EP1318502A2 - Method for coding audio - Google Patents
Method for coding audio Download PDFInfo
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- EP1318502A2 EP1318502A2 EP02024643A EP02024643A EP1318502A2 EP 1318502 A2 EP1318502 A2 EP 1318502A2 EP 02024643 A EP02024643 A EP 02024643A EP 02024643 A EP02024643 A EP 02024643A EP 1318502 A2 EP1318502 A2 EP 1318502A2
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- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04S—STEREOPHONIC SYSTEMS
- H04S7/00—Indicating arrangements; Control arrangements, e.g. balance control
- H04S7/30—Control circuits for electronic adaptation of the sound field
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0091—Means for obtaining special acoustic effects
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H7/00—Instruments in which the tones are synthesised from a data store, e.g. computer organs
- G10H7/002—Instruments in which the tones are synthesised from a data store, e.g. computer organs using a common processing for different operations or calculations, and a set of microinstructions (programme) to control the sequence thereof
- G10H7/006—Instruments in which the tones are synthesised from a data store, e.g. computer organs using a common processing for different operations or calculations, and a set of microinstructions (programme) to control the sequence thereof using two or more algorithms of different types to generate tones, e.g. according to tone color or to processor workload
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H7/00—Instruments in which the tones are synthesised from a data store, e.g. computer organs
- G10H7/02—Instruments in which the tones are synthesised from a data store, e.g. computer organs in which amplitudes at successive sample points of a tone waveform are stored in one or more memories
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/155—Musical effects
- G10H2210/265—Acoustic effect simulation, i.e. volume, spatial, resonance or reverberation effects added to a musical sound, usually by appropriate filtering or delays
- G10H2210/295—Spatial effects, musical uses of multiple audio channels, e.g. stereo
- G10H2210/301—Soundscape or sound field simulation, reproduction or control for musical purposes, e.g. surround or 3D sound; Granular synthesis
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/011—Files or data streams containing coded musical information, e.g. for transmission
- G10H2240/046—File format, i.e. specific or non-standard musical file format used in or adapted for electrophonic musical instruments, e.g. in wavetables
- G10H2240/051—AC3, i.e. Audio Codec 3, Dolby Digital
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/011—Files or data streams containing coded musical information, e.g. for transmission
- G10H2240/046—File format, i.e. specific or non-standard musical file format used in or adapted for electrophonic musical instruments, e.g. in wavetables
- G10H2240/061—MP3, i.e. MPEG-1 or MPEG-2 Audio Layer III, lossy audio compression
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
- G10H2250/541—Details of musical waveform synthesis, i.e. audio waveshape processing from individual wavetable samples, independently of their origin or of the sound they represent
- G10H2250/571—Waveform compression, adapted for music synthesisers, sound banks or wavetables
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- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04S—STEREOPHONIC SYSTEMS
- H04S2400/00—Details of stereophonic systems covered by H04S but not provided for in its groups
- H04S2400/11—Positioning of individual sound objects, e.g. moving airplane, within a sound field
Definitions
- the invention relates to a method for audio coding according to the features the preamble of claims 1 and 14.
- Dolby Pro Logic is mainly used in film material to influence the localization of the sound. Speakers are usually mapped onto the center channel and noises can only come from the rear speakers. There is also a whole class of methods used to simulate room acoustics. Commonly used names of such methods are "Hall”, “Stadium”, “Jazz”, “Club” etc. With these methods optimized for music signals, it is not desirable to hear voice signals (vocals) only from the center speaker or a music signal only output from the rear speakers, which is possible using the "Dolby Pro Logic” method.
- the Dolby Pro Logic follow-up process which was called Dolby Pro Logic II, has a mode for music that takes these differences into account, in addition to the film mode.
- a method for coding speech is known from EP 0 481 374 B1.
- a discrete reshaping of a speech window is carried out in order to to get a discrete spectrum of coefficients.
- An approximate one Envelopes of the discrete spectrum are found in any of a variety of Subbands calculated and for digitally coding the defined Envelopes of each subband used.
- each scaled coefficient is divided into a number of bits with at least one converted by a variety of quantizers of different bit lengths.
- the quantizer used for each subband becomes for each speech window by calculating the allocation of bits as a number of bits greater than or determined to be zero, depending on a power density estimate for the subband and a distortion error estimate for the Language window.
- EP 0 587 733 B1 describes a signal analysis system for filtering one or input signals representing several signals.
- the input samples are Analysis window weighted samples.
- means of analysis are Generation of spectral information in response to the time domain signal sample blocks available; where the spectral information Spectral coefficients, which are essentially an even-numbered stacked Time domain aliasing transformation applied to the Time domain signal sample blocks. With the spectral coefficients are essentially coefficients of a modified discrete Cosine transformation or coefficients of a modified discrete sine transformation.
- the analysis means comprise forward-forward transformation means to generate modified sample blocks and Forward transforming means for generating frequency domain transform coefficients.
- EP 0 664 943 B1 is a coding device for adaptive processing of Audio signals for coding, transmission or storage and Recover known, the noise level with the Signal amplitude level fluctuates. It is a processing facility available, which responds to input signals such that they either a first and a second signal or the sum and difference of the first and outputs second signal.
- the first and second signals correspond to the two matrix-coded audio signals of a four to two audio signal matrix, the Processing device also generates a control signal which indicates whether the first and second signal or the sum and difference of the first and second signal is output.
- EP 0 519 055 B1 describes a decoder consisting of a receiving means to receive a plurality of information channels formatted delivery channels, Deformatting means for generating in response to the receiving means, a deformed representation depending on each delivery channel, and Synthesis means for generating output signals depending on the deformed representations, known. Between the means of deforming and the synthesis means are arranged distribution means which on the Deformers address and one or more intermediate signals generate, at least one intermediate signal by combining the Information is generated from two or more of the deformatted representations. The synthesis means generate a respective output signal in response to each of the intermediate signals.
- EP 0 520 068 B1 is an encoder for coding two or more Audio channels known.
- the encoder has a subband device Generation of subband signals, a mixing device for creating a or more composite signals, and means for generating Control information for a corresponding composite signal.
- the encoder has an encoder for generating encoded Information by assigning bits to the one or more composite signals. It is still a formatter for assembling the coded information and the control information an output signal available.
- a speech encoder is known from EP 0 208 712 B1.
- This speech encoder contains a Fourier transformer for executing a discrete one Fourier transform of an incoming speech signal for generation of a discrete transform spectrum of coefficients, one Standardization device for modifying the transformation spectrum for Generation of a standardized, flatter spectrum and for coding one Function that modifies the discrete spectrum.
- one is Device for coding at least a part of the spectrum is available.
- the normalization device has a device (44) for defining the approximated envelopes of the discrete spectrum in each of several Subbands of coefficients and for coding the defined envelope of each subband of coefficients and scaling devices each spectrum coefficient relative to the defined envelope of the relevant subband of coefficients.
- ISO / IEC JTC 1 / SC 29 / WG11 MPEG 4 Structured Audio
- ISO / IEC JTC 1 / SC 29 / WG11 MPEG 4 Structured Audio
- a disadvantage of MPEG 4 Structured Audio is that it is for real-time transmission over a channel with a limited data rate is not suitable because there is no upper one Limitation for the data rate and the computing power is provided. Also the Limitation to samples, which are usually only short pieces of sound correspond and that already corresponds to the playback device at the time need to be completely known when their play starts poses a problem Synchronization is also difficult, should start with the playback at a certain point so it may be necessary to open the file to be calculated completely from the start. An application in film material also contradicts the lack of compression of the samples, which thereby needlessly a lot of data storage.
- Specifying the angle of the Sound sources alone are also not enough to always ensure a good allocation of the Sound sources to reach the image material, because the image material through different projection techniques different sizes and distances can have to the observer. If a speaker can be seen on the left edge of the picture, so its language should also come from the left speakers in a cinema are reproduced in a representation over a 5 meter distance Televisions with 72 cm screen diagonals make more sense, however Output language on the middle speaker, because then there too the speaker appears to be.
- a disadvantage of all known inventions with regard to Audio data compression is that due to the fixation of the positions of the Sound sources have a high number of audio channels to emulate the desired sound field is required. This causes a high one Amount of data, both for storage media and for transmission is undesirable. There is also the possibility of replicating Room acoustics limited by fixing the speaker positions.
- Dolby Digital and DTS do not have ceiling speakers provided that could emulate sounds coming from above.
- the object of the invention is to provide a method which is efficient Coding of multiple audio signals taking into account the associated sound field.
- the present invention solves the problem in that the one Sound sources belonging to the sound field first individually with a conventional one Compression methods, e.g. AC3, MP3, AAC, WMA, etc. be compressed. If a maximum allowed is exceeded Data rate becomes a summary of sound sources or a stronger one Compression performed to reduce the data rate.
- a conventional one Compression methods e.g. AC3, MP3, AAC, WMA, etc.
- Data rate becomes a summary of sound sources or a stronger one Compression performed to reduce the data rate.
- Each of these Sound sources are information about their type as well as a Position information added, indicating where the object is in relation to the viewer. Information about the properties of the the room to be reproduced and the current horizontal and vertical Viewing angles are transmitted.
- the information about the properties of the room to be reproduced, the current horizontal and vertical Viewing angles as well as the size and position of the image of the Playback device are then postprocessing and images of the individual sources to the existing speakers or a headphone signal carried out.
- the audio data generated by different sound sources are encoded in such a way that sound sources are combined that have the same characteristics for the hearing and then this with position information, information about the type of channel (vocals, background noise, speech ... ) and information about possible effects (reverb, dynamic compressor).
- This information is transmitted continuously.
- the type of channel can be used for post-processing in which this signal is decorrelated several times for background noise and output to the loudspeakers.
- An individual post-processing algorithm is assigned to each signal type.
- An advantageous implementation results if, in addition to each sound source, information about its radiation characteristics, such as spherical, kidney-shaped, etc., is also transmitted.
- a further advantageous implementation results if additional information about the desired room characteristics (e.g.
- parameters e.g. reverberation time
- directly algorithmic descriptions to achieve these sound impressions as well as properties of the individual sound sources (such as language or music or effect) are also transmitted.
- the room geometry and the room absorption properties are to be transferred as parameters for the description of the room characteristics.
- a living room with curtains and carpets absorbs the sound much more than a bathroom or a church. If a playback device is not powerful enough to evaluate this data, it ignores this additional data during playback.
- a further advantageous embodiment of the invention results if properties are additionally transmitted via the viewing angle, ie that the angles of the sound source and these viewing angles can be used to directly determine whether the associated object is visible in the image.
- the horizontal angle of the object is within the horizontal viewing angle range and the vertical angle of the object is within the vertical viewing angle range.
- the viewing angle like the position of the objects, is related to the viewer of the original scene. The viewing angle can change continuously, which is why it is advantageously transmitted to each individual image.
- a virtual angle is then determined based on the listening position.
- a non-linear mapping is advantageously used there. For example, the angular range shrunk on small screens can be compensated for by stretching the remaining angular range.
- An advantageous embodiment results if the strength of the compression / extension can be adjusted by the user.
- the invention is described below on the basis of a specific exemplary embodiment shown in FIG.
- the exemplary embodiment shows a device according to the invention.
- the device according to the invention has the audio signal inputs A1 to An.
- Information on the position and properties of the corresponding audio signal is transmitted to the n audio signals via the inputs I1 to In.
- the horizontal and vertical viewing angles and the property of the room to be simulated are fed in via the SF input.
- the incoming audio signals are compressed in the devices K1 to Kn in the data rate to the signals C1 to Cn.
- the data streams C, I and SF are then mixed together in the device MX to form a single data stream US.
- the data stream US can then either be transmitted in broadcasting format or can also be temporarily stored on a storage medium.
- this data stream is then sent to a device DX, which regenerates the data streams C1 to Cn and generates ISF1 to ISFn.
- ISFi corresponds to the data stream li, to which SF is added.
- the compressed data streams C1 to Cn are decompressed in the devices D1 to Dn.
- the individual decompressed data streams are then each given to the devices R1 to Rn together with their associated data stream ISFi and the signal BP.
- the signal BP corresponds to information about the image format, the position of the playback device and the parameters selected by the customer for playback.
- the decoded audio signals are then mapped in the devices Ri to the sum signals S1 to Sk, taking into account the parameters present in BP and ISFi.
- the number of sum signals k corresponds to the number of loudspeakers installed by the customer.
- the sum signals S generated by the individual devices Ri are summed and then output to the loudspeakers L1 to Lk.
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- Engineering & Computer Science (AREA)
- Physics & Mathematics (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- General Engineering & Computer Science (AREA)
- Signal Processing (AREA)
- Stereophonic System (AREA)
- Compression, Expansion, Code Conversion, And Decoders (AREA)
Abstract
Description
Die Erfindung betrifft ein Verfahren zur Audiocodierung gemäss den Merkmalen
des Oberbegriffes der Ansprüche 1 und 14.The invention relates to a method for audio coding according to the features
the preamble of
Bei der Wiedergabe von Filmton und Musiksignalen wird versucht, die Abbildung des Klanges mit der Position der Entstehung in Einklang zu bringen. Bei reinen Musiksignalen wird schon eine gute Approximation durch Verwendung von Stereolautsprechern erreicht. Will man allerdings bei Musikstücken einen anderen Raumeindruck erzielen, beispielsweise den eines Jazz-Clubs, so reichen diese zwei Lautsprecher kaum aus. Insbesondere bei Filmmaterial sind mehr Kanäle wünschenswert, da auch akustische Effekte, die von hinten kommen, wiedergegeben werden sollen.When playing movie sound and music signals, the To reconcile the image of the sound with the position of origin. With pure music signals, a good approximation is already carried out Achieved use of stereo speakers. If you want to Music pieces achieve a different spatial impression, for example one Jazz clubs, these two speakers are hardly enough. Especially at More channels are desirable because there are also acoustic effects come from behind, should be played.
Eines der bekanntesten Verfahren hierfür ist das sogenannte "Dolby Pro Logic"
Verfahren, welches bei Filmmaterial im wesentlichen dazu eingesetzt wird, die
Lokalisation des Klanges beeinflussen zu können. So werden Sprecher
üblicherweise auf den Center-Kanal abgebildet und Geräusche können
ausschließlich aus den hinteren Lautsprechern kommen.
Weiterhin gibt es eine ganze Klasse von Verfahren, die zur Nachbildung von
Raumakustiken verwendet werden. Häufig anzutreffende Bezeichnungen
derartiger Verfahren lauten "Hall", "Stadium", "Jazz", "Club" etc.. Bei diesen auf
Musiksignale optimierten Verfahren ist es nicht erwünscht, Sprachsignale
(Gesang) nur aus dem Center-Lautsprecher zu vernehmen oder ein
Musiksignal nur aus den hinteren Lautsprechern auszugeben, welches unter
Verwendung des "Dolby Pro Logic" Verfahrens möglich ist.
Bei dem Nachfolgeverfahren von Dolby Pro Logic, welches Dolby Pro Logic II
genannt wurde, ist abgesehen von dem Filmmodus ein Modus für Musik
vorgesehen, der diese Unterschiede berücksichtigt. One of the best-known methods for this is the so-called "Dolby Pro Logic" method, which is mainly used in film material to influence the localization of the sound. Speakers are usually mapped onto the center channel and noises can only come from the rear speakers.
There is also a whole class of methods used to simulate room acoustics. Commonly used names of such methods are "Hall", "Stadium", "Jazz", "Club" etc. With these methods optimized for music signals, it is not desirable to hear voice signals (vocals) only from the center speaker or a music signal only output from the rear speakers, which is possible using the "Dolby Pro Logic" method.
The Dolby Pro Logic follow-up process, which was called Dolby Pro Logic II, has a mode for music that takes these differences into account, in addition to the film mode.
Aus EP 0 481 374 B1 ist ein Verfahren zum Kodieren von Sprache bekannt. Hierbei wird eine diskrete Umformung eines Sprachfensters vorgenommen, um ein diskretes Spektrum von Koeffizienten zu erhalten. Eine angenäherte Einhüllenden des diskreten Spektrums wird in jedem einer Vielzahl von Unterbändern errechnet und zum digitalen Kodieren der definierten Einhüllenden eines jeden Unterbands verwendet. Innerhalb von Subbändern wird jeder skalierte Koeffizient in eine Anzahl von Bits mit mindestens einem von einer Vielzahl von Quantisierern unterschiedlicher Bitlängen umgerechnet. Der für jedes Unterband benutzte Ouantisierer wird für jedes Sprachfenster durch Berechnen der Zuweisung von Bits als eine Anzahl von Bits größer als oder gleich Null bestimmt, in Abhängigkeit einer Leistungsdichteabschätzung für das Unterband und einer Verzerrungsfehlerabschätzung für das Sprachfenster.A method for coding speech is known from EP 0 481 374 B1. Here a discrete reshaping of a speech window is carried out in order to to get a discrete spectrum of coefficients. An approximate one Envelopes of the discrete spectrum are found in any of a variety of Subbands calculated and for digitally coding the defined Envelopes of each subband used. Within subbands each scaled coefficient is divided into a number of bits with at least one converted by a variety of quantizers of different bit lengths. The quantizer used for each subband becomes for each speech window by calculating the allocation of bits as a number of bits greater than or determined to be zero, depending on a power density estimate for the subband and a distortion error estimate for the Language window.
Aus EP 0 587 733 B1 ist ein Signalanalysesystem zur Filterung von einem ein oder mehrere Signale repräsentierenden Eingangsabtastwert bekannt. Es sind Eingangspuffermittel zum Gruppieren der Eingangsabtastwerte in Zeitbereichs-Signalabtastwertblöcke vorgesehen. Die Eingangsabtastwerte sind analysefenster-gewichtete Abtastwerte. Außerdem sind Analysemittel zur Erzeugung von Spektralinformation als Antwort auf die Zeitbereichs-Signalabtastwertblöcke vorhanden; wobei die Spektralinformation Spektralkoeffizienten umfaßt, die im wesentlichen einer geradzahlig gestapelten Zeitbereichs-Aliasingaufhebungs-Transformation angewendet auf die Zeitbereichs-Signal-Abtastwertblöcke entspricht. Bei den Spektralkoeffizienten handelt es sich im wesentlichen um Koeffizienten einer modifizierten diskreten Cosinus-Transformation bzw. Koeffizienten einer modifizierten diskreten SinusTransformation. Die Analysemittel umfassen Vorwärts-Vor-Transformationsmittel zur Erzeugung modifizierter Abtastwertblöcke und Vorwärts-Transformationsmittel zur Erzeugung von Frequenzbereichs-Transformationskoeffizienten. EP 0 587 733 B1 describes a signal analysis system for filtering one or input signals representing several signals. There are Input buffer means for grouping the input samples into time domain signal sample blocks intended. The input samples are Analysis window weighted samples. In addition, means of analysis are Generation of spectral information in response to the time domain signal sample blocks available; where the spectral information Spectral coefficients, which are essentially an even-numbered stacked Time domain aliasing transformation applied to the Time domain signal sample blocks. With the spectral coefficients are essentially coefficients of a modified discrete Cosine transformation or coefficients of a modified discrete sine transformation. The analysis means comprise forward-forward transformation means to generate modified sample blocks and Forward transforming means for generating frequency domain transform coefficients.
Aus EP 0 664 943 B1 ist eine Kodiervorrichtung zur adaptiven Verarbeitung von Audiosignalen für das Kodieren, Übertragen oder Speichern und Wiedergewinnen bekannt, wobei der Rauschpegel mit dem Signalamplitudenpegel schwankt. Es ist eine Verarbeitungseinrichtung vorhanden, welche auf Eingangssignale derart anspricht, daß sie entweder ein erstes und ein zweites Signal oder die Summe und Differenz des ersten und zweiten Signals ausgibt. Das erste und zweite Signal entsprechen den beiden matrixkodierten Audiosignalen einer vier zu zwei Audiosignalmatrix, wobei die Verarbeitungseinrichtung auch ein Steuersignal erzeugt, welches anzeigt, ob das erste und zweite Signal oder die Summe und Differenz des ersten und zweiten Signals ausgegeben wird.From EP 0 664 943 B1 is a coding device for adaptive processing of Audio signals for coding, transmission or storage and Recover known, the noise level with the Signal amplitude level fluctuates. It is a processing facility available, which responds to input signals such that they either a first and a second signal or the sum and difference of the first and outputs second signal. The first and second signals correspond to the two matrix-coded audio signals of a four to two audio signal matrix, the Processing device also generates a control signal which indicates whether the first and second signal or the sum and difference of the first and second signal is output.
Aus EP 0 519 055 B1 ist ein Decoder, bestehend aus einem Empfangsmittel zum Empfang einer Mehrzahl von Lieferkanälen formatierter Information, Deformatierungsmitteln zur Erzeugung ansprechend auf die Empfangsmittel, einer deformatierten Darstellung abhängig von jedem Lieferkanal, und Synthesemittel zur Erzeugung von Ausgangssignalen abhängig von den deformatierten Darstellungen, bekannt. Zwischen den Deformatierungsmitteln und den Synthesemitteln sind Verteilermittel angeordnet, welche auf die Deformatierungsmittel ansprechen und einen oder mehrere Zwischensignale erzeugen, wobei wenigstens ein Zwischensignal durch Kombination der Information von zwei oder mehr der deformatierten Darstellungen erzeugt wird. Die Synthesemittel erzeugen ein jeweiliges Ausgangssignal als Antwort auf jedes der Zwischensignale.EP 0 519 055 B1 describes a decoder consisting of a receiving means to receive a plurality of information channels formatted delivery channels, Deformatting means for generating in response to the receiving means, a deformed representation depending on each delivery channel, and Synthesis means for generating output signals depending on the deformed representations, known. Between the means of deforming and the synthesis means are arranged distribution means which on the Deformers address and one or more intermediate signals generate, at least one intermediate signal by combining the Information is generated from two or more of the deformatted representations. The synthesis means generate a respective output signal in response to each of the intermediate signals.
Aus EP 0 520 068 B1 ist ein Kodierer zum Kodieren von zwei oder mehr Audiokanälen bekannt. Der Kodierer weist eine Teilbandeinrichtung zum Erzeugen von Teilbandsignalen, eine Mischeinrichtung zum Schaffen eines oder mehrerer zusammengesetzter Signale, und Mittel zum Erzeugen von Steuerinformation für ein entsprechendes zusammengesetztes Signal auf. Außerdem weist der Kodierer eine Kodiereinrichtung zum Erzeugen kodierter Information durch Zuteilen von Bits zu dem einen oder mehreren zusammengesetzten Signalen auf. Es ist weiterhin eine Formatiereinrichtung zum Zusammensetzen der kodierten Information und der Steuerinformation zu einem Ausgabesignal vorhanden.From EP 0 520 068 B1 is an encoder for coding two or more Audio channels known. The encoder has a subband device Generation of subband signals, a mixing device for creating a or more composite signals, and means for generating Control information for a corresponding composite signal. In addition, the encoder has an encoder for generating encoded Information by assigning bits to the one or more composite signals. It is still a formatter for assembling the coded information and the control information an output signal available.
Aus EP 0 208 712 B1 ist ein Sprachkodierer bekannt. Dieser Sprachkodierer enthält eine Fourier-Transformationseinrichtung zur Ausführung einer diskreten Fourier-Transformation eines ankommenden Sprachsignals zur Erzeugung eines diskreten Transformationsspektrums von Koeffizienten, eine Normierungseinrichtung zum Modifizieren des Transformationsspektrums zur Erzeugung eines normierten, flacheren Spektrums und zum Codieren einer Funktion, durch die das diskrete Spektrum modifiziert wird. Außerdem ist eine Einrichtung zum Codieren wenigstens eines Teils des Spektrums vorhanden. Die Normierungseinrichtung weist eine Einrichtung (44) zum Definieren der approximierten Einhüllenden des diskreten Spektrums in jedem von mehreren Unterbändern von Koeffizienten und zum Codieren der definierten Einhüllenden eines jedes Unterbandes von Koeffizienten und Einrichtungen zum Skalieren jedes Spektrumkoeffizienten relativ zur definierten Einhüllenden des betreffenden Unterbandes von Koeffizienten auf.A speech encoder is known from EP 0 208 712 B1. This speech encoder contains a Fourier transformer for executing a discrete one Fourier transform of an incoming speech signal for generation of a discrete transform spectrum of coefficients, one Standardization device for modifying the transformation spectrum for Generation of a standardized, flatter spectrum and for coding one Function that modifies the discrete spectrum. Besides, one is Device for coding at least a part of the spectrum is available. The normalization device has a device (44) for defining the approximated envelopes of the discrete spectrum in each of several Subbands of coefficients and for coding the defined envelope of each subband of coefficients and scaling devices each spectrum coefficient relative to the defined envelope of the relevant subband of coefficients.
Als weitere allgemein bekannte Verfahren zur Verbesserung dieses Problems wurden dann die Verfahren Dolby Digital (auch bekannt unter dem Namen AC3) und DTS eingeführt, welche die Wiedergabe von 6 unterschiedlichen Kanälen gestatten. Trotzdem damit ein rechter und ein linker hinterer separater Kanal möglich sind, war dies für eine perfekte Wiedergabe immer noch nicht genug, daher wurden diese Verfahren durch Matrizierung wieder so erweitert, dass ein zusätzlicher hinterer Centerkanal möglich ist. Mit DTS-ES DISCRETE wurde dann auf die Matrizierung verzichtet und ein echter siebter Audiokanal übertragen. THX-EX erzeugt mittlerweile 8 Kanäle und bei AAC sind sogar über 100 separate Audiokanäle möglich.As another well known method to improve this problem Dolby Digital (also known as AC3) and DTS introduced which play 6 different channels allow. Still a right and a left rear separate channel possible, this was still not enough for a perfect reproduction, Therefore, these methods were expanded again by matrixing so that a additional rear center channel is possible. With DTS-ES DISCRETE then dispensed with the matrixing and a real seventh audio channel transfer. THX-EX now generates 8 channels and AAC are even over 100 separate audio channels possible.
Aus ISO/IEC JTC 1/SC 29/WG11 (MPEG 4 Structured Audio) ist ein Verfahren bekannt, welches für die synthetische Erzeugung von Musiksignalen die Möglichkeit bietet, den künstlich erzeugten Musikinstrumenten eine Positionsinformation sowie einen oder mehrere Effekte zuzuweisen. Es ist auch möglich, Samples derart zu integrieren.ISO / IEC JTC 1 / SC 29 / WG11 (MPEG 4 Structured Audio) is a procedure known which for the synthetic generation of music signals the Offers the artificially created musical instruments a Assign position information and one or more effects. It is also possible to integrate samples in this way.
Nachteilig bei MPEG 4 Structured Audio ist, dass es für die Echtzeitübertragung über einen Kanal mit begrenzter Datenrate nicht geeignet ist, da keine obere Begrenzung für die Datenrate und die Rechenleistung vorgesehen ist. Auch die Beschränkung auf Samples, welche normalerweise nur kurzen Klangstücken entsprechen und die auch schon dem Wiedergabegerät zu dem Zeitpunkt komplett bekannt sein müssen, wenn deren abspielen beginnt stellt ein Problem dar. Weiterhin ist eine Synchronisation schwierig, soll mit dem Abspielen an einer bestimmten Stelle begonnen werden so ist es eventuell nötig, die Datei komplett von Anfang an zu berechnen. Einer Anwendung bei Filmmaterial wiederspricht auch das Fehlen einer Kompression der Samples, welche dadurch unnötig viel Datenspeicher benötigen. Die Angabe der Winkel der Schallquellen alleine reicht auch nicht aus, um immer eine gute Zuordnung der Schallquellen zum Bildmaterial zu erreichen, da das Bildmaterial durch verschiedene Projektionstechniken unterschiedliche Größen und Entfernungen zum Beobachter aufweisen kann. Ist am linken Bildrand ein Sprecher zu sehen, so sollte dessen Sprache in einem Kino auch aus den linken Lautsprechern wiedergegeben werden, bei einer Darstellung über einen 5 Meter entfernten Fernseher mit 72 cm Bildschirmdiagonale macht es aber mehr Sinn, die Sprache auch auf dem mittleren Lautsprecher auszugeben, da dann auch dort der Sprecher zu sein scheint.A disadvantage of MPEG 4 Structured Audio is that it is for real-time transmission over a channel with a limited data rate is not suitable because there is no upper one Limitation for the data rate and the computing power is provided. Also the Limitation to samples, which are usually only short pieces of sound correspond and that already corresponds to the playback device at the time need to be completely known when their play starts poses a problem Synchronization is also difficult, should start with the playback at a certain point so it may be necessary to open the file to be calculated completely from the start. An application in film material also contradicts the lack of compression of the samples, which thereby needlessly a lot of data storage. Specifying the angle of the Sound sources alone are also not enough to always ensure a good allocation of the Sound sources to reach the image material, because the image material through different projection techniques different sizes and distances can have to the observer. If a speaker can be seen on the left edge of the picture, so its language should also come from the left speakers in a cinema are reproduced in a representation over a 5 meter distance Televisions with 72 cm screen diagonals make more sense, however Output language on the middle speaker, because then there too the speaker appears to be.
Nachteilig bei allen bekannten Erfindungen bezüglich der Audiodatenkompression ist, dass aufgrund der Fixierung der Positionen der Klangquellen eine hohe Anzahl an Audikanälen zur Nachbildung des gewünschten Klangfeldes benötigt wird. Dies verursacht eine hohe Datenmenge, die sowohl bei Speichermedien als auch bei der Übertragung unerwünscht ist. Weiterhin ist die Möglichkeit der Nachbildung von Raumakustiken durch die Fixierung der Lautsprecherpositionen eingeschränkt. A disadvantage of all known inventions with regard to Audio data compression is that due to the fixation of the positions of the Sound sources have a high number of audio channels to emulate the desired sound field is required. This causes a high one Amount of data, both for storage media and for transmission is undesirable. There is also the possibility of replicating Room acoustics limited by fixing the speaker positions.
Beispielsweise ist bei Dolby Digital und DTS kein Deckenlautsprecher vorgesehen, der von oben kommende Klänge nachbilden könnte.For example, Dolby Digital and DTS do not have ceiling speakers provided that could emulate sounds coming from above.
Aufgabe der Erfindung ist es, ein Verfahren anzugeben, welches eine effiziente Codierung von mehreren Audiosignalen unter Berücksichtigung des zugehörigen Klangfeldes ermöglicht.The object of the invention is to provide a method which is efficient Coding of multiple audio signals taking into account the associated sound field.
Die vorliegende Erfindung löst diese Aufgabe durch die Merkmale der
Ansprüche 1 und 14. Vorteilhafte Ausgestaltungen und Weiterbildungen der
Erfindung sind in den abhängigen Ansprüchen, der zugehörigen Beschreibung
nebst Figur 1 angegeben.The present invention solves this problem by the features of
Die vorliegende Erfindung löst die Aufgabe dadurch, dass die zu einem Klangfeld gehörenden Klangquellen zuerst einzeln mit einem herkömmlichen Kompressionsverfahren, beispielsweise AC3, MP3, AAC, WMA, usw. komprimiert werden. Bei einer Überschreitung einer maximal erlaubten Datenrate wird eine Zusammenfassung von Klangquellen oder eine stärkere Kompression zur Verringerung der Datenrate durchgeführt. Jeder dieser Klangquellen werden Informationen über deren Art sowie eine Positionsinformation hinzugefügt, die angibt, wo sich das Objekt in Bezug auf den Betrachter befindet. Informationen über die Eigenschaften des nachzubildenden Raumes sowie über die aktuellen horizontalen und vertikalen Sichtwinkel werden übertragen. Basierend auf den Positionsinformationen und Informationen über die Quellen, den Informationen über die Eigenschaften des nachzubildenden Raumes, den aktuellen horizontalen und vertikalen Sichtwinkeln sowie über der Größe und Position des Bildes des Wiedergabegerätes werden dann Nachbearbeitungen und Abbildungen der einzelnen Quellen auf die vorhandenen Lautsprecher oder ein Kopfhörersignal durchgeführt.The present invention solves the problem in that the one Sound sources belonging to the sound field first individually with a conventional one Compression methods, e.g. AC3, MP3, AAC, WMA, etc. be compressed. If a maximum allowed is exceeded Data rate becomes a summary of sound sources or a stronger one Compression performed to reduce the data rate. Each of these Sound sources are information about their type as well as a Position information added, indicating where the object is in relation to the viewer. Information about the properties of the the room to be reproduced and the current horizontal and vertical Viewing angles are transmitted. Based on the position information and information about the sources, the information about the properties of the room to be reproduced, the current horizontal and vertical Viewing angles as well as the size and position of the image of the Playback device are then postprocessing and images of the individual sources to the existing speakers or a headphone signal carried out.
Betrachtet man natürliche Klangfelder, so stellt man fest, dass das menschliche Gehör diese derart analysiert, dass eine Aufteilung in verschiedene Klangquellen sowie deren Charakteristiken stattfindet und zudem die Eigenschaft des Raumes, in welchem die akustische Wiedergabe erfolgt, ausgewertet wird. Die Aufteilung der Klangquellen erfolgt in erster Linie durch Auswertung der spektralen Zusammensetzung und der Position der Schallquelle. Laufzeitunterschiede und die richtungsabhängige Frequenzempfindlichkeitskurve des Gehörs haben nur einen geringen Einfluss auf die Aufteilung. Eine gute Approximation vieler Klangfelder kann schon erreicht werden, wenn zwei Sprachkanäle sowie zwei Effektkanäle zur Verfügung stehen. Damit kann die Kommunikation zweier Personen sowie diverse Umgebungsgeräusche (beispielsweise vorbeifahrende Autos) erfasst und nachgebildet werden.If one looks at natural sound fields, one finds that the human Heard this analyzed in such a way that a division into different Sound sources and their characteristics take place and also the Property of the room in which the acoustic reproduction takes place, is evaluated. The distribution of the sound sources is primarily done by Evaluation of the spectral composition and the position of the Sound source. Runtime differences and the directional The frequency sensitivity curve of the hearing has only a minor influence on the division. A good approximation of many sound fields can can be achieved if two voice channels and two effect channels are used To be available. It allows communication between two people as well various ambient noises (e.g. passing cars) recorded and be replicated.
Erfindungsgemäß werden die von verschiedenen Klangquellen erzeugten
Audiodaten in der Art und Weise codiert, dass Klangquellen zusammengefasst
werden, die für das Gehör gleiche Eigenschaften besitzen und diese dann mit
einer Positionsinformation, einer Information über die Art des Kanales (Gesang,
Hintergrundgeräusch, Sprache...) sowie einer Information über eventuell
mögliche Effekte (Hall, Dynamikkompressor) versehen werden. Diese
Informationen werden kontinuierlich übertragen. Bei der Wiedergabe kann über
die Art des Kanales eine Nachbearbeitung erfolgen, in der dann z.B. für
Hintergrundgeräusche dieses Signal mehrfach dekorreliert und auf die
Lautsprecher ausgegeben wird. Es wird jeder Signalart ein individueller
Nachverarbeitungsalgorithmus zugeordnet. Eine vorteilhafte Implementierung
ergibt sich, wenn zusätzlich noch zu jeder Klangquelle eine Information über
deren Abstrahlcharakteristik, wie kugelförmig, nierenförmig etc., übertragen
wird. Eine weitere vorteilhafte Implementierung ergibt sich, wenn zusätzlich
noch Informationen über die gewünschte Raumcharakteristik (z.B. Badezimmer,
Kathedrale, usw.), Parameter (z.B. Hallzeit) bzw. direkt algorithmische
Beschreibungen zur Erzielung dieser Klangeindrücke sowie Eigenschaften der
einzelnen Schallquellen (wie z.B. Sprache oder Musik oder Effekt)
mitübertragen werden. Als Parameter zur Beschreibung der Raumcharakteristik
sind z.B. die Raumgeometrie und die Raumabsorptionseigenschaften zu
übertragen. Ein Wohnzimmer mit Gardinen und Teppichböden schluckt nämlich
den Schall viel stärker als ein Badezimmer oder eine Kirche.
Ist ein Wiedergabegerät nicht leistungsfähig genug, diese Daten auszuwerten,
so ignoriert es eben diese Zusatzdaten bei der Wiedergabe.
Eine weitere vorteilhafte Ausgestaltung der Erfindung ergibt sich, wenn
zusätzlich noch Eigenschaften über den Sichtwinkel übertragen werden, d.h.
dass man aus den Winkeln der Klangquelle und diesen Sichtwinkeln direkt
schließen kann, ob das dazugehörige Objekt im Bild sichtbar ist. Dies ist dann
der Fall, wenn der horizontale Winkel des Objektes innerhalb des horizontalen
Sichtwinkelbereiches und der vertikale Winkel des Objektes innerhalb des
vertikalen Sichtwinkelbereiches liegt. Der Sichtwinkel ist dabei wie auch die
Position der Objekte auf den Betrachter der Orginalszene bezogen. Der
Sichtwinkel kann sich laufend ändern, daher wird dieser vorteilhafterweise zu
jedem einzelnen Bild übertragen. Basierend auf dem Winkel des Objektes, des
Sichtwinkels sowie der Position und Größe des projezierten Bildes wird dann
ein virtueller Winkel bezogen auf die Abhörposition ermittelt. Damit beim
Verlassen von Objekten aus dem Sichtwinkelbereich kein abrupter Sprung
stattfindet, wird dort vorteilhafterweise eine nichtlineare Abbildung verwendet.
So kann z.B. der bei kleinen Bildschirmen geschrumpfte Winkelbereich durch
eine Streckung des restlichen Winkelbereiches ausgeglichen werden. Eine
vorteilhafte Ausgestaltungung ergibt sich, wenn die Stärke der
Stauchung/Streckung durch den Anwender einstellbar ist.According to the invention, the audio data generated by different sound sources are encoded in such a way that sound sources are combined that have the same characteristics for the hearing and then this with position information, information about the type of channel (vocals, background noise, speech ... ) and information about possible effects (reverb, dynamic compressor). This information is transmitted continuously. During playback, the type of channel can be used for post-processing in which this signal is decorrelated several times for background noise and output to the loudspeakers. An individual post-processing algorithm is assigned to each signal type. An advantageous implementation results if, in addition to each sound source, information about its radiation characteristics, such as spherical, kidney-shaped, etc., is also transmitted. A further advantageous implementation results if additional information about the desired room characteristics (e.g. bathroom, cathedral, etc.), parameters (e.g. reverberation time) or directly algorithmic descriptions to achieve these sound impressions as well as properties of the individual sound sources (such as language or music or effect) are also transmitted. The room geometry and the room absorption properties are to be transferred as parameters for the description of the room characteristics. A living room with curtains and carpets absorbs the sound much more than a bathroom or a church.
If a playback device is not powerful enough to evaluate this data, it ignores this additional data during playback.
A further advantageous embodiment of the invention results if properties are additionally transmitted via the viewing angle, ie that the angles of the sound source and these viewing angles can be used to directly determine whether the associated object is visible in the image. This is the case if the horizontal angle of the object is within the horizontal viewing angle range and the vertical angle of the object is within the vertical viewing angle range. The viewing angle, like the position of the objects, is related to the viewer of the original scene. The viewing angle can change continuously, which is why it is advantageously transmitted to each individual image. Based on the angle of the object, the viewing angle and the position and size of the projected image, a virtual angle is then determined based on the listening position. In order that there is no abrupt jump when leaving objects from the viewing angle range, a non-linear mapping is advantageously used there. For example, the angular range shrunk on small screens can be compensated for by stretching the remaining angular range. An advantageous embodiment results if the strength of the compression / extension can be adjusted by the user.
Durch die Erfindung wird
- eine wesentlich realistischere Audiodarbietung erreicht;
- die Ausnutzung der vorhandenen Kanäle wesentlich verbessert, somit wird bei DVDs Kapazität und bei Broadcast-Verfahren Bandbreite gespart;
- bei Hinzufügung der Klangeffekte im Endgerät bei der Codierung der unverfälschten Originalsignale eine wesentlich geringere Datenrate benötigt, dies gibt eine zusätzliche Datenratenersparnis;
- die Kanalabbildung wesentlich verbessert, ein überfliegender Hubschrauber kann mit nur einem Kanal perfekt nachgebildet werden;
- das System abwärtskompatibel gehalten, die Wiedergabe anderer Standards kann durch Annahme der Positionen der Klangquellen auf die dabei üblichen Aufstellungspositionen der Lautsprecher erfolgen; es muss die vom Kunden gewählte Lautsprecherkonstellation nicht modifiziert werden;
- die Aufstellungspositionen der Lautsprecher nicht vorgegeben und kann beliebig sein, die Lautsprecher müssen dem System nur bekannt gemacht werden; das System berechnet dann, auf welchen Lautsprechern es bestimmte Kanäle am geeignetesten ausgibt; so ist es möglich, die räumlichen Gegebenheiten perfekt auszunutzen;
- eine bessere Anpassung an verschiedene Bildformate bei der Wiedergabe erreicht, Klangquellen zu im Bildbereich gehörenden Objekten können klanglich auch dorthin fokussiert werden.
Schließlich ist die zur Übertragung der Zusatzinformationen benötigte Datenmenge gegenüber der Datenmenge zur Codierung der einzelnen Audiokanäle vernachlässigbar gering.Through the invention
- achieved a much more realistic audio performance;
- the utilization of the existing channels is significantly improved, thus saving capacity for DVDs and bandwidth for broadcast processes;
- when adding the sound effects in the terminal when coding the unadulterated original signals requires a much lower data rate, this gives an additional data rate saving;
- the canal image significantly improved, a flying helicopter can be perfectly replicated with just one canal;
- the system is kept downward compatible, the reproduction of other standards can be done by assuming the positions of the sound sources on the usual placement positions of the speakers; the speaker constellation chosen by the customer does not have to be modified;
- the installation positions of the loudspeakers are not specified and can be arbitrary, the loudspeakers only have to be made known to the system; the system then calculates on which speakers it most suitably outputs certain channels; this makes it possible to make perfect use of the spatial conditions;
- a better adaptation to different image formats achieved during playback, sound sources for objects belonging to the image area can also be focused there.
Finally, the amount of data required to transmit the additional information is negligibly small compared to the amount of data for coding the individual audio channels.
Im Weiteren wird die Erfindung anhand eines konkreten Ausführungsbeispieles
FIG 1 beschrieben.
Das Ausführungsbeispiel zeigt eine erfindungsgemäße Vorrichtung. Die
erfindungsgemäße Vorrichtung weist die Audiosignaleingänge A1 bis An auf.
Über die Eingänge I1 bis In werden zu den n Audiosignalen Informationen zu
der Position und die Eigenschaften des entsprechenden Audiosignales
übertragen. Über den Eingang SF werden die horizontalen und vertikalen
Sichtwinkel sowie die Eigenschaft des nachzubildenden Raumes eingespeist.
Die eingehenden Audiosignale werden in den Vorrichtungen K1 bis Kn in der
Datenrate zu den Signalen C1 bis Cn komprimiert. Die Datenströme C, I und SF
werden dann in der Vorrichtung MX zu einem einzelnen Datenstrom US
zusammengemischt. Der Datenstrom US kann dann entweder im Broadcasting-Format
übertragen werden oder auch auf einem Speichermedium
zwischengespeichert werden. Zur Ausgabe wird dieser Datenstrom dann auf
eine Vorrichtung DX gegeben, die daraus wieder die Datenströme C1 bis Cn
regeneriert sowie ISF1 bis ISFn erzeugt. ISFi entspricht dabei dem Datenstrom
li, dem noch SF hinzugefügt ist. Die komprimierten Datenströme C1 bis Cn
werden in den Vorrichtungen D1 bis Dn dekomprimiert. Die einzelnen
dekomprimierten Datenströme werden dann jeweils zusammen mit ihrem
zugehörigen Datenstrom ISFi sowie dem Signal BP auf die Vorrichtungen R1
bis Rn gegeben. Das Signal BP entspricht dabei einer Information über das
Bildformat, der Position des Wiedergabegerätes sowie den vom Kunden
gewählten Parametern zur Wiedergabe. In den Vorrichtungen Ri erfolgt dann
eine Abbildung der dekodierten Audiosignale auf die Summensignale S1 bis Sk
unter Berücksichtigung der in BP und ISFi vorhandenen Parameter. Die Anzahl
der Summensignale k entspricht dabei der vom Kunden installierten Anzahl an
Lautsprechern. Die von den einzelnen Vorrichtungen Ri erzeugten
Summensignale S werden summiert und dann auf die Lautsprecher L1 bis Lk
ausgegeben. The invention is described below on the basis of a specific exemplary embodiment shown in FIG.
The exemplary embodiment shows a device according to the invention. The device according to the invention has the audio signal inputs A1 to An. Information on the position and properties of the corresponding audio signal is transmitted to the n audio signals via the inputs I1 to In. The horizontal and vertical viewing angles and the property of the room to be simulated are fed in via the SF input. The incoming audio signals are compressed in the devices K1 to Kn in the data rate to the signals C1 to Cn. The data streams C, I and SF are then mixed together in the device MX to form a single data stream US. The data stream US can then either be transmitted in broadcasting format or can also be temporarily stored on a storage medium. For output, this data stream is then sent to a device DX, which regenerates the data streams C1 to Cn and generates ISF1 to ISFn. ISFi corresponds to the data stream li, to which SF is added. The compressed data streams C1 to Cn are decompressed in the devices D1 to Dn. The individual decompressed data streams are then each given to the devices R1 to Rn together with their associated data stream ISFi and the signal BP. The signal BP corresponds to information about the image format, the position of the playback device and the parameters selected by the customer for playback. The decoded audio signals are then mapped in the devices Ri to the sum signals S1 to Sk, taking into account the parameters present in BP and ISFi. The number of sum signals k corresponds to the number of loudspeakers installed by the customer. The sum signals S generated by the individual devices Ri are summed and then output to the loudspeakers L1 to Lk.
- AA
- AudiosignaleingangAudio signal input
- BPBP
- Information über Bildformat, Position der Klangquelle und KundenparameterInformation about picture format, position of the sound source and customer parameters
- CC
- Komprimierte AudiosignaleCompressed audio signals
- DD
- Vorrichtung zur Dekompression einzelner AudiosignaleDevice for decompressing individual audio signals
- DXDX
- Vorrichtung zur Aufspaltung des DatenstromesDevice for splitting the data stream
- II
- Eingang für Informationen zu einem AudiosignalInput for information about an audio signal
- ISFISF
- Information zu einem Audiosignal sowie Informationen über die Sichtwinkel der KlangquelleInformation about an audio signal and information about the Viewing angle of the sound source
- KK
- Vorrichtung zur Kompression einzelner AudiosignaleDevice for compressing individual audio signals
- LL
- LautsprecherausgangssignalSpeaker output
- MXMX
- Vorrichtung zur Zusammenmischung einzelner DatenströmeDevice for mixing individual data streams
- RR
- Vorrichtung zur Abbildung eines Audiosignales auf die LautsprechersignaleDevice for mapping an audio signal onto the Loudspeaker signals
- SS
- Summenkanäle für die LautsprecherSum channels for the speakers
- SFSF
- Informationen über die Sichtwinkel der KlangquellenInformation about the viewing angle of the sound sources
- USUS
- Übertragungsstrecketransmission path
Claims (14)
dadurch gekennzeichnet, dass
ähnliche zu einem Klangfeld gehörende Klangquellen so zusammengefasst und die Kompressionsfaktoren so gewählt werden, dass die maximal zulässige Datenrate nicht überschritten wird,
zu jeder dieser zusammengefassten Klangquellen Informationen über die Art der Quelle sowie Positionsinformation, die angibt, wo sich das Objekt in Bezug auf den Betrachter befindet, beigefügt wird.Method for coding audio signals, wherein a plurality of audio signals are compressed using a compression method known per se,
characterized in that
Similar sound sources belonging to a sound field are summarized and the compression factors are selected so that the maximum permissible data rate is not exceeded,
For each of these summarized sound sources, information about the type of the source and position information, which indicates where the object is in relation to the viewer, is added.
dadurch gekennzeichnet, dass
Informationen über die Eigenschaften des nachzubildenden Raumes sowie Informationen über die aktuellen horizontalen und vertikalen Sichtwinkel in den erzeugten Datenstrom eingefügt werden.Method according to claim 1,
characterized in that
Information about the properties of the room to be simulated as well as information about the current horizontal and vertical viewing angles are inserted into the generated data stream.
dadurch gekennzeichnet, dass
im Wiedergabegerät die Größe und Position der Bildprojektion ausgewertet und basierend darauf auf den Eigenschaften des nachzubildenden Raumes, auf den Informationen über die aktuellen horizontalen und vertikalen Sichtwinkeln sowie den Positionsinformationen und Informationen über die Arten und Abstrakteigenschaften der Quellen eine Abbildung der Klangquellen auf die vorhandenen Lautsprecher durchgeführt wird.Method according to claim 1 or 2,
characterized in that
The playback device evaluates the size and position of the image projection and, based on it, the properties of the room to be reproduced, the information about the current horizontal and vertical viewing angles as well as the position information and information about the types and abstract properties of the sources, the sound sources are mapped onto the existing loudspeakers becomes.
dadurch gekennzeichnet, dass
zur Codierung das AC3-Verfahren, das DTS - Verfahren oder das MP3-Verfahren, oder das AAC-Verfahren, das WMA-Verfahren oder ein ähnliches Verfahren angewendet wird.Method according to one of claims 1 to 3,
characterized in that
for coding, the AC3 method, the DTS method or the MP3 method, or the AAC method, the WMA method or a similar method is used.
dadurch gekennzeichnet, dass
die Informationen über die Art der Quelle in Form von Algorithmen oder Parametern zu vorgegebenen Algorithmen angegeben wird.Method according to one of claims 1 to 4,
characterized in that
the information about the type of source is given in the form of algorithms or parameters for given algorithms.
dadurch gekennzeichnet, dass
die Informationen über die Eigenschaften des nachzubildenden Raumes in Form von Algorithmen oder Parametern zu vorgegebenen Algorithmen angegeben wird.Method according to one of claims 1 to 4,
characterized in that
the information about the properties of the room to be simulated is given in the form of algorithms or parameters for specified algorithms.
dadurch gekennzeichnet, dass
eine Wiedergabe über Kopfhörer oder über Lautsprecher erfolgt.Method according to one of claims 1 to 6,
characterized in that
playback via headphones or speakers.
dadurch gekennzeichnet, dass
jeder Klangquelle eine Information über deren Abstrahleigenschaften zugewiesen werden kann.Method according to one of claims 1 to 7,
characterized in that
each sound source can be assigned information about its radiation characteristics.
dadurch gekennzeichnet, dass
die Abstrahleigenschaften kugelförmig, kegelförmig, flächenförmig oder nierenförmig sind.A method according to claim 8,
characterized in that
the radiation properties are spherical, conical, flat or kidney-shaped.
dadurch gekennzeichnet, dass
im Wiedergabegerät die Eigenschaften des Abhörraumes, d.h. des Raumes in dem die Lautsprecher aufgestellt werden, einstellbar sind und/oder durch Messungen bestimmt werden können und diese bei der Wiedergabe berücksichtigt werden.Method according to one of claims 1 to 9,
characterized in that
in the playback device, the properties of the listening room, ie the room in which the loudspeakers are set up, are adjustable and / or can be determined by measurements and these are taken into account during playback.
dadurch gekennzeichnet, dass
die Eigenschaften des Abhörraumes durch die Geometrie des Raumes und Beschaffenheit der Wände und des Bodens vorgegeben werden.A method according to claim 10,
characterized in that
the properties of the listening room are determined by the geometry of the room and the nature of the walls and floor.
dadurch gekennzeichnet, dass
eine beliebige Anzahl an Lautsprechern zur Wiedergabe verwendbar ist.Method according to one of claims 1 to 11,
characterized in that
any number of speakers can be used for playback.
dadurch gekennzeichnet, dass
die Lautsprecherpositionen dem Wiedergabegerät bekannt gemacht werden, so dass die bestmögliche Abbildung der einzelnen Kanäle auf die Lautsprecher vorgenommen wird.Method according to one of claims 1 to 9,
characterized in that
the speaker positions are made known to the playback device so that the best possible mapping of the individual channels onto the speakers is carried out.
Applications Claiming Priority (2)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
DE10154932 | 2001-11-08 | ||
DE10154932A DE10154932B4 (en) | 2001-11-08 | 2001-11-08 | Method for audio coding |
Publications (3)
Publication Number | Publication Date |
---|---|
EP1318502A2 true EP1318502A2 (en) | 2003-06-11 |
EP1318502A3 EP1318502A3 (en) | 2009-10-07 |
EP1318502B1 EP1318502B1 (en) | 2010-06-09 |
Family
ID=7705086
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
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EP02024643A Expired - Lifetime EP1318502B1 (en) | 2001-11-08 | 2002-11-05 | Method for coding audio |
Country Status (4)
Country | Link |
---|---|
EP (1) | EP1318502B1 (en) |
AT (1) | ATE470925T1 (en) |
DE (2) | DE10154932B4 (en) |
ES (1) | ES2347221T3 (en) |
Cited By (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US9451363B2 (en) | 2012-03-06 | 2016-09-20 | Dolby Laboratories Licensing Corporation | Method and apparatus for playback of a higher-order ambisonics audio signal |
US10192563B2 (en) | 2014-03-26 | 2019-01-29 | Fraunhofer-Gesellschaft Zur Foerderung Der Angewandten Forschung E.V. | Apparatus and method for screen related audio object remapping |
Citations (3)
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---|---|---|---|---|
WO1998057436A2 (en) * | 1997-06-10 | 1998-12-17 | Lars Gustaf Liljeryd | Source coding enhancement using spectral-band replication |
EP1098298A2 (en) * | 1999-11-08 | 2001-05-09 | Mitsubishi Denki Kabushiki Kaisha | Speech coding with multiple long term prediction candidates |
EP1107232A2 (en) * | 1999-12-03 | 2001-06-13 | Lucent Technologies Inc. | Joint stereo coding of audio signals |
-
2001
- 2001-11-08 DE DE10154932A patent/DE10154932B4/en not_active Expired - Lifetime
-
2002
- 2002-11-05 AT AT02024643T patent/ATE470925T1/en not_active IP Right Cessation
- 2002-11-05 DE DE50214481T patent/DE50214481D1/en not_active Expired - Lifetime
- 2002-11-05 EP EP02024643A patent/EP1318502B1/en not_active Expired - Lifetime
- 2002-11-05 ES ES02024643T patent/ES2347221T3/en not_active Expired - Lifetime
Patent Citations (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
WO1998057436A2 (en) * | 1997-06-10 | 1998-12-17 | Lars Gustaf Liljeryd | Source coding enhancement using spectral-band replication |
EP1098298A2 (en) * | 1999-11-08 | 2001-05-09 | Mitsubishi Denki Kabushiki Kaisha | Speech coding with multiple long term prediction candidates |
EP1107232A2 (en) * | 1999-12-03 | 2001-06-13 | Lucent Technologies Inc. | Joint stereo coding of audio signals |
Cited By (10)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US9451363B2 (en) | 2012-03-06 | 2016-09-20 | Dolby Laboratories Licensing Corporation | Method and apparatus for playback of a higher-order ambisonics audio signal |
US10299062B2 (en) | 2012-03-06 | 2019-05-21 | Dolby Laboratories Licensing Corporation | Method and apparatus for playback of a higher-order ambisonics audio signal |
US10771912B2 (en) | 2012-03-06 | 2020-09-08 | Dolby Laboratories Licensing Corporation | Method and apparatus for screen related adaptation of a higher-order ambisonics audio signal |
US11228856B2 (en) | 2012-03-06 | 2022-01-18 | Dolby Laboratories Licensing Corporation | Method and apparatus for screen related adaptation of a higher-order ambisonics audio signal |
US11570566B2 (en) | 2012-03-06 | 2023-01-31 | Dolby Laboratories Licensing Corporation | Method and apparatus for screen related adaptation of a Higher-Order Ambisonics audio signal |
US11895482B2 (en) | 2012-03-06 | 2024-02-06 | Dolby Laboratories Licensing Corporation | Method and apparatus for screen related adaptation of a Higher-Order Ambisonics audio signal |
US10192563B2 (en) | 2014-03-26 | 2019-01-29 | Fraunhofer-Gesellschaft Zur Foerderung Der Angewandten Forschung E.V. | Apparatus and method for screen related audio object remapping |
US10854213B2 (en) | 2014-03-26 | 2020-12-01 | Fraunhofer-Gesellschaft Zur Foerderung Der Angewandten Forschung E.V. | Apparatus and method for screen related audio object remapping |
US11527254B2 (en) | 2014-03-26 | 2022-12-13 | Fraunhofer-Gesellschaft Zur Foerderung Der Angewandten Forschung E.V. | Apparatus and method for screen related audio object remapping |
US11900955B2 (en) | 2014-03-26 | 2024-02-13 | Fraunhofer-Gesellschaft Zur Foerderung Der Angewandten Forschung E.V. | Apparatus and method for screen related audio object remapping |
Also Published As
Publication number | Publication date |
---|---|
DE10154932B4 (en) | 2008-01-03 |
ES2347221T3 (en) | 2010-10-27 |
DE10154932A1 (en) | 2003-06-12 |
ATE470925T1 (en) | 2010-06-15 |
EP1318502A3 (en) | 2009-10-07 |
EP1318502B1 (en) | 2010-06-09 |
DE50214481D1 (en) | 2010-07-22 |
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