GR1009745B - Violin's electromagnetic sound-recording system - Google Patents
Violin's electromagnetic sound-recording system Download PDFInfo
- Publication number
- GR1009745B GR1009745B GR20180100220A GR20180100220A GR1009745B GR 1009745 B GR1009745 B GR 1009745B GR 20180100220 A GR20180100220 A GR 20180100220A GR 20180100220 A GR20180100220 A GR 20180100220A GR 1009745 B GR1009745 B GR 1009745B
- Authority
- GR
- Greece
- Prior art keywords
- instrument
- bridge
- hand
- violin
- coils
- Prior art date
Links
- 230000005294 ferromagnetic effect Effects 0.000 claims description 3
- 230000005291 magnetic effect Effects 0.000 claims description 3
- 239000002184 metal Substances 0.000 claims 1
- 238000010276 construction Methods 0.000 description 3
- 230000004048 modification Effects 0.000 description 2
- 238000012986 modification Methods 0.000 description 2
- 230000006399 behavior Effects 0.000 description 1
- 238000004040 coloring Methods 0.000 description 1
- 239000007943 implant Substances 0.000 description 1
- 230000002427 irreversible effect Effects 0.000 description 1
- 239000000463 material Substances 0.000 description 1
- 238000004804 winding Methods 0.000 description 1
Classifications
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/181—Details of pick-up assemblies
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D1/00—General design of stringed musical instruments
- G10D1/02—Bowed or rubbed string instruments, e.g. violins or hurdy-gurdies
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
- G10D3/04—Bridges
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/185—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar in which the tones are picked up through the bridge structure
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04R—LOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
- H04R11/00—Transducers of moving-armature or moving-core type
- H04R11/04—Microphones
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
- G10H2220/465—Bridge-positioned, i.e. assembled to or attached with the bridge of a stringed musical instrument
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
- G10H2220/465—Bridge-positioned, i.e. assembled to or attached with the bridge of a stringed musical instrument
- G10H2220/495—Single bridge transducer, common to all strings
Landscapes
- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Electromagnetism (AREA)
- Signal Processing (AREA)
- Stringed Musical Instruments (AREA)
Abstract
Description
ΠΕΡΙΓΡΑΦΗ DESCRIPTION
Ηλεκτρομαγνητικό σύστημα ηχοληψιας βιολιού Electromagnetic violin tuning system
Η περιγραφόμενη κατασκευή, αναφέρεται σε ηλεκτρομαγνητικό σύστημα ηχοληψίας βιολιού, το οποίο συλλαμβάνει τον ήχο μέσω των δονήσεων των ξύλινων μερών του οργάνου και συγκεκριμένα της γέφυρας. The described construction refers to an electromagnetic violin pickup system, which captures the sound through the vibrations of the wooden parts of the instrument, specifically the bridge.
Οι ως τώρα υπάρχουσες λύσεις περιλαμβάνουν πιεζοηλεκτρικά εμφυτεύματα στα δονούμενα μέρη του οργάνου ή μικρόφωνα τοποθετημένα κοντά ή πάνω στο όργανο. Και οι δυο αυτές λύσεις έχουν τόσο πλεονεκτήματα, όσο και αντίστοιχα μειονεκτήματα. Τα μικρόφωνα είναι γνωστά για την απαράμιλλη ποιότητά τους στην σύλληψη και καταγραφή του ήχου, αλλά είναι επίσης γνωστό ότι στις μεγάλες εντάσεις που απαιτούνται κατά τις μουσικές συναυλίες, εμφανίζουν έντονα προβλήματα ηχητικής ανάδρασης (feedback), πράγμα που καθιστά ως και αδύνατη τη χρήση των. Από την άλλη πλευρά, τα πιεζοηλεκτρικά συστήματα, χωρίς να εμφανίζουν έντονα προβλήματα ηχητικής ανάδρασης, επιβάλλουν στο σύνολό τους έναν άσχημο χρωματισμό στον ήχο, πράγμα που έχει να κάνει με την ιδιοσυχνότητά και τη φύση των υλικών τους, αλλά και τις περισσότερες φορές, απαιτούν την αντικατάσταση μερών του οργάνου στο σύνολό τους ή και τροποποιήσεις στα όργανα, ακόμη και μη αναστρέψιμες, με αποτέλεσμα ανεπιθύμητες συμπεριφορές στην ηχητική απόδοση των οργάνων, και παρεμβάσεις στην αισθητική ή την εμφάνισή αυτών. Existing solutions include piezoelectric implants in the vibrating parts of the instrument or microphones placed near or on the instrument. Both of these solutions have both advantages and disadvantages. Microphones are known for their unparalleled quality in capturing and recording sound, but it is also known that at the high levels required during music concerts, they show strong feedback problems, which makes their use even impossible. On the other hand, piezoelectric systems, without showing strong problems of sound feedback, impose a bad coloring on the sound as a whole, which has to do with the natural frequency and the nature of their materials, but also most of the time, they require the replacement of parts of the instrument as a whole or modifications to the instruments, even irreversible, resulting in undesirable behaviors in the sound performance of the instruments, and interventions in their aesthetics or appearance.
Η παρούσα κατασκευή επιχειρεί να δώσει μια διαφορετική λύση, συνδυάζοντας τα θετικά χαρακτηριστικά και των δύο παραπάνω ομάδων, δηλ. υψηλή πιστότητα χωρίς όμως ηχητική ανάδραση, σε μια λιτή κατασκευή που μπορεί εύκολα να τοποθετηθεί επάνω στο σώμα του οργάνου (7) χωρίς την παραμικρή τροποποίηση ή οποιαδήποτε επέμβαση σε αυτό. The present construction attempts to provide a different solution, combining the positive characteristics of both groups above, i.e. high fidelity but without sound feedback, in a simple construction that can be easily placed on the body of the instrument (7) without the slightest modification or any intervention thereon.
Το πλήρες σύστημα αποτελείται από ένα σύστημα δύο πηνίων (1) με φερρομαγνητικό πυρήνα και αντίθετη φορά περιέλιξης συνδεδεμένα ηλεκτρικά σε σειρά, σε συνδυασμό με ένα μόνιμο μαγνήτη (2) ο οποίος εφάπτεται στον πυρήνα τουλάχιστον του ενός εξ αυτών των πηνίων και δημιουργεί μαγνητικό πεδίο γύρω από αυτά τα πηνία (1), τα οποία πηνία (1) και ο μαγνήτης (2) είναι εγκιβωτισμένα και στερεωμένα στο άκρο ενός αποσπώμενου μηχανικού βραχίονα (3), ο οποίος βραχίονας (3) τοποθετείται-συσφίγγεται μηχανικά στο μη δονούμενο πλευρό του οργάνου και του οποίου βραχίονα (3) το προαναφερόμενο άκρο εκτείνεται απολύτως σύνεγγυς και αντικριστά της πλευρικής σχισμής (4) της γέφυρας (5) του οργάνου, χωρίς όμως άμεση επαφή με αυτή, καθώς και από ένα δίσκο (6) με φερρομαγνητικές ιδιότητες ο οποίος τοποθετείται-συσφίγγεται εντός της πλευρικής σχισμής (4) της γέφυρας (5) του οργάνου, όπου αφ’ ενός το σύστημα των πηνίων (1) με το μόνιμο μαγνήτη (2) και αφ’ ετέρου ο δίσκος (6), βρίσκονται σε ανέπαφη λειτουργική συγγένεια-σχέση μεταξύ των (Fig. 1). The complete system consists of a system of two coils (1) with a ferromagnetic core and opposite winding electrically connected in series, in combination with a permanent magnet (2) which contacts the core of at least one of these coils and creates a magnetic field around of these coils (1), which coils (1) and the magnet (2) are encased and fixed to the end of a detachable mechanical arm (3), which arm (3) is mechanically position-clamped to the non-vibrating side of the instrument and whose arm (3) the aforementioned end extends absolutely close to and opposite the lateral slit (4) of the bridge (5) of the instrument, but without direct contact with it, as well as by a disk (6) with ferromagnetic properties which is placed - it is clamped inside the lateral slot (4) of the bridge (5) of the instrument, where on the one hand the system of coils (1) with the permanent magnet (2) and on the other hand the disc (6) are in intact functional contact news-relationship between (Fig. 1).
Πιο συγκεκριμένα, το σύστημα των πηνίων (1) με το μαγνήτη (2), προσομοιάζουν στο σύνολό τους την αρματούρα ενός δυναμικού μικροφώνου και στερεώνονται ακίνητα και μη δονούμενα, με τη βοήθεια του μηχανικού βραχίονα (3), απολύτως σύνεγγυς και αντικριστά της πλευρικής σχισμής (4) της γέφυρας (5) του οργάνου, με το μαγνήτη (2) να βρίσκεται αντικριστά σε αυτήν τη σχισμή (4) και σε απόσταση από αυτήν τέτοια που μόλις να μην έρχονται σε άμεση επαφή, ενώ ο παραπάνω δίσκος (6) αναλαμβάνει το ρόλο του διαφράγματος αυτού του μικροφώνου, καθώς αυτός σφηνωμένος εντός της πλευρικής σχισμής (4) της γέφυρας (5), ακολουθεί πιστά και αναλογικά τις δονήσεις της γέφυρας (5) του οργάνου, οι οποίες δονήσεις προκύπτουν κατά τη δόνηση των χορδών (8) του οργάνου, και διαταρράσει ο δίσκος (6) δονούμενος το μαγνητικό πεδίο που δημιουργείται από τον μαγνήτη (2) στην περιοχή της πλευρικής σχισμής (4) της γέφυρας του οργάνου (5) και ως εκ τούτων παράγεται επαγωγικά ηλεκτρική τάση στα άκρα των εφαπτόμενων στο μαγνήτη (2) πηνίων (1), η οποία μεταφέρεται με εξωτερική καλωδίωση (9) σε ενισχυτή και η οποία τάση ακολουθεί με πιστότητα τον ήχο του οργάνου (7) (Fig. 1). More specifically, the system of the coils (1) with the magnet (2), simulate as a whole the armature of a dynamic microphone and are fixed immobile and non-vibrating, with the help of the mechanical arm (3), absolutely close to and facing the side slot (4) of the bridge (5) of the instrument, with the magnet (2) facing this slot (4) and at a distance from it such that they hardly come into direct contact, while the above disc (6) takes over the role of the diaphragm of this microphone, as it is wedged inside the lateral slot (4) of the bridge (5), faithfully and proportionally follows the vibrations of the bridge (5) of the instrument, which vibrations arise during the vibration of the strings (8) of the instrument, and the disk (6) is disturbed by vibrating the magnetic field created by the magnet (2) in the area of the side slot (4) of the bridge of the instrument (5) and as a result an electric voltage is inductively produced at the ends of the tangents in magnet (2) of coils (1), which is transferred by external wiring (9) to an amplifier and whose voltage faithfully follows the sound of the instrument (7) (Fig. 1).
Claims (1)
Priority Applications (2)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
GR20180100220A GR1009745B (en) | 2018-05-18 | 2018-05-18 | Violin's electromagnetic sound-recording system |
EP19386028.5A EP3570272A1 (en) | 2018-05-18 | 2019-05-14 | Removable electromagnetic transducer for violin bridge |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
GR20180100220A GR1009745B (en) | 2018-05-18 | 2018-05-18 | Violin's electromagnetic sound-recording system |
Publications (2)
Publication Number | Publication Date |
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GR20180100220A GR20180100220A (en) | 2020-01-22 |
GR1009745B true GR1009745B (en) | 2020-05-29 |
Family
ID=67303417
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
GR20180100220A GR1009745B (en) | 2018-05-18 | 2018-05-18 | Violin's electromagnetic sound-recording system |
Country Status (2)
Country | Link |
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EP (1) | EP3570272A1 (en) |
GR (1) | GR1009745B (en) |
Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3600496A (en) * | 1969-09-05 | 1971-08-17 | Joe D Ellis | Electromagnetic pickup for a stringed musical instrument |
EP0773530A2 (en) * | 1995-11-10 | 1997-05-14 | Niigata Stringed Instruments Corporation | Player apparatus |
Family Cites Families (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
GB391292A (en) * | 1932-03-03 | 1933-04-27 | Herbert Tudor Morgan | Electrical pick up device for attaching to musical instruments |
GB541915A (en) * | 1940-06-14 | 1941-12-17 | Hector Howell Jones | Improvements in electric-acoustic transducers, particularly of the moving coil type |
CA2924865A1 (en) * | 2016-03-15 | 2017-09-15 | Daniel G. Cormier | Active hum-cancelling bowed instrument bridge and electromagnetic pickup |
-
2018
- 2018-05-18 GR GR20180100220A patent/GR1009745B/en active IP Right Grant
-
2019
- 2019-05-14 EP EP19386028.5A patent/EP3570272A1/en not_active Withdrawn
Patent Citations (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US3600496A (en) * | 1969-09-05 | 1971-08-17 | Joe D Ellis | Electromagnetic pickup for a stringed musical instrument |
EP0773530A2 (en) * | 1995-11-10 | 1997-05-14 | Niigata Stringed Instruments Corporation | Player apparatus |
Also Published As
Publication number | Publication date |
---|---|
GR20180100220A (en) | 2020-01-22 |
EP3570272A1 (en) | 2019-11-20 |
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Effective date: 20200615 |