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Webber
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DJ Skills: The essential guide to Mixing and Scratching |
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Racy
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Arabian music and the effects of commercial recording |
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Bijsterveld et al.
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Storing sound souvenirs: The multi-sited domestication of the tape recorder |
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Barry et al.
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Mono in the stereo age |
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Rumsey
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Will you be mine forever? Audio archiving, multitracks, and 90s digital |
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Laing
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Recorded Music |
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A card having a disc record
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Haley
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The Good, the Bad and the Ugly: Expanded Original MGM Motion Picture Soundtrack/Morricone Conducts Morricone |
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Summerly
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Radio in the LP Era (1948-1982) |
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Fisher
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Judy Garland: Lost Tracks 1929-1959-Rare & Never-Released Recordings from Private Collections |
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Darrell
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Mr. Edison's Phonograph: A Post-Mortem |
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Ashbourn
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How the War Changed Audio |
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Schulman
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C'Mon, Get Happy: The Making of Summer Stock |
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Kumar
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Archaeology of the Contemporary: Many Lives of Gramophone Records |
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Ashbourn
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Digital Arrives, But Something Is Not Right |
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Jamieson
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Yūji Takahashi: Reveries, Daydream, Night Thought, Memories and Reunion. Meister Music, MM-4088. |
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Fisher
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Judy Garland: Swan Songs, First Flights: Her First and Last Recordings |
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Shelemay
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Recording Technology, the Record |
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Weiss
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Tapes on Open Reels: Tia Blake at the Southern Folklife Collection |
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Simms
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Taherzadeh Vocals |
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Lajić-Mihajlović
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Audio collection in the SASA Institute of Musicology |
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Biel
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From Berliner to RCA Victor: The Birth and Rise of the Recording Industry in Canada |