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BE456931A
(en:Method)
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Racy
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Arabian music and the effects of commercial recording |
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Barry et al.
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Mono in the stereo age |
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Laing
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Recorded Music |
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Bennett
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'On the programme tonight': The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s. |
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Stoppe
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Original soundtrack: On the meaning and significance of film music albums |
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GB2102614A
(en)
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A card having a disc record
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Haley
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The Good, the Bad and the Ugly: Expanded Original MGM Motion Picture Soundtrack/Morricone Conducts Morricone |
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Fisher
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Judy Garland: Lost Tracks 1929-1959-Rare & Never-Released Recordings from Private Collections |
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Summerly
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Radio in the LP Era (1948-1982) |
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Darrell
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Mr. Edison's Phonograph: A Post-Mortem |
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Ashbourn
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How to Do Things Properly |
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Ashbourn
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How the War Changed Audio |
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Schulman
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C'Mon, Get Happy: The Making of Summer Stock |
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Kunian
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The Louisiana State Museum Music Collection oral histories: digitization, preservation, and use |
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Jamieson
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Yūji Takahashi: Reveries, Daydream, Night Thought, Memories and Reunion. Meister Music, MM-4088. |
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Ashbourn
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Digital Arrives, But Something Is Not Right |
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Fisher
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Judy Garland: Swan Songs, First Flights: Her First and Last Recordings |
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Jansch
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Headphone hits and corrupting bits: two conceptual approaches to reanimating records |
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Lajić-Mihajlović
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Audio collection in the SASA Institute of Musicology |
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Biel
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From Berliner to RCA Victor: The Birth and Rise of the Recording Industry in Canada |
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CH315616A
(fr)
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Procédé pour l'obtention d'un film cinématographique à pistes sonores stéréophoniques, et film obtenu par ce procédé
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Hayes
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" Take those old records off the shelf": Youth, Music and the Quest for Authenticity |
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Bowman
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Rush, R30–30th Anniversary World Tour. Anthem 6682520029 (Canada), Rounder DVZOE 1082 (US), Sanctuary SVEDF0216 (UK and Europe), 2005. |
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Hoffmann
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NOISE SHAPING |