JP2002079799A - Method for constituting unryu-patterned japanese paper silk light and its structure - Google Patents
Method for constituting unryu-patterned japanese paper silk light and its structureInfo
- Publication number
- JP2002079799A JP2002079799A JP2000311274A JP2000311274A JP2002079799A JP 2002079799 A JP2002079799 A JP 2002079799A JP 2000311274 A JP2000311274 A JP 2000311274A JP 2000311274 A JP2000311274 A JP 2000311274A JP 2002079799 A JP2002079799 A JP 2002079799A
- Authority
- JP
- Japan
- Prior art keywords
- japanese paper
- paper
- pressed flower
- japanese
- patterned
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Granted
Links
Landscapes
- Non-Portable Lighting Devices Or Systems Thereof (AREA)
Abstract
Description
【0001】[0001]
【発明の属する技術分野】本発明は、古くから和装シル
ク製織道具として使用されていた糸巻取枠スタンド枠を
用い、シルク糸のみをそれに巻き付ける構成に代わり、
伝統的無形文化財に指定された手漉きの雲竜模様和紙を
上に貼り、その上に原型の押し花をのせ、薄い和紙にて
固着し、押し花の周りに沿ってこれを立体的に埋封し、
固着し、表面の薄い和紙が上面からの貼り付けが感知で
きないように形成させ、内部から投光する光により、凹
面・凸面形態の押し花の微妙な立体的投光感覚を発生形
成せしめることを特徴とする種々の形態を組み合わせた
ランプシェードの構成方法とその製品に関する。BACKGROUND OF THE INVENTION The present invention uses a yarn take-up frame stand frame, which has been used as a Japanese-made silk weaving tool for a long time, instead of a structure in which only silk yarn is wound therearound.
A handmade Unryu pattern Japanese paper designated as a traditional intangible cultural property is pasted on top, a prototype pressed flower is placed on it, fixed with thin Japanese paper, and embedded three-dimensionally around the pressed flower,
It is characterized by the fact that the paper is stuck and the thin surface of the paper is formed so that the sticking from the upper surface cannot be sensed, and the light emitted from the inside creates a subtle three-dimensional feeling of concave and convex pressed flowers. And a product thereof.
【0002】[0002]
【従来の技術】従来、和紙等を利用したランプシェード
などの中には、植物の葉等を手漉き折に入れた和紙等を
使用したもの、あるいは薄い半透明の紙で覆って貼着す
るなどの種々の方法があるが、これら従来の方法では単
に和紙に自然の花や植物を封入したにすぎない。2. Description of the Related Art Conventionally, lamp shades using Japanese paper or the like are made of Japanese paper or the like in which leaves of a plant are hand-folded, or are covered with thin translucent paper and pasted. However, these conventional methods merely enclose natural flowers and plants in Japanese paper.
【0003】[0003]
【発明が解決しようとする課題】本発明は、そのため、
織物製織に使用する古来から用いられている糸巻取枠ス
タンド枠に、クワ科の落葉低木楮(こうぞ)の木の皮を
原料とする和紙をタタキ加減にて種々の形態に漉きあげ
た雲竜和紙を用い、本和紙の表面又は裏面に、押し花を
添わせ、添わせた押し花を半透明の極薄い和紙にて本和
紙の全面を覆って包み込み、フエキを混ぜた木工用のボ
ンドの極薄い糊にて本和紙全面を接着することにより和
紙全体が半透明となり、押し花だけが本和紙の上に立体
的に浮いて張り付いた感じを与える事のできる、今まで
得たことのない自然環境に優しいランプシエードの提供
を課題とする。SUMMARY OF THE INVENTION The present invention therefore provides
Unryu made from Japanese paper made from the bark of a deciduous shrub, Kozo wood, of the mulberry family in various forms by tataki control, on the yarn winding frame stand frame that has been used since ancient times for weaving textiles. Using Japanese paper, apply a pressed flower to the front or back of this Japanese paper, wrap the applied pressed flower over the entire surface of this Japanese paper with translucent ultra-thin Japanese paper, and mix the fuki wood bond with a very thin woodwork bond A natural environment that has never been obtained before, by gluing the entire surface of this paper with glue, the whole of the paper becomes translucent, and only pressed flowers can give a three-dimensional floating feeling on this paper The challenge is to provide a friendly lamp shade.
【0004】[0004]
【0005】1.請求項1に係わる手段 糸巻取枠スタンド1の表面に、古来から障子紙として使
用されているクワ科の落葉低木楮(こうぞ)の木の皮を
原料とする模様和紙2に、乾燥させた自然の押し花3を
薄い半透明の極薄い和紙4にて全面的に覆いかぶせ、薄
く全面に木工用のボンドにフエキノリを混ぜ合わせた糊
にて、紙厚面の薄い和紙4を模様和紙2に密着し、押し
花3の周囲を筆とかピンセットにて丁寧に押し潰し、同
時に、模様和紙2の全面を接着糊の作用により半透明に
変化させて、表面の和紙4がわかり難い状態に変型形成
させ、模様和紙2の表面に立体的に押し花3だけが浮か
び上がらせ、光源からの光りにより、微妙に種々の形態
にて押し花3を立体的に浮かび上がらせる。[0005] 1. Means according to claim 1 On the surface of the thread take-up frame stand 1, a patterned Japanese paper 2 made from a bark of a mulberry deciduous shrub, kozo, which has been used as shoji paper since ancient times, was dried. The natural pressed flower 3 is entirely covered with a thin translucent ultra-thin washi paper 4, and the thin, thick Japanese paper 4 is turned into a patterned washi 2 with glue mixed with a woodworking bond and fukinori. Closely contact and carefully crush the periphery of the pressed flower 3 with a brush or tweezers, and at the same time, change the whole surface of the patterned Japanese paper 2 to be translucent by the action of the adhesive glue, so that the surface of the Japanese paper 4 is deformed and formed in an obscure state. Only the pressed flower 3 emerges three-dimensionally on the surface of the patterned Japanese paper 2, and the light from the light source causes the pressed flower 3 to emerge three-dimensionally in various forms.
【0006】2.請求項2に係わる手段 前期手段1の和紙2等を、さらに表面だけでなく、表面
・裏面にも表裏の形態にて押し花3を配置し、紙厚面の
薄い和紙4を模様和紙2の表裏に密着し、同時に押し花
3の周囲を筆とかピンセットにて丁寧に押し潰すことに
より、表面・裏面の和紙4が分かり難い状態に変型形成
させ、内部の光源からの光りにより、和紙2の表面に遠
近的な形態にて押し花3を立体的に浮かび上がらせる。[0006] 2. Means according to Claim 2 Pressed flowers 3 are arranged on the front and back sides of the Japanese paper 2 etc. of the first means in addition to the front side and the front side and the back side, and the Japanese paper 4 having a thin paper surface is replaced with the front and back sides of the patterned Japanese paper 2. At the same time, by carefully crushing the periphery of the pressed flower 3 with a brush or tweezers, the front and back side of the washi 4 is transformed into an incomprehensible state, and by the light from the internal light source, the surface of the washi 2 The pressed flower 3 is made to appear three-dimensionally in a perspective form.
【0007】3.請求項3に係わる手段 前期手段1、前期手段2によって設けられた和紙等2の
上面に、3〜5ミリの間隔を開け、素朴な感じのする綿
とかシルク糸の天然糸に限定された飾り糸とか紡ぎ糸、
リング風の糸、キビソ(繭のカス糸)等にて糸巻取枠ス
タンド1の糸巻き面5上に添付される。[0007] 3. Means according to claim 3 Ornaments limited to natural threads such as cotton or silk thread, which have a simple feeling, are spaced at a distance of 3 to 5 mm on the upper surface of the Japanese paper or the like 2 provided by the first means and the second means. Yarn or spun yarn,
It is attached to the winding surface 5 of the winding frame stand 1 with a ring-like yarn, kibizo (cocoon waste yarn) or the like.
【0008】4.請求項4に係わる手段 糸巻取枠スタンド1の光源6を微妙に移動させることに
より、立体的に構成された押し花3を、さらに陰影を可
動させ、日ごとに鑑賞ポイントを微妙に変化させる機能
をランプシェードの支持具等に装着する。[0008] 4. Means according to claim 4 The function of moving the light source 6 of the yarn winding frame stand 1 delicately, further moving the shading of the three-dimensionally formed pressed flower 3, and delicately changing the viewing point every day. Attach it to a lamp shade support.
【0009】[0009]
【0010】[0010]
【作用】本発明は、上記の手段を講じたので、これを使
用するときは、従来市販されている和紙を透過する透過
光のみによって、穏やかな、美麗な表現をする照明作用
と異なり、素朴な自然を表現した押し花3が立体的に糸
巻取枠スタンド1の表面に幻想的に現れ、光源6が固定
又は光源6を移動することにより、押し花3の立体感に
微妙な変化を与え、鑑賞する人に穏やかな何とも言えな
い立体感を味わせることができる。According to the present invention, since the above-mentioned means are taken, when using the same, unlike the lighting effect which gives a gentle and beautiful expression only by the transmitted light transmitted through the conventionally available Japanese paper, it is simple. A pressed flower 3 expressing natural nature appears three-dimensionally on the surface of the yarn winding frame stand 1, and the light source 6 is fixed or the light source 6 is moved, thereby giving a subtle change to the three-dimensional appearance of the pressed flower 3 and appreciation. You can enjoy a calm three-dimensional effect.
【0011】[0011]
【実施例】以下、図1、図2、図3、図4に基づき、本
発明の実施例について、さらに詳細に説明する。DETAILED DESCRIPTION OF THE PREFERRED EMBODIMENTS An embodiment of the present invention will be described below in detail with reference to FIGS. 1, 2, 3, and 4. FIG.
【0012】図1において、本発明の糸巻取枠照明スタ
ンドは既に公開実用昭58−52805にて周囲に糸を
巻き付けた糸の巻取枠の内部に電球等の発光部を設けた
ものとして公知されているが、本発明はこの同じ形態の
照明スタンドの糸巻取枠スタンド1にクワ科の落葉低木
楮(こうぞ)の木の皮を原料とする通常和風障子に使わ
れている厚さの模様和紙2に、乾燥させた自然のつくし
等の押し花3を0.03〜0.1ミリ厚の薄い半透明の
極薄和紙4にて全面的に和紙2に覆いかぶせ、全面に木
工用のボンドにフエキノリを混ぜ合わせた薄い糊にて、
紙厚面の薄い和紙4を模様和紙2に密着したのち、押し
花3の周囲を筆とかピンセット8にて丁寧に押し潰すこ
とにより、表面の和紙4が押し花3を明瞭に際立たせ、
薄い和紙4は覆っていることが見る人に感知できない状
態に変型形成させ、和紙2の表面に立体的に押し花3だ
けが立体的に明確に浮かび上がるように構成させる。In FIG. 1, the yarn winding frame lighting stand of the present invention is already disclosed in Japanese Utility Model Application Publication No. 58-52805, in which a light emitting portion such as a light bulb is provided inside a yarn winding frame around which a yarn is wound. However, in the present invention, the winding stand 1 of the same type of lighting stand has a thickness of a thickness commonly used for Japanese-style shoji made from the bark of a deciduous shrub, Kozo tree, of the mulberry family. Pressed flower 3 such as dried natural horsetail is entirely covered on patterned Japanese paper 2 with thin translucent ultra-thin Japanese paper 4 having a thickness of 0.03 to 0.1 mm. With the thin glue which mixed fukinori with bond,
After closely attaching the thin Japanese paper 4 to the patterned Japanese paper 2, the periphery of the pressed flower 3 is carefully crushed with a brush or tweezers 8 so that the surface Japanese paper 4 clearly stands out the pressed flower 3,
The thin Japanese paper 4 is deformed and formed so that it cannot be sensed by the viewer that the thin Japanese paper 4 is covered, and only the pressed flower 3 is three-dimensionally and clearly emerged on the surface of the Japanese paper 2.
【0013】従って、本発明は、上記の構成の場合に
は、一般に雲竜紙と呼ばる和紙を使用し、内部の光源6
から投射した光線が模様和紙2の中に渦巻いている雲が
浮遊しているように図柄を構成させ、その上に置かれた
自然体の押し花の立体感が自然に融合して、今まで獲得
出来なかった神秘な和風感覚を得ることが可能となる。Accordingly, in the present invention, in the case of the above structure, Japanese paper generally called "Yunryu paper" is used, and the internal light source 6 is used.
The light beam projected from is made into a design as if the clouds swirling in the Japanese paper 2 are floating, and the three-dimensional impression of the pressed flower of the natural body placed on it naturally fuses and can be obtained so far It is possible to obtain a mysterious Japanese-style sensation that did not exist.
【0014】図2に雲竜模様和紙2に押し花3と表面の
薄い和紙4が一体に構成された図を示す。雲竜模様は和
紙2の中に雲の流れ模様、竜の動き模様又は雲の渦巻き
模様等が描かれた和紙をいい、和紙と同じクワ科の落葉
低木を原料とし、和紙を漉く際に発生する、和紙内部に
封印された図柄を形成する。FIG. 2 shows a drawing in which a pressed flower 3 and a thin paper 4 having a thin surface are integrally formed on a Japanese dragon-shaped patterned paper 2. The cloud dragon pattern refers to Japanese paper in which the flow pattern of a cloud, the movement pattern of a dragon, or the swirling pattern of clouds are drawn in Japanese paper 2, and is generated when Japanese paper is made from the same deciduous shrub of the mulberry family as Japanese paper. To form a sealed design inside the washi paper.
【0015】図2に示すように、一般には平らな面に和
紙2を広げ、和紙2の表面に押し花3を選択配置し、押
し花3を覆うように極薄の和紙4を雲竜和紙2の全面に
木工用のボンドにフエキノリを混ぜ合わせた薄い糊にて
ピッタリと貼り付ける。As shown in FIG. 2, in general, Japanese paper 2 is spread on a flat surface, pressed flowers 3 are selectively arranged on the surface of the Japanese paper 2, and an ultra-thin Japanese paper 4 is covered on the entire surface of the clouded Japanese paper 2 so as to cover the pressed flowers 3. And glue it with a thin glue made by mixing woodwork with fukinori.
【0016】上記貼り付けした和紙2は表面に極薄い和
紙4を乗せても、使用した糊とよくマッチし全体が半透
明となる。まだ糊が乾燥しない内に、押し花3の周囲を
人手により筆とかピンセット8を使用し、注意深く押し
花3の周りを、表面を覆う極薄和紙4をピンセット8等
にて押し込め、押し花3の立体感を浮かび上がらせる。
図3にその形成された押し花の立体構造を示す。[0016] Even if an extremely thin Japanese paper 4 is put on the surface of the pasted Japanese paper 2, it matches well with the used glue and becomes entirely translucent. While the glue has not dried yet, use a brush or tweezers 8 around the pressed flower 3 by hand, and carefully press the ultra-thin Japanese paper 4 covering the surface around the pressed flower 3 with tweezers 8 or the like to obtain a three-dimensional impression of the pressed flower 3 Emerge.
FIG. 3 shows the three-dimensional structure of the formed pressed flower.
【0017】図4は図2の和紙2の表面に押し花3aを
選択配置した構成と和紙2の裏面にも押し花3bを配置
し、図2と同じく和紙2の裏面も表面と同じく極薄和紙
4bを裏面全面に木工用のボンドにフエキノリを混ぜ合
わせた薄い糊にてピッタリと貼り付け、押し花3aと3
b等を両面に構成した立体構造を示す。FIG. 4 shows a configuration in which pressed flowers 3a are selectively disposed on the front surface of Japanese paper 2 in FIG. 2 and pressed flowers 3b are also disposed on the back surface of Japanese paper 2, and as in FIG. Paste on the whole back surface with thin glue mixed with woodwork bond and fukikinori, and press flowers 3a and 3
The three-dimensional structure which comprised b etc. on both surfaces is shown.
【0018】また、照明スタンドの糸巻取枠スタンド1
の外側糸巻き面5の周囲には3〜5ミリの間隔を保持し
つつ、素朴な感じのする綿とかシルク糸等の天然糸にて
構成された飾り糸とか、紡ぎ糸、リング風の糸、キビソ
(繭のカス糸)等7にてスタンド1の糸巻き面5に巻き
付け、押し花3を縛り上げる形態に構成し、押し花3の
立体感をより一層感じ取れる構成となっている。その構
成を図1、図4に示す・Further, the yarn winding frame stand 1 of the lighting stand
While maintaining a space of 3 to 5 mm around the outer thread winding surface 5, the decorative thread composed of natural thread such as cotton or silk thread, spun thread, ring-like thread, The pressed flower 3 is wound around the thread winding surface 5 of the stand 1 with a kibizo (cask thread) 7 and the like, and the pressed flower 3 is tied up, so that the three-dimensional effect of the pressed flower 3 can be further sensed. The configuration is shown in FIGS.
【0019】また、図1に示すように、糸巻取枠スタン
ド1の光源6を中央に1個設けることにより、表側に配
置された押し花3aは明瞭に見る人の目に立体的に認識
されるが、裏側に配置された押し花3bは雲竜模様の和
紙2を通し、陰様に、見る人の目にこれも立体的に認識
されるため、陰陽を合わせもった和風模様を構成するこ
とができる。Also, as shown in FIG. 1, by providing one light source 6 of the yarn winding frame stand 1 at the center, the pressed flowers 3a arranged on the front side can be clearly recognized three-dimensionally by the eyes of the viewer. However, the pressed flower 3b arranged on the back side passes through the Japanese paper 2 with the cloud dragon pattern, and this is also recognized three-dimensionally in the eyes of the viewer, so that it is possible to form a Japanese style pattern with the combination of yin and yang. .
【0020】図4には、また、二つの光源6aと6bを
設けた構造を示し、二つと限らず四つの光源を設けても
問題なく、点灯はまず光源6aだけ点灯し、次に6bだ
け点灯すると、それぞれ点灯位置がずれるため、押し花
3a、3bの立体的陰影が変化し、異なった印象を与え
るスタンドを取得することが可能となる。FIG. 4 shows a structure in which two light sources 6a and 6b are provided. There is no problem even if four light sources are provided instead of two light sources. First, only the light source 6a is turned on, and then only 6b is turned on. When the lights are turned on, the lighting positions are respectively shifted, so that the three-dimensional shadows of the pressed flowers 3a and 3b are changed, and it is possible to obtain a stand that gives a different impression.
【0021】また、図には明示してないが。光源6a、
6b等が円形に回転する構造にしてもよく、また、6a
と6bとそれぞれ発光色を変化させて設定してもよいこ
とは言うまでもない。Although not explicitly shown in the figure. Light source 6a,
6b or the like may be configured to rotate in a circular shape.
It is needless to say that the light emission colors may be changed and set in each case.
【0022】[0022]
【考案の効果】以上、詳述したように、従来の絹糸に先
染にて染色された色糸等が、枠内部からの光の透過によ
ってのみ感じが構成される従来の電気スタンドと異な
り、本発明は、スタンド1表面の雲竜型和紙4と、和紙
4上に立体的に構成された押し花3を一層際立たせ、薄
い和紙4が全面を覆っていることが感知できない状態に
変型形成させ、和紙2の表面に立体的押し花3だけが明
確に浮かび上がるように和風的に落ち着いた良好な雰囲
気を醸し出す、今までにない照明効果が得られた。[Effect of the Invention] As described in detail above, unlike the conventional desk lamp in which the color thread or the like dyed with the conventional silk thread by the first dyeing can be felt only by the transmission of light from the inside of the frame, The present invention makes the cloud-shaped Japanese paper 4 on the surface of the stand 1 and the pressed flower 3 three-dimensionally formed on the Japanese paper 4 more prominent, so that the thin Japanese paper 4 can be deformed to a state where it cannot be sensed that the entire surface is covered, An unprecedented lighting effect has been obtained that creates a good Japanese-style calm atmosphere so that only the three-dimensional pressed flowers 3 clearly emerge on the surface of the Japanese paper 2.
【0023】また、和紙2の表面・裏面を用い立体的に
押し花3を電気スタンド1の外面・裏面に浮かび上がら
せることにより、また、電気スタンド1の4面を春・夏
・秋・冬の押し花3にて形成し、四季の感覚を構成させ
ることにより、また、電気スタンド1の光源6の点灯位
置を変化させる等のことにより、押し花3の影の感覚を
日々微妙に変化させる等により、今までにない電気スタ
ンド用笠を得ることができた。Further, by pressing the pressed flower 3 three-dimensionally on the outer surface and the back surface of the desk lamp 1 using the front and back surfaces of the Japanese paper 2, the four surfaces of the desk lamp 1 can be pressed in spring, summer, autumn and winter. 3 by changing the lighting position of the light source 6 of the desk lamp 1 and so on by subtly changing the sense of the shadow of the pressed flower 3 every day. We were able to obtain a shade for a desk lamp like never before.
【0024】また、更に上面に綿とかシルク等の天然の
糸の飾り糸とかつむぎ糸等を間隔を開けて巻き付けるこ
とにより、表面に縞模様を加えた、一層立体感覚を強調
する上品な雰囲気の電気スタンド用笠を得ることができ
た。Further, by winding a decorative yarn of natural yarn such as cotton or silk and a wrapping yarn on the upper surface at an interval, a striped pattern is added to the surface to create an elegant atmosphere that further emphasizes the three-dimensional sense. A shade for a desk lamp was obtained.
【図1】本発明の電気スタンド用笠の全体斜視説明図。FIG. 1 is an overall perspective explanatory view of a shade for a desk lamp of the present invention.
【図2】本発明の外枠に巻き付ける雲竜和紙に押し花を
侠着する工程説明図。FIG. 2 is an explanatory view of a process of forming a pressed flower on a cloud of washi wrapped around an outer frame according to the present invention.
【図3】本発明の押し花の立体的構成を示す拡大断面説
明図。FIG. 3 is an enlarged sectional explanatory view showing a three-dimensional configuration of the pressed flower of the present invention.
【図4】本発明の電気スタンド用笠の断面説明図。FIG. 4 is an explanatory sectional view of a desk lamp shade according to the present invention.
1・・・・・・糸巻取枠スタンド 2・・・・・・雲竜模様和紙 3・・・・・・押し花 4・・・・・・極薄和紙 5・・・・・・糸巻き面 6・・・・・・光源 7・・・・・・飾り糸 8・・・・・・ピンセット DESCRIPTION OF SYMBOLS 1 ... Stand of winding frame 2 ... Japanese dragon pattern Japanese paper 3 ... Pressed flower 4 ... Ultra-thin Japanese paper 5 ... Winding surface 6 ... ..... light source 7 ... decorative thread 8 ... tweezers
Claims (4)
ら障子紙として使用されているクワ科の落葉低木楮の木
の皮を原料とする模様和紙(2)に、乾燥させた自然の
押し花(3)を、薄い半透明の極薄い和紙(4)にて全
面的に覆いかぶせ、薄く全面に木工用のボンドにフエキ
ノリを混ぜ合わせた糊にて、紙厚面の薄い和紙(4)を
模様和紙(2)に密着し、同時に、押し花(3)の周囲
を筆とかピンセットにて丁寧に押し潰すことにより、表
面の和紙(4)が分かり難い状態に押し花(3)が変型
形成し、半透明となった模様和紙(2)の表面に立体的
に押し花(3)だけを浮かび上がらせ、光源からの光り
により、微妙に種々の形態にて押し花(3)を立体的に
浮かび上がらせることを特徴とする雲竜和紙シルク灯し
びの構成方法とその構造。1. A dried natural paper on a surface of a yarn winding frame stand (1) made of patterned Japanese paper (2) made from a bark of a mulberry deciduous shrub mulberry, which has been used as shoji paper since ancient times. Pressed flower (3) is completely covered with a thin translucent ultra-thin washi paper (4), and the entire surface is thinly glued with a woodwork bond mixed with fukinori, and the thin paper (4) ) Is closely adhered to the patterned washi paper (2), and at the same time, the area around the pressed flower (3) is carefully crushed with a brush or tweezers. Then, only the pressed flower (3) emerges three-dimensionally on the surface of the translucent patterned Japanese paper (2), and the light from the light source causes the pressed flower (3) to emerge three-dimensionally in various forms slightly. The method and composition of the Unryu Japanese paper silk lantern Structure.
面・裏面にも表裏の形態にて、また裏面のみの形態に
て、押し花(3)を配置し、請求項1と同様に、紙厚面
の薄い和紙(4)を模様和紙(2)の表裏一面に密着
し、押し花(3)の周囲を筆とかピンセット(8)にて
丁寧に押し潰すことにより、表裏面に選択形成された押
し花(3)を変型形成させ、内部の光源からの光りによ
り和紙(2)の表面から遠近感覚形態にて押し花(3)
を立体的に浮かび上がらせることを特徴とする雲竜和紙
シルク灯しびの構成方法とその構造。2. A pressed flower (3) is arranged on the Japanese paper (2) not only on the front surface but also on the front and back surfaces in the form of front and back surfaces, and in the form of only the back surface. Selectively form the front and back sides of the patterned flower paper (2) by closely contacting the front and back surfaces of the patterned paper (2) and carefully crushing the periphery of the pressed flower (3) with a brush or tweezers (8). The pressed flower (3) is deformed and formed, and the light from the internal light source causes the pressed flower (3) to have a sense of perspective from the surface of the Japanese paper (2).
The method and structure of the Unryu Japanese paper silk lantern, which features a three-dimensional surface.
記載の構造によって設けられた和紙(2)の上面に、3
〜5ミリの間隔を保持しつつ、素朴な感じのする綿とか
シルクの糸等の天然糸に限定された飾り糸、紡ぎ糸、リ
ング風の糸、キビソ(繭のカス糸)等(7)にて、糸巻
取枠スタンド(1)の糸巻き面(5)に巻き付けた請求
項1、又は、請求項2記載の雲竜和紙シルク灯しびの構
成方法とその構造。3. An upper surface of a Japanese paper (2) provided by the structure according to any one of claims 1 and 2,
Decorative yarns, spun yarns, ring-like yarns, kibiso (cass yarns of cocoons), etc., limited to natural yarns such as cotton or silk yarns that have a rustic feeling while maintaining an interval of ~ 5 mm (7) 3. A method and a structure of the Unryu Japanese paper silk lamp according to claim 1 or 2, wound around the winding surface (5) of the yarn winding frame stand (1).
光位置を変えることにより、押し花(3)の立体的陰影
を更に可動させて、日ごとに鑑賞ポイントを微妙に変化
させる機能をランプシェードの支持具(1)に装着する
ことを特徴とする請求項1、請求項2、請求項3記載の
雲竜和紙シルク灯しびの構成方法とその構造。4. A function for changing the light emitting position of the light source (6) of the yarn winding frame stand (1) to further move the three-dimensional shadow of the pressed flower (3) and to delicately change the viewing point every day. 4. The method and the structure of the Unryu Japanese paper silk lantern according to claim 1, wherein the lamp shade is mounted on a support (1) of the lamp shade.
Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP2000311274A JP4457372B2 (en) | 2000-09-04 | 2000-09-04 | Wound-wind Japanese paper lamp |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
JP2000311274A JP4457372B2 (en) | 2000-09-04 | 2000-09-04 | Wound-wind Japanese paper lamp |
Publications (2)
Publication Number | Publication Date |
---|---|
JP2002079799A true JP2002079799A (en) | 2002-03-19 |
JP4457372B2 JP4457372B2 (en) | 2010-04-28 |
Family
ID=18791073
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Application Number | Title | Priority Date | Filing Date |
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JP2000311274A Expired - Fee Related JP4457372B2 (en) | 2000-09-04 | 2000-09-04 | Wound-wind Japanese paper lamp |
Country Status (1)
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JP (1) | JP4457372B2 (en) |
Cited By (4)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
KR100757983B1 (en) | 2006-09-07 | 2007-09-11 | 주미옥 | Ornament for outdoor |
CN109424893A (en) * | 2017-08-23 | 2019-03-05 | 刘文钦 | Double-deck stereo silk lamp decoration and its manufacturing method |
KR20200097502A (en) * | 2019-02-08 | 2020-08-19 | 양지선 | Sculpture comprising pot and light |
KR102380984B1 (en) * | 2022-02-18 | 2022-03-30 | 성주용 | Lotus lantern with lotus leaves of natural beauty |
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KR100757983B1 (en) | 2006-09-07 | 2007-09-11 | 주미옥 | Ornament for outdoor |
CN109424893A (en) * | 2017-08-23 | 2019-03-05 | 刘文钦 | Double-deck stereo silk lamp decoration and its manufacturing method |
KR20200097502A (en) * | 2019-02-08 | 2020-08-19 | 양지선 | Sculpture comprising pot and light |
KR102186490B1 (en) | 2019-02-08 | 2020-12-03 | 양지선 | Sculpture comprising pot and light |
KR102380984B1 (en) * | 2022-02-18 | 2022-03-30 | 성주용 | Lotus lantern with lotus leaves of natural beauty |
Also Published As
Publication number | Publication date |
---|---|
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