JP4423413B2 - Manufacturing method of natural leaf crafts - Google Patents

Manufacturing method of natural leaf crafts Download PDF

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JP4423413B2
JP4423413B2 JP10186399A JP10186399A JP4423413B2 JP 4423413 B2 JP4423413 B2 JP 4423413B2 JP 10186399 A JP10186399 A JP 10186399A JP 10186399 A JP10186399 A JP 10186399A JP 4423413 B2 JP4423413 B2 JP 4423413B2
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Prior art keywords
leaf
natural
leaves
color
shape
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JP2000289391A (en
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文雄 大森
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増本 真一
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Description

【0001】
【発明の属する技術分野】
本発明は、天然葉の形状や色調の美しさをそのまま生かした茶器、花器、菓子器、屋内装飾品、屋内装置品、装身具等日常生活に潤いを持たせるための天然葉工芸品の製造方法に関するものである。
【0002】
【従来の技術】
天然の葉や花などは押し葉、押し花又はドライフラワーなどとして保存性を高め、広く生活に密着した装飾品として活用されている。また、これら押し葉、押し花あるいはドライフラワーを使用して化粧板とし、これを家具等に利用することが特開平3-234700号や特開平6-239097号などで提案されている。これらの技術は、レリーフ葉輪郭に続く無色透明な上層及び接着性の表面上へ葉体の直接の配置によって、葉柄組織及び分枝組織又は葉脈組織の美しさを表現したパネルとしての利用態様である。
【0003】
高度な美術工芸品に対する天然葉の利用法としては、特公昭56-49757号にみられる。これは、日本の伝統工芸である漆器に対するもので、特に天然の葉脈の繊細な模様を漆塗りの中塗り層又は地色塗り層の表面に貼着して後、漆の重ね塗りをし、水研ぎによって葉脈を剥離し、剥離凹部に色漆を塗って模様を出す手法である。
【0004】
和紙を利用した紙器の表面に天然の葉を貼り、その上に漆を塗って仕上げる、いわゆる「一閑張(いっかんばり)」が日本の伝統工芸品として古くから知られている。このものは、全体が漆特有の濃い飴色がかり、天然の葉の色調を台無しにしているし、接着もすべて漆で処理するため葉に漆が深く浸透して葉の色合いを残す工夫はみられないし、和紙を木型の上に何枚も重ねて漆で貼り付ける工法であるので必然的に高価なものとなっている。
【0005】
【発明が解決しようとする課題】
上記した天然葉を用いる従来の手法による工芸品は、いずれも天然葉を模様形成の材料としてのみの把握であって、板材(パネル)や容器その他の工芸品も模様として貼り付けたり、複雑な葉脈模様を作り出す材料にしたりする手法に過ぎず、自然の葉の美しい色調をそのまま保全し、かつ大小各種葉の形状をそのまま活用して工芸品に仕上げるところまで突っ込んだ技術、手法の製品は見当らない。
【0006】
本発明は、葉の形状、すなわち葉縁の形状をそのまま取り入れ、その単数又は複数の重ねによる各種形状を保持し、かつ、葉の緑色や紅色の不変色加工を施すことで、これまでにない各種天然葉工芸品に仕上げることを目的に研究を重ねた結果得られたものである。
【0007】
【課題を解決するための手段】
本発明の要旨は、天然葉を洗浄、不変色処理、乾燥処理したものの一枚又は複数枚の任意の重ねの裏面に裏当材として紙、布帛類を貼り合わせ所定形状の基本葉材とし、該基本葉材に表面塗装を施して天然葉工芸品を製造するに際して、天然葉の不変色処理は、緑色葉に対しては銅イオンのキレート化剤の存在下でスチームアイロンを用いて加熱加圧して形を整えながら銅クロロフィルの緑色を固定させ、紅葉に対しては食酢や明ばん水あるいは草木灰抽出液の存在下にメタロアントシアニン錯化合物を生成させ、これらにより天然葉の形状や色調をそのまま生かした状態で固定させるものであって、不変色処理後の葉を裏当材と貼り合わせて、表面塗装として合成樹脂塗料又は天然漆塗料を塗布することにより形状固定して仕上げることを特徴とする天然葉工芸品の製造方法である。
【0008】
ここで用いる天然葉の材料としては、特に限定するものではないが、形状や色調の美しいものが大小自由に選択できる。中でも柿、蔦、楓、柏、楢、栗、銀杏、ポプラ、朴、山帰来などの葉で色変化が美しく、かつ葉縁の形状に独特の風情が感じられ、葉脈のしっかりしているものが好適である。
【0009】
不変色処理は、緑色葉にあっては、その色素クロロフィルの化学構造式の中央に位置しているMgイオンをCuイオンのキレート化剤の存在下で蒸気加熱し、乾燥させて安定な銅クロロフィルにする方法などが用いられている。また紅葉に対しては、その色素がアントシアニン色素であり、まず明ばんや草木炭の煮汁で処理し、アルミニウム、鉄、銅などのメタロアントシアニン錯化合物として安定化させる。紅葉に緑が残っている場合などは、上記の両方の処理をして色合いを安定させるのである。このような不変色処理をして後乾燥する。
【0010】
基本葉材は、得られた不変色葉とその裏面の裏当材からなり、裏当材として紙、布帛類を貼り合わせる。紙、布帛類としては、和紙、洋紙、合成紙(フィルム、スポンジシートを含む)、不織布、織布などが例として挙げられ、これらのうちの1種又は2種以上の重ね貼りにより裏当材とする。裏当材の表面に千代紙などの装飾紙を貼ると、きれいな面に仕上がり、表の天然葉面と裏の千代紙面の両面使用が可能となる。
【0011】
表面塗装は、アクリル塗料やウレタン塗料あるいはメラミン塗料、アルキッド塗料のような合成樹脂塗料のほか、漆塗料を用いて行なう。特に漆を塗る前にウレタン塗料のような透明性の塗料を塗って葉身内に浸透させると、直接漆を塗ると濃い飴色になるのを防ぐ。漆も透明度の高い日本漆を使用するとよい。
【0012】
工芸品の形態は種々考えられる。銘々皿のようにして使用するには葉一枚で葉縁と葉柄の輪郭そのまま利用し、全体を一平面にしたり、適当な湾曲面としてそりの形を変えた製品とする。葉を2枚、3枚と部分的に重ねて多様性を出す。この場合は重ねた葉を1枚の裏当材に貼り付けると平面的となるし、個々の葉に裏当材を貼り合わせたものを複数枚重ねて接着すると葉間に段差がついた立体的なものとなる。葉自身についても大小の差をつけたり、同種に限らず異種の葉の組み合わせで多様性を高めることができる。例えば、柿の葉の上に小さな蔦の葉をアクセントとして接着するという違う葉による重ね貼りに対して裏当材を貼着して基本葉材とする。また、木筒、竹筒、紙筒の表面に葉を接着しながら巻きつけて葉面模様の筒体とし、花器、ペン立、小物入れ等を製作することもできる。
【0013】
基本葉材と天然蔓材の併用組合せで所定形状にすることによって工芸品の多様性が更に広がる。天然蔓材は基本葉材の台や脚にしたり、外周に廻して取っ手としたり、円弧上に架け渡して提げ手としたりするのである。蔓材は蔦の茎などが好んで用いられる。そして、基本葉材と天然蔓材の全体を表面塗装して仕上げる。
【0014】
基本葉材と組合わせるものは、天然蔓材のほか各種の装飾材料がある。天然蔓材に代えて金属製の線材、棒材、板材、ピース類が利用できる。ピースの例としては、イヤリング金具、ブローチ安全ピン、壁掛フック、磁石などが挙げられる。
【0015】
【発明の実施の形態】
本発明の美術工芸品の実施態様を図面によって具体的に説明する。図1は塗装仕上をした基本葉材の断面構造を示すものである。不変色加工した葉1に和紙の厚紙2を2枚重ね、更に薄い化粧和紙3をそれぞれ接着剤層4を介して一体とし、基本葉材10とする。十分乾燥した後、まず葉面にウレタン塗料層5を形成する。ウレタン塗料は和紙への浸透強化と漆の葉身への浸透を抑える作用をする。この際、シーラーブラッシング処理をしてシーラー層6を形成し、葉と塗膜との密着性を高める。最表層は漆層7であり、重ね塗りすることも妨げないし、漆に代えてウレタン塗料仕上をすることも自由である。
【0016】
図2〜図9は基本葉材を使った工芸品の例示であって、図2は柿の葉の単葉工芸品として茶菓子器の銘々皿の例を示す。夏場の柿葉は濃緑色をし、艶もすばらしい。この緑色の葉を銅イオンのキレート化剤(例えばCu−EDTA)の存在下でスチームアイロンを使って加熱、加圧して形を整えた後、乾燥させ、これを図1に示すような形態に和紙で補強した。和紙の厚紙は厚さ0.7mmで2枚、化粧和紙は薄手で0.1mm厚を1枚貼り合わせた。次いで、ウレタン塗料を1回塗り、その上へ日本漆を2回塗って仕上げた。図2から明らかなように、基本葉材10の形そのままで葉縁11の全縁が銘々皿の輪郭を形成し、葉の主脈12、側脈13が自然葉脈の模様として浮き出し、葉身14の色は緑が美しく、そして葉柄15が掴み手になった茶器工芸品となっている。
【0017】
図3は冬蔦の葉で紅色と緑色の混ざった美しい色のものである。この場合は、前述の緑色安定化処理をした後、紅色の保存性も改良するために、食酢や明ばん水あるいは草木灰抽出液の存在下にメタロアントシアニン(錯化合物)を生成させて安定化させた。処理条件は低めのpH処理である。例えば蔦の波状葉縁11の輪郭が美麗な皿となり、茶菓子用のほか、料亭や家庭での小料理品の置き皿としても有用である。
【0018】
図4は2枚の柿葉を葉柄15を左右に持ち上げるような形で貼り合わせて基本葉材とし、葉柄15間に蔦の天然蔓材16からなる提げ手を設けて手籠状の器工芸品に仕上げたものである。こうすると、単葉のものよりも多くの菓子、果物等を載せることができる。図5は2枚の基本葉材10に天然蔓材17で台座を設けたもの、図6は3枚の基本葉材10からなり、天然蔓材18で枠組みをし、その一部を取っ手として左右に設けたものである。葉柄15は天然蔓材との接合アンカーとして利用している。
【0019】
図7は、これまでのと異なり、紙筒19の表面に不変色加工した葉1そのものを接着して、多数の蔦の葉による模様を現出させた花筒(ドライフラワーなど)の例である。上縁に金属製の壁掛フック20をつけて壁や柱掛け用とする。この筒面に蔦を絡ませるなど自由である。
【0020】
図8は小さい蔦の幼葉からなる基本葉材10を用いて、これにイヤリング金具21を取り付けてスクリュウ式イヤリングとしたものを示し、図9は楓の葉からなる基本葉材10の裏面にブローチ安全ピン22を取付けて天然の葉の形のブローチとしている。このようにイヤリング、ブローチ、ペンダント、タイピン等の装身具にしても、自然の葉の美しさを残すユニークな製品となる。
【0021】
【発明の効果】
本発明の天然葉工芸品の製造方法は、以上の説明から明らかなように、天然葉の色合いを残す工夫と、その葉の形を基本にデザインされた外形を残し、和紙等の裏当材の存在で強度が大となり、特に本発明の方法により天然葉の葉縁、葉脈、葉身、葉柄の美しさを十分生かした美術工芸品が得られる。これらは従来になく、この種製品としては多様性に富むほか、安価に提供できる特徴を有する。
【図面の簡単な説明】
【図1】塗装仕上をした基本葉材の断面図である。
【図2】柿の葉の単葉工芸品の斜視図である。
【図3】蔦の葉の単葉工芸品の斜視図である。
【図4】柿の葉の二葉に蔓の提げ手をつけた工芸品の斜視図である。
【図5】柿の葉の二葉に蔓の台座をつけた工芸品の斜視図である。
【図6】柿の葉の三葉に蔓の取っ手をつけた工芸品の斜視図である。
【図7】紙筒に蔦の葉を重ね貼りした工芸品の斜視図である。
【図8】蔦の葉でイヤリングとした工芸品の斜視図である。
【図9】楓の葉でブローチとした工芸品の斜視図である。
【符号の説明】
1 不変色加工した葉
2 和紙の原紙
3 化粧和紙
4 接着剤層
5 ウレタン塗料層
6 シーラー層
7 漆層
10 基本葉材
11 葉縁
12 主脈
13 側脈
14 葉身
15 葉柄
16 天然蔓材(提げ手)
17 天然蔓材(台座)
18 天然蔓材(取っ手)
19 紙筒
20 壁掛フック
21 イヤリング金具
22 ブローチ安全ピン
[0001]
BACKGROUND OF THE INVENTION
The present invention relates to a method for producing natural leaf crafts for moisturizing daily life, such as teaware, flower vases, confectionery, indoor decorations, indoor equipment, accessories, etc. that make the best use of the natural leaf shape and color tone. It is about.
[0002]
[Prior art]
Natural leaves, flowers, etc. have been preserved as pressed leaves, pressed flowers, or dried flowers, and are widely used as decorative items that are closely related to daily life. Further, Japanese Patent Laid-Open No. 3-234700 and Japanese Patent Laid-Open No. 6-239097 propose that these pressed leaves, pressed flowers, or dried flowers are used as decorative panels and used for furniture or the like. These technologies can be used as a panel that expresses the beauty of petiole and branch or vein tissue by placing the leaf bodies directly on the colorless and transparent upper layer and adhesive surface following the relief leaf contour. is there.
[0003]
The use of natural leaves for advanced arts and crafts can be found in Japanese Patent Publication No. 56-49757. This is for Japanese lacquerware, which is a traditional Japanese craft, and in particular, a delicate pattern of natural leaf veins is applied to the surface of the lacquered intermediate coating layer or ground color coating layer, and then lacquer is overcoated, This is a technique of peeling the veins by water sharpening and painting the peeling recesses with colored lacquer.
[0004]
The so-called “Ikankanbari”, which is made by pasting natural leaves on the surface of a paper container made of Japanese paper and painting it with lacquer, has long been known as a traditional Japanese craft. This product has a dark amber color characteristic of lacquer as a whole, ruining the color of natural leaves, and all the adhesion is treated with lacquer, so there is a device that leaves the lacquer deeply into the leaves and leaves the shade of the leaves. In addition, it is inevitably expensive because it is a construction method in which Japanese paper is piled on a wooden mold and pasted with lacquer.
[0005]
[Problems to be solved by the invention]
All of the above-mentioned crafts using natural leaves are grasping only natural leaves as a material for pattern formation. Plates (panels), containers, and other crafts can be affixed as patterns. It is only a technique to create a leaf vein pattern, and there are no products that can be used to preserve the beautiful colors of natural leaves as they are, and use the shapes of various large and small leaves as they are to create crafts. Absent.
[0006]
The present invention takes the shape of a leaf, that is, the shape of a leaf edge as it is, maintains various shapes by superimposing one or a plurality of the shapes, and applies an invariant color processing of green or red color of the leaf, never before. It was obtained as a result of repeated research aimed at finishing various natural leaf crafts.
[0007]
[Means for Solving the Problems]
The gist of the present invention is that a basic leaf material of a predetermined shape is formed by laminating a paper or fabric as a backing material on the back surface of an arbitrary stack of one or a plurality of natural leaves washed, invariant color treated, and dried. When producing a natural leaf craft by applying surface coating to the basic leaf material, the natural leaf invariant color treatment is performed by heating the green leaf with a steam iron in the presence of a copper ion chelating agent. The green color of copper chlorophyll is fixed while adjusting the shape, and metalloanthocyanin complex is formed in the presence of vinegar, alum water or grass ash extract for the autumn leaves, which allows the shape and color of natural leaves to remain as they are be one that is fixed in a state of utilizing the, leaves after non discoloration process is pasted to a backing material, that finish in the shape fixed by applying a synthetic resin coating or natural lacquer coating as a surface coating It is a manufacturing method of natural leaf crafts and butterflies.
[0008]
The natural leaf material used here is not particularly limited, but a material having a beautiful shape and color tone can be selected freely. Among them, those with beautiful color changes in leaves such as camellia, persimmon, persimmon, persimmon, persimmon, chestnut, ginkgo, poplar, magnolia, mountain return, etc., a unique feeling in the shape of the leaf edge, and those with firm veins Is preferred.
[0009]
In green leaves, stable copper chlorophyll is heated by steam heating Mg ions located in the center of the chemical structure of the pigment chlorophyll in the presence of a chelating agent of Cu ions and drying. The method of making it is used. In addition, for the autumn leaves, the pigment is an anthocyanin pigment, which is first treated with alum or boiled charcoal and stabilized as a metalloanthocyanine complex compound such as aluminum, iron or copper. When green leaves remain in the autumn leaves, both of the above treatments are performed to stabilize the hue. Such an invariant color treatment is performed and then dried.
[0010]
The basic leaf material is composed of the obtained invariant color leaf and a backing material on the back surface thereof, and paper and fabric are bonded together as the backing material. Examples of papers and fabrics include Japanese paper, Western paper, synthetic paper (including films and sponge sheets), non-woven fabrics, woven fabrics, etc., and backing material by laminating one or more of them. And If decorative paper such as Chiyogami is pasted on the surface of the backing material, it will be finished on a clean surface, allowing use of both the natural leaf surface on the front and the Chiyogami surface on the back.
[0011]
Surface coating is performed using lacquer paint in addition to synthetic resin paint such as acrylic paint, urethane paint, melamine paint, and alkyd paint. In particular, if a transparent paint such as urethane paint is applied before the lacquer is applied and penetrates into the blade, it will prevent a dark amber color if applied directly. It is recommended to use Japanese lacquer with high transparency.
[0012]
Various forms of crafts are possible. In order to use it as a dish, use only one leaf and use the outline of the leaf edge and petiole as it is to make the whole flat or change the shape of the sled as an appropriate curved surface. Diversify with two or three leaves. In this case, when the stacked leaves are attached to a single backing material, it becomes flat, and when multiple sheets of backing material bonded to each leaf are stacked and bonded, there is a step with a step between the leaves. It will be something like that. Diversity can be enhanced by making large and small differences in the leaves themselves, or by combining different leaves, not limited to the same. For example, a backing material is attached to a laminated leaf with different leaves in which a small bamboo leaf is adhered as an accent on the bamboo leaf to obtain a basic leaf material. It is also possible to produce a vase, pen stand, accessory case, etc. by wrapping the leaves on the surface of a wooden tube, bamboo tube, or paper tube while adhering leaves.
[0013]
Diversification of crafts is further expanded by combining the basic leaf material and natural vine material into a predetermined shape. Natural vines can be used as bases or legs for basic leaf materials, or can be turned around the outer circumference to be used as handles, or can be placed on a circular arc as handles. The vine material is preferably a stalk of straw. Then, the whole surface of the basic leaf material and natural vine material is painted and finished.
[0014]
There are various decorative materials besides natural vines in combination with basic leaf materials. Metal wires, rods, plates and pieces can be used instead of natural vines. Examples of the pieces include earring fittings, brooch safety pins, wall hooks, magnets and the like.
[0015]
DETAILED DESCRIPTION OF THE INVENTION
The embodiment of the arts and crafts of the present invention will be specifically described with reference to the drawings. FIG. 1 shows a cross-sectional structure of a basic leaf material that has been painted. Two sheets of Japanese paper 2 are stacked on the leaf 1 that has been subjected to the invariant color processing, and further, the thinner decorative Japanese paper 3 is integrated with the adhesive layer 4 to form a basic leaf material 10. After sufficiently drying, the urethane paint layer 5 is first formed on the leaf surface. Urethane paint acts to strengthen penetration into Japanese paper and suppress penetration into lacquer leaves. At this time, the sealer brushing process is performed to form the sealer layer 6 to enhance the adhesion between the leaves and the coating film. The outermost layer is the lacquer layer 7, which does not prevent the repeated coating, and it is also possible to finish the urethane paint instead of the lacquer.
[0016]
2 to 9 are illustrations of crafts using basic leaf materials, and FIG. 2 shows an example of a name plate of tea confectionery as a single leaf craft of bamboo leaves. The summer leaves are dark green and the gloss is wonderful. This green leaf is heated and pressurized using a steam iron in the presence of a chelating agent for copper ions (for example, Cu-EDTA) to adjust the shape, and then dried to form the shape as shown in FIG. Reinforced with Japanese paper. Two thick Japanese paper was 0.7mm thick, and one thin Japanese decorative paper was 0.1mm thick. Next, urethane paint was applied once, and Japanese lacquer was applied twice on it to finish. As is apparent from FIG. 2, the entire edge of the leaf edge 11 forms the shape of a plate with the basic leaf material 10 as it is, the leaf main veins 12 and the side veins 13 are raised as natural leaf vein patterns, and the leaf blade 14 The color of the tea is beautiful green, and it is a teaware craft with a handle 15 as a grip.
[0017]
Fig. 3 shows a beautiful color with red and green mixed with winter leaves. In this case, after the green color stabilization treatment described above, metalloanthocyanin (complex compound) is generated and stabilized in the presence of vinegar, alum water or grass ash extract to improve the preservation of red color. It was. The treatment condition is a lower pH treatment. For example, the wavy leaf edge 11 of the coral is a beautiful dish that is useful not only for tea confectionery but also as a dish for small dishes at homes and restaurants.
[0018]
Fig. 4 shows the basic leaf material by sticking 2 leaf leaves in the form of lifting the handle 15 to the left and right. It is a finished product. In this way, more confectionery, fruits, etc. can be placed than those of single leaves. Fig. 5 shows two basic leaf materials 10 with pedestals made of natural vine material 17, and Fig. 6 consists of three basic leaf materials 10, which are framed with natural vine material 18 and a part of them is used as a handle. It is provided on the left and right. The petiole 15 is used as a joint anchor with the natural vine.
[0019]
FIG. 7 shows an example of a flower cylinder (such as a dried flower) in which a pattern of leaves of a lot of bamboo leaves appears by bonding the surface 1 of the paper cylinder 19 to the surface of the paper cylinder 19 which is different from the past. . A metal wall hook 20 is attached to the upper edge for wall or column hanging. It is free to entangle a rod on this cylindrical surface.
[0020]
FIG. 8 shows a basic leaf material 10 made of small leaves of a bamboo shoot and an earring fitting 21 attached thereto to form a screw type earring, and FIG. 9 shows a back surface of the basic leaf material 10 made of bamboo leaves. A brooch safety pin 22 is attached to form a natural leaf-shaped brooch. In this way, even accessories such as earrings, brooches, pendants, and tie pins are unique products that retain the beauty of natural leaves.
[0021]
【The invention's effect】
As is apparent from the above description, the method for producing a natural leaf craft of the present invention is a device that retains the color of a natural leaf and an outer shape designed based on the shape of the leaf, and a backing material such as Japanese paper. In particular, the method of the present invention makes it possible to obtain arts and crafts that make full use of the beauty of leaf edges, veins, leaf blades, and petioles of natural leaves. These are not present in the past, and this type of product has a variety of features and can be provided at low cost.
[Brief description of the drawings]
FIG. 1 is a cross-sectional view of a basic leaf material having a finished finish.
FIG. 2 is a perspective view of a single leaf craft of bamboo leaves.
FIG. 3 is a perspective view of a single leaf craft of bamboo leaves.
FIG. 4 is a perspective view of a craft product in which two vine leaves are attached to a vine.
FIG. 5 is a perspective view of a craft product with a vine pedestal attached to two leaves of a bamboo leaf.
FIG. 6 is a perspective view of a craft product with a handle of a vine on the three leaves of a bamboo leaf.
FIG. 7 is a perspective view of a craft product in which bamboo leaves are stuck on a paper tube.
FIG. 8 is a perspective view of a craft made of earrings with bamboo leaves.
FIG. 9 is a perspective view of a craft made from bamboo leaves.
[Explanation of symbols]
1 Leaves processed with invariant color 2 Japanese paper base 3 Cosmetic Japanese paper 4 Adhesive layer 5 Urethane paint layer 6 Sealer layer 7 Lacquer layer
10 Basic leaf material
11 Leaf edge
12 main vein
13 Side vein
14 Leaf
15 petiole
16 Natural vine (hand)
17 Natural vine (pedestal)
18 Natural vine (handle)
19 Paper cylinder
20 Wall hook
21 Earring bracket
22 Brooch safety pin

Claims (2)

天然葉を洗浄、不変色処理、乾燥処理したものの一枚又は複数枚の任意の重ねの裏面に裏当材として紙、布帛類を貼り合わせ所定形状の基本葉材とし、該基本葉材に表面塗装を施して天然葉工芸品を製造するに際して、
天然葉の不変色処理は、緑色葉に対しては銅イオンのキレート化剤の存在下でスチームアイロンを用いて加熱加圧して形を整えながら銅クロロフィルの緑色を固定させ、紅葉に対しては食酢や明ばん水あるいは草木灰抽出液の存在下にメタロアントシアニン錯化合物を生成させ、これらにより天然葉の形状や色調をそのまま生かした状態で固定させるものであって、
不変色処理後の葉を裏当材と貼り合わせて、表面塗装として合成樹脂塗料又は天然漆塗料を塗布することにより形状固定して仕上げることを特徴とする天然葉工芸品の製造方法。
A natural leaf is washed, invariant color-treated, and dried, and one or a plurality of arbitrarily stacked backs of paper and fabric are pasted together as a backing material to form a basic leaf material of a predetermined shape. When producing natural leaf crafts by painting,
The natural color treatment of natural leaves is to fix the green color of copper chlorophyll while adjusting the shape by heating and pressing with a steam iron in the presence of a chelating agent of copper ions for green leaves, A metalloanthocyanin complex compound is produced in the presence of vinegar, alum water or grass ash extract, and these are fixed in a state where the shape and color tone of natural leaves are kept intact,
A method for producing a natural leaf craft, characterized in that a leaf after permanent color treatment is bonded to a backing material and the shape is fixed by applying a synthetic resin paint or a natural lacquer paint as a surface coating.
1又は複数の基本葉材天然蔓材からなる脚、台、提げ手又は取っ手をわせる請求項1記載の天然葉工芸品の製造方法。 Leg of natural Tsuruzai to one or more of the basic leaf material, base, hanging method for producing a natural leaf crafts hand or handle assembly seen Align Ru claim 1.
JP10186399A 1999-04-08 1999-04-08 Manufacturing method of natural leaf crafts Expired - Lifetime JP4423413B2 (en)

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Publication number Priority date Publication date Assignee Title
KR100419714B1 (en) * 2001-06-20 2004-02-21 이원경 Manufacturing method for natural four leaf clover and accessories using the same
CN103317936B (en) * 2012-03-22 2016-04-20 哈尔滨市工艺美术有限责任公司 A kind of preparation method of wheat straw arts and crafts picture
JP2014004700A (en) * 2012-06-22 2014-01-16 Kyushu Institute Of Technology Method of decorative treatment of metal surface
CN106274217B (en) * 2016-08-19 2018-04-03 王洪涛 A kind of method for being used to make ornament materials by plant leaf blade
CN106808912A (en) * 2017-02-08 2017-06-09 江门市新会葵城中学 One kind protects color plant crystal and preparation method
BR102017010714A2 (en) * 2017-05-22 2018-12-04 Nova Kaeru Industria De Couros S.A. process for treating vegetable matter and its product

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