|
BE456931A
(enExample)
|
|
|
|
Bijsterveld et al.
|
|
Storing sound souvenirs: The multi-sited domestication of the tape recorder |
|
Bennett
|
|
'On the programme tonight': The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s. |
|
Kraman
|
|
Filming the Opera Twelfth Night |
|
Fisher
|
|
Judy Garland: Lost Tracks 1929-1959-Rare & Never-Released Recordings from Private Collections |
|
Summerly
|
|
Radio in the LP Era (1948-1982) |
|
Ashbourn
|
|
How to Do Things Properly |
|
BE457079A
(enExample)
|
|
|
|
Darrell
|
|
Mr. Edison's Phonograph: A Post-Mortem |
|
Ashbourn
|
|
How the War Changed Audio |
|
Schulman
|
|
C'Mon, Get Happy: The Making of Summer Stock |
|
Williams
|
|
Spinning Discs: Recorded Music |
|
Ashbourn
|
|
Digital Arrives, But Something Is Not Right |
|
BE550288A
(enExample)
|
|
|
|
Kunian
|
|
The Louisiana State Museum Music Collection oral histories: digitization, preservation, and use |
|
Buchman
|
|
Original Cast Album: Company, DA Pennebaker (dir.)(1970). |
|
Shelemay
|
|
Recording Technology, the Record |
|
Lajić-Mihajlović
|
|
Audio collection in the SASA Institute of Musicology |
|
Biel
|
|
From Berliner to RCA Victor: The Birth and Rise of the Recording Industry in Canada |
|
Christensen
|
|
From Discovery to Recovery: The Electronic Transfer of the JR Walker Native American Cylinder Record Collection |
|
CH315616A
(fr)
|
|
Procédé pour l'obtention d'un film cinématographique à pistes sonores stéréophoniques, et film obtenu par ce procédé
|
|
Hayes
|
|
" Take those old records off the shelf": Youth, Music and the Quest for Authenticity |
|
Bowman
|
|
Rush, R30–30th Anniversary World Tour. Anthem 6682520029 (Canada), Rounder DVZOE 1082 (US), Sanctuary SVEDF0216 (UK and Europe), 2005. |
|
Galo
|
|
Sound Recording Reviews: Enrico Caruso |
|
Fisher
|
|
Judy Garland: Classiques Et Inedits 1929-1956 |