GB2521553A - Method and system - Google Patents

Method and system Download PDF

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Publication number
GB2521553A
GB2521553A GB1504196.5A GB201504196A GB2521553A GB 2521553 A GB2521553 A GB 2521553A GB 201504196 A GB201504196 A GB 201504196A GB 2521553 A GB2521553 A GB 2521553A
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United Kingdom
Prior art keywords
sound
cancelling
audio signal
audio
providing
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Granted
Application number
GB1504196.5A
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GB201504196D0 (en
GB2521553B (en
Inventor
Archiveades Georgiou
Antony Zenonos
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Individual
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Individual
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Priority claimed from GB0914324A external-priority patent/GB0914324D0/en
Priority claimed from GBGB1005027.6A external-priority patent/GB201005027D0/en
Application filed by Individual filed Critical Individual
Priority claimed from GB1204544.9A external-priority patent/GB2485743B/en
Publication of GB201504196D0 publication Critical patent/GB201504196D0/en
Publication of GB2521553A publication Critical patent/GB2521553A/en
Application granted granted Critical
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Classifications

    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R1/00Details of transducers, loudspeakers or microphones
    • H04R1/10Earpieces; Attachments therefor ; Earphones; Monophonic headphones
    • H04R1/1083Reduction of ambient noise
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/16Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/175Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/16Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/175Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound
    • G10K11/178Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/16Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/175Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound
    • G10K11/178Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase
    • G10K11/1781Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase characterised by the analysis of input or output signals, e.g. frequency range, modes, transfer functions
    • G10K11/17821Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase characterised by the analysis of input or output signals, e.g. frequency range, modes, transfer functions characterised by the analysis of the input signals only
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/16Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/175Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound
    • G10K11/178Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase
    • G10K11/1783Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase handling or detecting of non-standard events or conditions, e.g. changing operating modes under specific operating conditions
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/16Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/175Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound
    • G10K11/178Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase
    • G10K11/1783Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase handling or detecting of non-standard events or conditions, e.g. changing operating modes under specific operating conditions
    • G10K11/17837Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase handling or detecting of non-standard events or conditions, e.g. changing operating modes under specific operating conditions by retaining part of the ambient acoustic environment, e.g. speech or alarm signals that the user needs to hear
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/16Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/175Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound
    • G10K11/178Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase
    • G10K11/1785Methods, e.g. algorithms; Devices
    • G10K11/17857Geometric disposition, e.g. placement of microphones
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/16Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/175Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound
    • G10K11/178Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase
    • G10K11/1787General system configurations
    • G10K11/17873General system configurations using a reference signal without an error signal, e.g. pure feedforward
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/16Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/175Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound
    • G10K11/178Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase
    • G10K11/1787General system configurations
    • G10K11/17875General system configurations using an error signal without a reference signal, e.g. pure feedback
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K11/00Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/16Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
    • G10K11/175Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound
    • G10K11/178Methods or devices for protecting against, or for damping, noise or other acoustic waves in general using interference effects; Masking sound by electro-acoustically regenerating the original acoustic waves in anti-phase
    • G10K11/1787General system configurations
    • G10K11/17885General system configurations additionally using a desired external signal, e.g. pass-through audio such as music or speech
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K2210/00Details of active noise control [ANC] covered by G10K11/178 but not provided for in any of its subgroups
    • G10K2210/10Applications
    • G10K2210/108Communication systems, e.g. where useful sound is kept and noise is cancelled
    • G10K2210/1081Earphones, e.g. for telephones, ear protectors or headsets
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K2210/00Details of active noise control [ANC] covered by G10K11/178 but not provided for in any of its subgroups
    • G10K2210/30Means
    • G10K2210/301Computational
    • G10K2210/3027Feedforward
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R2410/00Microphones
    • H04R2410/05Noise reduction with a separate noise microphone

Abstract

A method of partially cancelling sound 1 comprising providing first non-audio signal 4 representative of sound received by microphone 2, providing a second non-audio signal 3 representative of partially-cancelling said received sound, and combining 7 the first and second non-audio signals to provide a sound to be heard 11. Selective sound cancellation may differentiate between wanted and unwanted sounds and the second signal may be chosen from a range of differing preset non-audio signals with sound-cancelling parameters such as phase shift amount, time delay, frequencies, volume, equaliser, compression, gating, spectral enhancement, threshold, range, gain, ratio, attack, release, minimum, maximum, sensitivity, vocal or reverberation. The phase-shift for the partially-cancelled sound may be between 1 and 179 degrees, and preferably 45 degrees. The present invention allows the user to hear a desired sound, such as a stored audio file whilst still being able to be aware of ambient sound such as police sirens, fire alarms and doorbells. The system and method may be part of a software app for use with a phone.

Description

METhOD. SYSTEM AND ITEM The invention relates to a method of, and a system for, enabling a hearer to hear desired sound while also being able to be aware of ambient sound. The Invention is particularly, but not exclusively, applicable to cancelling sound, a S system for cancelling sound and an item comprising sound-cancelling apparatus.
It:has become increasingly commonplace in recent years for people to listeritomusic and other audio supplied from mobile telephones and music playersthroughin'!ear phones orheadphones which are so-called "enclosed", i.e.: are significantly isolated acoustically from ambient sound. This has the disadvantage that the listener is unaware of ambient sound which he would definitelywish to hear, such as a warning of danger.
* Many sound cancelling methods / applications are known in the art but generally are based on the same principle, namely, sound cancelling is achieved by creating a copy of a digital or analogue audio signal, reversing the polarity of the sigrialto create a corresponding negative' signal and then combining the two signalsto achieve a total sound cancelling effect. The inherentproblem with the known:art isthat this sound cancelling process cannot distinguish between wanted..and unwanted sounds. . Existing methods automatically assume that all backgrOund:sound.is unwanted and1therefore, are unstritable for use asa sound banceIlingsystem on riobile.phones.gr on hearing aids:wUóre the user may need to be able to have a conversation or to be able to hear what S going on around him. Todate, sound cancelling use has been limited because of the requirement * to isolate acoustically a user who wears, for example, headphones (or earphones or headsets of any description). At present, expensive, headphones! earphones are required for sound cancelling devices. Furthermore, user&.of hearing aids and music players, such as mp3 players, instinctively turn up the volume in their earphones to mask any unwanted ambient sound. This is disadvantageous as* it can inadvertently cause damage to the user's hearing and, over a sustained period of use, may lead to permanent hearing loss.
The invention. which can be realised in mainly software or hardware form, is aimed at eliminating or significantly reducing the disadvantages of the known
prior art.
* Herein, the àxpression "non-audio" refers to transmission other than by sound waves through air, usually by electrical conduction.
According to a first aspect of the present invention, there is provided a method of enabling a hearer to hear desired sound while also being able to be aware of ambient:souncj, bomprising providing a first non-audio signal representative of said desired sound, deriving a second non-audio signal from said ambient sound, combining the first and second non-audio signals in providing a third non-audio signal, and converting said third non-audio signal into sound.
According to a second aspect of the present invention, there is pràvided a system for enabling a hearer to hear desired sound while also being able to be aware cf ambient sound, comprising a first outputting device for outputting a first non-audio signal representative of said desired sound, a second outputting device.for outputting a second non-audio signal derived from said ambient sound; a combining arrangement for combining the first and seóond non-audio signal, and a convertIng device for emitting sound converted from said third non-audio signal.
Owing to those aspects of the invention. it is possible to enable a hearer to hear desired sound while also being able to be aware of ambient sound; especially in circumstances where, in order to listen to the desired sound, the hewer has deliberately excluded hearIng most of ambient sound transmitted towards his ears through the air.
* An "enolo.se4" headphone user equipped with a preferred embodiment of the present invention may listen to audio from any audio player or phone while also listening to and controlling/enhancing the level of surrounding ambient sound he hears after It has been picked up by an open microphone. The embodiment àonsits of a combination of audio processes, which may: be employed in a number of configurations using some or all of the treatments of mixing, gating, equalizing, compressing, expanding and spectral enhancing. The user does not hear anything below a set threshold (gate), although he hears everything above it at a set maximum level (limiter/compressor), and such settings can be adjustable by the user, or pre-set by the supplier of the APP, or automatically set to a level representing the average or other ambient sound amplitude measured over a pie-determined period. The embodiment preferably allows a user to: * Hear ambient sound while using the headphones
I t
a s Set maximum audio level for ambient sound Hear only the ambient sound that exceeds a user-; pre-, or automatically, set threshold * Choose either reàelving a vibrate-only alarm or a visual message s on the host device (e.g. MP3 player), or hearing the audio (ambience) picked up by the microphone when the threshold is exceeded * Hear the microphone signal at any time by pressing a button * Adjust the sensitivity of the microphone.
The embodiment may be constructed and configured in any number of alternate ways to produce versions that serve many purposes, e.g. alarm only, enhanced audio (e.g. louder), or processed to emphasise, exclude or include particular sounds or frequencies.
For example the embodiment can be configured to lower the heard music of an MP3 player and allow the user to hear the signal from the microphone when a set threshold is exceeded, or it can stop or pause the music or simply allow the microphone signal to be heard simultaneously with the music.
According to a third aspect of the present invention, there is provided a method of partially cancelling sound, comprising: providing a first non-audio signal representative of a desired audio signal to be listened to; providing a second non-audio signal representative of a partially-cancelling, ambient audio signal; and combining the first and second non-audio signals in providing a heard audio * signal According to afourth aspect of the present invention, there is provided a method of partially cancelling sound, comprising: providing a first non-audio signal representative of a desired audio signal to be listened to; providing a second non-audio signal derived from an ambient audio signal; altering the phase of the second nan-audio signal to provide a substantially fully cancelling, phase-altered, non-audio signal and a partially-cancelling, phase-altered non-audio signal; and combining the first non-audio signal, the substantially fully cancelling, phase-altered non-audio signal and the partially-cancelling, phase-altered non-audio signal to provide a heard audio signal.
According to a fifth aspect of the present invention, there is provided a system for partially cancelling sound, comprising: a first outputting device for outputting a first non-audio signal representatIve of a desired audio signal to be listened to; a providing device for providing a second non-audio signal representative of a partially-cancelling, phase-altered ambient audio signal; * a combining arrangement for combining the first and second non-audio signalsin providing a third non-audio signal; and a second outputting device for converting the third non-audio signal into a heard audio signal.
According to a sixth aspect of the present Invention, there is provided a system for partially cancelling sound, comprising: * a first outputting device for outputting a first non-audio signal representative of a desired audio signal to be listened to; a providing device for providing a second non-audio signal derived from an ambient audio signal; * a phase-altering arrangement for altering the phase of the second non-audio signal to provide a substantially fully cancelling, phase-altered, non-audio signal and a partially-cancelling, phase-altered non-audio signal; a combining arrangement for combining the first non-audio signal, the substantially fully cancelling non-audio signal, and the partially-cancelling non-audio signal in providing a third non-audio signal; and a second outputting device for converting the thIrd non-audio signal into a heard audIo sIgnal.
According to a seventh aspect of the present invention, there is provided apparatus comprising an item consisting of any one of the group consisting of a telephone, a mobile phone, a television, a karaoke machine, a computer, a Hi-Fi, a surround-sound system, a games console, and an in-vehicle audio device, the -4-.
apparatus comprising only one microphone, which is included in said item, and having a capability of playing audio files for a user to listen to, wherein the microphone is capable of detecting ambient Sound and the item furthercomprises: a phase-altering arrangement for altering the phase of sound detected by the microphone to provide a phase-altered non-audio signal; and a combining arrangement for combining the phase-altered non-audio signal and a representative non-audio signal representative of a desired audio signal from a stored audio file prior to a user's listening to a heard audio signal consequent upon combining of said phase-altered non-audio signal and said representative non-audio signal.
According to. an eighth aspect of the present invention, there is provided a method of cancelling sound, comprising: transmitting a desired audio signal towards a listener in a space and through air in said space containing said listener; providing a. non-audio signal representing unwanted ambient sound; altering, the phase of the non-audio signal to provide an at least partially cancelling, phase-altered non-audio signal; and combininp' a non-audio signal representing the desired audio signal and * 20 the:at least: partially cancelling, phase-altered non-audio signal to provide an audio.signai.recelved by the.listener.
Owing to those aspects of the invention, it is possible for the hearer to eliminate unwanted ambient sound. typically allowing him to hear more rnusic'at lower volume, so as not to damage his hearing. Further, It is possible for the hearer to enjoy the benefits of sound cancelling without the traditional limitations and also possible to include a number of groundbreaking features that improve a host device in terms of functionality and practical use, whilst improving user health and safety for headphone/earphone/headset dependent products and utilities.
Advantageously, embodiments of the invention allow headphone I earphone / headset users to choose the ambient sounds they want to hear, if any, and at a comfortable volume. Thus, a user Is able to listen to music or make a call whilst the selective sound cancelling (SSC) eliminates, or significantly reduces, unwanted background sound, whilst allowing him to hear naturally required ambience' such as the sound of a doorbell or an alarm. Furthermore, the user may be able to cancel, or significantly reduce, unwanted sound in any room hall, or any venue. A typical application would be where a user wishes to cancel. out any unwanted ambient sounds in a room while watching TV, listening to.the. radio or. even, just having a conversation. Embodiments of the inventicn can be incorporated into hardware such as phones and televisions (TVs) or used in web streaming websites (computers), or musicplayers and systems.
Advantageously, embodiments of this invention allow a user finely to adjust thetphase:shift amount delay time, allowing him to make up for the natUral delay time in processing the ambient audio signal, and allow compensation for the difference In the time it takes for sound to travel to the user's ear and the.
microphone. Preferably, some of the compressor settings may be available to a user and/orvariable gate settings may be made available to the user to allow the user to determine when and how the gate acts, and for how long.
A preferred embodiment of the present invention uses the disclosed -system I method and hardware and, in particular, an innovative algorithm that allows headphone users to benefit from advanced selective sound cancelling technology using standard generic headphones, whilst retaining audio awareness of.imn..ediate surfoundings when so desired. Further, it allows sound cancelling to be enabled on1 a telephone (mobile or not) or anywhere, where twoway Conversations are required -this being impossible whilst using current. sound1 cancelling solutions.
* It is possible to introduce a number of previously unavailable features to all audio devices, including mobile phones, mobile phones with music playing capacity, MP3 players, and websites (streaming), which Increases the functionality and usefulness of the host device upon which embodiments of the invention are employed. Such embodiments enable the introduction of many groundbreaking benefits that are not otherwise available through the known art and which will be clearly discernable by those skilled in the art, as exemplified herein.
Embodiments of the present invention can be tailored to work on systems that depend on loud-speakers (or any other sound emitting devices). Examples of these are loud-speakers in cinernas, halls, and rooms -such as living, rooms-meeting rooms and open-plan offices, in addition to. open spaces. For these utilities, a number of high-quality microphones and sound reproduction loud-speakers may be used in this configuration depending on the type of sound that needs cancelling and the acoustic characteristics of the venue. The microphones are, typically. strategically placed near the sources of unwanted sound. The loud-speakers are placed around the hearer(s). Acoustic specialists can then calibrate the relevant embodiment of the invention so that It only cancels out the undesired sound and transmits both the desired sound and any desired ambient sound.
The following terms are well-known to those skilled in the art but a brief definition has been included for completeness.
Phase shift' is where the waveform of an analogue or digital signal is altered. A 180 degree phase shift produces an inverted waveform (typically) and o a 90 degree phase shift causes a partial inversion.
A Compressor is a processing algorithm that limits or expands the is dynamics in signals. For example, a compressor can make loud sounds quieter and quiet sounds louder. There may be variable settings that affect the threshold before the compressor acts, such as, the speed and way it acts.
A Gate' is an algorithm that turns a signal on and/or off. Gates may also be triggered by external sources or devices, and feature a side chain' facility which means other processes (such as equaliser -EQ) can add to or control the behaviour of the gate.
EQ' is an abbreviation for equaliser, and is a process that allows the user to cut or boost particular frequencies in the frequency spectrum of a signal.
A Spectral Enhancer' is a process that improves the sonic quality of an audio file by adding to and manipulating harmonics, to produce adesired effect.
Other standard processes such as automatic gain control (to balance audio levels) may be used to condItion the sounds to be heard -. these are common procedures that have been omitted for the sake of simplicity from the embodiments shown in the accompanying drawings.
In order that the invention may be clearly and completely disclosed.
embodiments thereof will now be described, by way of example only, with reference to the aôcompanylng drawings, in which: Figure 1 is schematic drawing of a selective sound cancelling system; Figure 2 is a representation of an application interface through which the sound cancelling system can be operated; * Figure 3A is schematic drawing of a simplified, selective, sound cancelling system; Figure 3B is a êchematic drawing of a less simplified, selective, Sound cancelling system; Figure 4 Is a schematic drawing of a sound cancelling system and shows Sound Cancelling Mode A; Figure 5 is a schematic drawing of a sound cancelling system and shows Sound Cancelling Mode B; Figure 6 is a schematic drawing of a sound cancelling system and shows Sound Cancelling Mode C; Figure 7 is a schematic drawing of a sound cancelling system and shows Selective Sound Cancelling -Hearing Aids; Figure 8 is a schematic drawing of a sound cancelling system and shows o Non-Microphone Sound Cancelling; Figure 9 is a schematic drawing of a sound cancelling system and shows Speaker-Based Selective Sound Cancelling; Figures 10 and 11 are representations of respective simple application interfaces for operating the system; FIgures 12 to 15 are representations of advanced application interfaces for operating the system, the interfaces being where respectively ambience, compression, EQ and limiter settings can be fine-tuned; Figures 16 and 17 are representations of application interfaces for operating the system and through which settings may be stored and recalled/imported, respectively; Figure 18 is a representation of a karaoke interfacefor operating the system; Figure 19 is a schematic drawing of a basic system applicable particularly * to circumstances in which a listener to desired audio is using "enclosed" ear-or headphones; Figure 20 is a schematic drawing of a relatively simple example of a system within that basic concept Figure 21 is a schematic drawing of a less simple example of a system within that basic concept; Figure 22 is a diagram of an "iPhone"® phone to which an app.
(application) corresponding to the example of Figure 21 has been uploaded; and Figure 23 is a schematic drawing of a simple system applicable particularly to circumstances in which a listener to desired audio, using "enclosed" ear-or headphones wishes to exclude as much as feasible of ambient sound.
Figure 1 shows an overall selective Sound cancelling system to exemplify application of an embodiment of the invention to a modern music-capable mobile phone. This example is Intended to explain the features employed to create a selective sound cancelling system and method and it should not be taken as a limitation of how and where the Invention may be used. The specific example used is an Apple® iPhone® phone, as It Is the simplest to describe. The built-in microphone of the mobile phone and/or an additional, external microphone can be used. The system may be configured to work with two or more microphones.
The system can work with all headsets, including generic ear-bud headphones.
However, it. works best when used with enclosed' ear-or headphones. It should be mentioned that "FX" means "effects".
In the iPhone® example, a user may upload a software app.' (application) to his iPhone® mobile phone to enable the system and provide an application interface which operates the system. The user turns on the app.' and is presented with a Screen, exemplified in Figure 2. This Figure represents one simple interface1 others being exemplified In Figures 10 and 11, which provides limited adjustment of sound cancelling parameters.
In a first mode of operation -in which no audio awareness is required -with the user wearing his ordinary headphones or earphones, the fader labelled calibrate' may be adjusted up or down until ambient sound is totally eliminated or vastly reduced. The user need not do anything else if he desires not to hear any ambient sound and he may simply press "play on his usual music player.
Following this type of adjustment only, the user may enjoy the music while hearing minimal or no background sound -which provides the advantage of the users being able to hear more of the music at lower, safer levels of volume. If the phone is used to make a call in this first mode, then the app.' pauses until * after the user has finished.
As a further possibility, the user may use the system to reduce or eliminate ambient sound without listening to music.
In a second mode, where audio awareness is required, in addition to the steps mentioned above with respect to the first mode, the user moves the fader labelled ambience' until he can hear his immediate surroundings at a desired level. The ambience fader allows the user to choose how much of the background sound he hears and allows him to hold a conversation, whilst eliminating or significantly reducing unwanted sound. The effects of both the ambience fader and the calibrate faders allow the user to listen to music, make phone calls, and hold live conversations, whilst retaining audio awareness of his imrnediate.surrourtdings with active selective sound cancelling. In addition to the above, the user may use the app.' to noise cancel' the receiver sound during a phone call before that sound is transmitted to a recipient caller, which makes conversation for both pirties easier and clearer at lower levels of volume -and allows easier and clearer conversations in areas of high background sound -for example when making a call ma windy environment is In particular, the system allows a user to eliminate, practically all, if not all, background sound, even while listening to music, and still be able to hear things like a police siren, fire alarm, doorbell, or someone talking to him.
As exemplified in Figure 3A, the system can allow a selected portion of the ambient sound received by the microphone 2 to be emitted. by the* headphones Ii in additIon to.the desired audio corresponding to the electrical output signal from the desired audio source 9. Figure SB shows a less simplified schematic of selective sound cancelling; the system produces the effects described above by taking a signal from the microphone (Mic) of the mobile phone and phase-shifting it to produce a cancelling phase-altered signal. Typically this is done by altering the phase of the signal by 180 degrees (further allowing the uset-to fine--tune the phase shift + or -I to 5 degrees in each direction). Those skilled in the art will know that, to produce a fully-cancelling phase-altered signal, some leeway is required in the number of degrees of phase shift, as the amount of shift required for correction is affected by numerous external factors, for example wind direction and speed. The phase-altered signal is processed and fed into the headphones, causing the sounds to cancel' each other out. However, as mentioned herein, this application of the system and method is only suitable when the user desires to cancel out all background ambience -as described in relation to the first mode of operation. For the second mode of operation, in addition to the above, the o system takes a second identical signal from the Mic and produces a partially-cancelling phase-altered signal. Typically this is done by altering the phase of the signal by 45 degrees (although the amount of phase shift can be any partially-cancelling phase.shift). This phase-altered signal is further processed to affect individual frequencies, volume, and other audio characteristics using EQ, àornpression, gates, and/or spectral enhancers, to achieve a desired effect.
When this sighal Is fed into the headphones, no further noise cancelling is provided so. that. it remains audible, A user may now listenS to music on his telephone whileretaining a safe level of audio awareness.
Advantageously, this system allows a user to listen to his headphones in a number of useful modes such as: total sound cancelling' of all ambient sounds; alarm mode', where the user wishes to be alerted by, e.g. a fire alarm, a police siren or even when someone in the user's immediate vicinity talks to him; or audio awareness mode', where a user can control and turn down the background ambience he hears -allowing him to retain audio awareness of his immediate surroundings while listening to music or other audio, or when making or receMng a call on his music playing telephone.
An advanced interface is shown in Figures 12 to 15. Through the advanced interface the user has the option to edit key sound-cancelling parameters, allowing him effectively to choose the ambient background sound he wants to hear. For example, a user may want to noise* cancel' the sound of train tracks whilst being able to hear a message over a train's public address system. A number of other innovative features are accessed ida the advanced mode. Figure 12 shows the range of features that can be accessed through the ambience' tab, for example, threshold, range and gain. Figure 13 shows the range of features accessible through the compression' tab, for example, threshold, ratio, ttack, release and gain. As to Figure 14, this shows the features of EQ which may be adjusted through the EQ' tab, for example, hi, hi-mid, mid, b-mid, and Ia. A more sophisticated EQ may be used, for example, band filtering with an adjustable 0 factor. Figure 15 shows the range of features that are adjustable through the limiter tab, for example miii., max., sensitivity and gain.
Figures 16 and 17 show the interface through which advénced setting may be stored and recalled. A number of blank preset settings are provided for a user to save his own preferred settings. In addition, factory-set presets can be accessed from this interface.
Figures 4, 5 and 6 show Modes A to C for sound cancelling. Mode A relates to selective. sound cancelling and shows one or more optional microphones. Mode B relates to maximum sound cancelling. In Mode C, the features enclosed in dotted lines can either be user-controlled via a software interface (see Figure 1) or be included in an external controller unit.
An alternative embodiment is shown in Figure 7, which exemplifies selective sound cancelling on hearing aids. Hearing aid users often find themselves caught in a vicious circle that results in damaging their hearing -it Is instinctive for a user to turn up his hearing aid as his hearing deteriorates or when there is a lot of background sound. This can accelerates hearing loss. This embodiment solves this and other associated problems by cancelling out unwanted background ambient sound. This allows the user to hear more easily and at much safer levels of volume -preserving his hearing. In particular, hearing aids can be modified to include the present system. An optional external controller. may be added to the hearing aid allowing a user to fine-tune what sound to cancel -to suit personai preference and requirements; in particular, components enclosed by the dotted lines could be incorporated In an external hardware module allowing users to fine tune the system to work according to their needs or peferences. Alternatively, a number of presets can be programmed into the hearing aid to work in various modes. e.g. selectively to reduce unwanted ambient sound such as machinery, motor cars, trains and/or aeroplanes.
Figure 8 shows a further alternative embodiment which is. a non-microphone version. The system may employ representations of common sound factors as presets -in effect allowing non-Mic devices to work with. the system and without the use of a microphone, e.g. standard mp3 players. The app' for non-Mic platforms may contain a number of presets such as airplane mode', where the sound to be cancelled Is engine or cabin sounds. A user also has the option of using and creating his own previously recorded sound samples to serve as counter signals for sound cancellation. For example, a user can record ambient sound using a mobile phone, save the file as an MPS and import it to his MP3 player to be used as the sound source to cancel; In this mode the system allows a user to synthesise the sound he wants to cancel (i.e. net hear).
Further to this, the system may employ an external microphone, allowing it to be used on any music player. There are a wide rane of headphones that feature a built-in microphone, allowing mp3 hardware and all other audio delivery systems to work with the system: * A further alternative embodiment is shown in Figure 9 and is directed towards speaker-based selective sound cancelling. Variations of the system can be used to suit specific applications. For example, a living room may require a 4-microphone configuration, whilst a large hall may require 30 microphones. An audio specialist would need to advise on placement of mIcrophones and loud-speakers, and calibrate the system. This is useful for eliminating or significantly reducing unwanted background sound in rooms, in open-plan offices, in cinernas, concert halls, meeting rooms, and even at open-air events. The actual positioning of the microphones and loud-speakers would be determined after a full acoustic survey by an acoustic specialist who would also advise on, the selective sound cancellation configuration and on the equipment required, e.g. the numberof microphones and loud-speakers. A living room example, with a television set, three noise-receMng microphones and six noise-cancelling loud-o speakers, is shàwn in rigure 9. The system illustrated in Figure 9 allows a user to tweak the remote control until optimal settings are achieved. In more complex situations, such as open plan offices or theatres, calibration would be completed by a trained specialist. In particular, it is noteworthy that a microphone is positioned in front of each source of unwanted sound in Figure 9. Further, loud- speakers are posItioned near the unwanted sound. Therefore, with the loud-speaker emitting a cancelling, phase-altered signal of that Unwanted sound, sound-cancelling is achieved. Although not shown, if a door bell were to chime, that sound would not be cancelled -. unless desired by the user -and thereby Figure 18 shows a karaoke Interface, particularly a multitrack recorder, in which mode a user can record vocals or any instrument such as guitar or drums.
The user may adjust features, such as vocal, reverberation, delay and compressor, along with the master volume. Through this interface the user may adjust the sound-cancelling effects produced and save, Import, export files I settings together with the normal play, etc. functions.
The following possible additional features of the system are now described in brief detail.
The app? which implements the system can be designed to accept software plug-Ins. The definition of a plug-in, as used on this system, is a separate piece of compatible software that can be used in conjunction with the system to add new features. Once a user has installed the app.' on his device he can download or otherwise acquire an add on' piece of software (plug-in) that is used by the main app.' to add or increase functionaUty. For example, a user can download a voice-changing or reverberation effect plug-in.
The system may feature a recording facility allowing a user to record meetings, messages, memos, or karioke, with active selective sound cancelling.
The recorded file can be played back on any music player and can be exported to any external device, e.g. PC or MP3 player and sent via mms or e-mail [and can be listened to by any caller].
The system may be incorporated into an external hardware unit that can feature a microphone to work on standard mp3 players, hearing aids or other devices that do not have microphones. Other hardware, such as external controllers (wired or wireless) in the form of faders, knobs, or touch screen, may be used to control the sound-cancelling parameters [and other features such as EQ. delay, reverberation etc.J.
The system can be configured to make any mobile phone or (microphone equipped device) function as a powerful fully4eatured hearinó aid, with many advantages over traditional hearing aids stemming from selective sound-cancelling functionality.
The System may be configured to make any mobile phoneor (microphone equipped device) into a powerful fully-featured listening device that can also transmit over the Internet (if the device is Internet-enabled) or as a normal telephone call.
Referring to Figure 19, in this basic concept ambient sound is received by a microphone which transmits an electrical output signal representing the ambient sound to a treatment stage which receives another electrical output signal from a source of desired audio, such as music from a digital audio player (MP3). The two signals are cOmbined, (with or without other treatment) and the
S
-14 -resulting electrical signal Is supplied to "enclosed" ear-or headphones and converted Into audio heard by the wearer of the ear-or headphones.
In the example illustrated in Figure 20, the electrical output signal from the microphone is gated such that, upon the ambient sound represented by that electrical output signal exceeding a predetermined volume, the gate begins to output an electrical signal to a mixer which also receIves the electrical output signal from the source of desired audio (e.g. an MP3 player). The gate threshold is adjustable by the wearer using, for example, a slider. The wearer can also adjust the microphone volume by means of, for example, another slider. The electrical output signal from the mixer is supplied to the ear-or headphones the audio output volume from which is controllable by the user by means of, for example, a slider providing, in effect, a master volume control.
In an alternative example, the gate may have, in Addition to the one threshold, an upper threshold, prelèrably settable independently of the lower threshold -or maybe even set by the manufacturer -to safeguard the wearer against extremely loud sound.
In the example shown in Figure 21, a visual representation of the electrical output signal from the microphone and thus of the ambient sound is displayed.
The electrical signal is again gated and the wearer can set the threshold. If the gate threshold is exceeded, the gate output may result in a vibratory, visual or audio alert if the wearer has chosen to switch an alert mode control ON'. The * gated ambient sound volume represented by the gated electrical output Signal can be adjusted by the wearer and the adjusted signal input to a mixer which receives the electrical output signal from the desired audio source (e.g. an MP3 player). The electrical output signal from the mbcer is again fed to the ear-or headphones and a master volume control is again provided.
Figure 22 shows àn "iPhoneV touch-screen phone into which has been uploaded what we call our uArenesslnTh app. The various features thereof will now be described progressing in a continuous loop around the phone from the top left-hand corner thereof. Tapping the left-hand end of the track scroll switches to the next previous track whilst tapping to the right-hand end thereof switches to the next following track. Alternatively, swiping left to right or right to left between those ends switches to the next previous or next following track.
Tapping at the "essency" supplies help and other information. Tapping at "Awarenessl"' overrides the desired audio source and leaves simply the output derived from the ambient sound. if the LED (light emitting diode) representation is green, this means that the gate threshold has not been exceeded. If it turns red, this means that the threshold has been exceeded. In the event that, as is the case with this app. example being described, there are upper and lower gating thresholds, these may be set, as indicated by the lines "T-h and "T-lo", by carrying out a vertical pinching action on the screen. Shown on the screen is a 3D background with vertical lines which indicate presence and amplitude of ambient sound. The phone can be shaken to cause shuffling of the tracks in a random manner. The screen can be locked. Various settings, such as those for the gating threshold and the volumes can be set through sliders which are displayable upon the screen. The vibratory aleit can be turned on or off. The microphone can be switched on or off by tapping or the finger can be held down to set the microphone output level and sensitivity. The iTunes library can be accessed. The screen can be swiped horizontally to raise or Jower the player volume. Shown is screen 1 of the app. If It is inactivated for more than three seconds, the various controls disappear from the screen leaving only the 3D background, which is screen 2. With the player controls shown, pressing and holdingthe left or right button scrolls the music. Pressing the central button can produce TMplay", pressing: it again produces "pause" and pressing and holding it returns the frack to the beginning. If au three buttons are swiped, their positioning on the screen and their sizes become selectable, so that the user can resize them or drag them individually to anywhere on the screen.
Referring to Figure 23, the inversion 5, as regards both amplitude and frequency of the electrical output signal 3 from the microphone 2 means that no ambient sound is mixed in at 8, although of course that does not prevent a minor proportion of the ambient sound reaching the ears of the listener in other ways.
While the various ernbodirnents of the invention have generally been described as treatments relating to the volumes of sound heard by the hearer, the invention is applicable also to treatment of frequencies of such sounds, or to both frequencies and volumes of such sounds.

Claims (17)

  1. CLAIMS: 1. A method of partially cancelling sound, comprising: providing a first non-audio signal representative of received sound received by a microphone; providing a second non-audio signal representative of partially-cancelling said received sound; and combining the first and second non-audio signals in providing a sound to be heard.
  2. 2. A method according to claim 1, and in the form of selective sound cancellation giving differentiation between wanted and unwanted sounds.
  3. 3. A method according to claim 1 or 2, wherein said second non-audio signal has been preset before said providing thereof.
  4. 4. A method according to claim 3, wherein a user selects which sound to cancel by choosing the preset non-audio signal from among a range of differing, preset non-audio signals.
  5. 5. A method according to claim 4, wherein the preset non-audio signal comprises one or more sound-cancelling parameters.
  6. 6. A method according to claim 2, wherein a user selects which sound to cancel by varying one or more sound-cancelling parameters.
  7. 7. A method according to claim 5 or 6, wherein the one or more sound-cancelling parameters are: amount of phase shift; time delay; individual frequencies; volume; -17 -equaliser (hi, hi-mid, mid, b-mid, and/or 10); compression; gating; spectral enhancement; threshold; range; gain; ratio; attack; release; minimum; maxim urn; sensitivity, vocal, or reverberation or any combination thereof.
  8. 8. A method according to any preceding claim, wherein the phase shift for producing partially-cancelled, phase-altered sound to be heard is between around 1 degree and around 179 degrees and, preferably, 45 degrees.
  9. 9. A method according to any preceding claim and further comprising transmitting said sound to be heard to a listener in a space and through air in said space and containing said listener.
  10. 10. A system for partially cancelling sound, comprising: a microphone for receiving sound; a first outputting device for outputting a first non-audio signal representative of that received sound; -18 -a providing device for providing a second non-audio signal representative of partially-cancelling, phase-altered, said received sound; a combining arrangement for combining the first and second non-audio signals in providing a third non-audio signal; and a second outputting device for converting the third non-audio signal into sound to be heard.
  11. 11. A system according to claim 10, wherein the providing device serves to provide a preset said second non-audio signal.
  12. 12. A system according to claim 11, wherein the providing device serves to provide selectively another, differing preset non-audio signal.
  13. 13. A system according to any one of claims 10 to 12, wherein the providing device comprises a processor, with an associated program.
  14. 14. A system according to any one of claims 10 to 12, wherein the combining arrangement comprises a processor, with an associated program.
  15. 15. A system according to any one of claims 10 to 12, wherein the providing device and the combining arrangement comprise a processor, with an associated program.
  16. 16. A system according to any one of claims 10 to 15, wherein the second outputting device comprises one or more speakers; headphones; or a device for storing an audio file.
  17. 17. A system according to any one of claims 10 to 16, and configured to provide selective sound cancellation, allowing differentiation between wanted and unwanted sounds.-19 -
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