|
Webber
|
|
DJ Skills: The essential guide to Mixing and Scratching |
|
BE456931A
(enrdf_load_stackoverflow)
|
|
|
|
Bijsterveld et al.
|
|
Storing sound souvenirs: The multi-sited domestication of the tape recorder |
|
Barry et al.
|
|
Mono in the stereo age |
|
Rumsey
|
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Will you be mine forever? Audio archiving, multitracks, and 90s digital |
|
Laing
|
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Recorded Music |
|
Stoppe
|
|
Original soundtrack: On the meaning and significance of film music albums |
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GB2102614A
(en)
|
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A card having a disc record
|
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Summerly
|
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Radio in the LP Era (1948-1982) |
|
Fisher
|
|
Judy Garland: Lost Tracks 1929-1959-Rare & Never-Released Recordings from Private Collections |
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Shifrin
|
|
Researching and Restoring Pioneer Talking Pictures: The 70th Anniversary of the Theatrical Release of Kinetophone |
|
Ashbourn
|
|
How to Do Things Properly |
|
BE457079A
(enrdf_load_stackoverflow)
|
|
|
|
Darrell
|
|
Mr. Edison's Phonograph: A Post-Mortem |
|
Ashbourn
|
|
How the War Changed Audio |
|
Schulman
|
|
C'Mon, Get Happy: The Making of Summer Stock |
|
Kumar
|
|
Archaeology of the Contemporary: Many Lives of Gramophone Records |
|
Ashbourn
|
|
Digital Arrives, But Something Is Not Right |
|
Fisher
|
|
Judy Garland: Swan Songs, First Flights: Her First and Last Recordings |
|
Shelemay
|
|
Recording Technology, the Record |
|
Weiss
|
|
Tapes on Open Reels: Tia Blake at the Southern Folklife Collection |
|
Simms
|
|
Taherzadeh Vocals |
|
Lajić-Mihajlović
|
|
Audio collection in the SASA Institute of Musicology |
|
Schulman
|
|
The Wizard of Oz-The 75th Anniversary Anthology/The Wizard of Oz (Original Motion Picture Soundtrack)/The Wizard of Oz |
|
Christensen
|
|
From Discovery to Recovery: The Electronic Transfer of the JR Walker Native American Cylinder Record Collection |