CH102562A - Method of making violins. - Google Patents
Method of making violins.Info
- Publication number
- CH102562A CH102562A CH102562DA CH102562A CH 102562 A CH102562 A CH 102562A CH 102562D A CH102562D A CH 102562DA CH 102562 A CH102562 A CH 102562A
- Authority
- CH
- Switzerland
- Prior art keywords
- violin
- violins
- making
- production
- exposed
- Prior art date
Links
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
- G10D3/22—Material for manufacturing stringed musical instruments; Treatment of the material
Description
Verfahren zur Herstellung von Violinen. Gegenstand der vorliegenden Erfindung ist ein Verfahren zur Herstellung von Vio linen, zum Zweck, auch bei Verwendung von gewöhnlichem Holz Violinen mit vollem und reinem Ton bauen zu können.
Gemäss :der Erfindung- werden die zum Violinbau bestimmten Holzteile auf künst lichem Wege getrocknet, alsdann mit Schel- l.a-ck bestrichen, worauf -der Zusammenbau erfolgt und die Violine hierauf zur völligen Austrocknung dem Einf.luss von Wärme aus gesetzt wird.
<I>Beispiel:</I> Das obere und untere Brett einer Violine, i a,c 'hc lem sie entsprechend zugeschnitten wor- den sind, sowie @die Zarge, werden in einen durch Feuer oder elektrisch geheizten Rezi pient gelegt und so lange (einer Temperatur von zirka 45 bis<B>50'</B> C ausgesetzt,
bis dieselben getrocknet sind. Das obere Brett besteht am vorteilhaftesten aus Tannenholz, das untere Brett, respektive der Boden, aus Tannen-, Buchen- oder Albernholz. Aus den gleichen Materialien kann auch die Zarge gebildet sein.
Die vorbes,chriebenen Holzkörper weiden .alsdann mit Schellack bestrichen, so- dass ein Aufsaugen von Feuchtigkeit ausgeschlos sen ist.
Mittelst an sich bekanntem Holzleim wer den die entsprechend zugeschnittenen und geformten Holzteile zusammengebaut. Die Zarge wird dabei in üblicher Weise einge spannt und mit Holzbestandteilen versperrt.
Die Violine wind nun nochmals dem Ein fluss von Wärme ausgesetzt, so,dass sie völlig trocknet. Bei diesem Trocknungsprozess, wel cher zirka. 40 bis. 48 Stünden dauern kann, wird die Violine, ,auf welcher die Saiten und sonstigen Zubehörden angeordnet sind, oft auf die Klangfarbe geprüft, denn es ist darauf zu achten, dass der richtige Moment der Trocknungsoperation erfasst wird.
Er streckt sich nämlich die Trocknung auf zu lange Zeit, so wird der Ton zu dünn oder schrill, während anderseits bei unvollstän diger Trocknung die Violine an Klangfülle und -Reinheit nicht gewinnen würde.
Zum Sichlusse wird die Violine in üblicher Weise poliert und lackiert.
Method of making violins. The present invention relates to a process for the production of violins, for the purpose of being able to build violins with a full and pure tone even when using ordinary wood.
According to the invention, the wooden parts intended for violin construction are artificially dried, then coated with Schell.a-ck, whereupon the assembly takes place and the violin is then exposed to the influx of heat so that it is completely dry.
<I> Example: </I> The upper and lower boards of a violin, ia, c'hc lem that they have been cut accordingly, as well as @ the frame, are placed in a receptacle heated by fire or electrically and for so long (exposed to a temperature of around 45 to <B> 50 '</B> C,
until they are dry. The top board is best made of fir wood, the bottom board, or the bottom, of fir, beech or silly wood. The frame can also be formed from the same materials.
The previously written wooden bodies are then coated with shellac so that moisture cannot be absorbed.
Medium known wood glue who assembled the appropriately cut and shaped wooden parts. The frame is clamped in the usual way and blocked with wood components.
The violin is now exposed to the influence of heat again so that it dries completely. In this drying process, which is about. 40 to. The violin, on which the strings and other accessories are arranged, is often checked for the timbre, because it is important to ensure that the right moment of the drying operation is recorded.
If it extends the drying process for too long, the tone becomes too thin or shrill, while on the other hand, if the drying is incomplete, the violin would not gain richness and purity of sound.
The violin is polished and varnished in the usual way.
Claims (1)
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
CH102562T | 1922-12-02 |
Publications (1)
Publication Number | Publication Date |
---|---|
CH102562A true CH102562A (en) | 1923-12-01 |
Family
ID=4361185
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
CH102562D CH102562A (en) | 1922-12-02 | 1922-12-02 | Method of making violins. |
Country Status (1)
Country | Link |
---|---|
CH (1) | CH102562A (en) |
Cited By (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US2547919A (en) * | 1947-11-10 | 1951-04-10 | Dalmas Amedeus | Process for improving the tone quality and resonance of string instruments |
EP0363559A2 (en) * | 1988-10-12 | 1990-04-18 | Eugene A. Wahl | Violin finish and finishing method |
-
1922
- 1922-12-02 CH CH102562D patent/CH102562A/en unknown
Cited By (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US2547919A (en) * | 1947-11-10 | 1951-04-10 | Dalmas Amedeus | Process for improving the tone quality and resonance of string instruments |
EP0363559A2 (en) * | 1988-10-12 | 1990-04-18 | Eugene A. Wahl | Violin finish and finishing method |
EP0363559A3 (en) * | 1988-10-12 | 1990-05-23 | Eugene A. Wahl | Violin finish and finishing method |
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