CN108689685A - A kind of quiet think of pottery art and craft making method of Buddhist - Google Patents

A kind of quiet think of pottery art and craft making method of Buddhist Download PDF

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Publication number
CN108689685A
CN108689685A CN201810624388.0A CN201810624388A CN108689685A CN 108689685 A CN108689685 A CN 108689685A CN 201810624388 A CN201810624388 A CN 201810624388A CN 108689685 A CN108689685 A CN 108689685A
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buddhist
green body
glazing
drying
temperature
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张恺
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    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B33/00—Clay-wares
    • C04B33/02—Preparing or treating the raw materials individually or as batches
    • C04B33/13—Compounding ingredients
    • C04B33/131—Inorganic additives
    • B—PERFORMING OPERATIONS; TRANSPORTING
    • B44—DECORATIVE ARTS
    • B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
    • B44C5/00—Processes for producing special ornamental bodies
    • C—CHEMISTRY; METALLURGY
    • C03—GLASS; MINERAL OR SLAG WOOL
    • C03C—CHEMICAL COMPOSITION OF GLASSES, GLAZES OR VITREOUS ENAMELS; SURFACE TREATMENT OF GLASS; SURFACE TREATMENT OF FIBRES OR FILAMENTS MADE FROM GLASS, MINERALS OR SLAGS; JOINING GLASS TO GLASS OR OTHER MATERIALS
    • C03C8/00—Enamels; Glazes; Fusion seal compositions being frit compositions having non-frit additions
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B33/00—Clay-wares
    • C04B33/24—Manufacture of porcelain or white ware
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B33/00—Clay-wares
    • C04B33/28—Slip casting
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/009—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone characterised by the material treated
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/45—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements
    • C04B41/50—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials
    • C04B41/5022—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials with vitreous materials
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/80—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone of only ceramics
    • C04B41/81—Coating or impregnation
    • C04B41/85—Coating or impregnation with inorganic materials
    • C04B41/86—Glazes; Cold glazes
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B2235/00—Aspects relating to ceramic starting mixtures or sintered ceramic products
    • C04B2235/02—Composition of constituents of the starting material or of secondary phases of the final product
    • C04B2235/30—Constituents and secondary phases not being of a fibrous nature
    • C04B2235/32—Metal oxides, mixed metal oxides, or oxide-forming salts thereof, e.g. carbonates, nitrates, (oxy)hydroxides, chlorides
    • C04B2235/327—Iron group oxides, their mixed metal oxides, or oxide-forming salts thereof
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B2235/00—Aspects relating to ceramic starting mixtures or sintered ceramic products
    • C04B2235/02—Composition of constituents of the starting material or of secondary phases of the final product
    • C04B2235/30—Constituents and secondary phases not being of a fibrous nature
    • C04B2235/32—Metal oxides, mixed metal oxides, or oxide-forming salts thereof, e.g. carbonates, nitrates, (oxy)hydroxides, chlorides
    • C04B2235/327—Iron group oxides, their mixed metal oxides, or oxide-forming salts thereof
    • C04B2235/3275—Cobalt oxides, cobaltates or cobaltites or oxide forming salts thereof, e.g. bismuth cobaltate, zinc cobaltite
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B2235/00—Aspects relating to ceramic starting mixtures or sintered ceramic products
    • C04B2235/02—Composition of constituents of the starting material or of secondary phases of the final product
    • C04B2235/30—Constituents and secondary phases not being of a fibrous nature
    • C04B2235/34—Non-metal oxides, non-metal mixed oxides, or salts thereof that form the non-metal oxides upon heating, e.g. carbonates, nitrates, (oxy)hydroxides, chlorides
    • C04B2235/3418—Silicon oxide, silicic acids, or oxide forming salts thereof, e.g. silica sol, fused silica, silica fume, cristobalite, quartz or flint
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B2235/00—Aspects relating to ceramic starting mixtures or sintered ceramic products
    • C04B2235/02—Composition of constituents of the starting material or of secondary phases of the final product
    • C04B2235/30—Constituents and secondary phases not being of a fibrous nature
    • C04B2235/34—Non-metal oxides, non-metal mixed oxides, or salts thereof that form the non-metal oxides upon heating, e.g. carbonates, nitrates, (oxy)hydroxides, chlorides
    • C04B2235/3427—Silicates other than clay, e.g. water glass
    • C04B2235/3463—Alumino-silicates other than clay, e.g. mullite
    • C—CHEMISTRY; METALLURGY
    • C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B2235/00—Aspects relating to ceramic starting mixtures or sintered ceramic products
    • C04B2235/02—Composition of constituents of the starting material or of secondary phases of the final product
    • C04B2235/30—Constituents and secondary phases not being of a fibrous nature
    • C04B2235/44—Metal salt constituents or additives chosen for the nature of the anions, e.g. hydrides or acetylacetonate
    • C04B2235/442—Carbonates

Abstract

The present invention discloses a kind of quiet production method for thinking pottery craftwork of Buddhist, includes the following steps, step 1, engraving model;Entire craftwork is divided into multiple portions to carve respectively, including head, right hand portion, main part, bottom and clothing pendulum, wherein the right hand centre of the palm dabs chin upwards, and main part founds shape in posture of squatting, left arm in support, and bottom part body is in interior right angle with clothing robe;Step 2 makes mold;Step 3 chooses clay;Step 4, slurrying;Step 5, injection forming;Step 6, drying;Step 7, biscuiting;Green body is put into biscuit kiln, 5-6 hour is fired at a temperature of 900 DEG C -950 DEG C;Step 8, glazing;Step 9 is fired;The step 6 is that the idiosome that step 5 trims is dried at a temperature of 25 DEG C -120 DEG C, and the green body water content after drying is less than 3%, ensures that base type is stablized.

Description

A kind of quiet think of pottery art and craft making method of Buddhist
Technical field
The present invention relates to pottery technology field more particularly to a kind of quiet think of pottery art and craft making methods of Buddhist.
Background technology
Ceramics are one of important components of Chinese culture, and pottery is one in Chinese Ceramics Culture bright bright Pearl.Pottery rises in the Eastern Han Dynasty, is one of five big kiln porcelain of Song Dynasty, is the treasure in traditional technology in producing porcelain, with unique transmutation Art and be world-famous for, be known as the good reputation of " the valuable an ancient unit of weight of gold is priceless " and " there is ten thousand strings of cash in family, be not so good as pottery a piece of ".Pottery is known as It is the specialty of China Countermeasure In Yuzhou City of Henan Province first of Chinese " five big porcelain ", the color for being mainly characterized by porcelain complicates, and changes The single colour glaze development grain of ancient times porcelain has unique characteristics such as " of the same colour into kiln, kiln discharge ten thousand are color ", is other ceramic processes What product cannot achieve and compare.The quiet think of of Buddhist, design philosophy are Buddhist, and palm dabs chin, and pico- come back closes mesh underworld Think, embodies Buddhist and go to kind facilitates event, the buddhist meaning that non-availability is conceived.But when making pottery, although present skill Although art has had been achieved with remarkable progress, but there are some defects, and pottery is in the production process from sorting to being fired into Product will pass through tens of road production processes therebetween, and no matter which procedure is careless slightly, will result in that all that has been achieved is spoiled, this is also Buddhist Quiet to think the extremely low reason of pottery treasure rate, the key of pottery is that enamel, enamel chatoyance after being fired by glaze decide pottery Value, when firing, pottery easily cracks after kiln discharge cooling, low so as to cause treasure rate.
Invention content
In view of this, the present invention provides a kind of quiet think of pottery art and craft making method of Buddhist, glaze-body bonding performance is good, finished product Rate is high.
A kind of quiet think of pottery art and craft making method of Buddhist, includes the following steps:
Step 1, engraving model;Entire craftwork is divided into multiple portions to carve respectively, including head, right hand portion, main part, bottom Portion and clothing pendulum, the wherein right hand centre of the palm dab chin upwards, and main part founds shape, bottom part body and clothing in posture of squatting, left arm in support Robe is in interior right angle.
Step 2 makes mold;Step 1 is carved into molding multiple portions and makes mold respectively.
Step 3 chooses clay;The clay includes following components:Kaolin 65-75%, sandstone 8-15%, lead powder 8- 12%, mullite 8-10%, iron ore 3-5%, cobalt oxide 0.2-0.4%, dietary alkali 0.3-0.5%.
Step 4, slurrying;The clay of step 3 is carried out to coarse crushing first into shape of sand or powdery, is then ground, is ground Broken is 230-250 mesh, and slurry is made in ball milling after adding water to mix.
Step 5, injection forming;Slurry is injected separately into each mold in step 2, and note will be passed through in multiple molds The green body that generation is solidified after slurry, bonds together by design requirement, by finishing, forms overall image;
Step 6, drying;The green body trimmed is dried at a temperature of 25 DEG C -120 DEG C, the green body water content after drying is low In 3%.
Step 7, biscuiting;Green body is put into biscuit kiln, 5-6 hour is fired at a temperature of 900 DEG C -950 DEG C.
Step 8, glazing;Glaze material is applied by surface is carried out after the billet surface removal of impurities processing after biscuiting, using brushing glazing or spray Glaze or the method for dipping in glaze carry out glazing;Glaze is will be including facing your melilite 21-30%, white feldspar 20-23%, calcite 5- 8%, Copper Ores 3-4%, quartzy 20-25%, alkali stone 10-13%, zinc oxide 2-3%, iron oxide 0.5-1%, the glaze of titanium oxide 8-10% Material crushes, and mixing, ball milling, it is 400-450 targeted fine powders to become fineness, and glaze is made after adding water to be stirred ball milling Slurry.
Step 9 is fired;It will be after glazing and temperature that dry green body is put into kiln at 1280 DEG C -1300 DEG C fires 12-15 A hour.
Beneficial effects of the present invention are:
1, zinc oxide and titanium oxide is added in glaze of the invention, reduces the melting temperature and high temperature viscosity of glaze, improves glaze Chemical stability and thermal stability make glaze have good transparency and glossiness, and glaze-body bonding performance is good, while using this hair Bright clay, glaze and making step, the high yield rate of pottery, device shape and color can more embody works of the present invention intention and Artistic effect, works bottom and clothing pendulum are in interior right angle, and works is enable to be placed on right angle substance, and simple generous to embody Buddhist quiet The buddhist of think of is anticipated.
Description of the drawings
Fig. 1 is the structural diagram of the present invention;
Fig. 2 is the backsight structural representation of the present invention;
Head 1;Main body 2;Right hand portion 3;Clothing pendulum 4;Bottom 5.
Specific implementation mode
The present invention is described in further detail with reference to the accompanying drawings and embodiments.
Embodiment 1
As shown in Figure 1 and Figure 2, the quiet production method for thinking pottery craftwork of a kind of Buddhist, includes the following steps:
Step 1, engraving model;Entire craftwork is divided into multiple portions to carve respectively, including head 1, right hand portion 3, main body 2, Wherein the right hand dabs chin upwards, and main body 2 founds shape in posture of squatting, left arm in support, and bottom 5 and the clothing pendulum 4 of main body are in interior right angle.
Step 2 makes mold;Step 1 is carved into molding multiple portions and makes mold respectively.
Step 3 chooses clay;The clay includes following components:Kaolin 72%, sandstone 8%, lead powder 8%, mullite 8%, iron ore 3%, cobalt oxide 0.4%, dietary alkali 0.6%.
Step 4, slurrying;The clay of step 3 is carried out to coarse crushing first into shape of sand or powdery, is then ground, is ground Broken is 230-250 mesh, and slurry is made in ball milling after adding water to mix.
Step 5, injection forming;Slurry is injected separately into each mold in step 2, and note will be passed through in multiple molds The green body that generation is solidified after slurry, bonds together by design requirement, by finishing, forms overall image.
Step 6, drying;The green body trimmed is dried at a temperature of 25-120 DEG C, the green body water content after drying Less than 3%.
Step 7, biscuiting;Green body is put into biscuit kiln, 5-6 hour is fired at a temperature of 900 DEG C -950 DEG C.
Step 8, glazing;Glaze material is applied by surface is carried out after the billet surface removal of impurities processing after biscuiting, using brushing glazing or spray Glaze or the method for dipping in glaze carry out glazing;Glaze is will be including facing your melilite 30%, white feldspar 21%, calcite 5.5%, copper mine Stone 3%, quartz 20%, the glaze of alkali stone 10%, zinc oxide 2%, iron oxide 0.5%, titanium oxide 8% crushes, and mixing, ball milling makes It is 400-450 targeted fine powders that it, which becomes fineness, and glaze slip is made after adding water to be stirred ball milling.
Step 9 is fired;It will be after glazing and temperature that dry green body is put into kiln at 1280 DEG C -1300 DEG C fires 12-15 A hour.
Embodiment 2
As shown in Figure 1 and Figure 2, the quiet production method for thinking pottery craftwork of a kind of Buddhist, includes the following steps:
Step 1, engraving model;Entire craftwork is divided into multiple portions to carve respectively, including head 1, right hand portion 3, main body 2, Wherein the right hand dabs chin upwards, and main body 2 is in posture of squatting, and left arm founds shape in support, and bottom part body 5 is in interior right angle with clothing pendulum 4.
Step 2 makes mold;Step 1 is carved into molding multiple portions and makes mold respectively.
Step 3 chooses clay;The clay includes following components:Kaolin 65%, sandstone 15%, lead powder 8%, mullite 8%, iron ore 3%, cobalt oxide 0.4%, dietary alkali 0.6%.
Step 4, slurrying;The clay of step 3 is carried out to coarse crushing first into shape of sand or powdery, is then ground, is ground Broken is 230-250 mesh, and slurry is made in ball milling after adding water to mix.
Step 5, injection forming;Slurry is injected separately into each mold in step 2, and note will be passed through in multiple molds The green body that generation is solidified after slurry, bonds together by design requirement, by finishing, forms overall image.
Step 6, drying;The green body trimmed is dried at a temperature of 25-120 DEG C, the green body water content after drying Less than 3%.
Step 7, biscuiting;Green body is put into biscuit kiln, 5-6 hour is fired at a temperature of 900 DEG C -1000 DEG C.
Step 8, glazing;Glaze material is applied by surface is carried out after the billet surface removal of impurities processing after biscuiting, using brushing glazing or spray Glaze or the method for dipping in glaze carry out glazing;Glaze is will be including melilite 21%, white feldspar 22%, calcite 6%, Copper Ores 4%, stone The glaze of English 22%, alkali stone 12%, zinc oxide 3%, iron oxide 1%, titanium oxide 9% crushes, mixing, ball milling, becomes thin Degree is 400-450 targeted fine powders, and glaze slip is made after adding water to be stirred ball milling.
Step 9 is fired;It will be after glazing and temperature that dry green body is put into kiln at 1280 DEG C -1300 DEG C fires 12-15 A hour.
In the above embodiment it should be noted that in 2 part glazing of main body, it shall be guaranteed that the glazed thickness of glazing is little In 1 millimeter, to ensure to reduce the cracking of glaze layer, the visual sense of this works is influenced.

Claims (1)

1. a kind of quiet production method for thinking pottery craftwork of Buddhist, it is characterised in that:Include the following steps, step 1, engraving mould Type;Entire craftwork is divided into multiple portions to carve respectively, including head, right hand portion, main part, bottom and clothing pendulum, wherein right The centre of the palm dabs chin upwards, and main part founds shape in posture of squatting, left arm in support, and bottom part body is in interior right angle, step with clothing robe 2, mold is made;Step 3 chooses clay;Step 4, slurrying;Step 5, injection forming;Step 6, drying;Step 7, biscuiting;Step Rapid 8, glazing;Step 9 is fired;The step 9 is will be after glazing and dry green body is put into kiln at 1280 DEG C -1300 DEG C Temperature fire 12-15 hour, the step 6 is that the idiosome for trimming step 5 carries out at a temperature of 25 DEG C -120 DEG C Dry, the green body water content after drying is less than 3%.
CN201810624388.0A 2018-06-16 2018-06-16 A kind of quiet think of pottery art and craft making method of Buddhist Pending CN108689685A (en)

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Citations (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN302321300S (en) * 2012-08-28 2013-02-13 赵学仁 Jun Porcelain Crafts (Meditating Arhats of Eighteen Arhats)
CN107586107A (en) * 2017-10-17 2018-01-16 李德汉 A kind of preparation method of Buddhist public affairs pottery handicraft

Patent Citations (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
CN302321300S (en) * 2012-08-28 2013-02-13 赵学仁 Jun Porcelain Crafts (Meditating Arhats of Eighteen Arhats)
CN107586107A (en) * 2017-10-17 2018-01-16 李德汉 A kind of preparation method of Buddhist public affairs pottery handicraft

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