WO2018012589A1 - Acoustic system using musical instrument, acoustic method using musical instrument, acoustic device, and acoustic system - Google Patents

Acoustic system using musical instrument, acoustic method using musical instrument, acoustic device, and acoustic system Download PDF

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Publication number
WO2018012589A1
WO2018012589A1 PCT/JP2017/025546 JP2017025546W WO2018012589A1 WO 2018012589 A1 WO2018012589 A1 WO 2018012589A1 JP 2017025546 W JP2017025546 W JP 2017025546W WO 2018012589 A1 WO2018012589 A1 WO 2018012589A1
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WO
WIPO (PCT)
Prior art keywords
acoustic
sound
speaker
musical instrument
input terminals
Prior art date
Application number
PCT/JP2017/025546
Other languages
French (fr)
Japanese (ja)
Inventor
旭 保彦
功紀 早渕
高橋 裕史
賢一 芝
旬 臼井
Original Assignee
ヤマハ株式会社
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
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Publication date
Application filed by ヤマハ株式会社 filed Critical ヤマハ株式会社
Priority to JP2018527663A priority Critical patent/JP6658887B2/en
Publication of WO2018012589A1 publication Critical patent/WO2018012589A1/en

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    • BPERFORMING OPERATIONS; TRANSPORTING
    • B60VEHICLES IN GENERAL
    • B60RVEHICLES, VEHICLE FITTINGS, OR VEHICLE PARTS, NOT OTHERWISE PROVIDED FOR
    • B60R11/00Arrangements for holding or mounting articles, not otherwise provided for
    • B60R11/02Arrangements for holding or mounting articles, not otherwise provided for for radio sets, television sets, telephones, or the like; Arrangement of controls thereof
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R3/00Circuits for transducers, loudspeakers or microphones
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04RLOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R3/00Circuits for transducers, loudspeakers or microphones
    • H04R3/12Circuits for transducers, loudspeakers or microphones for distributing signals to two or more loudspeakers
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04SSTEREOPHONIC SYSTEMS 
    • H04S7/00Indicating arrangements; Control arrangements, e.g. balance control

Definitions

  • An embodiment of the present invention relates to a technique for adjusting sound output to an acoustic space in a vehicle.
  • a) a sound source that generates an audio signal b) a controller coupled to the sound source, and c) a first coupled to the controller.
  • the first signal processing operation constitutes an audio signal for listening inside the vehicle
  • the second signal processing operation constitutes an audio signal for listening outside the vehicle
  • the first plurality of transducers is driven by an audio signal configured to listen inside the vehicle by a first signal processing operation
  • the second plurality of transducers are external to the vehicle by a second signal processing operation.
  • the listener in the car may be only the driver or there may be passengers other than the driver.
  • the audio source is not limited to a device such as a CD player that is previously installed in an automobile.
  • the listener may listen to the sound in the vehicle using various devices such as a musical instrument, a microphone, a smartphone, a game device, or a toy, for example.
  • an object of one embodiment of the present invention is to appropriately adjust sound according to the environment in the vehicle.
  • the acoustic device includes a detection unit and a signal processing unit.
  • the detection unit detects the position of the listener in the vehicle interior space.
  • the signal processing unit performs processing of a signal output to a speaker existing in the interior space according to the position of the listener detected by the detection unit.
  • the sound system can adjust the sound appropriately according to the environment in the car.
  • FIG. 1 It is a perspective view of the electronic keyboard musical instrument which is an example of a musical instrument. It is a typical top view in the car concerning a 1st embodiment. It is a typical top view in the car concerning a 2nd embodiment. It is a block diagram which shows the structure of the acoustic system which concerns on 1st Embodiment. It is a flowchart which shows operation
  • FIG. 11 is a block diagram showing a functional configuration of a DSP 17 in an acoustic system according to Modification Example 1.
  • 10 is a flowchart illustrating an operation of an acoustic system according to Modification Example 1.
  • FIG. 11 is a block diagram showing a functional configuration of a DSP 17 in an acoustic system according to modification example 2.
  • 10 is a flowchart illustrating an operation of an acoustic system according to Modification Example 2. It is a typical top view in a car in an acoustic system concerning modification 4.
  • FIG. 10 is a schematic plan view inside a vehicle in an acoustic system according to Modification Example 5.
  • the acoustic system basically includes a musical instrument 100, an input terminal 5, a speaker 1, a head unit 10 (AV amplifier, etc.), a monitor 20, and the like. It is composed of
  • the musical instrument 100 is desirably an electronic keyboard musical instrument that can be carried by making the housing 101 compact as shown in FIG.
  • An output terminal (not shown) for outputting a signal, acoustic data, or the like is provided on the back surface 102 of the musical instrument 100 or the like.
  • This output terminal is a USB terminal into which a USB (registered trademark, hereinafter abbreviated as a registered trademark) USB cable can be inserted in addition to a phone jack into which a phone plug (phone terminal etc.) can be inserted. There may be.
  • the USB terminal the user can conveniently play the musical instrument 100 while supplying power to the musical instrument 100 via the USB cable.
  • the input terminal 5 and the speaker 1 are installed at a plurality of locations in the acoustic space (in the room).
  • the acoustic space is an acoustic space of the vehicle 50, that is, an interior of the vehicle 50.
  • the driver and passengers other than the driver need to spend a long time in the vehicle 50 depending on the destination in driving or the like. While the driver must concentrate on driving, passengers other than the driver usually want to make effective use of the traveling time. In recent years, research and development related to automatic driving technology for automobiles has progressed, and the day when drivers are released from driving is not a distant future. Effective use of time while traveling to the destination is a concern for drivers and passengers. As an effective use of this time, and as a way of spending full time in the moving vehicle 50, it is conceivable to perform the musical instrument 100 in the vehicle 50.
  • the speaker 1 is desirably installed inside the doors on the driver seat 51 side and the passenger seat 52 side, for example. Further, in the second row seat 53, it is desirable to install it inside each door on the right rear seat side and the left rear seat side. Moreover, in the 3rd row
  • a ceiling suspended satellite speaker may be installed on the ceiling surface near each seat, or the speaker 1 may be embedded in the ceiling surface.
  • the speaker 1 may be of any kind.
  • all speakers 1 may be full-range speakers for the entire band, or subwoofers for ultra-low frequencies, woofers for low-frequency ranges, each speaker 1 specializing in a specific range of frequencies, It may be a mid bass for a low frequency range, a squawker for a mid range, a tweeter for a high range, or a super tweeter for a super high range.
  • the number of speakers 1 may be one or plural. 2 and 3, the number of speakers 1 is six, but it may be more or less.
  • an in-vehicle acoustic device As described above, since an embodiment of the present invention assumes the interior of the vehicle 50 as an acoustic space (indoor), an in-vehicle acoustic device will be described.
  • the head unit 10 is shown as an on-vehicle acoustic device.
  • the head unit 10 is one type of audio equipment mounted on a vehicle such as an automobile.
  • FIG. 7 is a block diagram showing a configuration of the head unit 10.
  • the head unit 10 includes a communication unit 12, a MIDI_I / F 13, a CPU 14, a ROM 115, a RAM 16, a DSP 17, an input I / F 18, a sound source 19, a bus 200, a mixer 21, and an output I / F 22.
  • the communication unit 12, MIDI_I / F 13, CPU 14, ROM 115, RAM 16, DSP 17, input I / F 18, sound source 19, mixer 21, and output I / F 22 are connected via a bus 200.
  • the input terminal 5 is connected to the input I / F 18.
  • the monitor 20 and the speaker 1 are connected to the output I / F 22.
  • CPU14 reads the program memorize
  • the CPU 14 inputs an audio signal output from the sound source 19 to the mixer 21. Further, the CPU 14 inputs the audio signal input from the input I / F 18 to the mixer 21.
  • the mixer 21 mixes the audio signal output from the sound source 19 and the audio signal input from the input I / F 18.
  • the CPU 14 inputs the audio signal mixed by the mixer 21 to the DSP 17.
  • the DSP 17 adjusts the volume or sound quality of the input audio signal. The sound quality adjustment is, for example, adjustment of frequency characteristics.
  • the DSP 17 amplifies the audio signal after adjusting the sound quality and outputs it to the output I / F 22.
  • the CPU 14 controls the DSP 17 and the output I / F 22 to individually control the volume and sound quality of the plurality of audio signals supplied to the plurality of speakers 1.
  • the sound source 19 has a plurality of audio sources.
  • the sound source 19 includes, for example, an FM tuner, an AM tuner, a CD player, an MD player, a magnetic cassette deck, an AUX terminal, a DVD player, a hard disk drive, or a TV tuner as an audio source.
  • the head unit (AV amplifier) 10 is provided with a plurality of channels corresponding to a plurality of audio sources, and the plurality of channels can be mixed by the mixer 21. Therefore, for example, music can be reproduced by a CD player, and the musical instrument 100 can be played in accordance with the music. In addition, when a musical instrument 100 such as an electronic keyboard instrument is played by a plurality of people, the pitch can be enjoyed with unison. It is also possible to play music on a CD player, sing along with the music, and enjoy karaoke.
  • the monitor 20 is disposed toward the second row sheet 53 side.
  • the monitor 20 displays information related to the volume balance or EQ adjustment of each speaker 1.
  • the user can also perform volume balance or EQ adjustment of each speaker 1 via a touch panel (not shown) built in the monitor 20 or other user interface.
  • the head unit 10 functions as an adjustment receiving unit that receives volume balance or EQ adjustment of each speaker 1.
  • the input terminal 5 is preferably installed in the vicinity of the speaker 1 installed in each door on the driver's seat 51 side and the passenger seat 52 side. Further, in the second row seat 53, the input terminal 5 is desirably installed in the vicinity of the speaker 1 installed at each door on the right rear seat side and the left rear seat side. Alternatively, the input terminal 5 may be arranged on a part of the casing (not shown) of the speaker 1. In the case where the speaker 1 is arranged in the housing, the processing for arranging the input terminal 5 in the acoustic space is not necessary, so that the processing can be minimized.
  • the user can connect and play the input terminal 5 and the musical instrument 100 simply by replacing the normal speaker 1 with the speaker 1 with the input terminal 5, so that the input terminal 5 can be easily installed in the acoustic space. Can be achieved.
  • the input terminal 5 may be arranged at a location completely different from the location where the speaker 1 is installed.
  • the input terminal 5 performs wired communication with the output terminal provided in the musical instrument 100 by wired connection. Therefore, when the user connects the output terminal provided in the musical instrument 100 and the input terminal 5 installed in the room of the vehicle 50 with the analog audio cable, the musical instrument 100 and the head unit 10 can perform analog communication. When the user connects the output terminal provided in the musical instrument 100 and the input terminal 5 installed in the room of the vehicle 50 with a USB cable, the musical instrument 100 and the head unit 10 can perform digital communication.
  • the acoustic system may have a lid 70 with a sensor on the input terminal 5.
  • the head unit 10 mutes the input according to the state of the lid 70. For example, the head unit 10 detects that the lid 70 has moved by a sensor and mutes the input. Further, the head unit 10 may detect that the cover 70 or the input terminal 5 is touched with a finger by using a capacitance sensor, and may mute the input. Further, the head unit 10 may not be muted or may be unmuted in a state in which a sound of a certain volume is input in order to prevent malfunction such as sound being interrupted at the start of performance. By adopting such a configuration, it is possible to eliminate the generation of unpleasant sound when a phone plug or the like is inserted or removed from the input terminal 5.
  • the lid 70 is provided, for example, near the entrance of the input terminal 5 or in the input terminal 5.
  • the acoustic system may include a switch 80 in the vicinity of the input terminal 5.
  • the switch 80 receives designation of the position where the performer is seated from the user.
  • the switch 80 is installed in a console box, for example. For example, when the user plays the musical instrument 100 while sitting on the rear seat (second row seat 53), the user can specify the left, middle, right side, and the like.
  • the head unit 10 adjusts the sound according to the designated position.
  • any one or more of the musical instrument 100, the head unit 10, or the tablet terminal 15 described later includes a sound source.
  • MIDI Musical Instruments Digital Interface registered trademark. The following is abbreviated as MIDI registered trademark
  • a sound source box (not shown) provided with a sound source circuit or the like may be a sound source. The user can generate an audio signal and transmit it to the head unit 10 by connecting the sound source box to various sound devices.
  • the sound source box may be mounted on the mixer.
  • the input terminal 5 and the head unit 10 are wired by various cables. Further, the speaker 1 and the head unit 10 are wired by various cables or the like.
  • the output terminal provided in the musical instrument 100 and the input terminal 5 installed in the room of the vehicle 50 are connected by wire, and the input terminal 5 and the head unit 10 are connected by wire. Further, the speaker 1 and the head unit 10 are connected by wire. Further, the monitor 20 and the head unit 10 are connected. However, wired communication is performed between the monitor 20 and the head unit 10.
  • the head unit 10 can correct the frequency characteristics by realizing an EQ (equalizer) by a signal processing function such as a mounted DSP. That is, the head unit 10 can be adjusted and set for each speaker so as to be a sound preferred by the performer.
  • EQ equalizer
  • the head unit 10 adjusts the frequency characteristic of the performance sound so that the performance sound is not masked by the engine sound according to the frequency characteristic of the engine sound. For example, when the engine sound level is high in a high sound region (for example, 4 kHz or more), the head unit 10 increases the high sound level of the performance sound so that the high sound is not masked by the engine sound. In addition, the second row seat 53 and the third row seat 54 do not stand out the engine sound, but may cause a disturbance noise such as road noise. Therefore, the head unit 10 adjusts the frequency characteristic of the performance sound so that the performance sound is not masked by the disturbance sound according to the frequency characteristic of the disturbance noise such as road noise. For example, when the level of the disturbance sound is high in the middle sound region (for example, 500 to 4 kHz or more), the head unit 10 increases the level of the middle sound of the performance sound so that the middle sound is not masked by the disturbance sound.
  • the middle sound region for example, 500 to 4 kHz or more
  • the frequency characteristics such as engine noise and disturbance noise may be measured in advance in the driver's seat 51 and the passenger seat 52, or the frequency characteristics are acquired by acquiring actual sounds with microphones installed in each seat. May be. Further, the head unit 10 may estimate the frequency characteristics according to the engine speed or the vehicle speed. In this case, the head unit 10 is connected to an OBD (On-board diagnostics) connector of the vehicle and acquires information on the engine speed or the vehicle speed. The head unit 10 stores the frequency characteristics of the noise sound in advance in the storage medium such as the ROM 115 in association with the information on the engine speed or the vehicle speed. The head unit 10 reads the frequency characteristic of the noise sound and adjusts the frequency characteristic of the audio signal based on the acquired information on the current engine speed or vehicle speed.
  • OBD On-board diagnostics
  • the head unit 10 further reduces the volume of the input sound automatically in response to a user opening a window or door of the vehicle 50, stopping the engine, or starting the engine. It is also possible to adopt a configuration in which muting or muting is performed with different settings for each input terminal 5.
  • the tablet terminal 15 is a known portable information processing apparatus.
  • the example of the second embodiment shown in FIG. 3 is different from the example of the first embodiment in that the instrument 100 and the head unit are not configured to connect the output terminal of the instrument 100 and the indoor input terminal 5 with various cables or the like.
  • 10 (or tablet terminal 15) is connected by wireless communication. Wireless communication or wired communication may be used between the tablet terminal 15 and the head unit 10.
  • the tablet terminal 15 and the head unit 10 are connected by a wired line with an HDMI (High-Definition Multimedia Interface: registered trademark) cable.
  • HDMI High-Definition Multimedia Interface: registered trademark
  • the input terminal 5 is not arranged in the acoustic space. Therefore, 2nd Embodiment measures a player's positional information.
  • the musical instrument 100 has a positioning function for measuring the position of the musical instrument 100 by GPS (Global Positioning System registered trademark).
  • the position information can also be measured by using, for example, a microphone and a speaker 1.
  • the head unit 10 outputs measurement sound from each speaker 1.
  • the head unit 10 records the time when the measurement sound is output.
  • the musical instrument 100 includes a microphone.
  • the musical instrument 100 acquires measurement sound using the microphone.
  • the musical instrument 100 records the time when the measurement sound is acquired.
  • the musical instrument 100 transmits time information when the measurement sound is acquired to the head unit 10.
  • the head unit 10 measures the distance between the speaker 1 and the musical instrument 100 from the time difference from when the measurement sound is output until the measurement sound is acquired by the microphone.
  • the head unit 10 measures the distance between the plurality of speakers 1 and the musical instrument 100 by repeating the measurement with the plurality of speakers 1.
  • the head unit 10 can uniquely determine the position of the musical instrument 100 when measurement is performed with the three speakers 1.
  • the head unit 10 can measure the position (coordinates) of the musical instrument 100 in the vehicle by plotting the arrangement of the speakers 1 in the vehicle in, for example, an orthogonal coordinate system with the head unit 10 as the origin. Alternatively, the head unit 10 sets an area for each seat, Note that the head unit 10 can also measure the position information of the tablet terminal 15 by the same operation.
  • the head unit 10 Upon receiving the position information, the head unit 10 performs volume balance or EQ adjustment of the speaker 1 based on the position information. For example, when the position information indicating that the musical instrument 100 is present in the driver seat 51 is received, the head unit 10 reduces the volume of the right speaker near the driver seat 51 and increases the volume of the left speaker. Adjust the sound from the left and right to reach the driver evenly. Further, since the driver's seat 51 is close to the engine of the automobile, the frequency characteristic of the performance sound is adjusted so that the performance sound is not masked by the engine sound.
  • an audio signal may be transmitted from the musical instrument 100 to the head unit 10 or the tablet terminal 15, but in the second embodiment, the musical instrument 100 transmits, for example, MIDI format data ( (Hereinafter referred to as “MIDI data”). Since MIDI data has a smaller data amount than an audio signal, it is suitable for wireless communication.
  • the musical instrument 100 is a MIDI device, and generates data described in the MIDI format (hereinafter referred to as “MIDI data”) according to the performance operation of the performer.
  • the MIDI device includes a jack (not shown) of a MIDI output terminal for outputting MIDI data, and outputs the generated MIDI data to an external device connected to the jack.
  • the musical instrument 100 is connected to the MIDI_I / F 13 of the head unit 10 and transmits MIDI data to the head unit 10.
  • the head unit 10 drives the MIDI sound source in the sound source 19 based on the input MIDI data to generate an audio signal.
  • the tablet terminal 15 may drive an internal sound source to generate an audio signal. In this case, the tablet terminal 15 transmits the generated audio signal to the head unit 10.
  • the musical instrument 100 is a performance data transmission device.
  • the head unit 10 or the tablet terminal 15 serves as a performance data receiving device.
  • Bluetooth registered trademark; hereinafter, a registered trademark is omitted for Bluetooth
  • FIG. 5 is a flowchart showing the operation of the acoustic method using a musical instrument.
  • a signal is output from an output terminal (not shown) provided in the musical instrument 100 to the input terminals 5 installed at a plurality of appropriate locations in the acoustic space.
  • the musical instrument 100 transmits a data signal to the input terminal 5 (S1).
  • the data signal from the musical instrument 100 is received at the input terminal 5 (S2).
  • a signal is output from the input terminal 5 to the head unit 10 (AV amplifier) (S3).
  • a signal is received by the head unit 10 (AV amplifier) (S4).
  • the head unit 10 (AV amplifier) adjusts the volume balance and EQ of each speaker 1 (S5).
  • step S5 may be performed before step S1.
  • a signal is output from the head unit 10 (AV amplifier) to the speakers 1 installed at a plurality of appropriate locations in the acoustic space (S6).
  • the head unit 10 (AV amplifier) balances the volume of each speaker 1 so that the optimum sound is set at a position corresponding to the input terminal 5 according to the connected input terminal 5. Or the sound in which EQ adjustment was performed is output from the speaker 1 (S7).
  • the electronic keyboard instrument is an example of the musical instrument 100, and other electronic musical instruments are within the scope of the present invention as long as they are suitable for performance indoors.
  • the interior of the vehicle 50 which is an acoustic space, is an example, and may be another interior of the vehicle 50 such as a living room, a conference room, an acoustic room, a studio, a music classroom, or a music room.
  • the wired communication between the output terminal of the musical instrument 100 and the input terminal 5 installed in the acoustic space is wired communication, but this is an example, and wireless communication by wireless connection such as Bluetooth is also possible.
  • the wired communication between the input terminal 5 and the head unit 10 is a wired connection, but this is an example, and wireless communication using a wireless connection such as Bluetooth is also possible.
  • the wired communication between the speaker 1 and the head unit 10 is performed by wired connection, but this is an example, and wireless communication by wireless connection such as Bluetooth is also possible.
  • the wired communication between the monitor 20 and the head unit 10 is wired, but this is an example, and wireless communication by wireless connection such as Bluetooth may be used.
  • the musical instrument 100 and the tablet terminal 15 are wirelessly connected by wireless connection, but this is an example, and wired communication by wired connection may be used.
  • the wired communication between the tablet terminal 15 and the head unit 10 is performed by wired connection, but this is an example, and wireless communication by wireless connection may be used.
  • the user performs volume balance setting or EQ adjustment of the speaker 1 using the monitor 20 with a built-in touch panel, and the volume of the speaker 1 using the operation panel of the head unit 10 or a display unit with a built-in touch panel.
  • Balance setting or EQ adjustment may be performed.
  • the user may perform volume balance setting or EQ adjustment of the speaker 1 also on a display unit with a built-in operation panel or touch panel of the tablet terminal 15.
  • the equalizer or the sound source box may be a type built in the head unit 10 or an external type.
  • FIG. 8 is a schematic plan view of the interior of the vehicle in the acoustic system according to the third embodiment. Components that are the same as those in FIG. 2 are denoted by the same reference numerals, and descriptions of the components having the same reference numerals are omitted.
  • FIG. 9 is a flowchart showing the operation of the sound system according to the third embodiment.
  • the acoustic system does not include the musical instrument 100 but includes two microphones 105 instead.
  • the number of microphones 105 is an example, and the acoustic system may include one or more microphones.
  • the user enjoys karaoke in the car by playing music using a CD player or the like and singing using the microphone 105.
  • the user is on the left rear seat side of the second row seat 53 and on the left rear seat side of the third row seat 54.
  • the CPU 14 of the head unit 10 detects the position of the listener in the interior space (S11).
  • the microphone 105 is connected to the input terminal 5 on the left rear seat side of the second row seat 53 and the input terminal 5 on the left rear seat side of the third row seat 54. Therefore, the CPU 14 detects the position of the listener on the left rear seat side of the second row seat 53 and on the left rear seat side of the third row seat 54. Thereby, CPU14 functions as a detection part which detects a listener's position.
  • the CPU 14 implements a signal processing part with the said DSP17 by making DSP17 perform various signal processing. For example, the CPU 14 adjusts the volume of the audio signal output to the speaker 1 existing in the vehicle interior according to the detected position of the listener (S12).
  • the CPU 14 controls the DSP 17 and the output I / F 22 and is acquired by the microphone 105 with respect to the speaker 1 on the left rear seat side of the second row seat 53 and the speaker 1 on the left rear seat side of the third row seat 54.
  • An audio signal related to the singing sound is output.
  • the head unit 10 adjusts the sound of a uniform volume from the left and right to reach the user by decreasing the volume of the left speaker and increasing the volume of the right speaker.
  • the head unit 10 lowers the level of the audio signal related to the singing sound for the speakers installed in the vicinity of the driver seat 51 and the passenger seat 52. However, the head unit 10 outputs audio signals output from a sound source such as a CD player to all the speakers 1, and allows the driver to listen only to music. As described above, the CPU 14 adjusts the volume balance of the audio signals of the plurality of channels in the mixer 21.
  • the CPU 14 adjusts the sound quality of the audio signal output to the speaker 1 existing in the vehicle interior according to the detected position of the listener (S13). For example, since the user of the seat 54 in the third row is close to the rear door of the automobile and there is a possibility that disturbance noise such as road noise is noticeable, the head unit 10 performs music and singing based on the frequency characteristics of the noise sound. Adjust the frequency characteristics of the sound. For example, the head unit 10 increases the level of the middle sound region (for example, 500 to 4 kHz or more). The frequency characteristics such as disturbance sound may be measured in advance, or may be acquired by acquiring an actual sound when no singing sound is input by the microphone 105.
  • the CPU 14 of the head unit 10 functions as an acoustic environment acquisition unit that acquires the acoustic environment at the listener's position using a microphone or the like.
  • the CPU 14 processes an audio signal to be output to a speaker existing in the vehicle interior according to the acoustic environment acquired by the acoustic environment acquisition unit.
  • the head unit 10 outputs the audio signal after the volume adjustment and the sound quality adjustment to the plurality of speakers 1 (S14).
  • the input unit 5 includes a plurality of input terminals 5 installed at predetermined locations in the vehicle interior space, and the detection unit (CPU 14) is an input terminal to which a device such as a microphone is connected.
  • the detection unit CPU 14
  • the position of the listener by detecting the position of the microphone 105 from the time difference from when the head unit 10 outputs the measurement sound from each speaker 1 until the microphone 105 acquires the measurement sound. It is.
  • the input terminal 5 is not essential.
  • the acoustic system of the present embodiment can be applied to other in-car entertainment.
  • the acoustic system includes the above-described tablet terminal 15, an information processing device such as a smartphone, a portable game machine, or an educational toy (tablet toy) having an audio signal output terminal. It may be. Also in this case, the head unit 10 detects a listener at a position corresponding to the input terminal 5 to which a device such as a microphone is connected among the plurality of input terminals 5. Alternatively, the head unit 10 outputs the measurement sound from each speaker 1 and detects the position of each device from the time difference until the measurement sound is acquired by the microphone (not shown) of each device, and the position of the listener Can be detected. In this case, the plurality of input terminals 5 are not essential. An audio device such as a tablet terminal 15, an information processing apparatus such as a smartphone, a portable game machine, or an educational toy (tablet toy) equipped with an audio signal output terminal may be wirelessly connected to the head unit 10.
  • an audio device such as a tablet terminal 15, an information processing apparatus such as a smartphone, a portable game machine
  • FIG. 10 is a schematic plan view of the interior of the vehicle in the acoustic system according to the first modification.
  • FIG. 11 is a block diagram illustrating a functional configuration of the DSP 17 in the acoustic system according to the first modification.
  • FIG. 12 is a flowchart showing the operation of the acoustic system according to the first modification.
  • the acoustic system according to Modification 1 forms directivity as another example of audio signal processing (S131).
  • the DSP 17 functionally includes a directivity forming unit 171.
  • the directivity forming unit 171 distributes the input audio signal of each channel to the plurality of speakers 1.
  • the directivity forming unit 171 controls the delay amount of the audio signal supplied to the plurality of speakers 1 to form a predetermined directivity in the sound output from the speakers 1.
  • the directivity forming unit 171 sends audio signals supplied to the plurality of speakers 1 to the position of the listener (for example, the left rear seat side of the second row seat 53) and each speaker 1. Delay according to the distance.
  • the directivity forming unit 171 virtually changes the distance from the listener's position to the speaker 1. Since the sound output from each speaker 1 arrives at the same timing at the listener's position, it is heard as a high-level sound. Even when the volume of the audio signal of each speaker 1 is low, the listener at the listener's position can listen to a certain volume, and the listener at other positions can hear (or hardly hear) the volume at a low level. ).
  • each user in the vehicle can listen to only his / her desired sound at a high level without letting other users listen to the sound.
  • a user who performs karaoke can listen only to himself / herself without letting others hear his / her singing sound.
  • a voice call device such as a smartphone
  • only the content of the message from the outside can be heard.
  • FIG. 13 is a block diagram showing a functional configuration of the DSP 17 in the acoustic system according to the second modification.
  • FIG. 14 is a flowchart showing the operation of the acoustic system according to the second modification.
  • the acoustic system according to Modification 2 performs echo cancellation processing as another example of audio signal processing (S150).
  • the DSP 17 functionally includes an echo removal unit 172.
  • the echo removal unit 172 inputs an audio signal to be output to the speaker 1.
  • the echo removal unit 172 performs echo removal processing using an adaptive filter, for example.
  • the echo removing unit 172 estimates a feedback component in which the sound output from the speaker 1 reaches the microphone 105 through the acoustic space in the vehicle.
  • the echo removing unit 172 estimates the feedback component by processing the audio signal output to the speaker 1 with an FIR filter that simulates the impulse response in the acoustic space in the vehicle.
  • the echo removing unit 172 removes the estimated feedback component from the signal acquired by the microphone 105.
  • the echo removal unit 172 updates the filter coefficient of the FIR filter using an adaptive algorithm such as LMS or RLS.
  • the echo cancellation process may be performed before the directivity forming process, but the echo cancellation process may be performed individually using, for example, an audio signal output to each speaker 1.
  • the head unit 10 can cancel not only the voice of the call destination received from the outside but also the sound from the sound source such as the playback sound of the CD player. Therefore, even if the listener makes a call with the outside while listening to the reproduction sound of the CD player, the reproduction sound of the CD player or the like is not transmitted to the outside. Therefore, the outside caller can clearly hear only the voice uttered by the listener.
  • the listener may use a headphone as an example of another speaker.
  • the listener can selectively listen only to the sound he / she wants to listen to.
  • the head unit 10 gives the speaker 1 the reproduction sound of the CD player and the singing sound acquired by the microphone 105 to the listener on the left rear seat side of the second row seat 53. Output from.
  • the head unit 10 outputs an audio signal related to the voice from the call party to a headphone (not shown) used on the left rear seat side of the third row seat 54.
  • a headphone not shown
  • the listener on the left rear seat side of the second row seat 53 can talk while the listener on the left rear seat side of the third row seat 54 enjoys karaoke. Whether or not headphones are used is determined by manual input from the user.
  • noise cancellation processing is suitable.
  • the head unit 10 uses the noise sound acquired by the microphone 105 on the left rear seat side of the third row seat 54. Noise cancellation processing.
  • the acoustic system according to Modification 3 relates to sound masking.
  • the head unit 10 outputs a masker sound to a specific user (for example, a driver) in the vehicle.
  • a masker sound is output from the speaker 1 on the driver's seat 51 side so that the content cannot be understood.
  • the masker sound is preferably composed of a disturbing sound that disturbs the sound to be masked, a background sound that is continuously generated, and an effect sound that is generated intermittently.
  • the disturbing sound is obtained by modifying a human voice on the time axis or the frequency axis so as to make no meaning in terms of vocabulary (the contents cannot be understood).
  • the background sound is a sound that is difficult for the listener to pay attention and has no unpleasant feeling, such as a stream of a stream or a buzz of trees.
  • the production sound is a high performance sound such as a musical sound generated intermittently. The production sound draws the attention of the listener and makes the unpleasantness of the disturbing sound inconspicuous. By making the driver listen to a masker sound that combines these disturbing sounds, background sounds, and production sounds, it is possible to reduce driver discomfort while masking the conversation contents of the user in the rear seat. .
  • FIG. 15 is a schematic plan view of the interior of the vehicle in the acoustic system according to the fourth modification.
  • the acoustic system according to the modification 4 virtually localizes a sound image at a predetermined position around the listener.
  • Virtual localization is performed by a head-related transfer function (HRTF).
  • the head-related transfer function indicates a transfer function between the sound source position and the listener's ear.
  • the head-related transfer function is an impulse response that represents the volume, arrival time, frequency characteristics, and the like of the sound from the virtual speaker installed at a certain position to the left and right ears.
  • the head unit 10 gives a head-related transfer function from the position of the monitor 20 to the left and right ears to the center channel audio signal when the user is viewing the movie content.
  • Virtual localization based on the head-related transfer function is suitable when the user uses headphones.
  • the virtual localization based on the head-related transfer function is also suitable when the speaker 1 is installed in the immediate vicinity of the user such as a headrest.
  • the sound image of the center channel is virtually localized at the position on the monitor 20, so that the user can perform a plan view of the interior of the vehicle in the acoustic system according to the fifth modification.
  • the acoustic system according to the modified example 5 reproduces a pseudo reflected sound 501 that simulates a reflected sound generated in an acoustic space such as a concert hall, so that it can be present in another space such as an actual concert hall while in the vehicle. This is what makes the listener feel the feeling.
  • the head unit 10 convolves an audio signal with an impulse response corresponding to an acoustic space (for example, a concert hall) selected by the user.
  • the head unit 10 generates the pseudo reflected sound 501 at a plurality of positions as shown in FIG. 16 by changing the gain ratio and the delay amount of the signal supplied to each speaker 1.
  • the user is also suitable for the process according to the modified example 5 when the user uses headphones or when the speaker 1 is installed in the immediate vicinity of the user such as a headrest.

Abstract

This acoustic system is provided with a detection unit and a signal processing unit. The detection unit detects the position of a listener in the interior space of the vehicle. In accordance with the position of the listener detected by the detection unit, the signal processing unit processes an audio signal to be outputted to a speaker present in the interior space of the vehicle.

Description

楽器を用いた音響システム、楽器を用いた音響方法、音響機器、及び音響システムAcoustic system using musical instrument, acoustic method using musical instrument, acoustic apparatus, and acoustic system
 本発明の一実施形態は、車内における音響空間に出力する音を調整する技術に関する。 An embodiment of the present invention relates to a technique for adjusting sound output to an acoustic space in a vehicle.
 従来より、車両を含む室内で音楽を再生するオーディオシステムが提案されている。 Conventionally, an audio system for playing music in a room including a vehicle has been proposed.
 自動車の室内に関しては、例えば、特開2006-109479号公報には、a)音声信号を生成する音源と、b)音源に結合される制御器と、c)制御器に結合される第1の複数の変換器と、d)制御器に結合される第2の複数の変換器とを備え、前記制御器は、ユーザ入力に応じて、第1及び第2の信号処理動作の1つで音声信号を変更し、前記第1の信号処理動作は、乗り物内部で聴取するために音声信号を構成し、前記第2の信号処理動作は、乗り物外部で聴取するために音声信号を構成し、前記第1の複数の変換器は、第1信号処理動作によって乗り物内部で聴取するように構成された音声信号によって駆動され、前記第2の複数の変換器は、第2信号処理動作によって乗り物外部で聴取するように構成された音声信号によって駆動されることを特徴とする自動車のオーディオシステムが記載されている。 Regarding the interior of an automobile, for example, in Japanese Patent Application Laid-Open No. 2006-109479, a) a sound source that generates an audio signal, b) a controller coupled to the sound source, and c) a first coupled to the controller. A plurality of transducers and d) a second plurality of transducers coupled to the controller, the controller in response to a user input in one of the first and second signal processing operations. Changing the signal, the first signal processing operation constitutes an audio signal for listening inside the vehicle, and the second signal processing operation constitutes an audio signal for listening outside the vehicle; The first plurality of transducers is driven by an audio signal configured to listen inside the vehicle by a first signal processing operation, and the second plurality of transducers are external to the vehicle by a second signal processing operation. By an audio signal configured to listen Car audio system, characterized in that it is dynamic is described.
特開2006-109479号公報JP 2006-109479 A
 しかし、車内の聴取者は、運転者だけの場合もあれば、運転者以外の同乗者がいる場合もある。また、オーディオソースは、CDプレーヤ等の予め自動車に搭載されている機器に限らない。聴取者は、例えば、楽器、マイク、スマートフォン、ゲーム機器、又は玩具等の多種多様な機器を用いて、車内で音を聴く場合がある。 However, the listener in the car may be only the driver or there may be passengers other than the driver. Also, the audio source is not limited to a device such as a CD player that is previously installed in an automobile. The listener may listen to the sound in the vehicle using various devices such as a musical instrument, a microphone, a smartphone, a game device, or a toy, for example.
 したがって、車内において、音を聴く環境は様々であり、車内の環境に応じて適切に音の調整を行うことが望まれる。 Therefore, there are various environments for listening to sounds in the vehicle, and it is desirable to adjust the sound appropriately according to the environment in the vehicle.
 そこで、本発明の一実施形態は、車内の環境に応じて適切に音の調整を行なうことを目的とする。 Therefore, an object of one embodiment of the present invention is to appropriately adjust sound according to the environment in the vehicle.
 本発明の一実施形態に係る音響機器は、検出部と、信号処理部と、を備えている。検出部は、車内空間の聴取者の位置を検出する。信号処理部は、前記検出部で検出した前記聴取者の位置に応じて、前記車内空間に存在するスピーカに出力する信号の処理を行なう。 The acoustic device according to an embodiment of the present invention includes a detection unit and a signal processing unit. The detection unit detects the position of the listener in the vehicle interior space. The signal processing unit performs processing of a signal output to a speaker existing in the interior space according to the position of the listener detected by the detection unit.
 音響システムは、車内の環境に応じて適切に音の調整を行なうことができる。 The sound system can adjust the sound appropriately according to the environment in the car.
楽器の一例である電子鍵盤楽器の斜視図である。It is a perspective view of the electronic keyboard musical instrument which is an example of a musical instrument. 第1実施形態に係る車内の模式的な平面図である。It is a typical top view in the car concerning a 1st embodiment. 第2実施形態に係る車内の模式的な平面図である。It is a typical top view in the car concerning a 2nd embodiment. 第1実施形態に係る音響システムの構成を示すブロック図である。It is a block diagram which shows the structure of the acoustic system which concerns on 1st Embodiment. 音響システムの動作を示すフローチャートである。It is a flowchart which shows operation | movement of an acoustic system. 第1実施形態に係る車内の模式的な平面図である。It is a typical top view in the car concerning a 1st embodiment. ヘッドユニット10の構成を示すブロック図である。2 is a block diagram showing a configuration of a head unit 10. FIG. 第3実施形態に係る音響システムにおける、車内の模式的な平面図である。It is a typical top view in a car in an acoustic system concerning a 3rd embodiment. 第3実施形態に係る音響システムの動作を示すフローチャートである。It is a flowchart which shows operation | movement of the acoustic system which concerns on 3rd Embodiment. 変形例1に係る音響システムにおける、車内の模式的な平面図である。It is a typical top view in a car in an acoustic system concerning modification 1. 変形例1に係る音響システムにおける、DSP17の機能的構成を示すブロック図である。FIG. 11 is a block diagram showing a functional configuration of a DSP 17 in an acoustic system according to Modification Example 1. 変形例1に係る音響システムの動作を示すフローチャートである。10 is a flowchart illustrating an operation of an acoustic system according to Modification Example 1. 変形例2に係る音響システムにおける、DSP17の機能的構成を示すブロック図である。FIG. 11 is a block diagram showing a functional configuration of a DSP 17 in an acoustic system according to modification example 2. 変形例2に係る音響システムの動作を示すフローチャートである。10 is a flowchart illustrating an operation of an acoustic system according to Modification Example 2. 変形例4に係る音響システムにおける、車内の模式的な平面図である。It is a typical top view in a car in an acoustic system concerning modification 4. 変形例5に係る音響システムにおける、車内の模式的な平面図である。FIG. 10 is a schematic plan view inside a vehicle in an acoustic system according to Modification Example 5.
 先ず、第1実施形態に係る音響システムについて、図1、図2、及び図4に基づき説明する。 First, the acoustic system according to the first embodiment will be described with reference to FIG. 1, FIG. 2, and FIG.
 本発明に係る音響システムは、図1、図2、及び図4に示すように、基本的には、楽器100、入力端子5、スピーカ1、ヘッドユニット10(AVアンプ等)、及びモニタ20等から構成されている。 As shown in FIGS. 1, 2 and 4, the acoustic system according to the present invention basically includes a musical instrument 100, an input terminal 5, a speaker 1, a head unit 10 (AV amplifier, etc.), a monitor 20, and the like. It is composed of
 楽器100は、図1で図示するような、筐体101をコンパクトにすることによって持ち運びが可能な電子鍵盤楽器であることが望ましい。この楽器100の背面102等には、信号、又は音響データ等を出力するための出力端子(不図示)が備えられている。この出力端子は、フォーンプラグ(フォーン端子等)を挿入することができるフォーンジャックの他、USB(登録商標。以下、USBについて登録商標という付記を省略する)ケーブルを挿入することができるUSB端子であってもよい。USB端子である場合、利用者は、USBケーブルを介して楽器100に給電を行いつつ、楽器100を演奏することができて便利である。 The musical instrument 100 is desirably an electronic keyboard musical instrument that can be carried by making the housing 101 compact as shown in FIG. An output terminal (not shown) for outputting a signal, acoustic data, or the like is provided on the back surface 102 of the musical instrument 100 or the like. This output terminal is a USB terminal into which a USB (registered trademark, hereinafter abbreviated as a registered trademark) USB cable can be inserted in addition to a phone jack into which a phone plug (phone terminal etc.) can be inserted. There may be. In the case of the USB terminal, the user can conveniently play the musical instrument 100 while supplying power to the musical instrument 100 via the USB cable.
 入力端子5及びスピーカ1は、音響空間(室内)の複数個所に設置される。音響空間とは、図2及び図3で図示しているように、車両50の音響空間、すなわち、車両50の室内である。運転者及び運転者以外の同乗者は、ドライブ等において、目的地によっては、車両50の室内で長時間を過ごす必要がある。運転者は運転に集中しなければいけない一方で、運転者以外の同乗者は移動中の時間を有効に活用したいと考えるのが通常である。また、近年は自動車の自動運転技術に関する研究開発が進展しており、運転者が運転から解放される日も遠い将来のことではない。目的地までの移動中の時間の有効活用は運転者及び同乗者にとっての関心事である。この時間の有効活用として、また、移動中の車両50内での充実した時間の過ごし方として、車両50内において楽器100の演奏を行うことが考えられる。 The input terminal 5 and the speaker 1 are installed at a plurality of locations in the acoustic space (in the room). As illustrated in FIGS. 2 and 3, the acoustic space is an acoustic space of the vehicle 50, that is, an interior of the vehicle 50. The driver and passengers other than the driver need to spend a long time in the vehicle 50 depending on the destination in driving or the like. While the driver must concentrate on driving, passengers other than the driver usually want to make effective use of the traveling time. In recent years, research and development related to automatic driving technology for automobiles has progressed, and the day when drivers are released from driving is not a distant future. Effective use of time while traveling to the destination is a concern for drivers and passengers. As an effective use of this time, and as a way of spending full time in the moving vehicle 50, it is conceivable to perform the musical instrument 100 in the vehicle 50.
 スピーカ1は、図2及び図3で図示したように、例えば、運転席51側、助手席52側の各ドアの内側に設置することが望ましい。また、二列目シート53にあっては、右後部座席側、左後部座席側の各ドアの内側に設置するのが望ましい。また、三列目シート54にあっては、左右後方に設置する例も挙げられる。その他、例えば、各座席付近の天井面に天吊りタイプのサテライトスピーカを設置してもよいし、また、天井面にスピーカ1を埋め込んでもよい。 As shown in FIGS. 2 and 3, the speaker 1 is desirably installed inside the doors on the driver seat 51 side and the passenger seat 52 side, for example. Further, in the second row seat 53, it is desirable to install it inside each door on the right rear seat side and the left rear seat side. Moreover, in the 3rd row | line seat 54, the example installed in right and left back is also mentioned. In addition, for example, a ceiling suspended satellite speaker may be installed on the ceiling surface near each seat, or the speaker 1 may be embedded in the ceiling surface.
 スピーカ1は、どのような種類であってもよい。例えば、全てのスピーカ1が全帯域用のフルレンジスピーカであってもよいし、各スピーカ1が特定範囲の周波数に特化したような、超低音域用のサブウーファー、低音域用のウーファー、中低音域用のミッドバス、中音域用のスコーカー、高音域用のツイーター、又は超高音域用のスーパーツイーターであってもよい。また、スピーカ1の数は、1つであっても、複数であってもよい。図2及び図3ではスピーカ1の数は6個であるが、これ以上であってもこれ以下であってもよい。 The speaker 1 may be of any kind. For example, all speakers 1 may be full-range speakers for the entire band, or subwoofers for ultra-low frequencies, woofers for low-frequency ranges, each speaker 1 specializing in a specific range of frequencies, It may be a mid bass for a low frequency range, a squawker for a mid range, a tweeter for a high range, or a super tweeter for a super high range. Further, the number of speakers 1 may be one or plural. 2 and 3, the number of speakers 1 is six, but it may be more or less.
 上述したように、本発明の一実施形態は、音響空間(室内)として車両50の室内を想定しているため、車載用音響装置について説明する。 As described above, since an embodiment of the present invention assumes the interior of the vehicle 50 as an acoustic space (indoor), an in-vehicle acoustic device will be described.
 車載用音響装置として、本実施形態では、ヘッドユニット10を示す。ヘッドユニット10は、自動車等の乗り物に搭載される音響機器の1種である。図7は、ヘッドユニット10の構成を示すブロック図である。 In this embodiment, the head unit 10 is shown as an on-vehicle acoustic device. The head unit 10 is one type of audio equipment mounted on a vehicle such as an automobile. FIG. 7 is a block diagram showing a configuration of the head unit 10.
 ヘッドユニット10は、通信部12、MIDI_I/F13、CPU14、ROM115、RAM16、DSP17、入力I/F18、音源19、バス200、ミキサ21、および出力I/F22を備えている。 The head unit 10 includes a communication unit 12, a MIDI_I / F 13, a CPU 14, a ROM 115, a RAM 16, a DSP 17, an input I / F 18, a sound source 19, a bus 200, a mixer 21, and an output I / F 22.
 通信部12、MIDI_I/F13、CPU14、ROM115、RAM16、DSP17、入力I/F18、音源19、ミキサ21、および出力I/F22は、バス200を介して接続される。また、入力I/F18には、入力端子5が接続される。出力I/F22には、モニタ20及びスピーカ1が接続される。 The communication unit 12, MIDI_I / F 13, CPU 14, ROM 115, RAM 16, DSP 17, input I / F 18, sound source 19, mixer 21, and output I / F 22 are connected via a bus 200. The input terminal 5 is connected to the input I / F 18. The monitor 20 and the speaker 1 are connected to the output I / F 22.
 CPU14は、記憶媒体であるROM115に記憶されているプログラムをRAM16に読み出し、ヘッドユニット10を統括的に制御する。 CPU14 reads the program memorize | stored in ROM115 which is a storage medium to RAM16, and controls the head unit 10 centralizedly.
 例えば、CPU14は、音源19から出力されるオーディオ信号をミキサ21に入力する。また、CPU14は、入力I/F18から入力したオーディオ信号をミキサ21に入力する。ミキサ21は、音源19から出力されるオーディオ信号と入力I/F18から入力したオーディオ信号とをミキシングする。CPU14は、ミキサ21でミキシングされたオーディオ信号をDSP17に入力する。DSP17は、入力したオーディオ信号の音量又は音質を調整する。音質調整は、例えば周波数特性の調整である。DSP17は、音質調整をした後のオーディオ信号を増幅し、出力I/F22に出力する。CPU14は、DSP17および出力I/F22を制御して、複数のスピーカ1に供給する、複数のオーディオ信号の音量及び音質を個別に制御する。 For example, the CPU 14 inputs an audio signal output from the sound source 19 to the mixer 21. Further, the CPU 14 inputs the audio signal input from the input I / F 18 to the mixer 21. The mixer 21 mixes the audio signal output from the sound source 19 and the audio signal input from the input I / F 18. The CPU 14 inputs the audio signal mixed by the mixer 21 to the DSP 17. The DSP 17 adjusts the volume or sound quality of the input audio signal. The sound quality adjustment is, for example, adjustment of frequency characteristics. The DSP 17 amplifies the audio signal after adjusting the sound quality and outputs it to the output I / F 22. The CPU 14 controls the DSP 17 and the output I / F 22 to individually control the volume and sound quality of the plurality of audio signals supplied to the plurality of speakers 1.
 音源19は、複数のオーディオソースを有している。音源19は、オーディオソースとして、例えば、FMチューナ、AMチューナ、CDプレーヤ、MDプレーヤ、磁気カセットデッキ、AUX端子、DVDプレーヤ、ハードディスクドライブ、又はTVチューナなどを有する。 The sound source 19 has a plurality of audio sources. The sound source 19 includes, for example, an FM tuner, an AM tuner, a CD player, an MD player, a magnetic cassette deck, an AUX terminal, a DVD player, a hard disk drive, or a TV tuner as an audio source.
 ヘッドユニット(AVアンプ)10には、複数のオーディオソースに対応する複数のチャンネルを備えており、ミキサ21によってこれら複数のチャンネルをミキシングすることができる。したがって、例えば、CDプレーヤで音楽を再生し、その音楽に合わせて楽器100を演奏することができる。また、複数人で電子鍵盤楽器等の楽器100を演奏する際、音程をユニゾンさせて楽しむことができる。また、CDプレーヤで音楽を再生し、その音楽に合わせて歌唱を行ない、カラオケを楽しむこともできる。 The head unit (AV amplifier) 10 is provided with a plurality of channels corresponding to a plurality of audio sources, and the plurality of channels can be mixed by the mixer 21. Therefore, for example, music can be reproduced by a CD player, and the musical instrument 100 can be played in accordance with the music. In addition, when a musical instrument 100 such as an electronic keyboard instrument is played by a plurality of people, the pitch can be enjoyed with unison. It is also possible to play music on a CD player, sing along with the music, and enjoy karaoke.
 図2及び図3で図示したように、モニタ20は、二列目シート53側に向けて配設されている。モニタ20は、各スピーカ1の音量バランス又はEQ調整等に関する情報を表示する。ユーザは、モニタ20に内蔵されたタッチパネル(不図示)またはその他のユーザインタフェースを介して各スピーカ1の音量バランス又はEQ調整等を行うこともできる。この場合、ヘッドユニット10は、各スピーカ1の音量バランス又はEQ調整等を受け付ける調整受付部として機能する。 2 and 3, the monitor 20 is disposed toward the second row sheet 53 side. The monitor 20 displays information related to the volume balance or EQ adjustment of each speaker 1. The user can also perform volume balance or EQ adjustment of each speaker 1 via a touch panel (not shown) built in the monitor 20 or other user interface. In this case, the head unit 10 functions as an adjustment receiving unit that receives volume balance or EQ adjustment of each speaker 1.
 入力端子5は、図2で示したように、運転席51側及び助手席52側の各ドアに設置されたスピーカ1の近傍に設置することが望ましい。また、入力端子5は、二列目シート53においては、右後部座席側及び左後部座席側の各ドアに設置されたスピーカ1の近傍に設置することが望ましい。あるいは、入力端子5は、スピーカ1の筐体(不図示)の一部に配置されていてもよい。スピーカ1の筐体に配置する場合、音響空間において入力端子5を配置するための加工が不要となるため、加工を最小限に抑えることができる。換言すると、ユーザは、通常のスピーカ1を入力端子5付きのスピーカ1に取り替えるだけで入力端子5と楽器100を接続して演奏することができるため、音響空間への入力端子5の設置の容易化を図ることができる。ただし、入力端子5は、スピーカ1が設置された箇所とは全く別の箇所に配置されていてもよい。 As shown in FIG. 2, the input terminal 5 is preferably installed in the vicinity of the speaker 1 installed in each door on the driver's seat 51 side and the passenger seat 52 side. Further, in the second row seat 53, the input terminal 5 is desirably installed in the vicinity of the speaker 1 installed at each door on the right rear seat side and the left rear seat side. Alternatively, the input terminal 5 may be arranged on a part of the casing (not shown) of the speaker 1. In the case where the speaker 1 is arranged in the housing, the processing for arranging the input terminal 5 in the acoustic space is not necessary, so that the processing can be minimized. In other words, the user can connect and play the input terminal 5 and the musical instrument 100 simply by replacing the normal speaker 1 with the speaker 1 with the input terminal 5, so that the input terminal 5 can be easily installed in the acoustic space. Can be achieved. However, the input terminal 5 may be arranged at a location completely different from the location where the speaker 1 is installed.
 入力端子5は、楽器100に備えられた出力端子と有線接続による有線通信を行なう。したがって、ユーザが、楽器100に備えられた出力端子と車両50の室内に設置した入力端子5とをアナログオーディオケーブルで接続すると、楽器100およびヘッドユニット10は、アナログ通信が可能となる。また、ユーザが、楽器100に備えられた出力端子と車両50の室内に設置した入力端子5とをUSBケーブルで接続した場合は、楽器100およびヘッドユニット10は、デジタル通信が可能となる。 The input terminal 5 performs wired communication with the output terminal provided in the musical instrument 100 by wired connection. Therefore, when the user connects the output terminal provided in the musical instrument 100 and the input terminal 5 installed in the room of the vehicle 50 with the analog audio cable, the musical instrument 100 and the head unit 10 can perform analog communication. When the user connects the output terminal provided in the musical instrument 100 and the input terminal 5 installed in the room of the vehicle 50 with a USB cable, the musical instrument 100 and the head unit 10 can perform digital communication.
 また、図6に示すように、音響システムは、入力端子5にセンサ付きの蓋70を有してもよい。ヘッドユニット10は、蓋70の状態に応じて入力をミュートする。例えば、ヘッドユニット10は、蓋70が動いたことをセンサで検出し、入力をミュートする。また、ヘッドユニット10は、静電容量センサを用いる事で蓋70又は入力端子5を指で触れたことを検出し、入力をミュートしてもよい。また、ヘッドユニット10は、演奏開始時に音が途切れる等の誤動作防止のため、ある程度の音量の音が入力されている状態では、ミュートしない、又はミュートを解除してもよい。このような構成とすることによって、入力端子5からフォーンプラグ等を抜き差しする際の不快な音の発生を解消することができる。蓋70は、例えば、入力端子5の入口付近、入力端子5内等に設けられる。 Also, as shown in FIG. 6, the acoustic system may have a lid 70 with a sensor on the input terminal 5. The head unit 10 mutes the input according to the state of the lid 70. For example, the head unit 10 detects that the lid 70 has moved by a sensor and mutes the input. Further, the head unit 10 may detect that the cover 70 or the input terminal 5 is touched with a finger by using a capacitance sensor, and may mute the input. Further, the head unit 10 may not be muted or may be unmuted in a state in which a sound of a certain volume is input in order to prevent malfunction such as sound being interrupted at the start of performance. By adopting such a configuration, it is possible to eliminate the generation of unpleasant sound when a phone plug or the like is inserted or removed from the input terminal 5. The lid 70 is provided, for example, near the entrance of the input terminal 5 or in the input terminal 5.
 また、図6に示すように、音響システムは、入力端子5の近傍にスイッチ80を備えていてもよい。スイッチ80は、ユーザから、演奏者の着座している位置の指定を受け付ける。スイッチ80は、例えば、コンソールボックスに設置される。ユーザは、例えば後部座席(二列目シート53)に着座して楽器100を演奏する場合、左側、中程、及び右側等着座する位置を指定することができる。ヘッドユニット10は、指定された位置に応じて音の調整を行なう。 Further, as shown in FIG. 6, the acoustic system may include a switch 80 in the vicinity of the input terminal 5. The switch 80 receives designation of the position where the performer is seated from the user. The switch 80 is installed in a console box, for example. For example, when the user plays the musical instrument 100 while sitting on the rear seat (second row seat 53), the user can specify the left, middle, right side, and the like. The head unit 10 adjusts the sound according to the designated position.
 楽器100、ヘッドユニット10、又は後述するタブレット端末15等のうちいずれか一以上は、音源を備える。また、MIDI(Musical Instruments Digital Interface 登録商標。以下、MIDIについて登録商標という付記を省略する)データを発生させて出力するMIDIデータ発生器、又はMIDIデータに基づいてデジタルオーディオ信号を生成して出力する音源回路等を備えた音源ボックス(不図示)が音源となる場合もある。ユーザは、音源ボックスを各種音響装置と接続することによって、オーディオ信号を発生させてヘッドユニット10に送信させることができる。なお、音源ボックスは、ミキサに搭載されてもよい。 Any one or more of the musical instrument 100, the head unit 10, or the tablet terminal 15 described later includes a sound source. In addition, MIDI (Musical Instruments Digital Interface registered trademark. The following is abbreviated as MIDI registered trademark) data is generated and output, or a digital audio signal is generated and output based on MIDI data. A sound source box (not shown) provided with a sound source circuit or the like may be a sound source. The user can generate an audio signal and transmit it to the head unit 10 by connecting the sound source box to various sound devices. The sound source box may be mounted on the mixer.
 入力端子5及びヘッドユニット10(AVアンプ)は、各種ケーブル等によって有線接続される。また、スピーカ1及びヘッドユニット10は、各種ケーブル等によって有線接続される。 The input terminal 5 and the head unit 10 (AV amplifier) are wired by various cables. Further, the speaker 1 and the head unit 10 are wired by various cables or the like.
 以上のように、楽器100に備えられた出力端子と車両50の室内に設置した入力端子5とが有線接続され、この入力端子5とヘッドユニット10とが有線接続される。また、スピーカ1とヘッドユニット10とが有線接続される。さらに、モニタ20とヘッドユニット10とが接続される。ただし、モニタ20とヘッドユニット10との間は有線通信である。 As described above, the output terminal provided in the musical instrument 100 and the input terminal 5 installed in the room of the vehicle 50 are connected by wire, and the input terminal 5 and the head unit 10 are connected by wire. Further, the speaker 1 and the head unit 10 are connected by wire. Further, the monitor 20 and the head unit 10 are connected. However, wired communication is performed between the monitor 20 and the head unit 10.
 次に、車両50の室内における音響空間において最適な音の設定となるように、ヘッドユニット10が行なう、各スピーカ1の音量バランス又はEQ調整の例について説明する。 Next, an example of the volume balance or EQ adjustment of each speaker 1 performed by the head unit 10 will be described so that the optimum sound is set in the acoustic space inside the vehicle 50.
 例えば、演奏者が右側後部座席に着座して演奏する場合を説明する。この場合、右側後部座席側のスピーカ1は演奏者の近傍にあるため、音が小さいほうが望ましい。一方、反対側の左側後部座席側のスピーカ1は演奏者から離れているので、演奏者が音を聴きやすくするために、右側後部座席側のスピーカ1の音量よりも大きくすることが好ましい。また、運転席51側及び助手席52側のスピーカ1に関しては、演奏者が着座するところから離れているため、特に大きくする必要はない場合もある。 For example, a case where a performer sits on the right rear seat and performs is described. In this case, since the speaker 1 on the right rear seat side is in the vicinity of the performer, it is desirable that the sound is low. On the other hand, since the speaker 1 on the left rear seat side on the opposite side is away from the performer, it is preferable to make it louder than the speaker 1 on the right rear seat side in order to make it easier for the performer to hear the sound. Further, the speaker 1 on the driver's seat 51 side and the passenger seat 52 side is far from where the performer is seated, so there is a case where it is not necessary to increase the size.
 ヘッドユニット10は、搭載したDSP等の信号処理機能によりEQ(イコライザー)を実現することによって、周波数特性を補正することができる。すなわち、ヘッドユニット10は、各スピーカ毎に演奏者の好みの音となるように調整して設定することができる。 The head unit 10 can correct the frequency characteristics by realizing an EQ (equalizer) by a signal processing function such as a mounted DSP. That is, the head unit 10 can be adjusted and set for each speaker so as to be a sound preferred by the performer.
 例えば、運転席51及び助手席52は、自動車のエンジンに近い。そのため、ヘッドユニット10は、エンジン音の周波数特性に応じて、演奏音がエンジン音にマスキングされないように、演奏音の周波数特性を調整する。例えば、高音領域(例えば4kHz以上)においてエンジン音のレベルが高い場合、ヘッドユニット10は、エンジン音により高音がマスキングされないようにするため、演奏音の高音のレベルを高くする。また、二列目シート53及び三列目シート54は、エンジン音は目立たないが、ロードノイズ等の外乱音が目立つ場合がある。そのため、ヘッドユニット10は、ロードノイズ等の外乱音の周波数特性に応じて、演奏音が外乱音にマスキングされないように、演奏音の周波数特性を調整する。例えば、中音領域(例えば500~4kHz以上)において外乱音のレベルが高い場合、ヘッドユニット10は、外乱音により中音がマスキングされないようにするため、演奏音の中音のレベルを高くする。 For example, the driver seat 51 and the passenger seat 52 are close to an automobile engine. Therefore, the head unit 10 adjusts the frequency characteristic of the performance sound so that the performance sound is not masked by the engine sound according to the frequency characteristic of the engine sound. For example, when the engine sound level is high in a high sound region (for example, 4 kHz or more), the head unit 10 increases the high sound level of the performance sound so that the high sound is not masked by the engine sound. In addition, the second row seat 53 and the third row seat 54 do not stand out the engine sound, but may cause a disturbance noise such as road noise. Therefore, the head unit 10 adjusts the frequency characteristic of the performance sound so that the performance sound is not masked by the disturbance sound according to the frequency characteristic of the disturbance noise such as road noise. For example, when the level of the disturbance sound is high in the middle sound region (for example, 500 to 4 kHz or more), the head unit 10 increases the level of the middle sound of the performance sound so that the middle sound is not masked by the disturbance sound.
 エンジン音及び外乱音等の周波数特性は、予め運転席51及び助手席52において測定しておいてもよいし、各座席に設置されたマイクで実際の音を取得することで周波数特性を取得してもよい。また、ヘッドユニット10は、エンジン回転数又は車速に応じて、周波数特性を推定してもよい。この場合、ヘッドユニット10は、車両のOBD(On-board diagnostics)コネクタに接続され、エンジン回転数又は車速の情報を取得する。そして、ヘッドユニット10は、予めエンジン回転数又は車速の情報に、ノイズ音の周波数特性を対応付けて、ROM115等の記憶媒体に記憶しておく。ヘッドユニット10は、取得した現在のエンジン回転数又は車速の情報で、ノイズ音の周波数特性を読み出して、オーディオ信号の周波数特性を調整する。 The frequency characteristics such as engine noise and disturbance noise may be measured in advance in the driver's seat 51 and the passenger seat 52, or the frequency characteristics are acquired by acquiring actual sounds with microphones installed in each seat. May be. Further, the head unit 10 may estimate the frequency characteristics according to the engine speed or the vehicle speed. In this case, the head unit 10 is connected to an OBD (On-board diagnostics) connector of the vehicle and acquires information on the engine speed or the vehicle speed. The head unit 10 stores the frequency characteristics of the noise sound in advance in the storage medium such as the ROM 115 in association with the information on the engine speed or the vehicle speed. The head unit 10 reads the frequency characteristic of the noise sound and adjusts the frequency characteristic of the audio signal based on the acquired information on the current engine speed or vehicle speed.
 また、ヘッドユニット10は、さらに、利用者が車両50の窓又はドアを開けた場合、エンジンを停止した場合、またはエンジンを起動した場合、等に応じて、自動的に入力音の音量を下げたり、ミュートしたりすることを入力端子5毎に異なった設定で行う構成とすることも可能である。 Further, the head unit 10 further reduces the volume of the input sound automatically in response to a user opening a window or door of the vehicle 50, stopping the engine, or starting the engine. It is also possible to adopt a configuration in which muting or muting is performed with different settings for each input terminal 5.
 次に、第2実施形態のタブレット端末15を利用する一例について説明する。このタブレット端末15は、公知の携帯型情報処理装置である。 Next, an example using the tablet terminal 15 of the second embodiment will be described. The tablet terminal 15 is a known portable information processing apparatus.
 図3に示す第2実施形態の例は、第1実施形態の例とは異なり、楽器100の出力端子と室内の入力端子5とを各種ケーブル等で接続する構成ではなく、楽器100とヘッドユニット10(またはタブレット端末15)とを無線通信で接続する構成である。タブレット端末15とヘッドユニット10との間は、無線通信でもよいし、有線通信でもよい。図3の例では、タブレット端末15とヘッドユニット10は、HDMI(High-Definition Multimedia Interface:登録商標)ケーブルで有線で接続されている。 The example of the second embodiment shown in FIG. 3 is different from the example of the first embodiment in that the instrument 100 and the head unit are not configured to connect the output terminal of the instrument 100 and the indoor input terminal 5 with various cables or the like. 10 (or tablet terminal 15) is connected by wireless communication. Wireless communication or wired communication may be used between the tablet terminal 15 and the head unit 10. In the example of FIG. 3, the tablet terminal 15 and the head unit 10 are connected by a wired line with an HDMI (High-Definition Multimedia Interface: registered trademark) cable.
 第2実施形態は、音響空間に入力端子5が配置されていない。したがって、第2実施形態は、演奏者の位置情報を測定する。例えば、楽器100は、GPS(Global Positioning System 登録商標)によって楽器100の位置を測定する測位機能を有する。 In the second embodiment, the input terminal 5 is not arranged in the acoustic space. Therefore, 2nd Embodiment measures a player's positional information. For example, the musical instrument 100 has a positioning function for measuring the position of the musical instrument 100 by GPS (Global Positioning System registered trademark).
 また、位置情報は、例えば、マイクおよびスピーカ1を用いることでも測定することができる。ヘッドユニット10は、各スピーカ1から測定音を出力する。ヘッドユニット10は、測定音を出力した時刻を記録する。楽器100は、マイクを備える。楽器100は、当該マイクにより測定音を取得する。楽器100は、測定音を取得した時刻を記録する。楽器100は、測定音を取得した時刻情報を、ヘッドユニット10に送信する。ヘッドユニット10は、測定音を出力してからマイクで該測定音が取得されるまでの時間差から、スピーカ1と楽器100との距離を測定する。ヘッドユニット10は、複数のスピーカ1で測定を繰り返すことで、複数のスピーカ1と楽器100との距離を測定する。ヘッドユニット10は、3つのスピーカ1で測定を行なうと、楽器100の位置を一意に求めることができる。ヘッドユニット10は、車内の各スピーカ1の配置を例えばヘッドユニット10を原点とする直交座標系にプロットすることで、楽器100の車内の位置(座標)を測定することができる。あるいは、ヘッドユニット10は、座席毎に領域を設定することで、
 なお、同様の動作で、ヘッドユニット10は、タブレット端末15の位置情報を測定することも可能である。
The position information can also be measured by using, for example, a microphone and a speaker 1. The head unit 10 outputs measurement sound from each speaker 1. The head unit 10 records the time when the measurement sound is output. The musical instrument 100 includes a microphone. The musical instrument 100 acquires measurement sound using the microphone. The musical instrument 100 records the time when the measurement sound is acquired. The musical instrument 100 transmits time information when the measurement sound is acquired to the head unit 10. The head unit 10 measures the distance between the speaker 1 and the musical instrument 100 from the time difference from when the measurement sound is output until the measurement sound is acquired by the microphone. The head unit 10 measures the distance between the plurality of speakers 1 and the musical instrument 100 by repeating the measurement with the plurality of speakers 1. The head unit 10 can uniquely determine the position of the musical instrument 100 when measurement is performed with the three speakers 1. The head unit 10 can measure the position (coordinates) of the musical instrument 100 in the vehicle by plotting the arrangement of the speakers 1 in the vehicle in, for example, an orthogonal coordinate system with the head unit 10 as the origin. Alternatively, the head unit 10 sets an area for each seat,
Note that the head unit 10 can also measure the position information of the tablet terminal 15 by the same operation.
 ヘッドユニット10は、位置情報を受信すると、該位置情報に基づいて、スピーカ1の音量バランス又はEQ調整を行なう。例えば、ヘッドユニット10は、運転席51に楽器100が存在する旨の位置情報を受信した場合、運転席51の近傍右側のスピーカの音量を小さくして、左側のスピーカの音量を大きくすることで、左右から均一な音量の音が運転手に到達するように調整する。また、運転席51は、自動車のエンジンに近いため、演奏音がエンジン音にマスキングされないように、演奏音の周波数特性を調整する。 Upon receiving the position information, the head unit 10 performs volume balance or EQ adjustment of the speaker 1 based on the position information. For example, when the position information indicating that the musical instrument 100 is present in the driver seat 51 is received, the head unit 10 reduces the volume of the right speaker near the driver seat 51 and increases the volume of the left speaker. Adjust the sound from the left and right to reach the driver evenly. Further, since the driver's seat 51 is close to the engine of the automobile, the frequency characteristic of the performance sound is adjusted so that the performance sound is not masked by the engine sound.
 なお楽器100からヘッドユニット10またはタブレット端末15には、オーディオ信号を送信してもよいが、第2実施形態では、楽器100は、ヘッドユニット10またはタブレット端末15に、例えば、MIDI形式のデータ(以下「MIDIデータ」という)を送信する。MIDIデータは、オーディオ信号よりもデータ量が少ないため、無線通信には好適である。楽器100は、MIDI機器であり、演奏者の演奏操作に応じてMIDI形式で記述されたデータ(以下「MIDIデータ」)を生成する。MIDI機器は、MIDIデータを出力するためのMIDI出力端子のジャック(不図示)を備えており、このジャックに接続された外部機器に対して生成したMIDIデータを出力する。例えば、楽器100は、ヘッドユニット10のMIDI_I/F13に接続され、ヘッドユニット10にMIDIデータを送信する。 Note that an audio signal may be transmitted from the musical instrument 100 to the head unit 10 or the tablet terminal 15, but in the second embodiment, the musical instrument 100 transmits, for example, MIDI format data ( (Hereinafter referred to as “MIDI data”). Since MIDI data has a smaller data amount than an audio signal, it is suitable for wireless communication. The musical instrument 100 is a MIDI device, and generates data described in the MIDI format (hereinafter referred to as “MIDI data”) according to the performance operation of the performer. The MIDI device includes a jack (not shown) of a MIDI output terminal for outputting MIDI data, and outputs the generated MIDI data to an external device connected to the jack. For example, the musical instrument 100 is connected to the MIDI_I / F 13 of the head unit 10 and transmits MIDI data to the head unit 10.
 ヘッドユニット10は、入力したMIDIデータに基づいて、音源19におけるMIDI音源を駆動して、オーディオ信号を発生する。また、タブレット端末15にMIDI_I/Fがある場合には、タブレット端末15が、内蔵音源を駆動して、オーディオ信号を発生してもよい。この場合、タブレット端末15は、発生したオーディオ信号をヘッドユニット10に送信する。 The head unit 10 drives the MIDI sound source in the sound source 19 based on the input MIDI data to generate an audio signal. When the tablet terminal 15 has MIDI_I / F, the tablet terminal 15 may drive an internal sound source to generate an audio signal. In this case, the tablet terminal 15 transmits the generated audio signal to the head unit 10.
 この例では、楽器100が演奏データ送信装置となる。ヘッドユニット10またはタブレット端末15は、演奏データ受信装置となる。 In this example, the musical instrument 100 is a performance data transmission device. The head unit 10 or the tablet terminal 15 serves as a performance data receiving device.
 なお、無線通信に関しては、無線LAN、赤外線通信、又はブルートゥース(登録商標。以下、ブルートゥースについて登録商標という付記を省略する)等の種々の規格が用いられる。 For wireless communication, various standards such as wireless LAN, infrared communication, or Bluetooth (registered trademark; hereinafter, a registered trademark is omitted for Bluetooth) are used.
 次に、図5は、楽器を用いた音響方法の動作を示すフローチャートである。 Next, FIG. 5 is a flowchart showing the operation of the acoustic method using a musical instrument.
 第一出力ステップでは、楽器100に備えた出力端子(不図示)から音響空間の複数適所に設置された入力端子5に信号を出力する。このステップによって、楽器100は、データ信号を入力端子5に送信する(S1)。 In the first output step, a signal is output from an output terminal (not shown) provided in the musical instrument 100 to the input terminals 5 installed at a plurality of appropriate locations in the acoustic space. Through this step, the musical instrument 100 transmits a data signal to the input terminal 5 (S1).
 第一受信ステップでは、入力端子5で楽器100からのデータ信号を受信する(S2)。
 第二出力ステップでは、入力端子5からヘッドユニット10(AVアンプ)に信号を出力する(S3)。
 第二受信ステップでは、ヘッドユニット10(AVアンプ)で信号を受信する(S4)。
 ヘッドユニット10(AVアンプ)で各スピーカ1の音量バランス、EQ調整を行う(S5)。ただし、ステップS5は、ステップS1の前に行なってもよい。
 第三出力ステップでは、ヘッドユニット10(AVアンプ)から音響空間の複数適所に設置されたスピーカ1に信号を出力する(S6)。
In the first receiving step, the data signal from the musical instrument 100 is received at the input terminal 5 (S2).
In the second output step, a signal is output from the input terminal 5 to the head unit 10 (AV amplifier) (S3).
In the second receiving step, a signal is received by the head unit 10 (AV amplifier) (S4).
The head unit 10 (AV amplifier) adjusts the volume balance and EQ of each speaker 1 (S5). However, step S5 may be performed before step S1.
In the third output step, a signal is output from the head unit 10 (AV amplifier) to the speakers 1 installed at a plurality of appropriate locations in the acoustic space (S6).
 そして、これらのステップを経て、ヘッドユニット10(AVアンプ)は、接続された入力端子5に応じて、入力端子5に対応する位置において最適な音の設定となるように各スピーカ1の音量バランス又はEQ調整が行われた音をスピーカ1から出力する(S7)。 Then, through these steps, the head unit 10 (AV amplifier) balances the volume of each speaker 1 so that the optimum sound is set at a position corresponding to the input terminal 5 according to the connected input terminal 5. Or the sound in which EQ adjustment was performed is output from the speaker 1 (S7).
 尚、本発明は、上記説明した各実施形態1及び実施形態2により限定されるものではなく、本発明の要旨を逸脱しない範囲内で種々の改良、変形が可能であることは勿論である。 The present invention is not limited to the first and second embodiments described above, and various improvements and modifications can be made without departing from the spirit of the present invention.
 電子鍵盤楽器は楽器100の一例であり、その他の電子楽器であっても、室内で演奏するのに適していれば本発明の範疇となる。 The electronic keyboard instrument is an example of the musical instrument 100, and other electronic musical instruments are within the scope of the present invention as long as they are suitable for performance indoors.
 音響空間である車両50の室内は一例であり、車両50の室内他の、例えば、リビングルーム、会議室、音響ルーム、スタジオ、音楽教室、又は音楽室等のような室内であってもよい。 The interior of the vehicle 50, which is an acoustic space, is an example, and may be another interior of the vehicle 50 such as a living room, a conference room, an acoustic room, a studio, a music classroom, or a music room.
 楽器100の出力端子と音響空間に設置した入力端子5との間は有線接続による有線通信としているが、これは一例であり、ブルートゥース等の無線接続による無線通信でも可能である。 The wired communication between the output terminal of the musical instrument 100 and the input terminal 5 installed in the acoustic space is wired communication, but this is an example, and wireless communication by wireless connection such as Bluetooth is also possible.
 入力端子5とヘッドユニット10(AVアンプ)との間は有線接続による有線通信としているが、これは一例であり、ブルートゥース等の無線接続による無線通信でも可能である。 The wired communication between the input terminal 5 and the head unit 10 (AV amplifier) is a wired connection, but this is an example, and wireless communication using a wireless connection such as Bluetooth is also possible.
 スピーカ1とヘッドユニット10との間は、有線接続による有線通信としているが、これは一例であり、ブルートゥース等の無線接続による無線通信も可能である。 The wired communication between the speaker 1 and the head unit 10 is performed by wired connection, but this is an example, and wireless communication by wireless connection such as Bluetooth is also possible.
 モニタ20とヘッドユニット10との間は、有線接続により有線通信としているが、これは一例であり、ブルートゥース等の無線接続による無線通信であってもよい。 The wired communication between the monitor 20 and the head unit 10 is wired, but this is an example, and wireless communication by wireless connection such as Bluetooth may be used.
 楽器100とタブレット端末15との間は、無線接続による無線通信としているが、これは一例であり、有線接続による有線通信であってもよい。 The musical instrument 100 and the tablet terminal 15 are wirelessly connected by wireless connection, but this is an example, and wired communication by wired connection may be used.
 タブレット端末15とヘッドユニット10との間は有線接続による有線通信としているが、これは一例であり、無線接続による無線通信であってもよい。 The wired communication between the tablet terminal 15 and the head unit 10 is performed by wired connection, but this is an example, and wireless communication by wireless connection may be used.
 利用者が、タッチパネルを内蔵したモニタ20を用いてスピーカ1の音量バランス設定又はEQ調整を行うのは一例であり、ヘッドユニット10の操作パネル又はタッチパネルを内蔵した表示部を用いてスピーカ1の音量バランス設定又はEQ調整を行なってもよい。また、利用者は、タブレット端末15の操作パネル又はタッチパネルを内蔵した表示部においてもスピーカ1の音量バランス設定又はEQ調整を行なってもよい。 It is an example that the user performs volume balance setting or EQ adjustment of the speaker 1 using the monitor 20 with a built-in touch panel, and the volume of the speaker 1 using the operation panel of the head unit 10 or a display unit with a built-in touch panel. Balance setting or EQ adjustment may be performed. In addition, the user may perform volume balance setting or EQ adjustment of the speaker 1 also on a display unit with a built-in operation panel or touch panel of the tablet terminal 15.
 なお、イコライザ又は音源ボックスは、ヘッドユニット10に内蔵されるタイプであってもよいし、外付けタイプのものであってもよい。 Note that the equalizer or the sound source box may be a type built in the head unit 10 or an external type.
 次に、図8は、第3実施形態に係る音響システムにおける、車内の模式的な平面図である。図2と共通する構成については同一の符号を付し、同一の符号を付した構成は、説明を省略する。図9は、第3実施形態に係る音響システムの動作を示すフローチャートである。 Next, FIG. 8 is a schematic plan view of the interior of the vehicle in the acoustic system according to the third embodiment. Components that are the same as those in FIG. 2 are denoted by the same reference numerals, and descriptions of the components having the same reference numerals are omitted. FIG. 9 is a flowchart showing the operation of the sound system according to the third embodiment.
 この実施形態では、音響システムは、楽器100はなく、代わりに、2つのマイク105を備える。ただし、マイク105の数は、一例であり、音響システムは、1つまたはさらに多数のマイクを備えていてもよい。この例では、ユーザは、CDプレーヤ等で音楽を再生させ、マイク105を用いて歌唱を行なうことで、車内でカラオケを楽しむ。ユーザは、二列目シート53の左後部座席側及び三列目シート54の左後部座席側にいる。 In this embodiment, the acoustic system does not include the musical instrument 100 but includes two microphones 105 instead. However, the number of microphones 105 is an example, and the acoustic system may include one or more microphones. In this example, the user enjoys karaoke in the car by playing music using a CD player or the like and singing using the microphone 105. The user is on the left rear seat side of the second row seat 53 and on the left rear seat side of the third row seat 54.
 ヘッドユニット10のCPU14は、車内空間の聴取者の位置を検出する(S11)。例えば、図8の例では、二列目シート53の左後部座席側の入力端子5及び三列目シート54の左後部座席側の入力端子5に、それぞれマイク105が接続されている。したがって、CPU14は、二列目シート53の左後部座席側及び三列目シート54の左後部座席側に聴取者の位置を検出する。これにより、CPU14は、聴取者の位置を検出する検出部として機能する。 The CPU 14 of the head unit 10 detects the position of the listener in the interior space (S11). For example, in the example of FIG. 8, the microphone 105 is connected to the input terminal 5 on the left rear seat side of the second row seat 53 and the input terminal 5 on the left rear seat side of the third row seat 54. Therefore, the CPU 14 detects the position of the listener on the left rear seat side of the second row seat 53 and on the left rear seat side of the third row seat 54. Thereby, CPU14 functions as a detection part which detects a listener's position.
 CPU14は、DSP17に各種の信号処理をさせることにより、当該DSP17とともに、信号処理部を実現する。例えば、CPU14は、検出した聴取者の位置に応じて、車内空間に存在するスピーカ1に出力するオーディオ信号の音量調整を行なう(S12)。CPU14は、DSP17および出力I/F22を制御して、二列目シート53の左後部座席側のスピーカ1及び三列目シート54の左後部座席側のスピーカ1に対して、マイク105で取得された歌唱音に係るオーディオ信号を出力する。ヘッドユニット10は、左側のスピーカの音量を小さくして、右側のスピーカの音量を大きくすることで、左右から均一な音量の音がユーザに到達するように調整する。ヘッドユニット10は、運転席51および助手席52の近傍に設置されたスピーカについては、歌唱音に係るオーディオ信号のレベルを低くする。ただし、ヘッドユニット10は、CDプレーヤ等の音源から出力されるオーディオ信号については全てのスピーカ1に出力し、運転手には、音楽だけを聴かせることもできる。このように、CPU14は、ミキサ21における複数のチャンネルのオーディオ信号の音量バランスを調整する。 CPU14 implement | achieves a signal processing part with the said DSP17 by making DSP17 perform various signal processing. For example, the CPU 14 adjusts the volume of the audio signal output to the speaker 1 existing in the vehicle interior according to the detected position of the listener (S12). The CPU 14 controls the DSP 17 and the output I / F 22 and is acquired by the microphone 105 with respect to the speaker 1 on the left rear seat side of the second row seat 53 and the speaker 1 on the left rear seat side of the third row seat 54. An audio signal related to the singing sound is output. The head unit 10 adjusts the sound of a uniform volume from the left and right to reach the user by decreasing the volume of the left speaker and increasing the volume of the right speaker. The head unit 10 lowers the level of the audio signal related to the singing sound for the speakers installed in the vicinity of the driver seat 51 and the passenger seat 52. However, the head unit 10 outputs audio signals output from a sound source such as a CD player to all the speakers 1, and allows the driver to listen only to music. As described above, the CPU 14 adjusts the volume balance of the audio signals of the plurality of channels in the mixer 21.
 また、CPU14は、検出した聴取者の位置に応じて、車内空間に存在するスピーカ1に出力するオーディオ信号の音質調整を行なう(S13)。例えば、三列目のシート54のユーザは、自動車の後部扉に近く、ロードノイズ等の外乱音が目立つ可能性があるため、ヘッドユニット10は、ノイズ音の周波数特性に基づいて、音楽および歌唱音の周波数特性を調整する。ヘッドユニット10は、例えば、中音領域(例えば500~4kHz以上)レベルを高くする。外乱音等の周波数特性は、予め測定しておいてもよいし、マイク105で歌唱音が入力されていない時に実際の音を取得することで取得してもよい。このように、ヘッドユニット10のCPU14は、マイクなどを用いて聴取者の位置における音響環境を取得する音響環境取得部として機能する。また、この場合、CPU14は、音響環境取得部で取得した前記音響環境に応じて、車内空間に存在するスピーカに出力するオーディオ信号の処理を行なう。 Further, the CPU 14 adjusts the sound quality of the audio signal output to the speaker 1 existing in the vehicle interior according to the detected position of the listener (S13). For example, since the user of the seat 54 in the third row is close to the rear door of the automobile and there is a possibility that disturbance noise such as road noise is noticeable, the head unit 10 performs music and singing based on the frequency characteristics of the noise sound. Adjust the frequency characteristics of the sound. For example, the head unit 10 increases the level of the middle sound region (for example, 500 to 4 kHz or more). The frequency characteristics such as disturbance sound may be measured in advance, or may be acquired by acquiring an actual sound when no singing sound is input by the microphone 105. Thus, the CPU 14 of the head unit 10 functions as an acoustic environment acquisition unit that acquires the acoustic environment at the listener's position using a microphone or the like. In this case, the CPU 14 processes an audio signal to be output to a speaker existing in the vehicle interior according to the acoustic environment acquired by the acoustic environment acquisition unit.
 ヘッドユニット10は、音量調整及び音質調整を行なった後のオーディオ信号を、複数のスピーカ1に出力する(S14)。 The head unit 10 outputs the audio signal after the volume adjustment and the sound quality adjustment to the plurality of speakers 1 (S14).
 これにより、車内のユーザは、着座する位置に応じて最適な音量又は音質で、音楽および歌唱音を聴くことができる。 This allows a user in the car to listen to music and singing sound with an optimal volume or sound quality according to the seating position.
 なお、図8の例では、車内空間の所定箇所に設置された複数の入力端子5を備え、検出部(CPU14)は、複数の入力端子5のうち、マイク等の機器が接続された入力端子5に対応する位置において、聴取者を検出する構成である。しかし、ヘッドユニット10が、各スピーカ1から測定音を出力して、マイク105において当該測定音を取得するまでの時間差から、マイク105の位置を検出し、聴取者の位置を検出することも可能である。この場合、入力端子5は必須ではない。 In the example of FIG. 8, the input unit 5 includes a plurality of input terminals 5 installed at predetermined locations in the vehicle interior space, and the detection unit (CPU 14) is an input terminal to which a device such as a microphone is connected. In this configuration, a listener is detected at a position corresponding to 5. However, it is also possible to detect the position of the listener by detecting the position of the microphone 105 from the time difference from when the head unit 10 outputs the measurement sound from each speaker 1 until the microphone 105 acquires the measurement sound. It is. In this case, the input terminal 5 is not essential.
 また、図8の例では、マイク105を用いてカラオケを楽しむ例であるが、本実施形態の音響システムは、他の車内エンターテイメントに適用することが可能である。 8 is an example of enjoying karaoke using the microphone 105, the acoustic system of the present embodiment can be applied to other in-car entertainment.
 例えば、音響システムは、マイク105に替えて、上述のタブレット端末15、スマートフォン等の情報処理装置、携帯型のゲーム機、またはオーディオ信号出力端子を備えた知育玩具(タブレット型の玩具)等を備えていてもよい。この場合も、ヘッドユニット10は、複数の入力端子5のうち、マイク等の機器が接続された入力端子5に対応する位置において、聴取者を検出する。あるいは、ヘッドユニット10は、各スピーカ1から測定音を出力して、各機器のマイク(不図示)において当該測定音を取得するまでの時間差から、各機器の位置を検出し、聴取者の位置を検出することが可能である。この場合、複数の入力端子5は、必須ではない。タブレット端末15、スマートフォン等の情報処理装置、携帯型のゲーム機、またはオーディオ信号出力端子を備えた知育玩具(タブレット型の玩具)等の音響機器は、ヘッドユニット10に無線接続されてもよい。 For example, instead of the microphone 105, the acoustic system includes the above-described tablet terminal 15, an information processing device such as a smartphone, a portable game machine, or an educational toy (tablet toy) having an audio signal output terminal. It may be. Also in this case, the head unit 10 detects a listener at a position corresponding to the input terminal 5 to which a device such as a microphone is connected among the plurality of input terminals 5. Alternatively, the head unit 10 outputs the measurement sound from each speaker 1 and detects the position of each device from the time difference until the measurement sound is acquired by the microphone (not shown) of each device, and the position of the listener Can be detected. In this case, the plurality of input terminals 5 are not essential. An audio device such as a tablet terminal 15, an information processing apparatus such as a smartphone, a portable game machine, or an educational toy (tablet toy) equipped with an audio signal output terminal may be wirelessly connected to the head unit 10.
 次に、図10は、変形例1に係る音響システムにおける、車内の模式的な平面図である。図11は、変形例1に係る音響システムにおける、DSP17の機能的構成を示すブロック図である。図12は、変形例1に係る音響システムの動作を示すフローチャートである。 Next, FIG. 10 is a schematic plan view of the interior of the vehicle in the acoustic system according to the first modification. FIG. 11 is a block diagram illustrating a functional configuration of the DSP 17 in the acoustic system according to the first modification. FIG. 12 is a flowchart showing the operation of the acoustic system according to the first modification.
 変形例1に係る音響システムは、オーディオ信号の処理の他の例として、指向性を形成する(S131)。図11に示すように、DSP17は、機能的に、指向性形成部171を備えている。指向性形成部171は、入力された各チャンネルのオーディオ信号を複数のスピーカ1に分配する。指向性形成部171は、複数のスピーカ1に供給するオーディオ信号の遅延量を制御することで、スピーカ1から出力される音に所定の指向性を形成させる。例えば、指向性形成部171は、図10に示すように、複数のスピーカ1に供給されるオーディオ信号を、聴取者の位置(例えば二列目シート53の左後部座席側)と各スピーカ1との距離に応じて遅延させる。これにより、指向性形成部171は、聴取者の位置からスピーカ1までの距離を仮想的に変更する。各スピーカ1から出力された音は、聴取者の位置において同じタイミングで到達するため、高レベルの音として聴取される。各スピーカ1のオーディオ信号の音量が低い場合でも、聴取者の位置の聴取者は、ある程度の音量として聴くことができ、他の位置の聴取者は、低レベルの音量として聴こえる(あるいはほとんど聴こえない)。 The acoustic system according to Modification 1 forms directivity as another example of audio signal processing (S131). As shown in FIG. 11, the DSP 17 functionally includes a directivity forming unit 171. The directivity forming unit 171 distributes the input audio signal of each channel to the plurality of speakers 1. The directivity forming unit 171 controls the delay amount of the audio signal supplied to the plurality of speakers 1 to form a predetermined directivity in the sound output from the speakers 1. For example, as shown in FIG. 10, the directivity forming unit 171 sends audio signals supplied to the plurality of speakers 1 to the position of the listener (for example, the left rear seat side of the second row seat 53) and each speaker 1. Delay according to the distance. As a result, the directivity forming unit 171 virtually changes the distance from the listener's position to the speaker 1. Since the sound output from each speaker 1 arrives at the same timing at the listener's position, it is heard as a high-level sound. Even when the volume of the audio signal of each speaker 1 is low, the listener at the listener's position can listen to a certain volume, and the listener at other positions can hear (or hardly hear) the volume at a low level. ).
 よって、変形例1に係る音響システムでは、車内にいる各ユーザは、他のユーザに音を聴かせることなく、自身の所望する音だけを高レベルで聴くことができる。これにより、例えば、カラオケを行なうユーザは、自身の歌唱音を他の者に聴かせることなく、自身だけ聴くことができる。また、例えば、スマートフォン等の音声通話装置を用いて、外部(例えば自宅)と通話を行なう場合に、外部からの発言内容を自身だけが聞くことができる。 Therefore, in the acoustic system according to the first modification, each user in the vehicle can listen to only his / her desired sound at a high level without letting other users listen to the sound. Thereby, for example, a user who performs karaoke can listen only to himself / herself without letting others hear his / her singing sound. In addition, for example, when a call is made to the outside (for example, a home) using a voice call device such as a smartphone, only the content of the message from the outside can be heard.
 次に、図13は、変形例2に係る音響システムにおける、DSP17の機能的構成を示すブロック図である。図14は、変形例2に係る音響システムの動作を示すフローチャートである。 Next, FIG. 13 is a block diagram showing a functional configuration of the DSP 17 in the acoustic system according to the second modification. FIG. 14 is a flowchart showing the operation of the acoustic system according to the second modification.
 変形例2に係る音響システムは、オーディオ信号の処理の他の例として、エコーキャンセル処理を行なう(S150)。図13に示すように、DSP17は、機能的に、エコー除去部172を備えている。 The acoustic system according to Modification 2 performs echo cancellation processing as another example of audio signal processing (S150). As shown in FIG. 13, the DSP 17 functionally includes an echo removal unit 172.
 エコー除去部172は、スピーカ1に出力するオーディオ信号を入力する。エコー除去部172は、例えば、適応型フィルタによるエコー除去処理を行なう。エコー除去部172は、スピーカ1から出力された音が、車内の音響空間を経てマイク105に至る帰還成分を推定する。エコー除去部172は、車内の音響空間におけるインパルス応答を模擬したFIRフィルタでスピーカ1に出力するオーディオ信号を処理することにより、帰還成分を推定する。エコー除去部172は、推定した帰還成分をマイク105の取得した信号から除去する。エコー除去部172は、LMSまたはRLS等の適応アルゴリズムを用いて上記FIRフィルタのフィルタ係数を更新する。 The echo removal unit 172 inputs an audio signal to be output to the speaker 1. The echo removal unit 172 performs echo removal processing using an adaptive filter, for example. The echo removing unit 172 estimates a feedback component in which the sound output from the speaker 1 reaches the microphone 105 through the acoustic space in the vehicle. The echo removing unit 172 estimates the feedback component by processing the audio signal output to the speaker 1 with an FIR filter that simulates the impulse response in the acoustic space in the vehicle. The echo removing unit 172 removes the estimated feedback component from the signal acquired by the microphone 105. The echo removal unit 172 updates the filter coefficient of the FIR filter using an adaptive algorithm such as LMS or RLS.
 なお、エコーキャンセル処理は、指向性形成処理の前に行なってもよいが、例えば各スピーカ1に出力するオーディオ信号を用いて、個別にエコー除去処理を行なってもよい。 The echo cancellation process may be performed before the directivity forming process, but the echo cancellation process may be performed individually using, for example, an audio signal output to each speaker 1.
 この場合、ヘッドユニット10は、外部から受信した、通話先の音声だけでなく、CDプレーヤの再生音等の、音源からの音もキャンセルすることができる。よって、聴取者がCDプレーヤの再生音を聴きながら外部と通話を行なっても、外部には、CDプレーヤ等の再生音が送信されない。したがって、外部の通話者は、聴取者の発した声だけを明瞭に聴くことができる。 In this case, the head unit 10 can cancel not only the voice of the call destination received from the outside but also the sound from the sound source such as the playback sound of the CD player. Therefore, even if the listener makes a call with the outside while listening to the reproduction sound of the CD player, the reproduction sound of the CD player or the like is not transmitted to the outside. Therefore, the outside caller can clearly hear only the voice uttered by the listener.
 なお、本実施形態では、車内の空間に音を発するスピーカ1を設置する態様を示したが、聴取者は、他のスピーカの一例として、ヘッドフォンを用いてもよい。この場合、聴取者は、自身が聴きたい音だけを選択的に聴くことができる。例えば、図8の例において、ヘッドユニット10は、二列目シート53の左後部座席側の聴取者に対して、CDプレーヤ等の再生音と、マイク105で取得した歌唱音と、をスピーカ1から出力させる。一方で、ヘッドユニット10は、三列目シート54の左後部座席側が利用するヘッドフォン(不図示)に対して、通話先からの音声に係るオーディオ信号を出力する。これにより、二列目シート53の左後部座席側の聴取者は、カラオケを楽しみながら、三列目シート54の左後部座席側の聴取者は、通話を行なうことができる。なお、ヘッドフォンの利用の有無は、利用者からの手動入力で判断する。 In addition, although the aspect which installed the speaker 1 which emits a sound in the space in a vehicle was shown in this embodiment, the listener may use a headphone as an example of another speaker. In this case, the listener can selectively listen only to the sound he / she wants to listen to. For example, in the example of FIG. 8, the head unit 10 gives the speaker 1 the reproduction sound of the CD player and the singing sound acquired by the microphone 105 to the listener on the left rear seat side of the second row seat 53. Output from. On the other hand, the head unit 10 outputs an audio signal related to the voice from the call party to a headphone (not shown) used on the left rear seat side of the third row seat 54. Thus, the listener on the left rear seat side of the second row seat 53 can talk while the listener on the left rear seat side of the third row seat 54 enjoys karaoke. Whether or not headphones are used is determined by manual input from the user.
 また、ヘッドフォンを利用する場合には、ノイズキャンセル処理が好適である。ヘッドユニット10は、例えば、三列目シート54の左後部座席側の聴取者がヘッドフォンを利用している場合に、三列目シート54の左後部座席側のマイク105で取得したノイズ音を用いて、ノイズキャンセル処理を行なう。 Also, when using headphones, noise cancellation processing is suitable. For example, when the listener on the left rear seat side of the third row seat 54 uses headphones, the head unit 10 uses the noise sound acquired by the microphone 105 on the left rear seat side of the third row seat 54. Noise cancellation processing.
 変形例3
 変形例3に係る音響システムは、サウンドマスキングに関する。ヘッドユニット10は、車内の特定のユーザ(例えば運転者)に対して、マスカ音を出力する。例えば、二列目シート53または三列目シート54にユーザがいる場合に、運転席51側のスピーカ1から、内容を理解できないようにするマスカ音を出力する。マスカ音は、マスキング対象となる音声を撹乱する撹乱音と、連続的に発生する背景音と、断続的に発生する演出音と、からなることが好ましい。撹乱音は、例えば、人の音声を時間軸上あるいは周波数軸上で改変し、語彙的に何ら意味をなさない(内容が理解できない)ようにしたものである。背景音は、例えば小川のせせらぎや木々のざわめき等、聴取者が注目し難く、不快感のない音である。演出音は、断続的に発生する楽音等の演出性の高い音である。演出音は、聴取者の注意を向けさせ、聴覚心理的に撹乱音の違和感を目立たなくする。これらの撹乱音、背景音、および演出音を組み合わせたマスカ音を運転者に聴取させることで、後部座席のユーザの会話内容をマスクしつつ、運転者の不快感を低減することが可能となる。
Modification 3
The acoustic system according to Modification 3 relates to sound masking. The head unit 10 outputs a masker sound to a specific user (for example, a driver) in the vehicle. For example, when the user is in the second row seat 53 or the third row seat 54, a masker sound is output from the speaker 1 on the driver's seat 51 side so that the content cannot be understood. The masker sound is preferably composed of a disturbing sound that disturbs the sound to be masked, a background sound that is continuously generated, and an effect sound that is generated intermittently. For example, the disturbing sound is obtained by modifying a human voice on the time axis or the frequency axis so as to make no meaning in terms of vocabulary (the contents cannot be understood). The background sound is a sound that is difficult for the listener to pay attention and has no unpleasant feeling, such as a stream of a stream or a buzz of trees. The production sound is a high performance sound such as a musical sound generated intermittently. The production sound draws the attention of the listener and makes the unpleasantness of the disturbing sound inconspicuous. By making the driver listen to a masker sound that combines these disturbing sounds, background sounds, and production sounds, it is possible to reduce driver discomfort while masking the conversation contents of the user in the rear seat. .
 図15は、変形例4に係る音響システムにおける、車内の模式的な平面図である。変形例4に係る音響システムは、オーディオ信号の処理の他の例として、聴取者の周囲の所定の位置に音像を仮想定位させる。仮想定位は、頭部伝達関数(HRTF:Head-Related Transfer Function)により行なう。頭部伝達関数は、音源位置と聴者の耳との間の伝達関数を示す。頭部伝達関数は、ある位置に設置した仮想スピーカからそれぞれ左右の耳に至る音の大きさ、到達時間、および周波数特性等を表現したインパルス応答である。ヘッドユニット10は、利用者が映画のコンテンツを視聴している場合において、センタチャンネルのオーディオ信号に、モニタ20の位置から左右の耳に至る頭部伝達関数を付与する。頭部伝達関数による仮想定位は、ユーザがヘッドフォンを用いる場合に好適である。あるいは、頭部伝達関数による仮想定位は、ヘッドレスト等のユーザの直近にスピーカ1が設置されている場合も好適である。 FIG. 15 is a schematic plan view of the interior of the vehicle in the acoustic system according to the fourth modification. As another example of the audio signal processing, the acoustic system according to the modification 4 virtually localizes a sound image at a predetermined position around the listener. Virtual localization is performed by a head-related transfer function (HRTF). The head-related transfer function indicates a transfer function between the sound source position and the listener's ear. The head-related transfer function is an impulse response that represents the volume, arrival time, frequency characteristics, and the like of the sound from the virtual speaker installed at a certain position to the left and right ears. The head unit 10 gives a head-related transfer function from the position of the monitor 20 to the left and right ears to the center channel audio signal when the user is viewing the movie content. Virtual localization based on the head-related transfer function is suitable when the user uses headphones. Alternatively, the virtual localization based on the head-related transfer function is also suitable when the speaker 1 is installed in the immediate vicinity of the user such as a headrest.
 図15に示すように、モニタ20に位置に、センタチャンネルの音像が仮想定位することで、ユーザが
 図16は、変形例5に係る音響システムにおける、車内の模式的な平面図である。変形例5に係る音響システムは、コンサートホール等の音響空間で発生する反射音を模擬した擬似反射音501を再生することで、車内にいながらにして実際のコンサートホール等の別の空間に居るような臨場感を聴取者に体感させるものである。
As illustrated in FIG. 15, the sound image of the center channel is virtually localized at the position on the monitor 20, so that the user can perform a plan view of the interior of the vehicle in the acoustic system according to the fifth modification. The acoustic system according to the modified example 5 reproduces a pseudo reflected sound 501 that simulates a reflected sound generated in an acoustic space such as a concert hall, so that it can be present in another space such as an actual concert hall while in the vehicle. This is what makes the listener feel the feeling.
 ヘッドユニット10は、ユーザが選択した音響空間(例えばコンサートホール)に対応するインパルス応答をオーディオ信号に畳み込む。ヘッドユニット10は、各スピーカ1に供給する信号のゲイン比率および遅延量を変化させることで、図16に示すように、複数の位置に擬似反射音501を生成する。これにより、ユーザは、変形例5に係る処理も、ユーザがヘッドフォンを用いる場合、またはヘッドレスト等のユーザの直近にスピーカ1が設置されている場合に好適である。 The head unit 10 convolves an audio signal with an impulse response corresponding to an acoustic space (for example, a concert hall) selected by the user. The head unit 10 generates the pseudo reflected sound 501 at a plurality of positions as shown in FIG. 16 by changing the gain ratio and the delay amount of the signal supplied to each speaker 1. Thereby, the user is also suitable for the process according to the modified example 5 when the user uses headphones or when the speaker 1 is installed in the immediate vicinity of the user such as a headrest.
1…スピーカ
5…入力端子
10…ヘッドユニット
12…通信部
13…MIDI_I/F
14…CPU
15…タブレット端末
16…RAM
17…DSP
18…入力I/F
19…音源
20…モニタ
21…ミキサ
22…出力I/F
50…車両
51…運転席
52…助手席
53…二列目シート
54…三列目シート
70…蓋
80…スイッチ
100…楽器
101…筐体
102…背面
105…マイク
115…ROM
171…指向性形成部
172…エコー除去部
200…バス
501…擬似反射音
DESCRIPTION OF SYMBOLS 1 ... Speaker 5 ... Input terminal 10 ... Head unit 12 ... Communication part 13 ... MIDI_I / F
14 ... CPU
15 ... Tablet terminal 16 ... RAM
17 ... DSP
18 ... Input I / F
19 ... Sound source 20 ... Monitor 21 ... Mixer 22 ... Output I / F
50 ... Vehicle 51 ... Driver's seat 52 ... Passenger seat 53 ... Second row seat 54 ... Third row seat 70 ... Lid 80 ... Switch 100 ... Musical instrument 101 ... Housing 102 ... Back 105 ... Microphone 115 ... ROM
171 ... Directivity forming part 172 ... Echo removing part 200 ... Bus 501 ... Pseudo reflection sound

Claims (15)

  1.  出力端子を備えた楽器と、
     音響空間の複数適所に設置された、複数の入力端子と、
     音響空間の複数適所に設置された、複数のスピーカと、
     前記複数の入力端子及び前記複数のスピーカと接続され、複数のチャンネルをミキシング可能であり、前記複数の入力端子のうち、前記出力端子が接続される前記入力端子の位置に応じて前記複数のスピーカのそれぞれの音量バランス又はEQ調整を行う、アンプと、
     を備えた、楽器を用いた音響システム。
    An instrument with an output terminal,
    Multiple input terminals installed in multiple locations in the acoustic space;
    A plurality of speakers installed in a plurality of appropriate locations in an acoustic space;
    The plurality of speakers connected to the plurality of input terminals and the plurality of speakers and capable of mixing a plurality of channels, and the plurality of speakers according to positions of the input terminals to which the output terminals are connected among the plurality of input terminals. An amplifier for performing each volume balance or EQ adjustment,
    A sound system using a musical instrument.
  2.  前記複数の入力端子のうち少なくとも1つの前記入力端子はUSB端子であることを特徴とする請求項1に記載の楽器を用いた音響システム。 The acoustic system using a musical instrument according to claim 1, wherein at least one of the plurality of input terminals is a USB terminal.
  3.  前記複数の入力端子のうち少なくとも1つの前記入力端子にセンサー付きの蓋を備え、
     前記アンプは、前記蓋の状態に応じて前記入力端子からの入力をミュートすることを特徴とする請求項1又は請求項2に記載の楽器を用いた音響システム。
    A lid with a sensor is provided on at least one of the plurality of input terminals,
    The sound system using the musical instrument according to claim 1 or 2, wherein the amplifier mutes an input from the input terminal according to a state of the lid.
  4.  前記楽器又は前記アンプのいずれか一以上に音源を備えたことを特徴とする請求項1乃至請求項3のうちいずれか一に記載の楽器を用いた音響システム。 The sound system using the musical instrument according to any one of claims 1 to 3, wherein a sound source is provided in at least one of the musical instrument and the amplifier.
  5.  前記スピーカの音量バランス設定又はEQ調整を、ユーザから受け付ける調整受付部を備えた、請求項1乃至請求項4のうちいずれか一に記載の楽器を用いた音響システム。 The sound system using the musical instrument according to any one of claims 1 to 4, further comprising an adjustment receiving unit that receives a volume balance setting or EQ adjustment of the speaker from a user.
  6.  前記複数の入力端子のうち少なくとも1つの前記入力端子に、前記位置の指定を受け付けるスイッチを備えた、請求項1乃至請求項5のうちいずれか一に記載の楽器を用いた音響システム。 The acoustic system using the musical instrument according to any one of claims 1 to 5, wherein at least one of the plurality of input terminals includes a switch that receives the designation of the position.
  7.  楽器に備えた出力端子から音響空間の複数適所に設置された複数の入力端子に信号を出力し、
     前記複数の入力端子で信号を受信し、
     前記複数の入力端子からアンプに信号を出力し、
     前記アンプで信号を受信し、
     前記アンプにおいて、前記複数の入力端子のうち前記出力端子と接続された前記入力端子の位置に応じて前記複数のスピーカのそれぞれの音量バランス又はEQ調整を行い、
     前記アンプから音響空間の複数適所に設置された複数のスピーカに信号を出力する、
     楽器を用いた音響方法。
    Signals are output from the output terminals provided on the instrument to multiple input terminals installed at multiple locations in the acoustic space.
    Receiving signals at the plurality of input terminals;
    Output signals to the amplifier from the plurality of input terminals,
    Receive the signal with the amplifier,
    In the amplifier, according to the position of the input terminal connected to the output terminal among the plurality of input terminals, volume adjustment or EQ adjustment of each of the plurality of speakers is performed,
    Output signals from the amplifier to a plurality of speakers installed at a plurality of appropriate locations in the acoustic space.
    An acoustic method using a musical instrument.
  8.  車内空間の聴取者の位置を検出する検出部と、
     前記検出部で検出した前記聴取者の位置に応じて、前記車内空間に存在するスピーカに出力するオーディオ信号の処理を行なう、信号処理部と、
     を備えた音響機器。
    A detection unit for detecting the position of the listener in the interior space of the vehicle;
    A signal processing unit that performs processing of an audio signal output to a speaker that is present in the vehicle interior according to the position of the listener detected by the detection unit;
    Audio equipment equipped with.
  9.  前記車内空間の所定箇所に設置された複数の入力端子を備え、
     前記検出部は、前記複数の入力端子のうち、機器が接続された前記入力端子に対応する位置において、前記聴取者を検出する、
     請求項8に記載の音響機器。
    A plurality of input terminals installed at predetermined locations in the interior space of the vehicle,
    The detection unit detects the listener at a position corresponding to the input terminal to which a device is connected among the plurality of input terminals.
    The acoustic device according to claim 8.
  10.  前記複数の入力端子及び前記スピーカに接続され、複数のチャンネルのオーディオ信号をミキシングして、前記スピーカに出力するミキサを備え、
     前記信号処理部は、前記ミキサにおける前記複数のチャンネルのオーディオ信号の音量バランスを調整する、
     請求項9に記載の音響機器。
    A mixer that is connected to the plurality of input terminals and the speaker, mixes audio signals of a plurality of channels, and outputs the mixed signal to the speaker;
    The signal processing unit adjusts a volume balance of the audio signals of the plurality of channels in the mixer;
    The acoustic device according to claim 9.
  11.  前記信号処理部は、前記スピーカに出力するオーディオ信号の音量又は周波数特性の調整を行う、請求項8乃至請求項10のうちいずれか一に記載の音響機器。 The acoustic device according to any one of claims 8 to 10, wherein the signal processing unit adjusts a volume or a frequency characteristic of an audio signal output to the speaker.
  12.  前記信号処理部は、前記スピーカから出力される音が前記聴取者の位置に至るように、指向性を制御する、請求項8乃至請求項11のうちいずれか一に記載の音響機器。 The acoustic device according to any one of claims 8 to 11, wherein the signal processing unit controls directivity so that sound output from the speaker reaches a position of the listener.
  13.  前記聴取者の位置における音響環境を取得する音響環境取得部を備え、
     前記信号処理部は、前記音響環境取得部で取得した前記音響環境に応じて、前記車内空間に存在するスピーカに出力するオーディオ信号の処理を行なう、請求項8乃至請求項12のうちいずれか一に記載の音響機器。
    An acoustic environment acquisition unit for acquiring an acoustic environment at the position of the listener;
    The said signal processing part performs the process of the audio signal output to the speaker which exists in the said vehicle interior according to the said acoustic environment acquired by the said acoustic environment acquisition part, It is any one of Claims 8 thru | or 12. The audio equipment described in 1.
  14.  請求項8乃至請求項13のうちいずれか一に記載の音響機器と、
     前記ヘッドユニットに接続されるスピーカと、
     を備えた音響システム。
    The acoustic device according to any one of claims 8 to 13,
    A speaker connected to the head unit;
    Sound system with
  15.  前記スピーカは、ヘッドフォンを含む、請求項14に記載の音響システム。 The acoustic system according to claim 14, wherein the speaker includes a headphone.
PCT/JP2017/025546 2016-07-13 2017-07-13 Acoustic system using musical instrument, acoustic method using musical instrument, acoustic device, and acoustic system WO2018012589A1 (en)

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