|
BE456931A
(enrdf_load_html_response)
|
|
|
|
Bijsterveld et al.
|
|
Storing sound souvenirs: The multi-sited domestication of the tape recorder |
|
Barry et al.
|
|
Mono in the stereo age |
|
Rumsey
|
|
Will you be mine forever? Audio archiving, multitracks, and 90s digital |
|
Laing
|
|
Recorded Music |
|
GB2102614A
(en)
|
|
A card having a disc record
|
|
Haley
|
|
The Good, the Bad and the Ugly: Expanded Original MGM Motion Picture Soundtrack/Morricone Conducts Morricone |
|
Kraman
|
|
Filming the Opera Twelfth Night |
|
Summerly
|
|
Radio in the LP Era (1948-1982) |
|
Fisher
|
|
Judy Garland: Lost Tracks 1929-1959-Rare & Never-Released Recordings from Private Collections |
|
Ashbourn
|
|
How to Do Things Properly |
|
BE457079A
(enrdf_load_html_response)
|
|
|
|
Darrell
|
|
Mr. Edison's Phonograph: A Post-Mortem |
|
Ashbourn
|
|
How the War Changed Audio |
|
Schulman
|
|
C'Mon, Get Happy: The Making of Summer Stock |
|
Kunian
|
|
The Louisiana State Museum Music Collection oral histories: digitization, preservation, and use |
|
BE550288A
(enrdf_load_html_response)
|
|
|
|
Ashbourn
|
|
Digital Arrives, But Something Is Not Right |
|
Fisher
|
|
Judy Garland: Swan Songs, First Flights: Her First and Last Recordings |
|
Simms
|
|
Taherzadeh Vocals |
|
Lajić-Mihajlović
|
|
Audio collection in the SASA Institute of Musicology |
|
Biel
|
|
From Berliner to RCA Victor: The Birth and Rise of the Recording Industry in Canada |
|
Schulman
|
|
The Wizard of Oz-The 75th Anniversary Anthology/The Wizard of Oz (Original Motion Picture Soundtrack)/The Wizard of Oz |
|
Christensen
|
|
From Discovery to Recovery: The Electronic Transfer of the JR Walker Native American Cylinder Record Collection |
|
CH315616A
(fr)
|
|
Procédé pour l'obtention d'un film cinématographique à pistes sonores stéréophoniques, et film obtenu par ce procédé
|