Bilson
1980
The Viennese fortepiano of the late 18th century
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Potts
2012
Marcos Suzano and the amplified pandeiro: techniques for nontraditional performance
Haynes
2017
Baptiste’s Hautbois: The Metamorphosis from Shawm to Hautboy in France, 1620–1670
Schweizer
2010
Timpani tone and the interpretation of Baroque and Classical music
Yung
1998
Music of Qill: From the Scholar's Study to the Concert Stage'
Smith
2008
Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane
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1986-06-30
Mecanisme automatique d'une clarinette.
Eduardo et al.
2001
Drum circle: a guide to world percussion
Anderson
2014
The use of traditional Japanese music as an inspiration for modern saxophone compositions: An interpretive guide to Joji Yuasa's" Not I but the wind..." and Masakazu Natsuda's" West, or Evening Song in Autumn"
Johnson
2025
Swingin'on the shoulders of giants: How transcribing can benefit your drumming
Gemolo
2018
Extended techniques on the traverso: The case of the glissando and the flattement
Volk
2006
An application of Thai music for general and instrumental music programs
Robertson
2020
Examination of the evolution of multi-percussion
Kite
2000
Choosing Marimba Mallets
Guettler
2002
On Playing “Harmonics”(Flageolet Tones)
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2001-08-03
Systeme equilibre
STYLE
2021
CHAPTER FIFTEEN ADAPTATION OF PERFORMANCE STYLE FROM EARLY MODERN JAPAN TO THE CONTEMPORARY CELLO HUGH LIVINGSTON
Boone
2003
5 The guitar in jazz
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2001-07-13
Clavier chromatique
Chou
2020
Sungyang Chou’s Drum Method
Puccinelli
2010
Finding your balance: Techniques for pianists, their ensemble partners and their teachers
Mendez
2020
Plegaria Muda II
Beach
2013
Interpretive study of percussion solos Opus 21 & 24.1 by Nebojsa Jovan Zivkovic
Morello
2010
Rudimental Jazz (Music Instruction): A Musical Application of Rudiments to the Drumset