Miller
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The science of musical sounds |
Day
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A century of recorded music: Listening to musical history |
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Virtual reality composer platform system
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Kompanek
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From score to screen: Sequencers, scores, & second thoughts The new film scoring process |
Kraft
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Birdsong in the music of Olivier Messiaen |
Feaster
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" A compass of extraordinary range": the forgotten origins of phonomanipulation. |
US1837944A
(en)
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Method and apparatus for recording series of motion
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(en)
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Rectangular translucent sound track record
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BE363926A
(enrdf_load_stackoverflow)
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Leikin
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The Performance of Scriabin's Piano Music: Evidence from the Piano Rolls |
Hoke
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The guitar recordings of Agustín Barrios Mangoré: an analysis of selected works performed by the composer |
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Symphonic instrument
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Patteson
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" The Joy of Precision": Mechanical Instruments and the Aesthetics of Automation |
Venable
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The interpretation of piano music |
Hawkins
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The piano music of Robert Muczynski: A performance-tape and study of his original works for piano solo |
Tse
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Avrahm Galper's Influence on Clarinet Pedagogy |
Emmery
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Workshop Minnesota”: Elliott Carter's Analysis of Luigi Nono's Il canto sospeso’ |
Knight
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The interpretive wind band conductor |
Matthews
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George Crumb's Makrokosmos Volumes I and II: Considerations for Performance, Including Observations by David Burge, Robert Miller and Lambert Orkis |
Rhys
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Not I for Solo Piano: Beckett’s Text as Music |
Shulman
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Christopher Rouse: An Overview |
Sorrell
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A study of a unique artist and his music: Prasidh Silapabanleng (1912-1999) |
Corwell
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Original compositions for solo euphonium with tape |
Ferreira
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The prepared piano of John Cage: A new level of hearing the Sonatas and Interludes |
Van Riper
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The Reproducing Piano: A Portrait of the Artist |