HRP20080466A2 - Infrared print with processing colours - Google Patents
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Classifications
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- B—PERFORMING OPERATIONS; TRANSPORTING
- B41—PRINTING; LINING MACHINES; TYPEWRITERS; STAMPS
- B41M—PRINTING, DUPLICATING, MARKING, OR COPYING PROCESSES; COLOUR PRINTING
- B41M3/00—Printing processes to produce particular kinds of printed work, e.g. patterns
- B41M3/14—Security printing
- B41M3/144—Security printing using fluorescent, luminescent or iridescent effects
Abstract
Infracrveni tisak sa procesnim bojama spada u domenu sigurnosnog tiskarstva. Izum se odnosi na upotrebu infracrvenog efekta u tiskarstvu s primjenom na zaštiti grafičkog proizvoda /tiskarskog otiska/ od krivotvorenja, bez obzira da li se otisak izvodi na papiru, staklu, keramici ili plastici, a uz upotrebu procesnih boja (CMYK) digitalnog tiska. Ovim se rješenjem definira stvaranje boje koja se izrazito drukčije ponaša u područjima pod djelovanjem infracrvenog (IR) svjetla. Detektiranje IR odziva moguće je jedino s instrumentima koji "vide" u valnim duljinama iznad 700 nm te konvertiraju IR-grafiku u područje vidljivo ljudskom oku. Korištenjem specifičnih svojstava koja proizlaze iz mogućnosti programiranja za digitalni i konvencionalni tisak, došlo se do algoritma koji uključuje nanos dvije ili više boja s istim tonom (u dnevnom svjetlu), ali posve različitog ponašanja u IR svjetlu. Ista se slika separira s dvostrukim algoritmom obzirom na određivanje ciljane vidljivosti ili nevidljivosti u IR svjetlu. Programira se izmjena obojenja pojedinih površina grafika s jednom, a potom s drugom kombinacijom.Process color infrared printing is a part of security printing. The invention relates to the use of infrared effect in printing with application to protect the graphic product / print / forge, whether the print is made on paper, glass, ceramics or plastics, and using digital printing CMYK. This solution defines the creation of a color that behaves very differently in the areas of infrared (IR) light. IR response detection is only possible with instruments that "see" in wavelengths above 700 nm and convert IR graphics into an area visible to the human eye. Using specific properties that result from programming capabilities for digital and conventional printing, an algorithm was developed that involves applying two or more colors with the same tone (in daylight) but completely different behavior in IR light. The same image is separated by a double algorithm considering the determination of target visibility or invisibility in IR light. It is programmed to change the color of individual graphic surfaces with one and then another combination.
Description
Područje tehnike The field of technology
Prema Međunarodnoj klasifikaciji patenata predmet izuma može se klasificirati slijedećim oznakama: According to the International Classification of Patents, the subject of the invention can be classified with the following designations:
B41 - TISKANJE B41 - PRINTING
B41M 3/14 – Tisak vrijednosnih papira B41M 3/14 – Printing of securities
B44F 1/00 - Crteži ili slike karakteristične po posebnim ili neobičnim svjetlosnim učincima B44F 1/00 - Drawings or pictures characterized by special or unusual lighting effects
B44F 1/12 - Vrijednosni papir ili papirnati novac ako je od važnosti uzorak slike ili zaštita od krivotvorenja B44F 1/12 - Valuable paper or paper money if image pattern or protection against counterfeiting is important
Tehnički problem i rješenje tehničkog problema za koje se zahtijeva zaštita A technical problem and a solution to a technical problem for which protection is required
Tehnički problem koji se rješava ovim izumom odnosi se na upotrebu infracrvenog efekta u tiskarstvu s primjenom na zaštiti grafičkog proizvoda bez obzira da li se otisak izvodi na papiru, staklu, keramici ili plastici. Detektiranje IR odziva moguće je jedino s instrumentima koji „vide“ u valnim duljinama iznad 700 nm te konvertiraju IR-grafiku u područje vidljivo ljudskom oku. The technical problem solved by this invention relates to the use of the infrared effect in printing with application to the protection of graphic products, regardless of whether the print is made on paper, glass, ceramics or plastic. Detecting the IR response is possible only with instruments that "see" in wavelengths above 700 nm and convert the IR-graphics into the area visible to the human eye.
Zadatak sigurnosnog tiskarstva je postizanje boje koju je dizajner odredio gledajući grafiku u dnevnom svjetlu, a ovim se rješenjem definira stvaranje boje koja se izrazito drukčije ponaša u područjima pod djelovanjem infracrvenog (IR) svjetla. The task of security printing is to achieve the color that the designer has determined by looking at the graphics in daylight, and this solution defines the creation of a color that behaves extremely differently in areas under the influence of infrared (IR) light.
Boja koja se odziva u IR svjetlu podložna je kompleksnom dizajnu. Cilj je da se svojstvo takove boje iskoristi za izmjene informacija pod IR svjetlom. Programiranje uključuje nanos dvije i više boja s istim tonom (u dnevnom svjetlu) ali posve različitog ponašanja u IR svjetlu. Skeniranje otiska u IR svjetlu otkriva mnoga nova područja primjene u zaštitnom tisku. Postavljeni su prijedlozi za standardizaciju primjene. Na svaku se boju gleda kao moguću u primjeni zaštite grafičkog proizvoda ili, kao početak izrade novog, individualnog rješenja u općem prostoru sigurnosti dokumenta i vrijednosnica. The color that responds to IR light is amenable to complex design. The goal is to use the property of such a color to change information under IR light. Programming involves the application of two or more colors with the same tone (in daylight) but completely different behavior in IR light. Scanning prints in IR light opens up many new areas of application in protective printing. Proposals for standardization of application have been made. Each color is seen as possible in the application of graphic product protection or, as the beginning of creating a new, individual solution in the general area of document and securities security.
Stanje tehnike State of the art
Boje u ljudskom oku ne bi postojale bez svjetla jer se svjetlo reflektira s određenog objekta stvarajući doživljaj boje određene valne duljine. Colors in the human eye would not exist without light because light is reflected from a certain object creating the experience of color of a certain wavelength.
Svaka boja ima vlastitu valnu duljinu. Nižu frekvenciju od boja imaju infracrveni spektar, mikrovalovi, radio i TV-valovi. Višu frekvenciju imaju ultravioletni valovi, X- i gama-zrake. Te frekvencije detektiramo instrumentima. Each color has its own wavelength. The infrared spectrum, microwaves, radio and TV waves have a lower frequency than colors. Ultraviolet waves, X-rays and gamma-rays have a higher frequency. We detect these frequencies with instruments.
Koliko je poznato, ne postoje opće poznate procedure zaštite s IR bojama. IR grafike nalaze se na novčanicama, dionicama, karticama, bankarskim papirima i sl. Bitno je naglasiti da upute o prepoznavanju IR efekta ostaje u domeni same tiskare. As far as is known, there are no generally known protection procedures with IR dyes. IR graphics can be found on banknotes, stocks, cards, bank papers, etc. It is important to emphasize that the instructions on recognizing the IR effect remain in the domain of the printer itself.
Grafička tehnologija uključena je u područje zaštite izradom proizvoda koji su oplemenjeni s posebnim bojama, papirima i tehnikama tiska. Sigurnosne boje i sigurnosni papir imaju široku primjenu u gospodarstvu, upravi, umjetnosti i znanosti. U borbi protiv krivotvorenja otvaraju se nova poglavlja jer su sofisticirane tiskarske tehnike dostupne bez nekadašnjih kontrola i ograničavanja. Zbog toga se primjenjuju višestruke zaštitne metode kako bi se otežalo krivotvorenje. Istovremeno se na istom mjestu dokumenta nalazi hologram, UV i IR boja, linijska spot grafika, a izvodi se s nekoliko različitih tiskarskih tehnika kao što su: offset, visoki tisak, intaglio tisak, bakrotisak, sitotisak, foliotisak. Za gotovo sve vrste tiska postoje tiskarske boje s promjenjivim tonom ovisno o kutu gledanja, intenzitetu svjetla, valnoj duljini svjetla, količini nanosa boje, posebnim efektima ovisno o penetraciji boje u papir, te ovisno o kombinaciji s oblikom rasterskog elementa. Graphic technology is included in the field of protection by creating products that are enhanced with special colors, papers and printing techniques. Security paints and security paper are widely used in business, administration, art and science. New chapters are opening in the fight against counterfeiting, as sophisticated printing techniques are available without previous controls and restrictions. For this reason, multiple protection methods are applied to make counterfeiting more difficult. At the same time, there is a hologram, UV and IR color, linear spot graphics in the same place of the document, and it is performed with several different printing techniques such as: offset, letterpress printing, intaglio printing, copper printing, screen printing, folio printing. For almost all types of printing, there are printing inks with a variable tone depending on the viewing angle, light intensity, light wavelength, amount of color application, special effects depending on the penetration of the color into the paper, and depending on the combination with the shape of the raster element.
Tisak s promjenjivim bojama u digitalnom tisku novo je neistraženo područje. Takav tisak s ciljanom primjenom u području zaštitne grafike pojavio se tek 2004. godine kada je prvi put prikazan uz sve mjere zaštite. Toner s promjenjivim bojama za digitalni tisak ne može se komercijalno kupiti pa su istraživanja s takvim materijalima u grafici visoke zaštite bez mnogo javnih izlaganja. Variable color printing in digital printing is a new unexplored area. Such printing with targeted application in the field of protective graphics appeared only in 2004, when it was shown for the first time with all protective measures. Color-changing toner for digital printing cannot be purchased commercially, so research with such materials in graphics is highly guarded without much public exposure.
Eksperimenti i mjerenja pokazuju da sustavi boja RGB, Lab, HSB daju informacije o bojama samo za ljudskom oku vidljivu svjetlost. Svaka se boja može kreirati na više načina u odnosu na UV i IR čitljivost. Spomenuti se sustavi tim pitanjem ne bave i ne daju odgovor o različitostima njihove interne strukture. Svaka boja, ovisno o materijalnom daje drugačije informacije kada se analizira pod infracrvenim i ultraljubičastim osvjetljenjem. Ta različitost u UV i IR području je polazište kreiranja, projektiranja i dizajniranjima vrhunske zaštite grafičkog proizvoda. Experiments and measurements show that RGB, Lab, HSB color systems provide color information only for light visible to the human eye. Each color can be created in multiple ways in relation to UV and IR readability. The mentioned systems do not deal with this issue and do not give an answer about the differences in their internal structure. Each color, depending on the material, gives different information when analyzed under infrared and ultraviolet light. This diversity in the UV and IR area is the starting point for creating, designing and designing top-quality graphic product protection.
Sadašnji sustavi boja (HSB, Lab, Cie, RGB, CMYK) ne bave se pitanjem kako je ton boje nastao niti kako se mijenja ton ako se na boju djeluje izvorima iz IR valnih duljina svjetla. Current color systems (HSB, Lab, Cie, RGB, CMYK) do not deal with the question of how the tone of the color was created or how the tone changes if the color is affected by sources from IR wavelengths of light.
Ton boje, gledano na dnevnom svjetlu, može se postići na mnogo načina. Informacija o strukturi i nastanku boje, duboko je sakrivena. Različiti otisci, s različito nastalim bojama mogu za naše oči dati isti doživljaj tona boje, istu grafiku. Po tome nismo sigurni da li je otisak izveden s originalnim bojama, na istovjetnom papiru i s istim tehnikama tiska. Svaka komponenta boje od koje je ona nastala, daje izdvojen odziv u IR svjetlu što je polazište za dokazivanje njene autentičnosti. Istovremeno djelovanje različitih izvora svjetla na otisak otkriva prisutnost; različito namješanih boja, kombinacije različitih tehnika tiska, programski generiranu grafiku, simulaciju tonova nastalih iz različitih izvora. Color tone, as seen in daylight, can be achieved in many ways. Information about the structure and origin of the color is deeply hidden. Different prints, with different created colors, can give our eyes the same experience of color tones, the same graphics. Therefore, we are not sure whether the print was made with the original colors, on the same paper and with the same printing techniques. Each component of the color from which it was created gives a separate response in IR light, which is the starting point for proving its authenticity. The simultaneous action of different light sources on the print reveals the presence; different mixed colors, combinations of different printing techniques, program generated graphics, simulation of tones created from different sources.
Na današnjim dokumentima se IR efekt pojavljuje uglavnom u jednoj boji. Ili je to tamno siva, tamno smeđa, ili zelena kao najčešće. Grafika se obično razdijeli na dva elementa ili se niti ne razdijeli. Te se boje otiskuju kao spot boje /spotna boja je unaprijed smiksana boja, naprimjer zelenkasta, smeđa, plava, koja se koristi i za otiskivanje zadanog tona jednim prolazom kroz tiskarski stroj/ . On today's documents, the IR effect appears mostly in one color. Either it is dark gray, dark brown, or green as most often. Graphics are usually split into two elements or not split at all. These colors are printed as spot colors /spot color is a pre-mixed color, for example greenish, brown, blue, which is also used for printing the given tone in one pass through the printing machine/.
Izlaganje suštine izuma: Presentation of the essence of the invention:
Bit izuma je u vrhunskoj zaštiti tiskarskog otiska /zaštita od krivotvorenja/ upotrebom procesnih boja (CMYK) za vidljivost i nevidljivost u IR području, tj. unaprijediti projektiranje zaštitne grafike koristeći svojstvo da boje cijan (C), magenta (M) i žuta (Y) mogu dati doživljaj CRNE nakon tiska jedne boje preko druge ali nevidljive u IR svjetlu. Na istom mjestu se programira zamjena CMY s onim crnim bojilom koja se vidi u IR svjetlu. The essence of the invention is in the superior protection of the printing print /protection against forgery/ using process colors (CMYK) for visibility and invisibility in the IR region, i.e. to improve the design of protective graphics using the property of cyan (C), magenta (M) and yellow (Y ) can give the impression of BLACK after printing one color over another but invisible in IR light. In the same place, the replacement of CMY with the black dye visible in IR light is programmed.
Korištenjem specifičnih svojstava koja proizlaze iz mogućnosti programiranja za digitalni tisak i konvencionalnu grafičku pripremu, došlo se do algoritma koji uključuje nanos dvije ili više sastava boja s istim tonom (u dnevnom svjetlu) ali posve različitog ponašanja u IR svjetlu. Programira se izmjena obojenja pojedinih površina grafika s jednom, a potom s drugom kombinacijom. Using specific properties resulting from programming possibilities for digital printing and conventional graphic preparation, an algorithm was arrived at that involves the application of two or more color compositions with the same tone (in daylight) but completely different behavior in IR light. It is programmed to change the coloring of individual graphic surfaces with one, and then with another combination.
Predmetni izum se bavi i promjenama tona boje ovisno o izvorima svjetla od 700 do 1000 nm što se može upotrijebiti u dokazivanju autentičnosti tiska, papira i boje. The subject invention also deals with color tone changes depending on light sources from 700 to 1000 nm, which can be used to prove the authenticity of print, paper and paint.
Cilj izuma je unaprijediti projektiranje zaštitne grafike sa procesnim (CMYK) bojama tiska za vidljivost u IR području, jer boja koja se odaziva u IR svjetlu podložna je kompleksnom dizajnu. Svojstvo boje koja se odaziva u IR svjetlu koristi se za izmjenu informacija pod IR svjetlom. The goal of the invention is to improve the design of protective graphics with process (CMYK) printing colors for visibility in the IR region, because the color that responds in IR light is subject to complex design. The color property that responds to IR light is used to exchange information under IR light.
Dokazivanje originalnosti grafike dokazuje se na profesionalnim skenerima koji imaju IR filtere svjetla sa mogućnošću mijenjanja valne duljine. Proving the originality of graphics is proven on professional scanners that have IR light filters with the ability to change the wavelength.
Ovim izumom pokazuje se da se programiranjem strukture elemenata grafike može postići kvalitetnija zaštita uz primjenu konvencionalnih boja ako se o njihovim strukturama zna više. Upotrebe konvencionalnih boja u predloženoj IR zaštiti ne poskupljuje tiskarski proces. Prethodi analiza svake boje i njeno ponašanje u nevidljivom dijelu spektra. Programirana grafika koja uključuje kombinaciju IR efekta s konvencionalnim bojama proširuje sigurnosni tisak s većim zaštitnim svojstvima grafičkog proizvoda. This invention shows that by programming the structure of graphics elements, better protection can be achieved with the use of conventional colors if more is known about their structures. The use of conventional colors in the proposed IR protection does not make the printing process more expensive. It is preceded by an analysis of each color and its behavior in the invisible part of the spectrum. Programmed graphics that include a combination of the IR effect with conventional colors extend security printing with greater protective properties of the graphic product.
Dizajneri se obično zadržavaju na grafici koju vide u dnevnom svjetlu. Pri tome ne planiraju sustav sigurnosti i gledanje u IR svjetlu. Tek u ponekim slučajevima primjenjuju nevidljivu UV boju. Poznavanje IR sustava tiskarskih boja je novo područje u tiskarstvu. Otvara se programirano dizajniranje, ciljano dizajniranje, i kodirana zaštita grafičkog proizvoda. Izučavanje mnogih boja u IR svjetlu pokrenulo je programiranje zaštitne grafike koristeći ta svojstva. Suradnici na ovom zadatku su razvili algoritme separacije vidljivog RGB sustava za grafičku pripremu procesnih boja koristeći informacije o odzivu svjetla u IR području. Designers tend to stick to the graphics they see in daylight. At the same time, they do not plan a security system and viewing in IR light. Only in some cases do they apply invisible UV paint. Knowledge of IR printing ink systems is a new area in printing. Programmed design, targeted design, and coded protection of the graphic product are opened. The study of many colors in IR light initiated the programming of protective graphics using these properties. Collaborators on this task developed visible RGB system separation algorithms for graphic preparation of process colors using information about light response in the IR range.
Procesne boje se različito ponašaju u IR području. Boje za ofset, boje za inkjet, toneri za digitalni tisak imaju vlastita svojstva vidljivosti na prijelazu vidljivog i mekog IR područja (vidljivog prema IR-u 560 nm do 700nm) te područja valnih duljina iznad 700 nm. Eksperimentalno utvrđena svojstva vidljivosti pojedinih procesnih boja koriste se za programirano miješanje boja s ciljem da se neki dijelovi slike vide, a neki dijelovi slike ne vide pod IR radijacijom. Separacija CMYK ovisi o želji; što želimo vidjeti u IR području, a što ne želimo vidjeti u IR području. Na svaki piksel ili linijski element vektorske grafike primjenjuje se drugi algoritam transformacije RGB prema CMYK. Ista se slika separira s dvostrukim algoritmom obzirom na određivanje ciljane vidljivosti ili nevidljivosti u IR svjetlu. Process dyes behave differently in the IR range. Inks for offset, inks for inkjet, toners for digital printing have their own visibility properties at the transition of the visible and soft IR range (visible to IR 560 nm to 700 nm) and the range of wavelengths above 700 nm. Experimentally determined visibility properties of individual process colors are used for programmed mixing of colors with the aim that some parts of the image are visible and some parts of the image are not visible under IR radiation. CMYK separation depends on preference; what we want to see in the IR field and what we don't want to see in the IR field. A different RGB to CMYK transformation algorithm is applied to each pixel or line element of a vector graphic. The same image is separated with a double algorithm regarding the determination of target visibility or invisibility in IR light.
Ton boje otiska mora biti nezavisan od dodavanja ili oduzimanja pojedine CMYK komponente. U prilogu ovog opisa pokazani su primjeri separacije za ekstremno pojavljivanje slike na 1000 nm. Vidljivo područje od 400 do 700 nm mora ostati isto kao da se nikakva posebna separacija nije programirala. The color tone of the print must be independent of the addition or subtraction of a single CMYK component. In the attachment of this description, examples of separation for extreme image appearance at 1000 nm are shown. The visible range from 400 to 700 nm must remain the same as if no special separation had been programmed.
Za određeni tisak (izvedeni primjeri na Xeikonu) utvrđeno je da se svakoj boji može dovoljno dobro odrediti krivulja ovisnosti o IR efektu. Pojam «IR efekt» može se «dozirati» od minimalne do maksimalne vrijednosti koja ovisi o prethodno rečenom sustavu minimalne komponente i svojstvima vidljivosti tonera u rubnim područjima «mekog IR-a». Transformacija RGB u CMYK podrazumijeva postizanje istih vrijednosti svih parametara RGB, HSB i Lab sustava. Time se osigurava istovjetnost slike u vidljivom području svjetla, odnosno nezavisnost od postignute RGB / CMYK separcije. For a certain print (exemplified examples at Xeikon) it was determined that the dependence curve on the IR effect can be determined well enough for each color. The term "IR effect" can be "dosed" from the minimum to the maximum value, which depends on the previously mentioned minimum component system and the properties of toner visibility in the marginal areas of "soft IR". RGB to CMYK transformation implies achieving the same values of all RGB, HSB and Lab system parameters. This ensures the sameness of the image in the visible area of light, i.e. independence from the achieved RGB / CMYK separation.
Skeniranje otiska u IR svjetlu otkriva mnoga nova područja primjene u zaštitnom tisku. Postavljeni su prijedlozi za standardizaciju primjene. Na svaku se boju gleda kao moguću u primjeni zaštite grafičkog proizvoda, ili kao početak izrade novog, individualnog rješenja u općem prostoru sigurnosti dokumenta i vrijednosnica. Scanning prints in IR light opens up many new areas of application in protective printing. Proposals for standardization of application have been made. Each color is seen as possible in the application of graphic product protection, or as the beginning of creating a new, individual solution in the general area of document and securities security.
Industrijska primjena izuma Industrial application of the invention
Predmetnim izumom tisak postaje zanimljiviji jer se u tiskanim materijalima nalaze skrivene informacije koje otvaraju nova područja izučavanja. With the subject invention, printing becomes more interesting because printed materials contain hidden information that opens up new areas of study.
Izum se može primjeniti u proizvodnji svih grafičkih proizvoda u komercijalnom grafičkom dizajnu a da se ne poskupljuje tiskarski proces, s ciljem zaštite proizvoda odnosno proizvođača /trade mark/ ali i jedinstvenog dizajna u koji se ugrađuju tajne informacije do kojih dolaze eksperti s posebnim znanjima o strukturama otiska, boja i papira. The invention can be applied in the production of all graphic products in commercial graphic design without increasing the cost of the printing process, with the aim of protecting the product or the manufacturer /trade mark/ but also a unique design that incorporates secret information obtained by experts with special knowledge of structures print, paint and paper.
Navodimo niz primjera primjene: Here are a number of application examples:
- ulaznice, članske iskaznice, kreditne kartice, ambalaža (lijekova, kozmetičkih proizvoda, hrane, tehničke robe ...), certifikati (diplome, svjedodžbe, memorandumi, pravni dokumenti ...), bankovni papiri ( uplatnice, čekovi, potvrde o isplatama, izvještaji, ...), naljepnice (za staklenu i plastičnu ambalažu), barkodovi, poštanske marke, taksene marke, nagradni kuponi, plakati, časopisi, brošure i knjige. - tickets, membership cards, credit cards, packaging (medicines, cosmetic products, food, technical goods...), certificates (diplomas, certificates, memoranda, legal documents...), bank papers (payment slips, checks, payment certificates , reports, ...), labels (for glass and plastic packaging), barcodes, postage stamps, tax stamps, prize coupons, posters, magazines, brochures and books.
Osim navedenog moguće je formirati bazu podataka o originalima i krivotvorinama s preciznim informacijama o IR zaštiti na grafičkom proizvodu. In addition to the above, it is possible to create a database of originals and counterfeits with precise information on IR protection on the graphic product.
Mnogostruka primjena različitih tonova boja na istom otisku znatno će spriječiti krivotvorenje. Otisak s predloženom IR zaštitom se ne može reproducirati a da zadrži ista IR svojstva. Svako skaniranje, snimanje ili grafička reproobrada uništava internu strukturu informacija koje su ciljano programirane kao IR efekt. Multiple application of different color tones on the same print will greatly prevent forgery. A print with proposed IR protection cannot be reproduced without retaining the same IR properties. Any scanning, recording or graphic processing destroys the internal structure of the information that is targeted as an IR effect.
Onaj tko bi se upustio u takav posao mora imati izvanredne instrumente za IR grafiku te potpuno poznavanje interne strukture boja na originalu. Područje postaje privilegija samo istraživača opredijeljenih za proučavanje dubine i posebnosti u grafičkoj tehnologiji. Anyone who would engage in such work must have excellent instruments for IR graphics and complete knowledge of the internal color structure of the original. The field becomes the privilege of only researchers committed to studying the depth and particularity of graphics technology.
Ovaj izum se pobliže može ilustrirati slijedećim primjerima: This invention can be illustrated in more detail by the following examples:
Prilog su slike: Pictures are attached:
Slika 1.1. Vektorska grafika portreta i šala u boji sa slovima IVANA – 2 varijante Figure 1.1. Vector graphics of a portrait and a joke in color with the letters IVANA - 2 variants
Slika 1.2. Vektorska grafika 1.1 u IR svjetlu od 1000 nm Figure 1.2. Vector graphics 1.1 in 1000 nm IR light
Slika 2.1. Vektorska grafika rozeta sa zelenim i ljubičastim bojama i projektirani IR odziv na 1000 nm Figure 2.1. Vector graphics of rosettes with green and purple colors and projected IR response at 1000 nm
Slika 3.1. Tipografija u boji i rezultat u IR području od 1000 nm Figure 3.1. Color typography and result in the IR range of 1000 nm
Slika 3.2. Zaštitna grafika na poštanskim markama s maskiranim IR odzivom na 1000 nm Figure 3.2. Protective graphics on postage stamps with masked IR response at 1000 nm
Slika 3.3. Spoj dvije piksel slike. Šibenik s maskom Rovinja i IR odziv na 1000 nm Figure 3.3. Merge of two pixel images. Šibenik with the mask of Rovinj and IR response at 1000 nm
Slika 4.1. Infracrveni efekti na šarenim slikama Figure 4.1. Infrared effects on colorful images
Slika 5.1. Jednolična podloga u bar kodu Figure 5.1. Uniform background in barcode
Slika 5.2. Minimalni kontrast linija i pozadine barkoda Figure 5.2. Minimal contrast of lines and barcode background
Slika 5.3. Višebojne podloge vektorske grafike u barkodu Figure 5.3. Multicolor backgrounds of vector graphics in barcode
Slika 5.4. Višebojne podloge piksel grafike u barkodu Figure 5.4. Multicolored backgrounds of pixel graphics in the barcode
Slika 6.1. Višebojna IR prezentacija sa desetak boja Figure 6.1. Multicolor IR presentation with a dozen colors
Slika 6.2. Dvobojna šahovnica sa dvije IR boje i dvije boje bez IR odziva Figure 6.2. Two-color checkerboard with two IR colors and two colors without IR response
Slika 7.1. Rozeta s crvenom IR bojom i plavom bojom bez IR odziva Figure 7.1. Rosette with red IR color and blue color without IR response
Slika 7.2. Rozeta s dvije zelene boje; vidljiva i nevidljiva u IR svjetlu Figure 7.2. Rosette with two green colors; visible and invisible in IR light
Slika 8.1. Kontinuirani ton dvije boje s IR odzivom i dvije boje koje se ne odazivaju u IR području Figure 8.1. Continuous tone of two colors with IR response and two colors that do not respond in the IR range
Primjer 1. /radi razumijevanja treba pratiti slike iz 1. Priloga koji sadrži Portret otisnut u izvornom obliku i njegov izgled pod IR svjetlom/ Example 1. /for the sake of understanding, you should follow the pictures from the 1st Attachment, which contains the Portrait printed in its original form and its appearance under IR light/
Portret na slici kreiran je vektorskim načinom izrade grafike s upotrebom desetak različito nijansiranih tonova. Neke CMYK boje imaju malu, a neke veliku zastupljenost. CMY boje različito se odazivaju u IR svjetlu, a i ovisno o zastupljenosti tj. pokrivenosti. The portrait in the picture was created by the vector method of creating graphics with the use of a dozen different nuanced tones. Some CMYK colors have low and some high representation. CMY colors react differently in IR light, and also depending on the representation, i.e. coverage.
Na slici 1.1. dan je otisak portreta s nekoliko različitih obojenja. Obje slike pod dnevnim svjetlom, na ekranu računala te u svim tiskarskim tehnikama, izgledaju isto, dok se drastično razlikuju kada se promatraju pod IR svjetlom što je i bit ovog rješenja. In Figure 1.1. a print of the portrait with several different colors is given. Both images look the same under daylight, on a computer screen and in all printing techniques, while they differ drastically when viewed under IR light, which is the essence of this solution.
Na gornjoj slici šareni vektorski uzorak ima crnu komponentu, a donji je nema. Suprotno je sa slovima „IVANA“ gdje u gornjim slovima nema crne komponente a u donjim slovima ima. Slova su dovoljno prošarana tonovima da se naziru u originalu i u gornjoj i u donjoj grafici. Lice je prekriveno i crnim vektorskim crtežom. Slika 1.1. je skenirana u IR 1000 nm /prikaz na slici 1.2/. Siva skala IR skeniranja pokazuje dizajniranje pojedinih dijelova grafike. Slova u gornjem portretu su nestala jer su zatvorila put bojama ispod njih, a sama nemaju crnu komponentu. Donja slika portreta izbacila je tekst „IVANA“ jer te boje imaju crnu komponentu. Na licu koje je otisnuto tri puta, ostaje vektorska grafika kontura lica, jer je na svim pozicijama otisnuta crnom bojom. In the upper image, the colorful vector pattern has a black component, and the lower one does not. It is the opposite with the letters "IVANA" where there is no black component in the upper letters and there is in the lower letters. The letters are interspersed with tones enough to be glimpsed in the original in both the upper and lower graphics. The face is also covered with a black vector drawing. Figure 1.1. was scanned in IR 1000 nm /shown in Figure 1.2/. The gray scale of the IR scan shows the design of individual parts of the graphic. The letters in the above portrait have disappeared because they blocked the path to the colors below them, and they themselves have no black component. The bottom image of the portrait has removed the text "IVANA" because those colors have a black component. On a face that has been printed three times, the vector graphic of the contours of the face remains, because it is printed in black in all positions.
Eksperimenti su provedeni i za ostale vrijednosti IR svjetla. Od dnevnog svjetla prema mekim IR i tvrdim IR područjima analizira se boja u gubljenju IR efekta. Svaka od 16 promatranih boja /tablica HSB, Lab vrijednosti otiska na portretu/ ima svoj put «nestajanja» pod IR svjetlom. Experiments were also carried out for other values of IR light. From daylight to soft IR and hard IR areas, the color is analyzed in the loss of the IR effect. Each of the 16 observed colors /table HSB, Lab values of the impression on the portrait/ has its own path of «disappearance» under IR light.
Primjer 2. /radi razumijevanja treba pratiti slike iz 2. Priloga koji sadrži rozete i test markice / Example 2 / for the sake of understanding, you should follow the pictures from the 2nd Attachment, which contains rosettes and test stamps /
Otisnute su dvije rozete i test markice zelene i ljubičaste boje Slika 2.1. Markice koje nemaju crnu komponentu ne vide se u IR svjetlu. Obje rozete su otisnute istim tonom, s kontinuiranim izmjenama od zelene do ljubičaste boje i kontinuiranim tokom debljine linije od ljubičaste prema zelenoj. Gornja rozeta ima crnu komponentu prema receptu s vrijednostima označenim na markicama (donji desni rub). Gornja rozeta se vidi pod IR svjetlom, a donja nestaje budući da su boje u donjoj rozeti sastavljene samo od CMY boja. Two rosettes and test stamps of green and purple colors were printed Figure 2.1. Stamps that do not have a black component cannot be seen in IR light. Both rosettes are printed in the same tone, with continuous changes from green to purple and a continuous flow of line thickness from purple to green. The upper rosette has a black component according to the recipe with the values indicated on the stamps (lower right edge). The upper rosette is visible under IR light, and the lower one disappears since the colors in the lower rosette are composed of CMY colors only.
Po istom principu može se pristupiti dizajniranju IR primjene sa drugim spot bojama. Uključivanje dvije ili više različitih boja sa odazivanjem u IR području pruža dizajneru beskonačne kombinacije zaštite. The same principle can be used to design an IR application with other spot colors. The inclusion of two or more different colors with response in the IR region provides the designer with infinite combinations of protection.
Primjer 3. /radi razumijevanja treba pratiti slike iz 3. Priloga/ Example 3. /for the sake of understanding, you should follow the pictures from the 3rd Attachment/
Tipografija u piksel grafici Typography in pixel graphics
Na šarenu sliku u boji postavlja se maska kojom se razdvaja slika na vidljivo i nevidljivo područje u IR valnim duljinama svjetla. Maska se sastoji od crno / bijelog crteža, grafike, znaka. Crni dio grafike kontrolira vidljivost osnovne slike u IR području. Bijeli dio grafike osigurava nevidljivost slike u IR području. Slika 3.1. pokazuje slova „prerezana“ u dva dijela ili posve izdvojena za postizanje IR obojenja preko maske. Primjeri prikazuju djelovanje različitih maski za IR test, te primjenu na poštanskim markama (slika 3.2.) i nekim budućim vrijednosnicama. Poštanskim markama je dodana maska koja sijeće nominalu i glavu portreta. A mask is placed on the colorful color image, which separates the image into visible and invisible areas in the IR wavelengths of light. The mask consists of a black and white drawing, graphic, sign. The black part of the graphic controls the visibility of the base image in the IR region. The white part of the graphic ensures the invisibility of the image in the IR range. Figure 3.1. shows the letters "sliced" in two or completely separated to achieve IR coloring through the mask. The examples show the effect of different masks for the IR test, and their application on postage stamps (Figure 3.2) and some future securities. A mask was added to the postage stamps that intersects the denomination and the head of the portrait.
Šibenik s maskom Rovinja Šibenik with the mask of Rovinj
Informacija o tome koji će se piksel vidjeti a koji pikel se neće vidjeti u IR području može se odrediti na više načina. Razvijen je softverski alat koji koristi dvije slike. Prva je ona koja je vidljiva u području valnih duljina za ljudsko oko, a druga slika je ona koja određuje vidljivost prve slike u IR području. Druga slika je samo maska kojom se određuje prostor razgraničenja vidljivog samo u dnevno svjetlu prema vidljivosti u IR i dnevnom svjetlu. Druga slika može biti slika u kontinuiranom tonu. Avio snimke Šibenika i Rovinja ugrađene su u jedinstvenu strukturu za IR sakrivanje (Slika 3.3.). Rovinj je «maska» s kontinuiranom tonom koja se ne vidi među kućama Šibenika. Slika u boji Šibenika, gledana u IR 1000 nm, pokazuje Rovinj s vrijednostima intenziteta obojenja iz slike Šubenika. The information about which pixel will be seen and which pixel will not be seen in the IR region can be determined in several ways. A software tool was developed that uses two images. The first is the one that is visible in the wavelength range for the human eye, and the second image is the one that determines the visibility of the first image in the IR region. The second image is just a mask that defines the area of delimitation visible only in daylight according to visibility in IR and daylight. The second image can be a continuous tone image. Aerial photographs of Šibenik and Rovinj are incorporated into a unique structure for IR concealment (Figure 3.3). Rovinj is a "mask" with a continuous tone that cannot be seen among the houses of Šibenik. The color image of Šibenik, viewed in IR 1000 nm, shows Rovinj with the color intensity values from the image of Šibenik.
I prva i druga slika može biti vektorska ili piksel grafika. Ako je druga slika vektorska a prva slika piksel grafika tada se druga slika prethodno translatira u piksel grafiku. Individualizacija IR područja rješava se generiranom maskom u vrijeme izvođenja tiska, a ovisno o zadatku odnosa vidno područje /IR područje. Both the first and second images can be vector or pixel graphics. If the second image is a vector image and the first image is a pixel graphic, then the second image is previously translated into pixel graphics. The individualization of the IR area is solved by a mask generated at the time of printing, and depending on the task of the ratio visible area / IR area.
Primjer 4. /radi razumijevanja treba pratiti slike iz 4. Priloga/ Example 4. /for the sake of understanding, you should follow the pictures from the 4th Attachment/
/Infracrveni efekti na šarenim slikama/ /Infrared effects on colorful images/
Ugradnja infracrvenog efekta postiže se s dvije slike. Prva slika je vidljiva za naše oči, nazvana original. Druga slika ima ulogu maske. S njom se određuje područje i intenzitet pojavljivanja prve slike u infracrvenom svjetlu. Obje slike imaju jednaki broj piksla. Prvi primjer je spoj slike s mora (A) s drugom slikom (B) koja ima samo crtež slova: IŽ-KP-JŽV, riječ „INFRARED“ i sitan tekst u glavi slike. Spoj slike A i B daje sliku C koja nosi informaciju obje slike (Slika 4.1.). Ne možemo vidjeti da je u sliku A ugrađena neka informacija, skriveni podatak. Incorporating the infrared effect is achieved with two images. The first image is visible to our eyes, called the original. The second image has the role of a mask. It is used to determine the area and intensity of the appearance of the first image in infrared light. Both images have the same number of pixels. The first example is a combination of a picture from the sea (A) with another picture (B), which only has a drawing of the letters: IŽ-KP-JŽV, the word "INFRARED" and a small text in the head of the picture. The combination of images A and B gives image C, which carries the information of both images (Figure 4.1). We cannot see that some information, hidden data, is embedded in picture A.
Otisak slike C će nakon snimanja pod infracrvenim svjetlom dati sliku koja pokazuje samo one dijelove slike A na koje je djelovala maska. Budući da slike A i C daju jednak doživljaj za naše oči, ovdje su uglavnom ilustrirane samo slike C koje nose skrivenu informaciju. U području vidljivom ljudskom oku nema nikakove informacije o prisutnosti slova iz maske u slici B. Informacija koju nosi slika C može se detektirati samo u infracrvenom svjetlu. Ona se može translatirati, kroz instumente koji mogu detektirati tu pojavu, na način da ju vidimo kao crnu, sivu ili obojenu sustavom pseudocolora. The print of image C, when taken under infrared light, will give an image that shows only those parts of image A that were affected by the mask. Since images A and C give the same experience to our eyes, only images C, which carry hidden information, are mainly illustrated here. In the area visible to the human eye, there is no information whatsoever about the presence of the letters from the mask in image B. The information carried by image C can only be detected in infrared light. It can be translated, through instruments that can detect this phenomenon, in such a way that we see it as black, gray or colored by the pseudocolor system.
Maska se može planirati s intenzitetom djelovanja. Ista slova su ugrađena u masku s različitim pokrivenostima; potpunom prikrivenošću (1), sa smanjenoj pokrivenošću (2) te s veoma malom pokrivenošću (3). Slika C se je podvrgla različitim IR valnim duljinama. Odaziv infracrvenog efekta manja je u nižim valnim duljinama a najjača u snimanju s 1000 nm. The mask can be planned with the intensity of action. The same letters are embedded in the mask with different coverages; with complete concealment (1), with reduced coverage (2) and with very little coverage (3). Image C was subjected to different IR wavelengths. The response of the infrared effect is lower in lower wavelengths and the strongest in recording with 1000 nm.
Infracrveno snimanje slike može se zapisati kao trajna informacija o izdvojenosti nekih dijelova slike koji su projektirani u svrhu skrivanja slikovnog podatka. Infrared image recording can be recorded as permanent information about the separation of some parts of the image that are designed to hide the image data.
IR skeniranjem slike C nastaje slika A. Isto je i s fotokopiranjem ili snimanje digitalnom kamerom. Nakon ovakovih kopirno-skenerskih postupaka nestala je informacija iz slike C koja je nastala preko maske, odnosno iz slike B. Prezentirani otisci slike C su otisnuti sa ugrađenim infracrvenim efektom pa se mogu podvrgnuti naknadnom analiziranju s infracrvenim skenerom. Budući da slike A i C isto izgledaju za naše oči u dnevnom svjetlu, većina ilustracija reproducirane su samo kroz slike C. By IR scanning image C, image A is created. The same is the case with photocopying or recording with a digital camera. After such copying and scanning procedures, the information from image C, which was created through the mask, or from image B, disappeared. The presented prints of image C were printed with a built-in infrared effect, so they can be subjected to subsequent analysis with an infrared scanner. Since images A and C look the same to our eyes in daylight, most of the illustrations are reproduced through images C only.
Primjer 5. /radi razumijevanja treba pratiti slike iz 5. Priloga/ Example 5. /for the sake of understanding, you should follow the pictures from the 5th Attachment/
/Barkod u zaštitnoj grafici /obojeni barkodovi// /Barcode in protective graphics /colored barcodes//
Blisko infracrveno područje je u funkciji dizajna obojenih barkodova. Konvencionalni pristup tiska barkodova zasniva se na crno/bijeloj grafici. Dizajneri se ne upuštaju u eksperimente korištenjem šarenih boja zbog nesigurnsoti ishoda čitljivost bar koda. The near-infrared area is a function of the design of colored barcodes. The conventional approach to barcode printing is based on black and white graphics. Designers do not engage in experiments using colorful colors because of the uncertainty of the outcome of barcode readability.
Poznavanje pravila odziva u IR svjetlu, moguće je kreirati beskonačno mnogo različitih obojenja. Fotokopiranje ovih otisaka, premda u boji s vrhunskim uređajima, neće biti čitljivi. Potrebna su namješavanja boja s posve determiniranom strukturom. Slika 5.1. Knowing the rules of response in IR light, it is possible to create an infinite number of different colors. Photocopying these prints, although in color with high-end devices, will not be legible. Mixtures of colors with a completely determined structure are needed. Figure 5.1.
Neki primjeri pokazuju da je moguća realizacija s malim kontrastom koda i pozadine. Primjeri su dati i za pastelna rješenja kao i za tamne kombinacije boja. Pozadina barkoda rješena je s dvije boje: magentom i žutom. Barkod linije se rješavaju s karbon-crnom i cijanom. Slika 5.2. Some examples show that it is possible to realize with a small contrast between the code and the background. Examples are given for pastel solutions as well as for dark color combinations. The background of the barcode is solved with two colors: magenta and yellow. Barcode lines are solved with carbon black and cyan. Figure 5.2.
Treća grupa primjera je dizajn s kombinacijom nekoliko boja podloge u vektorskoj grafici. Takav dizajn će biti predmet primjena na onim proizvodima koji se često krivotvore. Ambalaža postaje u izvjesnom stupnju zaštićena. Skeniranjem ili fotokopiranjem nije moguće postići istu strukturu obojenja a koja bi kasnije bila čitljiva s barkod čitačima. Slika 5.3. The third group of examples is a design with a combination of several background colors in vector graphics. Such a design will be subject to applications on those products that are often counterfeited. The packaging becomes protected to a certain degree. By scanning or photocopying, it is not possible to achieve the same coloring structure that would later be readable with barcode readers. Figure 5.3.
Četvrta grupa primjera je dizajn sa šarenom podlogom Slika 5.4. Slika iz prirode je osnova pozadine barkoda. U tim primjerima ponuđeno je i mijenjanje boja samih kodnih linija na istom barkodu. Time se proširuje prostor dizajna kao i prostor sigurnosne grafike. The fourth group of examples is the design with a colorful background Figure 5.4. An image from nature is the basis of the barcode background. In these examples, it is also offered to change the colors of the code lines themselves on the same barcode. This expands the design space as well as the space of security graphics.
Primjer 6. /radi razumijevanja treba pratiti slike iz Priloga br. 6/ Example 6. / for the sake of understanding, you should follow the pictures from Attachment no. 6/
/IR u višebojnoj primjeni/ /IR in multicolor application/
Uzorak sa šarenim bojama demonstrira matricu /kvadrat/ od 36 tonova nasumice izabranih. Slika 6.1. Nekima je dodana IR komponenta. Ovo bogato šarenilo promatra se u vidljivom dnevnom svjetlu te boje vidljive u IR svjetlu (R). Polovica kvadrata se odaziva u IR valnim duljinama dok su ostali kvadrati nevidljivi u IR svjetlu. Neki kvadrati su podjednaki u dnevnom svjetlu. The colorful pattern demonstrates a matrix /square/ of 36 randomly chosen tones. Figure 6.1. Some have an IR component added. This rich coloration is observed in visible daylight and colors visible in IR light (R). Half of the squares respond in IR wavelengths while the other squares are invisible in IR light. Some squares are equal in daylight.
Uzorci (1, 2 i 3) /crveno plavi raspored kao šahovnica/ pri dnevnom svjetlu izgledaju gotovo isto. Slika 6.2. Šahovnica iz uzorka br. 1. ima IR efekt u vertikalnim stupcima: prvom, trećem i petom (R1). Stupci 2, 4, i 6 nisu vidljivi u IR svjetlu. Patterns (1, 2 and 3) /red-blue layout like a checkerboard/ look almost the same in daylight. Figure 6.2. Checkerboard from sample no. 1. has IR effect in vertical columns: first, third and fifth (R1). Columns 2, 4, and 6 are not visible in IR light.
Šahovnica br. 2 odaziva IR komponentu u svim crvenim kvadratićima. Plava boja nema IR komponentu. Crvena boja počinje svoj izmjenični raspored s donjim desnim kutom. Chessboard no. 2 responds to the IR component in all red squares. The blue color has no IR component. The color red begins its alternating arrangement with the lower right corner.
Šahovnica br. 3 pokazuje vidljivost u IR valnim duljinama za plave kvadratiće koji počinju od druge pozicije šahovske ploče. Zbog bolje orijentacije pridružen je i okvir koji se odaziva u IR svjetlu. Chessboard no. 3 shows the visibility in IR wavelengths for the blue squares starting from the second position of the chessboard. For better orientation, a frame that responds to IR light is attached.
Primjer 7. /radi razumijevanja treba pratiti slike iz Priloga br. 7 / Example 7. / for the sake of understanding, you should follow the pictures from Attachment no. 7 /
/Infracrvene Rozete/ /Infrared Rosettes/
Prva grafika ima linije u plavoj boji a ispunjenja su u tamnoj crvenoj boji. U IR svjetlu vide se popunjenja, a linije rozeta se ne vide, slika 7.1. Slijedeći primjer je ista ta grafika otisnuta zelenom bojom i linije i popunjavanje. U IR svjetlu se vide samo linije rozete ali se ne vide popunjavanja; slika 7.2. Zelena boja, s kojom se je popunila rozeta, na odaziva se u IR svetlu. The first graphic has blue lines and fills in dark red. In IR light, the fillings are visible, and the rosette lines are not visible, Figure 7.1. The following example is the same graphic printed in green and the lines and fill. In IR light, only rosette lines are visible, but no fills are visible; picture 7.2. The green color, with which the rosette was filled, responds to IR light.
Primjer 8. /radi razumijevanja treba pratiti slike iz Priloga br. 8/ Example 8. / for the sake of understanding, you should follow the pictures from Attachment no. 8/
/Infracrveni kontinuirani ton/ /Infrared continuous tone/
Bogatstvo IR kontrole demonstrira se s kontinuiranim prelazom od crvene do zelene boje. Izvedeno je nekoliko uzoraka definiranih kao 1, 2, 4, 5, i 6. Na uzorku 1 i 2 su otisci jednaki u dnevnom svjetlu. IR komponenta je različita; slika 8.1. U uzorku br. 1 se IR efekt pojačava od pozicije zelene prema crvenoj. Uzorci 4 i 5 su sastavljeni od zelenih i crvenih boja koje se različito pojavljuju u IR svjetlu s kontinuiranim prijelazima. Pokazuje se da je moguća nezavisnost pojavljivanja IR efekta od projektiranih boja koje gledamo našim očima. Primjer 6 pokazuje da se isti ton boje može postići na beskonačno mnogo načina. Kontinuirani prelazi tonova obojenja su mogući za boje koje se ne vide u IR svjetlu i boje koje se vide u IR svjetlu. Svaki od tih načina može se upotrijebiti kao nosioc zasebne, ciljane informacije, a koja se detektira u IR svjetlu. The wealth of IR control is demonstrated with a continuous transition from red to green. Several samples were taken, defined as 1, 2, 4, 5, and 6. On sample 1 and 2, the prints are identical in daylight. The IR component is different; picture 8.1. In sample no. 1, the IR effect increases from green to red. Samples 4 and 5 are composed of green and red colors that appear differently in IR light with continuous transitions. It is shown that the independence of the appearance of the IR effect from the projected colors that we see with our eyes is possible. Example 6 shows that the same color tone can be achieved in an infinite number of ways. Continuous tonal transitions are possible for colors not visible in IR light and colors visible in IR light. Each of these ways can be used as a carrier of separate, targeted information, which is detected in IR light.
Snaga zaštite je u saznanju da ne postoji čvrsti recept formiranja boja s namjerom upotrebe IR zaštitnih svojstava. Projektantu zaštite dokumenata dato je mnogo slobode da masovno ugradi IR zaštitu a da pri tome ne remeti dizajn grafike gledan u dnevnom svjetlu. Dizajner za likovnost vrijednosnice ostaje na planiranju boja za gledanja u dnevnom svjetlu. On se bavi vizualizacijom tog grafičkog proizvoda i ne mora biti opterećen sa tehnologijom IR sigurnosnih elemenata koja će biti dorađena od eksperta za tiska IR vidljivost / nevidljivost u segmentima grafičkog proizvoda. The power of protection is in the knowledge that there is no solid recipe for the formation of colors with the intention of using IR protective properties. The document protection designer is given a lot of freedom to mass-incorporate IR protection without disturbing the design of the graphics when viewed in daylight. The security visual designer remains on color planning for daylight viewing. He deals with the visualization of that graphic product and does not have to be burdened with the technology of IR security elements, which will be refined by an expert for printing IR visibility / invisibility in segments of the graphic product.
NAPOMENA: REMARK:
Otisci u privitku su napravljen na Xeikonu tako da se primjeri iz Priloga mogu naknadno provjeriti, ali s IR skenerom ili kamerom koja ima IR filter. The prints in the attachment were made on a Xeikon so that the examples from the Attachment can be checked later, but with an IR scanner or a camera that has an IR filter.
Claims (5)
Priority Applications (2)
Application Number | Priority Date | Filing Date | Title |
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HR20080466A HRP20080466A2 (en) | 2008-09-22 | 2008-09-22 | Infrared print with processing colours |
EP09170976A EP2165844A3 (en) | 2008-09-22 | 2009-09-22 | Infrared printing with process printing inks |
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HR20080466A HRP20080466A2 (en) | 2008-09-22 | 2008-09-22 | Infrared print with processing colours |
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HRP20080466A2 true HRP20080466A2 (en) | 2010-03-31 |
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HR20080466A HRP20080466A2 (en) | 2008-09-22 | 2008-09-22 | Infrared print with processing colours |
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HR (1) | HRP20080466A2 (en) |
Families Citing this family (2)
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JP5715386B2 (en) * | 2010-11-19 | 2015-05-07 | キヤノン株式会社 | Image processing apparatus, control method therefor, program, and storage medium |
CN108833734A (en) * | 2018-06-06 | 2018-11-16 | 合肥思博特软件开发有限公司 | A method of the prefabricated anti-counterfeiting information in host image |
Family Cites Families (8)
Publication number | Priority date | Publication date | Assignee | Title |
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GB1534403A (en) * | 1977-09-21 | 1978-12-06 | Rue & Co Ltd T De | Security documents |
US4869532A (en) * | 1986-10-07 | 1989-09-26 | Dainichiseika Color & Chemicals Mfg. Co., Ltd. | Prints and production method thereof |
EP1041436A1 (en) * | 1999-04-01 | 2000-10-04 | Bayer Ag | Substrates protected against unauthorised copying and method for their manufacture |
WO2003005291A1 (en) * | 2001-07-02 | 2003-01-16 | Digimarc Corporation | Hiding information out-of-phase in color channels |
JP3544536B2 (en) * | 2001-10-30 | 2004-07-21 | 独立行政法人 国立印刷局 | Halftone printed matter and printing method thereof |
JP2007030448A (en) * | 2005-07-29 | 2007-02-08 | Toppan Printing Co Ltd | Machine readable information printed article |
JP4395598B2 (en) * | 2006-09-14 | 2010-01-13 | 独立行政法人 国立印刷局 | Authentic printed material |
JP4863118B2 (en) * | 2007-02-08 | 2012-01-25 | 独立行政法人 国立印刷局 | Image forming body |
-
2008
- 2008-09-22 HR HR20080466A patent/HRP20080466A2/en not_active Application Discontinuation
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