|
BE388301A
(OSRAM)
|
|
|
|
CA1089093A
(fr)
|
|
Appareil pour le traitement d'informations a caractere optique
|
|
Ross
|
|
The record effect |
|
Volioti
|
|
Reminiscing Grieg: A Study of Technostalgia and Modulating Identities |
|
US5386256A
(en)
|
|
Printer module for recording a digital soundtrack
|
|
FR2743754A1
(fr)
|
|
Livre anime
|
|
Broesche
|
|
Glenn Gould, spliced: Investigating the filmmaking analogy |
|
DALFOVO
|
|
“Lossyness” and degradation as an artistic resource in digital music: the case of The Disintegration Loops |
|
FR2638308A1
(fr)
|
|
Procede et materiel pour la commande tactile du passage d'une image a une autre dans une sequence selectionnee sur un videodisque
|
|
Phillips-Hutton
|
|
Listening in the Gaps: On Creative Practice, Knowledge Making and Archival Sound |
|
BE367257A
(OSRAM)
|
|
|
|
BE402180A
(OSRAM)
|
|
|
|
BE384851A
(OSRAM)
|
|
|
|
Capulet
|
|
Transmedial Perspectives on Music and Sound in Early French Radio Plays from the 1930s: the Tangible Legacy of Le Douzième coup de minuit |
|
Thomas
|
|
Murphy, McCarthy, O’Shea-Sour, shiny, glinting, shuddering. Quiet Music Ensemble. Murphy, McCarthy, O’Shea. Farpoint Recordings, fp102. |
|
BE374244A
(OSRAM)
|
|
|
|
Standley
|
|
Sweden talks: Early sound film restoration projects |
|
FR2691005A1
(fr)
|
|
Enregistrement et reproduction d'images, de son numérique et de son analogique sur film photochimique.
|
|
CH348824A
(fr)
|
|
Procédé pour reproduire un enregistrement sur une feuille d'enregistrement magnétique sonore
|
|
KR950004873Y1
(ko)
|
|
앨범
|
|
Kant
|
|
Paul Bowles |
|
Kant
|
|
Paul Bowles-‘THE POOL K III’: PAUL BOWLES. Cadmus Editions/Dom America CD20 |
|
Carroll
|
|
Soviet Fidelity and the Pet Shop Boys |
|
Galo
|
|
Sound Recording Reviews in Brief |
|
Salmi
|
|
Composing the Past: Music and the Sense of History in Hollywood Spectacles of the 1950s and Early 1960s |