EP3549356B1 - Loudspeaker diaphragm - Google Patents

Loudspeaker diaphragm Download PDF

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Publication number
EP3549356B1
EP3549356B1 EP16809159.3A EP16809159A EP3549356B1 EP 3549356 B1 EP3549356 B1 EP 3549356B1 EP 16809159 A EP16809159 A EP 16809159A EP 3549356 B1 EP3549356 B1 EP 3549356B1
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EP
European Patent Office
Prior art keywords
diaphragm
loudspeaker
damping material
woven fibre
woven
Prior art date
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Application number
EP16809159.3A
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German (de)
English (en)
French (fr)
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EP3549356A1 (en
Inventor
Thomas O'brien
Martial André Robert ROUSSEAU
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Bowers and Wilkins Group Ltd
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B&W Group Ltd
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Publication of EP3549356A1 publication Critical patent/EP3549356A1/en
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    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R7/00Diaphragms for electromechanical transducers; Cones
    • H04R7/02Diaphragms for electromechanical transducers; Cones characterised by the construction
    • H04R7/12Non-planar diaphragms or cones
    • H04R7/122Non-planar diaphragms or cones comprising a plurality of sections or layers
    • H04R7/125Non-planar diaphragms or cones comprising a plurality of sections or layers comprising a plurality of superposed layers in contact
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R31/00Apparatus or processes specially adapted for the manufacture of transducers or diaphragms therefor
    • H04R31/003Apparatus or processes specially adapted for the manufacture of transducers or diaphragms therefor for diaphragms or their outer suspension
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R2307/00Details of diaphragms or cones for electromechanical transducers, their suspension or their manufacture covered by H04R7/00 or H04R31/003, not provided for in any of its subgroups
    • H04R2307/025Diaphragms comprising polymeric materials
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R2307/00Details of diaphragms or cones for electromechanical transducers, their suspension or their manufacture covered by H04R7/00 or H04R31/003, not provided for in any of its subgroups
    • H04R2307/027Diaphragms comprising metallic materials
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R2307/00Details of diaphragms or cones for electromechanical transducers, their suspension or their manufacture covered by H04R7/00 or H04R31/003, not provided for in any of its subgroups
    • H04R2307/029Diaphragms comprising fibres

Definitions

  • the present invention concerns a loudspeaker diaphragm and a method for making such a diaphragm. More particularly, but not exclusively, this invention concerns a loudspeaker diaphragm comprising a woven fibre body supporting a damping material. The invention also concerns a loudspeaker drive unit and a loudspeaker enclosure.
  • GB 1491 080 A discloses a loudspeaker diaphragm made from an open mesh woven fibre material, for example Kevlar ® , so stiffened with a thermosetting resin that spaces are left between adjacent fibres. The spaces are partially filled with a damping material, such as PVA (polyvinyl-acetate) emulsion. The spaces between the threads of the fabric enable good bonding between the PVA emulsion and the woven fibre material.
  • PVA polyvinyl-acetate
  • the UK company, Bowers & Wilkins (“B&W” - see www.bowers-wilkins.co.uk ) have commercialised a mid-range drive unit incorporating a loudspeaker diaphragm made from a woven Kevlar ® fabric, stiffened with resin, and coated with PVA.
  • the PVA material is brushed onto the woven fibre material in one or more layers, typically resulting in the PVA material forming about 10% to 15% of the total mass of the loudspeaker diaphragm.
  • B&W's Kevlar cone a semi-flexible cone
  • B&W's Kevlar cone which exhibits useful break-up behaviour, less coloration, and more even dispersion of the sound emitted, as will now be explained in further detail (yet further detail being available at http://www.bowers-wilkins.com/Discover/Discover/Technologies/Kevlar.html ).
  • Kevlar cone is used in many of B&W's products, it being widely used in the mid-range drive units supplied in B&W's loudspeakers (see www.bowers-wilkins.eu/Speakers/Theatre_Solutions/FPM _ VM_Series/Technologies.html).
  • Kevlar has not only the above-mentioned beneficial properties but conveniently has an attractive and distinctive appearance, which makes it suitable for use as the forward-facing sound-emitting surface of the diaphragm of a loudspeaker drive-unit. It is however an expensive material and it would be useful to have an alternative material for use that could be employed in a manner that provides similar or better acoustic performance. It would also be beneficial for such a material, not only to fulfil the technical performance and satisfy the technical characteristics required of it, but also to have an outward appearance that is suitable for use within a hi-fi context.
  • US 4,140,203 A (Niguchi Hirotoshi, et al ) discloses a diaphragm formed from resin-stiffened silk cloth which supports a damping material (elastomer coating). There is disclosure in US 4,140,203 A of metal coating one side of the silk cloth with a vacuum deposition technique as part of a method of making a tweeter dome.
  • GB 2 403 091 A (B & W Loudspeakers ) discloses a non-woven fibre body supported by a foam, which forms a loudspeaker diaphragm.
  • EP 0 087 177 A1 also discloses a foam body with fibre material on the surface to provide stiffness, the foam core supporting the fibre material.
  • GB 2 176 673 A discloses the use of a woven glass fibre cloth (having a thickness of between 0.5mm and 5mm) on a foam core to make a loudspeaker diaphragm.
  • EP 0 632 675 A1 discloses a diaphragm for speakers comprising a self-support, shaped body including a tightly woven synthetic polymer fiber cloth substrate which has, at least a diaphragm portion and edge portion shaped integrally with and extending from the diaphragm portion.
  • the diaphragm portion of the cloth substrate has a polymer resin at least partially impregnated therein and the edge portion has a relatively flexible polymer material at least partially impregnated therein so that the edge portion is lower in stiffness than the diaphragm portion.
  • the stiffness difference between the diaphragm and edge portions may be created by using one type of thermoplastic resin which is applied to the diaphragm and edge portions in different amounts.
  • EP 1 429 582 A2 discloses a loudspeaker diaphragm which includes a base layer having a woven fabric of a polyethylene naphthalate fiber impregnated with a thermosetting resin, and optionally a thermoplastic resin layer and/or a thermoplastic elastomer layer.
  • the polyethylene naphthalate fiber is preferably an untwisted fiber.
  • a fiber/resin ratio in the base layer is preferably in the range of 60/40 to 80/20.
  • the thermoplastic resin layer has a finely foamed structure and an average diameter of a cell in the finely foamed structure is 10 to 60 pm.
  • US 2007/0177758 A1 discloses a loudspeaker cone including a plated fabric.
  • the material of the loudspeaker cone is produced by laminating an interweaved plated fabric, and a light-weight and tough cloth together, and then a loudspeaker cone is produced by moulding the material of the loudspeaker cone under high temperature and high pressure.
  • the present invention seeks to mitigate one or more of the above-mentioned problems. Alternatively or additionally, the present invention seeks to provide an improved loudspeaker diaphragm. Alternatively or additionally, the present invention seeks to provide an alternative to the B&W's Kevlar cone as described above, with substantially the same or better acoustic performance.
  • a loudspeaker diaphragm having a forward-facing sound-radiating surface and a rearward-facing surface, the diaphragm comprising a woven fibre body supporting a layer of damping material which forms the shape of the diaphragm, wherein: the woven fibre body is formed of metal-coated glass fibre material; the diaphragm behaves as a piston up to 1kHz; the diaphragm is 5 or 6 inches (i.e.
  • the layer of damping material forms the rearward-facing surface of the diaphragm; the woven fibre body forms the forward-facing sound-radiating surface of the diaphragm; and the damping material has a mechanical loss factor of at least 0.25 at a frequency between 1 kHz and 8kHz.
  • the woven fibre body is formed of metal coated non-metallic fibre material, preferably one which when illuminated with light, whether natural light or light from a different source, the diaphragm appears to have a sparkly appearance, for example as perceived when viewed with the naked eye.
  • the lengths of fibre that are woven to form the woven fibre body weave in and out of each other such that the surface of the diaphragm has a non-smooth geometry at the local level (for example at the micrometre to millimetre scale).
  • the non-smooth geometry means that the metal-coating will reflect incident light, received at a given angle of incidence (relative to the axis of the diaphragm or the forward-facing direction), in significantly different directions as between relatively close locations on the diaphragm.
  • the outer metallic surface is predominately a specularly reflective surface, for example such that the surface has a mirror-like appearance as opposed to a more matt-like appearance.
  • the diaphragm when illuminated with light, whether natural light or light from a different source, the diaphragm may have an attractive sparkly or otherwise unusually striking appearance. Moreover, it may be that the damping material may have an unattractive appearance, and/or the potential to discolour over time.
  • the use of a loudspeaker diaphragm having a sparkly visually striking forward facing surface may have the added benefit of masking, or at least providing a distraction from, the possibly unattractive appearance of the damping material behind that might otherwise be more noticeable.
  • the mass of the layer of damping material is more than 25% greater than the mass of the woven fibre body. It has been found, surprisingly, that having a relatively high ratio of mass of the layer of damping material to the mass of the woven fibre body can provide improved acoustic performance in embodiments of the present invention.
  • the mass of the woven fibre body and the mass of the damping material might be 3 grams and 5 grams respectively.
  • the mass of the woven fibre body and the mass of the damping material of a 6 inch (152,4 mm) B&W's Kevlar cone might be 6 grams and 1 gram respectively.
  • B&W's Kevlar cone thus has a certain minimum level of stiffness and structural support provided by the woven fibre body, with the damping material being added to provide damping rather than structure.
  • the properties of the damping material play a much greater role in the physical structure and acoustic performance of the diaphragm with the woven fibre body playing a lesser role.
  • One role, which may be the primary role, of the woven fibre body of the present invention may be that it acts as a substrate, or skeleton structure, for supporting the damping material that forms the bulk of the diaphragm.
  • One role, which may be a secondary role, of the woven fibre body may be that it provides an aesthetically pleasing forward-facing surface.
  • the mass of the layer of damping material may be more than 50% greater than the mass of the woven fibre body. It may be that the layer of the damping material is at least twice as massive as the woven fibre body.
  • the mass of the layer of damping material may for example be in the range of 100 to 500 g/m 2 .
  • the mass of the woven fibre body may be between 25% and 80% of the mass of the mass of the layer of damping material.
  • the thickness of the layer of damping material is greater than the thickness of the woven fibre body.
  • the thickness of the layer of damping material may for example be greater than 0.2 mm.
  • the thickness of the layer of damping material may be less than 0.5 mm.
  • the woven fibre body forms the forward-facing sound-radiating surface of the diaphragm.
  • the layer of damping material forms the rearward-facing surface of the diaphragm.
  • the damping layer is a unitary structure. It may be that the damping layer is a monolithic structure having uniform composition. Thus, the damping layer may be such that it has little, and preferably no, fibre material within its structure.
  • the woven fibre body is made from non-metallic fibre material.
  • the woven fibre body is formed of metal-coated fibres.
  • the thickness of the metal-coating may be less than 10 microns thick. It may be that the metal-coating is less than 1 micron thick.
  • the woven fibre body may comprise fibres and a resin, for example fibres that are integrated (at least partially) within a cured resin matrix.
  • the resin may be a phenolic resin.
  • the resin may contribute to the stiffness of the woven fibre body.
  • the resin may thus be in the form of a stiffening resin.
  • the fibre body and resin may be in the form of a composite material structure.
  • the metal-coating of the fibre material may be coated with a lacquer, which also contributes to the stiffness of the woven fibre material.
  • a lacquer which also contributes to the stiffness of the woven fibre material.
  • the lacquer is preferably translucent, and may be clear in colour, for example being substantially transparent. It may be that the mass per unit area of the resin is greater than the mass per unit area of the lacquer but by a factor of 5 or less. The mass per unit area of the resin and lacquer may together be in the range of 20 to 60 g/m 2 .
  • the diaphragm may be flat in shape.
  • the diaphragm may have a generally conical-shape.
  • the woven fibre body is formed of a glass fibre material.
  • Glass fibre is readily available and relatively inexpensive but is typically transparent, thus allowing light to be transmitted from one side of the woven fibre material to the other via the glass. It may be disadvantageous to have light pass to and / or from damping material on the rearward-facing surface of the woven fibre body, and in such cases glass fibre might be perceived as not representing the best choice of material. However, if such glass fibre material is coated with an opaque coating such as that provided by the metal coating proposed above, such potential disadvantages may be reduced or overcome.
  • the woven fibre body may have a relatively regular weave.
  • the density of thread length per unit area may be substantially constant across the surface of the diaphragm.
  • the collection of fibres that together form a single length of material that weaves in and out of other such lengths of material may itself be considered as a single thread in this context.
  • the woven nature of the fibre body of the diaphragm may be such that lengths of material weave in and out of each other to form the body. There may be gaps between adjacent lengths of material.
  • the woven fibre body may define an array of such gaps. It will be understood that the array of gaps will typically have a relatively complicated geometry in three dimensions and will typically not be a regular array.
  • Each gap, typically formed by a pair of adjacent fibre crossing another pair of adjacent fibres, may have a maximum dimension that is at least 50 microns, and preferably at least 100 microns. It may be that the damping material fills substantially all of the gaps so defined.
  • the damping material has a mechanical loss factor of at least 0.25 at a frequency between 1kHz and 8kHz.
  • the damping material may have a mechanical loss factor of at least 0.5 at a frequency between 3kHz and 6kHz.
  • the loss factor may be greater than 0.75 at a frequency within the range of operational frequencies of the diaphragm.
  • Such a damping material may provide particularly strong damping at frequencies at which the vibration of the diaphragm might otherwise start to break up (i.e. deviate from simple piston-like behaviour).
  • the damping material may be an elastomeric material.
  • the damping material may be in the form of a synthetic resin.
  • the damping material may be in the form of a suitable polymer. A vinyl polymer may be suitable.
  • the damping material may be a highly damped polymer material, such as a PVA (Polyvinyl Acetate) material.
  • PVA Polyvinyl Acetate
  • the discoloration of such materials over time has meant that their use in hi-fi loudspeaker diaphragms would normally be limited to areas which are not visible in normal use. There may therefore be embodiments of the invention in which the damping material is usefully masked, hidden or otherwise disguised by a metal-coated fibre material body.
  • the thickness of the damping material is substantially constant across, the majority of, if not substantially the entire extent of, the rearward-facing surface on which it is supported. It will be appreciated that small changes in thickness resulting from the woven nature of the fibres and any gaps in the weave are to be discounted in this context, as it is the thickness of the damping layer as viewed relative to the macroscopic shape of the diaphragm which is relevant (thus smoothing out / ignoring the change in geometry of the diaphragm contributed by the woven nature of the fibres).
  • the thickness of the damping material may however be chosen to be thicker in certain locations, for example at or in the regions of the nodes/nodal lines of the vibration at which breakup is observed.
  • the thickness of the damping material varies monotonically with increasing distance in a radial direction across at least 5% of the diameter of the diaphragm.
  • a method of making a loudspeaker diaphragm for example for use as a loudspeaker diaphragm as described or claimed herein.
  • the method comprises a first step of providing a woven fibre body as described above.
  • the method comprises a further step of applying the damping material as liquid damping material to the woven fibre body whilst it is spinning. Spinning the woven fibre body may assist in promoting even application of the liquid damping material.
  • the woven fibre body may be spun at a relatively low angular speed, for example less than 100rpm when initially depositing the liquid damping material onto the rearward-facing surface (for example in a spiral pattern).
  • the woven fibre body may be spun at relatively high angular speed, for example at a speed between about 100 rpm and 1000 rpm) when subsequently spinning the woven fibre body to promote even application of the liquid damping material over the rearward-facing surface.
  • the woven fibre body may be spun at more than 500 rpm during the step of spinning at a relatively high angular speed.
  • the process of spinning at a relatively high angular speed may comprise a first step of spinning at a first speed of between about 100 rpm and 500rpm and then a second step of spinning at a second angular speed, which is more than 50% faster than the first angular speed and is preferably higher than 500rpm.
  • the liquid damping material may be applied in the form of an emulsion, for example a water-based emulsion.
  • the step of curing the damping material may be carried out at a temperature less than 100 degrees C. Curing at relatively low temperature may be important when the damping material comprises water, such as a water-based emulsion of PVA material.
  • a PVA layer may be cured at between 40 and 80 degrees C.
  • the method is performed to produce a loudspeaker diaphragm having a woven fibre body which is formed of non-metallic fibre material.
  • the method of making the loudspeaker diaphragm may comprise a step of applying a metal coating, for example, to a non-metallic fibre material of a woven fibre body.
  • the step of applying the metal coating may be performed by means of a vapour deposition method.
  • a loudspeaker drive unit comprising a diaphragm according to any aspect of the invention as claimed.
  • a loudspeaker drive unit may be configured for use as a midrange drive unit for a hi-fi loudspeaker.
  • the loudspeaker drive unit may have a range of operation over a band of frequencies that includes a frequency of 20Hz.
  • the loudspeaker drive unit may have a range of operation over a band of frequencies that extends as high as at least 6kHz, and possibly as high as at least 8kHz.
  • the range of operation may encompass 200 Hz to 5kHz.
  • the drive unit has a range of operation over a band of frequencies that extends as high as at least 10kHz, and possibly as high as at least 15kHz.
  • a loudspeaker enclosure comprising a loudspeaker drive unit according to any aspect of the invention as claimed.
  • a method of making a loudspeaker diaphragm for example for use as a loudspeaker diaphragm as described or claimed herein.
  • Such a method may comprise a step of fabricating the loudspeaker diaphragm using a composite structure with glass fibre weave and a damping material.
  • the glass fibre weave may include EO823, and the damping material may include a polymer such as PVA.
  • the glass fibre weave may behave as a rigid piston up to 1 kHz for a 5 or 6 inch (127 or 152,4 mm) diameter loudspeaker diaphragm. Above this frequency, the loudspeaker diaphragm may exhibit mechanical resonances.
  • the material mass ratio in the loudspeaker diaphragm may be 25-40% glass fibre weave and 60-75% PVA. Note that the stiffness of the composite structure may be chosen to minimise the acoustic radiation of the mechanical resonances.
  • the glass fibre weave is replaced with or supplemented by one or more of: glass, Kevlar, quartz fibre, and a woven carbon fibre composite.
  • the damping material includes a composite of PVA (and, more generally, a polymer) and microspheres.
  • the microspheres may include one or more of: glass, ceramic, diamond, diamond SP3, aluminium oxide, and boron carbide.
  • the composite damping material may include a volume ratio of 35-55% PVA to 45-65% microspheres.
  • the microspheres may have a diameter between 20-60 ⁇ m.
  • a volume density of the composite of PVA and the microspheres may be between 0.6 and 0.8, a thickness between 0.2 and 0.4 mm, and may result in a mixture of shear and tensile train in the PVA during deformation.
  • the composite of PVA and the microspheres may be fabricated by mixing a PVA emulsion with the microspheres, and then brushing or spraying the mix on a substrate.
  • the composite of the PVA and the microspheres may have a third harmonic distortion that is less than -50 dB, such as -60 dB.
  • FIG 1 shows a hi-fi loudspeaker enclosure 2 in the form of a generally cuboidal cabinet 4.
  • the cabinet 4 accommodates a mid-range/bass drive unit 6, and a tweeter 8.
  • the loudspeaker is vented by means of a forward-facing port 10.
  • the drive unit 6 comprises a cone-shaped diaphragm 12, having a generally concave shape as viewed front-on (as shown in Figure 1 ).
  • the diaphragm has a diameter of about 150mm (a 6 inch drive unit) and operates over frequencies ranging from 20 Hz to 6kHz.
  • the diaphragm is formed from a woven fibre cone, as shown schematically in Figures 2 and 3 , which show respectively the cone front-on and as a side view.
  • the lengths 14 of fibre material are curved and cross at different angles to each other in order to define the desired (concave) conical shape of the diaphragm.
  • the diaphragm 12 defines a forward-facing sound-radiating surface and a rearward-facing surface which supports a damping material.
  • Figure 2 shows the lengthwise extent of some only of the lengths 14 of fibre, illustrating the non-linear shape that the lengths of fibres of the diaphragm 12 have.
  • the generally concave shape of the cone-shaped diaphragm 12 is formed by a wall extending 360 degrees around a central axis 12a, the wall 16 having a shape which when viewed in cross-section has a gently curving convex shape.
  • Figure 3 also shows the forward-facing sound-radiating 22 (as visible also in Figure 1 ) surface and the rearward-facing surface 24 of the diaphragm.
  • Figure 4 shows the cone 12 and a magnified view 18 of a section thereof.
  • the respective lengths 14 of fibre are woven together, with a relatively open weave such that there are spaces 20 between the adjacent general-parallel lengths 14 of fibre running in a given direction.
  • Figure 5 shows, highly schematically, three parallel lengths 14 of the fibre material in cross-section, the cross-section being taken along the line A-A as shown in Figure 4 .
  • the forward-facing sound-radiating 22 surface is at top of Figure 5 whereas the rearward-facing surface 24 is at the bottom of Figure 5 .
  • the layer of the woven glass fibre material has a thickness T f of about 0.2mm to 0.3mm.
  • the rearward-facing surface 24 of the diaphragm supports a layer of damping material 25, which fills the spaces 20 between the woven lengths 14 of fibre.
  • the damping material is in the form of a cured PVA polymer and has a mass of about 240 g/m 2 . It has an average thickness T d which is not very different from the thickness T f of the glass fibre layer, being about 0.2mm to 0.3mm.
  • the cured PVA layer 25 fills the gaps 20 between the lengths 14 of fibre material and thus acts as a sealant (the cone would be porous without it).
  • the length of fibre material comprises a collection of individual glass fibres 26 (not shown individually in Figure 6 ) arranged in parallel to form a thread 28.
  • the woven glass fibres have an open weave with a mass density of about 120 g/m 2 (when dry).
  • the gaps 20 between the lengths 14 of fibres have a width of about 400 to 500 ⁇ m.
  • the fibres 26 forming the thread 28 are embedded in a resin matrix 30, which on its outer surface is coated in a thin layer of Aluminium 32 which in turn is protected by a layer of lacquer 34.
  • the amount of resin used per unit area is by itself less than ideally required to provide the preferred amount of stiffness in the glass fibre layer.
  • the layer of lacquer 34 however contributes to the stiffness of the woven fibre material and has a mass that whilst lower per unit area than the resin is still of the same order of magnitude.
  • the mass per unit area of the resin and lacquer together will typically be in the range of 20 to 60 g/m 2 depending on the particular application.
  • the woven glass fibres including the resin and lacquer thus have a mass density of the order of about 160 g/m 2 ⁇ 20 g/m 2 ).
  • the layer 32 of Aluminium is about 0.1 ⁇ m thick and therefore has a mass that is negligible compared to the mass of the other component materials of the diaphragm.
  • the presence of the layer 32 of Aluminium provides opacity without which the PVA layer 25 behind and/or the resin matrix 30 around the glass fibre threads could be exposed to more light and/or be more visible than would be desirable.
  • the Aluminium layer 32 has a silver appearance and provides a shiny highly reflective outer surface to the threads. With the weave of the threads, incoming light is reflected in various different directions, giving the diaphragm a sparkly or twinkly appearance.
  • the amount of PVA damping material used in the embodiments described herein provides improved performance of the diaphragm in relation to mechanical resonances (also described as break-ups). Dealing appropriately with mechanical resonances is very important to the performance of the loudspeaker diaphragm.
  • mechanical resonances also described as break-ups.
  • the material specific modulus (Young's modulus divided by density) is a good metric to quantify the stiffness of a structure. By choosing a high specific modulus material (like aluminium or carbon fibre), the cone break-ups are pushed well above 500Hz and the unit therefore behaves only in a piston-like manner.
  • Figure 7 shows a frequency response curve 50 as a graph of the sound pressure level (along the y-axis) measured by a microphone position along the axis of the diaphragm of the first embodiment at a distance of 1 meter from the plane of the outer diameter of the diaphragm, with increasing frequency of sinusoidal input signal (along the x-axis).
  • a corresponding frequency response curve 52 is also shown on the graph for a loudspeaker using B&W's Kevlar cone of an equivalent diameter, the loudspeaker otherwise being identical in all respects.
  • a portion 54 of the graph of Figure 7 is shown the enlarged view of Figure 8 .
  • the frequency response of the diaphragm of the first embodiment compares favourably with the frequency response of the Kevlar diaphragm (see curve 52 in Figure 8 ).
  • the frequency response of the Kevlar diaphragm has two peaks 56 at around 3.5kHz and 5kHz, whereas the frequency response of the diaphragm of the first embodiment is flatter at such frequencies.
  • the frequency response of the diaphragm of the first embodiment is as flat as the frequency response of the Kevlar diaphragm at lower frequencies (see curve 52 in Figure 8 ).
  • the type of highly damped polymer material to be used may exhibit a high mechanical loss factor (above 0.5) in the frequency bands of interest (in the above-described first embodiment at around 3.5kHz and at around 5kHz).
  • the mechanical loss factor can be measured by means of a DMTA (dynamic mechanical thermal analysis) test. Such a test is conveniently conducted at 25 degrees Celsius.
  • Figure 9 shows a flow-chart illustrating the method according to a second embodiment of the invention.
  • a woven disc-shaped glass fibre mat is provided, in which lengths 114 of bundles of aligned glass fibres are woven to form the fibre material mat.
  • this fibre material is then coated with resin, so that the fibres are coated with (and partially pre-impregnated with) with an uncured resin 130 (thus forming a "pre-preg" mat).
  • the resin-coated mat is then heat-treated in a vacuum-forming mould apparatus, using a mould that causes the shape of the resulting resin-infused glass fibre mat to take on the cone-shape required of the diaphragm.
  • Gaps 120 remain between the lengths of the resin-infused bundles of glass fibres, in the product once the resin is cured.
  • a metal-vapour deposition system is then used to apply an Aluminium coating 132 to the lengths of fibres.
  • the metal coating then has a lacquer 134 applied, using a lacquer spraying system (step 168).
  • a thick layer of PVA material 125 is then applied to the rear surface of the cone of material using a cone-spinning application system, which is described in further detail below (step 170).
  • the cone is then trimmed, and integrated into a loudspeaker drive unit in a manner that is conventional in the art.
  • the result of the cone-spinning PVA application step 170 is the deposition of a large amount of PVA in liquid form (PVA held in a water-based emulsion) on the back of an inverted cone, using the centrifugal force to spread the liquid over the cone surface.
  • PVA PVA held in a water-based emulsion
  • a continuous bead of liquid (PVA) is extruded and deposited in a spiral path on the rear surface of the cone of material, which is rotating at a slow speed (less than 100 revolutions per minute).
  • An air flow is used to disperse the liquid onto the cone surface creating a continuous unbroken coverage of liquid on the cone.
  • the air flow used also urges the PVA into the gaps in the weave of the woven fibre material.
  • the cone is then spun at high speed in a two-stage process as follows.
  • the 1st phase of the spin is to try and smooth out the PVA across the cone prior to the 2nd phase.
  • the 1st phase of spinning aim to remove any islands of non PVA, in order for the 2nd phase to spin properly.
  • the speed of rotation of the 1st phase is about 150 rpm and lasts for approximately 5 seconds.
  • the 2nd phase of the spin is at 750 rpm for about 5 seconds (but might need to be longer in duration for larger diameter cones).
  • the PVA is then promptly cured at about 65 degrees Centigrade to dry the liquid such that it can be handled and to reduce the risk of the PVA flowing and losing its shape.
  • a relatively low air temperature ⁇ 100C°
  • the PVA polymer used has a loss factor of over 0.5 at 5kHz at 25 degrees Celsius.
  • the PVA layer is deposited so that it forms 2/3 (two thirds) of the total mass of the cone. Having a cone in which the PVA layer forms significantly more than half the mass of the cone provides a particularly beneficial level of damping, as mentioned above.
  • the PVA layer acts like a free-layer damping system but also acts to seal the diaphragm (the cone would be porous without it).
  • the constant thickness of the PVA coating is not necessary. Indeed there may be advantages in providing a PVA coating having a varying thickness.
  • Materials other than PVA such as other synthetic resin elastomeric materials having high mechanical loss, may be used provided they yield appropriately high losses at relevant frequencies. Materials having a high viscosity and high hysteresis may be suitable alternatives.
  • the vinyl resin-based thermoplastic material sold as Cone Edge Dampener E-5525 by the Barrett Varnish Co may be a suitable alternative.
  • Another potential candidate is PVB (Polyvinyl Butyl) which is also available as an emulsion and exhibits good damping properties.
  • polymer could be applied by brushing, sponging, or otherwise adding, successive layers of polymer. Many layers may be required to achieve the required thickness.
  • woven material (for example in the context of “woven fibre material”) is used herein to include any material which is formed from threads or lengths of material which are woven, knitted, or otherwise arranged in an interlinking fashion to form a fabric having a mesh-like structure with spaces between, the threads (or lengths of material) forming the main sub-structure of the material. Whilst in the described embodiments, the material used is in the form of a woven glass-fibre fabric, other woven or knitted materials may be used. For example, embodiments of the invention may have application wherein the fibre material is made from an aramid (aromatic polyamide) fibre or similar materials, such as Kevlar, for example.
  • aramid aromatic polyamide
  • the resin with which the woven fibre material is impregnated may be a synthetic resin, for example, a phenolic, epoxy or melamine resin.
  • a synthetic resin for example, a phenolic, epoxy or melamine resin.
  • any other flexible heat-resistant thermo-setting resin or high-temperature thermo-plastic resin material may be used.
  • Electrodynamic transducers such as the loudspeaker diaphragm, rely on the concept of rigid piston to convert an electrical signal into an acoustic pressure, partially because the acoustic radiation of a vibrating piston can be described using analytical equations.
  • this concept typically use materials with finite stiffness, mechanical resonances naturally occur in the assembly (which are sometimes referred to as 'break-up modes').
  • the acceleration of the loudspeaker diaphragm is not uniform across the cone surface (i.e., the points on the cone surface are no longer all moving in phase). Instead, the cone surface may have nodes and antinodes, such as in the case of the modes of vibrations of a circular membrane. Therefore, these mechanical resonances create peaks and dips in the acoustic responses, both on-axis and off-axis (so the transducer power response is also affected). Moreover, because most materials have very little inherent mechanical damping, the pressure magnitude is often high at the break-up frequencies.
  • a transducer may be designed to move or put the mechanical resonances out of band (such as below 100 Hz and above 10 kHz) by making the assembly very stiff, in the hope that the high-Q mechanical resonance(s) will not be audible.
  • the loudspeaker diaphragm (which is sometimes referred to as a 'continuum cone') may address these challenges by using a cone structure is unusually compliant. From a mechanical point of view, this means that the loudspeaker diaphragm may only behave as a rigid piston at relatively low frequency (e . g ., up to about 1 kHz for 5 or 6 inch (127 or 152,4 mm) diameter cones). Above this frequency range, the loudspeaker diaphragm may exhibit break-up modes that are controlled by adding mechanical damping (as quantified by the structure loss factor) to the structure or assembly.
  • relatively low frequency e . g ., up to about 1 kHz for 5 or 6 inch (127 or 152,4 mm) diameter cones.
  • the loudspeaker diaphragm may exhibit break-up modes that are controlled by adding mechanical damping (as quantified by the structure loss factor) to the structure or assembly.
  • the base structure in the loudspeaker diaphragm may be made of a low stiffness (such as a Yong's modulus of 20-140 GPa), open glass fibre weave.
  • the loudspeaker diaphragm may include a thick layer of high-damping material (such as a polymer, e.g., PVA) applied to the glass weave.
  • the material mass ratio in the loudspeaker diaphragm may be 25-40% glass and 60-75% PVA. In some embodiments, the material to mass ratio is around 33% glass and 66% PVA.
  • the compliance of the base glass structure may enhance the performance of the loudspeaker diaphragm because a compliant structure may be easier to damp than a stiff one.
  • the composite loss factor may be a function of the mechanical modulus ratio of both of the layers. In other words, for a given damping layer, the composite loss factor may be reduced as the base layer stiffness is increased.
  • the stiffness of the composite structure in the loudspeaker diaphragm may be chosen to minimise the radiation of the break-up modes. This may be related to the relationship between the mechanical wavelength in the material (which, in turn, may be related to the composite modulus and density) and the acoustic wavelength at the same frequency.
  • the composite modulus and density may be chosen to minimise the resonance radiation and the added damping may further dampen the amplitude.
  • a variety of materials may be used for the high-damping material, including a PVA composite based on glass microspheres (GMS).
  • This PVA-GMS composite may include PVA heavily loaded with hollow GMS (e.g., a volume ratio of 35-55% PVA to 45-65% GMS, such as 45% PVA to 55% GMS) to form a tight network of GMS connected together with PVA.
  • the GMS may have an average diameter between 20-60 ⁇ m, such as 40 ⁇ m.
  • the PVA-GMS composite may have: a composite modulus similar to the low stiffness open glass fibre weave impregnated with PVA; and a low volume density of 0.6-0.8, e.g., 0.7 (which corresponds to a sphere packing density around 60%).
  • the PVA-GMS composite may have a topology leading to a mix of shear and tensile strain for the PVA during deformation (because the PVA is deforming between the stiff spheres). This may lead to higher levels of damping than designs in which tensile deformation dominates.
  • the PVA-GMS composite may be fabricated by mixing the PVA emulsion with the GMS, and then brushing or spraying the mix on a substrate.
  • the thickness of the PVA-GMS composite is between 0.2-0.4 mm.
  • the PVA-GMS composite may have very low harmonic distortion (such as a third harmonic distortion of less than -50 dB, e.g., -60 dB or 0.1%) because the damping may reduce strain amplitudes and, this, nonlinearities, and may facilitate a reduced cone mass.
  • the PVA-GMS composite may use a wider range or distribution of microsphere diameters in order to increase the packing ratio. This may further decrease the density.
  • the microspheres may include a stiff material, such as ceramic or diamond.
  • the microspheres may include: silicon chromium, diamond SP3, aluminium oxide (Al 2 O 3 ), boron carbide (B 4 C), etc. This may increase the microsphere to PVA stiffness ratio, which may result in more strain concentration in the PVA and, thus, in more damping.
  • the microsphere surface may be chemically functionalised to improve the PVA-to-microsphere interface (and, thus, to improve the cone strength).

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  • Engineering & Computer Science (AREA)
  • Physics & Mathematics (AREA)
  • Acoustics & Sound (AREA)
  • Signal Processing (AREA)
  • Multimedia (AREA)
  • Manufacturing & Machinery (AREA)
  • Diaphragms For Electromechanical Transducers (AREA)
EP16809159.3A 2016-11-29 2016-11-29 Loudspeaker diaphragm Active EP3549356B1 (en)

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
PCT/GB2016/053746 WO2018100326A1 (en) 2016-11-29 2016-11-29 Loudspeaker diaphragm

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EP3549356A1 EP3549356A1 (en) 2019-10-09
EP3549356B1 true EP3549356B1 (en) 2023-07-26

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EP (1) EP3549356B1 (ko)
JP (1) JP2020501469A (ko)
KR (1) KR20190087581A (ko)
CN (1) CN110024420A (ko)
WO (1) WO2018100326A1 (ko)

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* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US20220182764A1 (en) * 2020-12-03 2022-06-09 Syng, Inc. Loudspeaker Diaphragms with Embedded Visual Elements and Methods of Manufacture

Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
EP0632675A1 (en) * 1993-06-28 1995-01-04 Matsushita Electric Industrial Co., Ltd. Diaphragm-edge integral moldings for speakers, acoustic transducers comprising same and method for fabricating same
EP1429582A2 (en) * 2002-12-09 2004-06-16 Onkyo Corporation Loudspeaker diaphragm and method for manufacturing the same
US20070177758A1 (en) * 2006-02-02 2007-08-02 Hiroshi Ohara Loudspeaker cone including plated fabric
EP3304931A1 (en) * 2015-05-29 2018-04-11 B & W Group Ltd Loudspeaker diaphragm

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Publication number Priority date Publication date Assignee Title
DE2236374C3 (de) * 1972-07-25 1975-01-16 Josef Wilhelm 8725 Arnstein Manger Elektroakustisches Wandlersystem
GB1491080A (en) 1975-03-15 1977-11-09 B & W Loudspeakers Loudspeakers
CA1098774A (en) * 1976-05-17 1981-04-07 Hirotoshi Niguchi Acoustic diaphragm with polyurethane elastomer coating
NL8200690A (nl) * 1982-02-22 1983-09-16 Philips Nv Luidsprekermembraan bevattende een laag van polymethacrylimideschuim.
GB8514189D0 (en) * 1985-06-05 1985-07-10 Reefgrade Ltd Electro-mechanical transducer diaphragm
GB2403091B (en) * 2003-06-18 2006-08-09 B & W Loudspeakers Diaphragms for loudspeaker drive units
TW200708478A (en) * 2005-08-19 2007-03-01 Kinik Co Diamond vibrating membrane
GB2519573A (en) * 2013-10-25 2015-04-29 B & W Group Ltd Improvements in and relating to loudspeakers

Patent Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
EP0632675A1 (en) * 1993-06-28 1995-01-04 Matsushita Electric Industrial Co., Ltd. Diaphragm-edge integral moldings for speakers, acoustic transducers comprising same and method for fabricating same
EP1429582A2 (en) * 2002-12-09 2004-06-16 Onkyo Corporation Loudspeaker diaphragm and method for manufacturing the same
US20070177758A1 (en) * 2006-02-02 2007-08-02 Hiroshi Ohara Loudspeaker cone including plated fabric
EP3304931A1 (en) * 2015-05-29 2018-04-11 B & W Group Ltd Loudspeaker diaphragm

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WO2018100326A1 (en) 2018-06-07
JP2020501469A (ja) 2020-01-16
EP3549356A1 (en) 2019-10-09
KR20190087581A (ko) 2019-07-24
CN110024420A (zh) 2019-07-16

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