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Bilson
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The Viennese fortepiano of the late 18th century |
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BE479047A
(OSRAM)
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KR102062448B1
(ko)
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드럼 악보 한글화 작업 방법 및 이를 이용한 드럼 악보를 한글음으로 구성된 연주용 악보 파일로 변환하는 장치
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Haynes
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Baptiste’s Hautbois: The Metamorphosis from Shawm to Hautboy in France, 1620–1670 |
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Schweizer
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Timpani tone and the interpretation of Baroque and Classical music |
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Yung
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Music of Qill: From the Scholar's Study to the Concert Stage' |
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Rolfhamre
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Informed play: Approaching a concept and biology of tone production on Early Modern lute instruments |
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CH656476A5
(fr)
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Mecanisme automatique d'une clarinette.
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Smith
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Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane |
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Eduardo et al.
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Drum circle: a guide to world percussion |
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Johnson
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Swingin'on the shoulders of giants: How transcribing can benefit your drumming |
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Danitz
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Bow articulations in the late galant (1775–1812): An analysis of bow strokes in selected violin sonatas of Mozart and Beethoven |
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Potts
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Marcos Suzano and the amplified pandeiro: techniques for nontraditional performance |
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Volk
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An application of Thai music for general and instrumental music programs |
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Ellerby
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Paris Sketches |
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Kite
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Choosing Marimba Mallets |
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FR2804534A1
(fr)
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Systeme equilibre
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Robertson
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Examination of the evolution of multi-percussion |
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STYLE
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CHAPTER FIFTEEN ADAPTATION OF PERFORMANCE STYLE FROM EARLY MODERN JAPAN TO THE CONTEMPORARY CELLO HUGH LIVINGSTON |
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FR2803682A1
(fr)
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Clavier chromatique
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Bridgestock et al.
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Learn to Play the Drums: A Step-by-step Guide |
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Mendez
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Plegaria Muda II |
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Guy
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Nursery Crymes and Sirens’ Cries: Peter Gabriel’s use of the flute |
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Snedeker
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Fétis and the" Meifred" Horn |
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Beach
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Interpretive study of percussion solos Opus 21 & 24.1 by Nebojsa Jovan Zivkovic |