転写できることになる(図6(a)及び(b)参照)。また、液層2の表面に形成された模様層6の中で陶器3を浸す部分によっても転写される模様6aが異なる。 When a part of the pattern layer 6 is transferred to the surface of the pottery 3, the shape of the pattern layer 6 on the surface of the liquid layer 2 changes with the passage of time. Since the pattern of fluid pressure transfer to the surface of the pottery 3 changes depending on the timing of entering the liquid layer 2 through, ..., the speed at which the pottery 3 is moved, etc. Can be transferred to the surface of (see FIGS. 6 (a) and 6 (b)). Further, the pattern 6a to be transferred differs depending on the portion of the pattern layer 6 formed on the surface of the liquid layer 2 in which the pottery 3 is immersed.

また、絵具層5,5,…に含有された顔料は、陶器3の表面に当接して定着するまで移動を続けるため、躍動感を有する模様6aを陶器3の表面に施すことができる。 Further, since the pigments contained in the paint layers 5, 5, ... Continue to move until they come into contact with the surface of the pottery 3 and are fixed, the pattern 6a having a dynamic feeling can be applied to the surface of the pottery 3.

また、液体絵具は液層2の上に滴下されることから、液滴4が液層2と衝突して弾けることで、偶発的な模様を形成でき、複雑かつ躍動感のある模様を形成することができる。 Further, since the liquid paint is dropped on the liquid layer 2, the droplet 4 collides with the liquid layer 2 and pops, so that an accidental pattern can be formed, and a complicated and dynamic pattern is formed. be able to.

続いて、図7(a)及び(b)に示されるように、液層2内に浸された陶器3を空気中に引き上げる。上記したように、陶器3が模様層6を通して液層2内に浸されることで、表面に転写された模様6aは液層2内で油7によりコーティングされる。そのため、空気中に引き上げる工程において模様層6に含まれる顔料が再度転写されることが抑制され、所望の模様6aを陶器3の表面に施すことができる。 Subsequently, as shown in FIGS. 7A and 7B, the pottery 3 immersed in the liquid layer 2 is pulled up into the air. As described above, when the pottery 3 is immersed in the liquid layer 2 through the pattern layer 6, the pattern 6a transferred to the surface is coated with the oil 7 in the liquid layer 2. Therefore, the pigment contained in the pattern layer 6 is suppressed from being transferred again in the step of pulling it into the air, and the desired pattern 6a can be applied to the surface of the pottery 3.

また、図8(a)から(d)に示されるように、模様層6に陶器3の表面を接触させて、模様層6の一部が陶器3の表面に転写されると、陶器3の表面に転写された部分の模様層6の一部が欠損するが、液体絵具はマランゴニ効果により液層2の上で移動するため、欠損した部分に液体絵具が入り込み、新たな柄が形成される。即ち模様層6が自然的に修復されることになる。そのため、模様層6の修復を待てば、模様層6の面上の所定箇所において複数の陶器3に模様を転写させることができ、大量生産時の作業性に優れる。 Further, as shown in FIGS. 8A to 8D, when the surface of the pottery 3 is brought into contact with the pattern layer 6 and a part of the pattern layer 6 is transferred to the surface of the pottery 3, the pottery 3 A part of the pattern layer 6 of the portion transferred to the surface is lost, but since the liquid paint moves on the liquid layer 2 due to the Marangoni effect, the liquid paint enters the defective portion and a new pattern is formed. .. That is, the pattern layer 6 is naturally restored. Therefore, if the restoration of the pattern layer 6 is awaited, the pattern can be transferred to a plurality of pottery 3 at a predetermined position on the surface of the pattern layer 6, and the workability at the time of mass production is excellent.

また、液体絵具は顔料がアルコールに含有されていることから、アルコールの揮発により顔料がアルコール内で対流するため、上記したマランゴニ効果に加えて模様層6の模様の変化をより複雑かつ躍動感のあるものにすることができる。 Further, since the pigment is contained in alcohol in the liquid paint, the pigment is convected in the alcohol due to the volatilization of the alcohol. Therefore, in addition to the above-mentioned Marangoni effect, the change in the pattern of the pattern layer 6 is more complicated and dynamic. It can be something.

また、液体絵具に含有される顔料は単色の呉須であるため、マランゴニ効果により形成された模様層6における顔料の密度の分布が、陶器3の表面に濃淡を形成し、躍動感のある模様を形成することができる。更に、呉須はお茶や水に溶かれると、細かい粒子の塊となり比較的均一に遍在させることができるが、アルコールでは細かい粒子の塊とならず、アルコール内で適度に偏在する(図4(a)から(c)及び図8(a)から(d)参照)ことになり、陶器3の表面に再現性の無い複雑な模様を形成することができる。 In addition, since the pigment contained in the liquid paint is a monochromatic Kuresu, the density distribution of the pigment in the pattern layer 6 formed by the Marangoni effect forms shades on the surface of the pottery 3, creating a dynamic pattern. Can be formed. Furthermore, when Kuresu is dissolved in tea or water, it becomes a mass of fine particles and can be distributed relatively uniformly, but with alcohol, it does not form a mass of fine particles and is moderately unevenly distributed in alcohol (Fig. 4 (Fig. 4). (A) to (c) and FIGS. 8 (a) to (d)), and a complicated pattern without reproducibility can be formed on the surface of the pottery 3.

また、従来の一般的なマーブル柄を形成するものは、液層に澱粉糊の水溶液を用いることため、単純に陶器の作成の中の下絵つけ工程で、このような手法を用いてしまうと、マーブル柄を水圧転写した際に、素焼きした陶器の表面に水溶液を構成する澱粉糊等の不純物が付着してしまい、この澱粉糊等が本焼きの際に陶器の表面に焦げ付きを生じさせてしまう虞があった。更に、このような焦げ付きを生じさせないために、素焼きしたものの表面に直接マーブル柄を描画することも考えられるが、自然なマーブル柄を表現するのは大変に煩雑な作業となる。しかしながら、本実施例の陶磁器への加飾方法では、液層に油を用いるため、本焼き工程における焦げ付きを防止することができる。 In addition, since the conventional general marble pattern is formed by using an aqueous solution of starch paste in the liquid layer, if such a method is simply used in the sketching process in the making of pottery, When the marble pattern is hydraulically transferred, impurities such as starch paste constituting the aqueous solution adhere to the surface of the unglazed pottery, and the starch glue or the like causes scorching on the surface of the pottery during the main firing. There was a risk. Further, in order to prevent such scorching, it is conceivable to draw a marble pattern directly on the surface of the unglazed material, but expressing a natural marble pattern is a very complicated work. However, in the method of decorating the ceramics of this embodiment, since oil is used for the liquid layer, it is possible to prevent scorching in the main baking process.

以上、本発明の実施例を図面により説明してきたが、具体的な構成はこの実施例に限られるものではなく、本発明の要旨を逸脱しない範囲における変更や追加があっても本発明に含まれる。 Although examples of the present invention have been described above with reference to the drawings, the specific configuration is not limited to this embodiment, and any changes or additions within the scope of the gist of the present invention are included in the present invention. Is done.

例えば、容器1に注ぎ入れられる液層2を形成する液体は、液層2の上に滴下される液体絵具に比べて比重と表面張力の大きい液体であれば油に限らず、例えば液体絵具とは異なるアルコール等でもよい。 For example, the liquid forming the liquid layer 2 poured into the container 1 is not limited to oil as long as it has a higher specific gravity and surface tension than the liquid paint dropped on the liquid layer 2, and is not limited to oil. May be a different alcohol or the like.

また、液体絵具は、液層2を形成する液体である油に比べて比重が小さく、かつ表面張力が小さい液体絵具であればアルコールを種とする液体に限らず、例えば液層2を形成する油とは異なる油等でもよい。 Further, the liquid paint is not limited to a liquid using alcohol as a seed, and forms, for example, a liquid layer 2 as long as it is a liquid paint having a smaller specific gravity and a lower surface tension than oil, which is a liquid forming the liquid layer 2. An oil different from the oil may be used.

また、上記した加飾方法は、本焼き工程前の下絵付け工程ではなく、本焼き工程後の上絵付け工程で行ってもよい。更に、液体絵具を構成する顔料は呉須でなくてもよく、例えば、下絵つけ工程で加飾を行う場合には鉄絵具等でもよいし、上絵付け工程で加飾を行う場合には、所謂上絵釉等を用いる。 Further, the above-mentioned decoration method may be performed not in the underpainting step before the main baking step but in the overpainting step after the main baking step. Further, the pigment constituting the liquid paint does not have to be Kuresu. For example, when decorating in the underpainting process, iron paint or the like may be used, and when decorating in the overpainting process, so-called Use overpainted glaze.

また、液体絵具は液層に滴下させた後に、竹串等で絵具層を変形させてもよい。更に、模様層6は、液体絵具は液層2に滴下させることで形成する態様に限らず、例えば液層2に対して液体絵具を注ぎ入れ、液体絵具が液層2の上に浮き上がるまで待つことで形成してもよい。 Further, the liquid paint may be dropped on the liquid layer and then the paint layer may be deformed with a bamboo skewer or the like. Further, the pattern layer 6 is not limited to the mode in which the liquid paint is dropped onto the liquid layer 2, for example, the liquid paint is poured into the liquid layer 2 and waits until the liquid paint floats on the liquid layer 2. It may be formed by.

また、液層2内に浸された陶器3を空気中に引き上げた後に、表面の油がある程度乾燥した状態では、陶器3の表面に顔料を付着させることができるため、模様層6に再度接触させることで重ね付けすることもでき、これにより複雑かつ躍動感のある模様を陶器3の表面に施すことができる。 Further, after the pottery 3 immersed in the liquid layer 2 is pulled up into the air, the pigment can be attached to the surface of the pottery 3 in a state where the oil on the surface is dried to some extent, so that the pottery 3 comes into contact with the pattern layer 6 again. It is also possible to stack them by letting them overlap, which makes it possible to apply a complicated and dynamic pattern to the surface of the pottery 3.

1 容器
2 液層
3 陶器
4 液滴
5 絵具層
5a 絵具層外縁
6 模様層
6a 模様
7 油
1 Container 2 Liquid layer 3 Pottery 4 Droplets 5 Paint layer 5a Paint layer outer edge 6 Pattern layer 6a Pattern 7 Oil

Claims (4)

陶磁器に規則性を持たない模様を施すための加飾方法であり、
容器にを注ぎ入れ、液層を形成する工程と、
前記液層の上に、アルコールを主とする液体に顔料である呉須を含有させた前記液層を形成する油よりも表面張力の低い液体絵具を浮かべ、前記液層の上に模様層を形成する工程と、
前記陶磁器を前記模様層に当てて、前記陶磁器の表面に前記模様層の模様を転写する転写工程と、
を備えることを特徴とする陶磁器への加飾方法。
It is a decoration method for giving irregular patterns to ceramics.
The process of pouring oil into a container to form a liquid layer,
A liquid paint having a lower surface tension than the oil forming the liquid layer, which is a liquid mainly composed of alcohol containing Kuresu, which is a pigment, is floated on the liquid layer, and a pattern layer is formed on the liquid layer. And the process of
A transfer step of applying the ceramic to the pattern layer and transferring the pattern of the pattern layer to the surface of the ceramic.
A method of decorating earthenware, which is characterized by being equipped with.
前記模様層は、前記液層の上に液体絵具が滴下されて形成されることを特徴とする請求項1に記載の陶磁器への加飾方法。 The method for decorating earthenware according to claim 1, wherein the pattern layer is formed by dropping a liquid paint onto the liquid layer. 記転写工程では前記模様層を通して前記陶磁器を前記液層内に浸す工程と、前記液層内に浸された前記陶磁器を空気中に引き上げる工程と、を備えていることを特徴とする請求項1または2に記載の陶磁器への加飾方法。 Claims in the previous SL transfer step, characterized in that it comprises a step of immersing the ceramic through the pattern layer on the liquid layer, and a step of pulling the ceramic immersed in the liquid layer into the air The method for decorating earthenware according to 1 or 2. 前記模様層は、前記液層の上に単色の液体絵具により形成されることを特徴とする請求項1ないし3のいずれかに記載の陶磁器への加飾方法。 The method for decorating earthenware according to any one of claims 1 to 3, wherein the pattern layer is formed on the liquid layer by a monochromatic liquid paint.
JP2017078825A 2017-04-12 2017-04-12 How to decorate earthenware Active JP6910183B2 (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP2017078825A JP6910183B2 (en) 2017-04-12 2017-04-12 How to decorate earthenware

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP2017078825A JP6910183B2 (en) 2017-04-12 2017-04-12 How to decorate earthenware

Publications (2)

Publication Number Publication Date
JP2018177585A JP2018177585A (en) 2018-11-15
JP6910183B2 true JP6910183B2 (en) 2021-07-28

Family

ID=64280954

Family Applications (1)

Application Number Title Priority Date Filing Date
JP2017078825A Active JP6910183B2 (en) 2017-04-12 2017-04-12 How to decorate earthenware

Country Status (1)

Country Link
JP (1) JP6910183B2 (en)

Families Citing this family (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
KR102017982B1 (en) * 2018-02-09 2019-09-03 이성도 Manufactruing method of marbling ceramic using water transfer paint and the ceramic thereby

Family Cites Families (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS609795A (en) * 1983-06-29 1985-01-18 Wako Kagaku Kogyo Kk Applying method for inorganic ink

Also Published As

Publication number Publication date
JP2018177585A (en) 2018-11-15

Similar Documents

Publication Publication Date Title
JP6910183B2 (en) How to decorate earthenware
WO2018007972A1 (en) Process for obtaining large-format and thin thickness glazed ceramic slabs
KR101110310B1 (en) Manufacturing method for pottery decorated with pearl mark and pottery thereby
KR101204686B1 (en) Manufacturing method for pottery decorated with chilbo adornment and pottery thereby
CN106587619A (en) Ceramic product with bas-relief patterns and preparing technology
KR101754453B1 (en) Manufacturing method for dotaechilgi with inlay
KR101569971B1 (en) Method for Decorating a surface of Ceramics
US439536A (en) Process of transferring prints or designs
RU2077430C1 (en) Method for decoration of art porcelain
KR101500989B1 (en) Process for preparing pottery decorated with pearl mark and pottery using the same
CN108752053A (en) A kind of high temperature color glaze and blue and white porcelain mixing burn and make new process
CN113232444B (en) Motion safety line water transfer paper, manufacturing method, application and product
JP4872260B2 (en) Ceramic product and etching method thereof
KR101821022B1 (en) Porcelain inlays and a method of manufacturing the same
JPS5869787A (en) Ornament
KR200289244Y1 (en) Porcelain transfer paper having an embossing structure
JPH05156468A (en) Metallic product, such as western tableware and utensile and ornamenting method thereof
JP2546752B2 (en) Method for manufacturing pottery with spread pattern
JP2016087965A (en) Pottery product production method
KR200357149Y1 (en) The Tempered Glass Tile Using The Sublimation Transferring
JP2651360B2 (en) Method of manufacturing ceramic tile having blur pattern
JPH0692092A (en) Manufacture of lacquer ware
KR101225570B1 (en) Manufacturing method of DoTaeChilGi with mother-of-pearl and DoTaeChilGi from the same
US2270081A (en) Decorated ceramic ware and method of making the same
KR100712133B1 (en) A making method of a slabe of stone, high-quality to in colors keeping

Legal Events

Date Code Title Description
A80 Written request to apply exceptions to lack of novelty of invention

Free format text: JAPANESE INTERMEDIATE CODE: A80

Effective date: 20170511

A621 Written request for application examination

Free format text: JAPANESE INTERMEDIATE CODE: A621

Effective date: 20200410

A977 Report on retrieval

Free format text: JAPANESE INTERMEDIATE CODE: A971007

Effective date: 20210224

A131 Notification of reasons for refusal

Free format text: JAPANESE INTERMEDIATE CODE: A131

Effective date: 20210302

A601 Written request for extension of time

Free format text: JAPANESE INTERMEDIATE CODE: A601

Effective date: 20210426

A521 Written amendment

Free format text: JAPANESE INTERMEDIATE CODE: A523

Effective date: 20210525

TRDD Decision of grant or rejection written
A01 Written decision to grant a patent or to grant a registration (utility model)

Free format text: JAPANESE INTERMEDIATE CODE: A01

Effective date: 20210615

A61 First payment of annual fees (during grant procedure)

Free format text: JAPANESE INTERMEDIATE CODE: A61

Effective date: 20210706

R150 Certificate of patent or registration of utility model

Ref document number: 6910183

Country of ref document: JP

Free format text: JAPANESE INTERMEDIATE CODE: R150