DE1485715U
(OSRAM )
Reilly
1997
Quantz and the transverse flute: Some aspects of his practice and thought regarding the instrument
McGowan
1994
The world of the early sackbut player: flat or round?
Hough
1937
The historical significance of the counter-tenor
Koopman et al.
1998
Bach's choir, an ongoing story
Barnes
1964
The Contemporary American Organ: Its Evolution, Design and Construction
Ahrens
2007
The Inventory of the Gotha Court Orchestra in 1750
Werr
2023
New Sources on the Early History of the Almenräder-Heckel Bassoon: The Correspondence between Carl Almenräder and the Music House B. Schott’s Söhne
Buzássyová
2023
Belova Grammatica Latina facilitati restituta a jej nemecké predlohy.
DE48857C
(de )
Musikinstrument mit Stahlstimmen
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Neuerungen an Pianofortes mit Schallkasten
Saunders
1996
The Emperor as Artist: New Discoveries concerning Ferdinand III's Musical Compositions
Weiner
2001
The Soprano Trombone Hoax
Kelly
2023
Abbot Desiderius and the Two Liturgical Chants of Montecassino
Van Camp
1975
Choral Balance and the Alto Part in Early American Choral Music
Audsley
1921
Organ-stops and Their Artistic Registration: Names, Forms, Construction, Tonalities, and Offices in Scientific Combination
DE1291403U
(OSRAM )
NIB
1910
Dr. Frank. Abernethy.
St Romain
2019
Revival: Traditional Hymns for Contemporary Ensembles
Sagar
2006
Developments in Modern Organ Design-a Day Visit to Oxford by Crawley & Horsham District Organists' Association.
Chipchase
1857
ORGANS AND ORGANISTS.
Pressley
1975
MUSICAL WIND INSTRUMENTS IN THE MORAVIAN MUSICAL ARCHIVES, SALEM, NORTH CAROLINA: A DESCRIPTIVE CATALOGUE.
Helmore
1854
Choir and Chorus Singing
Heyde
2015
The Bass Horn and Upright Serpent in Germany Part 1: The Continental Bass Horn1
Smith
1906
Arab Music: Translated from the French of M. Jules Rouanel