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Bilson
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The Viennese fortepiano of the late 18th century |
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BE479047A
(cg-RX-API-DMAC10.html)
|
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KR102062448B1
(ko)
|
|
드럼 악보 한글화 작업 방법 및 이를 이용한 드럼 악보를 한글음으로 구성된 연주용 악보 파일로 변환하는 장치
|
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Schweizer
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Timpani tone and the interpretation of Baroque and Classical music |
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Haynes
|
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Baptiste’s Hautbois: The Metamorphosis from Shawm to Hautboy in France, 1620–1670 |
|
Smith
|
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Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane |
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CH656476A5
(fr)
|
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Mecanisme automatique d'une clarinette.
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Eduardo et al.
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Drum circle: a guide to world percussion |
|
Johnson
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Swingin'on the shoulders of giants: How transcribing can benefit your drumming |
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Danitz
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Bow Articulations in the Late Galant (1775–1812): An Analysis of Bow Strokes in Selected Violin Sonatas of Mozart and Beethoven |
|
Potts
|
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Marcos Suzano and the amplified pandeiro: techniques for nontraditional performance |
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Hurdley
|
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Solo Tuned Percussion: A perspective upon 21st century percussion |
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Ellerby
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Paris Sketches |
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Guettler
|
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On Playing “Harmonics”(Flageolet Tones) |
|
Boone
|
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5 The guitar in jazz |
|
STYLE
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CHAPTER FIFTEEN ADAPTATION OF PERFORMANCE STYLE FROM EARLY MODERN JAPAN TO THE CONTEMPORARY CELLO HUGH LIVINGSTON |
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FR2803682A1
(fr)
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Clavier chromatique
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Bridgestock et al.
|
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Learn to Play the Drums: A Step-by-step Guide |
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Black et al.
|
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Alfred's Drum Method: Book 1 |
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Chou
|
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Sungyang Chou’s Drum Method |
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Mendez
|
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Plegaria Muda II |
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Puccinelli
|
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Finding your balance: Techniques for pianists, their ensemble partners and their teachers |
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Snedeker
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Fétis and the" Meifred" Horn |
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Cantrell
|
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Drum Set as a Solo Artform: Developing the Percussionist through Solo Performance |
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Beach
|
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Interpretive study of percussion solos Opus 21 & 24.1 by Nebojsa Jovan Zivkovic |