EP4475540A2 - Quellenfarbvolumeninformationsnachrichtenübermittlung - Google Patents

Quellenfarbvolumeninformationsnachrichtenübermittlung Download PDF

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Publication number
EP4475540A2
EP4475540A2 EP24208636.1A EP24208636A EP4475540A2 EP 4475540 A2 EP4475540 A2 EP 4475540A2 EP 24208636 A EP24208636 A EP 24208636A EP 4475540 A2 EP4475540 A2 EP 4475540A2
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EP
European Patent Office
Prior art keywords
source
color volume
color
source color
primaries
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EP24208636.1A
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English (en)
French (fr)
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EP4475540A3 (de
Inventor
Tao Chen
Peng Yin
Taoran Lu
Walter J. Husak
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Dolby Laboratories Licensing Corp
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Dolby Laboratories Licensing Corp
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Publication of EP4475540A2 publication Critical patent/EP4475540A2/de
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Pending legal-status Critical Current

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    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N19/00—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals
    • H04N19/10—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals using adaptive coding
    • H04N19/134—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals using adaptive coding characterised by the element, parameter or criterion affecting or controlling the adaptive coding
    • H04N19/136—Incoming video signal characteristics or properties
    • H04N19/14—Coding unit complexity, e.g. amount of activity or edge presence estimation
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N19/00—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals
    • H04N19/10—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals using adaptive coding
    • H04N19/169—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals using adaptive coding characterised by the coding unit, i.e. the structural portion or semantic portion of the video signal being the object or the subject of the adaptive coding
    • H04N19/186—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals using adaptive coding characterised by the coding unit, i.e. the structural portion or semantic portion of the video signal being the object or the subject of the adaptive coding the unit being a colour or a chrominance component
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N19/00—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals
    • H04N19/20—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals using video object coding
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N19/00—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals
    • H04N19/40—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals using video transcoding, i.e. partial or full decoding of a coded input stream followed by re-encoding of the decoded output stream
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N19/00—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals
    • H04N19/42—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals characterised by implementation details or hardware specially adapted for video compression or decompression, e.g. dedicated software implementation
    • H04N19/436—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals characterised by implementation details or hardware specially adapted for video compression or decompression, e.g. dedicated software implementation using parallelised computational arrangements
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N19/00—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals
    • H04N19/46—Embedding additional information in the video signal during the compression process
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N19/00—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals
    • H04N19/70—Methods or arrangements for coding, decoding, compressing or decompressing digital video signals characterised by syntax aspects related to video coding, e.g. related to compression standards
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N21/00—Selective content distribution, e.g. interactive television or video on demand [VOD]
    • H04N21/20—Servers specifically adapted for the distribution of content, e.g. VOD servers; Operations thereof
    • H04N21/23—Processing of content or additional data; Elementary server operations; Server middleware
    • H04N21/235—Processing of additional data, e.g. scrambling of additional data or processing content descriptors
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N21/00—Selective content distribution, e.g. interactive television or video on demand [VOD]
    • H04N21/20—Servers specifically adapted for the distribution of content, e.g. VOD servers; Operations thereof
    • H04N21/23—Processing of content or additional data; Elementary server operations; Server middleware
    • H04N21/235—Processing of additional data, e.g. scrambling of additional data or processing content descriptors
    • H04N21/2353—Processing of additional data, e.g. scrambling of additional data or processing content descriptors specifically adapted to content descriptors, e.g. coding, compressing or processing of metadata
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N21/00—Selective content distribution, e.g. interactive television or video on demand [VOD]
    • H04N21/80—Generation or processing of content or additional data by content creator independently of the distribution process; Content per se
    • H04N21/83—Generation or processing of protective or descriptive data associated with content; Content structuring
    • H04N21/84—Generation or processing of descriptive data, e.g. content descriptors

Definitions

  • the present invention relates generally to images. More particularly, an embodiment of the present invention relates to communicating and processing source color volume information.
  • ITU-T H.265 [1] (also known as HEVC) for "coding of moving video," in Annex D, “Supplemental enhancement information” (SEI), and Annex E, “Video usability information” (VUI), describes the syntax for providing supplemental SEI and VUI information in a coded bitstream to enable a decoder to better map the decoded samples into a display.
  • SEI Supplemental enhancement information
  • VUI Video usability information
  • the society of motion picture and television engineers has also defined a number of Recommendations related to communicating metadata related to the color volume information for both the source video and a targeted display.
  • the SMPTE ST 2094 suite of documents e.g., [5] and [6]
  • metadata may vary scene-by-scene or frame-by-frame.
  • such metadata may assist a decoder to present high-dynamic range (HDR) and wide color gamut (WCG) data on a display having a smaller color volume than that of the mastering display used for mastering the source images.
  • HDR high-dynamic range
  • WCG wide color gamut
  • Metadata relates to any auxiliary information that is transmitted as part of the coded bitstream and assists a decoder to render a decoded image.
  • metadata may include, but are not limited to, color space or gamut information, prediction parameters, reference display parameters, and auxiliary signal parameters, as those described herein.
  • a content-SEI message is proposed to signal content color gamut in 2D, which describes the actual color distribution of the video content.
  • VUI the variable colour_primaries is used to indicate the container color gamut instead of true source color gamut [1].
  • multiple primary expressions and spatial regions are proposed to be associated with the identified source characteristics.
  • a content color volume SEI message is proposed to indicate the color volume occupied by the content. It uses an (x, y, Y ) description of the color coordinates and has slices of luminance Y with associated polygons for each slice.
  • Example embodiments described herein relate to techniques for communicating source color volume information using SEI messaging.
  • a processor for extracting SEI messaging receives a source color volume identification messaging variable identifying the presence of source color volume information in an input bitstream.
  • the processor receives a first messaging variable as part of the source color volume information. If the first messaging variable matches a first predetermined value, then for one or more color primaries, it generates x and y chromaticity coordinates for the one or more color primaries based on the source color volume information in the input bitstream. It generates a minimum, a maximum, and an average luminance value based on the source color volume information in the input bitstream.
  • the processor receives a second messaging variable as part of the source color volume information, and if the second messaging variable matches a second predetermined value, then for one or more color primaries, it generates x and y chromaticity coordinates for the one or more color primaries corresponding to the minimum, maximum, and average luminance values based on the source color volume information.
  • FIG. 1 depicts an example process of a video delivery pipeline (100) showing various stages from video capture to video content display.
  • a sequence of video frames (102) is captured or generated using image generation block (105).
  • Video frames (102) may be digitally captured (e.g. by a digital camera) or generated by a computer (e.g. using computer animation) to provide video data (107).
  • video frames (102) may be captured on film by a film camera.
  • the film after appropriate editing (not shown), is converted to a digital format to provide video data (107).
  • the video data (107) is then provided to a processor at block (110) for post-production editing.
  • Post-production editing (110) may include adjusting or modifying colors or brightness in particular areas of an image to enhance the image quality or achieve a particular appearance for the image in accordance with the video creator's creative intent. This is sometimes called "color timing" or "color grading.”
  • Other editing e.g. scene selection and sequencing, image cropping, addition of computer-generated visual special effects, etc.
  • video images are viewed on a reference display (125) (also to be referred to as the "targeted display” since the studio optimizes the video for ).
  • video content may be analyzed to extract source-color-volume metadata (119), for example as defined in SMPTE ST 2094-1 [5], or as will be defined later in this invention.
  • source-color-volume metadata may also define the characteristics of the targeted display (e.g., reference display (125)) and color remapping information so that a downstream receiver can render the decoded data in the best possible way.
  • video data of the final production (117) and associated metadata (119) may be delivered in an appropriate color format (e.g., 10-bit YCbCr in 4:2:0, ICtCp, and the like) to encoding block (120) for delivering downstream to decoding and playback devices such as television sets, set-top boxes, movie theaters, and the like.
  • coding block (120) may include audio and video encoders, such as those defined by ATSC, DVB, DVD, Blu-Ray, and other delivery formats, to generate coded bit stream (122).
  • Coded bitstream (122) may be represented by a single layer video coded bitstream or by a multi-layer bitstream.
  • signal (122) may include a base layer (say, an SDR layer or a 10-bit HDR (HDR10) layer) and an enhancement layer, which when combined with the base layer yields a HDR bitstream with higher dynamic range than the base layer alone (e.g., a 12-bit HDR signal).
  • Signal (122), the output bitstream from the encoder (120) may also include metadata (119) and additional coding-related metadata, such as prediction parameters and other data to assist a decoder to better reconstruct an HDR signal.
  • the coded bit stream (122) is decoded by decoding unit (130) to generate a decoded signal (132) and associated metadata (119).
  • the receiver (or target) display (150) may have completely different characteristics than the reference (or targeted) display (125).
  • the reference display (125) may be a 1,000 nits display while the receiver display may be a 500 nits display.
  • a display management module (140) may be used to map the dynamic range of decoded signal (132) to the characteristics of the receiver display (150) by generating display-mapped signal (142).
  • display management denotes the processing (e.g., tone and gamut mapping) required to map an input video signal of a first dynamic range (e.g., 1000 nits) to a display of a second dynamic range (e.g., 500 nits).
  • Display management unit (140) may take into consideration metadata (119) to improve the quality of the output video on display (150). For example, as shown in [7], information about the luminance range of the targeted (or reference) display (e.g., 125) and the source data may be used on a receiver to better map the dynamic range of the video content into the receiver display (e.g., 150).
  • FIG. 2 depicts an example of the "largest" possible color volume of a pre-defined container format (e.g., BT. 2020) (also to be referred as the "container color volume").
  • a pre-defined container format e.g., BT. 2020
  • container color volume also to be referred as the "container color volume”
  • 2D two-dimensional
  • the source-color volume of the source content (e.g., 112) for a particular frame, or even within a whole scene, may be significantly smaller than the largest possible color volume (310). Because the actual color volume (305) has very irregular shape, transmitting such source color volume information for each frame or the whole scene requires lots of information. For example, in an embodiment, one may signal the color gamut information for multiple luminance values (say, at 0.1, 1, 10, and the like). The question then becomes: how many and which are the most important luminance values? One also needs to take into consideration not only the required overhead of such information on the coded bit stream, but also the complexity of generating such content on an encoder and/or reconstructing color volume information on the decoder.
  • FIG. 3B and FIG. 3C depict examples of 2D slices of the source color volume (305) and the container color volume (310) at specific luminance (Y) values.
  • the chromaticity (rgb) triangles, surrounding source color volume (305) and within the container RGB space, are provided for illustration purposes only. An encoder may select to define and communicate to a receiver smaller or bigger such areas.
  • Table 1 depicts an example of source-color volume SEI messaging according to an embodiment that follows the nomenclature and syntax of the H.265 specification.
  • the description of color primaries follows the definition of CIE 1931 (x,y) color chromaticity coordinates for color primaries as defined in ISO 11664-1 (see also ISO 11664-3 and CIE 15), and uses red, green, and blue color primaries.
  • Other types of color primaries such four, five, or six, or other polygon-based color primary presentation can also be used.
  • the syntax is similar to the definition of the colour_primaries parameter (or variable) defined in Section E.3.1, for Table E.3, of the H.265 specification.
  • luminance values may also be encoded using a non-linear representation, e.g., as values encoded according to the inverse EOTF of SMPTE ST 2084.
  • the color gamut information corresponding to the max, min, and average ( mid ) luminance values is made optional, allowing applications to reduce the metadata overhead as desired.
  • the source color volume metadata should describe the color volume of the source in its original form, before any luma or chroma preprocessing. For example, it should describe source color volume before any chroma subsampling process (e.g., from 4:4:4 to 4:2:0) or bit depth conversion process (e.g., from 12 b to 10 b), because chroma subsampling or bit depth conversion will modify the color volume information.
  • the source color gamut is typically different from the container color primaries, which is indicated in Annex E (e.g., Table E.3) of H.265. 3)
  • the source color volume is typically different from the mastering display color volume, which may be indicated by the mastering display color volume SEI messages.
  • parameters (or variables) and coding semantics in Table 1 may be described as follows:
  • source_colour_volume_persistence_flag 1 specifies that the source color volume persists for the current layer in output order until either of the following conditions is true:
  • source_colour_primaries has the same semantics as specified in clause E.3.1 for the colour_primaries syntax element, except colour_primaries in clause E.3.1 signals the container source color primaries and source_colour_primaries signals the color primaries the source content truly occupies.
  • colour_primaries in clause E.3.1 signals the container source color primaries and source_colour_primaries signals the color primaries the source content truly occupies.
  • source_colour_primaries is explicitly specified by syntax source_primaries_x[c] and source_primaries_y[c].
  • source_primaries_x[ c ] and source_primaries_y[ c ] specify the normalized x and y chromaticity coordinates, respectively, of the color primary component c of the source content in increments of 0.00002, according to the CIE 1931 definition of x and y as specified in ISO 11664-1 (see also ISO 11664-3 and CIE 15).
  • index value c 0 should correspond to the green primary
  • c equal to 1 should correspond to the blue primary
  • c equal to 2 should correspond to the red color primary (see also Annex E and Table E.3).
  • the values of source_primaries_x[ c ] and source_primaries_y[ c ] shall be in the range of 0 to 50,000, inclusive.
  • max_source_luminance, min_source_luminance and avg_source_luminance specify the nominal maximum, minimum and average luminance, respectively, of the source in units of 0.0001 candelas per square metre (nits).
  • min_source_luminance shall be less than avg_source_luminance and avg_source_luminance shall be less than max_source_luminance.
  • luminance_colour_primaries_info_present_flag 1 specifies that syntax elements luminance_primaries_x and luminance_primaries_y are present, luminance_colour_primaries_info_present_flag equal to 0 specifies that syntax elements luminance_primaries_x and luminance_primaries_y are not present.
  • luminance_primaries_x[ i ][ c ] and luminance_primaries_y[ i ][ c ] specify the normalized x and y chromaticity coordinates, respectively, of the color primary component c of the source content at one nominal luminance in increments of 0.00002, according to the CIE 1931 definition of x and y as specified in ISO 11664-1 (see also ISO 11664-3 and CIE 15).
  • the index value 0, 1 and 2 shall correspond to max_source_luminance, min_source_luminance and avg_source_luminance, respectively.
  • index value c 0 should correspond to the green primary
  • c equal to 1 should correspond to the blue primary
  • c equal to 2 should correspond to the red color primary (see also Annex E and Table E.3).
  • the values of source_primaries_x[ c ] and source_primaries_y[ c ] shall be in the range of 0 to 50,000, inclusive.
  • Table 1 provides what is believed to be the minimal information for a useful representation of source color volume.
  • FIG. 4 depicts an example process for extracting color volume information for a video source using SEI messaging according to an embodiment.
  • a decoder may detect whether a first SEI messaging variable indicating an identifying number (ID) of source color volume information (e.g., source_colour_volume_id) is present. Then, given the presence of such a variable, the decoder may check (step 407) whether its value is within a permissible range. If it is an illegal value, then the process terminates (step 409).
  • ID identifying number
  • step (410) the decoder can read additional flags related to the persistence of the first variable across the bit stream (e.g., see the syntax elements for source_colour_volume_cancel_flag and source_colour_volume_persistence_flag).
  • step (412) via a second SEI messaging parameter (e.g., source_colour_primaries), a decoder may check whether the metadata define explicitly the color volume that source data content truly occupies.
  • step (420) the (x, y) color chromaticity coordinates for each color primary (e.g., red, green, and blue) are read, otherwise, in step (425), the decoder extracts the minimum, maximum, and average luminance values.
  • step 430 If no such information is present (step 430), then the process terminates (409), otherwise, (in step 435), the decoder extracts the (x, y) color chromaticity coordinates for the color primaries for each of the min, mid, and max luminance values.
  • a decoder may use the source color volume data during its display management process (e.g., 140).
  • display management may include two steps: tone mapping and gamut mapping.
  • the min, mid, and max luminance value can be used to generate a tone mapping curve as described in [6-7].
  • the maximal RGB color gamut and the sliced RGB gamut can be used to perform gamut mapping.
  • an active region as part of the metadata related to the source color volume.
  • encoders and decoders should not include the black letterbox areas when computing luma and chroma characteristics of each video frame (e.g., min, max, and average luminance).
  • Experimental results have shown that taking into consideration the "framing" or "matting" (e.g., pillarboxing, windowboxing, and letterboxing) of frames in a video sequence can improve significantly overall output picture quality.
  • letter box detection can be implemented by a decoder, thus reducing the signaling overhead to define the active picture region, in an embodiment, such signaling may be explicitly signaled to support decoders with low computational complexity.
  • Table 2 depicts an example of source-color volume SEI messaging with active region signaling according to an embodiment.
  • Table 2 is a superset of Table 1 and considers two different semantics of defining an active region. Semantic 1.
  • the active region is specified relative to the decoded picture, before conformance window cropping and output. Then the active region parameters may be interpreted as follows:
  • the active region is defined with horizontal picture coordinates from SubWidthC * active_region_left_offset to pic_width_in_luma_samples - ( SubWidthC * active_region_right_offset + 1 ) and vertical picture coordinates from SubHeightC * active_region_top_offset to pic_height_in_luma_samples - ( SubHeightC * active_region_bottom_offset + 1 ), inclusive.
  • SubWidthC * ( active_region_left_offset + active_region_right_offset ) shall be less than pic_width_in_luma_samples
  • SubHeightC * ( active_region_top_offset + active_region_bottom_offset) shall be less than pic_height_in_luma_samples.
  • the active region offset values are defined relative to the final output picture to display, therefore the conformance window parameters need to be taken into consideration. Then the active region parameters may be interpreted as follows:
  • the active region is defined with horizontal picture coordinates from active_region_left_offset + SubWidthC * conf_win_left_offset to CtbSizeY * PicWidthInCtbsY - SubWidthC * conf_win_right_offset - active_region_right _offset - 1 and vertical picture coordinates from active_region_top_offset + SubHeightC * conf_win_top_offset to CtbSizeY * PicHeightInCtbsY - SubHeightC * conf_win_bottom_offset - active_region_bottom_offset - 1 , inclusive.
  • the value of ( active_region_left_offset + active_region_right_offset ) shall be less than CtbSizeY * PicWidthInCtbsY - SubWidthC * (conf_win_right_offset + conf_win_left_offset)
  • the value of ( active_region_top_offset + active_region_bottom_offset ) shall be less than CtbSizeY * PicHeightInCtbsY - SubHeightC * (conf_win_bottom_offset + conf_win_top_offset ).
  • Embodiments of the present invention may be implemented with a computer system, systems configured in electronic circuitry and components, an integrated circuit (IC) device such as a microcontroller, a field programmable gate array (FPGA), or another configurable or programmable logic device (PLD), a discrete time or digital signal processor (DSP), an application specific IC (ASIC), and/or apparatus that includes one or more of such systems, devices or components.
  • IC integrated circuit
  • FPGA field programmable gate array
  • PLD configurable or programmable logic device
  • DSP discrete time or digital signal processor
  • ASIC application specific IC
  • the computer and/or IC may perform, control, or execute instructions related to communicating source color volume information using SEI messaging, such as those described herein.
  • the computer and/or IC may compute any of a variety of parameters or values that relate to the processes described herein.
  • the image and video embodiments may be implemented in hardware, software, firmware and various combinations thereof.
  • a component e.g. a software module, processor, assembly, device, circuit, etc.
  • reference to that component should be interpreted as including as equivalents of that component any component which performs the function of the described component (e.g., that is functionally equivalent), including components which are not structurally equivalent to the disclosed structure which performs the function in the illustrated example embodiments of the invention.
  • EEEs enumerated example embodiments

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  • Engineering & Computer Science (AREA)
  • Multimedia (AREA)
  • Signal Processing (AREA)
  • Library & Information Science (AREA)
  • Computing Systems (AREA)
  • Theoretical Computer Science (AREA)
  • Compression Or Coding Systems Of Tv Signals (AREA)
  • Two-Way Televisions, Distribution Of Moving Picture Or The Like (AREA)
  • Image Processing (AREA)
  • Electrochromic Elements, Electrophoresis, Or Variable Reflection Or Absorption Elements (AREA)
  • Diaphragms For Electromechanical Transducers (AREA)
  • Compression, Expansion, Code Conversion, And Decoders (AREA)
  • Processing Of Color Television Signals (AREA)
  • Digital Computer Display Output (AREA)
EP24208636.1A 2016-10-05 2017-10-03 Quellenfarbvolumeninformationsnachrichtenübermittlung Pending EP4475540A3 (de)

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US201662404302P 2016-10-05 2016-10-05
US201662427677P 2016-11-29 2016-11-29
PCT/US2017/054920 WO2018067552A1 (en) 2016-10-05 2017-10-03 Source color volume information messaging
EP22166778.5A EP4072137B1 (de) 2016-10-05 2017-10-03 Übermittlung von ausgangsfarbenvolumeninformationen
EP17787084.7A EP3523970B1 (de) 2016-10-05 2017-10-03 Übermittlung von ausgangsfarbenvolumeninformationen

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AU2023285711A1 (en) 2024-01-18
KR102222476B1 (ko) 2021-03-04
UA128323C2 (uk) 2024-06-05
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MY201472A (en) 2024-02-26
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